#repedit

[ybwms]

eras posters ☰ reputation era

#tswiftedit #taylorswiftedit #taylurking #tay lurking #repedit #reputationedit #userthelasttime #* #erasposters* #taylornation #candy swift

[falling-mellow]

I will still watch ESC 2024 because:

1: I always watch

2: It is more than that, there are 36/37? (Romania pending) other entries still that all did their best and do deserve to be seen, not just on the internet but also the ESC staging bc people also put alot of work in that

3: It's about music and uniting (friendly content between countries let's goo)

To clarify, I do not support war. I do however support all the other artists and the staging!

#eurovision #ESC #ESC 2024 #Eurovision 2024 #It's okay to watch ESC for all the others challenge #Hard? #maybe #I'm sorry but I'm annoyed at how ignorant people are being rn #that meaning that the situation is literally under every ESC post #Y'all are just ignoring all the others and it kinda saddens me. The others deserve better fr #It's becoming repeditive

[batblots]

made a fursona for funzies :D i really like how he turned out. Hes a cat/bat…. I will make a full design/ref eventually :P

[ID: a digital illustration of an anthro cat/bat creature from the shoulders up. He has grayish brown fur, a green bat-like nose, yellow eyes, and large bat-like ears with green and yellow interiors and fluffs of orange fur. His red hair is cut into a mullet with faded orange tips. He has a thin red and orange mustache and one green fang showing. He has glasses, a nose ring, several earrings, and an eyebrow piercing. His bat wings have orange, yellow, and green membranes, colored in a gradient. His tail has a long fluffy fur with green and yellow stripes with a yellow, orange, and red tip. He is wearing a dark red flannel and a black shirt. The background is mottled blobs of yellow and orange with a soft chalky textured brush. End ID]

#first time drawing since uh. july. feels good….. i had a lot of fun #I hope the id is ok it felt repeditive but. shrugs. #felt like the easiest way to get the info across #but lmk if i shld change it #anyways. it was nice to do smthn fun like this #my art #shouts #fursona #furry art

[redtoondevils]

I want another boss instead.

I just want to say just is. I want the Little Nightmares boss be another boss. I am awaiting back the arrival of Six and Mono. When people have voted Six to come back. I'm frustrated over the vote. (Typically, if she's being voted as the final enemy.) I'm saying this: I DON'T want her to be the final boss!

I want the final boss to be the Mirror man instead! We've already had Six as the final boss! If Six was used again as a boss, then...That would be repetitive!

-I wouldn't mind if Six came back as a side character. I just do not want her to be the final boss.

#littlenightmares #littlenightmaresprediction #littlenightmares3 #littlenightmares3finalboss #videogameboss #videogamebossprediction #videogamebossspeculation #littlenightmarescomic #littlenightmaresthemirrorman #littlenightmarescomicthenorthwind #littlenightmaresreturnofsix #expectation #expectatinganotherenemy #Iwantanotherenemy #differentenemy #repeditive #repeditiveenemies #repeditiveboss #videogamerepeditiveenemies #frustrated #littlenightmares3newboss #newboss #therehastobeanewboss #imaskingforanotherboss #itwouldbenicetomeetsixagainbutnotasaboss #myexpectations #morecharacters #morebosses #asking #littlenightmarescommunity

[terrible-eel]

You know what's stuck in my head like a fucking mantra in 2023?

Peepums nasty gum.

#McElroys #ocd #thanks repeditive thoughts #mbmbmam #my brother my brother and me

[juniperberries-canisroot]

You know how even you lay in bed, in the silence and dark, tryin to go to sleep, sometimes your brain plays noises you've heard earlier that day even thou that noise isn't actually being made?

Lately I've been hearing the noise a pickaxe makes against an ore vein. Not quite as loud and sharp as it would be if the noise was being made from my TV, it's quieter and softer, like it's in the distance.

#my brain loves to take repeditive noises from videogames and keep playing them🙃 #WHEN IM TRYIN TO SLEEP #Skyrim #Skyrim Shenanigans #Elder Scrolls #Elder Scrolls V #tes #tesv

[walnutcookie]

guy who isnt animating: sounds boring :/ so repeditive like i dont know how i did it before. staring at this screen makes me sick what do i even do i dont have any ideas

guy who is animating: yippeeee ^_^ weee!!!!! yaaayyy!!!!!!! >w< squeeeeeeee!~

[sexylinoleum]

I was playing Undertale the other day when I came upon a certain line of dialogue from Papyrus I've never seen anyone discuss before.

As im sure we are all aware, that phrasing "fills me with power" appears elsewhere in Toby Fox's games...

Now, this could just be nothing, or, it could be another piece to add to the ever-increasingly large pile of evidence that Sans/Papyrus aren't originally from Undertale's world.

We don't yet know what power we are being filled with but it seems likely that it isn't just fancy language given the specificity and repeditivity of the phrasing. As far as I could discover the only time "power" isn't mentioned in a save message is when there is no message at all, with the singular exception of the castle town fountain at the end of chapter 2, which changes from "Filled with power" to "Touched the light".

Interestingly the language surrounding "power" changed between chapter 1 and 2, in chapter 1 "a certain power" and "shines within you" are the two phrases used to describe saving, whereas in chapter 2 you are "filled with" "(a certain) power". What does any of this mean? I have no idea. Does it mean something? Probably.

(the certainty of the power changes sometimes)

And what role does Papyrus play? Well assuming he is from Delatrune's world we can say he is at least familiar with this power that allows us to save, but in my opinion, we can't assume that he is. Even still the language he uses in the library is peculiar even for him...

I suppose only time will tell.

*Disclaimers: I have no clue if this has been discussed before so sorry if im just retreading old ground. I also don't know if I consider it reasonable to assume that Toby would plan something like this so far in advance, it would have to be important if he did but truly it seems more likely to me that it's just a silly line. Nevertheless it is probably a good idea to keep this in mind if toby decides to make this "Certain Power" plot relevant in any tangible way.

*Edit

Bruh

#deltarune #undertale #papyrus #utdr

[rhodesmusic]

RHODES MUSIC: CUT & BAND-AID

C Major 11/4 and 4/4 90 bpm 9 instruments 1 (homemade) sample

In contrast to the last song I posted, there isn't nearly as much to talk about here musically, so I'll go over the interesting technical stuff first. The song is split into two sections, the first taking up a bit more than half. I wasn't planning to make the song structured into two parts, it just sort of came out that way, which makes it sound like I don't know anything about composing, which I don't. A lot of my songs feel like they just pop up in fl studio unprompted, because I don't really think that much when I'm making music, it's like I'm teleporting from point A to point B (when I really just went unconcious and sleepwalked the distance).

Anyway, the first section is set in 11/4, which is just rib-tickling, and it features a midi clarinet in the center of things playing a repeating chord pattern with a similarly repeditive melody, using tape delay effects, tons of ornaments in the upper and middle end, and sharp changes in octave to offer interest throughout the section. It's really, really unorganized, but I might as well try to describe it. The chords are, loosely, GM CM Am FM, but it's worth noting that the phrases largely start and end with the third in the bass, the third actually being the lowest note in the bass in the whole section. The note is so short-lived that it borders on being strictly percussive. The whole section has a percussive feel to it because I decided to completely cut off the tail end of the clarinet sound, i.e. putting the release at zero. This in tandem with the tape delay I just completely abuse constitudes a spontaneous yet rich sound, hypnotising almost. At different points in a section I incorporated a repeating 4-note pattern of dyads in order to develop the harmonic tone a bit more, but I largely avoided holding notes for too long outside of the melody. The only real actual percussion I use is with a snap sound I incorporate into the background a bit past halfway in the section. Thinking back, this was most probably inspired by the similar purcussion in Aphex Twin's "Stone in Focus", and I like how it provides just a little bit of anatomy to the otherwise wishy-washy tone; I find it pretty easy to just lose attention of all the shit going on and just swim around in the harmony.

The second section goes to 4/4, since there's no way I could play anything structured or at least more purposeful in fuckin' 11/4 (I'm not some Berkeley graduate that only drinks black coffee and tells people that Tame Impala is overrated). I went from clarinet to guitars, having the low and middle end being filled out distinctly instead of blending together like in the previous section, and switched the progression to FM CM Em, making the harmonic tone more pronounced and the overall tone more HELL YEAH LET'S GO, further emphasized with a pretty simple melody that repeats and a nice and heavy drum beat. The guitars are similarly percussive, like the clarinet in the first section. This better sense of structure allowed me to add in a little synth solo section, which turned out really nice I think. That's really all that goes on in this section. I wish I could convey my thoughts about the relationship and contrast between the first and second sections, but all I can say right now is that I think it's kind of nice. Again, I fail to be able to fully recall my thoughts when I was actually making this, which is why I've only analysed my musical decisions in retrospect, but I feel like taking a moment to think about what's going on in the song after I've made it is begrudgingly healthy for me as a composer in some way. Regardless, I kinda like how it turned out, and it marks my transition into making more tonal-centered music.

E SURE TO SMASH THAT LIKE BUTTON AND SUBSCRIBE IF YOU LIKED THIS RHODES MUSIC, AND HIT THAT BELL IF YOU WANNA GET MORE AWESOME RHODES MUSICS IN THE FUTURE!!! 🤠🪲🐛🎵🎹

#music #my music #rhodes music #rhodes music official #official rhodes music

[sweetescapeartist]

SONIC FRONTIERS

Before I'm a DB fan, I was a Sonic fan. And Sonic The Hedgehog still important to me but now I want to see what direction the games could be headed. So heres a unorganized review of what I thought from watching the cutscenes.

Watched the cutscenes for Sonic Frontiers. I think its a good story. The problem is that it felt stretched out because SEGA wanted to stretch out the gameplay and story. A shorter story would've been better. Sonic Team was a bit over ambitious and did too much. Which isn't a bad thing if they didnt always try to release games within a holiday season. It makes them rush some things.

°spoilers°

As for the characters? Pretty good. Gonna take more for me to get fully on board from the terrible character interpretations from 2010 to 2017.

Sonic was cool again. Just need to better balance the jokes with this more serious tone. Some of his attacks were stupid tho. Like giant fists and giant feet when Duper Sonic? Just no.

Amy was great. Not obsessed with Sonic but obviously likes him still. Her compassion is handled well.

Knuckles was great. Really liked what they did with him. Showed his compassionate side as he has opened up to his friends more. And the fact that he wants to go on his own adventures is great. Looks like we'll be getting a globe trotting, treasure hunting Enchidna! And no more butt of the joke either. 🙏

Tails? Thank you Sonic Frontiers! They saw the mistake that was the terrible writing of Forces. But instead of pretending it didnt happen, they correct it masterfully. I also love the references to Dark Gia and other previous adventures Tails was on with Sonic. And the Tails development is something we already saw before, but since the 2010 games ruined Tails' character, he had to become who he was from Adventure 1 to Unleashed. So hopefully we get to see him.become a hero in his own right.

Eggman? I really enjoyed his story. The relationship he has with Sage is great. And idk if anyone else has said this yet, but this felt like Gerald Robotnik and his granddaughter, Maria. But instead of becoming a mad scientist after having his beloved granddaughter taken from him, Eggman has become kinder due to Sage whom he views as his daughter. And when she "died" he managed to bring her back in a post credits scene. Never thought there would be character development for Dr. Eggman. And for it to be that he might become who his grandfather once was? Man, that's just smart.

Cant wait to see where their story leads them with Ian writing for them. Felt like a continuiation of Unleashed a bit.

The story was interesting too. The ancient race were the Kocos who once held the Chaos Emeralds. And they're aliens I believe. Their whole cyber space thing makes sense at the end. And the fact that they look like tall versions of Chaos is cool too. Because Chaos is a Chao that absorbed a lot of energy from the Master Emerald.

Character interractions are good too. Im interested in what Sonic Team does in the future.

But the gameplay? Too repetitive. This is part of the overambitiousness comes in. Why give Sonic certain combat moves? And why not have him make use of the spindash and homing attack more? Like when Sonic parries an attack, he should do it by getting into a ball, not swatting it away with his hand. Knuckles would do that because thats where his strength comes in to play.

And boss battles were very repeditive and too long. Could have been better with better quick time events where you press multiple buttons instead of 1 singlular button.

Thats it. Time to see what Sonic Team does next. Kinda hopeful bht also very cautious.

#sonic frontiers #they did my boy Tails right!

[cumbeard-the-pirate]

Thoughts on the "spectrum" in the autism spectrum

anxiety means: a feeling of worry, nervousness, or unease about something with an uncertain outcome.

general anxiety disorder is: a disorder characterized by excessive or unrealistic anxiety about two or more aspects of life.

so then, anyone can have anxiety, and anyone can be anxious, but not everyone who has anxiety (or is anxious) has general anxiety disorder. The criteria put in place to describe GAD represent some cutoff or limit of sorts.

But you would not describe anxiety as a spectrum. Anxiety is better described as two on/off states: do you have anxiety (yes or no)? do you have GAD (yes or no)? In order to have GAD one must have anxiety, but not everyone with anxiety has GAD.

With this in mind, I think about the autism spectrum. The word spectrum here refers to the fact that a diagnosis of autism represents a wide range (a spectrum) of symptoms and behaviours.

That spectrum is inside the diagnosis of autism, as in, autistics are varied people with various strengths and weaknesses. This spectrum is not allistic-autistic.

A person either has autism or they do not (on/off). Someone can have traits or symptoms commonly associated with autism, such as repeditive behaviours (on/off), but not everyone with repeditive behaviours is autistic, and (because autism is a spectrum) not everyone with autism has repeditive behaviours.

[ybwms]

taylor's versions inspired by different albums

debut - kelsea by kelsea ballerini

fearless - gaslighter by the chicks

speak now - toxic by britney spears

red - she is coming by miley cyrus

1989 - positions by ariana grande

reputation - the s(ex) tapes by FLETCHER

#tswiftedit #taylorswiftedit #tay lurking #taylornation #candy swift #taylurking #* #fearlessedit #speaknowedit #rededit #1989edit #repedit #reputationedit #this took months ngl #tsuserlizzie #userthelasttime #tsusergracie

[ocdreality]

So i watched the Dahmer doco. It was Pretty interesting until my OCD brain decided that because i wasnt repulsed by it that i somehow must also be a monster. Didnt help that i saw an article after that said that some people couldnt finish the first episode. Now im stuck in a cycle of repeditive emotion checking and safety behaviours. Couldnt even buy certian groceries today or touch anything because every anxiety was elevated. Fuck i hate OCD.

#actually ocd #ocd

[sunshinesesequencing]

Conditional Breakbeats for Rytm

Concept: The Elekton Sequencer which allow more variety in pattens beyond just percentages with the NGI, FST, PRE et al conditions. The basic idea is from a drum patten or score calculate percentages and combinations of hits then create a conditionally based 1 bar patten. The randomisation provide a quick way to create variations in the style of particular breakbeats. The aim is not to duplicate but to have a basis for variations. Just studying breakbeats like this can be helpful in creating your own. It also adds to working out various techniques with the Elektron sequencer and related features.

** Examples (Source: Breakbeat Bible by Mike Adamo)

Runnin - The Phrcyde - J Dilla

94bpm C,3,5,7,9,11,13,15 @ 100% S 5,13 @ 100 K 1@87, 2@12, 3@38, 6@25 8@50 9@37 10@75 12@87, 16@37 A straight forward percentage patten. With an all percentage track there is the slight chance that there can be no hits or all hits. Note: Percentage as calculated. These will need to be rounded to Elektron values.

God made me funky - Headhunters - Mike Clark

94bpm C 1,3,5,7,9 @100,11@75,13@100, 14@75, 15@75 O 11@_NEI (not neighbour) S 5,13 @ 100 K 1@100, 8@100, 16@_1ST (not first)

The hats need to be neighbour tracks and will alternate randomly The kick on 16 does not occur on the first bar and _1ST handles this. For more random have 16@87%

Funky Drummer - James Brown - Clyde Stubblefield

101bpm C 1,2,3,4,5 @100,6@2:2, 8@75,9,10,11,12,13@100,14@8:8,15,16@100 O 8@_NEI, 14@_NEI S 5@100, 8@100, K 1@100, 3@300, 6@8:8, 9@3:3, 11@100, 14@100, 16@8:8

This is a very simplified version of the patten as there is a lot more hat work. The A:B provides fixed variations and _NEI provides hits for the open HH on 14 for all bars not 8:8. More variation can be done with using percentages instead of A:B.

Amen Brother - The Winstons - Gregory C. Coleman

129bpm C 1.3.5.7.9, 11 @75, 13@PRE, 15@100 O 11@_NEI Cy 13@NEI Note: NEI/_NEI ignore previous NEI/_NEI so The O and CY hits are based on 13 conditional of C.

S 2@25,5,8,10@100, 13@50, 15@_PRE,16@PRE Note: PRE/_PRE ignore previous PRE/_PRE so 15 and 16 are based on 13 conditional

K 1@75, 3@-, 4@_PRE, 11@100, 12@50 Hit 4 based on the occurance of 1 as 3 is not evaluated.

Apache - Michael Viner’s Inredible Bongo Band - Jim Gordon

bpm116 C 1,3,5,7,9,11,13,15 @ 100 S 5,10,13,16 @ 100 K 3@75, 111@100

A repeditive four bar patten with scope for added probabilities.

Soul Pride - James Brown - Clyde Subblefield

bpm 121 C 1@100, 3@66, 5@100, 7@100, 9@100, 11@50, 13@100, 15@50 S 2@50, 4@33, 5@78, 6@16, 8@78, 10@100, 11@66, 12@50, 14@50, 15@6100, 16@50 K 1@50, 3@78, 7@33, 9@50, 11@50, 13@50, 15@50

C 1@50, 3,5,7,9,11,13 13@1:2, 15@1:2 S 5,8,10@100, 11@2:2, 12@ 2:2,14@2:2, 15@100, 16@2:2 K 1@1:2, 3@100, 7@2:2, 9@2:2, 11@1:2, 13@2:2, 12@2:2

An approximation of 8 bars. The alternating bars can be represented as overall percentages or as A:B given the regularity. This patten gives you an added appreciation of Stubblefield in case more was needed.

Reduced Hits

In some cases there are hits cut out from the patten just for one bar notably the last bar. Is no negative A:B which play on all bars except the A:B. This would partially solve the issue as having that as a conditional precludes other conditional.

The 1 patten focus is not mandatory so a second patten could be used. This is not a fixed system and just a starting point so deviate away.

#breakbeats #Elektron #sequence #drums

[tladb]

Conditional Breakbeats with rytm in 1 bar

Concept: The Elekton Sequencer which allow more variety in pattens beyoud just percentahes with the NGI, FST, PRE et al conditions. The basic idea is from a drum patten or score calculate percentages and combinations of hits then create a conitonally based 1 bar patten. The randomisation provide a quick way to create variations in the style of particular breakbeats. The aim is not to duplicate but to have a basis for variatiions. Just studying breakbeats like this can be helpful in creating your own. It also adds to working out various techniques with the Elektron sequencer and related features.

** Examples (Source: Breakbeat Bible by Mike Adamo)

Runnin - The Phrcyde - J Dilla

94bpm C,3,5,7,9,11,13,15 @ 100% S 5,13 @ 100 K 1@87, 2@12, 3@38, 6@25 8@50 9@37 10@75 12@87, 16@37 A straight forward percentage patten. With an all percentage track there is the slight chance that there can be no hits or all hits. Note: Percentage as calculated. These will need to be rounded to Elektron values.

God made me funky - Headhunters - Mike Clark

94bpm C 1,3,5,7,9 @100,11@75,13@100, 14@75, 15@75 O 11@_NEI (not neighbour) S 5,13 @ 100 K 1@100, 8@100, 16@_1ST (not first)

The hats need to be neighbour tracks and will alternate randomly The kick on 16 does not occur on the first bar and _1ST handles this. For more random have 16@87%

Funky Drummer - James Brown - Clyde Stubblefield

101bpm C 1,2,3,4,5 @100,6@2:2, 8@75,9,10,11,12,13@100,14@8:8,15,16@100 O 8@_NEI, 14@_NEI S 5@100, 8@100, K 1@100, 3@300, 6@8:8, 9@3:3, 11@100, 14@100, 16@8:8

This is a very simplified version of the patten as there is a lot more hat work. The A:B provides fixed variations and _NEI provides hits for the open HH on 14 for all bars not 8:8. More variation can be done with using percentages instead of A:B.

Amen Brother - The Winstons - Gregory C. Coleman

129bpm C 1.3.5.7.9, 11 @75, 13@PRE, 15@100 O 11@_NEI Cy 13@NEI Note: NEI/_NEI ignore previous NEI/_NEI so The O and CY hits are based on 13 conditional of C.

S 2@25,5,8,10@100, 13@50, 15@_PRE,16@PRE Note: PRE/_PRE ignore previous PRE/_PRE so 15 and 16 are based on 13 conditional

K 1@75, 3@-, 4@_PRE, 11@100, 12@50 Hit 4 based on the occurance of 1 as 3 is not evaluated.

Apache - Michael Viner’s Inredible Bongo Band - Jim Gordon

bpm116 C 1,3,5,7,9,11,13,15 @ 100 S 5,10,13,16 @ 100 K 3@75, 111@100

A repeditive four bar patten with scope for added probabilities.

Soul Pride - James Brown - Clyde Subblefield

bpm 121 C 1@100, 3@66, 5@100, 7@100, 9@100, 11@50, 13@100, 15@50 S 2@50, 4@33, 5@78, 6@16, 8@78, 10@100, 11@66, 12@50, 14@50, 15@6100, 16@50 K 1@50, 3@78, 7@33, 9@50, 11@50, 13@50, 15@50

C 1@50, 3,5,7,9,11,13 13@1:2, 15@1:2 S 5,8,10@100, 11@2:2, 12@ 2:2,14@2:2, 15@100, 16@2:2 K 1@1:2, 3@100, 7@2:2, 9@2:2, 11@1:2, 13@2:2, 12@2:2

An approximation of 8 bars. The alternating bars can be represented as overall percentages or as A:B given the regularity. This patten gives you an added appreciation of Stubblefield in case more was needed.

Reduced Hits

In some cases there are hits cut out from the patten just for one bar notably the last bar. Is no negative A:B which play on all bars except the A:B. This would partially solve the issue as having that as a conditional precludes other conditional.

The 1 patten focus is not mandatory so a second patten could be used. This is not a fixed system and just a starting point so deviate away.

#Breakbeat #Elektron #Rytm

[watermelonlovershigh]

I want to write a lengthy, detailed smut piece but I'm tired of writing just smut. Plus i'm afraid people will think my smut is too repeditive.

Does anyone have a plot to go with a smut one shot???

#examples: #after date night #or #while kids are at school #orr #???? send some suggestions