My one and only thought about the Oscars this year is that every single nomination given to that shitty Elvis movie should've gone to Rocketman (2019) when it was up but unfortunately, homophobia
As most of the world knows, Elton John is a one-of-a-kind performer. So, it wouldn't have been surprising if John himself had overdubbed the vocals onto the songs sung in the biopic Rocketman -- after all, John was one of the movie's executive producers, and John's own Rocket Pictures was one of the film's production companies. But no, that wasn't the case -- the film's star, Taron Egerton, recorded the vocals for the songs he performs on the screen. When we spoke to Egerton about his performance, he told us he wasn't trying to simply copy John and his style, but add a bit of his own artistic license to the process.
Rocketman is available on DVD, Blu-Ray, 4K, and most digital platforms.
'An acclaimed director and two rising young actors headline the '2023 new movie All of Us Strangers, a supernatural drama that has already earned a bit of buzz following its screening at various fall film festivals.
Searchlight Pictures is behind All of Us Strangers, which comes from BAFTA-nominated writer/director Andrew Haigh, and features some high-quality talent on screen as well, including Andrew Scott, Paul Mescal and Claire Foy.
Find out everything you need to know about All of Us Strangers right here...
All of Us Strangers plot
Based on a novel by Taichi Yamada, Haigh wrote the script for All of Us Strangers. Here is the official synopsis for the movie:
"One night in his near-empty tower block in contemporary London, Adam has a chance encounter with a mysterious neighbor Harry, which punctures the rhythm of his everyday life. As a relationship develops between them, Adam is preoccupied with memories of the past and finds himself drawn back to the suburban town where he grew up, and the childhood home where his parents, appear to be living, just as they were on the day they died, 30 years before."...
All of Us Strangers reviews
The majority of critics who have already seen the movie are fans, with the movie having a 93% "Fresh" score on Rotten Tomatoes as of December 23. What to Watch is no different, our All of Us Strangers review describes it as "heartbreaking, but essential viewing."
Here is a quick sampling of some of the things other critics have said about the movie:
Maureen Lee Lenker, Entertainment Weekly: "All of Us Strangers will break your heart — but it just might mend it too."
Tomris Laffly, The Wrap: "A sublime masterpiece. A rumination on grief and love, Haigh's poignant and understated ghost story is one of the best films of the year."
David Rooney, The Hollywood Reporter: "Prepare to be wrecked."
All of Us Strangers cast
The leads of Adam and Harry are played by Andrew Scott and Paul Mescal, respectively.
Scott is best known for his role as the "hot priest" in Fleabag, but he has been catching people's eyes for a while now, with memorable performances in Sherlock, Oslo and Catherine Called Birdy.
Mescal is one of the biggest rising stars in recent years thanks to his work in Normal People, The Lost Daughter and Aftersun, the latter of which earned him a Best Actor Oscar nomination. All of Us Strangers is his second movie coming out in the final months of 2023, as he also stars in Foe.
Playing the ghosts of Adam's parents are Claire Foy and Jamie Bell.
Foy broke out with her as Queen Elizabeth in the first two seasons of The Crown. Since then she has gone on to star in First Man, A Very British Scandal and Women Talking.
Bell has been appearing in movies since he was a kid in Billy Elliott. Some of his more recent notable work includes Turn: Washington's Spies, Rocketman, Without Remorse and Shining Girls.
All of Us Strangers trailer
The talents of the four actors leading All of Us Strangers are on full display in the movie’s trailer...
All of Us Strangers awards
We're keeping track of all the major end-of-year nominations and awards that All of Us Strangers earns. Check out what the movie has racked up so far below:
BAFTA Film Awards
Outstanding British Film (nominee)
Best Supporting Actor — Paul Mescal (nominee)
Best Supporting Actress — Claire Foy (nominee)
Best Director — Andrew Haigh (nominee)
Best Adapted Screenplay (nominee)
Best Casting (nominee)
Golden Globes
Best Performance by a Male Actor in a Motion Picture Drama — Andrew Scott (nominee)
Gotham Awards
Outstanding Lead Performance — Andrew Scott (nominee)
Outstanding Supporting Performance — Claire Foy (nominee)
Best Screenplay — Andrew Haigh (nominee)
Best International Feature (nominee)
British Independent Film Awards
Best British Independent Film (winner)
Best Director — Andrew Haigh (winner)
Best Lead Performance — Andrew Scott (nominee)
Best Supporting Performance — Paul Mescal (co-winner)
Best Supporting Performance — Jamie Bell (nominee)
Best Supporting Performance — Claire Foy (nominee)
Best Screenplay — Andrew Haigh (winner)
Best Casting (nominee)
Best Cinematography (winner)
Best Editing (winner)
Best Makeup & Hair Design (nominee)
Best Music Supervision (winner)
Best Production Design (nominee)
Best Sound (nominee)
Film Independent Spirit Awards
Best Feature (nominee)
Best Director — Andrew Haigh (nominee)
Best Lead Performance — Andrew Scott (nominee)
London Critics' Circle Awards
Film of the Year (nominee)
Screenwriter of the Year — Andrew Haigh (nominee)
Actor of the Year — Andrew Scott (nominee)
Supporting Actress of the Year — Claire Foy (nominee)
Supporting Actor of the Year — Paul Mescal (nominee)
The Attenborough Award: British/Irish Film of the Year (nominee)
British/Irish Performer of the Year — Paul Mescal (nominee)
British/Irish Performer of the Year — Andrew Scott (nominee)
Technical Achievement Award, Casting (nominee)
Los Angeles Film Critics Awards
Best Leading Performance — Andrew Scott (runner-up)
Best Screenplay (winner)
Best Editing (runner-up)
Andrew Haigh movies
British director Andrew Haigh may not be a household name with audiences, but his work has been some of the most lauded amongst cinephiles in recent years. Here is a look at his list of previous credits for feature movies:
Greek Pete (2009)
Weekend (2011)
45 Years (2015)
Lean on Pete (2017)
He has also directed episodes of the acclaimed TV series Looking, as well as its TV movie, and The OA.'
I'm an 80s child and a 90s teen, so I grew up in the grand era of MTV. I grew up singing to Michael Jackson, Madonna, Queen, Elton John, rock bands and all the other music genre popular at the time. . . And I grew up listening to Weird Al's master parodies. I watched his movies too. My brother and I were counting the months to see this "biographical" movie about one of our favorite music artists and today we finally watched it. I will say that I had expected some sort of alternate universe sort of story because of what Daniel Radcliffe said in an interview but this movie is so wild that the audience knows this is anything BUT a biographical film. And that's when I realized that he didn't want to tell his story; he was doing what he does best: a parody of biographical films. BOOM! Blew my mind.
Biographical films have always been popular and lately we've had some really good ones about musicians: Bohemian Rhapsody (2018), Rocketman (2019) and Elvis (2022). Weirld Al takes his life and turns it into a parody of this genre, incorporating all the clichés typical in this kind of film: the rearrangement of events to create tension and move the plot; unsupporting parents, lovers that use them to better their careers and at the end reconnecting with the people who love them.
The movie starts with Weird Al taken to a surgery room and then moves us back to the "beginning" - his childhood. This reminded me of Rocketman that starts with Elton John leaving a concert and arriving to a group therapy session and from there, taking us to his beginnings - his childhood. But these movies don't only start in mid- plot, they also change order in which certain things happened and embellish relationships to hint at things that are not accurate, in a way that stretches or softens reality. For example, in Elvis, the relationship between Elvis and Priscilla is presented in a way that romanticizes their relationship. In Bohemian Rhaspody, makes it look like the band split up because Freddy wanted to make a solo album when it was another member of the band who expressed this need first, and this is one of many different changes. In Rocketman, it is hinted that Taupin wrote "Your Song" for Elton when Taupin said in an interview that it wasn't so. All these changes drive the plot of the story but by changing things, the story is no longer being truthful and what's real is transformed into fiction. And good fiction has great antagonists.
In this version, Weird Al's parents are anything but supportive just like we see in Bohemian Rhaspody and Rocketman. These three musicians share their desire to be accepted by their fathers. This hurtful father-son relationships trigger their sadness and strangles their ability to accept themselves as they are, hence the hiding of their true selves. We might no see this in Elvis, but we have the mentor who manipulates and isolates him from those he loves which we also see in Bohemian Rhaspody (Freddy's relationship with Paul), and Rocketman (Elton's relationship with his manager). In Weird, we have Madonna as the lover who isolates him from his friends and he takes this to the extreem by adding fight scenes, and a kidnappings by a drug lord. But all these fictionalized biographies are inspiring because these people were/are agents of change and were able to achieve their goals; they fell but were able to heal and rise again.
Weird Al's contribution to pop culture in the United States is huge and he inspired us to be as "weird" as we are. But there is something else that I liked about this mega fictionalized "biography" - the criticism on the concept of originality and creativity. In the film, people in the industry and his parents kept telling Al that his songs had no value because they were using the music of existing songs. Remix Culture experts like Lessing, Jenkins and Ferguson are very clear on the fact that all creative work is based or influenced by those that came before. What makes something "original" is it's transformative nature and Weird Al transforms each song into something totally different, totally new and it's protected by Fair Use. Some artists didn't mind being parodied while others did. And he presents both sides in the movie by putting himself in their shoes by having his song "Eat it" come before Jackson's "Beat It''. It's funny to see him enraged, refusing to sing the song because he thinks people will connect it to the "parody." It just shows how ridiculous it is. In the other side, we have artists who see the benefit of having their songs parodied- new and old audiences rediscover the original songs and artists, thus bringing new profit.
This is a brilliant and weird as hell movie with criticism hidden in the laughter. Don't see it expecting to learn who Weird Al is outside of his profession because this film is another parodes masterpiece.
with bohemian rhapsody, rocketman, and now elvis continuing a trend of rockstar movies in the past few years, i hope we get one about david bowie (if a project like that of course doesn’t interfere with any last wishes or the wishes of his surviving family)