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marley-manson · 23 days

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one fun thing about George is that they actually show how Hawkeye's style of joking functions as a beacon for gay people. Like, George laughing at his gay slang tourist joke is a hint that he's gay before the reveal, and Hawkeye signals himself as relatable and safe by making an interior decorator joke and referencing his own inability to throw a football during their conversation

like is that not all the precedent you need to take eg "Someone's gonna have to get me pregnant first" in Welcome to Korea as Hawkeye sussing out whether BJ's down to fuck? or yk, Hawkeye's vibe in general as announcing to anyone whose radar can understand it that he's looking for guys to hook up with? you don't even need to understand how gay guys found each other in similar ways in the real world to make this connection, it's all technically there in the show itself

#mash #mash s2 #marley on mash #hawkeye mash #mash gs #in this book i'm reading there's a lot about essentially using gay humour as a safe way to determine whether someone is gay #and it brought this to mind lol

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ace-bucket · 8 months

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The Hawkguy and Lucky

#been reading hawkeye comics :)#clint barton #hawkeye #lucky #dogs #marvel fanart #marvel #my art

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skytk11 · 5 days

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─── ⋆⋅ ♰ ⋅⋆ ───

๋࣭⭑Big Three When Y/N is Depressed! ๋࣭⭑

☠︎ Crocodile ☠︎

He probably wouldn’t notice at first that you are depressed because he’s always working, but when he starts noticing the signs that you’re not dressing up or taking care of yourself, he’ll start trying to make you at least take care of yourself. Also, he probably gets you gifts to try to make you smile a little bit.

⋆༺𓆩☠︎︎𓆪༻⋆

They were in their room and hadn’t taken care of themselves in a while. They were going through a depressive episode again, and their partner hadn’t noticed they were still in their pajamas or hadn’t taken a shower in a week.

They walk into the Crocodile's office, holding a blanket.

“Oh hi doll, I’m sorry I’m just a little bit busy.” Crocodile looked up and noticed the depression.

“What’s wrong?” He got up quickly, holding their face softly.

“It's nothing. I’m just a little bit depressed.”

He looked at them, seeing that there was something wrong “Oh, honey” he picked them up, taking them back to the bedroom. He saw how messy their side of the room was.

“Let me run a bath for you, so when you’re sitting in there, I can clean this room up. Is that ok?” He looks at them, still holding their face.

They shake their head, yes, and he starts the bath, putting soap in there so he can make bubbles.

Y/n got into the bath, and while they sat there Crocodile cleaned the bedroom for them after a while. He got the place cleaned up and changed the sheets for them.

He came back into the bathroom, seeing them just sitting there in the bath not doing anything he pouted a little bit “Honey, are you ok?”

“No, I’m not ok. I’m just really tired of feeling like this.”

Y/n looked at him. They looked really tired, and they looked like they were gonna cry. He bent down, moving the hair out of their face. “Oh honey, everything’s gonna be ok,” he said to them, trying to get water on them.

He slowly started trying to clean them, their hair, their body, slowly taking it slow so they wouldn’t get overwhelmed.

“Do you feel a little bit better?” He said, softly moving the hair out of their face.

“Yeah, I’m feeling a little bit better. Thank you.”

He smiled softly, looking at them “Anything for you, doll.”

He eventually got them out of the bath, drying them off and drying their hair with a blow dryer, trying to make them laugh a little bit.

“Do you want to go cuddle?” He whispered in their ear, kissing their neck.

“Yes, please.” Y/n looked up smiling.

He got really happy to see them smiling again, and they eventually went to lie down and cuddled together for the rest of the day.

⋆༺𓆩☠︎︎𓆪༻⋆

⚝ Buggy ⚝

Buggy would notice quickly, and he would try to make you smile and try to help you as best as possible. At the same time, he wouldn’t know what to do, but he would try his best to do everything possible to help you and make you smile again.

⛧☾༺✮༻☽ ⛧

Buggy was messing around with his crew, and having a fun time. Then, he saw y/n and gave a worried look.

“Babe, is everything ok?” He was very confused and looked around their body to make sure they were ok.

“I’m ok, Buggy. I’m just a little bit depressed. That’s it.”

He gave her a look “ Do you want me to give you a show or something?” he gave a worried look.

“Honey, it’s ok.” They began to leave until Buggy grabbed onto them.

“Buggy-!” he wrapped his arms around their waist “Just watch one show, it will make you laugh.”

Y/n sat down. They looked depressed, but they watched the show for him anyway.

He was trying to make them laugh eventually, he was out of breath. He got a smile out of them, but that’s it. “You did very well, honey.”

y/n looked at him clapping, smiling softly.

“Are you feeling better?” He walked up to them, holding their face.

“I’m feeling a little bit better, but it would be better if we just went to go cuddle.”

He looked at them surprised but took their hand. “Ok we can do that~” he smiled softly, taking them to the bedroom

They both lay down, cuddling together. He was smiling big playing with their hair. He was so happy, and trying to make them happy as well

Y/n cuddled up to him, wrapping their bodies around him. They were getting a little bit more happy now that they had Buggy around them.

⛧☾༺✮༻☽ ⛧

⚔ Mihawk ⚔

He would comfort you a lot, knowing he’s not good at showing emotion, but he would do his best to comfort you and give you the love you deserve. He probably would cuddle you until you felt better.

☽༺♰༻☾

Mihawk was sitting on his seat, drinking his wine until he realized he hadn’t seen y/n in a while. So, he got up, left his stuff, and went to the bedroom

When he made it to the bedroom, he saw y/n lying there not facing him. He was concerned, but it didn’t look like it.

He went over to the side of the bed seeing, and asked, “My love what’s wrong?”

“I’m just tired. That’s it” Mihawk looked at them, knowing there was something wrong.

“There is something wrong. Please tell me, love” he tried to comfort them, moving the hair out of their face, making them look at him.

“I’m just a little depressed. That’s it” y/n responded, looking at him

“Is there anything you want me to do?” he kept playing with their hair. “Do you want food, water, anything? I’ll do anything to just make you happy again.”

“Some water would be nice.”

Mihawk got up and got water from the kitchen, and food, just in case, for later.

He eventually came back with everything.

“Honey, you didn’t have to bring me food. I just asked for water,” Y/n said.

He looked at them, putting the food down in the water right next to her bed table. “It’s ok I just got it in case.”

“Now, come here,” he climbed into bed, grabbing them to cuddle up to them. He knew he had a hard time comforting people, but he’d known y/n for a while, to the point that he now knew how to comfort them.

They both got under the blanket and started cuddling and eventually, they both fell asleep together while he was playing with their hair.

☽༺♰༻☾

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summerreign4077 · 5 months

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Can’t find the original post I made awhile back, but we are now only 70 fanfics away from having 4077 stories posted in the MASH (TV) tag at AO3! Pleeeaase, somebody take a screenshot of it! I definitely will if I get to see it.

#I can’t be the only one who wants to see it at 4077 #Also that’s for AO3 members only. Guests don’t get to read that many stories.#mash #mashposting #mash 4077 #mashblr #mash fanfiction #mash fandom #hawkeye pierce #frank burns #margaret houlihan #henry blake #radar o'reilly #trapper john mcintyre #mash 4077th #m*a*s*h 4077 #4077th

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soufflegirl · 1 year

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royai + physical touch

#royai #fullmetal alchemist #fma #manga #roy mustang #riza hawkeye #fma reading

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ideas-4-stories · 3 months

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Cross Guild Romance prompt: During an attack by the Marines on Karai Bari, the Marines bring out sea prism bullets. Crocodile’s about to get shot when Buggy is suddenly there, taking the bullet meant for him. Crocodile is left stunned as he hold a dying Buggy in his arms. Seeing this enrages Mihawk who then goes on a complete rampage and has no fear of sea prism. He urges Crocodile to get Buggy help while he lays waste to the enemy. Afterward Mihawk and Crocodile take all care of Buggy

Holy stars above and beyond, in the heat of battle… this happening sounds really scary. This probably isn’t the first time Buggy has been shot with a sea prism bullet. Where would the bullet hit Buggy? 😨 I’m thinking like in the stomach area, maybe… I don’t know.

Love that Mihawk is now laying waste to them all. You know the Marines didn’t think either of them would do that for each other. Now I’m thinking maybe this is before they even thought of hooking up, Crocodile and Mihawk taking care of Buggy after all is said and done, is so cute!!! I can see they have to bully Buggy into staying in his bed and rest, because I feel Buggy might want to know what’s going and if everyone is doing okay and forgetting about himself who was SHOT in the stomach area (or somewhere else, I don't know)

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marley-manson · 2 months

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the topic is Trapper and the army as foils, you have three hours, go

In no small part the satire of Mash, particularly in the first half of the show, is tied up with gender performance.

The army represents traditional, stifling and violent masculinity. This is shown through everything from freudian jokes about guns (eg Frank and Margaret's flirtations in The Sniper or The Gun), to Margaret trying to cajole Hawkeye into performing a more traditional standard of masculinity while treating him like a soldier in Comrades in Arms Part 2, to many jokes and comments about (usually) Hawkeye not being a real man in contrast to army standards and various specific army personnel (eg Lyle in Springtime, Flagg in White Gold), to Frank and Margaret's worship of the masculinity of the army ("He's twice the man you'll ever be," re: Flagg and Hawkeye, Margaret's lust for MacArthur, Frank pursuing the sniper in The Sniper in an attempt to be a "real man" in Margaret's eyes, etc) to many jokes positioning the military as a sexually aggressive man pursuing Hawkeye ("Sure, the sun the moon the stars, your high school letterman jacket. Same deal I promised nurse Baker." "A receipt please, and promise you'll go out with other doctors," etc.)

In contrast, the main characters all fail to perform traditional gender in some way, from crossdressing to immaturity to indecisiveness to peacefulness to Margaret's masculinity and Frank's pathetic failure to live up to his own masculine ideals, to just about everything about Hawkeye. His cowardliness, his jokes about not being a real man, his jokes about taking the feminine role in sexual encounters with men and women, even multiple double entendres about his average at best penis size.

Trapper is the most traditionally masculine of the main cast. He still subverts masculinity in some subtle ways here and there, such as the occasional feminizing joke and mentions of not being in great shape, but overall he's the more butch counterpart to Hawkeye's fem. He plays the role of boxer while Hawkeye plays the role of diva in their respective manager/star roleplaying episodes. He's broader and buffer and plays football, often seen playing catch with someone while walking around the compound, while Hawkeye disdains sports and doesn't participate. He reads Field and Stream which Hawkeye derides in Alcoholics Unanimous while making a wry comment about shaving his armpits. A past lover nicknamed him Big John.

And there are many, many jokes about Hawkeye and Trapper being sexual partners. The recurring Uncle Trapper and Aunt Hawkeye gag, if my father sees this you'll have to marry me, for me? only if you put those on, your father and I will tell you what we did to have you, that's when I fell in love with him, etc etc etc. It's constant. In these jokes Hawkeye usually takes the feminine role, though not strictly every time ("Me and the missus," is one exception in As You Were, the dance in Yankee Doodle Doctor is another).

Trapper's masculinity is differentiated from traditional military masculinity in a few ways. Most obviously, Trapper abhors the military's violence. He never uses guns and mocks Frank's obsession with them, he's a healer rather than a soldier, and he's disgusted by the results of military violence on the men on his operating table.

He's also secure in himself. The military's brand of masculinity is strongly characterized by insecurity and overcompensation. Frank is the main representative of this military insecurity - a coward who insists he's brave (The Army Navy Game), a man who clings to a phallic gun to compensate for his sexual and gendered inadequacies (a main theme of The Sniper, perfectly mirrored when the army itself comes in with a vastly disproprotionately powerful automatic machine gun on a helicopter to shoot down one sixteen year old), a homophobe repressing his own attraction to men (As You Were, the original script of George), etc. We also see this in Flagg, who implicitly sublimates sexual urges into violence (seen when he suggestively caresses his gun while describing how he wants to torture a boy in Officer of the Day).

Trapper doesn't need to overcompensate. He's well-endowed physically, he's portrayed as a competent and considerate lover, he's a brave man who doesn't mind being seen as a coward, and he may or may not be attracted to men but either way he's not a homophobe (George) and he doesn't express his sexuality through violence. When Margaret proves herself stronger than him, his response is to be impressed rather than offended (Bombed). When he dances with Hawkeye for a gag, he doesn't mind letting Hawkeye lead.

He's also differentiated in terms of tradition, with the mliitary representing a more propagandic 50s traditionalism, and Trapper representing a 70s, countercultural freedom from tradition. We see this in the way Trapper has plenty of sex despite being married, while adultery is a court-martial offense in the military. It's notable that he's open and carefree about it, while Frank and Margaret are surreptitious and hypocritical in their affair. This lack of traditionalism is also shown in his disrespect for authority, often in direct contrast to Frank and Margaret's worship of it, and his allyship to George who the military would persecute for his sexuality.

So ultimately we can see that while Trapper and the military are both examples of masculine performance, Trapper's masculinity differs from the military's in being more flexible, less violent, less traditional, and more secure. The military's masculinity is far more toxic than Trapper's, particularly in the context of 70s counterculture media, which aligns womanizing with sexual liberation rather than a lack of respect for women, accurately or not.

This contributes to their respective dynamics with Hawkeye.

Hawkeye, we've established, is usually more feminine, and there are a myriad of jokes characterizing Trapper as his sexual partner, as well as the military as a sexual pursuer.

The jokes Hawkeye and Trapper make about their relationship tend towards cozy domesticity. They're Radar's "aunt and uncle," they directly roleplay marriage ("Martha, we're going to have to move, the people upstairs are impossible,") and less directly behave as though married (the bickering in Alcoholics Unanimous, the discussion about naming their pony in Life With Father). Occasionally they're treated as a healthy couple in contrast to Frank and Margaret's toxicity ("While I'm gone, promise you'll go out with other doctors," vs "Touch anyone else and I'll cut off your hands" in Aid Station).

In some instances the jokes lean towards predatory - "If you're trying to get me drunk, it'll work," or "Who is this man in bed with me?" "I followed you home from the movies," but they're always playful, always fond. If Hawkeye takes on a submissive or victimized role in these jokes, it's one he has fun with and discards just as easily in the context of the rest of his relationship with Trapper.

So, it's important to note that Hawkeye and Trapper support each other and look after each other in an equal, enthusiastic friendship. From Trapper ensuring Hawkeye gets to sleep in Doctor Pierce and Mr. Hyde, to Hawkeye supporting Trapper when he wants to adopt a child, to Trapper right at Hawkeye's side as they attempt to procure an incubator, they are there for each other every step of the way. If their relationship is a marriage in some ways, it's a healthy, strong, and non-traditional marriage, an equal and open partnership free of jealousy and insecurities.

Compare that to the military's relationship with Hawkeye. In jokes it's characterized as powerful and predatory, far from an equal partnership. Sometimes it approaches positive - in Carry on Hawkeye, much of the humour is derived from Hawkeye and Margaret's gendered role reversal as she assumes military command of the unit. Hawkeye playfully calls her sir, seductively lies on her desk like a secretary in a porn film, and most notably treats an immunization shot as sexual penetration in a prolonged gag about sexual role reversal. Hawkeye has fun playing a sexually submissive role to a representative of military authority in this episode, but it is a submissive role.

Several of the one-off jokes have a similar sensibility, such as the double entendre of "My bellybutton's been puckering and unpuckering all day," in response to a representative of MacArthur assuming their excitement over the general's arrival to the unit, or Hawkeye's "Okay, take me, I'm yours," to Colonel Flagg. They demonstrate a willingness to play the receptive role on Hawkeye's part, but they also, pointedly, disturb the object of the jokes.

When Hawkeye makes these jokes that sexualize military authority, he's attempting to be provocative as well as defiantly drawing disruptive attention to his own powerlessness as a drafted surgeon. The power dynamic between Hawkeye and the authority of the military only goes one way, and Hawkeye gets a kick out of pointing it out in ways that perturb the representatives of that authority, but it's a power dynamic that takes its toll on him.

Many of Mash's plotlines revolve around Hawkeye rebelling and attempting to seize some scrap of agency back from the military. Adam's Ribs, for example, in which he starts a mild riot over the food he's being fed and spends the episode attempting to procure barbecue ribs from Chicago (which Trapper procures for him), or Back Pay where he tries to charge the military for his forced labour. A particularly notable example is Some 38th Parallels, in which Hawkeye complains about being paid the equivalent of a nickel per operation, and his frustration manifests in impotency until he can perform a gesture of rebellion against the military.

One unfortunate consistency of these episodes is that the army ultimately retains its power. When Hawkeye achieves his goals, it's only in small ways that do little more than satisfy his own need to assert his sense of self. Often, Hawkeye doesn't achieve his goal at all, but is thwarted by the army, such as in For Want of a Boot. In every instance he remains powerless in comparison to the authority of the military.

So the context in which Hawkeye makes these sexualized jokes about the military literally fucking him is one of abject helplessness. In a sense, all he's capable of is pointing out what the military is doing and putting it in his own, audacious terms. He's not capable of preventing it. His jokes usually have an edge of bitterness to them in delivery, and when they don't, that tone is imparted anyway by the greater context.

With Trapper, Hawkeye can play-act a marriage or an assault, but in either case he's an enthusiastically consenting, equal partner. Trapper's performance of masculinity allows for Hawkeye to take any role from victim to wife to husband, and enables Trapper to respond in kind from a position of equality and respect. The military, in its insecure, domineering performance of masculinity, is a dictatorial authority, never allowing Hawkeye perform any role but a feminized, victimized one, and only ever giving him the choice of whether to perform with a wry smile or a sneer.

In short, Trapper is the cool, considerate service top to the military's insecure domineering boyfriend.

I'm tagging everyone who enabled this lol, share the blame. @beansterpie @majorbaby @professormcguire @rescue-ram

#mash #this was dumb but writing it was somehow cathartic for me lol #i should've done this with frank and hawkeye as foils wrt subverting masculinity bc i think that would've been much easier #but i got caught up in this honestly. it's incredibly fun to write this kind of shit #maybe i'll post a round 2 sometime #marley on mash #ship ht #mash gs #and like... it's a little bit parodic but also sincere to an extent lol. this is absolutely one way of reading all the freudian #undercurrents in the show. it's definitely silly to contrast trapper and the military to make a point about how the show depicts #masculinity especially for like 1800 words lmao but it's a very fun angle #trapper mash #hawkeye mash #long post

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transgayhawkeyepierce · 1 year

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Hawkeye is kind of a tough fuck. Like, not in the traditional sense, he's a self identified "coward", he's pretty much always subverting masculinity in some way, he's a jokester, he's emotionally open. But Hawkeye is tough. He's preserving, to an insane degree. The reason why the war hurts him so badly is because of how determined he is to keep his head on straight, not getting worn down to cynicism or detachment or acceptance of the atrocities being committed there. Even when the war breaks him, we see him regain his mind and start to heal, because that's just who Hawkeye is. He's always pushing through. And let's not forget what lengths Hawkeye will go through to help, of what happened to Lacey when he threatened the lives of all those men, of Hawkeye's schemes to get money for the orphanage, or smuggle out prisoners of war. Hawkeye is tough because he loves others and wants to live long enough to make connections with them, because he values his personhood, he's tough because he's kind and will do All he can for a mere stranger. Hawkeye is tough because he is good and that makes his toughness almost untouchable.

#Marley this is inspired by your read more post #I will say Hawkeye does get worn down scheme wise by the people around him in later seasons but that's a different post #anyway Henry go work on your paperwork!!!#hawkeye pierce #m*a*s*h #mash

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