Closeting
Most of the things written in cursive is said by @back-to-louis
Rebecca also says one can be, quote, “trapped in an abusive contract for life.” Still not seeing closeting. False premise.
So first thing first. I think you should make it clear first that you got over the delusion that life time contracts dosen't exist at all. Because you refused to believe it first and you wanted proof. So I am assuming that you now believe that life time contracts exist.
And in your bunch of debunks of clause I didn't found even a single debunk about image, morality clause or cleanliness clause??
Citation please? This segment is a bit of a word salad. You appear to be saying that because there’s a lot of money around Louis and Harry, someone (WHO? NAME A NAME) …. can do anything because they’re making money off of the image of Harry and Louis not being in a relationship.
Pls don't tell me that you actually think there's a single person behind everything and a NAME can be NAMED 😶
And after going through everything I can only conclude that you have so many misconceptions regarding closeting. But I would like to provide some debunks here first -
Lifetime contracts dosen't exist -
You were wrong. And just now you said "(quote me where I said lifetime contracts aren’t possible challenge)" I did quoted you in my previous post but I guess you didn't read it so here we go again . But then you said But I don’t believe that there are contracts holding people hostage for life. Where’s the proof that they have forced them to sign up for life on these contracts? You reblogged this, you supported this, you believe this and here is the proof that there are contracts that can trap a musician in an abusive contract for life.
Do I need to repeat it again? here - I DON'T BELIEVE THAT THERE ARE CONTRACTS HOLDING PEOPLE HOSTAGE FOR LIFE.
2) "So, Rebecca Ferguson is talking about contracts, but not closeting. Very interesting. Almost like that’s what I say."
You are wrong again. Grooming 17 year old boys to remould their sexuality isn't closeting then I don't know what is. (Is it even legal?)
3) PR relationships don’t normally involve living together with dogs for years and years and being closely entwined with each other’s families. I think you are very much unaware of long term PR relationships. You call it PR but I call it bearding. Here is an example of long term bearding before the actor decided to come out, marry a man and have kids.
Why buy out access to people’s families, including children, to sustain this ruse? Over the course of YEARS?
TO HIDE SEXUALITY. And tell me you have never seen beards who have been there for years?
They were together for 12 whole years, on and off, she knew he was gay, Rebecca to Ricky was like Gala to Dali. Dali was never sexually attracted to women but he loved his wife.
4) Its not all this 100 percent fake bullshit that the larries claim PR relationships are. It doesn't come from some evil PR company overlord telling them they must date! Sure they might encourage it, but it's not forced by contract.
Again there is nothing that is not possible in this shit hole called music industry. Try to open your eyes.
'My whole life was managed down to the finest detail. Down to who I'm allowed to date. I'd be told off, I'd be shouted at if I was going out with someone, I'd get shouted at like I was a child...
5) Right, I think the most important thing to take away is that PR relationships aren’t forced, aren’t contracted, and don’t at all resemble the relationships that the members of 1D had, or have. I don’t know the statistics on PR relationships but even if 99% of short term relationships were for PR, long term relationships and marriages between celebs and civilians, and the children they have together, and commercial partnerships between mutual celebrity partners (which might exploit their PR, as is their choice, just like you said!) just… AREN’T.
They think they are FORCED PR relationships, which has NEVER happened in the history of Hollywood. Oh you have no idea how wrong this sentence is and you have been living in dark till now. and again it's not PR it's bearding.
I think you people need to read some HISTORY.
Again you call it PR but I call it bearding and here is how bearding can be forced to hide sexuality.
Barbara Stanwyck and Robert Taylor
The bedroom escapades of actress Barbara Stanwyck were the subject of rumors and conjecture. Although the actress had contracts with Warner Bros. and Columbia, she also worked for MGM. Robert Taylor had a contract with MGM. When it became clear that the stories of Stanwyck and her female lovers and Taylor and his male lovers were more than rumors, the MGM executives called them both in for a meeting. To preserve their careers and reputations, MGM ordered them to get married, which they did on May 13, 1939. At the conclusion of the wedding ceremony, Taylor refused to kiss Stanwyck and went home to his mother’s house for the night. X
Judy Garland and Vincente Minnelli
Judy Garland’s husband and the father of her only child, Liza Minnelli, lived as an openly gay man in New York for a number of years before hitting it big in Hollywood. It was the restraints of Hollywood’s morality clauses that forced Minnelli back in the closet. Apparently, Garland was well-aware of his lifestyle when she married him and had a child with him. Years later, she encouraged her daughter to marry gay men, stating that they make the best husbands.
Bearding can't be forced? Think again.
And you can obviously come up with "Oh these are such old examples, the gay rights have improved so much, it dosen't happen how". Think AGAIN
It is more tough now.
6) No, in the sort of situation I described with the movie co-stars it wouldn’t be a contracted arrangement
Lots of what we see is artifice, orchestrated or embellished. But that doesn’t mean that EVERYTHING is shady or fake.
“Fake” PR relationships are usually just friendships or acquaintances that are spun as being more
And AGAIN because Larries have literally NO CLUE how PR works
LOL let's see who has no idea. You all sound like celebs are pure souls who are living highly authentic lives. In what world are you living in?
EDUCATE YOURSELF
There are contracts, agreements, clauses.
Some non-disclosure lines are built in to ‘as to what cannot be said and what needs to be said’, suggesting there could be a script if they were challenged by the public.
‘if it was truly an arranged relationship, sex wouldn’t come into it’.
‘It was a big publicity stunt. She would come pick me up – I don’t drive – I think she called the paparazzi too.
6) PR relationships don’t normally involve living together with dogs for years and years and being closely entwined with each other’s families
And yes, “fake” PR relationships happen between celebs, but not the kind of relationships that the Larries claim are rife in the entertainment industry. They think that women are hired to work for years as fake girlfriends, to live with their celeb boyfriends, to be maid-of-honour at their mother’s weddings, to fake pregnancies and even have babies. Which is flat-out f’kin’ ridiculous.
Oh but do you know what's the best way to dispel gay rumours?
This is Simon’s former publicist Max who passed away in prison in 2017. This documentary was published in 2002. Simon is the creator of The X Factor. He created One Direction and Fifth Harmony. They all had to (and still have to) follow the rules of these guys and their teams. Max worked for Simon and his artists until at least 2012. (He died in prison 2017.) Guess when all the fake girlfriend stuff started? End 2011/ begin 2012. He basically admit to do what Larries have been saying the whole time.
7) Once upon a time there was a very popular boyband with a gay member in it who were being abused by their contracts and worked nearly to death for very little money, while making millions and millions of money for their manager and record label. They BROKE THEIR CONTRACT and signed with another record label because they felt they were being abused. Do you know what happened to them?
Fortunately, I can tell you!
I don't understand how are you even comparing the two situations? This band, which was totally under another label, isn't even slightly related to 1D can get out of their contracts so you think that 1D can do it too? How? How do you know that both of the band had the same contracts, clauses and agreements? Nsync had proofs, they didn't had iron clad contracts, they made very little money, they switched to a different label and this is not the case with 1D at all. Rebecca was under the same label, same management, same year, same show, same producer and even she didn't had any clue that 1D signed such a abusive clause like cleanliness clause. So how can you even remotely compare NSYNC and 1D? Their situations are miles apart. What makes you say that it is this easy to break contract for 1D too?
And if you really want to compare, then let's talk about those artist who were abused by Sony and they ended up loosing everything.
George Michael - He sued Sony. Why? He called his situation "professional slavery" that left him little control over his own work and career. A 15-Year Contract. He wanted an out. He didn't wanted to work with Sony at all. He was trapped, unsatisfied and unhappy. But what happened? He lost. He lost the case. He lost his money. He lost his precious time. He lost his artistry.
If artists were given freedom to break their contracts and walk away after an album or two, the companies would no longer be able to afford to spend so much on new talent, Sony executives said.
"In fact, there is no such thing as resignation for an artist in the music industry," Mr. Michael said. "Effectively, you sign a piece of paper at the beginning of your career and you are expected to live with that decision, good or bad, for the rest of your professional life." X
I am not gonna repeat the whole thing because I am assuming you know the case. And you have said times and again that artist sue their labels and bosses if they have any problem and they DO NOT RESIGN or RENEW it again. But can you guess what happened in this case?
He recorded two albums under Virgin and In 2003, he signs a new contract with... Sony Records. His 2004 album, Patience, is released on the label; it proves to be his last, as he stops recording and dies in 2016. Why did he signed under Sony again if he was that frustrated with Sony's work ethics? The fight here was not with a single person but with a huge label, with the whole team. Then why he signed a contract again?
Do you know how his situation ended? In July 1995, Sony sold the contract to rival record companies Virgin Records and DreamWorks Records. Virgin granted worldwide rights when DreamWorks granted rights in the U.S. and Canada. All releases for these labels were co-labeled with Aegean Records, a record company owned by George Michael. He, eventually, returned to Sony Music in 2004, on which he released his final studio album, Patience. Additionally, in 2011, all his catalogue for Virgin and DreamWorks were reissued on Sony.
At the end every fucking work of his life was Sony's. The law said there was nothing illegal in his contract and he knew everything when he signed it hence there is no crime. Nothing like professional slavery.
Read every word of this article, I know you won't so I'll highlight the key points here -
“The people in the industry thought, ‘Of course he’s going to win.’ The contracts of the 1980s had been got rid of in the film industry in the 1950s so why were they still there in the 1980s? It’s the only industry on earth that has no free agency.”
"A label often wants an artist to continue to trade on their established brand with the public. But after “Faith” Michael was trying for a new direction, to be taken more seriously as an artist instead of just as a pop star sex symbol.”
it was a tough pill to swallow that the label was making more money off of him than he was making.
“As upsetting as it was, because it felt unfair, it [Michael’s record deal] wasn’t illegal,” Wagnon said. “It’s a similar situation to Kesha, in that the wrong done to her was arguably, according to Kesha, of a criminal nature, but it was not in breach of the contract she signed.”
“George Michael was a human laboratory for the power of the right of approval with respect to creative decisions and his contract that allowed anything he turned into Sony having to be in their view commercially satisfactory. Legally speaking Sony held all the cards.”
“He kept a brave face and made the best of it but it ruined his career,”
And oh my god let's talk about Kesha. What happened with Kesha. I hope I don't have to tell you the whole case. But you definitely know how it ended. She didn't had any creative control over her songs, she was forced to sing and not her professional but personal life was controlled too. She was forced to lose weight, she went through long-term emotional and psychological abuse involving fat-shaming, she was not credited even on the songs she sang, her voice was used but no credit and no money was given to her, she stated everything in her lawsuit and claimed alleged actions are a breach of contract, besides her sexual assault charges. But what happened? Her career came to a standstill, she lost all her money, she didn't even left with any funds to fight the legal battle, her career was ruined, court said that NOTHING ILLEGAL has happened and at the end she had to work under the same damn record label. X
And here too the fight was not with any one person, her lawsuit included the same allegations against Sony, she said that working with Sony is a risk to her life. Sony tried to conceal the information, but what happened? She's still not free. She doesn't have to directly work with Luke but she's bound indefinitely with him. He still till date is getting money from all her work, sony has still ties with him and Dr. Asshole Luke is still working and is very successful.
Kesha is working again, releasing music again but Luke and Sony is getting all the money.
Now you tell me, is it that easy to break free? At what cost would Harry and Louis break free. At losing all their money, all their success, all their years of hard work and sacrifice, and still they have no chance of getting free? What will happen? They will end up working with the same people anyway but after losing every fucking thing?
Is this better? Or what Harry and Louis doing is much better? They are playing by the rules, by the contracts, playing a public narrative, but being together secretly. Hence they are working hard, building up their own image and reputation, getting rich enough to fight the system and for fighting the system YOU HAVE TO A PART OF THE SHITTY STSTEM. Both Harry and Louis have been trying to build up their own production companies, especially Louis, he's trying dead hard to go independent, to build up his own label and management company, we know that, he even tried to launch some bands, but in the end he decided that all this needs more time.
The way Harry and Louis are doing things will end up getting them in a position where they can change the lives of many up coming artist, then why would they want to lose it all? And do they have any other option? Will they be able to break free even if they revolted against the system?
Now you tell me how it was so easy for NSYNC to get out of contract but not for George Michael and Kesha? You said that All they had to say was that they were mistreated and then detail that mistreatment. Then why Kesha and George can't get out of the contract with the same allegations? Is it really that easy? Now this is what you can't understand. There's difference in contracts, clauses and agreements.
8) Closeting - I can't believe that I have to prove here that contractual closeting exist but here you go.
You have said numerous times that closeting is illegal, and forced contractual closeting does not exist. The argument is that they were contractually forced to be closeted, but thus would be illegal and render the contract null and void (unlike the Dr. Luke case). The terms of such closeting would have to be explicitly spelled out in the contract, not merely covered by a general “morality clause.”
Well I have stated above that morality clause can even force people to get married but even keeping that aside, why haven't you discussed anything about cleanliness clause? Do you even know what cleanliness clause is?
Let me tell you.
While he's finally landed in a place where he feels comfortable speaking about his sexual past with close confidants, the singer didn't always feel that way. In fact, during his One Direction days, the bandmates had something called a 'cleanliness clause' baked into their contracts, which had strict stipulations about how they could and couldn't behave publicly and what they could and couldn't say in interviews. As the name suggests, anything explicitly sexual was off the table, and the mere hint of anything sexual threatened to jeopardise their squeaky-clean, boy band image. X
As Rebecca said, this is some level of control. According to this clause, the management team and label dictate HOW CAN THEY BEHAVE IN PUBLIC, WHAT CAN THEY SAY IN INTERVIEWS. This is fucking abusive and this should be illegal. How can your boss decide what you can say in public and how you can behave in public? This is some real control over his image and sexuality. This directly means that he has to play by the image that his team created for him. Anything said or done opposed to his public image created by the label would be a breach of contract.
And this clause if fully legal. 1D boys signed this when they had no idea what even cleanliness clause is.
Along with the constant probing into his personal life, Styles said he was instructed to behave in accordance to “cleanliness clauses.” The rules were embedded in contracts that he had to sign, which threatened consequences if he did not obey the rules. The restrictiveness of those agreements ultimately led Styles to be fearful of making mistakes during his most formative years. X
Harry says the entire ordeal left him feeling "terrified" over messing up or saying the wrong thing and "ashamed' about the details of his own sex life.
And this clause existed when Harry was portrayed as a womanizer, his portrayal of public image started with dating a woman who was 14 year older then him and he was merely 16, when he was papped going to Taylor's hotel late at night with an overnight bag, when young models was getting papped going to his hotel/apartment at night and then getting papped while coming out with disheveled hair in the morning, when zayn was accused of cheating Perrie and sleeping with other girls while being with her, when Louis was getting papped taking a new girl every single night to his hotel room, when Louis hooked up with a random girl he met at a bar got her pregnant, when Louis and Zayn's video of smoking weed came out, when Taylor was writing songs about how Harry was sleeping with other girls while being with her, while he was making out with half naked Kendall on yacht.
Where is the cleanliness clause then? Oh but wait. Nothing is against their build up public image here. They have to be young boys who fucks any girl they find and they are womanizers, right?
The tabloids had explicit headlines about his sex life, they were asked questions about their sex life in interviews, everyone knew who he was dating, when is he spending a night in taylor's hotel and when a model spent a night in his apartment, beacuse everything was papped, then why was he so terrified of everyone finding out who he was having sex with? What were his personal transgressions that made him burst into tears when he signed his solo contract?
Have you heard about cleanliness clause ever before? By any celebrity? By any musician? Did you knew that musicians have to sign such an abusive clause? Even Rebecca didn't knew it.
What would have happened if Harry refused to speak and behave in a certain way because of this clause? That would have been a breach of contract from his side. What would have happened if Harry would have taken this to court because he didn't wanted to behave in a certain way? Court would have dismissed this and Syco had the right to counter sue him.
That's what happened with George Michael, court said that he himself signed the contract in the first place, on his own free will, hence he knew what the contract carried, then how can he say now that he want to back out?
Same is Harry and Louis's case. They signed the contract on their own free will, hence they knew what was in the contract. Contract says that they agree to behave in a certain and speak what their team tells them to. Even if they want them to behave straight not gay. It was THEIR CHOICE in the first place, that's why they signed it. It was THEIR CHOICE to not to let people know their actual sexuality. They can't just suddenly change THEIR CHOICE and decide not to go with the PR strategies of their label. Then every other artist will change THEIR CHOICE to not to go by the signed contract and that's just not possible. This is closeting and this is not illegal.
And that's why a wise woman once said :
"Read your contracts. Up and down, left and right. Hire five different lawyers to read it for you if you have to, but read your f*cking contracts" - Lauren Jauregui
As stated in the George Michael article above "It is of criminal nature but it is not illegal"
9) I wanted to address this as the last point because what you said here was really really absurd. If they are…. why are they risking it all by giving out signs over the internet? Do you feel any connection, as the target of those signs, to the risk they might be undertaking to give you signs? Do you think about that at all when you discuss them in public forums?
Why is it such a bizarre idea to you that celebs gives hints to their fans about their work and even about their personal life? Have you never heard about this before? Let's take a simple example of Taylor Swift. She gives hints to her fans about her personal life all the time. Giving an small example here, she threw direct shade at her enemies in her work, like in music videos, pictures, tweets, insta posts, she threw shade at Kendall, Kanye, Katy, Karlie, Jake Gyllenhaal, all these people betrayed her in personal life and she used her work to threw shade at them and let people know about it. And her fans start throwing public hate comments on these celebs.
Do you think this is allowed by her label and her team? Why would they allow it when they perfectly know that Taylor can get in serious legal trouble for this? These celebs can file a libel case against her. It will be difficult for both Taylor and her label. Then why are they allowing it? Why is she risking it all by giving out signs over the internet? Do Swifties feel any connection, as the target of those signs, to the risk she might be undertaking to give them signs? Do Swifties think about that at all when they discuss them in public forums?
(For those who don't know Libel is a method of defamation expressed by print, writing, pictures, signs, effigies, or any communication embodied in physical form that is injurious to a person's reputation, exposes a person to public hatred, contempt or ridicule, or injures a person in his/her business or profession.)
Answer to all of this NO. Because there is no evident proof that Taylor shaded Kendall or Katy. She didn't took any direct names, she didn't directly used their photos, then what's the legal proof that Taylor shaded them? It is dead obvious to her fans that she's throwing shade at someone and everybody knows it, but even her team knows that fan theories proves nothing in reality and Taylor can continue doing this as much as she wants. It's like a connection between Taylor and her fans and nobody can pick it up as offensive.
Oh but wait nobody has ever given hints about their sexuality right? That's something very personal and nobody wants to discuss it with fans in this hints game right? Think again.
"I've hinted about my sexuality for years while being afraid to spell it out for everybody." she said. "I did a lyric video last year for 'We Belong.' It had moving line drawings of people falling in love… It was all a man and a woman making out, and it was a weird moment for me."
The star revealed she felt uncomfortable with the video showing only heterosexual couples. "It was so bizarre that I had to ask to mix in different orientations. People started asking for hints about the video, and I used different combinations of emoji couples making out.”
She wasn't able to come out, because of the fear of homophobic reactions and pressure of getting her career ended if fans didn't accepted her for who she was. She thought they will think that she lied for years. But no, fans caught her signs.
You have linked Lauren's reaction she was outed as bi because BECAUSE HER FANS THOUGHT SHE AND HER BANDMATE WERE SENDING THEM SIGNALS. But what about the other side where celebs wants us to catch hints?
Let me tell you first, that's how strongly and firmly you shut off the dating rumours, which Harry and Louis has never done, but Louis said PEOPLE CAN BELIVE WHAT THEY WANNA BELIEVE and Harry said I WOULD NEVER LIKE TO TELL SOMEONE THAT THEY ARE WRONG. And sometimes celebs need that support. Celebs give hints so that they can know that people will support them or not. When you are forced in a closet by a homophobic industry you sometimes become so afraid of people knowing who you actually are that you desperately just want everyone to catch on hints so that you can know if anyone will support you or not. Showing support is important.
"Whitney Houston was in a lesbian relationship with her assistant and friends believe coming out of the closet could have SAVED her life." “I really feel that if Robyn was accepted into Whitney’s life, Whitney would still be alive today,” Bobby Brown told Us Weekly.
Wentworth Miller ("Prison Break") admitted that he tried to commit suicide while struggling to come to terms with his sexuality. "I gave thousands of interviews. I had multiple opportunities to speak my truth, which is that I was gay, but I chose not to." In 2013 he came out.
Westlife's (A famous boyband) Mark Feehily said -
'I became depressed. People think, "Sure, he’s living the life of Riley in a massive band, how could he have any problems?" but there has to be a balance and back then my career life was fulfilled, but my personal life was a total shambles. His inability to be honest about his sexuality led Mark to feel there wasn't any point in life at times.
The bravest thing I’ve ever done is… come out as being gay. In hindsight it was brave because silly former me thought the reaction from everyone was going to be one of shock and disappointment.
Little did I know it would be the opposite.
If only they knew that they will get immense support even they came out the next moment. Hints are given because even artist knows that only fans who are playing close attention will catch on them and nobody will ever directly ask them about it. They do not owe fans any explanation or clarification for leaving hints. Nobody has asked Taylor about the shade thrown on other celebs.
10) Lastly I want to let you know this story.
First a set up by a label
HE DIDN'T WANTED TO DO IT. HE DIDN'T WANTED TO DO IT.
Second he SUGGESTED he's gay.
And boom third comes a fake engagement and a fake pregnancy.
Oh wait I totally for your questions about has anyone faked pregnancy before? Has anyone faked fatherhood before for SEVEN YAERS? Has anyone forged birth certificate and documents before? You are most welcome to read my babygate masterpost. X
@back-to-louis maybe this is not everything I wanted to cover, because I totally forgot to add how Zayn was able to leave. Because I think that's what you will ask next. But I might add it in the next post, as for sure you are gonna throw more questions now.
Adding this today just because I want everyone to laugh after reading this long ass post. LOL
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ELVIS PRESLEY, RCA RECORDS ARTIST (Nov. 1955)
The story behind one of my favorite 50's Elvis pictures ♥
November 21, 1955: Elvis Presley at the Peabody Hotel in Memphis, TN. RCA Victor Records purchased Elvis Presley’s recording contract from Sam Phillips (Sun Records) for a then unheard of sum of $35,000.
Here's the full picture: Colonel Tom Parker, Elvis, Bob Neal (his second manager, after Scotty Moore and prior to Colonel Parker) and country music singer Hank Snow at the Peabody Hotel in Memphis, TN, after signing the RCA contract at the Sun Records studio, previously in the same day.
Let's read a bit about the contract, afterwards.
On November 21, Steve Sholes, Ben Starr, Coleman Tily, the Colonel, Tom Diskin, Hank Snow, local RCA distributor Jim Crudgington, and regional rep Sam Esgro all converged on the little Sun studio for the signing of the papers. Colonel Parker came accompanied by a document dated the same day stipulating that out of the 40 percent in combined commissions due the Colonel and Bob Neal (25 percent to the Colonel, 15 percent to Neal), there would be an even split for the duration of Neal's agreement, until March 15, 1956. The buyout agreement itself was a simple two-page document in which Sun Records agreed to tum over all tapes and cease all distribution and sales of previously released recordings as of December 31, 1955, while the managers "do hereby sell, assign and transfer unto RCA all of their right, title and interest in and to" the previously exercised option agreement. The purchase price was $35,000; RCA undertook responsibility for the payment of all back royalties and held Sun Records harmless from any subsequent claims. Out of all this Elvis Presley would get a royalty of 5 percent as opposed to the 3 percent that he was currently receiving from Sun - this amounted to almost two cents more per record sold, which over the course of a million sales would come to about $18,000.
In addition, as the result of a co-publishing arrangement that the Colonel had entered into with Hill and Range (who probably contributed substantially themselves toward the purchase price), Elvis would now receive half of the two-cent statutory mechanical fee and half of the two-cent broadcast fee on all new Hill and Range compositions that he recorded, which would be registered through his own publishing company. If at this point he were to start writing songs as well, or, perhaps more pertinently, if he were to start claiming songwriting credit for songs he recorded, a practice going back to time immemorial in the recording industry, he could increase his income by up to another two cents per side. Hill and Range, meanwhile, stood to gain an almost incalculable advantage over their competitors in the field by securing not just an inside track, but what amounted to virtually a right of first refusal from the hottest new singing sensation in the country.
After the contract was signed, there was a picture-taking ceremony, with different configurations of the various parties involved. In one Elvis is flanked by the Colonel and Hank Snow, proud partners in Jamboree Attractions, while Bob Neal, to Snow's left, jovially approves; in another Gladys plants a kiss upon her son's cheek and clutches her black handbag as the Colonel pats her on the shoulder and Vernon looks stiffly on. In yet another Sam and Elvis shake hands across RCA attorney Coleman Tily. In all the pictures all the men are beaming - everyone has seemingly gotten exactly what he wanted.
After the picture taking a number of the participants dropped by for a brief on-air appearance on Marion Keisker's show in the brand-new WHER studios. "They thought it would be great fun," said Marion, "if they all came over and we announced it. So they all crowded into the little control room, and we did a little four-or-five-way interview, well, not really an interview, just a little chat. And in the course of it, I remember, Hank Snow said, 'I'm very proud this boy made his first appearance on the national scene on my section of the Grand Ole Opry.' And he was being such a pompous ass about it, I couldn't help it, but I said, 'Yes, and I remember, you had to ask him what his name was.' That was a rather tactless thing for me to do."
— Excerpt: Last Train to Memphis: The Rise of Elvis Presley by Peter Guralnick (1994). Chapter "THE PIED PIPERS: September-November 1955".
OTHER PICTURES FROM THAT DAY - NOV. 21, 1955:
Elvis was 20 years old at the time, which means he was still legally a minor, therefore his father (Vernon Presley) also signed the contract, as his natural guardian, which is why Vernon and Gladys are there that day, in addition to the obvious reason (a big moment for their dear son).
The 1st picture below: the Colonel, Gladys, Elvis and Vernon Presley, H. Coleman Tily III (RCA's attorney) and Bob Neal at Sun Records (and a cropped picture of Elvis and Gladys just because <33); The second picture shows Bob Neal, Sam Phillips and Elvis shaking hands across RCA's attorney H. Coleman Tily III, and Colonel Parker; the third picture shows Elvis and Hank Snow that same day (Note: Elvis wearing a tie pictures were taken after the contract signing at Sun Records. The pictures were taken at the Peabody Hotel in Memphis, TN), and the one after that shows Jim Crudgington (local RCA-Victor representative), Elvis and H. Coleman Tily III at Sun - Nov. 21, 1955.
The first picture in this post (a cropped picture from Nov. 21, 1955, showing just Elvis' angel face) was used as cover for the FTD box "A Boy from Tupelo: The Complete 1953 to 1955 Recordings", released in July 28, 2017 (3 CD & Book Set)
You can listen to the full 3-CDs from this box (85 tracks), below:
If you'd like, below you can have a glimpse on the book from this 2017 Elvis box:
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