#rafael toral

[voskhozhdeniye]

#Music #Rafael Toral

[dustedmagazine]

Listed: Magic Tuber String Band

Photo by Kristin Karch

The core of the Magic Tuber String Band consists of Courtney Werner on fiddle, Evan Morgan on guitar and banjo and both on occasional vocals and other acoustic instruments. Their approach involves combining traditional Appalachian instrumentation with the experimentalism of composers such as Henry Flynt, Harry Parch, and Pauline Oliveros. Field recordings and drones add texture to many of their tracks, and Werner and Morgan as well as their collaborators are formidable players. The arrangements are complex but not cluttered, with tunes often veering in unexpected directions. In his review for Dusted, Jim Marks described the band’s latest, Needlefall, as “the most satisfying in a five-year run of outstanding albums.”

Evan Morgan

Alan Clarke — Penda's Fen

I found out about this film (made for a BBC anthology series) from Rob Young’s book on British folk, Electric Eden. It is one of those immediately captivating films, almost perfectly made (and visually reminiscent of Tarkovsky's Nostalghia at times). The whole film builds towards a view of folk tradition and local history as an antidote to reactionary nationalism, all within the space of a coming-of-age story. We watched this for the first time recently and coincidentally were just asked to play before a screening of the film in Brattleboro this coming August for Epsilon Spires.

Alice Rohrwacher — La chimera

Alice Rohrwacher is really homing in on a kind of filmmaking that is related to the dialects of those films from the past we now think of as great films — but it is also something entirely her own. It's patient but also immediately spellbinding which feels like a rare quality these days. La chimera picks up the theme of a modern relationship to old ways that points towards communal culture as a way out of an increasingly privatized world. But it is also a lot more than that. It's both an obvious folktale and a dense dream. Would make a great double feature with Penda's Fen.

Mario Vargas Llosa — The War of the End of the World

I was completely blown away by this novel. I found it at a used bookstore last summer and waited until December to pick it up because of its intimidating length. It is an onslaught of character portraits, nearly everyone vividly rendered and memorable despite the book’s length and the pace of events, time rolling back, jumping ahead, and standing still. The story of the War of Canudos, one of a heavily armed state attacking the most disenfranchised members of its land in the name of democracy, makes TWOTEOTW a very timely read.

Ryan Davis & the Roadhouse Band — Dancing on the Edge

Easily my most listened to record of 2023 and still on heavy rotation on into 2024. We got to see Ryan & the Roadhouse Band play this material live in Athens a few weeks ago which was absolutely transcendent.

John Francis Flynn — Look Over the Wall, See the Sky

We have been living in Augusta, GA since December of last year and there’s something about this record that really clicks with the architecture and layout of the city. I go for walks with my dog every day on a trail that runs between the canal and the Savannah river. To the south, the trail leads towards a long-abandoned, late 19th-century textile mill; to the north, past the hidden ruins of an old fish camp squat and the (often) roaring stone headgates. This record builds a sense of place and that place is intended to be Dublin. But its transposable nature hints at a deep connection between certain places that have not entirely lost visible monuments to their past industry and daily life. I especially like the version on here of Ewan MacColl's “Dirty Old Town.”

Courtney Werner

Chaz Knapp and Mariel Roberts — Setting Fire to These Dark Times

Chaz Knapp invited me to improvise with him throughout the Ozarks in 2022 using fiddle, dulcimer, voice, tape loops and natural sounds. I’m inspired by his attention to space and the sound of landscapes. He and cellist Mariel Roberts released this incredible album in 2023.

Tatiana Hargreaves — Soledad

I saw Tatiana perform the Soledad compositions at a residency in Durham, NC in 2018 and it was one of the most influential live music experiences of my life. They blend elements of old-time and contemporary classical styles with extended techniques to create captivating solo fiddle pieces that inspired me to want to compose myself.

Rafael Toral — Spectral Evolution

One of my favorite albums of this year so far.

Zoh Amba — Bhakti

An incredible record full of life and heart.

Evan Parker — Evan Parker with Birds

One of my favorite examples of pushing an instrument to be an animal, and duetting with natural sounds.

#dusted magazine #listed #magic tuber string band #courtney werner #evan morgan #alan clarke #alice rohrwacher #mario vargas llosa #ryan davis & the roadhouse band #john francis flynn #chaz knapp #mariel roberts #tatiana hargreaves #rafael toral #zoh amba #evan parker

[altamontpt]

Rafael Toral - Spectral Evolution (2024)

Trinta anos depois, chega-nos o mais rico e abrangente disco da carreira de Rafael Toral.

Trinta anos depois, chega-nos o mais rico e abrangente disco da carreira de Rafael Toral. Talvez uma das palavras-chave para descrever a obra de Rafael Toral seja fluxo. Sejam os drones subtis de Aeriola Frequency até aos momentos mais frenéticos do Space Quartet, a sua música cristaliza o presente, convidando-nos a testemunhar cada som, ruído, ritmo ou reverberação com atenção total. Lançado…

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#Jim O’rourke #rafael toral

[beginningspod]

It's time for Beginnings, the podcast where writer and performer Andy Beckerman talks to the comedians, writers, filmmakers and musicians he admires about their earliest creative experiences and the numerous ways in which a creative life can unfold.

On today's episode, I talk to musician Rafael Toral. Born in Lisbon in 1967, Rafael has been intrigued by the potential of sound and the functions of music since he was a teenager. Working with electric guitar and electronics, in the 1990’s he pioneered a blend of ambient and rock and recorded acclaimed albums like Wave Field or Violence of Discovery and Calm of Acceptance. In 2004, he began the ambitious 15-year project entitled Space Program, which used experimental instruments to explore an approach to electronic music based on silence. Rafael has performed and recorded with everyone from Jim O’Rourke to Alvin Lucier, Phill Niblock, Sonic Youth and so many more, and his latest album, Spectral Evolution, a synthesis of everything he's explored over the course of his career, was just released in February on Drag City.

I'm on Twitter here and you can get the show with:

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#beginnings #rafael toral #portugal #experimental #drag city #jim o'rourke

[opineonionated]

Spectral Evolution

After a two-decade interlude, Jim O’Rourke’s Moikai returns with Spectral Evolution, a major new work by Rafael Toral. Making his name in the mid-1990s with influential guitar drone platters like "Sound Mind Sound Body" and "Wave Field" (both reissued by Drag City in recent years), Toral has never been one to rest on his laurels repeating his past glories. In the early years of the 21st century, Toral laid the guitar aside, along with the focus on extended tones that had defined much of his music until that point. He began his ‘Space Program’, a thirteen-year investigation of the performance possibilities of an ever-expanding set of custom electronic instruments, played with a fluid phrasing and rhythmic flexibility inspired by jazz. Dedicated to honing his skills on these idiosyncratic instruments, Toral has performed with them extensively both solo and in many collaborations, including in his Space Quartet, where his mini-amplifier feedback integrates seamlessly into the frontline of a classic post-free jazz quartet rounded out with saxophone, double bass, and drums.   Since 2017, Toral’s work has been entering a new phase, often still centred around the arsenal of self-built instruments developed in the Space Program, but with a renewed interest in the long tones and almost static textures of his earlier work; he has also, after more than a decade, returned to the electric guitar. Spectral Evolution is undoubtedly Toral’s most sophisticated work to date, bringing together seemingly incompatible threads from his entire career into a powerful new synthesis, both wildly experimental and emotionally affecting.   The record begins with a brief ‘Intro’ that sets the stage for the unique sound world explored throughout the remainder of its duration: over sparkling clean guitar figures, Toral stages a duet between two streams of modulated feedback, seeming less electronic than like mutant takes on a muted trumpet and an ocarina. This segues seamlessly into the stunning ‘Changes’, where a dense array of Space instruments solo with wild abandon over a thick carpet of slowly moving chords, growing increasingly chaotic over the course of eight minutes yet always fastened to the lush harmonic foundation. On these and many other moments on the record, Toral manages the almost miraculous feat of having his self-built electronic instruments (which in the past he had seen as ‘inadequate to play any music based on the Western system’) play in tune. In an unexpected sidestep away from any of his previous work, the chord changes that underpin many of the episodes on Spectral Evolution are derived from classic jazz harmony, including takes on the archetypal Gershwin ‘Rhythm changes’ and Ellington-Strayhorn’s ‘Take the “A” Train’, albeit slowed to such an extent that each chord becomes a kind of environment in its own right.   Threading together twelve distinct episodes into a flowing whole, "Spectral Evolution" alternates moments of airy instrumental interplay with dense sonic mass, breaking up the pieces based on chord changes with ambient ‘Spaces’. At points reduced to almost a whisper, at other moments Toral’s electronics wail, squelch, and squeak like David Tudor’s live-electronic rainforest. Similarly, his use of the guitar encompasses an enormous dynamic and textural range, from chiming chords to expansive drones, from crystal clarity to fuzzy grit: on the beautiful ‘Your Goodbye’, his filtered, distorted soloing recalls Loren Connors in its emotive depth and wandering melodic sensibility.  The product of three years of experimentation and recording, and synthesizing the insights of more than thirty years of musical research, "Spectral Evolution" is the quintessential album of guitar music from Rafael Toral. 

released February 23, 2024

#rafael toral #moikai #jim o'rourke #guitar #experimental #bandcamp

[narizentupidocartazes]

[2021] 25 de Setembro | OFFLINE | César Burago | André Tasso | Gonçalo Alegria | Andrew Swinnerton | Fernando Fadigas & Miguel Sá | Bruno Humberto | André Gonçalves | Isadora Alves | António Caramelo | Marte Von Calhau! | Rodrigo Pinheiro | Miguel Bonneville | Dayana Lucas | João Ferro Martins | Elisa Scarpa | Rafael Toral | Laetitia Morais | Camila Vale | Igreja St. George - Lisboa

Colaboração [Nariz Entupido | WrongWrong]

Cartaz [VA - Studio]

#Nariz Entupido #César Burago #André Tasso #Gonçalo Alegria #Andrew Swinnerton #Fernando Fadigas #Miguel Sá #Bruno Humberto #André Gonçalves #António Caramelo #Isadora Alves #Marte Von Calhau! #Igreja St. George #Lisboa #Rodrigo Pinheiro #Miguel Bonneville #Dayana Lucas #João Ferro Martins #Elisa Scarpa #Rafael Toral #Laetitia Morais #Camila Vale #Cartaz #VA - Studio #Música #2021

[radiophd]

rafael toral -- space elements I.I

#2000s #experimental #modern composition #rafael toral

[musicwithoutborders]

Rafael Toral, Loopability I I Sound Mind Sound Body (30th Anniversary Edition), 2018

#nowhere #Rafael Toral

[twistedsoulmusic]

What an exciting convergence of two significant events in the music world! Jim O’Rourke’s Moikai label has triumphantly returned after a long hiatus of over two decades, and talented Portuguese artist Rafael Toral has decided to revisit his roots by picking up his electric guitar once again, following a decade-long deep dive into the realm of self-built modular synthesis. Threading together twelve distinct episodes, Toral showcases his immense talent for blending experimental curiosity that is still wholly accessible. Spectral Evolution is soft and serene while still being bold and adventurous. Headphones recommended. 

#ambient #post free jazz #drone #guitar #Spotify

[vozglobal]

JCE continúa inauguraciones de nuevos espacios para acercar servicios a la población - Román Jáquez Liranzo destaca impacto del edificio en el que funcionará logística electoral  El Pleno de la Junta Central Electoral (JCE) continuó con las inauguraciones de espacios que buscan acercar los servicios a la ciudadanía, en el marco de tres conmemoraciones: el 101 aniversario de la fundación de la institución que tuvo lugar el pasado […] - https://vozglobal.com.do/noticias/jce-continua-inauguraciones-de-nuevos-espacios-para-acercar-servicios-a-la-poblacion/ - -

New Post has been published on https://vozglobal.com.do/noticias/jce-continua-inauguraciones-de-nuevos-espacios-para-acercar-servicios-a-la-poblacion/

JCE continúa inauguraciones de nuevos espacios para acercar servicios a la población

Román Jáquez Liranzo destaca impacto del edificio en el que funcionará logística electoral

 El Pleno de la Junta Central Electoral (JCE) continuó con las inauguraciones de espacios que buscan acercar los servicios a la ciudadanía, en el marco de tres conmemoraciones: el 101 aniversario de la fundación de la institución que tuvo lugar el pasado 12 de abril (1923-2024); los 100 años de haberse celebrado las primeras elecciones a través del órgano electoral; y los 20 años de haber logrado la conquista del voto en el exterior, que inició en el 2004.

Este miércoles se inauguraron las nuevas instalaciones de Logística Electoral, Ciudad de Identidad y Electoral, ubicadas en la avenida Isabel Aguiar número 239; el Edificio Administrativo, se encuentra justo detrás de la sede central; y el Edificio de Servicios (corrección administrativa, declaración tardía, cedulación VIP, transcripción, extranjería y Fonojunta), está ubicado en la avenida John F. Kennedy esquina Dr. Defilló.

Estuvieron presentes en estas inauguraciones los integrantes del Pleno de la JCE: Román Andrés Jáquez Liranzo, presidente; los miembros titulares Rafael Armando Vallejo Santelises, Dolores Altagracia Fernández Sánchez, Patricia Lorenzo Paniagua y Samir Rafael Chami Isa, quienes estuvieron acompañados de los miembros suplentes Vanahí Bello Dotel, Freddy Ángel Castro, Anibelca Rosario, Prado López e Hirayda Fernández.

Presentes, además, los directores de Informática, Johnny Rivera; de Elecciones, Mario Núñez; de Partidos Políticos, Lenis García; del Voto Dominicano en el Exterior, Well Sepúlveda; de Comunicaciones, Suedi León Jiménez, el resto del cuerpo directivo, entre otros colaboradores de la JCE, así como también delegados de las organizaciones políticas acreditadas ante el órgano electoral. 

“Logística Electoral es tronco toral del proceso”

El nuevo edificio de Ciudad de Identidad y Electoral, en el que funciona Logística Electoral, tiene 12,329 metros cuadrados y un costo de 227 millones de pesos, “y la proyección de la inversión será recuperada en menos de cinco años”, indicó Román Jáquez, quien procedió a detallar las demás inauguraciones.   

“En el día de hoy nos convocan esta inauguración y dos más, pero esta tiene una importancia muy particular porque impacta el proceso electoral”, resaltó Jáquez Liranzo al referirse al Edificio de Logística Electoral, la cual dijo es tronco toral del proceso.

El presidente de la JCE prosiguió explicando que la importancia de la logística electoral también radica en que es uno de los aspectos fundamentales que permiten la realización de los procesos electorales apegados a los estándares que exigen las buenas prácticas en materia electoral.

Añadió que la logística electoral ha sido un tema de interés constante para los órganos de administración electoral a nivel universal y que así lo ha destacado el diccionario de CAPPEL, donde se destaca lo siguiente: “En el ámbito electoral el término logística se usa para referir un conjunto de actividades de la organización, preparación, administración y realización de los procesos electivos de los representantes políticos y gobernantes, bajo mecanismos y procedimientos establecidos en la ley que aseguran la emisión del voto de manera libre y pacífica  a todas las personas con derecho a participar”.

El presidente del órgano electoral indicó que la organización de las elecciones no podría entenderse sin un conjunto de actividades organizadas, de tal manera que funcionen si se tratara de un reloj.

“Por tal motivo, la autoridad electoral debe desarrollar un programa de logística que le permita cumplir en tiempo y forma esa tarea que incluyen aspectos de planificación, toma de decisión, adquisición de insumos y materiales, organización, almacenaje, empaque y distribución”, señaló el presidente de la JC, quien añadió que estos elementos permiten realizar un despliegue y ejecución eficaz y eficiente de la administración electoral de cara a las elecciones.

Inauguraciones anteriores

Aprovechó la ocasión para recordar que la semana pasada se llevaron a cabo varias inauguraciones que se suman a estas conmemoraciones y al objetivo de acercar los servicios a la ciudadanía.

“Hay motivos para conmemorar y el Pleno de la JCE ha aprovechado estas conmemoraciones para, desde la semana pasada, inaugurar en Luperón, Puerto Plata, un Palacio Electoral en el que funcionan el Centro de Cedulación, la Junta Electoral y la oficialía correspondiente.

También se inauguró la nueva sede de la Junta Electoral de Santiago con oficinas administrativas de ese municipio cabecera; se inauguró el Palacio Electoral de San Francisco de Macorís con sus dos oficialías, Centro de Cedulación, la Junta Electoral y otras oficinas afines a las funciones de la JCE.

Asimismo, resaltó la inauguración el pasado 12 de abril del Palacio Electoral de Samaná, el cual funcionan la Junta Electoral, la Oficialía y el Centro de Cedulación.

Además, se inauguraron en Santo Domingo Este, dos centros de expedición de actas y cédulas, una en Ciudad Juan Bosch y otra en Coral Mall. En la tarde de este mismo día también quedó inaugurado en Centro de Expedición de Actas y de Cédulas de Bella Vista Mall.      

“Descongestionando, descentralizando los centros de servicios para que las oficialías y los centros de cedulación puedan dar un mejor servicio y llevar la Junta a la ciudadanía”, resaltó Jáquez.

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Relacionado

, Inauguraciones,JCE

[13melekradyo]

30 Mart 2024 tarihli program kaydı.

Güncel drone/ambient kayıtlarından bir seçki // A selection of recent drone/ambient recordings. Download.

01 – Aidan Baker – Massiliensis (excerpt) 02 – Jakob Lindhagen & Dag Rosenqvist – Allt Vantar På Dig 03 – Giulio Aldinucci – Due Tempi 04 – Cat Tyson Hughes ft. Marine Eyes – Another Daylight 05 – zakè – Origin 06 – Rafael Toral – Fifths Twice 07 – Dronal – Softening 08 – The Golden Age Of Wrestling – Hollywood Loves You 09 – Concepción Huerta – From Another Place 10 – Alva Noto – Ectopia Interacting

#drone #ambient #yeni #new

[voskhozhdeniye]

#Music #Rafael Toral

[dustedmagazine]

Rafael Toral — Spectral Evolution (Moikai)

Portuguese guitarist Rafael Toral once described his music as “post-free jazz electronic music,” and he has spent the past couple decades bringing this concept to life, particularly with his Space Quartet group. In this context, Toral’s latest album Spectral Evolution, released on Jim O’Rourke’s newly-revived Moikai imprint, may be his most fully realized work. Toral’s early albums, such as Violence of Discovery and Calm of Acceptance and Wave Field, are purely ambient, filled with lush textures that unfold continuously without ever interrupting the blissed-out state they induce upon the listener. Spectral Evolution is similarly lush and textural, but also far more unpredictable than those early albums, and branches out into some fascinating directions.

Spectral Evolution sounds like the totality of Toral’s work and influences broken down to a granular level, meticulously crafted into one whole piece. Toral’s influence for this album wasn’t esoteric free jazz, but rather the basics of jazz harmony, specifically in ubiquitous pieces like Gershwin’s “Rhythm changes” and Ellington and Strayhorn’s “Take the ‘A’ Train.” The very first thing one hears on Spectral Evolution is Toral’s guitar, which calls to mind John McLaughlin on In A Silent Way, punctuated by chirping electronics. The electronics bear an obvious resemblance to birdsong — and that’s not just the album cover talking — but more importantly, they capture the collective nature of improvisation harmony in early jazz music, an impressive feat considering this is the work of one man. Soon the guitar gives way to overwhelming textures, the clearest link here to Toral’s early work. The contrast between the dissonant bleeps and bloops and the textures — hazy and warm but also sweeping and cinematic at the same time — and the way all of these disparate sounds collectively swirl together creates an uncanny feeling. Towards the end of the piece the guitar returns, but in a wah’d out, Eddie Hazel-esque form, something radically different from anything we’ve heard from Toral in the past.

In a recent interview with Tone Glow, Toral compared the album to a garden, stating “I wanted to have the soil, the substrate, as the harmonic ground, and instead of having these plants that were neatly arranged, I’d have a chaotic mess of weeds. So that’s how I had the idea of bringing in these electronic instruments. I thought I could make them sound like they were growing out of the chords.” Toral definitely succeeded in this sense, but much like how weeds also include dandelions, the electronics have their own alien beauty to them. That being said, though the electronics provide a healthy touch of danger, everything in the piece sounds perfectly in place. In that same interview, Toral also said that Spectral Evolution came into being through a lengthy process of tweaking and fine-tuning, and it shows. But the level of attention to detail pays off. It’s difficult to imagine the record being more fully-realized and immersive than it is, and it stands as a towering achievement in Toral’s formidable body of work. The album marks the exciting return of Moikai, and Jim O’Rourke has set the bar high for future releases. But Toral has always been around, constantly changing his sound and progressing as an artist without ever sacrificing the individualism of his approach.

Levi Dayan

#rafael toral #spectral evolution #moikai #levi dayan #ambient #electronic #drone #experimental #post free jazz

[jiminiatrashiiwa]

2024年　1~2月リリースの新譜・ベスト

2024年1~2月リリースの新譜から、よかったもの／よく聞いたもの16枚。 以下、リリース日順です。

Kali Uchis『Orquídeas』1/12（Geffen Records）

Folly Group『Down There!』1/12（So Young Records）

Surya Botofashina, Nate Mercereau & Carlos Nino『Subtle Movements』1/12（Leaving Records）

Mary Halvorson『Cloudward』1/19（Nonesuch Records）

PACKS『Melt the Honey』1/19（Fire Talk）

角銅真実『Contact』1/24（ユニバーサルミュージック）

The Smile『Wall of Eyes』1/26（XL Recordings）

Angry Blackmen『The Legend of ABM』1/26（ Deathbomb Arc）

Tapir!『The Pilgrim, Their God and the King of My Decrepit Mountain』1/26（Heavenly Recordings）

Ariel Kalma, Jeremiah Chiu & Marta Sofia『The Closest Thing to Silence』2/2（International Anthem）

Helado Negro『PHASOR』2/9（4AD）

Brittany Howard『What Now』2/9（Island Records）

Friko『Where we've been, Where we go from here』2/16（ATO Records）

Rafael Toral『Spectral Evolution』2/23（MOIKAI）

Steve Gunn & David Moore『Live in London』2/23（RVNG Intl.）

柴田聡子『Your Favorite Things』2/28（AWDR/LR2）

[still-single]

floatin’ into the weekend like https://www.mixcloud.com/mosurock/heathen-disco-show-369-22-february-2024/

Rafael Toral - Fifths Twice

Sam De La Rosa - La Rata

Carter Tutti - Driving Blind

Microstoria - Zuhause

Nina Simone - Consummation

Deep Tunnel Project - Chapter Verse Overture

Takashi Masabuchi/Ayami Suzuki/TOMO - Suikyo (excerpt)

Octo Octa - Hallway Visions

Flanger Magazine - Chart the Storm and Moon

Jessica Pratt - Life Is

The Midnight Steppers - Joy Destroyers

Sonic Youth - Expressway To Yr. Skull (live)

Roy Montgomery - The Passage of Forms

Crystalized Movements - Knowing the Sunrise

The Fates - Sheila

Pat Martino - Distant Land

[motorsportverso]

Resultado Etapa 8 Dakar Classic 2024

1-702-Lorenzo Traglio\Rudy Braini-Tecnosport-Nissan Pathifender-67 PTS

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Geral

1-714-ONDREJ KLYMCIW\JOSEF BROZ-Skoda LR130-KLYMCIW RACING-538 PTS

2-702-Lorenzo Traglio\Rudy Braini-Tecnosport-Nissan Pathifender-691 PTS

3-768-CARLOS MILLA\JAN ROSA-Toyota Land Cruiser-Factorytub-717 PTS

4-701-PAOLO TODESCHINI\DANIELLE BOTTALO-Toyota BJ71-Tecnosport-723 PTS

5-703-DIRK ROMPUY\LUIS GARCIA-Toyota DJ80-TH TRUCKS TEAM-1280 PTS

6-764-Maxence Gublin\Anthony Sousa-Bolides Racing-Land Rover Defender 110-1666 PTS

7-700-Juan Moreno\Lidia Rubio-Porsche 959-Moma Bikes Raid Team-1769 PTS

8-755-JORG SAND\PATRICK DIEMER-Mercedes 280GE-VOLKEL DAKAR TEAM-1820 PTS

9-761-Marco Ernesto\Alexia Giuni-Mitsubishi Pajero-R Team-1879 PTS

10-767-Amadeo Roige\Jorge Toral-Toyota KZJ95-Pedrega Team-2221 PTS

#dakar classic #dakar rally #RALLY DE REGULARIDADE #classic #Instagram