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#rape apologism tw
phantasm-masquerade · 10 months
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* typical fanti orientalism
* “japan is pedo island” canard as well
* provides zero source to the first claim
* unironically buys into “it’s cause of the way she was dressed”
* somehow assumed lolicon content created the fetishization instead of the other way around?
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pinkeoni · 9 months
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The Big AIDS Metaphor Post
In her essay "Why Are Americans Afraid of Dragons?" from her book The Language of the Night: Essays of Fantasy and Science Fiction, science-fiction and fantasy writer Ursula K. Le Guin writes—
"The use of imaginative fiction is to deepen your understanding of your world, of your fellow men, and your own feelings, and your destiny."
It would be easy for me to claim that Stranger Things is a show that utilizes its science-fiction elements as an AIDS metaphor, but that only goes so far without being able to prove that the show is in fact employing said metaphor. "The show takes place in the 80's -> AIDS was a big part of the 80's -> therefore the show is about AIDS" isn't an airtight argument in itself. I can quote famous sci-fi writers all day but that still wouldn't prove that the Duffers themselves are actually following similar trains of thought.
So here's my big long post about why the show is utilizing it's science-fiction elements as an AIDS metaphor.
Lengthy discussion of rape, violent homophobia and drug use below the cut.
A Brief History of HIV/AIDS in America
For those not in the know about HIV/AIDS, and in order to all get on the same page, here is a short recap. For my information, I will be this timeline from hiv.gov as well as this timeline created by History Channel, as well as some of the supplemental hyperlinks provided. Any other sources I use will be linked throughout.
HIV, or human immunodeficiency virus is a virus that attacks the body's immune system, making it highly susceptible to infection and cancers. The virus can progress to a more severe version of the infection, acquired immunodeficiency syndrome or AIDS. The virus spreads through bodily fluids such as semen and blood. The most common ways for HIV/AIDS to spread was through unprotected sex and sharing needles while using drugs.
The initial cases of HIV were present in America in the 70's but become much more rampant starting in the early 1980s. Because cases of AIDS were most commonly seen in gay and bisexual men, there was a large misconception that AIDS was a "gay plague" or a "gay disease" as it was nicknamed. By 1984, 3,500 Americans had died from AIDS related illnesses.
The reason that AIDS epidemic got as deadly as it did is often attributed to the Reagan Administration's failure to act, something that President Reagan denied. Reagan would not publicly acknowledge AIDS until 1985, despite U.S. health officials being aware of AIDS since 1981.
Understanding just how entrenched this metaphor is in the story will include going through each season and examining in detail how each one plays into this metaphor.
Season One: Establishing Metaphor & Government Cover Up in Early Years of Epidemic
The AIDS metaphor is most closely connected with Will's storyline, although it's not exclusive to Will nor is his storyline exclusive to AIDS. Furthermore, the supernatural elements of this show are multifaceted. AIDS is but just one of the metaphors expressed in the show, but for the sake of this post it's what I will be focusing on.
The setup begins following Will's disappearance in episode 1, when Joyce introduces Will's queer coding to us.
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By 1983 the terms "gay disease" and "gay cancer" had been in the public vocabulary for a couple years now. So when Joyce brings up his queerness in regards to to his disappearance in a show that takes place in the early 1980s, there is a subconscious correlation that can be made in the watchers mind. His sexuality is significant to the why he went missing, otherwise why bring it up?
We then hear through Troy exactly what the town believes happened to Will.
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I think that Troy essentially being a mouthpiece for his father is significant to show that Troy's beliefs are not exclusive to him and they do not exist in a vacuum. Troy's homophobia is a product of his environment, which includes his home and by extension, Hawkins.
The specification that Will was killed by "some other queer" adds another layer under the surface of Troy's statement, one that implies that Will was raped before he was kill, otherwise, again, why bring up sexuality in the first place? This was the attitude toward gay men— they rape and kill little boys.
In early 1984, there was a study conducted by the American Journal of Medicine to trace the sexual partners of a cluster of patients with Kaposi Sarcoma, one of the common cancers that killed AIDS patients. The study identified a flight attendant as "Patient O" who was among the first to exhibit symptoms of HIV/AIDS and had a rather active sex life with a multitude of sexual partners. The study was soon misconstrued by the public to claim that there was a Patient Zero who was "a promiscuous or even malicious gay man who single-handedly and knowingly touched off the AIDS pandemic in the United States."
Another crucial factor of the metaphor is the cover-up and blame shifting from the government lab, the exact thing that allowed the problem to escalate and become as deadly as it did to begin with. In the early years of the epidemic, Reagan slashed the budget of public health agencies like the CDC, and it would be years until he ever made a speech about it let alone even mentioned AIDS publicly.
We see how adamant the lab is to cover up any supernatural involvement with Will's disappearance in an attempt to cover their own asses. Framing his death as an accident was their call, all while being acutely aware of what the actual problem was. This confrontation from Joyce to Brenner puts it pretty aptly.
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Tangent About Barb
This AIDS metaphor is something that I thought of when I first watched the show back in 2016 (humble brag) but what tipped me off the most wasn't Will or the lab but it was the fact that Barb was the other victim shown.
Barb's queer coding was clear to everyone and their mother. Hell, there's even a joke about it in the Bad Lip Reading of the first season. Barb, Nancy's short haired female friend who takes issue with Nancy's new relationship and has a hard time fitting in with with all of the heterosexual antics of Steve's house party. She's singled out, and while the rest of the gang get to casually enjoy the pleasures of sex, while Barb, another member of the queer community, sadly loses her life. The show cuts between Nancy having sex with Steve with Barb being killed to emphasize this stark contrast.
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Season Two: Personal Effects of HIV/AIDS & Social Stigmatization
Season one was surrounding Will while not really showing us much of his pov, but season two dives right in to his perspective.
So, remember when I talked earlier about how Troy, and by extension the town, believed that Will was raped? Well, he wasn't exactly wrong.
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This moment wasn't lost on me when I originally watched the show, although I think I ignored the implications because I didn't want to believe what I was seeing. But it's pretty well spelled out— A long, tentacle-like organ used for the sake of reproduction (Will "births" D'Art as a result of this), is inserted inside of Will's mouth without consent.
It's been a year, and Will is still dealing with the trauma of what happened, along with all of these new changes to his life. Will frequently attends doctors appointments at the lab, where the lab themselves aren't completely confident what is happening with him either.
When cases of HIV/AIDS were first appearing in the U.S., health officials were unclear as to what exactly this virus was and how it worked, only that clusters of otherwise healthy gay men were suddenly developing rare and aggressive infections and cancers.
Owens refers to the spread of the Upside Down very clinically— describing it as some cancer. One of the first articles published about HIV/AIDS in America before more information was known was a New York Times article titled "Rare Cancer Seen in 41 Homosexuals." The cancer the headline refers to being Karposi Sarcoma, the rare skin cancer developing due to their weakened immune system.
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HIV/AIDS in itself isn’t the disease that patients die from, but instead the weakened immune system allows for diseases to take over the body without much defense. After his visit to the Upside Down, Will faces a series of “True Sight” visions as Mike puts it, which allows for a destructive foreign entity to invade Will's body and slowly take it over.
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HIV.gov lists the following as some of the symptoms of AIDS:
"Rapid weight loss"
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"Profuse night sweats"
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and "Memory loss"
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To the government agents in the lab, we see just how disposable Will is to them. In their words, if it kills him, it kills him. (thank you to @emblazons for being the one to point this out to me)
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Owens may have held more concern for Will, but he still continues the government cover-up started by Brenner in season one. We also see the fallout of Barb's death, with Nancy and Jonathan fighting to uncover and reveal the truth. Owens is the one who tries to put a stop to their exposé of events to Barb's mom.
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Not only is Will facing trauma and his body being ravaged by this new illness, but he's also facing social stigmatization, something common among gay men with positive HIV statuses at this time. There seemed to be some sympathy from the townsfolk when Will was missing and presumed dead, yet he faces animosity almost seemingly because he came back.
The "Zombie Boy" Nickname
I once made a whole separate post about this, but Will's "Zombie Boy" nickname from season two fits in with this AIDS metaphor.
On a surface level, the nickname is in reference to the fact that Will seemed to come back to life despite having a funeral and being buried. In a literal sense, however, his peers are quite literally referring to him a walking corpse that spreads disease. Individuals suffering from AIDS often have very short life expectancies, and zombies are the re-animated dead that aim to infect and kill as many people as possible. It is a very coded nickname.
In the post that I linked, I speculate the possibility that some people in town may even believe that Will has HIV. Remember earlier when I mentioned Troy's comment "he was probably killed by some other queer" which implies a belief that Will was raped. The town don't know about any of the supernatural goings-on, but they do know that Will went missing, was found in a cabin a week later, was hospitalized shortly after and attended frequent doctor visits through the following year. I don't see a reason that malicious rumors would cease, especially considering that they already continue to be cruel and ostracizing with the Zombie Boy nickname.
Look also at this moment of Will getting weird looks as he is being pulled from school to attend his doctors appointment. Why so much stigma around simply going to the doctor?
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The 1984 Reelection of Ronald Reagan
In 1984, Ronald Reagan won reelection in one of the biggest election wins in history. And— subsequently continuing his and the governments silence towards the AIDS epidemic.
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Season two takes place in the week leading up to the reelection. There are small set pieces that draw attention to this, such as this election sign in front of the library.
If the date November 6th sounds familiar, it should.
Dr. Owens mentions the anniversary of Will's disappearance. The one year anniversary of Will's disappearance is the same day that Ronald Reagan was reelected. Will's trauma is being purposefully associated with that day.
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I've also made a separate post before just about the Reagan/Bush '84 signs that litter the lawns of Hawkins houses. They appear most notably in the Halloween episode, building to when Will has his true sight episode that night. There is one clearly in frame just before Will is separated from the group, called a "Zombie Boy" and a "freak" (two very coded nicknames) before he falls into his vision.
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We also get a clear view of the Reagan/Bush sign outside of the Wheeler house before Will describes his experience to Mike.
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A Tangent About the Wheelers
And now the question on everyone's mind: Are the Wheeler's homophobic?
Ted and Karen Wheeler are not violent, homophobic bullies. That would be a massive reach. But it would also be a reach to say that they are vocal allies. And maybe that's just what the average middle class family
In the very least, the Wheelers are passively contributing to a system that enables homophobia. To be honest, they are probably just going along with what everyone else is doing. Like I said earlier, Reagan was an incredibly popular candidate for the 1984 reelection. The Wheelers have the privilege of being able to comfortably conform without having to worry about much of the consequences. (I'll talk more about the Wheelers later)
In the episode where Will is possessed by the Mind Flayer, Joyce calls the school and we get an extended shot with Reagan's portrait in the background. The shot begins with the portrait slightly obscured, then the camera dolly's in towards the receptionist with the portrait still in frame. Shortly after this Will is possessed in the field. Here is one of the camera begins the shot and where the camera ends the shot.
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I also wanna note that when Joyce calls in this scene, the receptionist makes a side comment about her and rolls her eyes. There's a clear animosity towards not only Will, but the whole Byers family, including the adults of the town. Including Reagan's portrait in this shot is meant to create a subtle correlation between him and the stigma that the Byers' face.
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Season Three: The Façade of Patriotism Over a Dying Nation
It's 1985, Ronald Reagan has been reelected, and this season introduces Hawkins Mayor Larry Kline.
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Is Larry Kline meant to be Ronald Reagan?
I would say that Mayor Kline is probably exemplary of American politicians in a broader sense (in fact the Duffers may have been making allusions to Trump with his connection to the Russians) although the fact that he's in office the same time as Reagan is still significant.
In the beginning of the season, Mayor Kline is being met with protesters outside his house, not unlike many of the AIDS awareness protests from the 80's.
The townsfolk are angered with Kline for building the mall and running some of the small businesses into the ground. During Reagan's run, he implemented a system of economics called "Reaganomics," which aimed to cut taxes and support economic growth. Although critics of Reaganomics will point out that his policies had actually increased the wealth gap, making the rich richer and the poor, poor. I want to keep this post about the AIDS metaphor, although I wanted to point this out as it is a connection between Kline and Reagan. And as I said earlier in this post, the metaphors are multifaceted and not just about AIDS.
But continuing, later in the season Kline puts on a big 4th of July festival to celebrate the independence of his country with neon lights and flashy fireworks. Meanwhile, the people of his town are dying right under his political reign.
During season 3, the AIDS metaphor actually moves away from Will, with the focus of his story shifting slowly to romance. This was setup at the Snowball at the end of season 2, and season 3 hints at some of Will's feelings for Mike which will be carried into season 4.
But the metaphor is carried on by Will's name twin, Billy.
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Billy and Will sharing the same first name, that being William, feels significant as Will basically passes the baton to him and Billy now becomes the focus for this metaphor. We learn from Max that Billy is very sexually active, and in the beginning of the season he has eyes for Karen Wheeler. It is while he is on his way to this illicit sexual affair when he is "infected" by the Mind Flayer. (this was pointed out to me in the comment of one of my posts, but have since lost it. If you are reading this— thank you.)
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Billy then passes the "infection" along to a girl he was flirtatious with, before the "virus" begins spreading over town.
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There is also language and rape imagery associated with being flayed. There is the repeated lines "hold still" and "it'll all be over soon." When Heather's parents are flayed, they are tied up something is forcefully inserted orally, not unlike what we saw with the tentacle inside of Will in season one and his possession in season two. (I first saw this pointed out by @kaypeace21
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The flayed begin to eat chemicals, and Nancy makes the comment that Tom, one of the flayed, appears to have been on drugs. Another common way that HIV is spread is through the sharing of drug needles.
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HIV/AIDS in the Press
Nancy's arc with the newspaper this season reminds me a lot of how AIDS was first being reported in the press. Nancy begins her search for a story with stolen fertilizer and diseased rats, not realizing that there was a much bigger and much more dangerous story at hand. One of the first reports HIV in the media was from a CDC Morbidity and Mortality Weekly Report from 1981, which cited five cases of pneumonia in previously healthy gay men in Los Angeles. While still a deadly number, it was relatively small compared to the massive number of AIDS cases and deaths that would soon follow.
When Nancy brings her story to work, Bruce, one of her higher-ups, sips from this rather patriotic coffee mug before telling Nancy to drop the story.
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At the end of the 1985 summer in Hawkins, the flayed have died in a "mall fire" and Larry Kline is arrested for colluding with the Russians, and their patriotic façade is shattered.
In September 1985, shortly after actor and close friend of Ronald Reagan, Rock Hudson dies, of an AIDS related illness, Reagan makes his first public acknowledgement of AIDS.
Season Four: Further Stigmatization & LGBT Witch Hunting
In season four the town is finally privy to the fact that there is something wrong going on, although they are unsure of exactly what. When things begin to escalate, instead of blaming the actual guilty party, they go on an all-out witch hunt.
Once again, Will's pretty removed from the AIDS storyline in this season with his arc focusing on his romantic feelings for Mike. With Billy dead and Will out of town, the baton passes once again for the metaphor to be carried by Eddie Munson.
In the first episode of season 4, Eddie is reading a magazine with an article about the Satanic Panic, a real case of wide-spread hysteria in the 1980's regarding the fear of rising Satanism, supposedly promoted by D&D. The article links the game to violent behavior, Satanic worship, sodomy and murder.
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Tangent on Sodomy and Sodomy Laws
Merriam-Webster defines sodomy as "anal or oral copulation with another person." The definition is often expanded to include copulation with animals, although the term sodomy, according to Merriam-Webster, means "especially: anal or oral copulation with a member of the same sex."
While definitions may vary depending on states, some states have specific laws outlawing sodomy, even between consenting adults. In 1986, the Supreme Court upheld Georgia's anti-sodomy laws in Bowers v. Hardwick, after a homosexual man and his partner were arrested after being caught while having sex in his own home. Sodomy laws would eventually be challenged again in 2002 with the Lawrence v. Texas case.
While sodomy can technically can refer to both homosexual and heterosexuals, it is especially and historically has been used in regards to homosexual sex. When Eddie reads the word sodomy here, gay sex is being lumped in and made equivalent to violent behavior, Satanic worship, and murder. Quite literally in season four, Hellfire Club is seen as the evil Satanic sodomizers who bring death to their town.
While trying to find a substitute for the D&D game, one of kids Mike asks mentions 60 Minutes in his rebuttal of Mike's request. This episode takes place on March 21st, 1986. On March 16th, 1986, 60 Minutes played a segment called "Life and Death in San Fransisco," a segment about the AIDS virus on CBS. (EDIT: I originally attributed this to the wrong person, but thank you to @aemiron-main for being the one to point this out. Apologies for my memory mixing up my ST analysts in my head 😔) The archived footage can be viewed on YouTube.
When Chrissy is killed by Vecna inside of Eddie's trailer, leading the town to suspect that Eddie was the killer, she was going there to do drugs. Again, a common way for AIDS to be spread was through the sharing of drug needles. After the town and cops suspect Eddie, the town goes on an all-out witch hunt for him and other members of Hellfire, invoking Christianity as their reasoning. In Eddie's words— "Hunt the freak, right?"
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Does this mean that Eddie is queer?
The black handkerchief in his back pocket and Joseph Quinn's flirtatious ad-libs with Steve are not completely lost on me. And the AIDS coding here does seem to be pointing in that direction, but here's what I think.
Eddie's actual sexual orientation, and by extension that of Hellfire, is beside the point and doesn't actually matter in the eyes of the town. Every member of Hellfire could be straight and every member of Hellfire could be gay, but what matters is that Hellfire Club is a group of outsiders that participate in recreational activity that is deemed dangerous, and that in itself is queer, regardless of who they may actually be attracted to.
Another Tangent on The Wheelers
During Jason's religious spiel in town hall which invoked the witch hunt against Eddie and Hellfire, we get this shot of Ted and Karen Wheeler upon remembering that Mike is a part of Hellfire. And boy do they look terrified.
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This moment, right here, is what I believe to be the Wheeler rug pull. They may not have been signing up to witch hunt their son when they put that Reagan sign in their front lawn, but this is what it leads to. They're being confronted with the most extreme end of their forced conformity and they fear what they see. I think part of what causes this change in character is because they know Mike, had Mike not been a Hellfire member, who is to say if they would have changed their tune or join in the witch hunt. At the end of the season, when the news reports that the giant gate in town is a "doorway to Hell," both Ted and Karen scoff at the report, calling it "hysteria." The conformists are beginning to un-conform.
Concluding Thoughts & Season Five
Providing a story about HIV/AIDS through a science-fiction metaphor is both practical and ethical. The metaphor allows the show to tell the story to a wide audience without the reliance on outside knowledge. You don't have to be an expert in HIV/AIDS history to understand the story that it's trying to tell. It's ethical as well in that it doesn't force it's incredibly young actors to have to act out being raped and developing HIV/AIDS.
With Eddie Munson dead and Zombie Boy back in town, I think that the AIDS metaphor will shift it's focus back to Will. I think we may see a colliding of the AIDS plot with his romance plot. How do you pursue romance with a HIV+ status? Can you?
The way I see, season 5 has the choice to go in one of two directions:
But first, a short tangent about my uncle
In recent years, I came to learn that my uncle was HIV+, something that wasn't known to me when I was younger. Him and his partner are both in their sixties, and they currently bought a plot of land in which they plan on building their dream house together.
But anyways, the two choices are this:
Will dies by the end of the season. He becomes one of the many gay men with HIV/AIDS who lived a short life, unable to grow into adulthood and pursue his love life. His story is a tragedy.
Will lives. He becomes one of the many gay men with HIV/AIDS who survived and is able to live a long and happy life full of love. His story is an uplifting one full of hope.
Tagging: @emblazons @italiantv @gaysmindpalace @ven0moir @punkwillbyers @mikesbasementbeets @quinterobb @drangues @basiltonpitch @howtobecomeadragon
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samwpmarleau · 11 months
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“Just forgive him.”
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Thinking about what you said, I think it's highly probable Madelyn Stillwell raped Homelander when he was 14 or 15.
That's around the age he got stuck at, right?
I think fandom is probably right about her doing it as more of a means to control him than anything, but I think you're probably right about this making it worse and meaning she did much more than has been shown to us on screen.
Regardless, I think this would have to be the case and I would say is even implied, but you are absolutely right that it shouldn't matter why someone decides to be a child molester.
They're still a child molester and whatever reasoning they have, the act is still vile and inexcusable. There even being debate on that in fandom just seems like grooming apologism and abuse dismissal because of favoritism towards Madelyn.
But the results and actions are ultimately the same in the end. It's also implementing a clause to make it mutually exclusionary when it could very well be both.
In the final scene, she swears to him that she loves him but is afraid of him and Homelander thanks her for finally being honest with him before killing her.
What if she was being honest or at least believed her own words when she said she loved him?
And the other scenes between them never struck me as a one time deal or the first time something like them happened. He does look off put in some ways and not quite uncomfortable, but almost like he's regressing when he's with her. Like she maybe used to do that sort of stuff more frequently and hasn't lately.
The scene where they're finally together struck me as more regression too. He immediately apologized to her and she consoled him like it was something that has happened before and she was used to it from him. Even the words she used and the way she said it and the way things were.
"My special sweet boy." "You did good." "That was so lovely."
Do people really believe this or similar can't have happened before with the things she says? To me, they indicate the exact opposite of that thought.
The scene looked almost like it was his first time, and obviously not hers. But the only way that really makes sense is if he is experiencing a moment of regression, possibly to his actual first time with her.
The scene feels like mother and son incest after years of abuse where she's deliberately causing his regression and enjoying the power it gives her over him.
She's a predator and this to me is made pretty clear if not explicit.
OOOH~<3! my darling anon, i wish i could fucking kiss you<3!
you just put into a word exactly why i could never get behind the homewell ship or the homewell type elements being used in other ships in fics that were supposedly trying to *heal* him. easy way to get me to check out for a fic because you *CANNOT* use elements from someone's trauma and abuse, legit full on *exploit* them, and *then* dare to call it or frame it as *healing* and expect it all to be hunky dory, that is just not how that shit works. (at least speaking in terms of medical accuracy/no wonder this shit is so triggery for me, this ain't supposed to be fuckin' disney--)
obliviously or dismissively predatory, so not even in the fun way...
and i want to be clear here, because this isn't me trying to tell people to not like the ship or elements or stop making content for them or whatever the fuck else. i don't care if people have or indulge in toxic guilty pleasure ships or stories here and there (literally have my own), but i always think we should be self aware of our own shit (plus ranting is sometimes good for the soul~<3) and it really *really* shows some people just are not in this case.
i *also* know people don't always mean to set up that way, part of it is a major problem with society (i will get to that~) and the only way for people to be aware is to be *made* aware, butt~
"--you think love is to prey, but i'm sorry i don't pray that way!"
"once i ran to you, now i run from you, this tainted love you've given--"
1000% correct. madelyn, regardless of what happened *off screen* between her and homelander, what we *did* see of her is enough to confirm her as a *predator*, and this was *before* diabolical added to the story behind them. she is extremely predatory as a character, set behind a narcissistic 'mother knows best' filter and a lot of it has nothing to do with homelander.
look no further than starlight~<3
this woman attempted to get a victim of rape to have 'discretion' about what happened to her, TO HER FACE. and every step of the way, tried to bully starlight into 'line' for the company. literally using narcissistic abuse--guilt tripping and shame, questioning her core values, fucking gaslighting (all things we see homelander copy oh deary me what an *odd* cowinkidink!! I WONDER WHERE HE LEARNED IT FROM.)--among others with a 'motherly' frame and 'it's just constructive criticism' (BITCH NO IT AIN'T!!) to manipulate her into doing what vought wanted/what was best for the *company*, NOT for annie.
hell, i'd wager she fucking hired starlight *specifically* because they thought she'd be an *easy* target.
she was *vulnerable*, nearly alone in that big city. her only relative/support system was an extremely religious mother who was *pushing her* to push through any pain or abuse and still wear a smile *for vought* and *for her* because of *fame* and *fortune*, framed as *for annie* when no it def wasn't. (i do like that starlight's mum actually becomes self aware of this and tries to amend the trust she broke, but i digress)
her tapes and everything they showed us about starlight showed us a wide eyed, bright eyed girl who was *hopeful*--but also naive... and as much as it pains me, that would have made her more susceptible to vought's machinations.
and i think the main reason annie didn't completely fall down the vought victims rabbit hole is in part due her truly good nature<3, but also because she met *hughie* (side note, notice how every time hughie and starlight have a falling out or separate from each other, they both start to get *worse*. butcher also tends to swoop in--)
it doesn't get talked about enough, but butcher pulls the same kind of bullshit with hughie (honestly probably why i could never quite feel right about butchie, do still like it but i do prefer it if butcher catches some guilty complexes causa hughie lmao), another good kid who's just had something monumentally traumatic happen to him and is in a super fucking vulnerable place where he'd be easy to manipulate for whatever it is butcher has planned.
he scoped him out and *saw* that, something to *use* to his advantage. and recruited him as such. like a gotdamn predator.
the wrench in his plans (as well as madelyn's) came in *hughie meeting annie* because they *gave* each other a solid support system because they were both good people, dealing with trauma, who found each other~<3 (always a hardcore hughielight shipper)
and butcher even *knows* this, he *knows* annie actually *honestly* and actually HELPS hughie and ruins his plots for him, so of course that mofo is gonna keep trying to ruin everything and break them up. if madelyn had ever discovered hughie, she probably would have done the same shit if in her own faux 'concerned mother' way.
BUTT... you are absolutely right in saying that fandom is highly dismissive or even apologist of what madelyn did to homelander (like they are with fuckin' everything that happened to him honestly) and it doesn't matter what reason she had to abuse him, what should be looked at is the fact of the matter.
did she abuse him? yes or no
the answer is yes, period. asking if she was actually attracted to him or just wanted control becomes a moot point after that, she *still* fucking groomed him. people can go ahead and debate the other factors, but the least they could do is acknowledge the first bit and not use the others to try and deny or 'lessen' the gravity of what she did.
i blame part of this on ableism and victim blaming, but also with how dismissive people *still* are when it comes to male victims of just about anything. christ, we still have people in fandom who have watched the show and *refuse*, not hyperbole, they downright *REFUSE* to acknowledge that homelander could have *any* semblance of victimhood whatsoever. despite the fact that he was literally tortured as a child and fucking groomed and we are given glimpses of these facts on screen, they'll deny any form of nuance and paint it as completely black or white, because he became... pretty much the only thing that fate allowed him to become.
that's not limited to this site even, it's prevalent pretty much in any part of the boys fandom across the web. (which is ironic given the series exists to challenge this sort of thinking)
but how often do we still see cases of a male *child* being sexually assaulted by an adult woman and the fucking judge going, "wElL sHe'S cAnDy So He PrObAbLy LiKeD iT"?
thankfully, not as often anymore. but if i'm honest? TOO FUCKING MANY (once is fucking too many) and the thought is still INSANELY pervasive. and again, it leads back to the question.
did she abuse him? yes or no
it doesn't fucking matter if the kid 'liked it' or not, MA'AM, THIS IS A FUCKING CHILD--
*children can NOT consent*
or in homelander's case, an emotionally stunted extremely mentally ill person. and ALSO a child at one point.
*likewise, mentally ill/special needs/disabled people and informed consent is an issue all its own. all of these are among the most vulnerable to abuse and the least likely to get justice for it*
if madelyn had been a man, nobody would question this. (who am i kidding, i'd like to think that but i am well aware there are apologists of all kinds that would not give a shit and be equally gross about it.)
and you are def right, it *feels* 1000% like *regression* in the scenes he's with her. and now that you mention it, the scene where they're together?? oh, fuck me. anon... that is *dark* and it fucking hurts but you may be right.
it *was* absolutely the first time *we* as an audience saw them together, and i think that may skew the perception about. there *was* absolutely an effort to regain control over him in that instance. but the things she said and the way it plays out... no
plainly, just no... it *does not* feel like the very first time that has happened... it feels like something that is *rare* between them. but definitely something that's happened *before*, and perhaps something she maintains as *rare* specifically to keep a hold on him. (could this be one reason for the diabolical episode?? to further implicate this?)
and even his use of doppelganger hinted at this cause think of it.
a 'madelyn' that is *just* for him, *only* the parts of her that... gave him attention, the bits he *liked*. what she more than likely fed to him as *scraps* to keep him crawling back for more. but because it was never genuine, the confusion from the ratio with abuse was thrown off, and the entire illusion that it ever meant anything was shattered prior (along with stormfront manipulating him), well...
"i give you all a boy could give you, take my tears and that's not nearly--"
down to his hatred and jealousy of teddy. we have to imagine what things were like before she had him but i get the feeling homelander got a lot more attention before then. it was well over 20 years and people honestly think in all that time *nothing* else happened??? things were 'normal' and then boom, *random* mommy kink??? hell, even the kid was maybe just as much a means to 'reset' the balance and help her maintain control as he was for future profit for vought.
OW.
yes. madelyn is a predator. homelander is her groomed victim. and i don't think it gets mentioned enough in this discourse, but one of the biggest reasons predators prey on the vulnerable or even want to make a fucking victim of someone is *because* of the power trip it gives them over that person. (hell, homelander fucking does this *specifically* because it has been done to him his entire life!)
and *even former abuse victims* may not realize it when they pull this sort of shit. i'm not gonna dive into that because it is a fucking *depressing* can of tapeworms, but let's just say i've been there, i know people who've been there, and i know people who know people who've been there. so this shit is a big fucking problem for people when we don't notice it and massively persistent circle jerk of perpetuation.
but it's still fucking predation, it doesn't make a difference if it's done by someone with power/control kink, narcissistic disorder or 'mommy/daddy dearest' vibes, pedophilic disorder, etc. it still fucking harmful and victimizes someone (especially when they are unaware/cannot consent to the powerplay OH FUCK--)
goddammit... i just realized the problem lmao... PISS. POOR. BDSM ETIQUETTE. GOTDAMN.
and trauma management i guess.
basically, people tag dom/sub or top/bottom when they should be tagging a 'control' or 'abuse kink'. dom/sub play relies on the informed consent of both parties while 'control' relies on the lack there of (informed consent) from the 'sub'. and in homelander's case, this shit is particularly bad. (readers need to be given informed consent too!! always tag yo shit y'all!!)
which to be fair, ain't exactly the fault of the ship itself, but more so the lack of awareness/common dismissal on it. it's really hella normalized/often advertised as 'just a quirky lil guy with a mommy kink' when that's not even remotely the only thing at play here and it goes way deeper and darker than that. you toss in homelander's other traumas and it's just... it's a goddamn mess.
and now i understand why i am so incredibly grossed out by fics that push homelander through more of this nonsense (or worse) with a new person (any person) and never bother addressing the trauma he has *directly* related to this shit. (because my traumas directly deal in the control shit yayyyyyyyyyyyyy~... UGH--)
well.
call me a pussy if you must (i am a pussy and a cunt and a dick and an asshole, i wear it shamelessly~<3) but i just ain't all that interested in fics that only exchange *handlers* for homelander instead of actually help him (when that's what they'll claim to want to do). seriously, lining him up with another 'madelyn' of all things just leaves me wishing he could *get away* from his shiny new abuser (because that is what she was, and would ideally be the inevitable outcome anyhow!)
homelander needs at least *one* honest *friend* who genuinely doesn't want anything from him to help him unblur the lines of informed consent that madelyn intentionally muddled *before* he can even make informed consent when it comes to this shit, especially if we wanna *actually* heal that boi (all he's had is more people capitalizing on it over and over if not just people with no clue of the minefield they were navigating)
he'd need to be able to experience true *independence* and *agency* before he decided they were things he actually wanted to put in someone else's hands or 'give up', so to speak, both of which would come *after* healing.
and if i'm indulging in toxicity with him, i'ma make him *get back at his abusers*~<3, give him a chance at some revenge porn for once and make it so much worse for *them*, not the guy who literally never had a chance or got to breathe his own breath (and def tagged properly of course).
but of all the whack ass takes i could see in the sea of fandoms, ANYONE in that position over this boi (or any character in similar situation) as he is *unhealed* is *NOT* his ally and doesn't give an honest shit about him, it's 100% all about *control* over him (which i know is a huge kink for tons of people and hypernormalized in society, especially heteronormativity, but again, trauma central for me so it'd be really fuckin' nice if people learned the difference and also started tagging this shit~<3)
fun for some, but not for me.
i've always generally preferred push/pull powerplay that purposely leaves the question of 'control' open/eventually balances it and helps empower and individualize both characters to be the best versions of themselves, i want them to learn and grow together. positive masculinity/femininity and emotional maturity are way more of a turn on for me and i want these bois and gurls and inbetweens to graduate to *men* and *women* and fairly *reasonable adults* when i write them, while preserving their core personalities and the things that make them *them*.
i also don't view 'bottomhood' as 'punishment'/something to use to deliberately rob a person of control/self determination (as much as we may joke about it, and also that is just rape with a pretty veil that at least deserves to be properly tagged) and i normally focus on empowering them just as much if not more than my tops so it's just damn weird to me to see that kind of mentality get popularized on any character and leik.
gotdamn, first off, what the shit, and second, i realize getting to the places i wanna go reasonably and responsibly takes hard work and pretty intricate writing but please lawd satan tell me i ain't the only one to feel this way, PLEASE!?
but very good point about it possibly being both/more than one element here. control is more likely to be *one* reason, but not *the* only reason and it could very well be a factor of both attraction and need to/getting off on the idea of controlling him (which still stems back to attraction, honestly, even if she didn't feel it towards him the sense of him being a child, it would still mean she feels it towards him in the sense of him being vulnerable which is just as awful, honestly.)
and i do think his stunted emotional maturity is 100% indicative that something *very* specific happened to him around that age (*maybe* she waited till after the debut??), but among all the other trauma, that is actually a question worth asking. why *then* and not any of the other times? he's got no shortage of trauma for his brain to pick from, so what the hell happened then?
as far as it feeling like incest? lil bit, yeah (if pseudo, which obviously we know it's not but i do think the vibe there is actually intended), suffice to say that madelyn is to homelander what billy's father was to him...
and y'know... i gotta admit, knowing this i am surprised we don't see all that much of butcher being shipped with his father because that and homewell are pretty much the same thing on opposite spectrums.
UGHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH--
have fun y'all, as always butt leik... have fun responsibly--gawddammit i never thought i'd be *that* old fart but i guess i am... well i can still be fun about it... tipsy bartender is fun lmao<3<3<3 (altho these subjects are decidedly less fun... *sigh of the long suffering*...)
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fireflysongbirdperson · 3 months
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This video breaks it all down perfectly, and it’s exactly what we need to hear in 2024. Being a barb after everything Nicki has said and done is just pure nonsense. I stand behind Megan thee Stallion and Jennifer Hough and fuck all the abuse apologists and cult-like stans who will say otherwise
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thegayhimbo · 3 months
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HEADS UP to my Jewish followers: @arabian-knight is back again as libyan-knight
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This is the same jackass who's bullied/harassed Jews, promoted tankies like brendanicus on their blog, denied Hamas committed rape/sexual assault on October 7th, spread a bunch of other antisemitic garbage, and has repeatedly engaged in suicide-baiting:
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@staff @humans Are you going to do anything about this?
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oh so dream does think touching women in ways they never asked for is okay. i don’t think those accusations were false anymore dude clearly would sexually assault a girl if he could get away with it I hope he dies.
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byler-alarmist · 6 months
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If your support of Palestine includes apologizing for SA on the part of Hamas, you'd better block me before I come for your ass
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beevean · 5 months
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So I just had a realization about Lenore and her ring.
The common argument from the "Lenore did nothing wrong" crowd is that she just had to do what she did. She had to slip that ring on Hector's finger to ensure that he wouldn't hurt the sisters, and by doing so, she made sure that he'd live a comfy life, not stuck in a cell. So really, she was only looking out for his well being! She was being a diplomat and making everyone happy!
Right?
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"These are slave rings. One of them found its way on to Hector’s hand while he was swearing his loyalty to me."
The ring, when you think about it, functions in a weird way. The bearer has to pledge loyalty to the owner: thus, the bearer has to consent to being enslaved. This already makes the ring redundant. But fine, let's say that the function is to make sure that the bearer doesn't change their mind later on.
Does the bearer has to mean those words? Or do they just need to pronounce them, no matter their state of mind? That I don't know. What I do know, is that Lenore spent the whole season buttering Hector up:
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"So… what do you want?"
"Oh, I don't have to lie to you. I have no interest in faith. Faith makes for terrible diplomacy. This is simply commerce. In commerce, we don't have to have faith in each other, do we? We don't have to guess. It's simple. There are rules. I give you something, you give me something."
And this, from their scene in the balcony (Episode 6) that I can't find a clip of:
Lenore: Does it hurt? Hector: No. It just reminds me of the last time someone put a collar on me. Lenore: In Braila? Hector: When Carmilla almost killed me. Lenore: Well, she does have a temper. But she would never have meant to kill you. Hector: No. Because she needs me to be her forgemaster slave. Lenore: No, because if she'd meant to kill you, you would quite simply be dead. Hector: Hmph. Lenore: And if she'd meant to torture you, you would have arrived here carrying your guts in both hands with a spike up your arse. Hector: I suppose that's true. I mean, I can see her doing it. In nightmares and such. Lenore: She does have a temper, but she's logical. She never lets it run away with her to the point of, oh, I don't know, condemning the entire human race to death? Just a recent example of what being genuinely insane with murderous rage looks like. Hector: All right. Lenore: You may not have been treated like a boy king on your way here, but you did show up alive. Hector: Might have been nice, though. Lenore: Have you considered that you're only alive because you listened to Carmilla back in Dracula's castle? Hector: I hadn't. She tricked me. Lenore: I don't think she did. I think she made complete sense to you, and you felt guilty, understandably, about how it all played out. Hector: She made me betray Dracula. Lenore: No, she didn't. She showed you the old man was insane, and she saved you from the consequences. Nobody here wants to harm you. We just don't quite trust you yet. Hector: Trust me? Lenore: You did try to hurt me, Hector.
She made a whole show about listening to him, trying to cater to his needs like his desire for new shoes, actually asking him what he really wants; she tried her best to convince him that his situation wasn't so bad after all, and Carmilla was a better master than Dracula, a saner one.
By all means, it looked like Hector was well on route to agree to work for them on his own volition. By that point, Lenore had beaten over his head that Dracula was stupid and used him, but Carmilla, bad temper aside, would be a more just master. Had Lenore kept the ruse, I'm sure Hector would have, as fans love to joke, "simped" for her and given in.
Ironically, it's exactly what the sisters chewed Carmilla for: ruining a perfectly good manipulation game by hurting Hector at the end and breaking his trust for shit and giggles. Because we love creative writing.
But alright, Lenore wanted to be absolutely sure that Hector wouldn't turn on them, and perhaps show her sisters that he could be trusted. That ring was there mostly as an ensurance. It would have broken Hector's trust once more, but it would have made the sisters happy - you know, the compromise she talked about.
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So… why didn't she slip her ring as they were talking? They ended up sitting side by side: Hector was comfortable enough to be close to her. By this point, she literally could have asked him to swear loyalty to her while talking, and he would have done it!
Instead, she lied by pretending she's no longer confident in the council plans, and switched mid-speech from "I'm loyal to my sisters, so I can't let you go" to "What we're doing is wrong, so we can flee together". which i still think it's one of the stupidest examples of writing.txt in the script, but that's besides the point
She wanted sex from the get-go. She came with the ring in her pocket, a comfortable blanket, and immediately changed tactics to say something she never would have said before. Not only she wanted sex, but she wanted to deliberately lower Hector's guard, so that he would "swear loyalty" while not in his right mind (because his judgment was clouded by arousal at best). She knew this. This was deliberate. She wanted this exact situation, to make sure that Hector would be not in his right mind, and also to get that nice hecock as a reward for her efforts.
At this point, I can safely say Lenore crossed the line from selfishness into cruelty, and no justification, nothing about her diplomacy, or how she secretly was fond of Hector and wanted to "keep him safe", can hold any water.
And by the way, this makes her act rape, since Hector was not in his right state of mind (you know, since he was effectively tortured and psychologically beaten down through lies, manipulation and humiliation) and had no idea about the ring's existence so he could not consent to it. Just so that we're clear, since some people seem to unironically believe in the "not if you enjoyed it" rationalization.
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ilhoonftw · 1 year
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before you start reading The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma:
list of problems (r/ptsd)
the author was fired from the trauma centre he founded for creating hostile work environment (seattletimes.com)
Famed trauma therapist responds to allegations of bullying: 'It's an outrageous story' (yahoo.com)
Fall from Grace: The Worship of Clinical Leaders (thecounselorscoach.com)
npr podcast where the author says he doesn't think covid caused collective trauma and on the popularity of his book: 'I'm astounded by it. It's a very difficult book to read.' (npr.org)
What if Bessel van der Kolk is right about trauma? (traumathoery.com)
instead maybe consider:
The Body Never Lies by Alice Miller
The True “Drama of the Gifted Child”: The Phantom Alice Miller - The Real Person by Martin Miller (Alice Miller's son)
The Deepest Well: Healing the Long-Term Effects of Childhood Adversity by Dr. Nadine Burke Harris
My Grandmothers Hands. Racialized Trauma and the Pathway to Mending Our Hearts and Bodies by Menakem Resmaa
Pete Walker's books are often recommended along with The Body Keeps the Score but many voiced an issue with him focusing on abusive parents being the main cause of CPTSD when it is not always the case
another widely recommended author is Gabor Mate who also is often criticized (psychologytoday.com)
same with Judith Herman (wildtruth.net)
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phykoha · 10 months
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"fuck or die" is such a bizarre fic genre but I eat that shit up
Love it when people put their blorbos into horrible terrible situations that change them forever
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