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jewelleria · 29 days

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I don’t usually talk about politics on here, if ever. But it’s been almost six months since the conflict in the Middle East flared up again, and I’m finally ready to start. Here are some of my thoughts.

I say ‘flared up’ because this has happened before and it’ll happen again. Because, even though what's currently going on is absolutely unprecedented, those of us who live in this part of the world are used to it. Let that sink in: we are used to this. And we shouldn’t have to be.

But I use that term for another reason: I don't want to accidentally call it the wrong thing lest I come under fire for being a genocidal maniac or a terrorist or a propaganda machine, etc., etc.—so let’s just call it ‘the war’ or ‘the conflict.’ Because that’s what it is. Doesn’t matter which side you’re on, who you love, or who you hate.

This post will, in all likelihood, sit in my drafts forever. If it does get posted, it certainly won’t be on my main, because I'm scared of being harassed (spoiler: she posted it on her main). I hate admitting that, but honestly? I’m fucking terrified.

I also feel like in order for anything I say on here (i.e. the hellscape of the internet) to be taken seriously, I have to somehow prove that a) I’m “educated” enough to talk about the conflict, and b) that my opinion lines up with what has been deemed the correct one. So, tedious and unnecessary though it is, I will tell you about my experience, because I have a feeling most of the people reading this post are not nearly as close to what’s happening as I am.

How do I explain where I live without actually explaining where I live? How do I say “I live in the Red Zone of international conflicts” without saying what I actually think? How do I convey the fear that grips me when I try to decide between saying “I live in Palestine” and “I live in Israel”? I don't really know. But I do know that names are important. I also know that, due to the various clickbaity monikers ascribed to the conflict, it would probably just be easier to point to a map.

I haven't always lived in the Middle East. I've lived in various places along America’s east coast, and traveled all over the world. But in short, I now live somewhere inside the crudely-drawn purple circle.

If you know anything about these borders you probably blanched a bit in sympathy, or maybe condolence. But in truth, it’s a shockingly normal existence. I don't feel like I've lived through the shifting of international relations or a war or anything. I just kind of feel like I did when COVID hit, that dull sameness as I wondered if this would be the only world-altering event to shape my life, or if there would be more.

I've been told that, in order for my brain to process all the horrific details of the past six months, there needs to be some element of cognitive dissonance—that falling into a sort of dissociative mindset is the only way to not go insane under the weight of it all. I think in some ways that’s true. I have been terrifyingly close to bus stop shootings when my commute wasn’t over; I have felt my apartment building shake with the reverberations of a missile strike; I have spent hours in underground shelters waiting for air raid sirens to stop.

But. I have also gone grocery shopping, and skipped class, and stayed up too late watching TV, and fed the cats on the street corner, and cried over a boy, and got myself AirPods just because, and taken out the trash, and done laundry on a delicate cycle, and bought overpriced lattes one too many days a week. I have looked at pretty things and taken out my phone because, despite it all, I still think that life is too short not to freeze the small moments.

So I'd say, all things considered, I live an incredibly privileged life—compared, of course, to those suffering in Gaza—one filled with sunsets and over-sweetened knafeh and every different color of sand. One that allows me to throw myself into a fandom-induced hyperfixation (or, alternatively, escape method) as I sit on the couch and crack open my laptop to write the next chapter of the fic I'm working on.

But there are bits of not-normalness that wheedle their way through the cracks. I pretend these moments are avoidable, even if they’re not.

They look like this: reading the news and seeing another idiotic, careless choice on Netanyahu’s part and groaning into my morning coffee. Watching Palestinian and Jewish children’s needless suffering posted on Instagram reels and feeling helpless. Opening my Tumblr DMs to find a message telling me to exterminate myself for reblogging a post that only seems like it’s about the war if you squint and tilt your head sideways.

These moments look like all the tiny ways I am reminded that I'm living in a post-October seventh world, where hearing a car backfire makes me jump out of my skin and the sound of a suitcase on pavement makes me look up at the sky and search for the war planes. They look like the heavy grief that is, and also isn’t, mine.

Here's the thing, though. I know you’re wondering when the ball will drop and my true opinion will be revealed. I know you’re waiting for me to reveal what demographic I'm a part of so that you, dear reader, can neatly slap a label on my head and sort me into some oversimplified category that lets you continue to think you understand this war.

No one wants to sit and ruminate on the difficult questions, the ones that make you wonder if maybe you’ve been tinkered with by the propaganda machine, if you might need to go back on what you’ve said or change your mind. We all strive for our perception of complicated issues to be a comfortable one.

But I know that no matter what I do, there will always be assumptions. So, while I shudder to reveal this information online, I think that maybe my most significant contribution to this meta-discussion spanning every facet of the internet is this:

I am a Jew.

Or, alternatively, I am: Jewish, יהודית, يَهُودِيٌّ, etc. Point is, I come from Jews. And, like any given person, I am a product of generation after generation of love.

I'm not going to take time to explain my heritage to you, or to prove that before all the expulsions and pogroms, there was an origin point. If you don’t believe that, perhaps it’s less of a factual problem and more of an ‘I don’t give weight to the beliefs of indigenous people’ problem. But, in case you want to spend time uselessly refuting this tiny point in a larger argument, you can inspect the photos below (it’s just a small chunk of my DNA test results). Alternatively, you can remember that interrogating someone in an attempt to make their indigeneity match your arbitrary criteria is generally not seen as good manners.

Now, let’s go back to thathateful message (read: poorly disguised death threat) I received in my Tumblr DMs. I think it was like two or three weeks ago. I had recently gained a new follower whose blog’s primary focus was the fandom I contribute to, so I followed them back. I saw in my notes that they were going through my posts and liking them—as one does when gaining a new mutual. Yippee!

Then they sent me this:

I tried to explain that hate speech is not a way to go about participating in political discourse, but the person had already blocked me immediately after sending that message. Then, assured by the fact that I surely would never see them complaining about me on their blog (because, as I said, they blocked me), they posted a shouting rant accusing me of sympathizing with colonizing settlers and declaring me a “racist Zionist fuck.” Oh, the wonders of incognito tabs.

Where this person drew these conclusions after reading my (reblogged) post about antisemitism…. I'm not actually sure. But I greatly sympathize with them, and hope that they weren’t too personally offended by my desire to not die.

For a while I contemplated this experience in my righteous anger, and tried to figure out a way to message this person. I wanted to explain that a) seeing a post about being Jewish and choosing to harass the creator about Israel is literally the definition of antisemitism and b) that sending a hateful DM and refusing to be held accountable is just childish and immature. But I gave up soon after—because, honestly, I knew it wasn’t worth my effort or energy. And I knew that I wouldn't be able to change their mind.

But I still remember staring at that rather unfortunate meme, accompanied by an all-caps message demanding for me to Free Palestine, and thinking: the post didn’t even have any buzzwords. I remember the swoop of dread and guilt and fear. I remember wondering why this kind of antisemitism felt worse, in that moment, than the kind that leaves bodies in its wake.

I remember thinking, I don’t have the power to free anyone.

I remember thinking, I’m so fucking tired.

And before you tell me that this conflict isn’t about religion—let me ask you some questions. Why is it that Israel is even called Israel? (Here’s why.) Why do Jews even want it? (Here’s why.) But also, if you actually read the charters of Islamist terrorist organizations like ISIS, Hamas, and Hezbollah (among others), they equate the modern state of Israel with the Jewish people, and they use the two entities interchangeably. So of course this conflict is religious. It’s never been anything but that.

But I do wonder, when faced with those who deny this fact: how do I prove, through an endless slew of what-about-isms and victim blaming, that I too am hurting? How do I show that empathy is dialectical, that I can care deeply for Palestinians and Gazans while also grieving my own people?

There's this thing that humans do, when we’re frustrated about politics and need to howl our opinions about it into the void until we feel better. We find like-minded souls, usually our friends and neighbors, and fret about the state of the world to each other until we’ve gone around in a satisfactory amount of circles. But these conversations never truly accomplish anything. They’re just a substitute, a stand-in catharsis, for what we really wish we could do: find someone who embodies the spirit of every Jew-hating internet troll, every ignorant justifier of terrorism, and scream ourselves hoarse at them until we change their mind.

But, of course, minds cannot be changed when they are determined to live in a state of irrational dislike. In Judaism, this way of thinking has a name: שנאת חינם (sinat hinam), or baseless hatred. It's a parasite with no definite cure, and it makes people bend over backwards to justify things like the massacre on October seventh, simply because the blame always needs to be placed on the Jews.

So when a Jew is faced with this unsolvable problem, there is only one response to be had, only one feeling to be felt: anger. And we are angry. Carrying around rage with nowhere to put it is exhausting. It's like a weight at the base of our neck that pushes down on our spine, bending it until we will inevitably snap under the pressure. I’m still waiting to break, even now.

I wish I could explain to someone who needs to hear it that terrorism against Israelis happens every single day here, and that we are never more than one degree of separation away from the brutal slaughter of a friend, lover, parent, sibling. I wish it would be enough to say that the majority of Israelis (which includes Arab-Israeli citizens who have the exact same rights as Jewish-Israelis) wish for peace every day without ever having seen what it looks like.

I wish I could show the world that Israel was founded as a socialist state, that it was built on communal values and born from a cluster of kibbutzim (small farming communities based on collective responsibility), and that what it is now isn’t what its people stand for.

I wish the world could open their eyes to what we Israelis have seen since the beginning: that Hamas is the enemy, Hamas is the one starving Palestinians and denying them aid, Hamas is the one who keeps rejecting ceasefire terms and denying their citizens basic human rights. Hamas is the governing body of Gaza, not Israel. Hamas is responsible for the wellbeing of the Palestinian people. And Hamas are the ones who are more determined to murder Jews—over and over and over again, in the most animalistic ways possible—than to look inwards and see the suffering they’ve inflicted on their own people. I wish it was easier to see that.

But the wishing, the asking how can people be so blind, is never enough. I can never just say, I promise I don't want war.

When I bear witness to this baseless hatred, I think of the victims of October seventh. I think of the women and girls who were raped and then murdered, forever unable to tell their stories. I think of the hostages, trapped underneath Gaza in dark tunnels, wondering if anyone will come for them. I think of Ori Ansbacher, of Ezra Schwartz, of Eyal, Gilad, and Naftali, of Lucy, Rina, and Maia Dee, of the Paley boys, of Ari Fuld and of Nachshon Wachsman. I think of all the innocent blood spilled because of terror-fueled hatred and the virus of antisemitism. I think of all the thousands of people who were brutally murdered in Israel, Jews and Muslims and Christians and humans, who will never see peace.

My ties to this land are knotted a thousand times over. Even when I leave, a part of me is left behind, waiting for me to claim it when I return. But when I see the grit it takes to live through this pain, when I see the suffering that paints the world the color of blood, I look to the heavens and I wonder why.

I ask God: is it worth all this? He doesn't answer. So I am the one, in the end, to answer my own question. I say, it has to be.

Feel free to send any genuine, respectful, and clarifying questions you may have to my inbox!

EDIT: just coming on here to say that I'm really touched & grateful for the love on this post. When I wrote it, I felt hopeless; I logged off of Tumblr for Shabbat, dreading the moment I would turn off my phone to find more hate in my inbox. Granted, I did find some, and responding to it was exhausting, but it wasn’t all hate. I read every kind reblog and comment, and the love was so much louder. Thank you, thank you, thank you. 🤍

Source Reading

The Whispered in Gaza Project by The Center for Peace Communications

Why Jews Cannot Stop Shaking Right Now by Dara Horn

Hamas Kidnapped My Father for Refusing to Be Their Puppet by Ala Mohammed Mushtaha

I Hope Someone Somewhere Is Being Kind to My Boy by Rachel Goldberg

The Struggle for Black Freedom Has Nothing to Do with Israel by Coleman Hughes

Israel Can Defend Itself and Uphold Its Values by The New York Times Editorial Board

There Is a Jewish Hope for Palestinian Liberation. It Must Survive by Peter Beinart

The Long Wait of the Hostages’ Families by Ruth Margalit

“By Any Means Necessary”: Hamas, Iran, and the Left by Armin Navabi

When People Tell You Who They Are, Believe Them by Bari Weiss

Hunger in Gaza: Blame Hamas, Not Israel by Yvette Miller

Benjamin Netanyahu Is Israel’s Worst Prime Minister Ever by Anshel Pfeffer

What Palestinians Really Think of Hamas by Amaney A. Jamal and Michael Robbins

The Decolonization Narrative Is Dangerous and False by Simon Sebag Montefiore

Understanding Hamas’s Genocidal Ideology by Bruce Hoffman

The Wisdom of Hamas by Matti Friedman

How the UN Discriminates Against Israel by Dina Rovner

This Muslim Israeli Woman Is the Future of the Middle East by The Free Press

Why Are Feminists Silent on Rape and Murder? by Bari Weiss

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shit-sorry-fuck-mybad · 4 months

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You wanna know who’s the best ally? It’s Ron “Slider” Kerner HEAR ME OUT—

It starts with Ice, because Slider was never homophobic, mainly because he never considered the idea of people around him being gay, he thinks he doesn’t have a reason to care

But then he meets Tom Kazansky and Tom Kazansky very quickly becomes his best friend, his brother

So when his brother tells him, voice shaking, hands fidgeting, eyes at the verge of tears, that he’s gay, Slider decides there and then that he would never be a reason for Ice to be scared

Of course he then meets Maverick Mitchell and thinks he might actually be homophobic because the thing Ice and Mav have going on is driving him insane

Slider realizes, as the relationship between Ice and Mav progresses, that now he needs to watch out for the both of them. He wants to convince himself that he’s only taking care of Mav because if they get caught then Ice goes down too, but deep down he cares, because he wouldn’t want Ice to be alone, to have no one on his side, no one watching his back, and Mav has no one, so it’s Slider’s job

Also I truly think Slider is the only straight person in his friend group but I didn’t want to make this post too long so I cut that out

#I have a long ass essay about Slider being the best ally but here is a short little bit of my rant #I love slider I love him he’s an asshole and the best man in the world #and I truly do believe he’s the best ally #icemav #top gun #tom iceman kazansky #pete maverick mitchell #ron slider kerner #I might delete this later :)

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people-wxtching · 2 years

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Yeah, I know many people have talked about this already but I need to say it as well before I explode.

I love visually seeing how the campers are all age accurately cast. In the books, it didn't hit me as hard because it was something I read when I myself was around 12. Even upon rereading I just go back to my 12-year-old body and the age is just this textual evidence that I KNOW exists but it doesn't truly impact me as much as it really should.

With this still, though, it's clearly visible how young all of them are. And it's scary. It's just the teaser trailer and it's already scary to think just how tiny and innocent they are, and how many hardships they have to go through at such a tender age.

But the scariest part about the scary part?

The youngest campers. That little girl (sorry for the bad quality) who's sitting right behind the girl with glasses looks around 7-8 at most. She's so small, so tiny, and yet she's at a camp where she has to learn how to survive and fight off monsters 100 times her size.

And the essence of all this is exactly what the movies failed to capture. The movies had a mostly adult cast, with zero ideas of what they were doing with the plot and characterization that could make the movies as impactful as the books, and focused a little too much on getting their Percabeth ship going, with absolutely no buildup of trust or slowly falling for each other or anything.

But with this show, I'm sure it'll be a lot more emotional and real because while it is sad that they're all just little kids, it's also a reflection of reality. Not every kid has a wonderful life; we all have to fight our own monsters no matter how young we may be, because life doesn't wait to see how old you are to throw problems at you. It doesn't have an age limit for trauma and hardships. The younger you are, the harder it impacts your life, and them being this small has a much more impactful meaning to it than watching almost adults go through the same problems that often get solved in an underwhelming manner.

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blondephenobarbitol · 4 months

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"Ted Spankoffski is so tragic" yes yes I agree with you but you know who we don't talk about enough?

The man, the myth, the legend, Ethan Green.

Everyone loves to talk about how much they love him, but you are all forgetting that he is heartbreaking.

So first of all, he loves Lex. Incredibly devoted. And you're thinking, "well obviously he loves his girlfriend?" But I am not exaggerating when I say nearly every decision this man makes is for the sake of making her happy.

He cares about her opinion of him. He cares about how she's feeling. Ethan literally has more emotional intelligence as a 19-20 year old than most grown men do. He was going to propose!

And then his relationship with Hannah. At the ripe old age of 19, Ethan steps into a fatherly role for his girlfriend's kid sister, and he fucking kills it. If he is devoted to Lex, he's protective of Hannah. He dies trying to fight off people that want to hurt her.

The first time we see him in Yellowjacket, he's trying to cheer Hannah up after her shop class accident. On Hannah's birthday, he takes her out to Pizza Pete's even though he doesn't have the money to spare. She is a priority to him. He even wears a little birthday celebration crown.

On top of that, he's a decent guy. Yes, he's not above threatening people or stealing, but his heart is always in the right place when he does it. He puts the effort into his relationship. He is shown apologizing when he fucks up and recognizing his mistakes. He saves Lex and Hannah's life's at the end of Yellowjacket.

Great, right? No. Not great. The narrative is consistently ruining his life.

He dies in Black Friday. Dies in a brutal way while being ambushed for a doll that he didn't have. He actually dies for nothing. And his very last words are "I'll get you to California, Lex. That way you don't gotta cry so much no more." Was Lex in the room? No. He was hallucinating her. Fucking devastating.

And then, his face gets worn by a dark god to torment Hannah. Hannah, one of the people he cared most about, is being toyed with by something wearing Ethan's face. You just know he's watching in the afterlife feeling utterly powerless.

There are timelines where Ethan and Lex accept larger jail sentences so that Hannah isn't left alone. He is not related to Hannah, or Lex. He has no real obligation to do that. He chooses to, for Hannah's sake. And has to spend years in jail.

In Yellowjacket, after all they've been through, after he bought the damn ring, the girls just leave him behind. He gets broken up with via a note while they escape to California. And you know it's for the better, you know it's for his own safety, but it still hurts.

There was even supposed to be a Nightmare Time episode where he comes back from the dead Pet-Cemetery style, murders Hannah, and then is tortured for eternity?? But then the Langs were like "No, actually, everyone would hate this." and thank God because Ethan does not need that on his plate.

Look at this. "We caught you a poki-man." He's too good I miss him so much.

This poor guy does nothing wrong and is constantly being punished. I need in my bones to have a universe where he marries Lex and they get custody of Hannah.

#ethan green #black friday musical #nightmare time #nmt #nmt2 #starkid #hatchetfield #hatchetverse #joey richter #robert manion #lex foster #hannah foster #long post #rant #essay

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lilyqueenoffrogs · 1 year

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Since The Batman(2022) I thought that no one could out grease Robert Patterson’s Bruce Wayne…

AND THEN I SAW RENFIELD!

My guy Renfield is the soggiest piece of toast I have EVER seen

Look at his fucking sweater!!! I can’t 😫

He is living in my head rent free

Also look at this fuckin scene

So creepy, such a story to be said, just mwah🤌

The story of the movie was also amazing so if you like lots of blood, vampires, and greasy little guys then watch this movie

#this is all I’m going to be thinking about #aaaaaa #he’s like if Gerard Way was a drown cat and work for Dracula #it was Creep by radio head and it fit his character so fucking well #I’m going to return with a full essay and a hyper fixation #lily’s rants #renfield #the batman 22 #renfield 2023

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liondanosaur · 4 months

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Dan and Phil, phandom expectations, the complexities of queer dynamics and how they are erased by people.

I'm going to start this by stating that this isn't directed towards anyone who makes jokes about things like "phivorce" or "our married dads" or fainting a bit (me too) over dan saying phil is a power bottom. It is also not to fault anyone for being young during 2009-2019 and not understanding boundaries or how badly you overstepped when you were a teen or younger, but about people who are still active in this community and have genuine expectations about Dan and Phil’s life and what they should be sharing with us.

For a long time, Dan and Phil's relationship has been romanticised and sexualised throughout many different mediums such as fanfics, tumblr blogs inspecting small movements and amounting them to intense theories and so on. Dan and Phil themselves have stated they don't have issues with fan fictions, and neither do I - however, overtime when people's basis for the fantasy of what dan and phil could do or could say have become distorted from reality (for some people within the fandom). Some examples would be, people's expectations on their sleeping situations, their sexual and romantic lives & the way that they would eventually "announce" their relationship.

But for me, the main issue has always ended up being the erasure of queer connections that tend to contradict what people expect from them. There is no basis with queer relationships for what they need to be, when two people find themselves in a queer relationship in any way, there's no expectation of the way it should play out. In heterosexual relationships, there is a worldwide accepted idea (which isn't fair, but has always been the assumed basis for along time) that it should be, dating, marriage, house and then children and so many different expectations of small things based on culture and country.

Queer couples don't have an outline and tend to be able to make their own.

The truth is, is that Dan and Phil will never fit into the heterosexual stereotypes people eagerly want from them, because they are two queer men. Queer relationships are unconventional fundamentally. Two people could be a couple and sleep in separate beds, never kiss and not engage in sexual acts together and still be a queer couple, they could also be married and sleep in the same bed but not be sexually involved or literally anything they choose, because there's no one telling them what to be. I won't make assumptions on what they are because this post is mainly about counteracting that , but all that I mean to say is that, every aspect of a queer relationship can just be decided by the two people, which tends to make for a relationship where things can be different from the normal concept of how we see heterosexual relationships displayed in media and in life. Queer people get to decide every small detail based on if they feel comfortable with those different things, instead of heterosexual relationships where a lot of the time people feel that there is a preconceived notion of how the relationship should play out.

There seems to be this agreement in the phandom that dan and phil haven't confirmed themselves fully to be dating, "but they are but aren't but are but aren't", and I think what people miss is that is what a queer relationship is like. No, dan and phil will most likely never make a video saying "we are married, this is the bed we sleep in together every night" and then kiss on camera, because why would anyone? They've said many times they are together, but people always crave more - because the way they say it isn't in some intensely straight on YouTube in your face manner, it's just casual - the same way its casual for anyone in a decade long queer relationship to not make a massive deal out of their relationship.

For a long time people have had a vision, due to imagine posts on Tumblr, fan fictions about it, and loads of other things, that it would be some grand announcement - that they are married and had a secret wedding and all of these over saturations of exceptions from two normal people who gave us the safe space and shared their lives with us. You will most likely always only receive dan agreeing that him and phil are 'just like a normal gay relationship', or describing themselves as "best friends, arch enemies, husbands, business partners, partners in crime, soulmates, just mates, who the fuck knows?'.

I think, for a lot of people who lived out their teenage or younger years of they lives reading, thinking or fantasising about dan and phil one day being out, the way it's occurred may have felt anticlimactic because of the high expectations of how someone would give out a really sensitive part of themselves to the world. To have lived in the thoughts that they would have made a big deal out of things, it can make the way they approach it seem disappointing in a way, to the point that people are still expecting an announcement about a marriage or at least their relationship some time soon - even though dan says he hates commitment (which can mean many different things, and people view what commitment is in various different ways), most gay couples don't tend to get married and phil's said how daunting having a wedding sounds in the past.

Dan and phil have an extremely special bond, one that even dan has explained transcends any human relationship, and to say that they might not share a bed, or maybe they aren’t romantic in ways you may expect, or maybe they are, or maybe there’s lots of complexities to the way they are with each other, those things don’t take away from the deep connection they have. People shouldn’t reduce their deep connection by the expectations of what they want a relationship to be, if they have separate beds, if they have a shared one, if they are comfortable in a middle ground of just existing in each others presence without ever tying a public word to what their dynamic is - all of it is down to them to share. When you experience such a strong connection with another person, and have for over a decade, it cannot be tied up in a neat bow for people, and it must be daunting to know that people have a preconceived notion of what they desire them to be, and that they can’t meet all the standards people want from them.

Dan and Phil transcend any normal expectations of a relationship, and to admit that isn’t to erase the connection they have, but rather to accept that this expectation of a heteronormative relationship between two queer individuals is limiting to how deep their connection truly is, and is erasing that queer connections are much different and can be much stronger than an average straight relationship. It is also important to not erase their friendship just to speak about their romantic relationship, because their platonic relationship is extremely important, and is something that is so special.

I guess the main consensus is that people need to understand the complexities of queer relationships, that queer platonic couples exist (which may not be what Dan and Phil are, they could be what lots of people want them to be, but there's no acknowledgement of the possibility of it being something like that), and that if you're going to be speaking about queer couples, at least comprehend how they aren't going to be a heteronormative idealistic couple, and how a lot of people need to stop expecting them to be.

This isn't to stomp on lighthearted jokes we and dan and phil make, like funny comments about our divorced dad's when dan went on tour or how we are the children of old gay rats or anything that is of course lighthearted fandom bantering and not something you expect them to actually ever meet the expectations of, but more so a commentary on the way that people still discuss things they have made clear that they do not want speculation on, and things they have many times set boundaries on. A lot of people's fantasy of a big "we are together" YouTube announcement most likely won't occur, because of the amount of times they have reiterated their want to keep private things private, and that is okay. That doesn’t take away from the strong relationship that is present between them or the magic in their videos or dynamic.

We all collectively love dan and phil, that's why we are all here, watch and love them. It's time, really, to accept that they are simply two amazing silly boys who live together in their forever home and choose to share their lives with us, and that should be enough for people, and if it isn't - it would be good (not in a cruel way, but from one phan to another) to reevaluate if you are overstepping something that is blatantly going over a boundary and if you have a fantasy image of them that you’re pushing onto them.

I’d also love to hear anyone else’s points on this topic as I feel like I could also write 800 more paragraphs, and if you have any additions or disagreements or just general discussion about it - I’m open to hearing anyones opinions as I think queer dynamics don’t get discussed enough :-] thank you for reading!

#my long essay has arrived #big rant moment oops #dan and phil #dnp #phan #dnpgames #dan howell #amazingphil #daniel howell #phil lester #danisnotonfire #queer community #queer

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hiya-im-mary · 1 year

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In Light Of Girly Teengirl

So,We’ve all seen the talk about Girly Teengirl from SpongeBob and how she deserved better,right?? And I agree!! We all love Girly Teengirl,and I hope she’s doing alright in Farawayville right now-!!

But while we’re on the topic of fictional girls who deserve so much better than what they were handed,I wanna give another example to the world-!!

THIS GIRL!!!!! She has no actual name,but I’m gonna call her Becky. Say hi to Becky,everyone!!

You probably reconise her from the Girlfriend music video…in which was pretty much a whole video dedicated to making her day a living nightmare (Aswell as Avril clips too)

Let’s start from the beginning.

Becky and her…honestly really douchey boyfriend (Let’s call him Aiden) are on their way to have a date at some sort of activity centre!! It’ll be a lovely day for the both of them,right?

WRONG BECAUSE THIS GIRL IS EXISTS!! Let’s call her Jade.

And Jade has decided to go out of her way to ruin Becky’s day and love life. Because she wants her dream emo boyfriend and considers preps as sub-human.

The moment Becky and Jade cross paths,things go downhill immediately. For Becky,anyway.

Let’s review the various acts of meanery Jade has enacted on Becky!

Made her crash during the car racing event (That might’ve been in the rules,but it was so she can test Aiden’s Will to cheat)

Forcefully threw Becky out of the PhotoBooth to snag some photos with Aiden,as well as her lacky friends blocking the entrance for Becky. (Let’s just call them Ray and Shay. Have fun guessing who’s who! )

As Becky and Aiden were reenacting the famed noodle kiss scene from Lady And The Tramp with a churro rather than a spaghetti noodle…Jade rudely interrupts and steals the churro for herself,clearly rubbing it in Becky’s face. There was good money payed for that churro?? Did Jade even eat it afterwards?? That’s a perfectly good churro put to waste :(

During golfing,one of Jade’s lackey friends notice Becky **GASP** Actually enjoying herself??? HOW DARE SHE?? So Jade tries to shoot her Golfball to go Spesifically for the readhead’s,well…head. And it works! It sends Becky tumbling into the water,and they all laugh at her misery! Full out,pointing as they laugh cackling!!

And to finish it off…Jade swoops in. She gets all personal with Aiden…and they kiss. They do the cheating. Much to Becky’s understandable rage! Which unfortunately goes no where as her attempt to tackle Jade doesn’t work.

So,I think you get my point!! Jade is a meanie head. She was aiming to get her grubby hands on Aiden and pull her out of Becky’s hands if it’s the last thing she’ll do-!!

But what’s even worse…Aiden was into it

It’s quite clear in the music video that Aiden is not very good at boyfriending for Becky. If he was,the moment Jade started her antics,he’d pull out the “Woah,chick!! I have a girlfriend who I’m happy with!!” card!! But NOPE

He was definitely enjoying Jade’s advances more than he was than being with Becky. He was clearly gonna go with goofing around in the PhotoBooth with Miss PunkRock rather than have a churro with his BORING prep girlfriend

He wasn’t even attempting to help Becky get out of the water when she fell in!!

And of course…he cheated.

He had not a care in the world for Becky. Who cares about some preppy redhead who gets happy for doing the easiest golf hole ever??

He’s no heartthrob!! He smells like disloyalty and 10 cans of Monster Energy!

It’s Potrayed as all fun and goofy in the music video,but you gotta take it into view!

Realistically,what did Becky even do?? Yeah,you maybe can say her body language and acting Potrayed her as a “mean girl”,but I think she was moreover just increasingly ticked off by Jade and her punk pal’s treatment of her and her boyfriend’s disloyalty!!

So what am I getting at??

I just want to see how many people agree with me!! I’ve been thinking about that music video a lot…I REALLY hated how Becky was treated XD

Well…Thanks for coming to my Ted Talk!!

#girly teengirl #SpongeBob girly teengirl #Girly Teen Girl #music videos #music video #avril lavigne #Avril lavinge girlfriend #girlfriend Avril lavinge #Rant #Essay #essay rant #rant essay #Nostalgia #2000’s nostalgia #2000s nostalgia #ted talks #Ted Talk

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merylstryfestan · 1 year

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so like, i know we're all into that kind of cute fuzz-ball angel vash, and i get it, i really do, but do you know what we don't talk enough about?

like, i'm just so much more interested in this. thematically. aesthetically. conceptually. like what's even going on here? i don't know, i just need more of this

vash and knives are not just humans with super powers. that's not what independents are. they are not at all human. they are alien in ways we can't even understand. like the above image is inherently gross and unsettling, that's just how humans have evolved to interpret something like this. and i just think that it's interesting that we as viewers eventually must come to terms with the fact that our silly goofy protagonist that we've been cheering for this whole time is really very inhuman in ways that we are naturally averse to.

(credit to @trigun-manga-overhaul for the image!)

#trigun #trimax #trigun maximum #trimax spoilers #vash the stampede #vash #and i could go on about how it just makes more sense that everyone considers vash a “monster” in this version #because yeah you're just some guy and you see that you're gonna run for the hills #but anyway that's my little rant #i could write a whole essay on this but we'll leave it at that for now #gabriel.txt

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public-trans-it · 7 months

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i would love to hear your dark spore rant. i didnt even know spore had a sequel.

Oh anon. Poor sweet anon. I’m so sorry.

So, the thing about Darkspore is…

… it was a really REALLY… mediocre game.

Like, the moment to moment gameplay was… fine. Just fine. Not incredible. But not BAD! Really, it only had two major flaws:

The first, it was buggy as hell. One particularly nasty bug was present in the games launcher, and on certain systems the game would fail to install at all. They were unable to ever fix this bug, which I speculate was a major reason the game was abandoned by the devs so quickly and lead to it being taken down from every major digital distribution site. You could still install and play it if you already bought it though! If… it actually installed for you.

Which leads us to the second flaw. It’s right there on the box.

“Internet connection required”

The game has Always Online DRM. All the levels, enemies, loot, your entire account, was all stored server side. And servers are expensive. So, when the games bugs became unwieldy and not worth fixing, and they took it offline… it became a money sink. It was a game generating ZERO revenue, but had huge server maintenance costs. So eventually, they just shut down the servers.

It is now very difficult to obtain the game, requiring you to buy one of the few unopened physical copies remaining. And even once you do have it, it is IMPOSSIBLE to play. There is a project called Resurrection Capsule in the works, some fans trying to create a private server for it. But with so much info stored server side, they basically have to recreate entire subsystems from scratch. It’s… not going very fast, and to my knowledge hasn’t been touched in over a year.

Story

The story of the game is pretty basic. A progenitor race of alien super-scientists create a new, synthetic form of DNA, called Exponential-DNA, or E-DNA. This rapidly mutates to create new life, and can be guided to create specific, specialized organisms, condensing thousands of years of evolution to a few hours. It can also be injected into existing creatures to alter them and make them more powerful. However it also linked everything affected by it into a hivemind. So it was outlawed. The creator of it decided to respond by creating a E-DNA virus, called The Darkspore, infecting himself with it, and spreading it across the galaxy and conquering it, wiping out his own race.

You play as another member of that race, who has been in hibernation for 1000 years while that was going down. Your ship AI has woken you up because it has managed to stabilize E-DNA and also keep it disconnected from the hivemind, and needs you to go kill the guy who took over the galaxy. That is how the game starts.

…

And how the story ends. There is not really any more story past that part. You get a cutscene describing each of the games 6 planets the first time you visit it, and a final “Hey you won!” cutscene after killing the final boss which ends with the cliche “implication the villain isn’t really dead” trope, and… that’s it. That’s the entire story. Not really the selling point of this game. Its not even entirely clear if it takes place in the same universe as Spore! It’s just set dressing for “Run through these 24 levels and beat everything up”

Gameplay

Darkspore was created by Maxis. This alone was HUGE. This was a team of developers who only really made lifesims like The Sims and Sim City, taking a stab at making a diablolike game.

And I GENUINELY BELIEVE every single studio out there needs to do shit like this. Designing for something so outside your wheelhouse creates SOOOOO much innovation so quickly. You get fresh new ideas injected into the genre so quickly. The final product won’t be good! You don’t have any damn experience in the genre! But it will create something unique beautiful, and god damn I wish we lived in a world where that alone was enough and devs weren’t focused on chasing profits instead.

Genesis

Genesis is just a fancy way of saying ‘Element’. There are 5 of them: Plasma (fire and lightning), Bio (plants and animals), Cyber (machines), Necro (death and fear), and Quantum (space and time) and the way they interact is… certainly a choice I guess. Each Darkspore you face has a genesis it falls into, and each of your heroes has one as well. If your Genesis matches that of the darkspore you are fighting at the moment, you take double damage and they take half damage. If they don’t match, all damage both ways is neutral.

The system itself is kinda mediocre. The biggest part of it, however, is the Variant Skills. Each Genesis has 4 unique skills tied to it that represent the common elements of that type.

Heroes

There are 25 heroes in the game, which each have one Genesis and one Class (Sentinel which are the tanks, Ravagers which are the DPS, and Tempest which are the Casters/Support)

Each hero has 4 total variants, with the first one you unlock being Alpha, and as you level up your account (heroes do not have their own levels) you eventually can purchase their Beta, Gamma, and Delta variants, with each variant having slightly different stats, and a different one of their Genesis’ 4 variant abilities.

Each hero has a unique basic attack, which USUALLY has a little extra to it. For example Sage shoots a bolt that hurts enemies it hits, but heals allies it hits. Zrin alternates between two different punches, one of which has a short duration DoT and the other of which has a 10% stun chance. Stuff like that.

They also have a passive effect that is always active while you are playing them. Collect a soul from each enemy killed for a 5% damage boost, 10% damage bonus when attacking from behind, a stacking defense buff every time you take damage, stuff like that.

Finally, a character has 2 unique abilities. One that is unique to them and can only be used while you are playing that hero, and a second ability that is everyone in the squad can use if that hero is present.

Squad Decks

Which brings me to the first rant and something I am SO AUTISTIC ABOUT (positive). SQUADS. The game had you craft Squad Decks, collections of 3 heroes that you can swap between during your missions, for a total of 883.2k squad combinations (I think my math might be off on that). Swapping between them is on a cooldown of about 10 seconds, but otherwise is don’t instantaneously and as often as you want without penalty. You always have 5 abilities active:

- The unique ability of your active hero

- The Genesis ability of your active heroes variant

- Hero 1’s Squad ability

- Hero 2’s Squad ability

- Hero 3’s squad ability

The first two abilities change out every time you swap heroes, but the last 3 are fixed. So you have 3 abilities that you always have access to, and 6 abilities that are paired up and you can swap between which pair of those abilities is active.

Your heroes do NOT share a health/energy pool, but DO share healing pickups. Any time you pick up a health or energy restoration pickup, it refills a chunk of the respective health pool of your currently active hero, and a smaller chunk of each of your inactive heroes in the squad.

So the core loop of moment to moment gameplay becomes swapping situationally between heroes both offensively and defensively, to get access to your other heroes skills and also to mitigate damage from enemies based on their genesis or control where your healing is directed.

Loot

Loot in Darkspore is fairly standard for your average Diablolike. Item drops have 4 tiers: Common (Item Level=Account Level-5), Uncommon (Item Level=Account Level), Rarified (Item Level=Account Level+5), and Purified (Item Level=Account Level+10)

Items of higher tiers have more chances to roll on a table to gain beneficial modifiers.

Each item fell into one of a few different categories: Weapon, Hands, Feet, Offensive, Defensive, or Utility.

Each hero has one of each slot, plus an additional slot based on their class. Ravagers have an extra Offense slot, Sentinels have an extra Defense slot, and Tempests have an extra Utility slot. Any hero can equip any item you gain, with the exception of Weapons that are hero specific. Some heroes also lack Hands or Feet, in which case their weapon has extra stats and can get the same modifiers as hands and feet can.

The items you equip can then be added onto the Hero in the Hero Editor. The Hero Editor is often equated to the Creature Editor in Spore, which is BULLSHIT and was a pet peeve of mine the ENTIRE DAMN TIME THE FAME WAS LIVE. This is a FALSE EQUIVALENCE. It uses the outfit editor from the Tribal/Civilization phases of Spore instead. Importantly: this means you cannot alter the overall silhouette of your hero. It will always maintain the same basic profile and animations. However you can freely place the extra parts you equip anywhere on its body, and can also place multiple copies of them.

Additionally, old parts can have their stats stripped, converting them into ‘Detail’ parts with no stats, of which you can equip 6 different parts, each of which you can include 10 copies of on your hero. So you could get some pretty cool looks from it!

However all this loot is garbage and you likely would not use most of it outside of appearance. Which brings me to…

Cash-out Loot

Usually if you mention the word ‘cash’ in any sentence involving a game published by EA, it would be a call for concern. Luckily this isn’t that! It’s just gambling! Everything is fine!

The main progression in Darkspore comes from gear, and the best gear comes from how good your ships engines are. These come from account upgrades as you level up your account, determining how many levels you can do in a row. Every time you complete a level, you are given an option: Keep going, or ‘cash out’ and get a guaranteed piece of Uncommon gear, with a 10% chance of it becoming Rarified, as well as all the gear you picked up in the level.

If you choose to keep going, you have to complete the next level. If you die, you lose ALL the gear you picked up, including that guaranteed piece. If you make it to the end, you are given another choice: Risk it all again and go on to the next level, or stop here and get your TWO pieces of guaranteed uncommon loot, which each now have a 20% chance of becoming rarified and a 5% chance of becoming purified.

You can only go another of levels equal to the number of Engine Upgrades you have earned by leveling up your account. So at first, after the second level you HAVE to cash out. As you progress you can start to do many more levels at a time, getting a dozen pieces of gear that are practically guaranteed to be the highest rank.

But of course you have to play these levels in order, and you don’t get a chance to upgrade your character with all the cool new loot you found on the way, so you can’t just jump straight into this. You have to slowly build up to being able to push yourself this much, and once you can, you have a readily available source of some of the best gear in the game.

And that ties into my absolute favorite system of Darkspore:

Catalysts

Many diablolikes have a mechanic called ‘Sockets’. The gear you equip has its own type of equipment slot, and you put gems in there that give you small bonuses. Every game does it a little differently, but it’s kind of a staple of the series.

Darkspore uses a similar system, but utilizes it VERY differently. While you are running levels, enemies will rarely drop Catalysts instead of loot. These come in 5 colors: Purple (boosts your base stats), Red (boosts offensive secondary stats like damage or attack speed), Blue (boosts defensive secondary stats like health regen or damage resistance), Green (boosts utility secondary stats like movement speed or lifesteal), and Rainbow (can contain any of the bonuses of the previous categories) They also come in two sizes: Big and Small. This determines how big the bonus from them is.

You have a 3x3 grid on your HUD that the catalysts you collect go into. You can rearrange them however you want, and if you create a line of 3 of the same color (Rainbow is a wildcard and matches with all of them), it will double the bonus of all Catalysts in that line. This stacks, meaning if you create multiple lines over a single catalyst it could get a x3, x4, or even x5 bonus if it’s the center piece of the grid and forms a line in every direction.

However, you can’t save Catalysts. You can equip it to the grid or drop it on the ground and move on. That’s it. You have to decide now. Do you keep that Big Purple you have for the big buff to your most important stat, or do you trade it for that Small Rainbow for a mediocre stat you just found that you can plug in the middle and double everything else in your grid?

“Surely that only matters early game, and once you have good catalysts you don’t swap them out that much, right?” I hear the diablolike veterans asking, because that is how socketing works in most of those games. And normally you would be right. Except for one major change: All your catalysts only last until the end of your run. When you get to the cash out screen, and choose to keep going? You keep them. But if you choose to cash out, or if you ever die, your catalysts all vanish. Every new run you have to go through and collect them again, which results in you playing your heroes in new ways and adopting new strategies based on what catalysts drop for you each run.

It’s an INCREDIBLE easy to learn system that adds SO MUCH depth and replayability to the game. I love it so incredibly much. Each mechanic flows elegantly into the the next. The catalysts help you do better runs which gets you better gear which upgrades your heroes which lets you do better runs, the entire spiral being locked into your account level to give a quantifiable metric of how far this spiral is gone. It was so good!

And now, it’s gone forever.

Man that sure was a long post. Friends have heard me go on this rant SO many times. Thank god I never got into a second mediocre game filled with novel innovations that are ultimately lost to time and can never be experienced again due to Always Online DRM making it unplayable. Can you imagine if I didn’t learn my lesson and did that a second time? Ha!

… I never did that again. Right?

… right?

…

HEX: Shards of Fate

Hex was a digital TCG legal battle with TCG elements created by Cryptozoic. It was originally put up on Kickstarter, advertised as a digital card game with both PvE and PvP modes, a unique focus on the design space opened up by being a digital game, and gameplay damn near identical to Magic: The Gathering.

The thinly veiled truth was that this game was never meant to succeed. They had hoped it would, and it would be great if it did, but I’m fairly certain that was always a secondary objective. The first objective was to get sued by Wizards of the Coast over the similarities to Magic: The Gathering.

Now, that might sound strange to an outsider, but to anyone in the industry, they are probably nodding along and going “Yeah that tracks actually.”

You see, Wizards of the Coast is… bad. Really bad. They do everything in their power to choke the life out of the industry and have resorted to a lot of questionable tactics to do so. One of these is against anyone who develops any form of trading card game. You see, WotC has a patent on booster packs, customizable decks of cards, and turning cards sideways.

Literally.

U.S. Patent No 5,662,332 (A)

It is not a coincidence that the second two biggest names in TCGs don’t involve turning your cards sideways. Konami contested that Yugioh was different enough to not violate the patent.

WotC responded by suing them. They settled out of court.

Nintendo actually hired WotC to design the Pokémon TCG to NOT violate the patent in return for WotC getting to distribute the first few sets. WotC gladly accepted, distributed the game, got their cut of the sales, and as soon as that was over….

WotC responded by suing them. They settled out of court.

Every single other game out there ended up paying royalties to WotC. Because the cut of the sales to WotC was cheaper than going to court even if you won. WotC had their fingers in every pie, but was smart enough to make sure not to piss people off so much that refusal was ever a viable option.

Cryptozoic was a company that, at the time, was making several licensed TCGs. The big one that jumps out was the World of Warcraft TCG, which they were in charge of (though it was originally made by Upper Deck). Cryptozoic was begrudgingly paying royalties because having the WoWTCG license was too good and they didn’t want to give that up. Then Hearthstone happened and Cryptozoic was going to lose the WoWTCG license as it got discontinued.

So Cryptozoic set up their new game, Hex, specifically to bait WotC into suing them, so they could get the patent overturned.

See, the patent isn’t actually valid. You cannot patent a game mechanic. There are certainly aspects of the patent that ARE valid and CAN be enforced, but the parts about mechanics can’t actually be enforced. WotC uses it because people can’t contest it, but if it actually was used in court it would get overturned VERY easily, and WotC would be declawed.

So Cryptozoic created a game that was a clone of MtG, used a Kickstarter to build up a large amount of legal funds, and got sued by WotC! Yes! Exactly what they wanted!

… and then they settled out of court.

Sigh.

I guess I’ll talk about the game now.

Lore

The lore of the game was solid. Pretty typical fantasy setting. Humans and elves and sort of racist orcs (better than most other orcs I’ve seen at least) and extremely racist tribal coyote people make up the good guys. Undead, spider-orcs, dwarves, and also pretty racist samurai rabbit people make up the bad guys.

There are two types of magic in the world: Blood magic and Wild magic. Elves are adept at wild magic. Shin’hare (the rabbit people) are adept at wild magic as well. The Shin’hare tried to take over the world, forcing the Orcs, Humans, Elves, and Cyotle to ally together to drive them underground into the underworld.

There the Shin’hare met and allied with the Vennen, an all male race descended from Orcs. They were adept blood mages, and they procreated by kidnapping orcs and using them as incubators for spiders. I fucking love the Vennen. I’ll focus on them a lot in this. The Vennen taught the Shin’hare how to sacrifice their young for more power.

The two then allied with the Dwarves, a genderless race of sentient stone statues who excel at creating machinery, and who believe the world itself is a giant machine. Specifically, a weapon of mass destruction, and they are trying to set it off. They believe blowing people the fuck up to be their natural calling.

The underworld and overworld forces go back and forth a bit, with the Elves doing a large chunk of the work as the only overworld race that can use magic.

Then Hex happened. Hex is a massive meteor made up of Diamond, Emerald, and Sapphire. Hex punched clean through the world, scattering gems all across it, before stabilizing in orbit on the other side, becoming the worlds moon.

These gems were incredibly magical, allowing every race to now use magic. Diamonds were restorative, bringing life to things. Rubies were extremely destructive and burned bright and hot and quickly. Sapphire allowed finesse manipulation and control over water. These

Yes this is just the MtG color pie.

Eventually, humanity stumbled into one of their old crypts that was very close to the impact site of Hex, and found it CRAWLING with undead. They were taking the Diamonds from Hex and putting them into the eye sockets of human corpses, causing those corpses to reanimate. These were NOT actually undead, but an alien consciousness that existed within the gems that were using human corpses as a host.

The Necrotic sought a peaceful and symbiotic relationship with humanity as thanks for the use of the bodies. Humanity responded by getting really pissed off that the Necrotic were grave robbing, and went to war over it. Eventually the Necrotic retreated deep into the underworld and allied with the other races instead, eventually helping the Shin’hare with a second attack on the surface.

The lore has a lot more depth than that, but that’s the basic. I liked it a lot. The Orcs being good guys who just really liked tests of strength was a refreshing take on orcs. I liked them a lot. The extremely racist caricature that made up the Cyotle and the Shin’hare? Less so.

Digital Design Space

As for the actual gameplay… it was MtG. Like, almost 1:1.

Like…

Seriously.

Shards work similarly to Lands, with there being 5 basic shards, Diamond, Sapphire, Ruby, Wild, and Blood. You can only play one Shard per turn and when you do you get 1/1 Resource. 1 resource to spend on this turn, and 1 permanent resource. You spend that resource to play a card that costs 1, and you go down to 0/1 resources. Start of your turn, you would go back up to 1/1 resource.

Pretty straight forward stuff. Resources are a card type like in MtG, but once it’s played it acts as a perpetual resource like the Mana in Hearthstone, with no need to care about where the resource is coming from.

… wait a second though, this is a MtG clone. It uses the color pie. Caring where those resources come from is KIND OF a big deal in MtG.

Which is the first really cool difference between Hex and MtG! THRESHOLD! Each time you play a shard you gain 1 threshold in that color. To play a card, you have to have at least as many threshold as are displayed below its cost. See that purple dot below Murder? That means you need 1 blood threshold to play it.

Threshold is NOT consumed when you play a card, which DRASTICALLY alters deckbuilding and how feasible multi-color decks are.

For example, in MtG, if you had 4 swamps and 1 mountain in play, and 5 cards in hand that all cost R…. You can play 1 whole card this turn.

In Hex, if you have 4 Blood and 1 Ruby, and have 5 cards that all cost 1 and have a single Ruby threshold, you can play your entire hand that turn. This made it incredibly viable to splash colors in relatively smaller amounts. It also opened up cool new design space, like cards that cost 1 but still required 3 threshold in a color. Or cards that require 1 threshold of every type to activate a bonus effect (very common among Necrotic) or… for sockets!

HEY WE ARE COMING FULL CIRCLE!

Remember how I mentioned Diablolike games having sockets, but how Darkspore didn’t use it? Well Hex DOES. There was a pair of keywords called Socketable Major and Socketable Minor. Each set, there would be 10 gems (two of each color) that rotated out for Socketable cards. Cards with Major sockets could equip any gem, while minor sockets could only equip half of them. So for example the current rotation might have the Sapphire gems be “While you have at least 1 Sapphire Threshold, this card has Flying” for its Minor gem, and “When you play this card, if you have at least 3 Sapphire Threshold, target player draws 3 cards”

You chose which gem was in each Socketable card during deckbuilding. Different copies of the same card could have different gems equipped, or you could have the same gem equipped across multiple different cards. It was basically a way to go “This card was designed to be splashed in other color decks. You pick what that other color is.”

It opened up a lot of design space! This was something Hex did VERY well. They knew they were making a MtG clone, but they weren’t beholden to the same restrictions a physical card game did, and they THRIVED in those areas.

For example, REPLICATORS GAMBIT, a one cost card that creates six copies of a troop (read: creature) that just… could not exist in MtG.

Another example of this was in my favorite archetype in Hex: Mill. Now, I’m not normally a blue player. I’m not a big fan of the ‘you don’t get to play the game’ archetype. Even mill isn’t really my thing. But the way it worked in HexTCG? God I loved it. I wish I could see my opponents faces as they reached a trembling hand out to their bloated, grotesque deck, a cruel mockery of what it once was. They had started the match with only 60 cards, but now it held twice that number. Knowing every draw was more likely to bring their own skittering death out.

…

Maybe I should back up a bit.

Vennen are, in MtG terms, tribal Blue/Black with a focus on control. Specifically an aggressive form of control. Your wincon is still ‘beat your opponent to death’, but the means by which you do it is… spiders.

Lots of Vennen cards work by still allowing your opponent to do the thing that you blocked, but it now creates Spider Eggs in their deck. Lock down a creature as it enters play with ‘Everytime this creature becomes tapped, shuffle 3 spider eggs into your deck’ or ‘Whenever an opponent draws a third card this turn add a spider egg to their deck’ or ‘When this creature is destroyed add a spider egg to your opponent’s deck’ and when they DRAW a spider egg… well… the effect of a spider egg is more or less ‘When this card enters your hand or graveyard, draw/discard another card into that zone and destroy this one. Your opponent creates a Spiderling and puts it in play. “

Spiderlings are 1/1 Unblockable creatures.

The Vennen win con is to just fill your opponent with spiders and then shred them apart once the spiders start hatching. It was a DELIGHTFUL playstyle.

PvE

Hex also features a fairly robust PvE mode with a point crawl encounter map that was quite delightful. There were cards unique to PvE, but all PvP cards were also legal in PvE. In general, all your staples came from PvP and were the same core staples everyone uses to win (they were very generous with handing out common/uncommon PvP cards in the single player mode, which in turn also made Pauper a very popular format), however you also had PvE cards which made up your win cons. PvE cards weren’t balanced as tightly, and allowed to just be dumb overpowered bullshit just because it’s fun to use dumb overpowered bullshit sometimes!

There were also equipment slots that would modify the cards in your deck, turning PvP cards into PvE cards. For example, Replicators Gambit made it so that EVERY copy of that card gained that text.

PvE started with character creation. You would create a character that was one of the 8 races, and one of 6 3 different classes. Warrior, Cleric, or Ranger. I think there was a late update that added Mage but I don’t recall too clearly, and it isn’t document online anymore as far as I can tell!

Each class had a unique talent tree that you could customize and change how you played. Your race determined what colors you could play, and your level determined how many of each rarity you could play.

I played a Vennen Cleric. Cleric’s whole thing was that you would gain Blessings, 0 cost cards that would rise in your deck each turn, and could be played to draw a card as well as additional effects based on your build. My blessings put more eggs in the enemy deck, to the surprise of no one.

As you went from encounter to encounter you would earn new cards to modify your deck, swapping decks between fights. Then there were dungeons, long laborious streaks of a dozen or so encounters, with branching paths and decisions to be made, earning you tons of new packs and equipment and experience to boost your character. One especially fun encounter was crossing a desert with a pack of… I think it was gnomes? There were 20 of them that needed rescuing. The way you rescued them was putting them in your deck, and then leaving the desert through a single combat encounter. Except they were AWFUL. Like 3 cost vanilla 1/1’s level of awful. The more you had in your deck, the harder the encounter became. It was a really nice way to portray the logistical challenge of trying to fight while protecting all these useless tagalongs.

There were plans to even introduce Raids, 3v1 PvE encounters, but they fizzled out as the game got sunset.

The game was good. REALLY good. It relished in the digital design space in a way I haven’t quite seen since then. A few games, like Legends of Runeterra, have come close, but always fall short, and that’s so sad! I DESPERATELY want to play a TCG with this level of customization again!

Luckily that was the end of it. I finally learned the error of my ways, never touched anything ‘always online’ again, and now can live a life without regrets! … except Legends of Runeterra a little bit like I mentioned above but THATS IT! There are no other always online games I have regrets about!

…

ToonTown Online

Okay no, not seriously. I’ve never played toontown. But honestly it looked kinda silly and like a shitpost in video game form. I think it would have been fun to try at some point with a few friends. Not seriously, just to screw around in for a bit.

Never going to get that chance. Just like nearly everyone reading this will never get to play two of my biggest influences that shaped how I think about game design.

Always Online DRM is an insidious beast. It doesn’t just kill games, it kills *archival*. All we have left of these games is a relatively small number of gameplay videos. I was planning on having a lot more pictures in this post of all the interface elements I was talking about as I talked about them, but there just… aren’t any good pictures of them. Even these details are based on my own memory cross referenced with a couple of wikis, and even those were sparse.

Some games can’t feasibly avoid Always Online. MMO’s are a big example. But by adding it into a game that has a single player experience involved, and not making that single player experience a standalone thing on its own, you are destroying any hope that your game will be remembered. It will fade into obscurity. There will never be a cult revival. Your work will be discarded and forgotten and it’s… so incredibly sad to see.

I jokingly titled this section being about ToonTown, but really this section is about Kingdom Hearts: Union X. It was a mediocre and disgustingly predatory gacha. It was horribly managed with horrible issues around localization and it was just… a mess. But it was part of the world of Kingdom Hearts, and it’s story was important and mattered.

The game is no longer playable, but it’s also not entirely lost. The devs created a new version of it, as a gallery to view the cutscenes. The single-player side mode, Dark Road, is also included. The devs didn’t have to do this. They could have gone the same route as Darkspore and HexTCG, and had their work be forgotten. They chose to save it. Not in full, but at least the parts the deemed important.

It also makes me wonder how much this happens in other mediums. Ludology is a pretty new field, and it rarely goes into specific games and their impact on the medium, mostly just focusing on the impacts they have on humanity, rather than the mechanics themselves as these beautiful pieces of art. And it makes me wonder how often this happens with say… film critics. Are there any indie film makers who are deep in the paint of indie films and critique of not just the films themselves, but the very techniques being used, just sitting there going “It’s so upsetting that this big studio managed to do something this beautiful and all of us in the scene recognize it’s beauty, but no one else seems to, and now it’s gone?”

… as I’m writing this I actually realize that this does happen there. It’s how I found out about what became my favorite film of all time, The Man From Earth. It’s a small film that flopped horribly in theaters, and only gained any attention by being pirated by a lot by indies who wanted to talk about it. It’s a good movie, highly recommend. Not for everyone though.

I don’t know. I’m sure I had a point with all this but… seeing it happen again and again and now with streaming services taking stuff down it’s just… I can’t help but seeing not just more and more games, but more and more of EVERY artistic medium ending up in this area. How many digital artists entire portfolios have vanished off the face of the earth because their tumblr got deactivated? How many movies are going to be gone forever when Netflix eventually goes out of business? We can’t even rely on piracy! Many old pieces of media is just lost forever. Just ask the Doctor Who fandom. They probably know more about that than anyone else at this point.

But mostly I just really wish more developers would consider what parts of their games are important, and what kind of legacy they want to leave, instead of just what will generate a short burst of profit, with no care for what happens after.

… I should start doing video essays with how long this got. It’s like some kind of text based video essay. A text essay. Those are a new thing I just invented.

#Darkspore #Spore #Those are the only two tags on this post because those are the only games I talk about don’t worry about it. it’s fine. don’t read further.#HexTCG #Hex: Shards of Fate #Kingdom Hearts: Union X #Always Online DRM #The Man From Earth #I swear to god if anyone tells me I should just play Temo on LoR I will scream #YES I KNOW AND I DO #but also LoR sucks #and also that is missing THE ENTIRE POINT OF THIS RANT #the SAME THING IS GOING TO HAPPEN TO LEGENDS OF RUNETERRA #maybe not soon #but it WILL die someday #and be gone forever #because it isn’t being preserved #Text Essay

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