Remember the look Kirk gave Spock when he found out about Leila?
and how he stared her down LIKE THIS afterwards
Since they didn’t specify why Kirk was the only one immune to spores, I’m gonna take it so far as to say it had no effect on him because he was so mad at Spock about this
I have read Fellowship of the Ring more times than I have cared to keep count and every time I read Boromir’s, well, possession for lack of a better word, I have read it in fear, in discomfort, in horror, indifferently.
This was, I think, the first time I read it in pity. I looked at all the plans Boromir was making, how he would save his beloved city, how obstinate he was in his belief that the men of Minas Tirith would not be corrupted when wielding the Ring against Sauron —and I felt sad. He’s waving his hands and hollering and part of him is desperate just for the Ring, of course he is, he’s been traveling beside it with no hope for months, but he’s also desperate for hope. He’s desperate for a chance to save his people, save his brother, save his city.
Moreover, every time he calls out the Elves or the Wizards, you have to remember that he doesn’t know them. All he knows is that he traveled almost a full year to get their advice and they send him on, in his eyes, a hopeless venture. The one hope they give him is Aragorn, who promises to return and help save Minas Tirith with him, but even that all changes once Gandalf dies. They come to Lothlorien and of course it’s a welcome break, but they cannot, or maybe in Boromir’s eyes will not, help his people. And once they leave, Aragorn assumes his role as leader of the Fellowship in Gandalf’s stead more permanently and suddenly even that one, brief, uncertain hope of his is gone. Aragorn will follow Frodo. And it’s almost certain that Frodo will not go to Minas Tirith.
So is it any wonder, really, that tired, desperate, hopeless Boromir, out of his realm, out of his depth, already hanging by a thread when he joins the Fellowship and having been gnawed on by the Ring for months upon months afterwards, finally snaps once it’s clear that he will have to return home empty-handed and almost certain that somewhere far away Sauron is capturing the Ring and killing the companions that he had bonded with? Of course part of the Ring is making him lust for power, but it’s also his only “reliable” (in his mind) source of hope left to save his city.
And so I read Boromir’s (intelligent and thought out, mind you) raving and I don’t feel scared for Frodo, not after reading it so many times and knowing what ultimately happens, but sorrow for Boromir.
I think it's interesting to look at the 'Mr. Bridgerton' scene as a backdrop for the eventual mirror scene. Firstly, in the fact that I think we've kind of misinterpreted it.
So many people are of the mind that scene's purpose to 'drag' Colin, but really, that scene has 3 primary functions. The first is to inform Colin that Penelope is aware of what he said of her, thus opening the door to clearing the air between them and providing an avenue for which Colin can apologize. The second is to establish the ground that they are currently on: Penelope has given up on the dream of Colin Bridgerton, in particular the perfect prince that can do no wrong, and has made it clear to him. It also creates distance between them that they will bridge.
But the third, and to me the most wrapped up in the mirror and the inner workings of their relationship is that it reveals how Penelope feels about *herself*. It's not necessarily an echo of what the ton considers her as, after all, we have a lot of evidence indicating that, for all intents and purpose, people aren't *unkind* about her, but rather that they ignore her. Audience members recognize this as Penelope's own shyness being the cause, she is often sitting off on the sidelines or not really talking to much of anyone, in the books she's referred to as the 'one who doesn't speak', and her LW business takes her away from being a character in the action of the ton to a bystander, kind of a self-fulfilling prophecy of sorts that perpetuates itself. Pen felt unseen so she became LW to have some power, but then LW herself must remain unseen and Penelope continues to be by design of her own making.
No, I think what it really reveals is that Penelope has incredibly low personal self esteem. We as a fandom has lauded that scene as her dragging Colin, saying that he's cruel and calling him Mr. Bridgerton is absolutely meant to create distance between them, but I don't think she's dragging him.
Because the person she is *actually* dragging here. . .is herself. And it is a general theme in her life. In Whistledown. Aloud. Even with Marina, when she complimented her, she assumes that she's lying. When Edwina says she's wearing a pretty dress, Penelope puts herself down and doesn't believe her, even when the compliment is genuine. In truth, Portia is not seen as being particularly unkind to Penelope. At least, speaking as someone who's mum was *awful* about my size and weight and outfits, Portia is. . .overall rather mild. She's not KIND and loving, not by a long shot, but she's also not targeting Penelope only. She's plenty mean and critical to Prudence, too, even to the point where she foists her off to her own cousin as a pawn piece. Penelope has low self esteem because of a lot of reasons, she's bullied by Cressida (I think a lot of girls are, she was pretty mean even to Daphne in S1) and her family isn't very tender to her, and she's not being pursued at every turn, but part of it is also her own perpetuation.
Listen to what she says "Of course you would never court me" "I embarrass you" "I am the laughingstock of the the ton". She sees *herself* as an embarrassment. She puts *herself* down. Arguably, more so than the ton does. She's meaner to herself than anyone else is, aside from Cressida. And honestly? Looking at Colin's face there. . .he is HURT that she considers herself this way. That she's projecting that onto him. Yes, he's hurt that he hurt her, of course he is, he never wants to hurt her. And yes, he's ashamed that he said he wouldn't court her the way he did and that in doing so, he validated her fears that she is unloved and unwanted, but also because. . .she already feels that way about herself. She's felt that way for years. And it's painful to care about someone, to see them as wonderful, and realize. . .they don't feel the same about themselves at all. I don't think Colin is out here feeling so wounded over the fact that she called him cruel and won't refer to him by first name anymore, but that he's most hurt by what she says about herself.
Because he *doesn't* see her the way she accuses. She says she never expected him of all people to be so cruel, but he feels the same way. He never expected her to be so cruel to *herself*. He wants to go somewhere private, not because she is an embarrassment, but because he wants to have a private conversation with her. Maybe assure her. Maybe explain himself. Maybe hash it out. But god Luke Newton's acting. . .he is *aching* for her. And it feels like he's going to do those lessons not in atonement for what he said (thank god) but to genuinely help his friend who thinks badly of herself. To lift her up. It's not about him at all, not about earning forgiveness, but about elevating Penelope. And that's. . .fuck, I just find that's just so heart stoppingly beautiful.
You can see, in that scene, how much he cares about her. How deeply and genuinely he adores her as a person. And just how painful it is for him to know he has validated, whether on purpose or otherwise, how poorly she feels about herself. How low her self-confidence really is. She is giving him a glimpse into the cracks of her heart, and when he sees them, he wants to reach out with both hands and make it feel better. Make her feel better.
After she says 'even when I change my entire wardrobe', he looks so fucking crushed. So 'don't say that'. So 'you really believe that?'. So 'God, I hate that you think that way'.
Because regardless of it all, he does love her. It's not romantic yet. It's not sexual yet. But he genuinely, truly, from the bottom of his heart, thinks she's wonderful. That was evident even in the 'purpose' scene. Every time Penelope opens up and reveals a facet of herself, he likes it. He likes her barbs and her dreams, he likes talking to her. He likes her. And he feels awful that he hurt her. And he feels awful that she's hurting herself. He loves her. He wants her to love herself.
And that's where the mirror scene comes in. Because the mirror scene isn't about sex, not really. Not entirely, at least. The mirror scene is about *intimacy*. The mirror scene is about being seen. Not just her seeing him, or him seeing her, but for Penelope to see *herself*. In a way, through his eyes. Because hers are biased rather negatively toward herself, which is evidenced in the 'Goodnight Mr. Bridgerton' scene, and in so many little moments we've already gotten where she's literally looking down on herself, feeling down. She doesn't necessarily *like* what's in the mirror, but he does. Because he likes *her*. And he wants to show her that he does. Show her that he finds her beautiful and have her recognize that in herself.
The 'Goodnight Mr. Bridgerton' scene is about Penelope revealing how she sees herself. The mirror scene is about Colin showing her how *he* sees her. The Goodnight scene is about Penelope thinking she means nothing to him, that he thinks of her the way she thinks of herself, that this is how everyone thinks of her, and the mirror scene is a direct response to that: No, he doesn't. No, he doesn't think she's embarrassing. No, he doesn't think she's a laughingstock. No, he doesn't think she's unappealing. And he doesn't think she should, either.
And he's going to show her that. Not just tell her, but show her. The mirror scene is so often a focus on Penelope, so much of Polin is in Penelope's focus, but approaching it from Colin's perspective and his motivations is so fulfilling, too. It's a glimpse into them in conversation, and a demonstrate of how Colin loves her. How Colin loves in general, openly and earnestly and altruistically. How he encourages her to be braver and more confident in herself, bolstering her because he just likes her *that much*. How he finds the most fulfillment and satisfaction in caring aloud. The mirror scene is a demonstration of his heart in reflection.
When Luke Newton said the first word that came to mind with the word 'Mirror' was 'Exposed', he doesn't just mean physically. He means emotionally, too.
i don't get people who don't like looms because "when two time lords love each other very much they send a formal application to the council to use a machine that is in their house" is so much funnier than a nuclear family
Hi! Maybe you can help point me in the right direction. So with the official confirmation that Felix and Adrien are sentimonsters, I had a thought. Supposedly Emilie was already pregnant and Felix's dad created Felix or whatever, does that mean they're half sentimonster, or is one and not the other? That part confuses me. Especially since they both have rings that control them? Or I might have the wrong understanding of what's going on. Thanks!
ok
ok
Ok
ok
ok
ok
ok
everybody SHUT UP. listen
so no, that is not what happened. I’m fairly certain Emilie artificially inseminated herself via sentimonster. Gabriel knew this, and offered the peacock miraculous to Colt so he could do the same to Amelie.
but
ANYWAY
………………………….
DO YOU KNOW WHAT THIS ASK MADE ME REALIZE
THEORETICALLY. YOU CAN.
Inflict
pregnancy via sentimonster
on whoever you want.
“FUCK you. That’s it. you’re pregnant now. have fun”
like that’s awful hsgahdjdjd why does miraculous ladybug have a precedence set for mpreg. this show is so fucking stupid. I hate here.
People have already pointed out that this implies that Chuuya not only knows where Dazai lives, but is aware of every affair he's had.
Something I want to draw attention to is the way Dazai reacts to this threat. The way he responds is like he knows Chuuya is capable of acting on said threat. (This also implies that Chuuya has a way of contacting these women). Which means Dazai was aware that Chuuya had this information about him.
Interestingly, Dazai is a character who only reveals information he wants people to know. Which means that he wanted Chuuya to know about his affairs AND where he lives.
i know everyone sees him as second fiddle to knives bullshit but legato is Everything he is the reason the manga Works do you understand. wolfwood alone is not an adequate foil to vash bc he wants to be saved. he sees himself as guilty and recognizes the “wrong” in himself and wants to overcome it (nightmare of the orphans, eyes screaming in pain). his arc is more How can someone be better and still survive, not Should someone be better bc wolfwood ultimately does believe what vash is selling. by comparison, legato asks vash what if i dont want to be saved what if im happy here in the death and misery and cruelty what if i want this and vash’s answer is To Kill Him. he is the only person vash intentionally kills. he doesnt even kill knives bc knives’s plant bullshit is not actually vash’s ideological opposite. legato is. knives is kinda incidental to vash’s ultimate struggle against humanity’s ~dark side~ and how to reconcile that with their ability to grow and be better. i am shaking you by the shoulders do you understand do you fucking get it he is load bearing he is EVERYTHING DO YOU GET IT!!!!!!
Subtle JJ things I noticed that keep me up at night:
1. The way they changed the styling of his clothes from season 1 to season 2. Season one he's already pretty ripped but he mostly wears these loose-fitting tshirts and cutoffs that make him look cute, lanky, and unthreatening. Season 2 he mostly wears tight-fitting tshirts that make him look CONSIDERABLY beefier and generally is seen wearing more layers- it's technically Fall but he covers up more than other characters do and it has the effect of him seeming more closed off and isolated than the others, which he is. Season three his style is somewhere in between, not super tight but not lanky and loose either, like he's found a better balance.
2. His drinking. Season 1 he's partying a lot with beer and frankly, high most of the time. Season 2 he starts carrying around the flask- presumably liquor, not beer- and drinking non-socially. Before school. At John B's "funeral". That night they're stranded with Kie and Pope on the way to Charleston. The others aren't drinking at all, nor does he offer them some, then he seemingly (to Kie) falls asleep with the open flask in hand... Like he's been drinking himself to sleep, and this has probably become a habit. This is clearly because he's depressed, and though I think John B's "death" is the catalyst, it's clearly not the only reason as it continues through season 2, for example the aforementioned Charleston trip. I think John B's death, going no-contact with his dad, living alone at the chateau, Pope and Kie's relationship, have all led him to feel extremely isolated and he's clearly coping with substances even worse than before. Not to mention he's free of his dad for the first time, completely after he leaves OBX, which means for the first time in his life he's probably processing his trauma, which is what tends to happen once you find yourself no longer in a continually traumatizing situation. That would also account for his moodiness and increasing dependence on substances. I think it's also interesting we see him smoking weed less, but drinking more heavily. I think they did this to show a marked change in his already concerning substance use from season 1 from "bad coping mechanism, gets him through the day in relatively good spirits" to genuinely concerning and potentially volatile, over-using a substance his biological was known to be addicted to. Note this abruptly ends at the end of season 2 with being stranded on the island with all the Pogues. There are zero substances on the island, but it's clear it's the happiest he's ever been. A lot goes down after they get off the island but he seems to minimally fall back into old patterns in season 3. Apart from hanging out and partying a socially acceptable amount with his friends, the only time I remember him using is when he's drinking beers alone at his house- when he gets home and everyone's reuniting with their families and when he's fighting with Kiara because of their moment. When he feels alone and scared. I'm curious to see his development in season 4.
3. His lack of fear/loss of fear in death. Bro, nobody talks about how differently he reacts to danger between seasons 1 and 2. All throughout season 1, JJ is an anxious wreck and his response to being threatened is always submission, fear, and an instinct to run. When there's guns on him he gets the fuck down. He puts his hands up. He looks visibly terrified. Multiple times you can see him VISIBLY shaking. When the thugs are attacking Miss Lana, he's trembling with his eyes closed and trying not to make a sound. He begs John B to leave while it's happening and after when he sees her reaction. Even when Barry tries to rob them, furious though he is, he follows Barry's demands and doesn't fight back until John B starts it and makes an opportunity. As Kiara so aptly puts it, "he has the survival instincts of a cockroach." He does! But everything changes when he tries to grab the money and run from his dad. Again, he doesn't want a fight. But he gets one, and he's finally tired of it. He's been beat up and threatened and stolen from one time too many, and the threat of death is no longer a more powerful motivator than his wants. So he attacks his dad back and puts him in his place. He once again puts his hands up when Barry and Rafe come for him at the Phantom, but he doesn't look as scared. John B's "death" may be the final nail in the coffin, because starting season 2? He's not scared anymore when he should be. Despite the fact that he appears to be having panic attacks and worse anxiety than ever, every gun that's pointed at him or fight that breaks out he just rolls with. One of the only times I can see his survival instincts crop up in season 2 is when Kiara yells "murderer" at Ward seconds after he straight up killed someone with a gun, which is a normal human reaction and may have had more to do with protecting his friends. He just seems numb to most of the danger. Then again, season 3, he almost seems to find a balance. He's still doing some reckless things, and no longer cowering in the face of enemies, but he also knows who the dangerous people are, and when to wheel and deal or turn away and come fight another day.
Anyway, I'm very curious to see how he evolves in season 4, now that he's establishing his own life, financially secure, on good terms with all his friends and (hopefully) in a committed relationship. Let me know if I missed any other interesting character changes patterns for JJ or any other characters from the show! I would love to read/hear what you noticed and your own in-depth character analysis. JJ's my favorite character and a super rich text, so I tend to hyperfocus on him. Also if you want to request me to make one of these on one of the other characters let me know! I would love to zero in on them and see what I missed on my next watch-through.
“It is better to know one book intimately than a hundred superficially” (Tartt, 31).
I am absolutely fascinated by the fame and reverence this quote from the Secret History has achieved. It terrifies me. Let me explain.
Who’s line is this? Oh, yes. Professor Julian Morrow. Julian, in his lecture on how death begets beauty, on how Dionysian madness lends immortality. Julian, who isolates the greek class, buries them in the glories of the past and in their privilege, and submerges them beneath illusions until his students can’t tell right from wrong and real from imagined.
These words are satire. This is NOT a lesson any teacher should impart, and should NOT be beloved and relatable. In one sentence, Donna Tartt summarizes the entire cautionary tale of the novel: the selective, warped, and obsessive view on life the greek class held, born from entitlement and cultivated by Julian, led the students to tear themselves to pieces.
What’s more, the way people quote it all the time makes this line all the more haunting. Widespread parroting of Julian’s teachings only reinforces Donna’s themes: human minds are easily manipulatable, it can be hard to think critically about what you are taught and what you read, and that the easy, self-assured conviction belonging to the reader that, “I, personally, would have behaved differently than Henry, Richard, Francis, Camilla, Charles, and Bunny” is nothing but another illusion.
love it when a character that's hard to read intuitively for you has like a dedicated fandom interpreter who can just glance at their blank face in a panel and then give you a 3k word essay on their innermost thoughts & desires & fears and neatly tie it back into the themes & whatnot as if it's the most obvious thing in the world
Yeah Venom of the Red Lotus showed us how crazy powerful Korra is but The Last Stand had Korra transform the destructive power of a massive bomb blast into something regenerative in the culmination of one of the best character arcs I've ever seen. In my OPINION!!