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theredandwhitequeen · 4 years

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Roswell New Mexico thoughts Episode 13 Fire Isobel using powers Liz sciencing Rosa trying to save Max and is successful Kyle to the rescue Rosa and Kyle help Flint Kyle glaring at max The mom Saves Charlie Maria and Jenna at hospital The standoff: Jesse, Gregory, Alex and Michael. You’re not well dad - no you don’t hit your sons you asshat Hit Gregory and Alex and stole Alex’s gun The alien thing about to explode Or melt Gregory killed Jesse There are no more Manes men left. Well alrighty then The three of him watched him die, ouch That was a lot for the first 4 minutes, damn Javier is back They’re building a statue to Jesse Manes and having a parade. Only Jesse Manes, a homophobic alien hater, child beater would get that. Ugh Diego is back Maria and Michael, Maria is getting injected with serum Family heirloom Sweetness Isobel and Max - remote Not talking Max is remembering, vague memories Heard whispers Max is freaking out Isobel misses Noah from before he was horrific Sweet talk Maria made me bring food over, gave it to Gregory The Shed Safest space Harlan built the shed This place sucks Destroying the shed You trying to kill Alex’s brother Talking about Noah Stop keeping secrets Sponsor Arturo’s citizenship California Figure it all out together Found a body - my grandfather killed Tripp Key was on Tripp How did Mimi know? Jenna has mug shot on computer of Max Max has doctor’s appointment Maria took off bracelet Maria I can’t watch you disappear, I love you. I love you too...I don’t want to be someone who hurts you... Her break up is heartbreaking Tripp gave box to Patricia Tripp and Nora were in love. Cosmic Steph and Kyle - Kyle is incredibly sweet Don’t flirt with other doctors while I’m gone Jenna pretend Drunk flirting Max and Kyle Access to Liz’s lab - Diego’s not honorable, boo Alex, Michael and Isobel at the crashdown Hunting Louise and Nora, the stowaway Max at the lab, destroying it to keep Diego out I love the song in that scene Pod squad Alien stowaway Cowboy up and focus The other June 14, 1997 Someone you can trust with a secret Poor Trip and Nora Liz and Rosa Jenna and Charlie I love their scene Can we keep them Liz is mad A year of my work I wasn’t hurting anyone ...And right now i hate it. Max drinking more antidote Liz and Rosa talking, Liz going to California. Rosa going back to rehab. Yay Talking about Max Alex and Kyle Flint will be ok Alex singing Pretty song Michael and Isobel Looking at his boy Steph is ok. It’s a miracle, Or just really good science. Will she be around next season? Liz leaving, Kyle hugs and thanks her for helping staff ... It’s not our time right now, but it will be. I think so. Hope for the future Rosa Liz leaving Max not You are the best of me. 😭😭😭😭😭😭😭😭😭 Alex seeing Michael not there and he looked so sad I love that they clapped for him Gregory looked so proud of his brother. Did Isobel leave too? Is Maria still in the hospital? Forrest and Alex kissing People like him, bad white men, die like heroes. People like us, we die villains Rosa told her mom she loved her, told her mom to leave again and not come back Liz waiting for Max, but leaving Max, Michael and Isobel I unlocked something Unlocked a cage, tunnel Liz at the ocean Cave Sealed up Open up the seal Howdy... Partner Well damn

I love this show an awful lot and I am so very amused by the ending.

Is he a twin, clone, what?

He was the stowaway.

The song was so beautiful and perfect and I love it so much. I’m sad that Michael didn’t hear it all, but it was perfect.

Isobel is amazing and lovely and smart. Everybody should listen to her.

They had a specific date that Nora and Louise knew the three kids were going to exit the pods and Nora told Tripp.

Tripp died loving Nora for always. He knew and remembered Louise’s daughter with Roy and gave her the diary and box but not the key which he had on him.

Harlan killed Tripp and buried him under the shed, how cold and evil could he be.

I’m glad Flint survived even if we didn’t see him. Alex and Gregory can help him change.

I want more Maria next season with a story for her

I want more Gregory next season please plus Their mom and Clay.

I want Rosa to be happy and healthy next season.

I’m intrigued about next season

I can’t wait to see what happens next.

#roswell new mexico #my thoughts #2.13 #alex x michael #maria delcua #liz x max #jenna x charlie #rosa ortecho #jesse manes is the devil

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youngsamberg · 2 years

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👽 ROSWELL, NEW MEXICO 👽

🛸 2.13 "Mr. Jones”

#roswell new mexico #roswell nm #roswellnmedit #rnmedit #roswellnmsource #michael guerin #max evans #isobel evans #pod squad #rnmgifs*#mine #i just adore all of them so much #SEASON TWO IS DONE ONTO SEASON THREEEEEEEE

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beccs · 3 years

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MICHAEL GUERIN Roswell, New Mexico | 2.13

#mine #rnmedit #roswellnewmexicoedit #roswellnmedit #roswelledit #michaelguerinedit #bbelcher #userstream #filmtv #chewieblog #cinemapix #cinematv #tvandfilm #michael guerin #roswell new mexico #rnm

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mariadelucadaily · 3 years

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HEATHER HEMMENS as MARIA DELUCA ROSWELL, NEW MEXICO | 2.12/2.13

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michaels-blackhat · 3 years

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thoughts on evil Forrest 😈

We are going to start out by apologizing. This is very very late. I’m sure when you sent this ask, you meant it to be in the same joking tone that I approach all of my other propaganda posts. Sadly, this is actually going to be a deep dive into a few Evil Forrest related things, including the moment I feel they changed directions, the perfect wasted build-up, and the implications of the change/how it then negatively impacted the story. As I’m sure you already know, by being on my blog at all, I don’t think the story was good to begin with, so we are going to focus on the weird hoops they made themselves jump through to make that story still work. Additionally, I am only going to mention once, right now, how much of a waste it was to not have Forrest ‘fall for his mark’ and complete one of my absolute favorite tropes. Honestly, I think “because I want it” is a completely valid reason to like Evil Forrest. But, the question was “Thoughts on Evil Forrest” and these thoughts have been developing for over a year and a half. So, I apologize in advance.

The majority of this is under a cut, with highlights in the abstract. If no one wants to read this, I understand completely. Go ahead, skip it.

Note: it pains me greatly to not actually have full sources for this essay. Just know that in my heart I am using proper APA citations, I just absolutely do not feel like digging through tweets to find sources to properly cite.

Abstract:

Previous research indicates that Roswell New Mexico has a history of repeating excuses to explain mid-season changes to plots. This essay explores how those excuses are not only loads of crap, but how they hinder the show’s ability to tell a coherent story, misuse the multiple-plot structure to enhance the themes being explored, and lead to decisions that mean the show continuously goes over budget. This also means that characters are not used to their full potential and has led to what some fans consider to be “out of character” behaviors. While these behaviors are not universally agreed on, evidence can be shown that these behaviors directly contradict emotionally important character arc/plot points in the show.

The author of this paper acknowledges that the show took some strides to mend this problem. However, once again no consensus could be found on whether Forrest was a low-level member of Deep Sky and thus just allowed to fuck off on a bus, or his job was recruitment because he did a piss poor job of making Alex not join.

The concept of Evil Forrest has been with the fandom as early as New York Comic Con (NYCC) in 2019, when it was revealed that Alex had a new “blue-haired love interest”. Speculation abounded within the fandom, with some people, including the author, going “yeah, he’s evil” while others rejoiced in the concept of Alex having a loving partner. Speculation increased as fans discussed Tyler Blackburn’s seeming disinterest in his new love interest, prompting some once again to scream “EVIL” at the top of their lungs to anyone who would listen. Very little was revealed, beyond the fact that the new character would show up somewhere around episode 3 of the second season.

Episode 2.04 aired with some commenting on how he barely interacted with Alex- prompting more evil speculation- and others excited to see the characters interact more. The character appears again in 2.06, where he invites Alex to dubious spoken word poetry (which Alex attends); 2.08, where they have a paintball date and go to The Wild Pony; 2.10, where the two are seen writing together briefly at the beginning of the episode; and 2.13, where Alex performs his song at open mic night, tells Forrest his relationship with the person in the song was long over, and they kiss. Forrest was not revealed to be evil during season 2.

Amidst the season airing, Word of God via Twitter post announced that yes, Forrest had originally been planned as a villain, though not the main villain, but it was changed as filming progressed.

The Word of God Twitter post revealed that Forrest had originally been planned as a villain, but they decided that they could not make their “blue-haired gay man” a villain. This mirrors a similar situation and excuse used the previous season, where the character of Jenna Cameron was originally planned to work with Jesse Manes against the aliens, before it was changed because they just “loved Riley [the actress] too much”. Both of these examples occurred while already filming and reflect on a larger problem with the show. Though not the topic of this essay, it is important to note that both characters are white, both in the show and by virtue of being played by white actors. The fact that they couldn’t be villains for one reason or another is not a courtesy extended to the male villains who are all the most visibly brown, and thus ‘other’, members of the cast.

This also highlights the fact that, via Twitter, it has been revealed two other times that occurrences that were reported in season 1 also occurred in season 2. During the airing of episode 1.02, it was revealed that the single best build-up of tension in the show- when Alex walks to the Airstream not saying a word to Michael after a dramatic declaration- happened because one actor was sick at the time and they had to go back and film the kisses later. At the point of airing for episode 2.08, it was revealed that one of the actors were sick and unable to film a kissing scene. Allegedly, this caused the writers to retool the entire scene and deviate from the plan to make that subplot about Coming Out. The execution of this subplot will be explored later in this essay.

The last occurrence revealed via Twitter also revealed larger issues within the show: lack of planning and poor budgeting. During the airing of season 1, Tyler Blackburn was needed for an extra episode beyond his contracted 10. A full explanation was never given, but speculation about poor planning and to fill in because Heather Hemmens had to miss one of her 10 episodes due to scheduling conflicts for another project. During the airing of season 2, yet another tweet came out saying they made a mistake and Tyler would once again be in an additional episode. No explanations beyond “a mistake” were given, though once again speculation occurred. It is the opinion of the author that this was due to changing plot points over halfway through writing, while episodes were already in production. It has been speculated by some that these changes occurred during the writing of 2.08, which was being finished/pre-production was occurring roughly around the time of NYCC 2019.

Previous Literature:

A brief look at different theories of plots and subplots

Many people have written on the subject of plotting, for novels and screen alike. The author is more familiar with film writing than tv, but a lot of the concepts carry over. Largely, the B- and C- (and D- and E-… etc) plots should reinforce the theme of the A-plot. This can be through the use of a negative example, where the antithesis of the theme is explored to reinforce the theme presented by the A plot, or through other examples of the theme, generally on a small scale.

A movie example of this would be Hidden Figures (2016), where the A-plot explores how race and gender impact the main character (Katherine Johnson) in her new job. The B-plots explore the other characters navigating the same concepts in different settings and ways- learning a new skill as to not become obsolete and breaking boundaries there (Dorothy Vaugn) and being the first black woman to complete a specific degree program and the fight it took to get there (Mary Jackson). A TV example that utilizes this concept of plot and theme is the 911 shows. Each of the rescues in a given episode will directly relate to the overall theme of the episode and the overall plot for the focus character. This example is extremely blunt. It does not use any tools to hide the connection, to the point you can often guess the outcome for that A-plot fairly quickly.

This is not the only way to explore themes within visual media. Moonlight (2016) looks at three timestamps in the life of Chiron. Each timestamp has a plot even if they feel more like individual scenes or moments rather than plots as some are more used to in films. Each time stamp deals with rejection, isolation, connection, and acceptance in different ways. So while there is no clear A-, B-, or C-Plot, each time stamp works as their own A-Plot to explore the themes in a variety of ways, particularly by starting out in a place of rejection and moving to acceptance or a place of connection to isolation.

Please note that there are many ways to write multiple plots, there are just two examples.

While there are flaws within season 1 of RNM, overall the themes stayed consistent throughout the season, mainly the theme of alienation. The theme threads through the Alien’s isolation/alienation from humanity which is particularly seen through Michael’s unwillingness to participate and Isobel’s over participation. There is Rosa’s isolation from others, how her friendship with “Isobel” ended up compounding her existing alienation from her support system due to her mental illness and coping mechanisms. We see how Max and Liz couldn’t make connections. This theme presented itself over and over in season 1. While this essay is not an exploration of the breakdown of themes in season 2, it should be noted that there were some threads that followed throughout the season. The theme of mothers/motherhood was woven throughout season 2, with some elements more effective than others. Please contact the author for additional thoughts on Helena Ortecho and revenge plots.

One of the largest problems within season 2 was the sheer number of plots jammed into the season. These plot threads often ended up hindering the effectiveness of the themes and made the coherence of the season suffer. Additionally, a lot of them were convoluted and difficult to follow.

Thesis:

Essentially, season 2 was a mess. To look at it holistically is almost an exercise in futility. Either you grow angry about the dropped plots and premises, you hand wave them off, or you fill them in for yourself. Instead, this essay proposes to look at individual elements to explain why Forrest should have stayed evil.

We first meet Forrest in 2.04 when he is introduced on the Long Family Farm, which we later learn was the location where our past alien protagonists had their final standoff. He’s introduced. He’s largely just there. The audience learns he has more of a history with Michael. In 2.06, we meet him again with his dog Buffy (note: poor Buffy has not been seen again and we miss a chunky queen). There’s mild flirting, Alex is invited to an open mic night, which he attends. For the purpose of this essay, the author’s thoughts on the poetry will not be expressed. Readers can take a guess.

It is after this point that the author speculates the Decision was made. This choice to make Forrest not evil- paired with the aforementioned ‘can’t kiss, someone’s sick’- impacted the plot. We have Alex have a scene with his father- which the author believes could have been pushed to a different episode- and then have Alex go on a date and then not kiss Forrest at the end of the night. Here, the audience sees Forrest hit Alex in the leg, allegedly not knowing he had lost his leg despite ‘looking him up’, which parallels the shot to the leg that happens to Charlie. Besides wasting this ABSOLUTELY TEXTBOOK SET UP WTF, it also takes Alex away from the main plot and then forces a new plot for him. Up to this point, Alex’s plot was discovering more about the crash and his family’s involvement. Turning Alex’s date from a setup for evil Forrest to a Coming Out story adds yet another plot thread to a packed season. It is also the author’s thought that this is where the convoluted kidnapping plot comes in. With Forrest already in 2.10 for a moment, a plot where Alex is evil has Forrest attack him for Deep Sky rather than Jesse abduct him for a piece of alien glass Alex was going to give him anyway and then for Flint to abduct Alex from Jesse. It’s messy. In a bad way. Evil Forrest would have been a cleaner set up: no taking back a piece of alien glass Alex gave to Michael in a touching moment. No double abduction. Instead, there is only Forrest, who Alex trusts, breaking that trust to take him as leverage over Michael.

Implications:

Now, Alex has two plots (Tripp & Coming Out). The Coming Out plot is largely ineffective, as they are only relevant to scenes with Forrest and have the undercurrent of there only being a certain acceptable way to be out. This could have been used for Alex to discover his comfort levels, mirroring Isobel’s self discovery, but there was not enough screen time for that. Additionally, Isobel’s coming out story was about her allowing herself the freedom to explore. Alex’s story was about the freedom to… act like this dude wanted him to. Alex’s internalized homophobia played out often in the series but it was also informed by the violence he experienced at Jesse’s hands and the literal hate crime he and his high school boyfriend experienced. With that in mind, the “kissing to piss off bigots” line comes off poorly. This is a character who experienced what a pissed off bigot could do- reluctance to kiss in public is not the same as not being out. There is more to be said on this topic, but as it is not actually the focus of the essay, it will be put on hold. To surmise: Alex’s coming out is attempted to be framed as being himself, but it is actually the conformity to someone else’s ideals. It does not work as an antithetical to Isobel’s story, as the framing indicates that the conformity/right was to be out contradicts Isobel’s theme.

Further Research:

MAKE FORREST EVIL YOU COWARDS

Author Acknowledgements:

The author of this paper acknowledges that the show took some strides to mend this problem. However, once again no consensus could be found on whether Forrest was a low-level member of Deep Sky and thus just allowed to fuck off on a bus, or his job was recruitement because he did a piss poor job of making Alex not join.

#anti forrest long #i guess #evil forrest propaganda #I asked and no one said don't post it so...#here it is #I started writing this roughly 7 months ago

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maycanady · 4 years

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Jeanine Mason as Liz Ortecho Roswell, New Mexico | 2.13 “Mr. Jones”

#liz ortecho #lizortechoedit #roswell new mexico #roswellnmedit #dailypoctv #bbelcher #chewieblog #rnm 2x13 #my gifs

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grande-caps · 4 years

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Roswell New Mexico 2.13 Quality : HD Screencaptures Amount : 1.135 files Resolution : 1.920 x 1.080 px

-Please like/reblog if taking! -Please credit grande_caps/kissthemgoodbye!

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hq-screencaps · 4 years

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Roswell, New Mexico 2.13 Mr. Jones ↳ 2,507 1080p logofree screencaps Zips

#roswell new mexico #roswellnmedit #max evans #liz ortecho #michael guerin #scnet: roswell new mexico #roswell new mexico season 2 #tv shows #capped by raina

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burntotears · 1 year

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MICHAEL GUERIN ➳ hat series Roswell, New Mexico | 2.12 Crash Into Me & 2.13 Mr. Jones

#michael guerin #roswell new mexico #rnmedit #roswellnmedit #roswell nm #roswellnm #rnm #michael vlamis #cwladsdaily #cw: blood #(rnm)#(michael)#(my gif)#(mine)#(visual)#michaelinahat

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alexanderslists · 3 years

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Episodes 2021

Total: 442

The Big Bang Theory 12.03 - 12.24

The Blacklist 4.01 - 4.10

Brooklyn 99 1.01 - 1.22 8.01 - 8.10

The Chair 1.01 - 1.06

Desperate Housewives 1.01 - 1.12

Dexter: New Blood 1.01 - 1.08

Downton Abbey 1.01 - 1.05

Endeavour 8.01 - 8.03

Family Law 1.01 - 1.10 Fargo 1.07 - 1.10 2.01 - 2.10

Grey’s Anatomy 17.07 - 17.17 18.01 - 18.08

Hollywood 1.01 - 1.07

Homeland 3.04 - 3.12

The Irregulars 1.01 - 1.08

The IT Crowd 1.01 - 1.06 2.01 - 2.06 3.01 - 3.06 4.01 - 4.06 5.01

Queer Eye 5.10

Riverdale 5.01 - 5.19 6.01 - 6.05

Roswell, New Mexico 1.01 - 1.13 2.01 - 2.13 3.01 - 3.13

Schitt’s Creek 1.01 - 1.13 2.01 - 2.12 3.01 - 3.13 4.01 - 4.13 5.01 - 5.14 6.01 - 6.14

Selling Sunset 4.01 - 4.10

A Series of Unfortunate Events 1.01 - 1.08 Sex Education 2.06 - 2.08 3.01 - 3.08

Station 19 4.06 - 4.16 5.01 - 5.08

Stumptown 1.01-1.18

Superstore 1.01 - 1.10

The Witcher 1.01 Why Women Kill 2.01 - 2.10

The X-Files 6.01 - 6.22 7.01 - 7.02

#episodes2021

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spoilertv · 4 years

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Roswell, New Mexico - Episode 2.13 - Mr. Jones (Season Finale) - Promo + Press Release https://www.spoilertv.com/2020/05/roswell-new-mexico-episode-213-mr-jones.html

#SpoilerTV

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erickmalpicaflores · 5 years

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Erik Malpica Flores Erik Malpica Flores recommends: SUPERNATURAL Celebrates 300 Episodes and ARROW Hits 150 Episodes

Photo: Diyah Pera/The CW

What’s coming to The CW the week of February 3? SUPERNATURAL is hitting its 300th episodes and Jeffrey Dean Morgan will be making a guest appearance as John Winchester for the first time in more than a decade. In addition, ARROW is celebrate its 150th episode with a documentary-style hour. Meanwhile, both SUPERGIRL and CHARMED will air reruns on February 3.

Monday, February 4

ARROW 7.12 “Emerald Archer”: The 150th episode of “Arrow” showcases a documentary entitled “The Hood and the rise of vigilantism” starring Oliver Queen (Stephen Amell), Felicity Smoak (Emily Bett Rickards), and the rest of Team Arrow. As a camera crew follows Oliver and team around to talk about their past as vigilantes and what the Green Arrow means to Star City, Oliver must also deal with William’s (guest star Jack Moore) return from boarding school as well as a new threat to the city. The episode will feature “documentary footage” captured by the BTS crew and interviews from those who have worked alongside the Green Arrow. The documentary is narrated by Kelsey Grammer. Glen Winter directed the episode written by Marc Guggenheim & Emilio Ortega Aldrich.

Tuesday, February 5

THE FLASH 5.13 “Goldfaced”: Barry (Grant Gustin) and Ralph (Hartley Sawyer) must go undercover as criminals in an illegal black market to purchase a device that could help them stop Cicada (Chris Klein). Once inside, Barry and Ralph find their morality tested as they slip deeper into the criminal world, eventually having to choose between committing a crime, or losing the means to defeat one of their greatest foes. Meanwhile, Iris (Candice Patton) investigates a lead on Cicada’s whereabouts and ends up in a dangerous situation. Alexandra LaRoche directed the episode written by Jonathan Butler & Gabriel Garza.

ROSWELL, NEW MEXICO 1.04 “Where Have All The Cowboys Gone?”: Fearing that his identity will be uncovered, Max (Nathan Dean Parsons) is conflicted when a town-wide power outage leaves patients at the hospital in need of help. Meanwhile, Liz (Jeanine Mason) turns to Kyle (Michael Trevino) after learning details about the night Rosa died. Elsewhere, Isobel (Lily Cowles) and Michael (Michael Vlamis) come up with a plan to deal with Liz, and Master Sargent Manes (Trevor St. John) seeks help from an unlikely source. Tyler Blackburn, Heather Hemmens and Karan Oberoi also star. Lance Anderson directed the episode written by Sabir Pirzada & Christopher Hollier.

Wednesday, February 6

RIVERDALE 3.12 “Chapter Forty-Seven: Bizarrodale”: Amidst preparations for their upcoming wedding, Sierra (guest star Robin Givens) and Tom (guest star Martin Cummins) receive an unsettling message, which forces “The Midnight Club” to reunite. Meanwhile, Veronica (Camila Mendes) and Reggie (Charles Melton) take drastic measures to clean up a mess they created. Cheryl (Madelaine Petsch) learns some unexpected news about the college she has set her sights on. Lastly, Kevin (Casey Cott) gives Moose (guest star Cody Kearsley) an ultimatum. KJ Apa, Lili Reinhart, Cole Sprouse, Marisol Nichols, Madchen Amick, Luke Perry, Ashleigh Murray, Mark Consuelos, Skeet Ulrich and Vanessa Morgan also star. Harry Jierjian directed the episode written by Britta Lundin.

ALL AMERICAN 1.12 “Back in the Day”: Spencer (Daniel Ezra) tries not to repeat the mistakes of his past with his relationship with Layla (Greta Onieogou) and Olivia (Samantha Logan) struggles with her sobriety. Billy (Taye Diggs) reveals to Laura (Monet Mazur) something he did to protect his family, while Coop (Bre-Z) has conflicted emotions about reuniting with her father. Michael Evans Behling, Cody Christian, Karimah Westbrook and Jalyn Hall also star. The episode was written by Nkechi Okoro Carroll and Lorna Osunsanmi and was directed by Liz Allen.

Thursday, February 7

SUPERNATURAL 14.13 “Lebanon”: Sam (Jared Padalecki) and Dean (Jensen Ackles) look to occult lore for a solution to their latest problem, but instead of a resolution, they find much more than either of them had anticipated. Jeffrey Dean Morgan (John Winchester) guest stars. The episode was directed by Robert Singer and written by Andrew Dabb & Meredith Glynn.

LEGACIES 1.12 “There’s A World Where Your Dreams Came True”: Following a stay in Europe with her mother, Lizzie (Jenny Boyd) returns to Mystic Falls and comes face to face with someone who could make all her wishes come true – including making Hope Mikaelson (Danielle Rose Russell) disappear. Matthew Davis and Kaylee Bryant also star. John Hyams directed the episode written by Brett Matthews & Josh Schaer.

Friday, February 8

DYNASTY 2.13 “Even Worms Can Procreate”: Cristal (Ana Brenda Contreras) and Blake (Grant Show) have a surprise visitor show up who threatens to unravel their relationship, while Fallon (Elizabeth Gillies) goes to war with Culhane (Robert Christopher Riley) when he becomes a power player at Carrington Atlantic. Nicollette Sheridan, Rafael de la Fuente, Maddison Brown, Alan Dale and Sam Adegoke also star. Christopher Fife and Jay Gibson wrote the episode, which was directed by Viet Nguyen.

CRAZY EX-GIRLFRIEND 4.13 “I Have To Get Out”: Rebecca (Rachel Bloom) supports Paula (Donna Lynne Champlin) in her time of need despite, her own personal challenges. Emotions run high when Greg (Skylar Astin), Josh (Vincent Rodriguez III) and Nathaniel (Scott Michael Foster) have an unfortunate encounter. Pete Gardner, Vella Lovell and Gabrielle Ruiz also star. Rene Gube wrote the episode, directed by Stuart McDonald.

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