on the topic of exciting new things, i really want to play touhou 19 but my brain locks me out of it for no reason and i'm like. fine. maybe when the english patch is out. then my brain maaaybe allows me to have my hands on it
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it is not the tragic hero
it is not the time-soaked branches that
brush past your
face in the wind
in the dark
in the woods
the western wind blows not
in your hair
through your coat
the clock ticks forward
in the house
with no mantle
the books don't yellow from age
as the dust collects
on your spine
the calendar will run out
the door will slam shut
it is not your time yet
it is no one's time at all
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Rem Saverem, Mom Jeans, and the Ticket to the Future
aka gushing about Rem, clothing, and settings.
I was reading through some of @chuthulhu-watches analysis on Rem and it got me thinking about one of my own favorite Rem scenes and quotes and how it feels very different from the manga to the anime adaptations (granted I'm still four episodes from being done with '98 so there's a slim chance they'll include it? But I doubt it.
One of Rem's most famous lines and philosophies that she gives to her boys, specifically one we see Vash mention a few times in his journey is the concept of the ticket to the future. This is used as a way to accept previous events and progress forward despite mistakes or pain. I believe Vash uses this philosophy to help others understand how he can still have faith in people who have done bad things - as he sees it the tracks that someone has walked are always behind them, and do not dictate the future.
In both anime adaptations they show Rem telling the twins this analogy, in '98 I believe just as they're hanging out, and in Stampede she mentions it to them before she lets them leave in the escape pod (again if my memory is correct). However, I feel both of these negate the very touching and to me impactful way that the manga tells this story.
One thing that is very relevant in the manga but is not present in either adaptations is the slow realization of the world, and the comfort of the Ship Five. The world of Nomansland is strange to the viewer - just left of comfortable. We understand it as a facsimile of the wild west, but people wear clothes that don't quite fit any time period, and the technology is all over the place. When we realize that this is actually an alien planet, it makes sense to the viewer as their strange feelings are proven to have been valid. People wear strange layers and a million belts.
(this is all relevant I prommy)
And then in one of the first few chapters we see Vash and Rem together for the first time.
This is the first person I can recall seeing wearing something so simple. A t-shirt and jeans. And in this scene Vash is wearing a similar simple outfit. It instantly makes Rem stand out as if apart from the world, simplier and to the audience familiar. I could never imagine red coated Vash walking down the street, but something about this woman feels like she is real in a way. And here we see her mention her ticket to the future. (I could gush about this scene but I'll push on).
Anyways, I think that in Trigun clothing and setting and how the viewer relates to them is very important. We only see Vash in casual clothing when he is somewhere that he feels comfortable, when he is somewhere he considers home. One instance is when he is masquerading as Eriks, and one is when he is at Ship Five - the only two places he really seems to consider as his home at any points during the manga.
I really dislike the anime's decision to make the members of Ship Five have strange, futurist clothing. This makes the occupants of Ship Five feel strange and foreign to the viewer, separate from not only the world but from ourselves. I felt like Vash's time spend in this area is notable in the story and stands out because he is dressed so normally around others who are also dressed so casual. It tells you just how comfortable he is here, and again as a viewer it makes these people and Vash in this instance relatable and in many ways real. He stops being Vash the Stampede and we are able to see him as a person.
Okay okay - as promised let me talk about the Ticket to the Future. (several of these photos are taken from @lonelysnowymemes' edit of this scene - please go check it out if you haven't watched it!)
This scene is a shock to the system. We don't know how long ago humans left earth, or how old Rem was when she left, and for the most part as the reader you have become accustomed to the setting. So at least when I was reading this, to suddenly see Rem on a train felt so... mundane. She isn't wearing special space clothes, she isn't even in her t-shirt and jeans from her time on the ship. She is wearing what perhaps I might wear if I was going somewhere special. This scene is so important because we know so little about Rem, and when we do hear about her especially in the anime adaptations she seems to be almost like a Virgin Mary figure, somewhere high up next to god, untouchable. And this mundane scene shakes that picture of her.
It is a slow and quiet scene in a hectic manga. And then, the scene comes to an end.
Rem wakes up in a room, alone. I always assumed this was on earth, before she became a higher ranking member of the SEEDS project. And you realize that Rem had this dream, this revelation, in the midst of a deep depression. While this analogy is applied often to the inherent goodness that people can accomplish in the future, here the ticket is a way to push forward. I get the sense that this was the start of a long journey. A little dream did not magically fix her world, or her pain. She still wakes up in a messy room, in the dark, and alone. But you can almost still feel the lingering lightness that she felt in the dream. Again I want to push the setting of this scene. A messy bedroom that could feel familiar to the viewer - as someone with bad priorities and depression, this is a familiar sight to me.
And finally, just to top it off. Why does this line convince Vash that people, despite their actions yesterday, can go on to be good tomorrow?
Because that is what Rem tells him. Vash struggles after hurting Rem, and this discussion of both the depression he feels from seeing Tessla and the guilt of hurting Rem as a darkness that he finds himself swallowed by, she uses the same analogy that pushed her out of her own depression to tell him to continue forward. Vash tells himself this, takes to heart this analogy of the ticket, not to ignore the bad things that he has done but to rather help himself to continue onwards.
Sorry if this is super scatterbrained I've just been thinking about these things a lot the past week or so.
anyways have you ever noticed that Rems' name is Rem Save Rem
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