If he would recite poetry to a lover on a lazy spring Sunday afternoon, then I'm adding them to the list of my favorite characters, no questions asked
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Loving the new profile picture! How are you guys doing with the upcoming winter holidays rush? As a fellow customer service worker, I would gather the stress is through the roof...?
Oh, I'm glad you like it! So do I~
...Raoul, Henry C, Alyosha, and Dorian have made a tent under one of the tables. They haven't left the café since last Thursday.
Oh, right! They say it's too cold to go back outside. And Raoul switched his obsession from pumpkin spice to peppermint.
I worry a network of similar tents is going to spring up.
Probably! Good idea.
Yves...
What? This way we'll have no holiday rush at all!
I'm going to put my head in the blender.
I'm going to unplug the blender, then. And you will look very silly.
Awwwww! The boys made room for Adam to come in the tent too!
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Careful the wish you make
Wishes are children
Careful the path they take
Wishes comes true
Not free
Careful the spell you cast
Not just on children
Sometime the spell may last
Past what you can see
And turn against you
Careful the tale you tell
That is the spell
Children will listen
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writing a resume like special talents include identifying different covers of the picture of Dorian gray even if the title is covered or obscured
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What do you think the Montely crew vs team Dracula would do on Valentinas day? Who will have a date? Who is going to use this day as an excuse to eat lots of chocolate? Who will drawn their sorrow and wallow in self-pity?
Quincey and Larry will go out on a date together. likely to the park or a zoo and then dinner.
Sherlock and Watson will probably also go out, though they won't actively acknowledge it's any kind of date.
Jekyll/Hyde is aromantic and doesn't really care about the holiday but he is sending flowers to any prominent or favored lady (and gentlemen) friends that he particularly likes. I see him considering sending chocolates but ending up eating them himself.
Selma is using the holiday as an excuse to bake heart shaped sweets for everyone. She'll pester Henry/Edward into helping her and he'll grumble but secretly enjoy himself.
Erik will be a little bitter, he can't stop wondering what Raoul and Christine are up to and while he hopes they're happy he's still going to feel kind of alone watching other couples. He will be drinking wine and listening to sad music until the holiday is over. Theo will hang out with him since she's doing pretty much the same thing. Though her vampirism is under control she still doesn't trust herself enough to try and date or hang out with anyone outside of the crew.
Adam may pick flowers and leave them for his friends, he'd busy himself with helping set up any festivities. If he is lucky enough to have a date of some kind he's going to do his best to dress up and let Watson instruct him on how to be a proper gentleman.
....
Dracula is indifferent to valentines day. He might find a fresh infant for his brides.
Carmilla and Laura are having a romantic evening in, there will be dancing and candlelight.
Griffin is gorging himself on chocolate he stole. He's not really concerned about dating but he has a bit of a sweet tooth so he's indulging. I can also see him enjoying the atmosphere and festivities.
Dorian Gray is waiting for love letters, wine, roses and candy to come flooding in. He may send a few gifts to some people who's favor he's trying to gain or he'll send gifts to one admirer for the sole purpose of making another jealous. Valentines day is for creating and basking in drama.
Dr Moreau will give his beast folk flowers and candy, not because he actually cares but because he understands that sometimes he needs to make them feel cared for or they might turn on him. Doesn't actually concern himself with Valentines day on a personal level.
Imhotep is a 3000 year old mummy, he predates Valentines day. But seeing everyone being romantic will make him feel a little sentimental and sad. He'll use it as an excuse to take a day off and work at his alchemy.
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Trey: *Trying to explain Riddle is that way because of his mom*
Me: Give me a minute as I pull up my ‘Trauma Doesn’t Excuse Sh*t Behavior’ PowerPoint.
Say it with me, everyone: an explanation is not an excuse 😊
You know, the other day I was watching one of Ryan George's Pitch Meetings and when Producer Guy asked Writer Guy how the audience would root for the villain of the franchise and the response was "he's handsome" which basically explains most people's reactions to fictional men.
Prepare for incoming rant that has little to do with the ask
This probably might come as a shock because one of the main appeal of twst would be the whole villainous aspect/Disney Villain fanbase but I don't really like villains that much, at least, not romantically. Like don't get me wrong, I think that they're incredible characters and it would be so fun to sit down with one and have a conversation with one. Villain songs are so fun (I was literally singing ‘This Day Aria’ to myself the other day I haven’t heard that song in like a decade) and you can tell that that characters like Scar or Hades or Shere Khan or Jafar or Maleficent are having so much fun being deliciously evil and even the more serious, complex ones like Loki or Frollo are fun to pick apart so yeah I understand the hype. I just always rooted for the heroes and I guess heroic characters have always been more my type.
My mother absolutely loves Erik Destler and is forever salty that Christine chose Raoul (despite my many many attempts at arguing why Raoulstine is the superior couple - smol primary school me could not understand why my mum liked the chandelier dropper and was deeply concerned), my best friend has been in love with Heathcliffe since we were eleven, and my little sister has literally told me that her type of fictional men are the toxic red flags (not exactly word for word but she did explain why she likes bad boys over good boys when I was complaining about how my type (wholesome soft boys) always get sidelined for the arrogant, snarky bad boys - we're also very diametrically opposed on our views of friends to lovers (my s++ tier all time favourite and her loathing) vs enemies to lovers (I can't really stand it - Pride and Prejudice is the only exception - and that's literally all she consumes) so that might also be a reason).
Like, I understand the appeal of a Byronic hero (Mr Darcy has far too much power) - a closed off, broody man that hates everything but you? And will burn down the world to keep you warm? I can respect that there are people who dig that. But their not really for me.
The mild bout of insanity thirteen year old me had where I spent two months attracted to Edward Rochester is an outlier and should not have been counted (though that was during my wattpad phase so...)
But I can admit that I have yet to shake off my feelings for Dr Henry Jekyll, Victor Frankenstein and Dorian Gray (though to be fair, Mr Gabriel John Utterson the lawyer and cinnamon roll artist boy Basil Hallward do own my heart). And yes, Jeremy Jordan did make me question my morality as he did make my feelings for Light Yagami be too positive to be sane for a brief moment (Touta Matsuda is still my man, don't worry). But apart from them, literally all of my faves are what you'd call your traditional, morally upright heroes.
Basically what I'm saying is that my perception might be skewed because I've never had the whole 'villains are cooler' mindset when it came to stories. Yes, I love the villains as characters but I always liked their heroic foils more (goodness is just so attractive to me). You get lots of amazing heroic protagonists that have horribly tragic backstories and they're the ones I always fall for because the idea of being a kind sweetheart despite the world being anything but is just *chef's kiss* that's a kind of strength that's so swoon-worthy.
I guess that's why it's harder for me to look past the characters' actions in twst is because, well, they chose to do everything they did. They made a conscious choice to be terrible, despite understanding the consequences. Riddle may have been brainwashed into becoming a tyrant by his mother but he still admitted that he knew he was being horrible - he understands the concept of morality, of good and bad, and he willingly and deliberately did everything he did.
I suppose this text post I found on Pinterest would explain my point better:
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on (best) friendship
happy birthday starlight <3
saintzacharie, confidants / raoul fernandes, by way of explanation / derivakat, blue moon / sharon cummings, never alone / amazing devil, the rockrose and the thistle / phoenix wright: ace attorney / death cab for cutie, when we drive / oscar wilde, the picture of dorian gray / chxrlotte, come with me / amal el-mohtar, this is how you lose the time war / hagen renaker figurines / discord emojis / supergiant games, hades / wendy cope, the orange (art by mary sheehan) / danez smith, acknowledgements / bakwaaas
@jzixuans
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Hello, and welcome to the 2023 Most Pathetic Gothlit Meow Meow showdown! Inspired by @gothlit-sexywoman-contest and @gothlit-sexyman-contest. I know we’ve been campaigning for the SEXIEST Gothlit character, but where it’s really at is who is the most pathetic. The most sopping wet. The saddest.
Here are this year’s matchups!
ROUND ONE MATCHUPS
Griffin (The Invisible Man) versus Lord Henry Wotton (The Picture of Dorian Gray)
Dorian Gray (The Picture of Dorian Gray) versus Adam, the Creature (Frankenstein)
Carmilla (Carmilla) versus Ernest Frankenstein (Frankenstein)
Henry Jekyll (The Strange Case of Dr. Jekyll and Mr. Hyde) versus Thomas Marvel (The Invisible Man)
Raoul de Chagny (The Phantom of the Opera) versus Victor Frankenstein (Frankenstein)
Gregor Samsa (The Metamorphosis) versus Robert Walton (Frankenstein)
Jack Seward (Dracula) versus Erik, The Phantom (The Phantom of the Opera)
Sydney Carton (A Tale of Two Cities) versus Basil Hallward (The Picture of Dorian Gray)
Voting will begin March 1st, 12 AM (CST). Asks will be open if you have any questions!
Best of luck to all of the meow meows!
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POTO adaptations analysis — Part 3 — The Phantom of the Paradise (1974), directed by Brian de Palma, starring Paul Willians, William Finley and Jessica Harper
this movie is a mix of Faust, The Phantom of the Opera and The Picture as a gothic/horror/comedy glamrock so you already know what to expect (and it was directed by Brian de Palma, the same dude who directed 1976's "Carrie")
Positive aspects (trying to not put the whole movie here):
– WHAT A FUCKING PHOTOGRAPHY, it barely looks like a 1970s movie fr
– WHAT A FUCKING SOUNDTRACK, no matter what genre plays during the movie it's so fucking iconic i love it 🥹
– Winslow Leach my beloved, aside from Erik Destler (Robert Englund) he's the best remade of original Erik we have, a little unhinged yet still pathetic and lovable
– Beef is ✨ICONIC✨ he SLAYS in gay 💅
– the figurine 🥹 omg what a fucking amazing techno-goth figurine
– the clips are so well made, the scene where Winslow rewrites his song for Phoenix while the red candle melts is probably my favorite
– Phoenix (our Christine/Marguerite) is so perfect and babygirl and girlboss iconic wonderful diva 💞
– AND, she and Winslow share the best platonic chemestry. I love them
– the mixt of tension, glamrock, comedy and tragedy are simpley perfect
– idk what's the meaning of this, but the characters are strangely related to birds: Swan, Phoenix and Winslow's mask
– speaking of mask, his design is PERFECT and it inspired Darth Vader's design (yes, Brian de Palma and George Lucas were friends and the POTP came out 2 years before Star Wars)
– as I said before, the movie mixes POTO, Faust and The Picture of Dorian Gray, in a perfect way ✨💅
– the movie also criticizes the music industry, with both Phoenix and other objectified women and the injustice that happens with Winslow Leach
– Swan is a hateful villain, but in a good way, he's also iconic and very well written (and acted)
– how the plot explores the paralels with Faust is so fantastic
– the scene where Winslow brings Phoenix to the rooftop looks like a reference to the 1925s POTO, where Erik as Red Death spies on Raoul and Christine
– Winslow's deformity is AWESOME
– the ending, tho tragic, gives Phoenix and Winslow the scene i wanted to see with Christine and Erik
Negative aspects:
– the scene where Winslow discovers the supernatural true about Swan and the deal he signed is kinda... convenient? Like, a hidden recording that explains the plot-twist? That's kinda of a scritp cheat
– i wish Phoenix had more scenes tho (she still slays)
Movie score: 9/10 🌕🌕🌕🌕🌗
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FUCK I’m so torn over this… you all have such good suggestions 😭 so here’s going to be the Three Choices…
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Characters/Personagens
Characters that I write about. This list can update from time to time.
Personagens que eu escrevo, a lista pode atualizar de vez em quando.
Fandom List/Lista de Fandom
Request rules and blog rules/ Regras de pedidos e regras do blog
Playlist
Animation/Animação
Castelvania
Alucard
Carmilla
Drácula
Hector
Isaac
Sypha Belnades
Trevor Belmont
Anime/Manga
Boku no Hero Academia
Atsuhiro Sako/ Mr. Compress
Aizawa Shouta/Eraserhead
Mirai Sasaki/Sir Nighteye
Nemuri Kayama/Midnight
Rumi Usagiyama/Mirko
Sekijiro Kan/Vlad King
Bungou Stray Dogs
Akiko Yosano
Ango Sakaguchi
Arthur Rimbaud
Chuya Nakahara
Doppo Kunikida
Edgar Alan Poe
F. Scott Fitzgerald
Fyodor Dostoevsky
Howard Lovecraft
Ivan Goncharov
Katai Tayama
Koyo Ozaki
Louisa May Alcott
Mark Twain
Nathaniel Hawthorne
Nikolai Gogol
Osamu Dazai
Ranpo Edogawa
Sakunosuke Oda
Sigma
T.J. Eckleburg
Tatsuhiko Shibusawa
Death Note
L
Light Yagami
Misa Amane
Naomi Misora
Raye Penber
Touta Matsuda
Haikyuu
Asahi Azumane (Time Skip)
Daichi Sawamura (Time Skip)
Ittetsu Takeda
Keishin Ukai
Manabu Naoi
Taoki Anabara
Hellsing
Alucard
Seras Victoria
Sir Integra Fairbrook Wingates Hellsing
Hunter X Hunter
Chrollo Lucifer
Franklin Bordeau
Feitan Portor
Illumi Zoldyck
Jed
Kastro
Kite
Knov
Kurapika Kurta
Leorio Paradinight
Machi Komacine
Omokage
Pakunoda
Pariston Hill
Phinks Magcub
Sadaso
Sedokan
Shaiapouf
Shalnark
Shizuku Murasaki
Shura
Uvogin
Wing
JoJo's Bizarre Advetures
Part 1
Bruford
Dio Brando
Erina Pendleton
Jonathan Joestar
Robert E.O. Speedwagon
Straizo
Part 2
Caesar A. Zeppeli
Esidisi
Joseph Joestar
Kars
Lisa Lisa
Suzi Q.
Wammu
Part 3
DIO
Hol Horse
Holy Kujo
Jean Pierre Polnareff
Mariah
Muhammad Avdol
Steely Dan
Telence T. D’ Arby
Part 4
Akira Otoishi
Jotaro Kujo
Kira Yoshikage
Mikitaka Hazekura
Rohan Kishibe
Shinobu Kawajiri
Terunosuke Miyamoto
Tomoko Higashikata
Tonio Trussardi
Part 5
Bruno Bucciarati
Diavolo
Formaggio
Ghiaccio
Guido Mista
Illuso
Leone Abbachio
Melone
Prosciutto
Risotto Nero
Scolippi
Vinegar Doppio
Part 6
Enrico Pucci
Ermes Costello
Gwess
Johngalli A.
Jolyne Kujo
Narciso Anasui
Weather Report
Naruto
Asuma Sarutobi
Chojuro
Deidara
Ebisu
Genma Shiranui
Hidan
Iruka Umino
Kabuto Yakushi
Kakashi Hatake
Kimimaru
Konan
Mizuki
Naruto Uzumaki (Boruto Era)
Orochimaru
Sasuke Uchiha
Tsunade
Zetsu
Sailor Moon
Souichi Tomoe
Shingeki no Kyojin
Armin Arlet
Bertholdt Hoover
Erwin Smith
Hange Zoë
Jean Kirschtein
Levi Ackerman
Marco Bodt
Miche”Mike” Zacharius
Sasha Braus
Soul Eater
Franken Stein
Books/Livros
Carmilla
Carmilla
Drácula
Count Drácula
Jonathan Harker
Lucy Westenra
Mina Harker
Frankstein
Victor Frankstein
Fallen Saga
Ariane Alter
Cameron Briel
Daniel Grigori
Roland Sparks
The Phantom of The Opera
Christine Daaé
Erik
Visconde Raoul de Chagny
The Picture of Dorian Gray
Basil Hallward
Dorian Gray
The Scarlet Letter
Arthur Dimmesdale
Hester Prynne
The Strange Case of Dr.Jekyll and Mr.Hyde
Beatrix Emery
Dr. Henry Jekyll
Edward Hyde
Twilight Saga
Alice Cullen
Caius
Dr. Carlisle Cullen
Jasper Hale
Comics/ HQ
DC Universe
Bane
Bruce Wayne/ The Batman
Clark Kent/ Superman
Corinthian
Death
Desire
Dick Grayson/ Nightwing
Edward Nygma/ Nashton/ Riddler
Harleen Quinzel/ Harley Quinn
Jason Todd/ Red Hood
Jervis Tetch/ Mad Hatter
Johanna Constantine
John Constantine
Jonathan Crane/ Scarecrow
Kate Kane/ Batwoman
Koriand’r/ Starfire
Lucifer Morningstar
Morpheus/ Dream
Oswald Cobblepot/ Penguin
Pamela Isley/ Poison Ivy
Selina Kyle/ Catwoman
Victor Fries/ Mr.Freeze
Zatanna Zatara
Marvel Comics Universe
Bucky Barnes/ Winter Soldier
Bruce Banner/ Hulk
Carol Danvers/Capitan Marvel
Charles Xavier/ Professor Xavier
Clint Barton/ Hawkeye
Durig
Eddie Brock
Elektra
Eric Brooks/ Blade
Erik Killmonger
Erik Magnus/ Magneto
Gamora
Hella Odinsdottir
Jake/Steven/Mark Grant/Moon Knight
Jane Foster/Lady Thor
Jennifer Walters/She-Hulk
Kang
Karen Page
Kate Bishop/Hawkeye
Kürt Wagner/ Nightcrawler
Layla El-Faouly
Logan/ Wolverine
Loki Laufeyson
Makkari
Mantis
Matt Murdock/ Daredevil
Maya Lopez/ Echo
Monica Rambeau / Spectrum
Natasha Romanoff/ Black Widow
Neena Thurman/ Domino
Ororo Munroe/ Storm
Peter Parker/Spider-man
Peter Parker/Spider- Noir
Peter Quill
Pietro Maximoff
Raven Darkholme/ Mystique
Remy LeBieau/ Gambit
Sam Wilson/ Capitain America
Scott Lang/ Ant-Man
Shang-Chi
Steve Rogers/ Capitan America
Stephen Strange/Doctor Strange
Sylvie Laufeydottir
Thena
Thor Odinson
Tony Stark / Iron-man
Valkyrie
Venom
Vision
Wanda Maximoff/ Scarlet Witch
Wade Wilson/ Deadpool
Movies/Filmes
Bram Stoker's Drácula
Count Dracula
Jonathan Harker
Lucy Westenra
Mina Harker
Scream
Ghostface
Sidney Prescot
The Boy
Brahms Heelshire
Greta Evans
The Phantom of the Opera
Christine Daaé
Erik
Visconde Raoul de Chagny
Underworld
Amelia
Karven
Lucian
Scott Speedman
Selene
Van Helsing
Anna Valerious
Aleera
Count Drácula
Gabriel Van Helsing
Series
Doctor Who
Doctor (9th-12th )
Rose Tyler
Midnight Mass
Erin Greene
Father Paul Hill
Riley Flynn
Sheriff Hassan
Sherlock (BBC)
James Moriarty
John Watson
Mary Morstan
Sherlock Holmes
Supernatural
Arcanjo Gabriel
Castiel
Charlie Bradbury
Crowley
Dean Winchester
Lucifer
Sam Winchester
The Boys
Annie January/ Starlight
Billy Butcher
Earving/Black Noir
Frenchie/Serge
Hughie Campbell
Kimiko
Margaret Shaw/Queen Maeve
Mother’s Milk/ MM
Tumblr Sexyman
You can ask me any Tumblr sexy Person
Video Games
Detroit Become Human
Connor
Gavin Reed
Hank Anderson
Kara
Luther
Markus
RK900
Five Nights At Freddy's
Phone Guy
Purple Guy
Genshin Impact
Albedo
Arataki Itto
Baizhu
Beidou
Capitano
Cyno
Diluc
Dottore
Eula
Jean
Kaeya
Kamisato Ayato
Kequing
Kujou Sara
Lisa
Ningguang
Pantalone
Rosaria
Sangonomiya Kokomi
Shenhe
Shogun Raiden
Tartaglia
Tighnari
Thoma
Xiao
Yae Miko
Yelan
Zhongli
John Doe
John Doe
Persona 5 Royal
Dr. Takuto Maruki
Goro Akechi
Resident Evil
Ada Wong
Alcina Dimitrescu
Carlos Oliveira
Karl Heisenberg
Leon S. Kennedy
Twisted Wonderland
Carter Diamond
Dire Crowley
Divus Crewel
Idia Shroud
Leona Kingscholar
Rook Hunt
Sam
Trey Clover
Vil Shoenheit
Thank You Very Very Much!
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the round hath roundeth 4 times now no way
... i don't know what i was doing with that. anyways
(losers bracket noms open until main bracket ends)
matchups below woo!
les amis de l'abc (les miserables) vs dorian gray/basil hallward/henry wotton (the picture of dorian gray)
rosencrantz/guildenstern (hamlet and ragad) vs antonio/sebastian (twelfth night and/or the tempest)
buttercup/westley (the princess bride) vs elizabeth bennett/fitzwilliam darcy (pride and prejudice)
henry clerval/victor frankenstein (frankenstein) vs ishmael/queequeg (moby dick)
nick carraway/jay gatsby (the great gatsby) vs benedick/beatrice (much ado about nothing)
samwise gamgee/frodo baggins (lord of the rings) vs erik/raoul de chagny/christine daae (the phantom of the opera)
mina harker/lucy westenra (dracula) vs lancelot/arthur/guinevere (arthurian legend)
hamlet/horatio (hamlet) vs jack seward/quincey morris (dracula)
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Ok last bit about Chapter 8 I swear.
The book finally arrived!
I didn't pay as much attention to the yellow book that finalizes Dorian Gray's corruption the first time as I did this time, so I really can't say if anything was changed between the Lippencott's manuscript and the 1891 book. What I can say is that there is definitely more to the description than I saw the first time.
The annotations are doing things like describing the Décadent movement and what real books that Wilde might have modeled Le Secret de Raoul, par Catulle Sarrazin off of. I don't think that the real life analogies are really that important. Sure it is nice to know that he had a genre in mind, but the book's textual description gives you that also, between its cover, the mash up of names belonging to Décadent authors (ok so the annotations are a little helpful), and the description of the book's content.
Really it is the content that sheds the most light. And not just the statement that it "is a poisonous book" -- a really interesting statement considering Wilde's general stance separating art from morality (Although again the annotations indicate this was a little more nuanced than I am making it. Wilde also claimed he was once poisoned by a book, assumed to be Pater's The Renaissance, see my reactions to the introduction for more information.)
Anyway, "it seemed to him that in exquisite raiment, and to the delicate sound of flutes, the sins of the world were passing in dumb-show before him. Things he had dimly dreamed of were suddenly made real to him. Things of which he had never dreamed were gradually revealed."
The book is highly contradictory. It speaks of soft, decadent things, of beauty, things one might find good, simultaneously with sin. The book has no plot, but then Wilde has a nearly paragraph long sentence describing the plot, which spans across the entire bredth of human experience. It contains "metaphors as monstrous as orchids," a flower known "during the Victorian era in England [...] as symbols of beauty, harmony, elegance, and luxury" as symbols of fertility in Ancient Greek culture and as symbols of "celebration, rebirth, and prosperity" in Ancient Roman culture (source), none of which seem exceptionally monstrous. (I listed the Ancient Greek and Ancient Roman meanings also because Wilde has a propensity for double meaning in reference to the Classical Era.)
Despite not clearly being good or bad, Dorian Gray emerges from the book, late to dinner, and as cynical as Lord Henry.
"I didn't say I liked it Harry. I said it fascinated me. There is a great difference."
"Ah, if you have discovered that, you have discovered a great deal."
I sort of view this transition as willful on Dorian Gray's part.
I remember something a little different (which might be coming still) in the 1891 book, in which Dorian's experience reading the book is more deeply described, especially in terms of the book's affect on his soul. I'll have to see if that eventually happens, or if that was something added to appease the censors.
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Online Response #5
11/28/22
Similarities between I am Not Your Negro and Paris is Burning
Despite each documentary covering distinctly separate topics, I am Not Your Negro (a social critique film directed by Raoul Peck, using James Baldwin’s words as a framework/commentary to support the film’s organization and narrative), and Paris is Burning (a chronicle of NYC ball culture and the African-American, Latino, gay, and transgender communities involved in it) share an obvious similarity in that they both seek to provide insight, and perhaps even empowerment, for marginalized groups. Beyond the surface analysis of minorities in America, however, the two films also share some similarities in narrative structure and their nuanced portrayals of imagined communities.
I am not your Negro takes a video-essay approach: it explores the history of racism in the US through a series of “chapters,” following Baldwin’s recollections of civil rights leaders Medgar Evers, Malcolm X, and Martin Luther King Jr, as well as his personal observations of American History. Paris is Burning is far from an essay–but it also provides structure by following the development of involved characters (in this case Pepper LaBeija, Dorian Corey, Angie Xtravaganza, and Willi Ninja, to name a few) while also separating scenes by vocabulary topics (e.g, voguing, houses, “mother,” “shade,” reading,” “legendary”).
Both films are portrayals of imagined communities. While Benedict Anderson uses the term “imagined communities” to discuss the spread of nationalism, this concept can be applied to communities of any size or self-identification. He describes nations as “imagined communities” because it allows us to identify with others in the nation-community, despite not ever knowing these other people as individuals. In I am not your Negro, Raoul Peck is speaking to African-Americans currently living in the United States. In Paris is Burning, Livingston observes, in particular, the ball culture of NYC—but in doing so, also provides insights on the larger US LGBT community as a whole.
Each film director is also deliberate in their nuanced portrayal of the communities at hand. The directors advocate for the better treatment of each marginalized group, while also showing each community's internal challenges and controversies. They highlight human dignity, rather than choosing to pedestal or make their subjects “model minorities.” For example, in I am Not Your Negro, Baldwin takes no stance on which civil rights leaders had the “best” or “right” approach to eventual black liberation. In Paris is Burning, Livingston doesn’t shy away from the differing views on gender reassignment surgery, as well as the commonality (and consequences) of shoplifting and sex work within ball culture.
Additionally, each film highlights the history and ongoing struggles of each group, while also acknowledging the relative, ever-changing structure of these communities. In Paris is Burning, Both Pepper and Dorian, long-time “legends” of the ball scene, comment on how ball culture has experienced significant changes during their involvement, and will continue to change as time progresses. In I am Not Your Negro, Baldwin talks about race as a social construct, and how the distinction of a “Negro”, in opposition to the “white” race, in itself will always be a barrier to full equality (e.g.: “What white people have to do is try to find out in their own hearts why it was necessary to have a ‘nigger’ in the first place. Because I am not a nigger, I am a man! But if you think I’m a nigger, it means you need him. [...] I am not the nigger here, and you the white people invented him, then you’ve got to find out why.”)
At the end of the day, any imagined community is well, imagined. Our social structures are only as objective and real as the people who collectively say they are so. However, as each film shows, the effects that imagined communities can have on the people involved in them—a sense of belonging, empowerment, and kinship—are undeniably real.
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