Hittkidd,Gloss Up, Slimeroni, K Carbon and Aleza “Shabooya”
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Aleza, Gloss Up, Slimeroni, and K Carbon reintroduce themselves on a playful track that interpolates the classic schoolyard chant “Shabooya (Roll Call).”
On 2021’s “Set the Tone,” producer Hitkidd set his sights on platforming Black women–led gangsta rap and spreading the sounds of Memphis across the world. The song blew up, thrusting up-and-coming Southern talent into the spotlight; later, the same crew—Aleza, Gloss Up, Glorilla, Slimeroni, and K Carbon—struck gold again with their follow-up “Hot Potato.” The posse cuts received another boost of popularity this year, after the breakthrough success of Glorilla’s “F.N.F (Let’s Go)” and “Tomorrow 2.” On “Shabooya,” the ensemble—minus Glorilla, who’s on tour—returns to reintroduce themselves by putting a brazen spin on the age-old school bus chant “Shabooya (Roll Call).”
On the track, the quartet is like a really hard version of the PowerPuff Girls, each showing off their distinct personality. Slimeroni’s over-it goth girl vibe is counterbalanced by Aleza’s bubbly stoner persona; Gloss Up asserts herself with the confident demeanor of a cheer captain, while Carbon is a rabble-rouser bragging about shitting on bitches and running through their man’s money. “I touch big figures/I’m strickly doggin’ niggas,” Carbon raps, and, late,r Gloss Up doubles down against munches: “Keep my pussy in his mouth just like some floss.” Playful ad-libs enhance the sense of camaraderie. It’s like you’re in the inner circle of a rap battle, but everyone’s too busy hyping each other up to compete.
2MEGA is a new endless runner game for the iOS and Android platforms starring the rapper Babytron. Your goal is to make it as far as you can through the game and compete against other players to see who can earn the highest score. You can earn sunglasses, Gatorade bottles, and other goodies in order to increase your score and give yourself temporary invincibility.
With this past Tuesday being Jay-Z's birthday (Happy Belated HOV Day to all who celebrate 💎), I figured no time is better than this week to chat about my choice to make J's Magna Carta Holy Grail album "Hidden Figures"'s running musical inspiration .
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The idea came to me when "Holy Grail" happened to pop on while I started drafting my first blog post for the series where, in a raw emotional state - as I tried to figure out how I was going to put my views and experiences about my Seattle existence into words - my longing yet conflicted feelings were underscored by the early lyrics of the song:
"...And, baby, it's amazin' I'm in this maze with you
I just can't crack your code
One day, you're screamin' you love me loud
The next day, you're so cold
One day, you're here (Yeah), one day, you're there (Yeah)
One day, you care (Yeah), you're so unfair "
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The words seemed to sing what I felt about living as a transplant in this city where it seemed I just couldn't find my way into it; I couldn't find where I belonged. And when I felt like I may have, the feeling wouldn't seem to stick or last.
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But as the song continued, I found myself encouraged - as I am at every listen - by Jay's second verse where, after reflecting on the things that drive him crazy about the position he's found himself in thanks to fame, he steps out of the frustration to remind himself how far he's come and who he is despite those things following him:
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"Why you mad? Take the good with the bad
Or throw the baby out with that bath water
You're still alive, still that nigga
Nigga, you survived, still gettin' bigger"
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The song seemed to ride the same emotional waves I found myself on as I looked to explain how "Hidden Figures" came to be: Confusion, hurt, disappointment...but then reflection, resolve and eventually emboldened acceptance and a doubling down on who I know I am. Despite the tougher feelings I found myself working through as I sought to talk about the project and what its concept was born from, I had to remember that - even in the face of those feelings - I've learned so much about myself, my values, what genuine relationships mean to me and have accomplished many things I could be proud of in this city...
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Originally I only planned to introduce the first figure set with "Holy Grail", but as I continued listening to the album while I typed away, I heard more and more themes that reflected the things I wanted the piece to speak to: Being a Black figure existing under the White Gaze ("Oceans", "F.U.T.W", "Somewhereinamerica"), knowing my worth ("Picasso Baby", "fuckwithmeyouknowigotit")...each figure had its own theme so it only made sense for each figure to be presented with its own theme song.
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Along with the album speaking to similar themes to Hidden Figures, it also seemed fitting that one of my most art-for-art's-sake works would be paired with what, I think, is one of the most artistic of Jay-Z's projects at the time MCHG was released (a view not everyone shares but, you know....). As a long time fan, the musical arrangements, the deep lyrics but also the quintessential rap boast tracks, the cover artwork, even Jay-Z's performance of Picasso Baby at the Pace Gallery - the album felt art house, a capsule of Jay being seen through a curated rap lens. And in the same vein, Hidden Figures is a capsule of all the feelings I've had as a transplant in Seattle delivered through a traditional Fine Art lens: No character or story to watch unfold - just a concept and (hopefully) moving and simple yet evocative shapes in a open space with something to say - a further engaging with and appreciation for the art form.
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Magna Carta Holy Grail spoke what I didn't have the words to say and said everything I left out of the words I did have. And I guess at the same time, in a way, my use of the album is also my own little lover letter to and celebration of one of my favorite lyricists and rappers of all time whose music has held a place of honor in my life for a long time.
Listen to FreshDuzIt’s New Song “Dont B Greedy” Produced By Mannie Fresh
FreshDuzIt is back with a new video for a new single. The song is called “Dont B Greedy” The film-like music video documents a night out feeding the streets of Indianapolis. Recorded inside of one of the towns greatest skepticals, Club Onyx. Hear the track below.
Babyface Ray is a sneaky underrated talent who hails from the crowded scene of Detroit Michigan. We say that because there are so many who attract a lot of attention from the media and fans. Babyface has a more lowkey style compared to artists like Eminem, Danny Brown, Big Sean, and others. If you want to size him up to some of the more recent talents, Veeze and Luh Tyler share similarities. Raspy and conversation-like flows with more minimal production. Whether those two names would like to thank Babyface for his influence remains to be seen.