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#red desert 5so
yeonjnz · 2 years
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what’s the number one song that literally makes you balls to the wall insane. like it scratches some part of your brain that no other song can
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nakedlilac · 10 months
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lovin' you
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⛓🌩🏜❤️‍🔥
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hemmohaze · 2 months
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i genuinely don’t understand how anyone could hate this masterpiece of work that 5SOS blessed us with 4 years ago.
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castawaycurls · 1 year
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//Tell me would you pack up all your bags, stay true to north? You’re the only one I’d do this for.//
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edge-oftheworld · 4 months
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no but 2023 was wild now i think about it. i actually did manage to muddle a newborn baby girl whose name means moon with a big red dog full respect to both of them i just sometimes the way my brain works
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redrattlers · 2 years
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some cashton in nyc for @lukemichaelcalumashton, happy birthday monse ❤️
video source : [ x ] [ x ]
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Red Dessert
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visceral--feeling · 9 months
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Pink Cloud Over Mountain - Charles Courtney Curran // Red Desert - 5 Seconds of Summer
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honeyedlashton · 1 year
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CALMs 3rd birthday ⛓️✨🖤🪩
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red desert arrangement brainstorm i guess
Heal and replace. Heal and replace. It doesn’t take too long to heal and replace; the demons we’re running from, they’re begging to stay. How do you capture that musically, when I’ve already got the parts all going on, the four-part harmony, the chords and the percussionbass rhythm going on underneath? What do I do when it sounds almost exactly like the first verse? The demons we’re running from, they’re begging to stay. I think I see the problem.
Pop music is notoriously repetitive; orchestral music is not. When you don’t have lyrics that change between lines and verses, when you have 40 or 50 people playing instruments who don’t want to play the exact same thing, on a 4-bar repeat that changes up a couple times depending on the section of the song, you’ve gotta get creative. And can I just say, of all the songs I’ve played covers for or even attempted, I chose this album because from a musical standpoint it’s not boring. It’s no cookie cutter I V vi IV or whatever chord combination with a simple drum beat and repeated melodies. The bridges, at least, of each song, are something else. They were clearly written to be fun to play, rather than easy. I wouldn’t recommend them to a beginner busker. Few people I know will cover 5 seconds of summer, for good reason too. It’s difficult. The chords are unpredictable, for example red desert, focusing on vocal harmonies and using simple melodies to bring them out, has a sneaky E major chord in a B minor piece, G sharps littered around the place that aren’t in the key signature, aren’t always there. It means you’ve gotta look twice before improvising, figure out what bar you’re in, what notes to play. E is the subdominant in a B minor piece, in making it major instead of minor, it’s harder to tell that the piece is in a minor key. It shakes things up a bit. It should make it easier to fill in with something interesting, a countermelody over the verse: should I give it to the flutes maybe, or should I switch some of the parts that people played in the first verse around? I can figure that out later.
In the meantime, note that the other commonly occurring chords in the song are B minor and A minor. This is clever: B melodic minor scale ascending adds a G sharp; and A minor has a G sharp in both its harmonic and ascending melodic versions. As a result, the song works smoothly and feels calming and resolved.
So imagine the creatures in the desert. You’ve got the hot wind blowing red sand over cacti and scraggly brown shrubs, the occasional bunch of desert trees, eucalyptus or acacia or mulga I’m not sure, I haven’t brushed up on my ecology quite that much. For the purpose of this exercise, it doesn’t matter. Imagine a bird flitting above the desert. A little spiky lizard or maybe a spinifex mouse flitting around. Can I write all of their parts, weaving in and out of the melody, so each instrument doesn’t get bored? Can I write the migratory birds that fly overhead in search of water, seeing the same landscape every year, never landing on it? how about the red kangaroo, and the western grey? Is there a brown snake sneaking around the bushes: ominous, how about a minor chord for it. I’ll fit it in the transition from A minor to E major, because the harmonic tone-and-a-half jump between F natural and G sharp, both accidentals in this piece (meaning F is meant to be a sharp and G a natural) gives just the sound I’m after. No one wants to be bitten by a brown snake when you’re miles away from the nearest road, let alone hospital. But the red desert is here to heal our blues. We’re safe. Snakes are scarier than they sound: they don’t actually want to bite you. Their venom is meant for the little prey they can actually swallow—they can’t eat a human. They’re not likely to bite unless they think you’re going to hurt them first.
In the recording, the bugle sounds I gave to the bassoons and brass in the first verse could be these animals peeking out. I can see a scorpion when I listen to it. They’re great for looking at from a middle distance, gorgeous, angry, spiky things. But the spiky grasses and desert leaves you can pluck and take apart for your liking. They’re not overgrazed: ecologically there is no problem with that. Some of them you can even eat, bush tucker, you should try it sometime. Connect with the land. Red, red desert, heal our blues.
These plants are the ‘ooh’s in the second verse in the recording. Lovely and ominous. Yet despite being first in the album, red desert is the last of eleven songs in my arrangement. It’s an album theme: every song has ‘ooh’s in the second verse. Well, at least three of them. I think they can be edited a little to wrap around our desert creatures. And our muse! Who is our muse? I’ll dive deeper for you. Who did we call to leave all their fears at the end of the world with us? Let’s make the little melodies dance around them, using the notes that we discussed. You’re the only one I do this for.
So now I have it. Ideas. Concepts, theories, imaginings, that I can build out of notes that somehow go with what I’ve already done. Do the same with the chorus. I don’t know when I’ll get to it all. But here is the framework. I hope we all learned something today. Had ideas. I know I did. I know this orchestral part is going to be better for it. One day. When I make the ideas a reality.
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lashton-is-my-drug · 1 year
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Video of Ash playing his solo during Red Desert posted to his Instagram.
December 3, 2022
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Ashton Irwin: soloing in Brisbane with the band. What an incredible night of soul fire! 💭 👹
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andtherestishistory13 · 8 months
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I love all of 5sos albums but Calm is probably one of my top favorites. Mainly because of Red Desert
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wiiildflowerrr · 1 year
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5 Seconds Of Summer perform a new song, Red Desert, at the G'Day USA Gala
25 January 2020
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edge-oftheworld · 4 days
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Hi! I like so much your blog and i was reading the ttpd playlist with 5sos song and i was wondering, why do you choose Red Desert for the depression part?
I kinda see the reasons but i want know your reasons, please <3
hey anon!! Thank you so much, it means a lot to know people like my blog!
The decision to put red desert on the depression playlist was an interesting one!! And one that’s always up for refute too, I’m not the expert on which song goes where I’ve just got my best guess to give. Basically, to me it’s a typical 5sos song: looks all fun and cathartic but the more you listen to it you see the way it hints to darker things. And with the premise being ‘red red desert heal our blues’ it has me thinking of a time where you know something is wrong, and you’re now doing something to try feel better but the feeling better hasn’t actually happened yet. ‘Demons we’re running from theyre begging to stay’ embodies ‘old habits die screaming’ perfectly and ‘won’t you leave all your fears at the edge of the world’ implies being in the thick of it but also the very beginnings of regaining autonomy amidst the chaos. There’s desperation but also hope in ‘tell me won’t you pack up all your bags, stay true to north’ which kinda reminds me of os/co but ‘I’ve been asleep so long, wasting away’ is very much a depression thing to me when you’re tired of feeling and you go numb instead. Then the premise of the desert setting as a destination is like, I’m not gonna be overwhelmed by life there, I have a chance to feel things and have them catch up to me somewhere safe where I feel small against the expanse of nothingness and my problems do too—the acceptance hasn’t quite come but it’s on its way.
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bandsanitizer · 2 years
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calm is sandwiched between superior albums but also it (primarily non-single tracks) did not get enough love especially in live shows
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ghostlypawn · 2 years
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literally need this song to play at the beginning of a sapphic cowboy movie/show where someone is running through a desert and then during the climax we find out theyre not running to something but running from something and the final i dive deeper for you is them being captured and its like the end of movie/show at the beginning for suspense and questions and the rest of the show is how they get there and by the end of the show we understand the meaning of the red desert has changed from a vague desert to a specific meaning of what the desert entailed and meant to them
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