I'm not sure exactly how to phrase this, but I like to think Ford was very into music when he came back through the portal.
I mean, sure, he got to hear all kinds of funky and weird alien music, and that's cool and all.
But just. Imagine him listening to his dimension's music for the first time in thirty years.
Whether it's Mabel showing him new music or Stan and him listening to some of the music he's more used to (or used to be used to, I suppose), I think he'd just really love it.
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Naoki Urasawa's manga "Monster" Interview;
Naoki Urasawa is one of the most successful manga artists in Japan, having not only been awarded the most important prizes in Japan, but also in Germany. He celebrated his international breakthrough with the thriller series "Monster", which he drew in the 90s. It's about a Japanese neurosurgeon in Düsseldorf who saves the life of a boy and gives up his career to do it - actually he should have operated on the mayor instead of the boy - and then gets into real trouble because he is involved in a series of serial murders and a conspiracy device.
Andrea Heinze : How did you come up with the idea for the series?
Naoki Urasawa: The drama “Monster” was created because I really liked the novel “Frankenstein”. That really interested me and I thought about whether I could bring the story into today. The second aspect was that at that time in the USA there was this film with Harrison Ford, “The Fugitive”. It was about a doctor whose wife was killed and I really liked it. And then I thought, I have to do something that involves a doctor who is being chased and has to solve a mystery. And then I was interested in “Frankenstein,” this old Gothic landscape, and I wanted to bring the two together somehow. And then we somehow came across Germany.
Blonde boy as a contrast to evil Germany
I heard that people saying Johan was inspired by Hannibal and other psychopathic characters etc but it never make sense to me. (Maybe some characteristic sides makes sense but generally no, he is different). It makes sense that Monster is inspired by Frankenstein story because Johan is portrayed as more like someone who became the way he is because of his past. He is the monster created by the real monster. (Mostly its Franz Bonaparta who stole his and many others name, biggest sin a person can do). Its really combined between two stories because Tenma wasnt/isnt wrong to save Johan.
Heinze: And what does Germany have to do with it?
Urasawa: I wanted to do something dark. And I don't want to say that Germany is the root of all evil. But if you look at the Second World War - and this is present in Japan, also because Japan was an ally of Germany at the time - there were a lot of dark stories in Germany and also in Japan. A lot has been clarified. But some things don't. I also came up with this beautiful, blonde, blue-eyed boy as a character. I think that's a good contrast to contrast with this dark, bad thing. And the more you delve into history, the more clear it becomes that the roots of the conflicts lie in the Second World War. If you add all of that up, the manga could only take place in Germany.
I am glad that real life stories was brought up but its really sad that this actually happenned somewhere.
Heinze: How did you research the story for “Monster”?
Urasawa : I watched a lot of documentaries. In the 1990s there were also reports of neo-Nazi attacks on houses where Turks lived. I've seen things like that and they've also found their way into my story. I made up the rest. For example, the boy, Johann. He is raised in a children's home where many human experiments take place. And shortly before I finished my work "Monster," there was a documentary on Japanese television about the end of the Nazi era, and it also reported on a camp in which blonde, blue-eyed young people were herded together and essentially had to undergo elite training . And this boy who was depicted there was also called Johannes. I was then asked if I had known all of this before - but that wasn't true, it was all in my imagination.
A person becomes a monster
This is insane....chills. Its so ironic that a lot of people remember Johan's character as some evil psychopath but not only he isnt written that way in story but also, his origin is literally coming from actual victim, a child. Intentional or unconciously or maybe coincidence but still, wow.
Heinze: How is it that Prague also became the setting for the story?
Urasawa: Because everything that was east of Germany, all the Eastern European countries, was not even known in Japan in the 1990s. It's completely different today, but back then people hardly knew everything that lay east of Germany. While on the other hand, Germany and everything further west was already developed for tourism. And Eastern Europe had never been featured in the manga until then. It also fascinated and really attracted me as an illustrator. If you go to Germany or France, it is much brighter in the evenings. But if you go further east, in my case it was Prague, it was much darker on the streets in the evenings in the mid-90s. And I wanted to explore this darkness, this night, for myself.
No wonder story feels so real, with both its characters and places.
Heinze: What does the manga “Monster” have to do with Mary Shelly’s novel “Frankenstein”?
Urasawa : Frankenstein is about a scientist who created a monster, and it's also about human responsibility. There are certainly things that humans are allowed to do and that they perhaps shouldn't be able to do. These thoughts can certainly be taken further, and that's what I did in the "Monster" series. It's about the Japanese doctor who saved a boy, and later the boy becomes a monster, a murderer. And then the doctor asks himself whether he is not responsible for the fact that this boy has become a murderer. This is a different conflict than in "Frankenstein", but the question of responsibility for one's own actions is also an issue in "Monster".
Dostoyevsky novel using the means of manga
Though, story is inspired by Frankeinstein, Tenma is clearly right to save kid's life. He isnt the 'evil' doctor who is responsible for the monster. He is the real doctor who saves this boy from destruction at the end.
Heinze : For me, this doctor is an ideal example of the good in people. He even saves this boy against the wishes of the clinic management, who would much rather use their best surgeon to operate on the mayor.
Urasawa: Every good person has places somewhere in their hearts that are perhaps not so good, and it was the same with Doctor Hämmer - in the hospital there were also some disagreements with the management, where he also thought: "Preferably I would like it if everyone were dead." And later Johann also tells him: "I have fulfilled what you wished for." Then the idea came to him that he had also caused all of this and was to blame for it. And I wanted to show in my work that there is something good and something bad in every person, and that is just human nature. Also, what I didn't mention: There is the classic manga "Astroboy" by Osamu Tezuka in Japan. There is a scientist whose son died and he then creates a robot that looks like his son and that also has feelings. But somehow he says: "You are not my son." At some point he neglects this robot. This scientist is basically Doctor Tenma. So “Frankenstein” and “Astro Boy” are the two sides that belong closely together. I especially consider the artist Tezuka with his classic “Astro Boy” to be my roots.
Here's the real message of Monster, that noone is just a monster and every person has monster in them and that story, Tenma is being parallels with father who neglects his son...I wonder is it him realizing that he was never supposed to kill Johan (the son), he was right to save him, trying to kill him is the neglect/him failing to understand him and end up saving him. Maybe i am reaching but its makes more sense that way. Btw i love how Tenma visits Johan even at the end. Despite everything, they really give that father-son energy.
Heinze: Osamu Tezuka is considered the founder of modern manga, what do you like about him?
Urasawa: It's hard to say in one word. Maybe you can describe it like this: The manga were initially comics for children. But Tezuka did it differently, he practically wrote something like a Dostoyevsky novel, but using the means of manga. Something much deeper, and ultimately it's not about justice winning, but it goes even deeper, practically conveying the feeling that even winning can bring with it something sad and empty. This is something deeper. And he was able to convey that in the beginning of the manga.
Statements made by our conversation partners reflect their own views. Deutschlandfunk does not adopt statements made by its interlocutors in interviews and discussions.
Its really deep story.
This is the source of this interview, i really wanted to make comment/analyze about it.
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I'm sad that I've only recently learned that there used to be two Tumblr blogs posting in-character as Ford and Fiddleford in research era respectively and followed along the Journal 3 timeline where shit went down until the Ford blog deactivated and the Fiddleford blog gradually deleted their posts before making a last one that said smth like "I think if I remembered you, I'd miss you" and deactivating too. It's like art to me.
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I have a drawing request for ya 👉👈
Young Ford (researcher era) geeking out over someone with the same interest in oddology
I feel like we haven't seen him connect with anyone like that (aside from dipper, but that's when he's old).
Y'know, Bill is a bad example of a friend who supposedly shares your interest in things unusual to this world. Someone who is actually your friend won't try to manipulate you into ending the world... and they actually care about you and find your research into the weird and wondrous to be interesting after you find them on the side of the road in the woods in the middle of the night.
Ford deserved to meet a better friend than Bill 😤.
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