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#reinterpretation
diathadevil · 5 months
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Hey did you guys know that on the 10th of December 4 years ago I binged Princess Tutu for the very first time and have been rewired ever since that said day? Yeah I can't believe it either.
To celebrate it, I spent the better part of my sleep schedule redrawing slash reinterpreting what I can only describe as the One Scene that made me absolutely, completely lose it for them.
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moussedoodles · 2 months
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🐙‼️OCTO ALERT‼️🐙
An artist decided to redraw the Octonauts in her style!! Why?
Because I'm on a nostalgia high that's why lmao
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In a world where most of the population consists of animal shifters, the Octonauts are a group marine biologists and activists who help bring attention to both the curious beauty of the Earth's waters and the harms that threaten its incredible ecosystems.
I imagine that the actual Octonauts show is something they funded to educate kids on the wonders of marine life!
Peso is the most recent member that was brought into the crew after their old medic had retired, but despite his timid attitude, he's just as devoted to their cause and cares just as much about the diverse marine environments as the other Octonauts, and they welcome their newest medic with open arms!
Captain Barnaby (Barnacles) was an ex-navy man and the esteemed captain of their crew! Despite both his imposing figure and the fearful animal he shifts into, the captain is a warm and kindhearted leader who had earned even the harshest people's respects (as seen with his first mate). He's certainly someone who you could depend on, and though he's a pacifist at heart, that doesn't mean the captain himself isn't defenseless. (There's a joke in there somewhere, something something navy, something something bear–)
Kwazii is Barnacle's trusty first mate, chosen by thr captain himself! He's an ex-pirate, and though they didn't exactly get along when he had first met the Octonauts, the crew had learned to trust in both their captain's judgements and Kwazii's capabilities as he proved time and time again to be reliable, kind, and surprisingly well under pressure, and a person who's bound to lift anyone's spirits once he's in the room.
More octonauts on the way! Though these are all I have for now! Now, to return to fanfic writing and exams-
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2001hz · 1 year
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'Omae ga Sekai wo Kowashitai nara' Artwork Illustrated By: Kaoru Fujiwara (2001)
— Kaoru Fujiwara creatively reinterpreting Kate Moss from an Calvin Klein 1992 underwear ad.
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Harmonia Rosales
Spring / Summer / Fall / Winter. 2018-19
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hauntedbystorytelling · 3 months
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laviniaschulz by Thomas Ruff
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Thomas Ruff ~ neg◊laviniaschulz_07, 2021, c-print. Work from the series of Negative | src Mai 36 Galerie view & read more on wordPress
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The neg◊laviniaschulz subgroup from the series of Negative are expressionist dance studies of the dancer Lavinia Schulz and the actor Walter Holdt in full-body masks, which they both designed together in the early 1920s. The starting point of the series are photographs of the 19th and 20th…
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magsdomino · 1 month
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@mishidefresa drew one of "my kind of an oc but more of a reinterpretation of a semiobscure character" characters.
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I kind of stopped working on my Titans au for now but man it feels good to get art of Charley. Here she is. The Golden Eagle.
I almost want to just write something focused on her. Butch icon! I have so many ideas in my head, remixing decades of lore and history that constantly gets rewritten anyway (DC in general but also anything involving the Hawks. Hoo boy)
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zabrya-art · 28 days
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vammorff · 1 year
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Reinterpretation of the: Ranni's Staff in Elden Ring The Lunar Princess Scepter is a delicate Glintstone Staff in Elden Ring. is the magic scepter of Ranni, The Lunar Princess. The glintstone is known as a Carian Blue, enhancing full moon and Cold sorceries. Only those of the highest intelligence may wield this, the finest of all glintstone staves.
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emperornorton47 · 6 months
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radishearts · 9 months
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Roma and Julios Cafe :D
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Some background practice for my art portfolio that turned into a cutesy little story
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yseeart · 1 year
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PLEASE SOMEONE HOLD RICHARLISON
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fleetingimpressions · 4 months
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You fuck on my grave, as my ghost rolls in unison with the two of you.
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Volker Hermes
Hidden Portraits (series). 2020-23
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Hommage to Sanyu by Meeuws
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Bas Meeuws :: Hommage à Sanyu (# 09), 2018. C-Type print. | src Photo Basel
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Bas Meeuws :: Hommage à Sanyu (# 12), 2018. C-print op Dibond met acrylglas.
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lkhafel · 5 months
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me when i fall in love with the big bad wolf from my village
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sophieakatz · 2 years
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Thursday Thoughts: Reinterpretation
On the second morning of Rosh Hashanah, we read from the Torah the story of the Akedah – the binding of Isaac. If you’re unfamiliar with this story, the short version is, G-d tells Abraham to sacrifice his son Isaac as a burnt offering, and Abraham almost does so, but at the last minute, an angel appears and tells Abraham to stop and that he has passed G-d’s test. The conventional wisdom is that Abraham proved his loyalty to G-d by being willing to do whatever G-d said.
This year, our rabbi led us in a kind of thought experiment. She asked us, what if Abraham actually failed the test? What if G-d didn’t want Abraham to obey? What if the real test was to see if Abraham would argue with G-d and stick to his morals?
Our rabbi quoted Rashi – a famous medieval rabbi, one of the most influential commentators in the Talmud. In his commentary on the Akedah, Rashi pointed out that G-d does not literally say “slay Isaac.” G-d said, bring him up to prepare him as a burnt offering. So, according to Rashi, G-d never actually told Abraham to kill his son, and so Abraham failed the test.
So… Did G-d want Abraham to obey, or not? Did G-d mean to tell Abraham to sacrifice his son, or not?
It’s a fun thought experiment. However, I don’t think that this is the most interesting point here. We can never really know what G-d wanted or what G-d meant. Assuming that I know what G-d thinks is way too much hubris for me.
I think it’s much more interesting to think about how we use this story – how we tell it, how we interpret it, and what that says about us. This is a story about a man who almost kills his son because G-d told him to. That’s the text. It’s one of our central texts; we read it on one of the holiest days of the year. And this text bothers us to the point of reinterpretation.
We want to believe that child murder has always been a bad thing. We want to believe that G-d would never tell someone to kill their kid. Evidently, we have wanted to believe this at least since the time of Rashi, so for at least the last thousand years, we’ve been looking at our sacred texts and saying, “That can’t be right.” Truthfully, it wouldn’t surprise me to learn that we’d been doing so for the last five thousand years, or more.
There are many things written in the Torah that make us today say, “That can’t be right.” That doesn’t change the fact that the text is there. But I believe it says something very good about us as human beings, and specifically about us as Jews, that we are open – even driven – to reinterpretation.
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