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#red baron wolf
red-baron-wolf · 3 months
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Amazing trading card piece by BigRoundLion on twitter. Love this so much and can’t wait to get the trading card version!
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fairytale-poll · 8 months
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ROUND 1B! MATCH 3 OUT OF 8
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Propaganda Under the Cut:
Ylfa:
She just went through so much and so much growth and i love her very much.
She becomes a big bad wolf
She met Death and Death wanted her to live.
Great depiction of a teenager by Emily Axford. A lot of scenes get really emotional with her being a symbol of the cycle of life and death and eventually she will always become the Big Bad Wolf.
she faced off with Death and he told her to live. this Death, who was much older than the Death she was supposed to meet, stared off with Yilfa for days until she succumbed to hunger and ate him alive. other iterations of death apologized to her for the story she was forced to suffer through, for the punishment she had to endure over an unrealistic and unabidable rule she was destined to break. her corrupted story turned her into the big bad wolf, into death itself. she sacrificed the beloved memory of her grandma, her namesake, so that her friends would be able to save their world. even though she gained it back in the end, she was willing to live the rest of her life as the wolf, a harbinger of death, and when she was reminded that she was just a child, that it wasn’t her responsibility to guide the dead, she cried, and separated from the wolf. she was able to grow up normal and happy after suffering from the looming presence of death. i’m gonna make me friend also submit yilfa bc they’re smarter than me and can make better propaganda
my mutual really likes her
Her narrative arc about growing up and life and death is so beautiful and her being a werewolf is so cool. Emily Axford gets girlhood like nobody else.
she is the bravest little girl in the world she met death and death wanted her to live she split his skull and ate the innards of death himself she is just a little girl!!!!!!!
PRIMO Red Riding Hood adaptation. Ate the wolf who ate her gramma. Is a werewolf and a metaphor for puberty. Loves her friends. Can break her bones to reshape her body into various animal forms.
Not only did she have to lose her grandmother, but she also nearly dies of starvation and exhaustion until The Big Bad Wolf, aka Death, convinced her to live, by her killing him and eating his flesh, therefore making her Death
Ylfa has a snazzy orange top hat given to her by a very attractive fairy. Three Blind Mice is her favorite story. She brought her grandma lollipopcorn and threw the broth in the river halfway there. She first developed a crush on Pinocchio when she saw him use his nose as a stripper pole and didn't kiss him until they were twenty-one and having an awkward conversation about her grandma's death and Toy Island. She fought a baron with a spoon. She wants a bra. She jumped into The Terrible Dogfish’s stomach to save her friend. She has pinkeye and grandma hobbies. She fought off a shit ton of homicidal tables at once. She is pals with Little Miss Muffet. She killed her family. She sacrificed the memory of her grandmother to become Death. She was basically adopted by Mother Goose (who is a cool old gay dude). She Wildshapes by horribly contorting her body into animalistic forms. She is a Barbarian who acts as a support character. She is the bravest little girl in the whole world.
Behold, 3 minutes of the weirdest and best little girl! [Link]
Her weirdgirl swag is off the charts :) [Link]
Ylfa Propaganda: [Link]
Little Red Riding Hooded Mercenary:
come on just look at her shes so fucking cool
SHES SOOOOOOOO FUCKING COOOOLL ok so like. Lobotomy Corporation takes place in an SCP type facility where a bunch of abnormalities are living. She is one of them. She is a mostly undying humanoid creature that lives for the sole sake of hunting down the Big And Will Be Bad Wolf. She lives in your facility and will BREAK OUT of her containment if she feels that the wolf is near (or if too many people are dying). You can also hire her to assist you in taking down other abnormalities, and she's actually super good at it. And her outfit is just so sooo sick? She's so cool. Please play Lobotomy Corporation it goes on sale for like $7 every Steam Sale
She's red riding hood if red riding hood had a gun. Also she kisses women
Monster based on human subconscious aka an Abnormality based on the story of Little Red Riding Hood (duh). In this story, she was mauled by the wolf (Big And Might Be Bad Wolf) who is based on all fairy tale wolf villains. Little Red then got to work plotting her revenge and making Bloodborne-esque gear for herself and the two Abnos are locked in eternal combat of hatred for one another
She's literally the coolest, just look at her. For people who might not be so familiar with her: She's one of the abnormalities that remain locked in the Lobotomy Corporation. Her past is somewhat unclear, but she has some horrid scars on her face due to the Big Bad Wolf and she swore vengeance upon him because of that incident. This lead her to become a mercenary and she looks 1000% scarier and more badass than the wolf lol. Also, asides from the fact that she may kill half of your team if she escapes containment, she is quite chill and will even help you take care of your problems if you pay her.
little red riding hood but consumed by vengeance to the point of becoming an anomalous creature hellbent on completing her eternal battle with the wolf. intense desire for revenge. baller as fuck design. will help you kill other escaping abnormalities but you gotta pay her to do it. gets pissed off every time someone escapes containment except for that one annoying bird for absolutely no discernible reason. if you let her kill the wolf she gives you bonuses but if someone else kills the wolf she goes fucking bananas. truly an inspired feral creature of a woman.
Go girl!!! We love your unrestrained violence!
She is literally the absolute coolest!!! I mean, just look at her design! Everything about it screams fucking cool! Not to mention that her story has themes of vengeance, rage, and grief!!! And Lobotomy corporation is just the fucking best and soooooo underrated.
She's starting to fall behind so GO ON AND VOTE MERC WHAT ARE YOU WAITING FOR! (and buy Lobotomy Corp on steam it's not even that expensive!)
Vote for Riding Hooded Mercenary she's an Abnormality serving as a hired merc that means shes a hunter of her own kind and she WILL chase them to the ends of earth lest she dies herself or knows that damn Wolf is nearby. The cursor for sending hits on something is a wanted poster. She's WAW-classed too, a step below the most dangerous category for her ilk. she shares the class with things such as insane-ass magical girls, an eyeless flower horse turns people into wisteria gardens, fucked up and evil Little Prince, a bird judge that hangs its victims, the now-animate poisoned apple that killed Snow White, and of course the Wolf itself.
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marlinspirkhall · 8 months
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I've just finished Neverafter, so here are my thoughts on The Big Bad Wolf and Ylfa and what their relationship reveals about The Neverafter itself. I think the most important reveal we get is in S1E9: Origins, when the group witness the moment when Ylfa consumes the wolf.
Brennan said "you think this is a version of Red's story which went very wrong", and the fairy with the turquoise hair (who is herself only an echo of the blue fairy she is supposed to be) tells them that Ylfa met "a version of The Wolf that was much older and ancient". This was caused by (and also foreshadowing) the reveal that the Baron of Bricks was boiling down the essence of The Big Bad Wolf: As the more recent, tamer versions of the wolf got stripped away, all that was left was this primal creature: the one that was most like a wolf.
When the characters question if some versions of their stories come from the Auroratory rather than The Ink, I believe this is true- the ink merely preserves the stories for longer so that other storytellers can read them, which, in turn, reinforces the narratives.
Anyone in the "real world' can be a storyteller: in The Auroratory, when Ylfa hears all the voices telling the different versions of her story, the first one she hears as she begins to panic and worry that she's corrupting the stories is a man's voice talking impatiently and hurriedly, saying “the little girl strayed from the path and got eaten”- which, of course, isn't what happened in the true tale of Red Riding Hood- at least, not in the one I heard as a kid. The little girl strayed from the path, and then she got eaten. The difference is important. She strayed from the path, yes, but she didn't get eaten until later.
But the version of the story Ylfa experiences isn't similar to that, either.
The original story of Red Riding Hood existed as oral tradition long before it was written down, but it's thought that the first written version was penned by Charles Perrault, in 1697. In his version, the wolf tells Red that he'll race her to her grandma's house, and makes sure to take the shorter path so he gets there before her.
Ylfa's version of the story is never told in its entirety, but, from the snippets we get, it doesn't seem to match this story (aside from Ylfa's comment about watching “a caterpillar chase a butterfly”, because in the Perrault version she slowed down to watch burterflies). It seems that Ylfa never met The Wolf until she got to her grandmother's house, and we all know the woodsman wasn't nearby to deter him. So, what would have happened if Ylfa hadn't strayed from the path and gotten to the house late?
Ylfa often talks about how most versions of her story discuss the importance of not straying from the path, but, the truth is, if she hadn't strayed from the path, she wouldn't have survived.
Death is a Big Bad Wolf, but- in this instance- Death waits for her, and Ylfa becomes The Wolf.
In the finale, the characters (protagonist and antagonist alike) all worry about the nature of free will and predestination, but- through their ending- they choose to commit a different version of themselves to paper: a version which will then be retold and reinforced by someone reading it. Their stories will change again, with time and retelling, but, for now, they are in control of a tiny piece of their narrative.
Ylfa strays from the path, but she doesn't get eaten.
And that's where we'll end our story.
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signalhill-if · 2 years
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SIGNAL HILL is a post-apocalyptic action interactive fiction game by @townofcrosshollow about exploring the bustling city of Signal Hill- and determining who gets to control its future.
The world went to shit long before you were born- what happened, nobody's sure. Whatever it was, it left a mess. The horrors of the blasted wasteland, the things that roam outside of city walls, the static that buzzes in your ear like an old TV... not to mention the violent fuckers out there who'd rather they have what you've got.
But a job with a caravan travelling across the wastes means you can finally start a new life in the neon-lit utopia of Signal Hill. That is, until you're ambushed outside the city, your cargo stolen and your guards dead. The bright lights and the ever-present hum of the radio are starting to feel like more of a nightmare than a dream...
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Customize your Outsider's look, pronouns, personality, and skills- plus even their weapons, wardrobe, and apartment
Be indulgent or principled, violent or diplomatic. Enjoy your romp in the big city, or try to forge a better future
Upgrade your skills and unlock abilities that can totally change how you play the game
Discover and define your identity, telling the world exactly who you are- and getting unique benefits and drawbacks from each one
Explore a vibrant, detailed setting full of places to go, people to see, and things to do
Side with one of three factions with unique routes- experience the rich luxury of the upper classes, side with the entrepreneurial rebels on the outside, or see beyond the veil with a strange doomsday cult
Try out a variety of casual, open, and serious relationships with the strange folks you meet along the way
Rush through the main story, or take your time and explore the city's many "side quests."
Signal Hill is intended only for mature audiences and contains mature content such as violence, language, drug use, and sexuality. Viewer discretion is advised.
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DOC - he/him - DRUGGIST
He might not be a real doctor, but at the very least he's a friendly face, given that he patched you up after the unfortunate incident at the gates. If you need somebody with a gas mask who can hold his own against the wasteland, a real survivalist, he's your guy.
YASMIN - she/her - BARONESS
Left to essentially run the city on her own after her water baron father died, Yasmin isn't crazy about leadership- she's content to just get high and have fun. But since he died, it's been clear her mental state has been... deteriorating.
YVETTE - he/him - RED LIGHT MOGUL
If you're looking to have fun in Signal Hill, chances are you're going to wind up in one of Yvette's establishments. Nobody knows how he got this rich, but there are some rumours about how he looks so good- blood is said to have rejuvenating properties, after all.
KC - she/her - MERCENARY
Tired of the shit they got from the guards, KC and her loose company of (questionably legal) mercs now operate out of the ruins to the south of Signal Hill. She might be the most level headed person in the whole area- but don't mistake that for being a pushover.
LEVI - he/him - DEVOTEE
The face of the strange cult springing up within Signal Hill, Levi appears surprisingly normal on the surface, even charming. Just don't question his authority. There's only one person in the world who can tell him what to do, and you're not it.
WOLFE - he/him - ENFORCER
A truly hateable kind of guy with a sour demeanour but a talent for keeping his underlings in line, you instantly get off on the wrong foot with Wolfe. Don't expect that to change. He might be good at his job, but he's not against breaking the rules to keep you quiet.
ALDRICH - they/them - ???
You've heard rumours about this person, who can see into your head and make you feel static in your veins, who's risen from the dead and enlightened masses of followers. Sounds like a lot of horseshit. Are they even real? I guess you'll find out.
PLAY IT NOW | PATREON
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bestanimatedmovie · 1 year
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Tumblr's favorite animated movie, Round 1!
Classification round | Round 2 | Round 3 | Round 4
Round 1:
Results overview
A Monster in Paris vs Sailor Moon R: The Movie
A Silent Voice vs Shaun the Sheep Movie
A Troll in Central Park vs Rugrats in Paris: The Movie
Asterix: The Mansions of the Gods vs Lu Over the Wall
Astro Boy vs Ferdinand
Azur and Asmar: The Princes' Quest vs Puella Magi Madoka Magica the Movie Part III: Rebellion
Barbie & the Diamond Castle vs The Great Mouse Detective
Barbie and the Magic of Pegasus vs My Little Pony: Equestria Girls
Barbie as the Princess and the Pauper vs Revolutionary Girl Utena: The Adolescence of Utena
Barbie Princess Charm School vs Turning Red
Batman and Mr. Freeze: SubZero vs Robots
Batman Ninja vs Barbie Fairy Secret
Belle vs 101 Dalmatians
Birdboy: The Forgotten Children vs The Princess and the Goblin
Captain Underpants: The First Epic Movie vs All Dogs go to Heaven
Chicken Run vs Cloudy with a Chance of Meatballs
Cinderella III: A Twist in Time vs Green Snake
Despicable me vs Wreck-it-Ralph
Fantastic Mr Fox vs Wendell & Wild
Fantastic Planet vs Anomalisa
Gnomeo & Juliet vs Ernest & Celestine
Home on the Range vs A Goofy Movie
Hoodwinked! vs Lupin the Third: The Castle of Cagliostro
Ice Age vs WALL-E
In This Corner of the World vs We're Back! A Dinosaur's Story
Interstella 5555: The 5tory of the 5ecret 5tar 5ystem vs The Tale of John and Marie
Isle of Dogs vs Weathering with You
James and the Giant Peach vs Nausicaä of the Valley of the Wind
Klaus vs Summer Wars
Kubo and the Two Strings vs Bambi
Liz and the Blue Bird vs Tekkonkinkreet
Madagascar vs Encanto 
Mary and Max vs The Sea Beast
Monsters vs Aliens vs Wallace & Gromit: The Curse of the Were-Rabbit
My Little Pony: Equestria Girls – Rainbow Rocks vs Night Is Short, Walk on Girl
Night on the Galactic Railroad vs Metropolis
One Piece: Baron Omatsuri and the Secret Island vs Star☆Twinkle Precure the Movie: Wish Upon a Song of Stars
Paprika vs The Secret of Kells
ParaNorman vs Suzume
Penguins of Madagascar vs The Sword in the Stone
Persepolis vs The Garden of Words
Phineas and Ferb: The Movie: Across the 2nd Dimension vs Invader Zim: Enter the Florpus
Planet Hulk vs Zombillenium
Pocahontas vs The Tale of the Princess Kaguya
Pokémon Heroes vs Professor Layton and the Eternal Diva
Porco Rosso vs Meet the Robinsons
Quest for Camelot vs Digimon Adventure: Our War Game
Sinbad: Legend of the Seven Seas vs The Nightmare Before Christmas
Spookley the Square Pumpkin vs Kirikou and the Sorceress
Tales of the Night vs Stormy Night
Tehran Taboo vs Emesis Blue
The Adventures of Tintin vs Bee Movie
The Book of Life vs The Aristocats
The Boy and the Beast vs Waltz with Bashir
The Brave Little Toaster vs Batman Beyond: Return of the Joker
The Breadwinner vs Millennium Actress
The Congress vs The Legend of Hei
The Fabulous Baron Munchausen vs Ringing Bell
The Jungle Book vs Wolf Children
The LEGO Batman Movie vs Kung Fu Panda 2
The Lego Ninjago Movie vs Barbie in the 12 Dancing Princesses
The Lion King II: Simba's Pride vs Watership Down
The Little Prince vs Loving Vincent
The Pagemaster vs Jin-Roh: The Wolf Brigade
The Phantom Tollbooth vs The Sorcerer's Apprentice
The Secret World of Arrietty vs 9
The Thief and the Cobbler vs Felidae
The Wind Rises vs Brother Bear
Tokyo Godfathers vs 5 Centimeters per Second
Trolls World Tour vs Promare
Unicorn Wars vs Batman: Gotham by Gaslight
Whisper of the Heart vs Batman: Under the Red Hood
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dice-eater · 1 year
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Image Description: An image of Ylfa Snorgelsson and the baron of bricks sitting at an ornate table together to share a meal rendered in simple black, white, and red. On Ylfa's side, a black wolf's corpse lies belly up, ribs exposed, and she uses her teeth and hands to rip at a chunk of meat. On the Baron's side a wine glass is set face down neatly next to a lidded pot which he ignores in favor of messily pouring a massive bowl of a red liquid into his open mouth. Both their clothes are plain red, and both their faces are smeared with blood. The Big Bad Wolf looms in the background with a furious snarl. End Description.
a grisly communion.
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fillingthescrapbook · 28 days
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Let's Talk About: Fantasy High Junior Year and A Very Merry Moonar Yulenear
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This episode was packed! And not just because it was three hours long--
I can't believe we're already eleven episodes in. So few episodes left--and so much of the mystery is still left to unravel! I have to say: I think this has been the most complicated plot Brennan has unleashed on our Intrepid Heroes so far. Or, at the very least, the first one that he hasn't really peppered with NPCs that help guide the players into uncovering plot threads. I love the trust.
I also love that our Intrepid Heroes are very smart people who are really great at playing this game. And this episode has them really hitting it out of the park.
That said, I am very concerned about some of the things that are being revealed (and reinforced):
One. Why does it feel like Henry Hopclap having one of Grix's motherboard feel like a red herring? Zac/Gorgug didn't investigate further, and I don't know if he mentioned what he saw to the other Bad Kids, but I think Henry might be doing some investigating of his own. Because why did Grix go haywire?
Siobhan as Adaine being made to realize that she had all the resources she needed to research Fig's curse the whole time (in Zayn and in Aelwyn) feels like a callback to how Aelwyn played her in Freshman Year--and I suspect that Brennan is setting something up for Adaine.
Hallariel reiterating that Fabian shouldn't host parties at the Seacaster Manor feels ominous. And I want to know why. I feel like the destroyed cloudrider with a missing component plays into this.
And I loved seeing Ally as Kristen (and Lou) realize that Tracker's wolf-song religion got coopted by a megachurch for some nefarious reason that we will soon find out about.
Also: Oh no, Tracker has a type.
Emily and Murph really are out of this world when playing together. The way they chew on Brennan's mystery at the Loam Farm, and then at Fallinell… They're so quick. Chef's kiss.
And Fig's gift to Kristen being so clutch? And Adaine's gift to Fabian and Gorgug's gift to Fig immediately getting used for plot purposes? Amazing. Wonderful. Gorgeous!
I love how the Bad Kids and the Hallow Stones reminded me so much of The Doctor's last stand at the Stonehenge when the Pandorica opened. That probably wasn't intentional but I loved it so much.
And then Baron's return? Wowza.
Wowza.
Whale fall is kinda like Burning Man.
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sugaldean · 16 days
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Is miss Muffet going to appear? Where is she?
I thought she came with them in the Lands In Between
YES ZAC YES ZAC
His nat20s are INSANE.
Oh we went hard Christian indeed
Oh no Lou. You broke my heart. "why other could? Why consequences not only never seemed to apply to other kids but were the ultimate for me. Why did I have to suffer every step of the way. Why must I suffer all the time whatever i do."
"For a moment you are all marionettes together". Stop it. Stop. It's too strong to hard.
Oh no not the turquoise hair fairy
Oh what was this second map with the sea?? Ariel? And I think they were other border of countries
Oh no Gepetto wth. Poor Pinocchio
I SHOULD NEVER HAVE MADE YOU??? What the what the what. Whaaaaat?
I'm crying so hard. I know he doesn't believe it but I hate it. I hate it. I hate it so much
Or there she is
Brennan showing absolutely perfect the danger kids are in when the people in their life don't show them love and affection enough. They get easily manipulated and are ready to give everything to the first glimpse of affection. Real or not. I don't blame Pinocchio, I will never blame him. But I HATE what the Turquoise hair fairy and Gepetto did. Oh you regret what you said? Apologize. Apologize NOW. You can't afford your kid being so neglected and deprived of your affection that the will run first thing to anyone. That's how grooming happen.
Oh the way they all jumped to tell him his dad loved him but it doesn't excuse that what he did and say was wrong
"Even though the moral is wrong Pinocchio still has to escape the moral of his story" oh this episode is breaking me
Oh so the fairies are not a united bunch, interesting
Still absolutely don't trust her tho
Okay so basically the Bad Things are happening because it doesn't match what the Authors want? But if the Authors would. Well. Disappear. What would happen?
Oh we're finally getting some insight on the relationships between groups
I fucking love the big bad wolf. Well I love wolf. I'm just sad he doesn't have a pack, he must me lonely
OH YES RED STORY YES YES FINALLY
Dramatic backstory: starting
Emily: Cinnamon Toast Rolls and Lollypopcorn
Bye broth! A caterpillar chasing their friend the butterfly
"Your ears are honking big" picturing the Wolf listening to the caterpillar and butterfly story while waiting to eat her. Story he already know ofc
They are just loosing it at "Honkin" and honestly same
I love the wolf so hard he is a tragedy that's incredible "why? I am a wolf"
Oh she waited so long. So so long. No wonder she killed the Woodsman.
She was so hungry. I love her. I hate The Wolf. I love the Wolf. I wonder what happened to him to end up there.
YES RED YES. She met death and death convinced her to live!
Gerard's story is so funny, tragic and very reflective but so. Funny.
The absolute chaos if Gerard just. Dies.
"do you go where the dogs are or to your frog pound" "pretty loaded question"
It's adorable that Murph just stated that years after it's still only Fred 2 and 3. Not like. 364.
Oh no they are dead
Oh their meet cute is so adorable
The plot thickens as we met the Gander
OH CINDERELLA
Oh no it's the Stepmother story
Yes it is
That's so much wider she loved her daughters
BABA YAGA OH YES OH FHKGFXHJ
Yeah same Emily EXACTLY SAME
Oh i'm so happy. She's so strong and old
She's going to be a pain in the ass
"your daughters won't be injured if you eat them, and then you will be able to save them" i'm not sure but that's something she could say for sure
There goes the witch way
To be the vilain in every story. To be cursed with never having a story. I would be mad too
How cruel that in a way she has the same goal as Cinderella
She big mad
But when does she eat her daughters?
No no no not her present. You are level 4 guys
Oh that's where she eats her daughters
Rosamund is so smart
The brick little pig being called a boar and a Baron (love the alliteration btw)
I understand from Brennan that while they were running for their life the book of mother Goose downloaded a shit load of information
Have they slept since they arrive in this new life? I feel like they didn't which is HORRIFYING
Any situation: involve a living being
Pib: I kill them
I really would like to understand the nature of that damn book fr
That Gérard&Pib interaction was gold:
Pib: idk how we're going to know someone who knows...
Gerard (vigorously) : yeah we just need to break him out
Pib (confused) : wait... We... No no I think we..
Love them to bits
"so you guys go camping?" well yeah Brennan THEY HAVEN'T REST IT'S A LONG DAY FOR THEM
They are children. "Can we sleap on the roof please?"
LONG REST
The dice sometimes tel' the story of a Frog who got a level of exhaustion from being outside, wet and dirty. Basic living conditions for frogs. While the wooden boy who can rot easily is sooo fine.
Mother Goose bless 🙌🙌
That envoy is absolutely spectacular. A Princess (slept for 100y)with her envoy, basically and old man, a puppet, a cat, a manfrog and a cloak
Rosamund: I AM NOT going to propose myself to be married. No. Not interested and I don't think that's something you do
30sec later: I'm here to offer myself in marriage
Zac and Emily's reactions>>>
Can't believe the Baron isn't call Beter
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blondeaxolotl · 3 months
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What kind of animal is the Noah's Ark Circus in your Beaststars AU
Joker - Maned wolf Dagger - Cheetah Beast - Curly-coated retriever Jumbo - Rhinoceros Wendy and Peter - Canary birds Doll/Freckles - Red Fox and ofc once again, Snake - Grey wolf/Python hybrid and if you're curious, Baron Kelvin is a cougar
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existence-is-useless · 4 months
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Its about John Marcone.
One of the benefits of rereading a series from the beginning is having new insight.
So, I've been going through the Dresden Files, and I want to talkabout the first two books. Now, though Harry went through problems in those, he's not important in this discussion.
First; in Storm Front, a sorcerer is using magic to create a drug while attacking John Marcones business. Second, in Fool Moon, a group of FBI agents use magic pelts to turn themselves into werewolves in order to attack Marcone's business.
Now, what do both of these have in common thanks to help from future books? They are both orchestrated by The Advasary. The spell the sorcerer used was the same spell the Red Court tried to use on Harry.
When Harry Soul gazed Denton, he described his soul as being covered in a kind of black ooze. I don't have the book nearby so I can't look it up. But you know who else had a similar soul? Martin. Maybe that's how Harry interprets The Advasary's presence in a person. Since he's Star Born, whatever that turns out to be.
But back to Marcone. When Marcone first meets Harry, he tricks Harry into a soulf gaze. But how did Maecone know about Soul Gazes? Even if, as a successful gangster who wanted just found out about magic, a person in the phone book under wizards hardly seems the place to start. Not to mention that the bodyguard had only been killed that night, and while, yes, the Three eye drug has been causing problems for him, there really hasn't been much proof of Magic at that point.
So Marcone must have already know the basics to be able to have approached Harry so soon after the murder of his bodyguard.
Now what is Marcone, in the future. Well, he's the Baron of Chicago, bearer of a Denarious Coin, and the first mortal to sign onto the unseelie accords. But those are things he built. What's something about him that could have been relevant even before Storm Front that would have caused The Advasary to try and have him killed?
Well, In Battleground, Listen says to Ethniue, 'how many star borns are around this close to the endgame.' Listen had been in charge of scouting out Chicago for the battle.
What of that was supposed to be Marcone. What if Marcone is Starborn, which is why he was made aware of the magic. Because The Advasary had intended to use him like Listen. But of course, Marcone doesn't work for anyone else. So not only does he turn them down, but they also recognize him as a threat, which is why they gave the Shadowman the spell amd the FBI agents the wolf belts. An attempt to take out Marcone.
But they messed up with that because it actually caught the attention of Harry who ends up saving Marcone's life a few times until he was able to hire Gard and start defending himself?
Thats my theory.
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red-baron-wolf · 29 days
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Gift art from SierusSable by Mile202112
Celebrating my new job!
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theworldofwars · 1 year
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German First World War airmen (from left to right): Lieutenant Konstantin Krefft, Dutch Aircraft Designer Anthony Fokker "The Flying Dutchman", First Lieutenant Kurt "Wolf Cub" Wolff, and lastly, Fokker's good friend, Captain Manfred von Richthofen "The Red Baron" himself.
Credit
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fairytale-poll · 7 months
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SEMI-FINALS! MATCH 2 OUT OF 2
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Propaganda Under the Cut:
Ylfa:
She just went through so much and so much growth and i love her very much.
She becomes a big bad wolf
She met Death and Death wanted her to live.
Great depiction of a teenager by Emily Axford. A lot of scenes get really emotional with her being a symbol of the cycle of life and death and eventually she will always become the Big Bad Wolf.
she faced off with Death and he told her to live. this Death, who was much older than the Death she was supposed to meet, stared off with Yilfa for days until she succumbed to hunger and ate him alive. other iterations of death apologized to her for the story she was forced to suffer through, for the punishment she had to endure over an unrealistic and unabidable rule she was destined to break. her corrupted story turned her into the big bad wolf, into death itself. she sacrificed the beloved memory of her grandma, her namesake, so that her friends would be able to save their world. even though she gained it back in the end, she was willing to live the rest of her life as the wolf, a harbinger of death, and when she was reminded that she was just a child, that it wasn’t her responsibility to guide the dead, she cried, and separated from the wolf. she was able to grow up normal and happy after suffering from the looming presence of death. i’m gonna make me friend also submit yilfa bc they’re smarter than me and can make better propaganda
my mutual really likes her
Her narrative arc about growing up and life and death is so beautiful and her being a werewolf is so cool. Emily Axford gets girlhood like nobody else.
she is the bravest little girl in the world she met death and death wanted her to live she split his skull and ate the innards of death himself she is just a little girl!!!!!!!
PRIMO Red Riding Hood adaptation. Ate the wolf who ate her gramma. Is a werewolf and a metaphor for puberty. Loves her friends. Can break her bones to reshape her body into various animal forms.
Not only did she have to lose her grandmother, but she also nearly dies of starvation and exhaustion until The Big Bad Wolf, aka Death, convinced her to live, by her killing him and eating his flesh, therefore making her Death
Ylfa has a snazzy orange top hat given to her by a very attractive fairy. Three Blind Mice is her favorite story. She brought her grandma lollipopcorn and threw the broth in the river halfway there. She first developed a crush on Pinocchio when she saw him use his nose as a stripper pole and didn't kiss him until they were twenty-one and having an awkward conversation about her grandma's death and Toy Island. She fought a baron with a spoon. She wants a bra. She jumped into The Terrible Dogfish’s stomach to save her friend. She has pinkeye and grandma hobbies. She fought off a shit ton of homicidal tables at once. She is pals with Little Miss Muffet. She killed her family. She sacrificed the memory of her grandmother to become Death. She was basically adopted by Mother Goose (who is a cool old gay dude). She Wildshapes by horribly contorting her body into animalistic forms. She is a Barbarian who acts as a support character. She is the bravest little girl in the whole world.
Behold, 3 minutes of the weirdest and best little girl! [Link]
Her weirdgirl swag is off the charts :) [Link]
Ylfa Propaganda: [Link]
Ylfa turns Little Red Riding Hood into a metaphor for not just puberty but grief and death and the inevitability of loss--of innocence, of childhood, of who you had and who you were. The Wolf is the End of All Things, and Ylfa met Death and Death wanted her to live. She gave up the memory of her grandmother--her namesake, her humanity--and became Death, and she was there to be the end of her grandmother's grandmother's story, because there always has been and always will be a wolf. But in the end, she is just a little girl, and she doesn't have to take this burden. There is a wolf-that-is-not-a-wolf waiting for everyone with a snazzy orange top hat, and there is a strange girl playing cards with witches and kissing a boy who used to be a puppet, and they all lived happily.
Vote Ylfa cause she pulled through when it came to the Riding Hooded Mercenary and I know a worthy opponent when I see one.
Yuyuko:
She's related to Red Riding Hood, has costumes of Red Riding Hood, and she has ten hoodies in various shades of red. She's sapphic. She's autistic. She's a dog person. She's little beepo.
Technically this might be stretching it because she was casted into this play exactly once (though she has two cards dedicated to it due to the Encore cards). Anyways she always wears around a big red hood outside of this play but that's not directly based off of Little Red Riding hood from my knowledge so it doesn't matter much. What does matter is that Yuyuko keeps up her pattern of being casted in roles where her character either dies or suffers a lot (this one being the latter) in this play, though thankfully I'm not sure that she wrote herself into this narrative this time
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brionbroadway · 1 year
Text
“Princess, is it your time to rest? Or do you want your story to continue?”
Rosamund is glad to be asked.
This is what she wants: a chance to write her own story outside of the narrative that’s planned for her. She is not ready to rest--she already rested for a hundred fucking years--and true love is no longer an option. It must be something else; there has to be something else for her to choose. She will take her scrap of a page and discover what it is.  
“I don’t think it’s my time to rest.”
“Then I think—”
She feels the briars before she sees them, wrapping around her heart the way she guaranteed a lover never would. With each pulse of her heart, the briars pierce it.
But her heart must be stronger than everything than every piece of Thumbelina, because she splits in half.
“I take it back!” Rosamund yells. “I take it back!”
“Oh, my dear Rosamund.”
The voice comes from a briar that’s coiled itself into her ear. It’s unrecognizable as any individual fairy, but it drips with both the saccharine sweetness and depraved wickedness Rosamund has realized they all possess.
“You cannot take a choice back, my girl. This is why you should have trusted the ending that was written for you.” The voice tuts, a disapproving parental figure that never gave Rosamund anything but rules. “Your gifts did not come without a curse. You have sacrificed the one condition that would break it. You have rejected rest. What did you think was left for you, Sleeping Beauty?”
Rosamund tries to use her own voice, but a briar invades her mouth and replaces her smile. Its teeth are sharper than her own.
“Oh, I know what’s that like.”
The voice in Rosmaund’s heads changes, a conspiratorial older sister like she tried to be Red. The briars morph into thick strands of golden hair.
“It’s a shame we never got to talk.” Rapunzel’s voice comes from everywhere her hair touches.  “We have a lot in common. Locked away, someone else claiming to know what’s best for us, unable to make our own choices…”  
The briars spin, like hair being twirled around a finger.
“But when we did write our own story, we gained power. I know it hurts, Rosamund. I know it may not seem like it, but my hair hurts too. It chokes me, and restrains me, but more importantly than any of that, it keeps me safe—”
She’s cut off, because Gerard is eating Rapunzel on the battlefield. Her voice returns, hoarse from screaming. It sounds the way her hair feels in Rosamund’s throat.
“He will consume all of you, Rosamund. He has already done so to Elody in their marriage, though she does not recognize that. You must him put him to sleep.”
Rosamund cannot see a prince on the battlefield, only a monster. 
Suddenly, the hair transforms into chains.  
“Hello, my love.”
The deep, cruel voice of the Baron of Bricks feels like the weight of the chains on Rosamund’s skin. It comes from the ones trapping her heart into beating.
“I know, of course, that I am not your true love,” he says. “I know you will not get that. But, I do believe we have more in common than either of us first thought. You have rejected death, and I respect that, but I must warn you that it will not last as long as Death is around. She just took a Beast. She can certainly take a Princess.”
Rosamund cannot see a girl on the battlefield, only The Big Bad Wolf.
“If you need to put her in a stew, I have a recipe. Otherwise, you have all the tools you require. You must put her to sleep.”
The chains drop, but Rosamund is quickly snatched up by sharp claws. The Baba Yaga runs them down her face, her neck, and finally stops at the same wrists she considered feasting on. Her voice comes from the wounds she created.
“Thank you, Princess, for your gift. I am taking good care of your true love. He is only feeling the pain you would have caused each other after happily ever after.”
She cackles, and it infects the wounds.
“You made a wise choice in putting him to sleep.”
The claws release Rosamund, and the briars consume her again. Slowly, a pattern appears on them that represents a kind of evil she still had not accepted existed.
“I am sorry my son could not keep you safe, Rosamund. You do not need to worry about punishing him for that; I assure you I will take care of it.”
The Stepmother’s voice sounds like Rosamund’s own thoughts.
“Sleeping Beauty, I know what it’s like to have a role assigned to you. But, I also know what it’s like to edit the story. We can change this together. You can make your own choices, just as you wished. Put them all to sleep, Rosamund, and we will write the stories this world deserves.”
There is no happy ending for Rosamund. Only what must be done in this room.
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Text
30 Days With the Bard
After a year and a half, several scrapped drafts, and 30K words, the sequel to Hanging Out With the Right People is finally posted! You can find it here on AO3 or read the first few scenes below.
Rating: M
Warnings: none
Relationships: Geralt/Jaskier; Eskel/Geralt/Yennefer; pre-Eskel/Geralt/Jaskier/Yennefer
Summary: After saving Jaskier from execution, Geralt, Eskel, and Yennefer agree to let Jaskier travel with them for thirty days, with varying degrees of reluctance. But just as Geralt starts to develop a soft spot for the bard with the blue eyes and quick wit, they discover that there’s more to Jaskier than meets the eye—and the bard’s secrets might put all of them in jeopardy.
***
Before
"Would it kill the two of you to take me to a party someday where nobody is likely to get murdered?" Yennefer asks, checking her lipstick in the looking glass.
Eskel snorts. "Yenn, the last party you took us to, half the attendees died."
"And most of them deserved it."
Sitting back on the bed of the inn room the three of them are sharing, Geralt shakes his head at his lovers. "You two planning on murdering someone?" He directs the question mostly to Yenn. They aren't sure if the duchess whose third wedding Yennefer and Eskel are attending has really been sacrificing maidens in a bid for eternal life or if it's just a pernicious rumor. Knowing their history with noble weddings, it's sure to be a shitshow either way.
Yennefer meets his eyes in the looking glass, red lips curving into what someone who doesn't know her well would think is a sweet smile. "Only if they need to be murdered."
Eskel sighs, exasperation belied by the affectionate hand he brushes through Yennefer's hair. "You sure you don't want to come with us, Wolf? Keep the bloodshed to a minimum?"
"I'd love to," Geralt deadpans. "Unfortunately, there's a griffin in the woods that needs killing. Send the duchess my regrets."
"The griffin will still be there when we get back," Yennefer points out.
"And more than likely, at least one hunter won't be." Most lordlings at least have the sense not to send people into the territory of an angry griffin, but not the local baron. He's more concerned about getting fresh meat on his table than keeping his servants from becoming meat for a griffin. “Someone needs to take care of the problem before it makes its way into the village.”
“You going to need help?” Eskel looks hopeful.
“I think he can handle a griffin just fine.” Yennefer turns to Geralt with a raised brow. “We’ll be gone for no more than a week. Do you think you can stay out of trouble for that long?”
Geralt snorts. “Think I can manage that, Yenn.”
***
The griffin is no trouble. Neither are the ghouls that have taken over the local graveyard. The trouble comes back at the inn, where Geralt is fast asleep when three young men, all drunk and looking to prove a point, come bursting into his room with the intent to kill.
All that comes after is death and screaming.
***
Someone in the next cell is singing. He’s been singing for most of the two days since Geralt got tossed in the dungeon. His range varies. He sings odes to the rats he’s befriended and scalding ditties implying that the guard’s mother fucked a weasel—which, in Geralt’s opinion, is unfair to weasels. He’s singing the latter when Geralt hears the sound of something heavy ricocheting off the door. Probably a stool.
“Can’t wait to watch you swing tomorrow, you little shit! Hope it takes a long time for your fucking neck to break.”
The singing abruptly stops. Geralt hears the sound of heavy footsteps stomping past his cell. A moment later, he hears a stuttering inhale from the next cell, followed by a single ragged sob. It’s the first sound of despair Geralt has heard from his fellow prisoner in the past two days.
He thinks about calling out. He doesn’t know what he’d say; it’s not like he’s good at comforting people. That’s Eskel’s forte, not his. But it seems wrong to let the young man be alone on the last night of his life.
In a tremulous voice, the man begins to sing again. Geralt closes his eyes, leans his head back against the wall, and listens.
***
Day 0
Geralt knows he should walk away when the bespelled guard commands the executioner to free him from the gallows. The man reeks of lilac and gooseberries; the baron's change of heart and his guard's interference is clearly Yennefer's work. He knows if he walks away from the gallows, Yennefer and Eskel will be waiting for him, probably exasperated that Geralt managed to put himself in mortal danger yet again. He can take a bath to wash the scent of the dungeons off of him, have a decent meal, and lose himself in his lovers' arms. Maybe tomorrow, Yennefer will portal them to see Ciri. After thinking that he was never going to see her again, all he wants is to hug his daughter.
But he makes the mistake of turning around.
Jaskier can’t be older than his early-to-mid-twenties, wide-eyed and scared out of his fucking mind, though he's trying to keep a brave face. His mouth trembles as he tries to smile at Geralt. "Well, nice chatting with you, Geralt," he says. "I would say I'll see you around, but... well, you know."
The magistrate is reading out the charges against the bard: debauchery and disturbing the peace. Geralt isn't sure how refusing to fuck the baron is "disturbing the peace," but it doesn't matter. The fact that it's a bullshit charge won't make the kid any less dead if the baron gets his way. People die stupid, pointless deaths all the time, but this one seems especially so. Rejecting someone's advances doesn't warrant a death sentence, no matter how powerful that someone is.
Jaskier's heartbeat ratchets up to a silent scream as the magistrate finishes reading the list of charges. His enormous eyes are locked on Geralt's face. He isn’t pleading for his life, but he might as well be.
"Fuck," Geralt growls.
He knows it's a mistake, even as he steals the guard's sword and drives the hilt into the man's head, knocking him out. He knows it's a mistake as he cuts Jaskier free of the gallows and slings the bard over his shoulder. He knows it's a mistake as he turns to meet the incoming guards with his stolen sword raised.
But he'll get them out of this alive first and worry about the consequences later.
***
"I still don’t know what the fuck we’re going to do with a bard,” Yennefer grumbles.
The bard in question is sprawled out in front of the campfire, lying on his back with his limbs akimbo, snoring loudly. His chemise is hitched up a little, exposing the pale, hairy plane of his stomach. It’s a show of trust that no one with a sliver of common sense would show when sharing a campsite with two witchers and a sorceress.
“I couldn’t just let him swing for the crime of not sucking the baron’s dick.” Geralt can’t quite keep the edge from his voice. 
Her expression softens, just a little. “No, but we didn’t need to invite him along.”
“Think he invited himself,” Eskel says dryly from her other side.
“It’s only for a month, Yenn.” Geralt puts a hand on her knee, rubbing slow circles with his thumb. “Thirty days. He’ll be gone by the time we need to go get Ciri from the Temple of Melitele and head to Kaer Morhen for the winter.”
The bard snorts loudly in his sleep.
“Fine, but he’s your problem.” Yennefer jabs her finger at Geralt. “ Entirely your problem. I want nothing to do with this bullshit.”
Geralt nods, because he sees no point in arguing. Jaskier will only be with them for thirty days. That’s not enough time for him to cause any real havoc.
***
Day 1
“Hey.” Geralt nudges the still-snoring bard with the toe of his boot. Jaskier hasn’t stirred the entire time that Geralt, Eskel, and Yennefer have been packing up camp around him. They could probably leave him here and the kid wouldn’t notice. Geralt’s not sure how the fuck he’s survived as a traveling bard. “Time to get up.”
Jaskier’s eyes fly open and he gasps, flinching backwards. Geralt grimaces at the sour scent of terror flooding the air. He’s used to humans smelling afraid around him, but he hadn’t been expecting this human to be terrified of him, not after how insistent Jaskier had been the day before about wanting to travel with Geralt, Eskel, and Yennefer. On the other side of the clearing, Eskel’s head jerks up, posture going tense.
And then Jaskier’s bleary eyes focus on Geralt and his expression clears, a smile curling his lips. The terror scent fades as quickly as it had flared up. “Good morning, Geralt! That was the best night’s sleep I’ve gotten in weeks. Where are we off to this fine day?”
The day is gray and a little damp, with the chill of autumn cutting through the last vestiges of summer. It’s not what Geralt would ever think of as a “fine day.” “We need to put more distance between ourselves and Tridest. We’re going to head east to Flotsam. If we make good time, we’ll be there by tomorrow afternoon.”
“Excellent!” Jaskier says, which is the most enthusiasm Geralt has ever seen anyone show about going to Flotsam. “I spent several weeks in Flotsam last spring. Met the loveliest lady, Hilde, I think her name was, or maybe Heidi. No, definitely Hilde, I remember because—”
Yennefer, who doesn’t tolerate cheerfulness before midday, gives Geralt a look that very clearly says, “shut him up or I will.”  
“Here.” Geralt shoves a piece of hardtack at him. No one can jabber and eat hardtack at the same time, one of its few virtues. “Eat this. We’re leaving in twenty minutes.”
Jaskier takes the hardtack with a grateful smile, one that only dulls a little when he takes a bite. He tries to say something, but it’s incomprehensible around the hardtack, so Geralt just turns away from him and goes back to saddling up Roach.
***
“So, if you don’t mind me asking,” Jaskier says an hour or so later, walking between Roach and Scorpion.
“We do,” Yennefer deadpans from the back of her mare, Sabrina, named after a girl she went to school with. Geralt thought that they must have been good friends until Yennefer explained that it was supposed to be a slight against the other sorceress.
Jaskier continues on, heedless of her reply. “How does this work?” He gestures between the three of them.
Yennefer looks down her nose at him. “If no one has given you the birds and the bees talk, bardling, I suggest you go back to Oxenfurt and ask one of your old professors.”
“No, thank you.” Jaskier looks up at her with a brilliant smile. “They did a shit job of giving that talk the first time around. I was nearly twenty when I realized you could use your mouth to—”
“How does what work?” Eskel cuts him off, frowning at Yennefer.
“The three of you,” Jaskier says. “Do you travel together all the time? How did you meet? How long have you three been together?”
Yennefer arches an eyebrow. “What makes you think we’re together?”
“I’m a bard.” Jaskier’s voice takes on a lofty tone. “I know love when I see it and the three of you are clearly in love.”
Eskel turns to Geralt with a look of wide-eyed incredulity. “You’re in love with Yennefer too?”
“Don’t worry, darling.” Yennefer’s lips curl into a little smirk. “There’s plenty of room in my bed for the both of you. Unless you’d rather duel about it.”
Jaskier looks between the three of them with the enormous eyes of someone just realizing they’ve stepped in it. ”I, er…”
“They’re fucking with you,” Geralt tells him flatly. 
Yennefer sighs. “You’re no fun, Geralt. Thank the gods I have Eskel.”
Eskel looks very smug.
“Ah, I see how it is.” Jaskier barks a laugh. “It isn’t kind to torment your new friend, you know.”
“We’ll keep that in mind when we make a friend,” Yennefer says.
Geralt talks over Jaskier’s offended gasp. “It’s been the three of us for ten years now. We don’t travel together all the time. Most towns will chase out two witchers with stones as soon as we step foot in them and Yennefer has her own life, away from the Path.”
“Oh?” Jaskier turns to Yennefer, eyes bright with curiosity.
“No,” she says flatly and his shoulders sag a little.
Geralt doesn’t know how he ended up being the one doing all the talking, but Yennefer seems uninterested in answering Jaskier’s questions, Eskel is still faintly bewildered by the bard, and he has a feeling that Jaskier will keep asking until he gets the information he wants. “Eskel and I have known each other since we were boys. Yennefer and I met fifteen years ago in Aedirn.”
“He was hired to kill me.” Yennefer’s lips quirk.
Instead of looking horrified, Jaskier looks delighted. “Oh ho, I can tell there’s a story there.”
“Not really.” Geralt shrugs. “I didn’t kill her.”
“Well, I would hope not. That would have been an inopportune start to a romance.”
“There wasn’t much of a romance at the beginning,” Geralt says dryly. “She tried to kill me the first time we met.”
Yennefer makes no attempt to look remorseful. “That’s what you get when you barge into someone’s hiding place with a fucking sword.”
“Why were you hired to kill her?” Jaskier frowns. “I thought witchers killed monsters, not men. Or in this case, mages.”
“I was accused of assassinating the Queen of Lyria and her daughter,” Yennefer says. “Geralt had the misfortune to be traveling through Lyria at the time.”
Geralt hums. “The King of Lyria didn’t give a shit that I only kill monsters. It was either my head or hers.”
“But you saved her instead.” Jaskier looks downright starry-eyed.
Geralt snorts. “She saved herself.”
“You helped.” Yennefer reaches over to pat his arm.
“And then how did it become the three of you?” Jaskier looks between Yennefer and Eskel.
Geralt exchanges glances with his lovers. The story of how the three of them got together is inextricably entwined with the story of how Geralt claimed Ciri via Law of Surprise. And Geralt doesn’t need to discuss it with Eskel and Yennefer to know that there’s no way in hell that they’re going to tell Jaskier about Ciri. What keeps their daughter safe is that everyone thinks Princess Cirilla Fiona Elen Riannon was lost at sea with her parents eight years before. No one would think to connect the lost princess to nine-year-old Ciri, the feisty, spirited student at the Temple of Melitele who gives her teachers endless gray hairs.
“I needed a witcher’s assistance and Geralt was unavailable,” Yennefer says, which isn’t entirely a lie. “Once Eskel and I got to know each other, it didn’t take long for us to realize what Geralt saw in the other one.”
“But how—”
“What about you?” Eskel asks. “How did a noble become a traveling bard?”
Jaskier strikes Geralt as the type to love talking about himself, so he’s surprised when the bard almost looks flustered. “Well, my parents sent me to Oxenfurt when I was twelve, like every noble son in Redania. We’re expected to study all seven liberal arts, but much to my parents’ dismay, I was far too interested in the art part of the liberal arts, particularly music. When I graduated from Oxenfurt, they thought I would return to Lettenhove and take my place as my father’s heir. Instead, I just… walked in the opposite direction of Lettenhove. That was seven years ago. I haven’t been home since.”
Geralt hums, remembering that Jaskier’s father apparently told the Baron de Tridest to go ahead and have his son executed. From the lost look on Jaskier’s face, he’s thinking the same thing. Taking pity on him, Geralt decides to change the subject. “Want to hear about the time Eskel nearly burned down the keep where we grew up?”
Eskel shoots him a betrayed look. “That was an accident.”
“Wouldn’t have made the keep any less burned down if there hadn’t been a mage nearby.”
“Come on, Wolf.”
“I would be delighted, Geralt.” Jaskier grins up at him, blue eyes sparkling with relief at the distraction.
Geralt has never been much of a storyteller, but he can try his best if it keeps Jaskier from getting that lost look on his face again.
***
Read the rest on AO3!
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bestanimatedmovie · 1 year
Text
List of accepted movies!
Let me know if you find any mistakes
101 Dalmatians
5 centimetres per second
9 (2009)
A Goofy Movie
A Monster in Paris
A Silent Voice
Adolescence of Utena
Alice in Wonderland (1951)
Anastasia
Anomalisa
Asterix the Mansion of the Gods
Astro Boy (2009)
Atlantis: The Lost Empire
Azur & Asmar: The Princes' Quest
Bambi
Barbie & the Diamond Castle
Barbie and the Magic of Pegasus
Barbie in the 12 Dancing Princesses
Barbie Princess Charm School
Baron Omatsuri and the Secret Island
Batman and Mr. Freeze: Sub-Zero
Batman Beyond: Return of the Joker
Batman Ninja
Batman: Gotham by Gaslight
Batman: Under the Red Hood
Beauty and the Beast
Bee movie
Belle
Big Hero 6
Birdboy: The Forgotten Children
Brave
Brother Bear
Captain Underpants
Chicken Run
Cinderella III: A Twist in Time
Cloudy with a Chance of Meatballs
Coco
Coraline
Despicable me
Digimon Adventure: Our War Game!
Emesis Blue
Encanto
Ernest & Celestine
Fantastic Mr Fox
Fantastic Planet
Felidae
Ferdinand
Finding nemo
Gnomeo and Juliet
Grave of the Fireflies
Green Snake (or White Snake 2: The Tribulation of the Green Snake)
Guillermo del Toro's Pinocchio
Hercules
Home on the Range
Hoodwinked!
How To Train Your Dragon
Howl's moving castle
Ice Age
In this corner of the world
Inside Out
Interstella 5555
Invader Zim: Enter the Florpus
Isle of Dogs
James and the Giant Peach
Jin roh: The wolf brigade
Kiki's Delivery Service
Kirikou and the Sorceress
Klaus
Krabat – The Sorcerer's Apprentice
Kubo and the Two Strings
Kung Fu Panda
Kung Fu Panda 2
Lilo & Stitch
Liz and the Blue Bird
Loving Vincent
Lu Over The Wall
Lupin III: Castle of Cagliostro
Madagascar
Mary and Max
Meet the Robinsons
Megamind
Metropolis (2001)
Millennium Actress
Monsters inc
Monsters vs Aliens
Mulan
My Little Pony: Equestria Girls
My Little Pony: Equestria Girls – Rainbow Rocks
My neighbor Totoro
Nausicaa of the Valley of the Wind
Night Is Short, Walk On Girl
Night on the Galactic Railroad
One Stormy Night
Paprika
ParaNorman
Perfect Blue
Persepolis
Phineas and Ferb: Across the 2nd Dimension
Planet Hulk
Pocahontas
Pokémon Heroes: Latios and Latias
Ponyo
Porco Rosso
Princess Mononoke
Professor Layton and the Eternal Diva
Promare
Puella Magi Madoka Magica the Movie Part III: Rebellion
Puss In Boots: The Last Wish
Quest for Camelot
Rango
Ratatouille
Ringing Bell
Rise of the Guardians
Rise of the Teenage Mutant Ninja Turtles: The Movie
Rugrats in Paris: The Movie
Sailor Moon R: The Movie: The Promise of the Rose
Shaun the Sheep Movie
Shrek
Shrek 2
Sinbad: Legend of the Seven Seas
Song of the Sea
Spider-Man: Into the Spider-Verse
Spirit: Stallion of the Cimarron
Spirited Away
Spookly the square pumpkin
Star Twinkle Pretty Cure the Movie: These Feeling within The Song of Stars
Summer Wars
Suzume
Tales of the Night
Tangled
Tehran Taboo
Tekkonkinkreet
The Adventures of Tintin (2011)
The Aristocats
The Book of Life
The Boy and the Beast
The Brave Little Toaster
The Congress
The Emperor's New Groove
The Garden of Words
The Great Mouse Detective
The Incredibles
The Iron Giant
The Jungle Book
The Last Unicorn
The Legend of Hei
The LEGO Batman Movie
The LEGO Movie
The Lego Ninjago Movie
The Lion King
The Lion King 2
The Little Prince
The lorax
The Mitchells vs. the Machines
The Pagemaster (1994)
The Penguins of Madagascar
The Phantom Tollbooth
The Prince of Egypt
The Princess and the Frog
The Princess and the Goblin
The Sea Beast
The Secret of Kells
The Secret World of Arrietty
The SpongeBob SquarePants Movie
The Super Mario Bros. Movie
The Sword in the Stone
The Tale of John and Mary
The Tale of the Princess Kaguya
The Thief and the Cobbler
The Wind Rises
Tokyo Godfathers
Toy story
Toy Story 2
Treasure Planet
Troll In Central Park
Trolls World Tour
Turning Red
Unicorn Wars
Up
WALL-E
Wallace and Gromit: The Curse of the Were Rabbit
Waltz with Bashir
Watership Down
We're Back: A Dinosaur's Story
Weathering With You
Whisper of the Heart
Who Framed Roger Rabbit
Wolf Children
Wolfwalkers
Wreck-it-Ralph
Your Name
Zombillenium
80 notes · View notes