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#rosay
verum-artifex · 10 months
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🌹
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hotvintagepoll · 1 month
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Propaganda
Françoise Rosay (Carnival in Flanders, Jenny, The Halfway House)— French actress and opera singer. i just think she's really hot!
Kathleen Burke (Island of Lost Souls)—She was billed simply as "The Panther Woman" on the poster for Island Of Lost Souls, in which she plays a panther who was turned into a woman through mysterious experiments.
This is round 1 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.
[additional propaganda submitted under the cut]
Françoise Rosay:
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Kathleen Burke:
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diasdesol05 · 5 months
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Ottone Rosai
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henk-heijmans · 1 year
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Via della Rimaggina, 1932 - by Ottone Rosai (1895 - 1957), Italian
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Hot Vintage Stage Actress Round 1
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Françoise Rosay: Salammbô in Salammbô (1917 Paris); Télaïre in Castor et Pollux (1918 Paris); Thaïs in Thaïs (1918 Paris)
Olga Baclanova: Lysistrata in Lysistrata (1925 Broadway and National Tour US); Grusinskaya in Grand Hotel (1932 San Fransisco); Madame Daruschka in Claudia (1942 Broadway)
Propaganda under the cut
Françoise Rosay:
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Olga Baclanova:
literally words cannot describe how in love with her I am. russian tigress, exotic blonde goddess, from the moment I saw her I wanted to have her so badly. vibrating with desire every time I look at her
She looks like Madonna!
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friendlessghoul · 7 months
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Casanova wider Willen- 1931
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accordionlover · 1 month
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oh alcohol. the tumbler drug. i drink it and i say "I MUST POST POSTS RIGHT NOW"
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evilautist · 2 months
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this has been literally the worst attempt at a couple making thing, they didnt even talk to each other the whole time 😭😭😭
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nothings-wholey · 1 year
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ughhhhhhhhhhh
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byneddiedingo · 1 year
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Two by Jacques Feyder
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Cécile Guyon, Françoise Rosay, and Jean Forest in Gribiche (Jacques Feyder, 1926)
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Carnival in Flanders (Jacques Feyder, 1935)
Belgian-born director Jacques Feyder established his career in France during the silent era, and went to work for MGM in Hollywood in 1929 to direct Greta Garbo in her last silent movie, The Kiss. But Hollywood was more interested in having him direct foreign-language versions of movies after talkies came in: Before dubbing became a common practice, films were often made in two versions, one in English for the American and British markets, others in various languages for overseas audiences. So Feyder was tasked with making a German-language version of Garbo's first talkie, Anna Christie (1931), though he also made two movies starring Ramon Novarro, Daybreak (1931) and Son of India (1931). Disillusionment with Hollywood sent him back to France, where he made his most famous film, Carnival in Flanders, in 1935. The rise of the Nazis, who banned that film after they invaded France in 1940, caused Feyder and his wife, Françoise Rosay, who starred in many of his movies, to move to Switzerland, where his career stalled and he died, only 62, in 1948. After the New Wave filmmakers began to dominate French film, Feyder's reputation began to wane: François Truffaut said of Carnival in Flanders that it represented a tendency to make everything "pleasant and perfect," As a result, David Thomson has said, "Feyder may be unfairly neglected today just as once he was injudiciously acclaimed."
Gribiche (Jacques Feyder, 1926)
Cast: Jean Forest, Rolla Norman, Françoise Rosay, Cécile Guyon, Alice Tissot. Screenplay: Jacques Feyder, based on a novel by Frédéric Boutet. Cinematography:  Maurice Desfassiaux, Maurice Forster. Production design: Lazare Meerson. 
The young actor Jean Forest had been discovered by Feyder and his wife, Françoise Rosay, and he starred in three films for the director, of which this was the last. It's a peculiar fable about charity. Forest plays Antoine Belot, nicknamed "Gribiche," who sees a rich woman, Edith Maranet (Rosay), drop her purse in a department store and returns it to her, spurning a reward. Edith is a do-gooder full of theories about "social hygiene." Impressed by the boy's honesty, Edith goes to his home, a small flat above some shops, where he lives with his widowed mother, Anna (Cécile Guyon), and proposes that she adopt Gribiche and educate him. Anna is reluctant to give up the boy, but Gribiche, knowing that Anna is being courted by Phillippe Gavary (Rolla Norman), and believing that he stands in the way of their marriage, agrees to the deal. When her rich friends ask about how she found Gribiche, Edith tells increasingly sentimental and self-serving stories -- dramatized by Feyder -- about the poverty in which she found him and his mother. But the boy is unhappy with the cold, sterile environment of Edith's mansion and the regimented approach to his education, and on Bastille Day, when the common folk of Paris are celebrating in what Edith regards as "unhygienic" ways, he finds his way back to his mother's home. Edith is furious, but eventually is persuaded to see reality and agrees to let him live with Anna and Phillippe, who have married, while she pays for his education. The whole thing is implausible, but the performances of Forest and Rosay, and especially the production design by Lazare Meerson, make it watchable and occasionally quite charming. Carnival in Flanders (Jacques Feyder, 1935)
Cast: Françoise Rosay, André Alerme, Jean Murat, Louis Jouvet, Micheline Chierel, Lyne Clevers Bernard Lancret. Screenplay: Bernard Zimmer, Jacques Feyder, based on a story by Charles Spaak. Cinematography: Harry Stradling Sr. Production design: Lazare Meerson. Film editing: Jacques Brillouin. Music: Louis Beydts. 
Feyder's best-known film is something of a feminist fable, a kind of inversion of Lysistrata, in which the women of Boom, a village in 17th century Flanders that is occupied by the Spanish save the town from the pillage and plunder that the men of the village expect. Françoise Rosay plays the wife of the burgomaster (André Alerme), who holes up in his house, pretending to have died. The other officials of the town likewise sequester themselves. But the merry wives of Boom decide to wine, dine, and otherwise entertain the occupying Spaniards. It's all quite saucily entertaining, though undercut by a tiresome subplot (suspiciously reminiscent of that in Shakespeare's own play about merry wives) involving the burgomaster's daughter (Micheline Chierel) and her love for the young painter Julien Brueghel (Bernard Lancret), of whom the burgomaster disapproves. Again, Rosay's performance is a standout, as is Lazare Meerson's design: The village, with its evocation of the paintings of the Flemish masters, was created in a Paris suburb, with meticulous attention to detail, including the men's unflattering period costumes, designed by Georges K. Benda. The cinematography is by the American Harry Stradling Sr., who built his reputation in Europe before returning to Hollywood.
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thedabara · 2 years
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ACTRESSES BORN IN 1891
Irene Rich
Jetta Goudal
Mae Busch
Françoise Rosay
Agnes Esterházy
Belle Bennett
Myrtle Gonzalez
Isabel Jeans
Miriam Cooper
Ellen Richter
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egoschwank · 1 month
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al things considered — when i post my masterpiece #1288
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first posted in facebook march 14, 2024
ottone rosai -- "man waiting" (1919)
"i am waiting, i am waiting oh yeah, oh yeah i am waiting, i am waiting oh yeah, oh yeah waiting for someone to come out of somewhere waiting for someone to come out of somewhere" … mick jagger
"… as long as nothing happens between them, the memory is cursed with what hasn't happened" … marguerite duras
"i am posting, i am posting oh no, oh no i am posting, i am posting oh no, oh no posting for someone to come in from nowhere posting for someone to come in from nowhere" … al janik
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hotvintagepoll · 25 days
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Propaganda
Françoise Rosay (Carnival in Flanders, Jenny, The Halfway House)— French actress and opera singer. i just think she's really hot!
Myrna Loy (The Thin Man, Manhattan Melodrama, Mr Blandings Builds his Dream House)—Started out a slinky silent screen vamp. Became a screwball lead who had a blast drinking, being married to William Powell, solving mysteries, and taking her dog everywhere in the Thin Man Movies. Broke our hearts in The Best Years of Our Lives and played a string of dream wives. Remained hot the entire time. Decades of hotness.
This is round 2 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.
[additional propaganda submitted under the cut.]
Françoise Rosay:
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Myrna Loy:
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Myrna Loy excelled at playing coy women, so common in screwball comedies in the 40s. She batted her lashes, and shrugged with grace, and made her costars look like foolish heels next to her. She charmed with sneaky elegance, well-placed pouting, and repartee. Besides, she was sultry AF.
While Myrna certainly looked hot in some her earlier vampy exotic bad girl roles, I think shes hottest when her comedic chops got to be displayed. Her dry wit, comedic timing, and subtle facial expressions make her the queen of deadpan snark.
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She's just very Mother
So beautiful and popular she was crowned Queen of the Movies in 1936, Myrna Loy was also an amazing actress. She's best remembered for The Thin Man and sequels, where she gets to show off her comedy skills, adding irresistible impish charm to her classic beauty and dancer's figure.
THE SASS
One of the few actresses who managed to successfully transition from silent to talkies, never won an Oscar but was at one time the highest paid woman in Hollywood. Advocated for better roles and pay for Black actors in the 1930s, so passionately anti-Nazi in the 40s she made Hitler's blacklist, spoke out against Joseph McCarthy during the Red Scare, and advocated for fair housing in the 1950s and 1960s, all while being hot as fuck opposite William Powell, Clark Gable, Cary Grant, Spencer Tracy and a whole galaxy of the Hot Vintage Men Poll all-stars.
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Cute as a button with so much RIZZ! She and whatsisname in The Thin Man are relationship goals.
She was literally called the Queen of Hollywood! She is so sassy and funny in the whole Thin Man series. Absolutely hot in those, and who doesn’t love a woman who can laugh? She had the sultriest gaze and that style! Also before she was a star she sat as the model for an iconic statue for a school (representing “Fountain of Education”).
the glamour!! the banter!! the comedy!!
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She's got this cute kinda scrunched up face AND shes funny AND shes got a bangin body.
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nanapath · 1 month
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henk-heijmans · 2 years
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The meeting, 1938 - by Ottone Rosai (1895 - 1957), Italian
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rwpohl · 2 months
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interlude, douglas sirk 1957
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