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It is not lost on me that Charlie and Vaggie were initially not doing great against Adam and Lute...and then proved Carmilla was so fucking right.
Vaggie is absolutely FUCKED here. She's been in this position before, with Lute looming over her spitting vitriolic judgment, Vaggie's blood on the ground. Back then, she couldn't stop Lute from taking away her wings, her eye, her home, and her purpose. But now? She has more than that; she has love, because she has Charlie.
When Lute threatens Charlie, everything changes. Vaggie fucks her up immediately...and shows "mercy" knowing that being forced to live with part of herself gone (her arm was CRUSHED, no way was she getting it back), the shame of defeat, and the knowledge that someone she's been looking down on so completely is responsible for it all is a fate MUCH worse than death for Lute.
And Charlie? Charlie's insanely powerful but has no clue how to use her power to its full potential because she's never had a reason or desire to fight until now. Even when she's being strangled, when she's pissed-off and vengeful, she can't really tap into that power. But then Adam comes at her dad and is about to catch him off-guard.
He's about to hurt—possibly kill—her dad, who she's finally building a good relationship with; her dad, who just showed up to protect her despite the risk of politically turning this battle from an act of defiance by a willful princess to an act of full-on rebellion by the King of Hell himself. She reacts on instinct to protect her father and stops a hit that destroyed Alastor's shield. And she does it effortlessly.
Carmilla was right. For these ladies, at least, the need to protect someone they love, no matter what kind of love it is, is exactly what rallies them to come at enemies who were just kicking their asses and absolutely dominate.
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Relying on each other, as they have done for thousands of years
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Apropos of nothing, here's my personal headcanon in regards to Mario and Luigi's surname.
Now, it's been generally announced and accepted that the brothers' last name is "Mario," shackling them with the somewhat awkward full names of "Mario Mario" and "Luigi Mario." My take on this is that the family's original last name was "Marianetti" (likely coming from the more common "Marinetti"). This name was changed to "Marionetti" when the boys' grandmother came over from Italy. (A common occurrence in record keeping at immigration at the time. Someone probably had bad handwriting and smudged a pencil stroke somewhere. It happened in my family for sure).
In Brooklyn, their father went by the last name "Marionetti," which ended up shortened to just "Mario," as oftentimes he would be addressed by his surname only. (Think, "Hey, Mario! Get over here!" as opposed to "Hey, Marionetti! Get over here!")
So, the boys are born and get their names. (Their father's middle name was Mario, and so our Mario, being the oldest, inherits his father's middle name as his first name. Luigi's name maybe comes from the middle name of some uncle who is long out of the picture).
So we have "Mario Marionetti" and "Luigi Marionetti." Which, their surname being a mouthful, gets shortened to "Mario" more often than not, just like their father. And thus we end up with "Mario Mario" and "Luigi Mario," culminating in the "Mario Brothers."
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PROGRESS
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New promo drawings by Furudate!
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📽 Grab your popcorn! 🍿 LCDrarry is back 🎞
"Lights, Camera, Drarry" (LCDrarry, LCD) is an anonymous prompt-based fest, where authors and artists create pieces that are inspired by or based on a film, a theatre play, a TV series/show, a podcast, an audioplay/drama or an audiobook. The main pairing for all submissions is Draco Malfoy/Harry Potter ("Drarry"). Podfics are also very welcome! More information in the fest rules on AO3.
Find all of the important infos & links under the cut!
Fest Timeline
Prompting: January 10 to January 17
Claiming/Sign-ups: January 20 to March 15
Submissions due: April 15
Posting begins: May 1
Reveals: June 15
Important links
LCDrarry Prompts for Fic and Art <- browse the fic & art prompts!
LCDrarry Prompts for Podfics <- browse the podfic prompts!
LCDrarry Sign-up/Claiming Form <- OPEN TILL 15 MARCH
LCDrarry Rules and AO3 Collection
LCDrarry Fest Discord
Please share and signal boost! We’re so looking forward to all your ideas and creations!
Your LCDrarry mods
Tami @celilasart & Suzi @erin-riwen
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KakaIru + Those Four Guys From Naruto
I'll assume you've seen the original versions with the canon couples. (I'd link it but have no idea what the OG really is). Now it's the gae version.
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Outfits of the Guard from an older fic of mine, Tangerine and Roc. Supposed to be a bit of a mix of styles from Central Asia in the late 15th century as they go about their travels, with a little battle-ready touch.
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I don't know why, but the first thing I thought was "y'all about to have a rap battle"?
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I was thinking about WOL outfits and what not, so here's a question:
And to elaborate on the difference between option 1 and option 2, a brief explanation of my interpretations under the cut:
Illusion magic only masks the true appearance of an item, bending the light aether around the item to make it look different to the naked eye. No physical properties of the armour changes. It maintains its original dimensions and weight. If your WOL was wearing full plate armour then glamoured it to something more revealing, if someone tried to stab an exposed area, their knife would stop on impact of the concealed armour.
Transformation magic will fully alter the physical appearance of the armour into the applied glamour. It will take on the shape and structure of the WOL's desired form, but the properties of the materials used will be maintained. The high grade metal of the armour will be altered to a state where it was like a woven thread. The item would provide the same degree of protection as the original where it physically exists in its glamoured state. If your WOL glamoured their plate armour into a the street wear top, their actual abdomen could be pierced by weapon.
Because this is magic you could fudge the physics if you so choose or say there's a secondary spell involved; but I'd imagine that if the transformation was completely lossless, your glamoured item will weight the same amount as the un-glamoured version. (Otherwise it would be more like a transmutation which is a lossy conversion and not reversible. The WOL turned their new savage tier BIS armour into a hempen camise and lost 95% of the material in the process. When they dispel the glamour they have that hempen camise's amount of the original armour piece.)
That's my take on the two options! I don't know if either of them really contradict any canon in-game explanations to the glamour system tbh. It's been so long since I picked up the intro quest and the only time I remember glamours being used as a plot device it was in the ARR Hildebrand quest line (I think the very end or within the coliseum arc, either way I'm not doing all that just to check and see that it says nothing of note)
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i think it is also rlly interesting the way madara always projects his rage only onto hashirama ... like when izuna dies. and the clans meet on the battlefield again. madara goes apeshit but NOT at tobirama. his rage is very pointedly directed at hashirama .. even tho tobirama before asks him abt what has happened to izuna. madara says that he died from his injuries and then fires up his susanoo and attacks hashirama .. while screaming his name. like ... something something violence is an outlet for him and a way for him to make his feelings be heard and understood by the other party. and he wants hashirama to understand him. whether tobirama understands him or gets what is coming to him or whatever for killing his brother doesnt matter at all. all he wants is for hashirama to see his rage and his grief .. and understand what he feels
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level 4 going great, took shadowheart off the party bc i had to do karlach's questline rq and then forgot to put her back on so we beefin our way thru every encounter
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Battle tower Leon is finally in Pokemon Masters and his alt colors are SO good!! And Dragapult is hard to draw.
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