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#really happy with a more simpler style :]
kira-light0 · 3 months
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Always thinking about them
(Reference under the cut)
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ao3commentoftheday · 4 months
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What would you usually advise for an aspiring writer who just... Doesn't have a wide range of English vocabulary? :( I've never written anything yet but for many times in my life, I've been surrounded by literature and fanfiction that I feel at home with the topic. I have stories in mind for my fandoms that I wish that I can write. But the problem is-- English is not my first language. I worry that my dialogues or storylines may not sound appropriate if I ever write and it reaches audience outside my country. I also worry that my world knowledge and or social awareness may be so small that I may not make things... relatable. Do I need to read a lot before being able to start to write? Because I read somewhere that good writers are also wide readers.
I definitely agree that reading more (and reading broading across genres, cultures, and time periods) is a valuable way for a writer to spend their time. By reading, you become familiar with the components of writing and how to put them together. You get a feel for styles that really resonate with you and you also learn what kinds of writing you just don't really like much at all.
That said, I don't think you need to do all of your reading before you start writing. Watching a lot of youtube videos about swimming isn't going to do much for you until you actually get into a pool. Knowing the theory is only half of the battle. Being able to practice is important too.
Remember, you don't have to do it all in 1 story. You can start by writing things that are within your knowledge and when you're comfortable doing that, you can see if you enjoy researching too. If you do, then great! You've got more potential topics to write about. If you don't, that's great too! You get to dig in deeper on the themes and touchstones that you already know.
There's nothing shameful about getting really good at writing the same few things. No one ever asked Agatha Christie to stop writing about murder because she really should branch out.
Having simpler vocabulary is also nothing to be ashamed of - although based on your ask, I think you don't have anything to be worried about. For this, and for the other worries you've expressed, I recommend asking a friend (either in person or in fandom) to read over your work with you. A beta can be there to help with grammar and spelling, but they can also assist in developing ideas or identifying opportunities you have in your story. They can be a cheer reader or a sensitivity reader too.
When it comes to being relatable, just remember we're all human. We all live. We'll all die. We all feel happy and sad and angry and bored and hungry. A lot of us fall in love. A lot of us have caring families. Some of us are heartbroken for almost all of our lives. The city that we do it in or the workplace or the type of school doesn't matter. It's the experience part that's universal.
I'd love to hear from other authors who write in second (or third, etc) languages about your thoughts on this one. And for everyone else, please feel free to share your thoughts as well.
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avatar-anna · 10 months
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It's hot as shit where I live and I may or may not be sitting in front of my ac unit, so...a blurb about that.
"Babe...What the fuck?"
You looked behind you where Harry had entered your apartment without you realizing. Perhaps a little too quickly because your head began to spin, but that didn't stop the wide grin from stretching across your face.
"H! What are you doing here? You're supposed to be...you're supposed to be..."
Shit, where was Harry Styles supposed to be at the moment?
Your boyfriend looked down at you, an amused glint in his eye. "I'm right where I'm supposed to be."
Now, normally that kind of sappy, lovey-dovey language made you cringe, which was why Harry used it so much. He liked to see you squirm. But in your current state, it just broadened your smile and brought color to your cheeks.
"Stop that," you told him. "Now come. Sit with me."
Harry didn't hesitate, joining you on the plushy beanbag chair you were sitting in. The two of you shuffled around until you were both comfortable, which meant you were perched on his lap. You took the opportunity to snuggle up against his chest, breathing in the scent of his clothes and the faint remnants of his cologne—a deadly combination on a sober day.
"Baby?"
"Hm?"
"Why are we in the middle of your kitchen?"
Blinking your eyes open, you looked around, feeling a little sheepish. "Well, the air conditioning is best felt right here, and since it's sweltering everywhere else in this apartment, I made the executive decision to spend some time right where the air blows out. Might as well make the best use of the money I'm spending, right?"
Harry shook his head, more than used to your antics by now. "And it had nothing to do with the wine in that glass of yours?"
"Oh. Well that too."
Laughing, he nuzzled his nose against your cheek, and you let him, happy to be wrapped up in him after spending so much time apart.
"I've missed you terribly," he mumbled, not even bothering to move from where he was pressing kisses into your neck.
"I've missed you too. Wine nights and Survivor aren't the same without you."
Leaning back, Harry reached for the glass you offered him and took a sip of the wine in it. "Good choice," he said offhandedly before circling back to his point. "You're always more than welcome to join me on tour, you know."
"I know."
"And you wouldn't have to pay for a single thing. I would take care of every—"
"H, we've talked about this."
It was no secret that Harry had more money than you did. It wasn't something the two of you talked about, nor was it a point of contention. For the most part. You were more than accustomed to a simpler way of life, and Harry loved spoiling you, and sometimes the middle ground was murky, but you had boundaries. You didn't want him to pay for everything just because he could. You could too, it just took a little longer.
"I know, I'm sorry. Won't bring it up again. Tell me about your day. Was John giving you a hard time again?"
You took the change of subject in stride, always eager to talk about your coworkers who didn't do much work. But in the back of your mind, guilt lingered.
It wasn't like Harry was trying to throw his money at you, he just wanted to spend time with you, and you couldn't really fault him for that. Sometimes it felt like you got in the way of your own relationship, even if Harry never said that himself, nor would he ever. He wanted to help you pay for a trip that would allow you to spend more time with him, why couldn't you let him?
"While this has been fun, I think it's time we take this party to bed," Harry said a while later. You'd spent a couple more glasses of wine on the beanbag chair, but both of you were sporting droopy eyes.
"Classy, Styles," you joked anyway, standing up and offering a hand to help him out of the chair.
Harry stretched his arms above his head when he was finally on his feet, a couple pops coming loose from his back. "Ha ha. I'm not as young as I used to be, you know."
"Don't I know it. Come on, grandpa. Let's get you to bed."
Harry chuckled, but let you lead him down the hall to your room. You got ready for bed side by side, then promptly fell into bed, kicking the covers away so it wasn't so hot while you slept. Harry kissed you a couple times, holding your cheek in his hand as he slotted his leg between yours. Your eyes closed at the feeling, happy to have him beside you again after spending so much time away from each other. But that only made you feel guilty all over again.
"I know what you're thinking," he said, not even bothering to look up as he continued to kiss you.
"Oh yeah? What am I thinking?"
"I'm not upset with you for not letting me pay for your plane ticket. I never have been."
That made you freeze. It took a couple tries, but you eventually managed to hold his face in your hands so you could look at him properly. "Really?"
"Of course. Do I wish you'd let me spoil you the way I really, really want to? Definitely. Do I also love you enough to maintain your boundaries and respect your desire to be financially independent? Also definitely."
You couldn't help but laugh a little, though maybe it was the wine you'd had earlier. "You sound like my therapist."
"Yes, well, I did meet with mine before I got on the plane, so..."
You laughed even harder then, and Harry giggled with you. Leaning forward, you kissed his cheek a couple times, then said, "Thank you. I just...I don't want you to feel like I'm using you, but I also don't want to be the reason we don't spend time together."
"So we compromise," Harry said simply.
"And how do we do that?" you asked, curious to hear his answer.
"Not tonight, silly. Neither of us are sober enough for that conversation. It can wait until tomorrow."
You shrugged as best you could while laying down. Fair enough, you supposed. "Tomorrow, then."
Harry leaned forward and kissed your forehead once before capturing your lips in a kiss. "Tomorrow."
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drdemonprince · 25 days
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Your post about "transitioning to escape gender but then there's more gender" has been rotating furiously in my mind since I saw it. When I first realized I was trans at age 15, I identified as agender, but I knew I wanted to go on T and get top surgery so I decided it would be simpler to tell everyone I was a trans man and that just kind of became the truth. Now 10 years later I'm sorta starting to feel like I wanna actually be agender again, but the idea of an identity shift like that at my current age is terrifying and idek who I'd tell, or how I'd do it, and I don't think I wanna stop using he/him exclusively, and I have no idea why I'm telling *you* this other than that I'm scared to talk to anyone I know about it because it feels like somehow admitting that I was wrong about the gender I fought like hell to become, even though i don't really think that's the case I think my sense of self might just be continuously evolving... but I just wanna say you talking about having a gender shift like once every several years is helping me process this rn and feel like I'm not faking anything now AND wasn't faking anything before.
Dog i am right there with you. As a kid I always thought gender was bullshit, the coercive nature of it disgusted and scared me and I rebelled against it the best that I could. I loathed being assigned to any gender category, I never identified as a "girl", but I didn't really identify with any other category either. Puberty terrified me (and of course, it does most young people, but it felt like it would only more deeply entrench the category that I was assigned to in other people's minds, it made it more difficult to escape). I had trans friends as a teen but it did not occur to me to transition because there was really no end goal that I wanted to head toward, I just knew what I wanted to avoid and not experience. I coped mostly by degendering my body with a fairly androgynous style and way of presenting myself to the word and mannerisms, but also by starving myself which was not so great, and not sustainable. I considered transness for myself, even trying on a friend's binder and presenting masculinely at certain queer events, but it seemed to me at the time like just another way in which to obsess over gender, a foolish coercive socially constructed thing that i was trying to avoid.
In my 20s, I learned more about nonbinary people and figured that explained things pretty well. I was enamored with the transition journeys of some other trans people, largely trans women more than trans masculine ones (with some trans-effeminate faggot boy exceptions), but I still didn't want to take on all the expense and uncertainty and hassle of navigating the medical system for myself. I didn't think that the pursuit of being happy merited taking on so many risks or fiddling with myself so much. I saw it as an extravagance I didn't deserve, I guess, and I also couldn't locate a target outcome that seemed desirable enough for me. I was still dealing with an eating disorder and recovering from some trauma and didn't really think about my life in the long term. I guess I still don't, haha, whoops.
Eventually I came out as nonbinary, and nobody really gave a shit. There is a lot of useless, solidarity-breaking discourse that happens online about essentially who is "more" oppressed, binary trans people or nonbinary people, and a lot of that fight amounts to the two groups shouting about the ways in which they annoy one another without there being any cogent analysis of power and where oppression comes from (let alone how much those two categories overlap).
But I will say that being a they/them was far more difficult than being a trans guy socially and institutionally, because your identity is completely illegible to every system around you. "binary" trans people struggle under this too, but i have found there are some immense benefits to having a socially and institutionally legible target gender. nobody would fucking actually they/them me. not anyone. not even other trans people and queer people. there were no public gendered spaces for me. there were no spaces for me. there was no way to move through the medical system, professional life, and other public institutions as a nonbinary person. i was still just a cis woman in everyone's eyes. including the people who claimed to support me. and it was massively frustrating.
and so i think ultimately, i took my frustrations with not being at all able to escape coerced gendering as a nonbinary person and combined that with the affinity i do feel for queer men and the general sense of misery i was still experiencing in my life and decided what the hell, i'll round myself up to being a trans guy. i upped my T dose, i dressed more masculinely, i eventually got a super masculine hair cut that really squared off my jawline and got me gendered correctly, and i started more consciously inhabiting queer men's spaces.
and it was pretty dope. for a while. i felt the rush of having gotten away with something. when people effortlessly gendered as male i felt freed at last from the pressure to be a woman. i was no longer being coerced into being something that i was not. i had escaped the enforced category so much that people couldn't even see the history of that category being pushed onto me. there was relief.
but then. as always happens. people made little comments about my handshake being too weak for a man. the hypermasc dudes at the leather bar rolled their eyes at me and all the other effeminate dudes swanning around the bar. the people who picked me up off the apps or at the sauna would always let it slip, eventually, that they had a lot of experience with trans guys, or had most recently been dating all trans guys, and it would make me feel like a stock character to them, yet another category into which all kinds of assumptions had been projected. a type not a person. a few people said my haircut made me look like i was in the military or described me as actually masculine, which was equally jarring because it was so incorrect. people tried to affirm me by saying i was such a dude, i was such a man, i was such a fag, i was such a gay bro, pawing all over me leaving the mark of all their assumptions and oversimplifications behind. i had tried to run away from gender and there i was just BASTING all the time in everybody's goddamn assumptions about gender. trans people didn't talk about it any less than cis people did, they were just as fucking confining to be around.
it honestly feels really dirty. when people try to affirm your gender constantly and can't stop talking about it, when people look past you and see only your body, your history, or the role they have typecast you in, when people use your body as an outlet for their own gender or sexuality explorations, when they keep trying to measure every single facet of existence up into being masculine or being feminine or being toppy or bottomy or any other gendered type, it's claustrophobic.
as a trans man i tried playing this whole gender game and the second i started winning i began to feel even more disgusted with myself. it wasn't a victory or an escape, it was a capitulation. exploring with my identity and presentation has brought positive things into my life and my health has gotten better as a result, and i've made wonderful friends who, like me, are disaffected by this coercive gendering system. so i don't regret any of that. but trying to make myself legible under the existing gendered system was a fool's fucking errand. i wish i hadnt done it to myself and i wish i hadnt had it pushed onto me. to be clear, it was cissexist, binarist society that forced it onto me; even when other queer people coated me in their gendered assumptions that is obviously a byproduct of societal conditioning, and it's conditioning that ive reinforced in my own behavior and outlook toward others plenty of times too. we all do it, and we are all wronged by the existing coercive gender system.
i dont even care how i fucking identify anymore and i have no intention of changing pronouns again or anything, i'm so bored of it, i just actually want off this fucking thing. im not interested in trying to make others understand what i am anymore or in who i am even being simply categorizable, i dont want to obsess anymore over how i am perceived or to attempt engineer my appearance and mannerisms to broadcast an identity to anyone. i dont even want to fuck anybody right now at all because im so sick of how much that's a gender pantomime for people. i want off this fuckin ride man im so done.
it's kind of freeing, to hit this point of complete gender apathy, and i think it is a pretty common stage of identity development for a lot of queer people who have explored multiple identities and roles over time. there is no category that i actually am, or that anyone is, there are just the frameworks that society has given us to work with to understand ourselves, and the ways in which we flatten who we are to be able to make sense of the world using those frameworks. but who i actually am is so much more contextual and mutable than all that. i am a different person in the classroom than i am on the train platform than i am in the bedroom than i am cuddling on the couch than i am when i'm working out than i am when curled up on the floor crying than i am at a big furry convention. who i am continues to change as new people come in and out of my life and age and change and my body alters and as the weather turns. who fuckin knows man it's nothing and everything. i want to let it just be
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akutasoda · 3 months
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Hii!! Could I request Obey me brothers with a mc who dresses like misa amane from death note? If not don’t worry!! Have an amazing day/night!<333
stylish fashion
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synopsis - when mc has a fashion similar to misa amane
includes - lucifer, mammon, leviathan, satan, asmodeus, beelzebub, belphegor
warnings - gn!reader, fluff, wc - 789
a/n: hii! hope you're having an amazing day/night too!
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lucifer ★↷
↪to many demon's surprise, lucifer can be quite into his fashion. while it may be more tailored toward formal wear and jewellery, he still had quite the eye for such things.
↪so he did think your style was quite bold at first. bold, but absolutely stunning. it just seemed to work so well for you and he couldn't help but compliment each of your outfits even if he had seen it before.
↪and because of his eye in jewellery, if you were the type, he would gladly take you out and help pick some to complete your look and still perfectly compliment your outfits.
mammon ★↷
↪ he's a fashion demon. he does regular photoshoots for mainly clothing companies and such so he thought he had seen majority of styles in the off hand chances of passing by other models.
↪and sure he's seen demons wear similar style clothing to you, but for some reason it suited you so much better. that and your outfits and their coordination worked so much better.
↪ isn't his style but would be more than happy to help you adf pieces into your collection by showing you all the best brands for your style.
↪and maybe if you chose to, he'd happily try and get you into a modelling gig with him. perhaps then you could help him pick a outfit in your style.
leviathan ★↷
↪he really couldn't draw his eyes away from how gorgeous he found your style. so much so that he felt a bit weird for staring at you.
↪he just couldn't help it! you're outfits were always stunning and he honestly wished he had your confidence to wear a similar style to yours.
↪he is quite well versed in various fashion/clothing shops surprisingly. so he would happily tell you were they were so you could add more pieces to your collection and maybe he would join you and help pick some for you aswell.
↪ however, he is also very good at carfting from scratch. most of his cosplays are hand made, the clothing mostly, so should you find out he would happily oblige in taking your requests.
satan ★↷
↪to absolutely no one's surprise he has limited knowledge of fashion. sure he may claim he's read books with that stuff in but that can't really be translated into the real world of fashion.
↪but he didn't have to be into fashion to think your style was absolutely amazing. you really never missed with a gorgeous, well planned outfit that always complimented your features.
↪he had to say, he loved the style. it would definitely become one he would be interested in, perhaps a more toned down version but still.
asmodeus ★↷
↪adores it an unbelievable amount. need i say more.
↪ it's no surprise asmo likes to dive into various styles and such, so when something with great fashion like you? it would be a crime not to ask.
↪while it probably wouldn't be a style he'd wear, he still thought it was absolutely brilliant. he loved all the accessories you'd sometimes where and even loved the more simpler outfits.
↪ probably knows the best places in the devildom to match your style. so would never hesitate to take you and help you expand your wardrobe.
beelzebub ★↷
↪another one that doesn't really have knowledge in fashion. it's not that he doesn't care, it's just not his main priority.
↪he rhought you looked stunning regardless of what you wore. but he did have to say, some of your outfits had a very nice look to them and he could understand why you had a strong fashion sense.
↪if you wanted to, he'd happily let you try your style of him. while it probably didn't match him like it matched you, he would still keep some accessories you tried on him.
↪ones that he could wear subtly. but he still could admire your outfits and the dedication you had to having such a fashion sense.
belphegor ★↷
↪ probably the worst when it comes to fashion. he spends most his time asleep and rarely cares about the styling of his clothes so has very limited knowledge on fashion.
↪ didn't really care how you dressed. if you were wearing something that made you comfortable and confident that's all that mattered in his opinion. although he couldn't help but admire the dedication.
↪he figured it must take you ages to coordinate and complete your outfits and pull them off each time, something he'd never really bother with.
↪ although his favourites were definitely your more 'casual' and comfortable outfits. the ones were it was mainly a top and pair of pants. those he could really get behind.
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Late Victorian British Fun (and not-so-fun) Facts
I thought others might be interested in my list of little things I've learned while researching the 1890s for my fics. This is by no means a list of things you should do when writing! Even I don't follow absolutely every single thing—I like to think wizarding society deviated quite a bit from muggle society, after all. If you wanna use this list as a reference, go ahead, but you should write whatever makes you happy. This is just for fun, and I'll probably end up writing down more stuff as I remember it—this is all just the stuff I could think of from the top of my head. :)
Basics
The Victorian Era was from 1837 to 1901. The era before was called the Regency Era (think Jane Austen) and the era after was the Edwardian Era (think Downton Abbey).
Love and Marriage
Even though the marriage age was lowered significantly in 1823, most girls still got married between ages 18 and 23.
The social season refers to the summer months from May to August in which the middle and upper classes left their country homes and stayed in London to attend social events, following the royal family. The main purpose was finding someone to marry.
Courtship, the part of a relationship that was most like dating today, only lasted a few months before progressing to being engaged. But it was common for engagement to last much longer. Dating as we know it today wasn't really a thing until after 1900.
Courtship "dates" that weren't in public often consisted of dinner at the woman's house with her parents (private time between the couple was sometimes afforded after dinners).
There was a paradigm shift in attitudes towards marriage; marrying for love became much more common in this era. But marriages were still pragmatic, too! Marriages based purely on love while ignoring the economic and practical aspects were scandalous.
Queen Victoria popularized white wedding dresses as we know them today.
It wasn't until the late Victorian Era that evening weddings became acceptable.
Snakes were a popular motif for engagement rings in the Victorian Era.
Pregnancy and Children
Victorian women were expected to hide all signs of their pregnancy, as it would imply participation in the act required for pregnancy (yeah, lol).
Husbands weren't allowed to be around for the actual act of childbirth, and it was advised he only stay around for 5 minutes afterward.
Anesthesia was first administered in the mid-1800s.
Fathers were often very involved in their children's lives, contrary to popular opinion.
Teenagers haven't changed much since the Victorian Era—our MCs weren't the only troublemakers. :)
Clothing, Personal Care and Fashion
Eyebrows came in all shapes and sizes; no one style appears to have been particularly coveted. The only exception was an aversion to unibrows.
Natural beauty was the name of the Victorian game. As such, makeup was very un-virtuous and was reserved for prostitutes and actors.
That doesn't mean people didn't use any products, however! Salves for the lips, as well as powders and rouges, started becoming popular towards the end of the era.
Perfumes and colognes were kept subtle, but floral scents were very popular amongst both men and women. Again, emphasizing the natural state of the body was seen as very virtuous.
Shapewear was just as popular back then as it is today. Adding or taking away layers of women's undergarments depended on the effect one wanted to have.
Men's undergarments were much simpler, usually consisting of cotton drawers and a long-sleeved undershirt.
Shorter skirts were appropriate for young girls, but as a girl got older, her skirts generally got longer.
School was still relatively uncommon for girls through the end of the era, but school uniforms for girls generally included aprons to protect their clothes.
Very long hair was desirable for Victorian women and was considered very feminine, but wearing that hair loose was not respectable. Bangs (fringes) weren't very popular.
The 1890s introduced the Gibson Girl look that would carry through the Edwardian Era.
Women wearing trousers was not as uncommon as one might think!
Bathing at least once a day was considered essential, but showering was not yet a thing.
Games, Leisure and Sports
Parlour games were very popular with adults at parties. Charades was an especially prevalent game.
Board games were also very popular for both children and adults.
Football (not American football!) became very popular in the Victorian Era amongst men. Croquet was the game of choice for women.
Cemeteries were popular picnicking spots and were more like sculpture gardens than grim reminders of death.
Food and Cooking
Honestly just go watch English Heritage's Victorian videos for an idea of the recipes and foods that were common back then lol. Mrs. Crocombe is a gem.
Breakfast was often a major event for wealthy Victorian Britons.
Ok that's all I can think of for now. I'm sure there's way more I'm missing. If I can come up with enough, I'll do another post at some point lol. Enjoy!
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idyllic-affections · 1 year
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out of all of the clouds in the sky, you are my favorite.
summary. imagine muichiro being the former tsuguko of the cloud hashira, [name].
trigger & content warnings. none applicable.
tropes, pairings, fic length, & other notes. fluff. muichiro tokito & hashira mentor!reader. 0.8k words. they/them pronouns for reader.
author's thoughts. muichiro the beloved <3333 hes my favorite ever fr, he deserves so much happiness.
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he adores his mentor so so much!! admittedly, he does show it in odd ways, but he really appreciates them in ways words cannot adequately describe.
when muichiro's on solo missions, he sends them little letters detailing the shapes he saw in the clouds. sometimes he even sends them shiny or textured rocks because he thought they would like them! it becomes very cute once one learns to understand his love language. he also gives them origami figures every now and then.
^ additionally, before their solo missions, he gives them origami cranes as a sort of good luck charm.
they have a history of becoming livid when the fragile things get crumpled by demons during missions. how dare they? that was a gift from their tsuguko, you know? they know the little paper cranes are easily replaced, and yet... it just makes them so sad to see them crushed.
the gifts he gives them are, for the most part, either handmade or non-traditional (rocks, a pretty shaped leaf, etc). sometimes he'll see something like a hairpin that he thinks they'd like, and so he buys it for them. any and every gift he gives them is appreciated, because just knowing that he remembers them better than almost anyone else and even thinks about them voluntarily is so heart-warming <3
he still calls them '[name]-sama,' even after he himself becomes a hashira. it's an improvement from '[surname]-sama,' sure, but they still insist he doesn't need to call them any such honorific anymore.
"[Name]-sama... that cloud, what's it called again?"
"I'm not your mentor anymore, Mui-kun," they commented with a little smile, hand raking gently through his silky hair. "You don't have to refer to me like that. It's okay to just call me [Name]. We're equals now, you know."
"No," he muttered his opposition, "you'll always be [Name]-sama to me."
"I only trained you for a brief... hmm, two months, was it? I'm not sure, but the point is that I trained you for a very short time."
"Doesn't matter."
"Hehe, I see. ...That's a cumulus cloud, by the way."
sometimes the two will cloud gaze together and just end up napping peacefully. both of them are light sleepers as a result of their job, but light doesn't necessarily mean restless.
mui associates them with the clouds—cloud breathing is their breath style, after all—and has often wondered about them when he cloud-gazes alone. are they okay? is their mission going well? is an annoying junior bothering them? he'll gladly tell them off if [name]-sama is too nice to.
he misses them a whole lot when they aren't around.
the mist hashira respects and trusts his mentor very deeply. he totally goes to them for like... everything.
cooking together is a very common thing for the duo; they love teaching him how to cook and bake and he loves learning. it reminds him of something he can't quite remember; simpler times, perhaps? they think it's very sweet that he's so willing to learn as long as they're the one teaching him.
they tend to his (minor) wounds, send him off on missions with snacks, braid his hair nicely so it stays out of his face... it's like he's been given a second chance at having a family. not that he remembers his first one, but still.
he sticks close to their side more often than not because of this.
muichiro is a little posessive of their attention, especially if they're doting on other junior demon slayers that are closer to his age (e.g., tanjiro, zenitsu, and inosuke). he gets a little jealous but takes great pride in being introduced as their former tsuguko. he's just worried they'll forget about him is all.
"silly mui-kun," they had once teased when they realized what was going on, "i'd never forget you. you don't need to be jealous; you're my favorite junior. ♡"
the other hashira find the attached behavior very endearing—he clings to them constantly, following them around like a lost puppy. it's moments like those in which the others are reminded that he's only a child that had his youth stolen from him far too early, so he subconsciously clings to the one person that really makes him feel safe and loved as every child should feel.
he accepts every gift from [name] with grace and humility. every single thing they give him is kept in pristine condition, even if it's a silly little trinket they picked up on one of their missions because "it's the same color as the ends of your hair, mui-kun." ridiculous!! ...what? he doesn't have to take it if he doesn't want it? no, back off, he's keeping it forever.
he especially loves all those silly gifts. knowing that someone he loves thought of him while they were away makes him all fuzzy and warm inside <33
[name] would be so protective of him. they know how many tsugukos shinobu has lost. to experience that... the thought alone makes them tremble with fear.
they're terrified that one day they might feel that pain too.
no-one will take their student from them, not when he's so young and has his entire life ahead of him. they will not allow it, even if it should cost them theirs.
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ni-kol-koru · 1 month
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It's finally here, my gift for @alwaysdrowninginfeels for the @knbexchange event 🤍
I decided to go with ImaKasa and Coffee Shop AU (well, it's not really a coffee shop, more like a café/bar)! This was my first time drawing Imayoshi as well as my first time actually thinking about this ship. I got really into it sooo I decided to make a little comic! ☕️ I also decided to try something different from my usual art style, something a little simpler and with less bold colors... Had a lot of fun working on this and I am pretty happy with how it turned out! I hope you will like it, too! 🤍
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Stucky Comic Snippet Pt 3
Don't even bother, Steve! Hi I'm back, and as you can see I'm not immune to the cliché of someone knocking on the door at just the right time. Sorry to keep you waiting, but here's the disappointing part: this snippet actually just ends here. I started making it as an exercise, to start getting comfortable with drawing digitally, so I just thought of a cool scene in my head that I wanted to see, and made it. I do plan on making some more snippets and comics regarding these two (and also other original characters) that I have a storyline for, only this snippet isn't part if it, or at least I wasn't able to fit it in yet. Thing is, like I mentioned in a previous post, I'm thinking if I should make my style simpler so I can pop more of these out, because it takes me a really long time to make "just 3" of this pages, or if I should just keep it like it is. I know I'm only one person and not a team, but alas, I guess this blog will end up being a series of snippets that I'll do my best to put in chronological order. I even thought of uploading somewhere else for that, but anyway, that's for another time. On the meantime, thank you so much for every single one of you who liked my posts, but especially those who commented or reblogged with their thoughts! I really really appreciate each and every single one of you, and it motivates me to keep doing what I'm doing. If you have any questions, feel free to send me an ask or comment and I'll be happy to answer! Or, you can comment who you think is knocking on the door and why :D Anyway hope you're doing well! 💖
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larkingame · 1 year
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the absolute beginners guide to twine part i
I've posted this in the tutorial channel in our decoding twine server, but I figured it might be helpful to keep on here. As someone who found learning twine incredibly daunting especially with so many things to read, often using coding language I was expected to already understand, I want make coding in twine alot simpler for beginners.
So, with this, I'm unleashing the absolute, absolute, begginers guide/series of sorts for people looking to pick up twine, but might be intimidated. Here I'm talking about the 'stuff you should already know' 🙄 you see when going into tutorials. I really hope some of this helps, and I'll be happy to answer any questions I can in the future, or at least, send you to someone else who can too.
so, with that being said, here's the absolute beginners guide to twine, part i
So, this is the most basic basic basic stuff you're going to use within sugarcube twine, that I thought would be helpful for those of us who are just learning, there are plenty of more in depth guides out there, but I wanted to keep this as simplistic as possible in a sort of explain-to-me-like-i'm-five style.
Once you've gotten twine installed and switched your format over to sugarcube -> (This is done by opening up a new project, clicking in the bottom left of your screen with your game's title, and clicking on the 'Change Story Format' Option and switching over to the latest version of Sugarcube (sugarcube2.36.1))
PASSAGES These are what hold the content of your story! They hold your main body of text and LINKS which what connect passages in your story. Think of passages as pages in your choose your own adventure novel, and links are the choices that tell you (or the program) which page to flip to. Passages have TITLES and BODIES Your Title, is you guessed it, what your passage is called. This will not show up in game, but I'd recommend naming your passages something bland incase code-divers hop in and look at your code lest they find something embarrassing in your titles. Your body, is what is in the actual passage itself, this is what shows up in game and contains links.
LINKS links are what tie ALL of twine together across the formats, and in sugarcube you can style them a series of ways, connecting one passage to the next. The easiest way to include a link looks like this: [[LINK]] This is a link that will appear as the word 'link' in-game, and will take you to the next passage entitled LINK. For this route, it's necessary to wrap your link in two sets of brackets OR [[]] These, which will actually make it function as a link. [[NEXT | LINK]] This is another approach you could take, where players will click on a link that says "NEXT" in game, but will take the player to a passage called LINK. For beginners think, left is what will appear to the player and right is the title of the passage just for you the developer.
USING VARIABLES - variables are an incredibly useful tool that can be used to keep track of things throughout your game, whether that be your character's name, whether or not the player's visited a passage, the response to a question or numerical stats.
For our purposes there are three types of variables, Boolean (true/false), Numerical, and String Variables.
The two macros that will be useful in reference to variables are: <<set>> and <<if>>
First things first, when you have your list of variables ready, you're going to want to define them first in the StoryInit Passage. This is the first passage that will run in your game, you won't see it when the game is played BUT it does get run in the background behind everything else. By setting your variables ahead of time and modifying them later it allows for a smoother run through of the game that eliminates problems further down the line. You can of course, define your variables as your game progresses in individual passages BUT you might run into trouble later down the line.
So, let's set up your variables in a mock StoryInit Passage here: :: StoryInit <<set $characterfriendship to 0>> <<set $yesornoanswer to false>> <<set $eyecolor to "null">>
SO, what this does is it sets a variable called $characterfriendship to 0 using the <<set>> macro. What this does is set my friendship points with said character to ) that can progressively grow throughout the game.
VARIABLES whatever you call them ALWAYS have to be proceeded by a dollar sign ($) for them to function in game, and you can format the <<set>> macro a number of ways. For example: <<set $characterfriendship to 0>> <<set $characterfriendship = 0>>
Both will function the same and make it so that variable will equal 0.
Now moving on, if we want to alter those numerical values further down the line in a passage we can do so in a number of ways, whether that be adding, subtracting, dividing or multiplying. For example if I want to ADD 1 point to my friendship my code would look like this. <<set $characterfriendship += 1>> OR IF WE'RE JUST ADDING ONE you could simply do this: <<set $characterfriendship ++>>
To subtract you'd do: <<set $characterfriendship -= 1>> To multiply you'd do: <<set $characterfriendship *= 1> To divide you'd do: <<set $characterfriendship /= 1> This of course can be altered to any number, just by changing that 1 to the number you'd like.
BOOLEAN VARIABLES are useful when an option has two outcomes, helpful for things like yes or no questions or passage visits. Setting those variables looks something like this:
<<set $yesornoanswer to false>> <<set $yesornoanswer to true>>
when setting the variable it is NOT necessary to add quotations around the words true or false, this will mess up your work down the line if you don't continuously use those quotes again.
STRING VARIABLES These are helpful for options with more complex outcomes, things like multiple options, names, or character customization.
<<set $eyecolor to "null">>
So far in StoryInit I've only set it to null because I haven't set it yet in-game, and by setting it to "null" it just gives me an option that isn't really an option.
SETTING VARIABLES WITH LINKS SO, moving forward, no that I have defined my variables in StoryInit, I want to change them when I'm in game.
You could do this of course, by setting them at the top of your passage in game. So looking something like this:
::passagethree <<set $eyecolor to "brown">> Her eyes were brown. Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur.
But another sometimes more effective way to set them with actual links! You can go about that a couple of ways.
One is with the brackets method and it'll look something like this.
[[BLUE | LINK][$eyecolor to "blue"]]
Using this method, it's important NOT to include the word set, simply skipping ahead to your variable the to and what you're defining it as.
The other method is through the <> method. This is simply another way to style your links. I like the brackets method, but it's all up to you.
<<link 'blue' 'passage-four'>><<set $eyecolor to "blue">><</link>>
The first quotation (blue) is what the player will see as the link in the passage, and the second quotation (passage-four) is what the associated passage is called. You can set the $variable within those <<link>>
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rikan-oo · 3 months
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So I was thinking about creating a loose list of recs for ORV fans or, in other words, "If you liked ORV, you also may like this." I decided to add things less obvious because I think people already read works like Trash of Count's Family, etc.
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Princess Tutu
“The beginning of a story is a sudden event; the start, a happy accident, the end, the fate for which it's meant. A story that never ends is a sad fate.”
Let's start with Princess Tutu (PT), anime, not manga because they're different. I watched it about a week before ORV and after finishing both, I can't help but notice their similarities. However, meanwhile, ORV is about the relationship between the reader, the author, and the protagonist, and PT is more about the relationship between the author and their creation: the story and its characters. Don't let the name fool you, don't be like me. It's much darker than I expected from this style and genre. Be ready for angst.
Plot: Ahiru is a small duck in a pond. One day she notices a dancing boy with a very sad gaze. Boy every day goes to dance near the pond and the little duck is completely mesmerized by him. She can't help but notice sadness and loneliness in his dance. She wants to make this boy smile and at that moment a writer Droselmeir appears. He tells her that she could do this by collecting shards of his broken heart but under some conditions. He gives her a magic pendant that can transform her, first into an ordinary human girl, then into the graceful ballerina Princess Tutu, a fictional character from the tale that was doomed for tragedy in the original story.
Later we find out that this city is kinda enchanted by Droselmeir's tale (reverse isekai before it became mainstream) and some characters broke out of the tale like the boy by the lake - Mytho or Raven - the villain of this tale. Tale elements blend interestingly in the city and its residents.
Also, I have no idea wtf is happening with the main characters' dynamic in this complicated rectangle, but there is no straight explanation for this.
I can't help but see some parallels between Mytho - KDJ, Fakir - both YJH & HSY, Ru - HSY, and Droselmeir - Dokkaebi. I love how the story describes characters doomed by narrative and the struggles of being a writer. Also, all of these subtle references to fairytales at the beginning of the episode? Love it. I bet there are more references for the ballet part, but I probably didn't get it. I gently encourage you to check it out. (Definitely not gently, I'm as desperate as Kim Dokja trying to advertise TWSA to other people)
“May those who accept their fate be granted Happiness, may those who defy their fate be granted Glory.”
Miss not Sidekick
It's a much simpler read, just to chill and have fun while laughing at Mc shenanigans. Plot: Typical isekai story, where Mc is a fan of the internet novel of the reverse harem genre. When isekaied decided to invent popcorn and enjoy full time 4d immersion in the story.
There are not so many similarities in themes like with Princess Tutu, but more the role of MC – Latte as reader. I liked how she continued to behave like a spectator of a story inside Isekai world, treating it like she's inside a special 4D theater, not existing in this world as a part of it, until she couldn't.
Until her 4th wall is shattered (*badabums* it's a bad pun, she doesn't have it like kdj) and she realizes she could actually die, (quite shocking I know). Also, MC invents BL for this world and converts other people into it. Overall, the art style is different from other isekai romfant and it's something you need time to get used to, but after a while, you understand it suits perfectly for the narrative and silly tone of the comic.
Inso's Law or My Life as an Internet Novel
I feel like it's more reverse isekai similar to orv, where the story becomes part of your life. But if in KDJ's case, this transition is obvious and life-crashing, then in MC's situation is really creepy. It blends seamlessly into her regular life making her feel insane because everything remains the same except having a whole new friend who behaves like your bestie and a different school, where everything starts to feel like a romantic novel full of clichés. MC like KDJ is also unreliable in her perception of others here and thinks her knowledge of clichés like a reader-outsider makes her more omnipotent than she really is. Too bad they used 3 person POV, so it's really obvious, but funny nevertheless. (One of the cases where she thinks one of her classmates is a girl pretending to be a boy cause of some kind of cliché family drama, when in fact it's just a boy and I find it funny how this classmate looks like Jang Hayoung twin and have similar fate, poor souls) guess she also has similarities in her character to pre-scenario or regular life KDJ. They both seem to have this introverted avoidance type of personality. I'm curious about supernatural events happening in manhwa and I hope we'll get some explanation for it.
Pandora Hearts
Nice little thing with funny and cute tea parties that everyone would enjoy. 😍
SHHH, nothing about the plot. Let it be a small surprise for you.
It's all vibes and similar tropes now, folks.
Like dynamic between the main trio: Gilbert - Oz - Alice YJH - KDJ - HSY. Also this time loop thing? Daddy issues? Self-sacrifice as a form of love? Ugh. (Also, I need this scene with Oz and Brake "Where in the world are you?" But with KDJ. Maybe I even draw it).
It's all for now, maybe I'll write more. Please share the recs if you have them!
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bowties8glasses · 6 months
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the latest fashion right now? being a silly trickster
COOLEST THING HAPPENED THIS WEEK, as I finally got a chance to make something for my long-time friend @foreversleepingbunny, as bun commissioned me to design her a jester-like bunny sona
MAKING OF:
so I had a interest in designing bun a sona for good while, then recently she voiced interest in one, whose idea fit (or rather, completed) the vibe I had in mind for a design
so in response I sent her rough mspaint sketch of what I had in mind (I was busy with other comms). she really liked it!
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fast forward to getting commissioned, I thought of making a small, simpler, more mascot-ish design, doing it before further working on the design sketched out prior
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this helped with nailing down the "core features" of sorts, a base to build off of when working on the main design
plus since she's a big Sanrio fan, it gives bun a design that fit right in with those :>
you may noticed the horizontal stripes in the ears, I initially thought of intead of a jester hat, the ears would be wearing socks instead to keep the vibe, that idea got scrapped
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I quickly sketched and lined one so to experiment with colors, it was basically a given that it would be pink, but I kept felling there was something missing, some spot I could include a additional color in (hazel-ish brown was the other iconic sugarbun color)
then I had a epiphany
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you might notice the sketch for this was used in the ref, but not these, that's just cause I wasn't happy with the line consistency
ok! now we get to the main form
my first sketch turned out a very direct anthro-fication of the design, I really liked it! but it kinda drifted of the initial intention of having the jester look be more like a fashion style, rather than a full-on jester (a sentiment bun also felt)
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second sketch was basically a recreation of the mspaint sketch, though you can see the influence of the small mode
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then, at the third pose, i nailed it down
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bringing attention to the skir (not just the pattern, but the cutout at the bottom) and the like, spacing of the white area in the shirt (being smaller)
the pose also turned out so nice that when I made a sketch to render I didn't like as much
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so I just did a second take on the sketch, making it more sturdy against canvas flips
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one last decision done when rendering things was making the shirt also have a hazel color, brought after experimenting with the skirt palette
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oh also! as a warmup I drew Olivia from Animal the Crossing, we share birthdays :>
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bryce-bucher · 10 months
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.50 Caliber 3D Platformer Post #7
Environment AAAAAAAAAAAAAAAAAART:
Finally, I've gotten around to making the environment art for the one level that I've got rn. I've been playing the system shock remake, and I really love how that game creates the illusion of grungy detail that reveals itself to be very low-resolution textures up-close. I knew I wanted the game to look like of grungy for a while now, but I didn't know exactly how I would go about achieving it. I toyed with the idea of layering photocopy textures over everything, but I eventually settled on using low resolution textures that are dithered with web colors. I'm quite happy with how it ended up looking. I think it has a source engineish vibe that reveals itself to be more colorful and strange up-close.
The Textures:
The process for making these is a lot simpler and less time consuming that how I usually make textures. This is mostly because I'm relying a lot more on the baked lighting to make things look good in this particular game, so the textures can get away with being less detailed. I'm mostly just grabbing stuff off of websites like textures.com and adjusting the contrast / coloration before shrinking them down and lowering the color depth. Here are some examples of how they look wowee wow:
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Lightinggg:
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For this game I'm using baked lighting as opposed to vertex based or realtime. I really like how it looks, and it ends up saving me a lot of time. If you don't know how baked lighting works, basically I place lights around a scene in unity, and then I use anything but unity's built in lightbaker that is bad and sucks (I use bakery) to essentially turn the lighting into a texture map that is placed on the mesh. It turns lights into textures basically. It is a lot more performant than real-time lighting, and it usually looks a lot better as well. With this game's particular art style, everything really ends up coming together with the lighting, and it would look pretty trash without it.
Cameo Skinz:
I've always really liked putting cameos in my stuff from artists that I'm friends with and/or take a lot of inspiration from. In this game, I plan to include a lot of unlockable skins for the player character that are characters from games / animations / whatever that I like. So far I've made a couple to breakup my time working on environment art. Check um out:
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This one is Peter Shorts from an upcoming game called You Are Peter Shorts. I loved this dude at first sight and it was the first skin I ended up making. He was really fun to make because he has no body or hands, so I ended up making his head/torso one big thing that is attached to the head bone. You are Peter Shorts is made by the talented ondydev who I don't think I've actually asked permission to include this skin yet. If it doesn't end up in the final game pretend I didn't post about it lol. You should check out their previous game Tres-Bashers if you haven't.
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This one is Appy from Brawlers World! Brawlers World is one of those creative projects that is so great that it gives me envy. I'm honestly so excited to be able to have this little dude in my game, and I think he ended up fitting into the art style super well. Those are the only two skins I've made so far. I have a lot more planned including Nova from Anodyne 2, Frog from Jamphibian, Knight of Trye from Knight's Try, Orbo from Peeb Adventures & Orbo's Odyssey, and some characters from my own stuff. They aren't a high priority right now because I have to actually make the game first, but I'll probably make a few here and there to curb burnout, and I'll show them off whenever I do. I am v passionate about the cool shit my peers are making, and I hope other people are too.
Conclusion:
idk it's like 8 am and I haven't slept. I've just been workin a lot while listening to the magnus archives. I guess I can turn this conclusion into me talking about the magnus archives. I'm on episode 197 while writing this so im almost done. It is p cool and I like how much it changes tonally overtime. It really feels like a big long journey, and I like media that can do that kinda thing. It is now a series that I will forever associate with the development of this game considering I listened to it all while working on it. It's kinda funny how that happens. Sometimes I'll be in a location in one of my games and it'll make me think about some video essay or w/e that I was watching while making it. Anyway, have a good day every1 pls tyty
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copepods · 5 months
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fish commission post 3: the 3rd one
hi updating my comm info because my style's changed a lot, and with more commissions under my belt i know what people actually do and dont want to see me draw
that being said, rather than a variety of different style options, im lumping everything under 1 option, with the understanding that the price will vary greatly depending on complexity.
based on the examples below, the cheapest price would be $30 (4th image), and the most expensive would be $60 (5th and 6th images). generally anything you ask me to do won't be under $25, unless it's really simple and/or not colored.
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however this doesnt mean ill refuse to do anything else! if there's something simpler like just a sketch, or even more complicated like a full rendered piece, dm me and we can work out a price!
Will Draw:
anthro
character reference sheets
artistic nudity
moderate gore
backgrounds
ocs
real people (that you know)
pets and animals
machinery (limited complexity)
simple backgrounds
ship art
Will Not Draw:
sexual content
overly complex backgrounds (cityscapes, detailed nature environment, etc)
very elaborate machinery
if there's something that doesn't appear on either of these lists that you're curious about, please ask!
i accept paypal and venmo primarily, but if you really can't use either of those dm me and we'll work something out! my standard practice is to ask for half the money up front, and the second half after the piece is finished*. depending on how busy i am, turnaround is anything from same-day to a couple weeks (sorry!) but i will send you periodic updates on how the piece is going and ask for any feeedback. please dont be afraid to ask me to redraw something if you don't like it, i'm always happy to!
*if the piece costs less than $25 i dont bother with this, you can just pay the whole thing after its finished
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mr-gekk024 · 5 months
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Day 8 (redrawn!). Watching
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So, here's the first redrawn of OFFtober!!! Really happy how it turned out. Maybe I exaggerate with the colors but tbh I love making colorful pieces, there's a reason I'm learning color theory lol
I decide to make here his hair more "longer" because:
1. In the original drawing (and for like 20 days) I drew his hair a little bit long (personally Idk if I love it or hate it since makes him look younger that I intended but I love drawing long hair ...)
2. I love drawing long messy hair ^^
And yes, I took as reference the hair of Ballman (Panic in Ballville) since while doing this, I started making a headcanon in which The batter and Ballman have the same hair (or at least the same length) but in different hairstyles!
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Idk I was thinking that while I was watching in horror how my art program stopped working for like 2 minutes (don't be like me and save every 5 minutes!)
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Also, that's how look my "serious" art style, so yeah that's the reason why I decide to make a simpler art style for the challenge lol
Original
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epiicaricacy-arts · 1 year
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it’s yusuke day!!!!!! happy birthday my boy!!!!
for those who are familiar with my work, this is VERY far from what i usually do. which was on purpose!! i decided to take this opportunity to study an art style i’m really interested in :^)
my older works (early 2022 ish) were similar to this sort of traditional style, but this time i really wanted to try drawing something that adhered to the “rules” of this kind of art a bit more
i also just wanted it to contrast with my last work, which is heavily rendered and has more story elements. i think going for something simpler was a good exercise for me, especially since i have art block 🫠
(can we just mention how painful the battle poses look 😭 like i know it’s heavily exaggerated for Drama but just doing the sketch underneath hurt my spine)
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