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#really 1989 but
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and id listen to it all
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permanentreverie · 6 months
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music moodboards: 1989 (taylor's version)
the best people in life are free
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„i love you all“
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zombiekitty33 · 3 months
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if only we could hold this forever
(referenced from this scene in pet sematary 1989)
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the-chelseahotel · 6 months
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The random seagull in the background of is it over now?
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Pages from Techmila, the Rochester Institute of Technology yearbook, 1950 // Suburban Legends – Taylor Swift
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midnightsslut · 6 months
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also imo there’s something to be said about how the red vault is so all over the place genre-wise while the 1989 vault brings to the surface the buried intensity of the album with the same sonically cohesive and sleek polish of the original
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benbamboozled · 1 year
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Wild to me that BRUCE was the one who decided that Jason was “lashing out” because Jason hadn’t come to terms with his parents’ deaths (WHICH…EXCUSE ME SIR????)…
Which led directly to the Ethiopia situation (which, btw, WHY DOES NOBODY EVER CALL BRUCE OUT FOR NOT KNOWING HIS UNDERAGE SON WAS IN ETHIOPIA???)…
AND THEN canon has the AUDACITY to have BRUCE blame JASON for his own murder!
Like…YOU WERE THE ONE WHO STARTED THIS WHOLE THING IN THE FIRST PLACE?!!!!
How…what…GAHHHH!!!
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an iconic pair, they truly are tinkerbelle and bobble!!
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lemonsquidsoda · 2 years
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solitaire break from re-animating dead tissue parts
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planetsandthefates · 5 months
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"How does a person reinvent herself, you ask? In any way I could think of. Musically, geographically, aesthetically, behaviorally, motivationally... and I did so joyfully. The curiosity I had felt the first murmurs of while making Red amplified into a pulsing heartbeat of restlessness in my ears. The risks I took when I toyed with pop sounds and sensibilities on Red? I wanted to push it further. The sense of freedom I felt when traveling to big bustling cities? I wanted to live in one. The voices that had begun to shame me in new ways for dating like a normal young woman? I wanted to silence them. (...) I was born in 1989, reinvented for the first time in 2014, and a part of me was reclaimed in 2023 with the re-release of this album I love so dearly. I present to you, with gratitude and wild wonder, my version of 1989. It's been waiting for you."
1989 (Taylor's Version) Taylor Swift || October 27th, 2023
(Midnights version)
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catgrub · 9 months
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what if. flapper crowley. ok thats all
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“you search in every models bed for something greater” / “does it feel like everything’s just like second best after that meteor strike??”
“can I ask you a question / is it over now??”
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sadbeautifulttragic · 6 months
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out at midnight tonight (x)
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milfygerard · 2 months
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but fr outside of my contracted madness i absolutely refuse to give joe alwyn gold rush like how is that song at all related to their relationship the lyrics clearly spell out a relationship that either never existed or only existed in implication and fantasies and maybe-maybe nots and its so bitter and yet desperately soft in the bridge where it almost projects a sense of envy, of wanting to be them as much as you want them. It continues an interesting oft ignored lyrical trend of taylor wanting just as much to be her lover as to have them, envying their easy charisma (you were flush with the currency of cool/i was always turning out my pockets) or quiet dignity (your integrity makes me seem small) dating back to her earliest songs (the kind of flawless i wish i could be). Theres a projected self hatred and yearning to be better that twists itself into both romantic and sexual lust for her partners thats so fascinating and speaks to how all of her songs regardless of who theyre about are also an act of self reflection on who she is and who she wishes to be.
#barry.txt#taylor swift#putting this in the tags as a form of self protection but make no mistake this is a gay thing to do especially in gold rush#which through simple context clues is Obviously About A Woman or maybe even women in general#whivh is a totally seperate post on how taylor constructs and uses gender identity in her music#her girlhood and femininity are earnest but also so carefully constructed and so high effort and kind of desperate#shes a deeply self concious and obsessive person who never looks comfortable in anything ever unless shes#onstage or like. by herself in loose jeans and a tshirt#i think thats one of the things that subconsciously irritate ppl when it comes to her shes constantly and clearly putting in effort#to appear As The Celebrity Taylor Swift and struggles not to self censor or overperform in interviews (when she gives them)#especially present in pre 1989 interviews where the interviewers really didnt have to respect her or worry abt how they frame her#if they didnt want to. Like the fearless era rolling stone interview where she almost has a meltdown over her mom buying eggnog instead of#milk. That whole interview is strange looking back not just bc of the weird misogyny but also because of what it does share#taylor is....weird. She has a strange and desperate vibe and always reacts slightly too much and uses slang poorly#shes media trained and has learned how to socialize but you can feel her discomfort whenever she doesnt have a guitar in her hand#idk these tags have once again gotten so unweildy. i just find it interesting that she finally feels some level of comfortable#in sharing that construction w us in songs like mirrorball and mastermind and imo gold rush#and scene#should i write this up and put it in the swiftieism zine#i should write something and put it in the swiftieism zine
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