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mostlysignssomeportents · 3 months

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How lock-in hurts design

Berliners: Otherland has added a second date (Jan 28) for my book-talk after the first one sold out - book now!

If you've ever read about design, you've probably encountered the idea of "paving the desire path." A "desire path" is an erosion path created by people departing from the official walkway and taking their own route. The story goes that smart campus planners don't fight the desire paths laid down by students; they pave them, formalizing the route that their constituents have voted for with their feet.

Desire paths aren't always great (Wikipedia notes that "desire paths sometimes cut through sensitive habitats and exclusion zones, threatening wildlife and park security"), but in the context of design, a desire path is a way that users communicate with designers, creating a feedback loop between those two groups. The designers make a product, the users use it in ways that surprise the designer, and the designer integrates all that into a new revision of the product.

This method is widely heralded as a means of "co-innovating" between users and companies. Designers who practice the method are lauded for their humility, their willingness to learn from their users. Tech history is strewn with examples of successful paved desire-paths.

Take John Deere. While today the company is notorious for its war on its customers (via its opposition to right to repair), Deere was once a leader in co-innovation, dispatching roving field engineers to visit farms and learn how farmers had modified their tractors. The best of these modifications would then be worked into the next round of tractor designs, in a virtuous cycle:

https://securityledger.com/2019/03/opinion-my-grandfathers-john-deere-would-support-our-right-to-repair/

But this pattern is even more pronounced in the digital world, because it's much easier to update a digital service than it is to update all the tractors in the field, especially if that service is cloud-based, meaning you can modify the back-end everyone is instantly updated. The most celebrated example of this co-creation is Twitter, whose users created a host of its core features.

Retweets, for example, were a user creation. Users who saw something they liked on the service would type "RT" and paste the text and the link into a new tweet composition window. Same for quote-tweets: users copied the URL for a tweet and pasted it in below their own commentary. Twitter designers observed this user innovation and formalized it, turning it into part of Twitter's core feature-set.

Companies are obsessed with discovering digital desire paths. They pay fortunes for analytics software to produce maps of how their users interact with their services, run focus groups, even embed sneaky screen-recording software into their web-pages:

https://www.wired.com/story/the-dark-side-of-replay-sessions-that-record-your-every-move-online/

This relentless surveillance of users is pursued in the name of making things better for them: let us spy on you and we'll figure out where your pain-points and friction are coming from, and remove those. We all win!

But this impulse is a world apart from the humility and respect implied by co-innovation. The constant, nonconsensual observation of users has more to do with controlling users than learning from them.

That is, after all, the ethos of modern technology: the more control a company can exert over its users ,the more value it can transfer from those users to its shareholders. That's the key to enshittification, the ubiquitous platform decay that has degraded virtually all the technology we use, making it worse every day:

https://pluralistic.net/2023/02/19/twiddler/

When you are seeking to control users, the desire paths they create are all too frequently a means to wrestling control back from you. Take advertising: every time a service makes its ads more obnoxious and invasive, it creates an incentive for its users to search for "how do I install an ad-blocker":

https://www.eff.org/deeplinks/2019/07/adblocking-how-about-nah

More than half of all web-users have installed ad-blockers. It's the largest consumer boycott in human history:

https://doc.searls.com/2023/11/11/how-is-the-worlds-biggest-boycott-doing/

But zero app users have installed ad-blockers, because reverse-engineering an app requires that you bypass its encryption, triggering liability under Section 1201 of the Digital Millennium Copyright Act. This law provides for a $500,000 fine and a 5-year prison sentence for "circumvention" of access controls:

https://pluralistic.net/2024/01/12/youre-holding-it-wrong/#if-dishwashers-were-iphones

Beyond that, modifying an app creates liability under copyright, trademark, patent, trade secrets, noncompete, nondisclosure and so on. It's what Jay Freeman calls "felony contempt of business model":

https://locusmag.com/2020/09/cory-doctorow-ip/

This is why services are so horny to drive you to install their app rather using their websites: they are trying to get you to do something that, given your druthers, you would prefer not to do. They want to force you to exit through the gift shop, you want to carve a desire path straight to the parking lot. Apps let them mobilize the law to literally criminalize those desire paths.

An app is just a web-page wrapped in enough IP to make it a felony to block ads in it (or do anything else that wrestles value back from a company). Apps are web-pages where everything not forbidden is mandatory.

Seen in this light, an app is a way to wage war on desire paths, to abandon the cooperative model for co-innovation in favor of the adversarial model of user control and extraction.

Corporate apologists like to claim that the proliferation of apps proves that users like them. Neoliberal economists love the idea that business as usual represents a "revealed preference." This is an intellectually unserious tautology: "you do this, so you must like it":

https://boingboing.net/2024/01/22/hp-ceo-says-customers-are-a-bad-investment-unless-they-can-be-made-to-buy-companys-drm-ink-cartridges.html

Calling an action where no alternatives are permissible a "preference" or a "choice" is a cheap trick – especially when considered against the "preferences" that reveal themselves when a real choice is possible. Take commercial surveillance: when Apple gave Ios users a choice about being spied on – a one-click opt of of app-based surveillance – 96% of users choice no spying:

https://arstechnica.com/gadgets/2021/05/96-of-us-users-opt-out-of-app-tracking-in-ios-14-5-analytics-find/

But then Apple started spying on those very same users that had opted out of spying by Facebook and other Apple competitors:

https://pluralistic.net/2022/11/14/luxury-surveillance/#liar-liar

Neoclassical economists aren't just obsessed with revealed preferences – they also love to bandy about the idea of "moral hazard": economic arrangements that tempt people to be dishonest. This is typically applied to the public ("consumers" in the contemptuous parlance of econospeak). But apps are pure moral hazard – for corporations. The ability to prohibit desire paths – and literally imprison rivals who help your users thwart those prohibitions – is too tempting for companies to resist.

The fact that the majority of web users block ads reveals a strong preference for not being spied on ("users just want relevant ads" is such an obvious lie that doesn't merit any serious discussion):

https://www.iccl.ie/news/82-of-the-irish-public-wants-big-techs-toxic-algorithms-switched-off/

Giant companies attained their scale by learning from their users, not by thwarting them. The person using technology always knows something about what they need to do and how they want to do it that the designers can never anticipate. This is especially true of people who are unlike those designers – people who live on the other side of the world, or the other side of the economic divide, or whose bodies don't work the way that the designers' bodies do:

https://pluralistic.net/2022/10/20/benevolent-dictators/#felony-contempt-of-business-model

Apps – and other technologies that are locked down so their users can be locked in – are the height of technological arrogance. They embody a belief that users are to be told, not heard. If a user wants to do something that the designer didn't anticipate, that's the user's fault:

https://www.wired.com/2010/06/iphone-4-holding-it-wrong/

Corporate enthusiasm for prohibiting you from reconfiguring the tools you use to suit your needs is a declaration of the end of history. "Sure," John Deere execs say, "we once learned from farmers by observing how they modified their tractors. But today's farmers are so much stupider and we are so much smarter that we have nothing to learn from them anymore."

Spying on your users to control them is a poor substitute asking your users their permission to learn from them. Without technological self-determination, preferences can't be revealed. Without the right to seize the means of computation, the desire paths never emerge, leaving designers in the dark about what users really want.

Our policymakers swear loyalty to "innovation" but when corporations ask for the right to decide who can innovate and how, they fall all over themselves to create laws that let companies punish users for the crime of contempt of business-model.

I'm Kickstarting the audiobook for The Bezzle, the sequel to Red Team Blues, narrated by @wilwheaton! You can pre-order the audiobook and ebook, DRM free, as well as the hardcover, signed or unsigned. There's also bundles with Red Team Blues in ebook, audio or paperback.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/01/24/everything-not-mandatory/#is-prohibited

Image: Belem (modified) https://commons.wikimedia.org/wiki/File:Desire_path_%2819811581366%29.jpg

CC BY 2.0 https://creativecommons.org/licenses/by/2.0/deed.en

#pluralistic #desire paths #design #drm #everything not mandatory is prohibited #apps #ip #innovation #user innovation #technological self-determination #john deere #twitter #felony contempt of business model

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dickandballsdotgov · 1 year

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Wednesday, 1/25 workout

Workout type: "easy" run

Distance: 4 miles

Time: 34:14

Pace: 8:33

Song of the day:

#zooming #easy is in quotes because i didn't end up going easy lol #my first 3 miles were 9:19/9:02/8:41 which was what I was aiming to stay at #i ran my 4th mile on the track because i decided to go 3 and 1 instead of our 4 mile route #and i wanted to show off so i ran a 7:08 last mile #it's a good sign for what i can do later #Spotify

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artforiasenibudayajepang · 1 year

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13 Film Anime Jepang Mendatang Yang Akan Rilis Pada Tahun 2023

Berita Anime Jepang – Perilisan Anime Jepang kali ini akan mendominasi kalender sepanjang tahun, banyak yang tidak sabar menunggu sesuatu spoiler seperti poster sehingga dapat menghibur diri kita sendiri bahwa Film Anime Jepang Favorit kita akan kembali rilis. Namun terkadang mereka memajukan tanggal perilisan film. Simak Juga : 15 Karakter Anime Jepang Bergigi Tajam Terbaik Dan Populer Jika…

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#Berita Anime Jepang #Black Clover: Sword of the Wizard King #Detective Conan Movie 26: Kurogane no Submarine #Digimon Adventure 02 The Beginning #Doraemon Movie 42: Nobita to Sora no Utopia #film anime Jepang #Kaguya-sama: Love is War – The First Kiss Never Ends #My Next Life as a Villainess All Routes Lead to Doom! Movie #Overlord the Movie: The Holy Kingdom #Psycho-Pass Providence #Puella Magi Madoka Magica the Movie: Walpurgis no Kaiten #Spy x Family Movie #Sword Art Online the Movie -Progressive- Scherzo of Deep Night #The Seven Deadly Sins: Grudge of Edinburgh Part 2 #Yuri!!! on ICE the movie: Ice Adolescence

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heritageposts · 6 months

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Palestinian telecoms company says ‘all communications and Internet services’ with Gaza cut off, from Al Jazeera's live update (posted 39 minutes ago, 02:09 GMT)

Paltel said there is a “complete interruption” of the services with the Gaza Strip. It said the interruption was caused by “international routes that were previously reconnected being cut off again”. We’ll bring you more updates as soon as we get more information.

#free palestine #gaza #israel

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angelicyoongie · 10 months

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The Obsidian Pearl (I)

— pairing: mermaid seokjin x (f) reader — word count: 7.2k — warnings: yandere, descriptions of death/blood/violence — summary: Sailing through The Dead Man’s Passage is a death sentence and the whole crew knows it. But with the ship’s stocks dwindling fast, your captain is left with no other choice. When a haunting melody makes the crew jump ship one by one, you find yourself alone with the demon lurking in the murky red water. As the creature beckons you to jump into the icy ocean – “come to me, pet” – you find that you can’t do anything but obey.

Part 01 - 02

"Captain, this is a bad idea."

A hush falls over the deck, a few whispers being passed back and forth between the crew as they watch you challenge the captain's decision. There's an audible gulp somewhere behind you as the captain pins you with a hard gaze, his jaw clenched tight with annoyance.

He taps the map that's spread out in front of him, voice leaving no room for argument as he says, "This is the fastest route."

"That may be, Captain, but it's not worth the risk. Haven't you heard the stories? The numerous crews that have gone missing after sailing in this area? There's a reason it's called The Dead Man's passage!”

A ripple of murmurs flow through the crowd at the reminder, the passage's deadly reputation making it somewhat of a ghost story – a tale every seafarer hears at one point or another. You don't know much; the few crews that have managed the journey safely have been tight-lipped about their experience, their eyes left haunted. The part that has always baffled you the most about the stories is that the ships themselves always make it through the passage, fully intact and filled with loot, but their crews never do. It's like they all vanish without a trace, like they've just been whisked away by the wind – never to be seen again.

The captain clears his throat, a sharp sound that cuts through the growing voices on deck, silencing them immediately.

"We have no choice. If we continue on the intended route we'll run out of food and fresh water a week before we reach the nearest port. Cutting through the passage will save us valuable time. I would never take this risk and endanger the crew if someone had done their job properly."

You glance to the side, catching the eye of the cowering boatswain.

He's young, far too young to handle such responsibility on his own. He's only just grown into his ears, the top of his head barely reaching the captain's shoulders. He was thrust into the position much too soon, but it couldn't be helped. The previous boatswain suddenly succumbed to an infected wound just a few days before you were scheduled to leave the last port. It left all of you scrambling to pick up the slack around the ship and the poor lad must've been forgotten in the mess.

You had tried to delegate someone to help him, but the captain had been firm that he needed to do it on his own, to build character. It's no wonder he wasn't able to calculate the needed supplies correctly, not when he was still grieving the loss of his mentor at the same time.

You notice the bead of sweat that rolls down the side of the young boatswain's face, his skin flushed with nerves. You can't let the poor lad be punished for his sorrow, not when this whole predicament could've been avoided.

Letting out a small sigh, you lower your head in apology, "I'm sorry, Captain. I should've made sure everything was in order, this is no one's fault but mine."

"I expected better from you, Quartermaster," The Captain's comment cuts deep, even though you know this wasn't your fault. "Very well. Seeing as you have placed our crew in peril, I doubt you will oppose the solution to the problem you have created?"

You grit your teeth, dipping your head lower as you say, "Of course not, Captain. I apologize for speaking out of turn."

Clenching your hands by your side, you try to focus on the hot sun beating down your neck as you tune out the captain's voice. Getting angry won't do you any good here, not when you've already admitted defeat. The heavy thumps of feet moving all around you tells you that the crew is already beginning to change the ship's course, listening to the captain's orders as he yells them out. You shake your head, stomach churning as you realize that no one dares to challenge him, even if they all know deep down that they're being lead straight to the deaths.

You steel yourself as polished boots pause in front of yours, eye twitching as you look up and meet the captain's gaze. His solemn expression doesn't quite match the light tone of his voice as he leans in to say, "A hungry crew is a dangerous crew, Y/n. I don't think I need to remind you why that is."

Suppressing a shudder, you don't give him the satisfaction of knowing that his little comment has had the intended effect, bad memories already swirling in the back of your mind. Instead, you stare him down, defiant as ever until he shakes his head and walks off in the direction of his cabin.

It's only when he's out of sight that you reach up to trace the raised skin on your throat, the jagged scar that greets you whenever you glance in a mirror. No, there's no reminder nor threat needed. You know first-hand just how desperate a person can become when they're feeling depraved of what makes them human.

You swallow thickly, ripping your hand away from the old wound. There's no use dwelling on the past, there's nothing from that day that can help you now.

The sound of the sails billowing out as they catch more wind jerks your attention forward, gentle waves crashing against the hull of the ship as it picks up speed. You take a deep breath, filling your lungs with the salty air and pray to whatever god that might be listening that you'll be able to make it out of the passage alive.

The night has already fallen, the moon high in the sky, by the time you catch sight of the two large rock formations in the distance. Everything about the passage screams unnatural and strange, the two small mountains practically appearing out of nowhere in the middle of the sea. While they look to be on the smaller side, you know there's no way to sail around them. The waters are littered with reefs and strong currents, all traps that are bound to sink unsuspecting ships. You can make out the faint outline of a few of them on the horizon, their broken masts and half-sunken hulls serving as a haunting reminder that the only way past the passage is through it.

You squint as you notice a faint glow in the distance, the light too obscure to make out properly on deck. You quickly make your way up to the helm, hoping the raised platform will provide a better view.

"What's that?" You murmur, shooting the coxswain a worried glance.

"Ain't anything good, that's for sure," The man grumbles in reply. He tightens his grip on the wheel, eyebrows drawn tight as the ship steadily draws closer and closer.

The faint glow grows brighter with each passing minute, more and more sources of light appearing all over the two mountains. You suck in a breath as the ship enters the passage, the area so tight it barely allows for two vessels to pass each other. The close proximity allows you to see the lights more clearly, and you're shocked to discover that it seems to be coming from huge white flowers sprouting from the mountain sides. There's something algae-like clinging to the base of the mountains as well, illuminating the edges of the passage like guiding lights, beckoning you in.

The ship glides smoothly through the channel, the soft current carrying you all through the quiet water. Based on the stories you've heard you were expecting treacherous waves and jagged rocks that appear out of nowhere to throw the crew off-board, but there's none of that. In fact, there's nothing that points to this passage being dangerous at all, no signs of broken planks or fabric clinging to the mountain, no sunken ships visible below the surface. You can almost fool yourself into thinking that no other humans have ever sailed through these mountains before.

As beautiful and untouched as the passage may seem, there is something terribly unnerving about the silence that has settled over the ship. The crew has gone completely still, like they're scared of breaking the quiet. Likewise, you can't really find it in yourself to make any noise either, your lips pressed firmly together as you anxiously scan the mountain for hidden threats.

You've almost made it halfway through the passage when you first hear it.

There's a low hum, barely louder than the noise of the water breaking against the ship, that echoes between the tall rocks. You have to strain your ears to hear it at first, but the sound seems to grow with each gust of wind in the ship's sails, gradually increasing the further into the mountains you go.

You can't make out any words, the language either too old or foreign for you to understand, but the angelic voice behind them makes your heart yearn. You can feel the melody wrapping itself around your heart, squeezing, as it roots itself in your ribcage, sorrowful tendrils clinging to each bone.

"Come to the water."

The wind carries the whisper straight to your ear, caressing your skin like a warm breath, before it travels on. You jerk forward at the sensation, whipping your head around to locate where the voice could be coming from.

There's no one around you aside from the coxswain who looks to be lost in thought, mouth slack as he stares ahead.

You glance down at the deck, frowning as you notice that more and more of the crew are beginning to abandon their posts. They're all migrating to the right side of the ship, walking on unsteady feet like they've been guzzling down barrels of mead.

"Come to me."

You wince as the singing grows more intense, your breath stuttering in your chest in response to the voice that's so desperately calling for you.

You blink, eyes struggling to adjust, as the flowers and the algae on the mountains begin to thin out, taking their light away with them. As if that wasn't bad enough, a great shadow is suddenly cast upon the passage, the last of the illumination you had rapidly disappearing behind thick clouds as the moon is hidden away.

You curse under your breath, mentally taking note of the lit oil lanterns hanging around the ship. There's ten, no– nine, but if you gather them all up and place them near the bow, maybe it'll be enough light to get the ship safely out of the passage?

"I need to– hey!" You stumble back as the coxswain bumps into you, his eyes unseeing as he stumbles towards the stairs to the lower deck. A sudden drift to the side propels him forward, allowing him to slip out of your reach before you can grab his shirt and haul him back.

"Shit," You hiss, only giving yourself a split second to hesitate before whirling around to grab the wheel. The wood has already begun to turn left without the coxswain's steady hands to lead the way and the ship groans as you hurry to correct it back on the right path.

You keep a tight vise on the wheel, leaning forward to yell out for another crewmate to take over, when you hear the first splash.

Hurriedly glancing down at the deck, the swaying lanterns provide just enough light to show one of the cooks climbing over the railing, his movements stilted and jerky as he suddenly flings himself off the ship. Your scream is caught in your throat, your eyes wide with horror as you hear the subsequent splash of his body hitting the water.

What in the gods is going on?

Feet rooted to the floor and fear squeezing the back of your neck with a iron grip, you can only watch as the crew all clamber over the railing, throwing themselves off the ship one by one. The steady melody echoing between the mountains is only interrupted by the terrible sound of bodies sinking into the ocean.

Dread settles deep into the pit of your stomach as you realize there are no screams, no gasps for air, only silence – and him, the voice that's begging you to come rest along your brethren in the deep, peaceful ocean.

"No," You wheeze, shaking your head to rid the fog that's has begun creeping in. You cling to the wheel, fingers slick with sweat as you try to keep the ship steady, ignoring the blur that has settled at the edge of your vision.

"Captain!"

Hope shoots through your veins as you find your captain in the dwindling crowd, his bulky figure illuminated by the dancing lights as he stumbles over to the nearest crewmate, pulling them back from the railing. He pushes a few men back, his strength sending them sliding back to the middle of the deck.

You almost loosen your grip, ready to run down and help him, when he abruptly turns his back on them and jumps over the railing in one swift motion. He lands on the small ledge just outside of it, heels shuffling not to slip as he grips the banister with one arm.

"Captain!" The scream rips out of your throat, carrying across the silent deck like a bullet.

The captain shudders as it reaches him, his body jerking back and forth like he can't make up his mind on whether he should jump or not. Horrified, you watch as he twists his upper body around to face you, his expression stricken as he meets your gaze across the ship. He almost looks like he just came out of a trance, his face drenched in sweat and skin grey with fear as he tries to figure out how he ended up at the edge of the vessel.

You can see mouth opening, his lips forming around the first syllables of your name when the angelic voice suddenly grows louder, the haunting melody reverberating between the mountains. The captain's mouth goes slack, his eyes rolling into the back of his head as he once again succumbs to spell that was controlling him. The last thing you see as the captain lets go of the railing, is the serene smile that takes over his face, his eyes closing as he falls backwards into the ocean.

Heart pounding inside your chest, you stare blankly at the now empty spot where your captain stood. You flinch, sick to your stomach, at the heavy splash that follows only seconds later.

"Lay your tired body to rest."

Your fingers twitch at the command, a little whisper in the back of your mind begging you to obey – to give in. You legs have started to shake, sweat sliding down your back in a steady stream at the effort it takes to resist the pull.

Even as you struggle to gulp down enough air, your body in overdrive from the unfathomable things you've just seen, you still find your pulse quickening, panic flooding every fibre of your being as it finally dawns on you what's going on.

You've sailed right into the territory of a siren.

Perhaps you should have seen it coming – the tales of the passage all emphasize how it's only the crew that go missing, not the ships. You've heard whispers about creatures lurking in the deep ocean, of monsters that eat humans, but you never expected that you would ever encounter them. They were folktales, something you chose not to believe in to protect your own sanity as a seafarer. Now, you can only curse yourself for not trusting your instincts the moment you felt the unearthly atmosphere of the mountains; that you didn't have enough forethought to at least stuff your ears and tie each crewmate to their post as a precaution.

Maybe it would've been enough to save the them – to save you.

You cower against the wheel as the song grows so loud it causes your ears to ring, the voice promising peace and eternal slumber. It urges, demands, your body to move and you whimper fearfully as your feet take a step back against your will.

You can't tell how much time has passed since the ship entered the mountains, it could be mere minutes or it could be hours – but as you peer into the looming darkness, you can finally make out where the passage ends and opens back up to the vast sea. The joy fizzles out before it can even take root, the sight in front of you filling you with a sense of glum acceptance. Even if you can see the end, there's no way you'll make it there. The ship is moving too slow, almost no wind making it past the tall mountains.

Your head throbs painfully as the siren's whispers turns more insistent. You can feel the creature's wrath, how angry he is that you're still resisting him. The increased pressure behind your skull makes you groan, your vision going dark as you're hit with a sudden dizzy spell.

Gripping the wheel, you're confused to find that the woods feels thicker, less polished, than it was only seconds before. You force your eyelashes to part despite the sharp pain it gives you, blinking furiously to clear your swimming vision. Your knees nearly buckle as the silent waters below come into focus, your body no longer on the upper deck. Dazed, you stare at the white knuckled grip you have on the railing, your feet tucked into the openings between the posts.

"Oh gods," You whisper shakily.

You have no idea how you got here.

The sound of a soft splash makes you turn your head to the side. Your throat runs dry as you watch the big circle of ripples that fan out from the spot where something dived underwater, the waves much too big to come from a normal fish. As you keep looking at the one spot in disbelief, one of the lanterns on the ship sway outwards, following the rocking of the ship.

It takes you a moment to realize what you're seeing, the stale bread you had earlier that day shooting up your throat as the waters on the side of the vessel is lit up. The ocean is no longer the clear blue it was when you entered the passage but rather a murky red, saturated with what must be the blood of your crewmates.

The sight makes you heave, tears springing to your eyes as the reality truly settles in.

You're going to die.

The siren – the predator – luring you all to your deaths, is clearly waiting right below, ripping everyone apart the moment they're submerged below the water. Even if the shock of the cold sea woke them up from their trance, they would have no chance to fight off such a vicious creature. You have no chance. The moment you step off the ship, you're dead.

You sob as the shock tapers off, the singing once again hitting you with full force. You can't stop your own body as you clumsily clamber over the railing, your feet moving without your permission. It's only when you hit the ledge that you find yourself able to jerk back, a moment of temporary control allowing you to plaster yourself against the banister.

Staring down at the crimson sea, you find your mind going blank. You always expected to see flashes of your life pass by your eyes when faced with certain death but there's nothing. No happy memories to numb the inevitable pain of being torn apart, muscles shredded to bits as water fills your lungs. No echoes of the voices you adore saying that they love you and that everything will be okay.

Instead, there's only the deadly quiet sea and the siren's taunting whispers urging you to jump.

You eye the dark water, noticing a large shape moving closer just under the surface of the ocean. You mindlessly reach for the dagger on your hip, clutching it tightly in your hand even if it means you're only clinging on with one arm. If your death is unavoidable, then you're sure as hell not going down without inflicting a deep cut or two.

As something begins to emerge from the water, the song that has been constantly ringing between your ears suddenly quiets down. Your skin puckers with goosebumps, all the hair on your body rising in fear as a head slowly rises above the surface. The siren's dark locks are one with the water, the long strands flowing into the ocean like spindly fingers. In the dark, there's no telling where it ends, as if the ocean is merely an extension of the creature itself.

Two pitch black eyes, as dark and deep as the starless skies above, lock onto yours the moment they rise above the surface. The flickering lantern doesn't offer much assistance but the poor light tells you that it has no discernible pupils, nothing to indicate that there's any life in them. It's like staring into an endless void.

Despite the chill those eyes send down your spine, your feet willingly takes another step forward, like the mere presence of the creature alone is enough to entrance your body. You let out a pained scream as you slip, your shoulder popping loudly as you manage to grab onto a post, one arm working desperately to keep you from failing into the water below.

"No, no, no," You whimper, gravity making it impossible to reach up with your other arm. You won't be able to pull yourself up even if you drop your knife, the small ledge above making it impossible to locate another post.

You glance down as you dangle from the ship, your grip almost slipping out of fright as the siren's maw comes into view above water. His jaw is unhinged, hellish, mouth stretched way past that of a normal human. It's filled with rows of fang-like teeth, all stained with crusted blood. Terrified, you watch as the siren seems to simply pop his jaw back into place, like the fact that it was just opened so wide it was touching his sternum poses no issues at all.

The creature tilts his head, thinking, as he watches you struggle to drag yourself up. He swims closer, the movement so fluent it looks like he's just gliding through the water. Your arm is shaking terribly by the time he's only a few feet away from where you'll hit the ocean, your shoulder screaming with hurt from holding on for so long.

Through the blinding pain, you see the siren reach out a webbed hand, his long black claws nearly the size of his fingers. He gives you a smile you can only describe as sinister, blood stained teeth on display and his voice melodious as he says, "Come, pet."

You can feel the thrall taking hold this time, your body willingly going slack one limb after the other. You have no time to think, no time to act, before your hand simply just lets go of the railing on its own volition.

In the second it takes for your body to fall, before your eyes squeeze shut and your body is surrendered to the water – all you can think as you spare the skies one last glance, is that the gods must be cruel if they can't even give you a starry night to look upon before you're torn apart by their horrific creation.

Groaning, you slowly open your eyes. There's a dull ache at the base of your skull and every blink up at the pink-tinted sky only seems to make it throb more. The surface you're lying on is hard, terribly uncomfortable, and there's no steady rocking motion to soothe you back to sleep for a few extra minutes of rest.

Something feels wrong.

It's only when your eyes have fully adjusted to the soft light that you're snapped back to reality, the distant sound of waves breaking bringing back the memories of the night before. You jerk upright, heart racing, as they come flooding in all at once. The crew, the siren, the blood. You jumped. You should be dead.

You force yourself to take slow, steady breaths, shakily inhaling air through your nose as you glance around. You can't afford to panic right now, not when you don't know where the creature is or when it might come back.

The morning sun is just barely peeking over the top of the mountain that's blocking most of your sight, casting a large shadow over what appears to be a lake just in front of you. It's still dark, still dawn, on your side of the mountain and it makes the faint glow on the rocks all the more noticeable. You're too far away to tell for sure but you have a terrible feeling that it's likely the same flowers that you sailed past in the passage. And if you can still see them, that means you must be on the other side of the mountains you attempted to travel through.

You're sitting near the mouth of what appears to be a small cave, connected by a large piece of flat stone that's jutting out into the lake. It's lined with clusters of big and small rocks, creating an odd border along the sides of it. The mountain around the cave is unnaturally smooth, the incline too sharp for you to even think about climbing it. No matter how much you stare at the rock formation that's surrounding you, you can't find a way out. There's no open space that would allow you to escape.

You eye the other side of the lake with a shudder, noting that it looks to be more rough there with a few ledges and ridges you can probably use to haul yourself up. The only problem is; you'll have to actually swim across the deep body of water first. It sounds like a sure-fire way to get yourself eaten, though you doubt staying here is much better. The creature must've kept you alive and brought you here for a reason, and you're really don't want to find out why that is.

A pained gasp escapes you as you pull your right shoulder back. The initial adrenaline and panic when you woke up must've blocked out most of the hurt of your dislocated shoulder but now that it's starting to fade, it's coming back fast. The bone is still very much popped out of its socket, the area inflamed and swollen as you lightly touch it with trembling fingers. You swallow thickly as your arm begins to twitch, a burning spasm racing from your shoulder to the tips of your hands.

You bite down on your lip to stop your groan, tasting blood as the involuntary cramp continues.

"Fuck," You wheeze, eyes glazing over as you stare at the rising sun. If you're going to have any chance of escaping, you have no choice but to fix your shoulder.

You stuff the damp material of your shirt into your mouth, hoping it'll be enough to muffle your voice as you carefully lie back down on the stone. Years on the sea has taught you a thing or two and dislocated shoulders are a common injury when you're part of a crew that loves to brawl whenever they visit a tavern. You've seen the way they pale and yell when it gets adjusted and while you have no idea if the siren will be able to hear you scream – you'd rather not risk it.

White hot pain pulses out of your shoulder as you extend the arm to raise it above your head, your vision blurring as you slowly reach for your opposite shoulder behind your head. It hurts, gods, it hurts, but you have to do this. You release a muffled scream as the dislocated bone finally pops back into place, cold sweat dripping down your temple as you tremor with pain. You lay there, harshly panting through the cloth in your mouth, until the hurt subsides to only an ache.

You wince as you push yourself off the hard stone, spitting out your shirt to release a labored breath. Your body feels battered and bruised, completely worn down from all the horrors you've been through in the past six or so hours. You have no idea if you even have enough energy to make it across the lake, the distance probably greater than it looks, but what other alternative do you have?

Just as you're about to get off the ground, the sound of a soft splash echoes between the mountain walls. You jerk, heart skipping a painful beat in your chest as you frantically scan the water. You freeze when you notice how the surface is rippling much closer than expected, only a third of the lake between you and the waves that are parting around a dark shadow.

Out of instinct, your hand falls to your hip, searching for your knife. Your fingers only grip around air, the smooth handle nowhere to be found. In your panic, it takes you a second too long to remember that you held it as you fell from the ship, the knife probably lost somewhere at the bottom of the passage.

You scramble back on the rock as the creature's outline becomes visible, hands reaching out blindly behind your back for anything that can be used as a weapon.

You falter, blood running cold, as pale arms suddenly reach out of the water, planting themselves square on the edge of the rock. The siren heaves himself up without any issues, resting his back against one of the larger stones that's lining the flat extension of the cave. Water drips off his body like sparkling crystals in the morning light, giving a healthy glow to his otherwise almost sickly white skin. His long black hair hangs like a curtain in front of his face, the strands reaching far past his back, dipping into the water.

Patches of scales litter his arms and abdomen; a long fin running down the length of his spine. You find it hard to believe your own eyes as you stare at his stomach, at the area where the creature's human-like qualities disappear completely and transitions into that of a fish. His tail is long and thick, dreadfully similar to a serpent in the way it undulates on the rock as the water slowly evaporates from its scales. The slight movement allows the sun to dance across the siren's tail, showing off the iridescent glow that was hidden by the dark night. The sight leaves you transfixed, hues of colors you've only seen in the sky shimmering across his body.

Your attention is only stolen away when the creature raises one of his hands, his webbed fingers and pointed, long nails looking like they've been dipped in black ink. He runs his claws through his hair, parting the long locks that've been hiding his face.

You jerk back, swallowing thickly, when you find that the siren is already staring in your direction. His eyes are just as dark and emotionless as you can recall from the night before, two endless pools of black. The lack of a discernible pupil is unnerving, it makes it all that much harder to tell just where the creature is really looking. Long lashes frame his haunting eyes and the perfect slope of his nose leads down to the plushest, red lips you've ever seen.

You feel yourself pale as he opens his mouth, those horrible sharp teeth becoming visible as he calmly says, "Your knife is long gone, human." The siren dips his head slightly, looking at the way your hand is still resting near your hip, desperate for the familiar comfort of your knife.

What?

Your mouth parts in disbelief, brain slow to compute the fact that the creature just spoke, out loud, with a voice that sounded eerily human and ordinary.

"Can you not talk, pet? I swear I heard your sweet voice refusing me when the moon was high."

"I-I can," You stumble over your words, tongue twisting in your mouth under the siren's watchful gaze.

"Wonderful!" Something pleased passes over his face, his fin hitting the water with an excited splash. The loud sound makes you flinch, droplets spraying up on the rock just shy of your legs. The corner of the siren's lips quirks at your reaction, as if he finds it funny.

It reminds you of the way your crew used to look at street dogs, their expressions taunting and terrible as they made them do tricks for scraps of food.

It's cheap entertainment, they always used to tell you.

You can't help but wonder if that's what you are – mere entertainment for the siren until he decides to stop playing with his food.

The thought makes you furious. The mocking twist of his lips gives you a sudden rush of defiance, your rebellious nature rearing its head despite the dangerous predator right in front of you. Perhaps there might have been some truth to what your captain always liked to say – you never quite learned when to back down and keep quiet.

You breathe in slowly through your nose, attempting to calm your racing heart as you say, "How are you speaking a language I understand?"

"Easy. Humans are simple creatures and so are their languages," He answers, cocking his head.

"What are you, then?" You blurt, "Parts of you look human and the rest does not. Were you cursed?"

Like the flip of a coin, the siren's expression turns hard, offended, at the insinuation that he might be human. He jerks forward, lips pulling back to reveal his sharp teeth as he lets out a terrible hiss. The sight sends all the alarm bells inside of you blaring, your shoulder screaming in protest as you collapse backward, using your elbows to drag yourself further inside the cave.

"I am not a fragile human," He scoffs, turning his head to glance out on the lake. He flexes his tail to deliver another harsh smack to the water surface, the sound bouncing between the walls of crater. "Have you not heard stories, little human? Of creatures blessed with qualities of the sea and land?"

It takes you a moment to regain your voice, fear making it tremble as you carefully say, "Do you mean mermaids?"

"Correct, pet," He hums, "I see you're not completely hopeless."

You dig your nails into flat rock, voice tight as you ask, "What about the singing? You.. you made everyone jump. I didn't know mermaids could do that."

The siren looks wistful as tips his head back to face the sun. He closes his eyes with a small sigh, "Life becomes tedious when you stay in the same place for too long. I needed something new, so I left my brothers for colder water after hearing about these great big things that moved through the oceans there. Hm... I wonder if the ships have managed to reach them yet, it must be close to fifty humans years since I left."

You blink, shocked that the siren is well over twice your age. He looks young, definitely not a day older than you, but you suppose creatures like him must age at a different rate. Clearly the world is much different from what you first thought – slow aging is likely the least fantastical thing out there to discover.

"The ships lost their charm quickly," He adds, "But the humans on-board were fascinating. They called out to each other in melodies, both happy and sad as they sailed through my home. I was alone here at first, few of my kind dared to venture into colder climates, so the humans were all I had for company. It took me many human years to reshape my throat but I eventually learned to mimic their sounds. After that it was easy to learn the most common tongues that passed through my water."

"One day a ship of humans heard me singing and came looking for the source instead of passing me by – that was when I realized it was a wonderful way to lure you in. Your species have always been much too curious for your own good," The sun catches on the siren's teeth as he grins, highlighting the rows of fangs lining his mouth.

You shudder, stomach turning at how easily he speaks of the hundreds, if not thousands, of people he must have murdered over the years.

"Many moons passed and I grew tired of playing with my food. I found a sea witch – awfully slippery creatures – that gave me part of her magic, making it possible for me to enthrall humans from a greater distance. She was of great help, quite tasty too."

You can only stare at him in silence, lips pressed together tightly to hold back the acid burning at the back of your throat.

"I believe you humans created a name for me – to ward off others from crossing my path," He cocks his head, expectant, as he sends you a side-ways look.

"You're a siren," You whisper, pulling yourself back another inch.

"The one and only, pet," He purrs. "Though, I would prefer that you would utter my real name over something made up. Try saying Seokjin for me, little human."

You'd rather force your shoulder back into its socket a hundred times before complying to a monster's wishes, but it isn't exactly a request you can refuse.

So you grit your teeth, forcing out a stilted, "S-Seokjin."

Disgust curls deep in your stomach as the siren's tail once again quivers back and forth, seemingly pleased with your acquiescence.

You look across the lake at the unmoving mountain, mustering up the courage to ask the question that's been at the forefront of your mind ever since you woke up. "What happened to my crew?" You ask weakly, "Are any of them still alive?"

"No."

The answer comes easily, no hint of remorse or guilt in the siren's voice.

You can feel your nails ache and splinter against the rock as you scrape them across the surface, desperate for something to hold on to as you say, "Did you ... Did you eat them?"

"Of course. Do you expect me to starve?" Seokjin replies impassively, "You humans hunt your food too, I've seen how you use those rope contraptions to gather up fish."

You knew there was little chance of other survivors, but the confirmation still feels like a shock. Your vision swims, hot tears burning your eyes as unwelcome images of your crew – your captain – eaten by the very creature in front of you, flashes across your mind.

"We don't hunt other humans! Nothing this close to our own species!" You cry, voice rising with anger as grief twists itself around your heart. Your crew might not have been much, but they were still the closest thing you had to a family – a home.

Seokjin looks unmoved by your outburst, bored almost, as he says, "Pet, this is how the ocean works. Do you lecture fish when they eat their smaller brethren? Species do not matter. It's either kill or die here."

"Then why am I alive?" You ask, swallowing thickly around the lump in your throat.

The siren seems to perk up your question, scales glistening as he straightens up against the rock. He finally turns his head to face to you fully, his dark eyes sparkling with excitement. "See, little human, now you're finally asking the right thing. I find you fascinating – I haven't had a human pique my interest in many moons. I want to know how you managed to resist me for that long, why my thrall isn't as effective on you. What makes you so different from all the other humans that have jumped so willingly into my water?"

A foreboding sense of unease washes over you as Seokjin speaks, every muscle in your body tensing with fear. The siren wants to study you? The only way he can do that is to continue to use his thrall - his voice - and make you do things you do not want to do. He can force you to present your limbs for nibbling and you'll be none the wiser until it's too late.

"I don't know," You shake your head, "I-I didn't even know you existed until last night!"

"How disappointing," Seokjin clicks, the flicker of emotion on his face once again melting away to nothing. "Well then, pet, as expected, it seems you will be staying here until my curiosity is sated."

"What?" You clamber to your knees, gripping them tightly to keep yourself from doing something as humiliating as bowing – begging – the awful creature in front of you for an ounce of humanity that he clearly does not have.

"You can't do that, I can't stay here!"

"Then jump in the water and see how long you last," Seokjin once again flicks his strong tail, the harsh smack sending a tremble down your spine.

The siren's lips part into a something akin to a twisted smile, his blood speckled teeth making you sick as he hums, "Your thighs look delectable, little human, and I am quite prone to an early morning snack. So unless you want to watch as I eat you alive, you better stay put."

There's a minuscule quirk to his brows, a challenge, as he watches you absorb his words. Seokjin doesn't wait for you to give him an answer, your stunned silence more than enough for him. He doesn't spare you another glance as he pushes himself off the rock, effortlessly jumping back into the lake. It only takes a few seconds, a couple of strong flaps of his fin, before he disappears from view and his dark tail is nowhere to be seen.

You find yourself frozen to the spot, unable to move as you stare mindlessly at the spot Seokjin entered the water. The harsh ripples dancing over the surface is the only proof you have that you haven't lost your mind, that all of this is actually real.

Pressing your hands to your face, you finally allow your body to break, to mourn, as you release pained sobs into your palms. Everything hurts. Your body, your mind, your heart. You have no idea how you're going to escape to the mountain on the other side, and even if you do, then what? The siren can just use his song to lure you back down.

Seokjin has made the situation very clear. You can try to cross the lake and dive straight into your own grave, or you let him do what he wants. Either way – you fear it won't take long before the siren makes good on his promise.

You don't doubt it'll amuse him to make you watch as he tears you apart, piece by piece.

a/n: hello folks!! we are once again diving back into the TCS universe, only this time with seokjin as our lead mermaid! what do you think about him and his siren powers so far? this will likely only be a two part series, with more yandere behaviour and some smut in the final chapter, so if you enjoy the story so far please let me know! it’s really motivating to hear your thoughts and read your comments (and reblogs help a lot)!!

the final chapter will likely be posted in july if there’s enough interest for it 🧜‍♀️

in case you enjoy my stories and want to buy me a coffee, you can do so here! 💖

#yandere au #yandere bts #mermaid au #mermaid seokjin #yandere mermaid #mermaid bts #seokjin x reader #yandere seokjin #yandere x reader #bts au #seokjin au #bts fanfic

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moonpetrichors-blog · 1 year

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Hey! Can you write a long one shot where Lo'ak/Neteyam is in a serious relationship with a human girl ( they are around 20 years old), and she hears Neytiri talking to Jake , saying that your relationship is impossible, bc you can't procreate. Then the reader sits alone crying bc she really wanted that to happen. Lo'ak/Neteyam finds her and comforts her. Then eywa sees how much they love each other and blesses their union with a pregnancy where the reader survives it? It would be more like a spiritual conception, it doesn't need to be anything sexual if you don't feel comfortable writing it. Mo'at or Ronal would be the ones to tell the news, since they are tsahik. Idk, I just wondered how this pregnancy/baby would be like. I even pictured Lo'ak/Neteyam laying their heads on the reader's stomach caressing and kissing it, calling the baby 'our little miracle'

Spiritualis Conceptio

Tags: AgedUp!Neteyam x Human!Reader, Oneshot, Avatar 2, Fem!Reader, Pregnancy, Like Spiritual??, Also Bonus Uncle Lo’ak

Warnings: Major Avatar 2 Spoiler

Years pass, and you and Neteyam have been living together peacefully with the Metkayina clan. It has always been a dream of yours to have a family, but as a human on Pandora, you know that's not physically possible when your lover is from another species.

I'm gonna be real with you, I had zero clue how to write this. I seriously needed a couple days to mull over how this would work. Would reader pull a Bella Swan? Who knows! This is lowkey a load of bullshit! Also please keep in mind that although I'm writing this, I am a minor and chose to write this non-sexually and went with the spiritual route. I think this falls under more cute domestic scenarios overall anyway so, WHO DOESN’T WANNA SEE DAD NETEYAM???

* ˚ ✦ 1767 Words • Read below the cut

╭┈─────── ೄྀ࿐ ˊˎ-╰┈➤ ❝ [02/01/23] ❞

You wrung your fingers together as you meandered along the beaches of the Awa'atlu village, contemplating mundane matters. One in particular that piqued your interest was something you had been thinking about for a considerable amount of time; a family.

You and Neteyam had been together for several years; you were both adults who had been dwelling with the Metkayina clan for the last decade or so. You'd left the Omaticaya clan with him, hoping to remain near to him wherever he traveled. You believed it was remarkable that he survived after being shot all those years ago, and since then, Neteyam has promised never to leave you.

And since then, you’ve felt like you wanted to further your relationship with him. To have a family with him. It warmed your heart to think of the way he would be with his children. Would he be like his own father, protective and caring? Strict yet present? Or would he let loose, and be carefree with them? These were the questions you ached to know the answers to.

It's not as though Neteyam was oblivious to your desires. In all honesty, he was thrilled that you wanted a family, but you two had never seriously discussed the crux of it beyond the concept itself. Perhaps it was wishful thinking on your behalf, but you sincerely hoped it would be achievable someday.

After a short while, you became bored and weary from strolling over the sand for so long. You decided to return to your humble home, which, despite its small size, contained many fond memories for you. Your ears perked up at the sound of a woman's voice before you could whisk the portiere aside.

Neytiri.

Neteyam had been waiting for you to return from your beach promenade, but when the curtain to your front door was swept away, he was greeted by the sight of Neytiri and his father instead, who had arrived moments before you. He welcomed them, intrigued as to why they were searching for him and bearing poignant expressions.

You hid beside the doorway and eavesdropped. You knew you shouldn't listen in on other people's conversations, but when your partner's mother was arguing with him inside your home, whom can criticize you for wishing to hear?

You subsequently regretted that decision because you wished you hadn't. Neytiri didn't take her time stating what she intended to say; she spoke it bluntly and firmly, as one would expect from someone of her character. She was always this way.

“Your relationship with the human girl is impossible.”

You felt your heartbeat quicken. What?

It seemed as though Neteyam had the same reaction as you (albeit unaware of your presence), as he immediately shot up from his seat.

“Now is when you choose to tell me that? You had years to disapprove of Y/N! What changed?” he was not happy.

Jake sighed, rubbing the bridge of his nose. “We overheard you both, talking about wanting a family.”

Neytiri interjected. “It will not happen. It cannot, you are not even of the same species! She belongs with her own people!”

Why were they so adamant about this?

“She is a human girl! You cannot procreate, yet you talk of wanting a family?”

“And? Look at Kiri! She had a human mother!”

Jake placed a rough hand on his son’s shoulder. “Kiri was conceived from Grace’s avatar, Neteyam. No one has ever seen or heard of a human being giving birth to a Na’vi child, let alone be pregnant with one.”

He brushed his father’s hand off of him. “It doesn’t matter.”

You were devastated. You were aware that Neteyam's family had reservations about you, but were they always this antagonistic to your relationship? You opted not to enter your home, tears welling up in your eyes. You dashed away, but before you could truly escape, Neteyam pulled the curtain aside to leave. He spotted your sprinting figure as he grumbled over the discussion he had just seconds before.

He groaned as he raised his palm to his forehead. “Shit.”

Neteyam broke into a run to chase after you.

...

You hid behind some rocks, huddling into your body so that you could cry without anybody finding you. Well, almost. Neteyam emerged from behind one of the boulders you were situated in front of, and sat down carefully so as not to scare you off.

His eyebrows were knitted together in concern. “Hey, what’s wrong?”

You wiped your puffy eyes and sniffled. “I heard Neytiri telling you we can’t be together.”

Neteyam embraced you and stroked your hair.

You began to weep again as you sank into his touch. “I really wanted to have a family with you, but I don’t think that’s possible...”

Neteyam felt a wave of guilt surge through him. Perhaps you wouldn't have been crying if you'd fell in love with a human male instead. Nonetheless, he delicately nuzzled you, trying to soothe your pains.

“It’s okay. I don’t care what my mother says.”

When you glanced up at him, he planted a tender kiss against your lips to quell your sobs. You lamented the absence of them when Neteyam stood up and extended his hand for you to take.

You accepted it tentatively, finally putting an end to your sobs. “Where are we going?”

He gave you a soft smile. “You’ll see.”

...

Thank goodness Tsireya also taught you breathing exercises.

When Neteyam said he’d take you somewhere, you didn’t expect it to be the goddamn spirit tree.

You were underwater, squeezing Neteyam's hand as he approached the foliage. He had informed you beforehand that Eywa might hear his prayers, which is why you were here.

You maintained your grip on his hand in trepidation. Neteyam drew his braid over his shoulder, and nodded once more before attaching his queue to the tree.

You could tell he was begging Eywa to bless you both with a child. You sensed tingles across your skin as you felt the energy of the tree move through your lover, wondering whether your family's future was not completely lost after all.

Once Neteyam finished his prayer, he disconnected his queue and helped you swim back up to the surface.

...

You felt ill.

Seriously, terribly ill. You assumed you ate something unpleasant because you became queasy out of nowhere; what was wrong with you?

Neteyam voiced his concerns about the state of your health, and said that he would leave for a moment and bring back the village Tsahìk.

Ronal stepped inside your marui, and raised an eyebrow at your figure. Why did Jake Sully’s son bring her to you? “She is a human, what could I possibly do to aid her?”

Neteyam grumbled, then admitted to what he had done the few days prior. “We visited the spirit tree, and I prayed to Eywa for a baby. Now Y/N is suddenly sick, and I don’t know why!”

Ronal was taken aback for a time. She gazed at Neteyam, puzzled, then swiftly kneeled by your side. She placed her tools near your head, and you began to groan in agony, sweating from the aching in your body.

Ronal shot a glare towards Neteyam. “You, make sure nobody steps foot into this marui!”

Neteyam was a little slow in processing Ronal's order, but he promptly walked towards the entrance to maintain a watchful eye as she toiled. She spoke in Na'vi, and pressed her palm against your abdomen to interpret Eywa's will.

...

“This human girl, she is pregnant.”

You propped yourself up on your elbows, utterly astonished. Ronal had helped to relieve the cramps in your body, but that was overshadowed by the shock you and Neteyam were experiencing at the revelation of your pregnancy.

“I don’t know how this child came to be, but it is clear Eywa’s will has been told.”

You couldn’t help but intercede. “But, Jake said no human has ever been pregnant with a Na’vi child! How is this possible?”

Ronal sighed. “We do not know if this is a Na’vi child yet, but this is clearly some form of spiritual conception. We will simply have to wait and see how the pregnancy goes.”

...

This was not a normal human baby.

The more time passed, the more visible your bump became. Ronal had only alerted Neteyam's family about the pregnancy in case something went wrong with the baby. However, it was becoming increasingly impossible to conceal your body's visible baby bump. Neytiri was surprised at first because she couldn't believe you two had truly conceived a child.

The baby was developing well. To be honest, it was a little too fast for your liking, but it was fine. Aside from the occasional cramps and nausea, your health was excellent, and you were coping well with the pregnancy.

Neteyam was over the moon about your pregnancy. There were numerous occasions when he would lie with you, singing songs to your baby and wondered if they could hear him.

You hoped it couldn’t, because no offense, but his voice was awful. Neytiri’s singing genes did not pass down to Neteyam.

Your favorite moment of those instances though, aside from your lover's atrocious vocals, is when he would kiss and caress your belly while referring to your child as “our little miracle.”

On occasion, you two would dispute over the baby's gender or how much more Na'vi or human it would appear to be. You were certain that your daughter would seem more human, but Neteyam insisted that your son would undoubtedly look like a Na'vi. Furthermore, it was him who prayed for this! He essentially did all of the work!

You would argue that he’s not the pregnant one, and that you’re definitely having a daughter. No questions asked.

Bonus!

You had a son.

Everyone in the tribe was shocked when Ronal announced the pregnancy to them. A child who is both human and Na'vi? It was incomprehensible!

You were absolutely livid as you stood there, Neteyam snickering in the background. Eywa was truly a mischievous deity who relished in playing games.

Neteyam nudged your shoulder in silent laughter. “I told you we’d have a boy!”

You smacked his arm. “Oh, shut up! You weren’t even right about him looking more Na’vi!”

You two quietly bickered as Lo’ak held the infant. “Haha, I’m your uncle now! Look at us, we both have demon blood!”

He began to speak in a singsong voice, “demon baabbyy!”

The baby started wailing.

Someone seriously needed to take that child away from Lo’ak before he dropped it in the sand.

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overleftdown · 4 months

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this is going to be my somewhat-brief analysis (buckle in, it's not brief at all) of preluding scenes to farleigh and olivers... scene, lmao. because i can't read micro-expressions and social cues IRL, but i can for movies! also, i want to give my understanding of farleigh's character using the most substantial part of his arc. i disagree so much with a lot of people's takes on farleigh. i needed to talk extensively about it.

[0:58:46] farleigh makes eye contact with a footman. this is one of the footmen that farleigh mentions to felix in a later scene, which i'll also go into. what's interesting about this subtle interaction is how wildly differently you could consider it, depending on how you choose to view farleigh as a character. if you go the "mirror of oliver," route, then this eye contact could be the moment farleigh decides the route he's going to take to confront felix.

on the other hand, the hand that i believe makes more sense, farleigh is genuine in his confrontation with felix. the eye contact he shares with the footman is reciprocated; the footman holds it, even as his body pulls back and his head turns. this gives the idea that they are making a connection. the expression farleigh makes afterwards is also an indication that farleigh isn't plotting or scheming to earn pity points; he feels a connection and comradery with the only other black people at saltburn. when the footman turns away, unneeded anymore (this can be a parallel to farleigh), farleigh glances down, back up, then purses his lips. he looks dejected, in my opinion. this is immediately followed by farleigh's dig at oliver; "i think oliver looks like he'd rather throw himself out of a window.

food for thought.

[0:59:9] elsbeth: you can invite all your friends. farleigh: what friends?

this can obviously be a petty dig. and it is, in some ways. but i think a lot of these petty digs are because farleigh has been here before. he has watched his cousin drag home mediocre and tragic (presumably) white boys for perceived self-benefit. whether felix wants entertainment, wants to quell his guilty conscious (both of which are motivations for his mother), felix seems to have these fleeting possessive relationships with the friends he brings back to saltburn. he could also be queer and deeply repressed, lmfao.

i digress; farleigh is sick and tired. the first thing he says to oliver, before oliver even got to felix, was bitchy as all hell. after that, farleigh had more incentive to belittle oliver; yes, his comments about mannerisms, class, and overall character were petty. they were also all of the qualities that farleigh couldn't afford to have. farleigh is pointing out that oliver has no social life, yet still gets a 200-person party full of people that don't even know his name. this is tragically unfair, at least in farleigh's mind.

[1:01:25] felix: and fucking farleigh, what a little shit stirrer. oliver: well, someone has to entertain us all. felix: ...right. oliver: that's why we love him.

there's a clear disregard of humanity and depth, when felix concedes that farleigh is "entertainment." the sheer fact that felix would immediately believe oliver, a "stranger (as venetia so eloquently puts)" over a close family member, is odd on it's own. there are probably more reasons for distrust; everyone in saltburn is a shit stirrer, and farleigh does put on a particularly good show.

that's intentional, though. farleigh is very intentionally entertainment. otherwise, why would the cattons keep him around? they're welcoming people to their house as family, because they want a break from the reality of soul sucking wealth. because they want entertainment. elsbeth with her friend, who's only real personality traits are being pitiful and visibly different. felix, with his summer pet projects like oliver. farleigh can't be a temporary show; he needs to keep coming back. he needs sir james to support his mother.

[1:02:40] farleigh: i'm not saying my mother isn't completely idiotic when it comes to money. felix: you just have to be firm with her. farleigh: well i can't call her and tell her no! felix: i know, i know, you've said that. i know, i understand. farleigh: no, you don't know! you don't, it's humiliating. felix: it's very hard.

felix's approach to discussing other people's issues--that he does not relate to--makes me giggle sometimes. not that he's malicious or a fumbling idiot, but because of this scene specifically. in just this chunk of dialogue, you have the "i understand" and "you don't understand" conflict. an age old one. a common representation of someone who has never lived a specific struggle yet frames themselves as knowledgeable. felix seems to enjoy the "it's very hard" verbiage. the manner in which he speaks to oliver about his supposed impoverishment and struggles is very similar to the way he speaks to farleigh, in this scene.

i don't know what else to say about this. you can make your own inferences on felix's dialogue, i suppose.

[1:02:50] farleigh: i'm sorry, but it's a bit fucking shitty. you're all throwing oliver a party for 200 people while my mother lives in squalor. felix: well, she's hardly living in squalor, mate. farleigh: well she can't pay her bills so she will be! okay? at the rate she's going, she will be.

GAH. again, this dialogue can be considered in two different ways. farleigh could be hyperbolizing in order to play into the catton savior complex. or he could be completely genuine in his anxiety surrounding his mother's finances. it's very important that you recognize the fact that farleigh isn't arguing about himself, in this situation. he's talking about his mother. later in the conversation, he recenters himself as a person of color. but the original conflict is about whether or not his mom is living comfortably. this arguably affects him, but not entirely. he could continue to maintain his oxford-student-and-saltburn-resident character and continue to frolic around while his mom struggles to make responsible decisions.

[1:03:02] felix: right, well that's exactly why dads concerned about helping her. he doesn't want to enable her. he wants her to learn how to stand on her own two feet. farleigh: yeah, like he does?

and farleigh ate.

[1:03:09] farleigh: i mean, you know how this looks, right? making me come to you with a begging bowl. felix: what are you implying? farleigh: i think you know what i'm implying, felix. why don't you ask liam and joshua? felix: who... who the fuck are liam and joshua!? farleigh: ...your footmen.

farleigh's mannerisms in this portion of the scene GAG me. the easy confidence, the self-assured and confrontational attitude. the cocky wave of his shoulders and tilt of his head. he smirks, scoffs, makes and holds eye contact as emphasis to what he is accusing. the way he says "i think you know what i'm implying" even though i'm not quite sure if felix did. this really hammers in the implicit nature of the cattons' treatment of farleigh.

[1:03:33] felix: oh, oh. that is... that is low, farleigh. farleigh: okay. felix: jesus christ, mate! seriously, is that where you wanna take this!? farleigh: right. felix: make it a race thing!? what the fuck! i mean, we're your family, we hardly even notice that you're... different, or anything like that! farleigh: mmm. felix: i never know our footmen's names!

GAGGED. i eat up this scene and lick my fingers. "wohohoho, i don't see color! i can't believe you'd make it a race thing!" i know i should cut felix some slack, but this is just a little too real. although i've cut farleigh some slack for his classism.

the complete change in farleigh's mannerisms from the previous timestamp to this one is EDIBLE. i can't cope with it. his smile as felix says "that is low" is so painfully real. it says "i've been here before and maybe i was expecting this." for a second, felix is almost entertainingly cliche. then the exasperation hits. farleigh just looks tired. he blinks rapidly, smooths over his eyebrow with his hand, vocalizes his disbelief in felix's denial. "we hardly even notice you're different," to which farleigh crosses his arms (defensive), raises his eyebrows, nods along.

i won't include the final few lines of this conversation cuz i'm blabbing FAR too much, but farleigh's expressions of absolutely exhaustion and disappointment as felix says they've "been more generous then most"... i'm so sick. it doesn't matter what other families would do, because this family passes out charity like it's their favorite pastime. farleigh is your best american girl.

oliver, overhearing this conversation, immediately knows what his next plan of action is. compare himself to farleigh. and really, it's funny, because oliver misses the obvious differences between him and farleigh. just like everyone else. he will never feel different, not in the same way farleigh does. not with farleigh's relationship to the cattons, the legacy of his parents, and his blackness.

[1:06:32] (godfather's karaoke scene, AKA apple bottom jeans. he's a disgusting manchild and he throws his jacket at his wife.) is it odd to point out that another one of the only visible black characters is being degraded/mistreated/disregarded? not crazy, right? especially following the conversation about bias two scenes ago.

[1:07:02] farleigh: y'know, i think i'd fuck richard the III. he's so insecure, so you'd know he'd put in the work, right? oliver: or you could just fuck me, right?

here, i think there's a level of projection that farleigh is using in his line about insecurity. not only is it made known that farleigh uses sex as a tool (with teachers, specifically), but it's also made known that farleigh believes/knows that he is treated differently due to his race and/or family history. oliver seems to have clocked this, considering he relates himself to richard the III, then tells farleigh they have similar experiences.

[1:07:34] oliver: y'know, if you ever wanna talk to anyone, you can talk to me, farleigh. farleigh: ...what do you mean? oliver: well, i know you're going through a hard time at home. i know how that feels, when things are so precarious. it's terrifying... and lonely. and it must be so fucking weird, having to ask them for everything. and i know you fucking hate me. farleigh: i... i don't hate you. oliver: but... if you ever wanted me to talk to them, to see if there's... if i can help in any way... just ask. farleigh: ...okay.

i love this movie. have i said that yet? i bet you definitely couldn't tell by this post. this conversation is so... there's so much to talk about.

i'll start with some of my favorite of farleigh's mannerisms/expressions. when oliver first cuts their... tensions with "you can talk to me," farleigh pulls back slightly, sits up slightly, looks across oliver's face. there's a level of shock to it, but. farleigh was comfortable with oliver, his sworn enemy, flirting with him. yet, he pulled back at a genuine offer of support. some see this as farleigh always wanting oliver sexually, but i think it's more nuanced than that. when oliver says "terrifying... and lonely" that's when the camera cuts back to farleigh. he previously wore a half-smile that is now dropping; "lonely" was the hardest word to swallow. his lip is quivering. he looks up in an almost-eye roll when he says, "i don't hate you." he's laughing when oliver finishes, like he finds it all funny, yet the way he says "okay" makes him seem genuine. however... clearly not, considering the next portion of this scene!

even though oliver is lying out of his ass, everything he's saying is a description of farleigh. people grossly misunderstand farleigh's character, even when it's laid onto a banquette sized table through this portion of the movie. he's insecure, desperate, terrified, unsure, and lonely. farleigh, with so many friends and so many scandalous choices, is so fucking lonely. he knows he doesn't belong here, so he jams his ill-fitting puzzle piece into the saltburn jigsaw and crosses his fingers.

he tells oliver he doesn't hate him, and he looks like he's struggling to spit it out. he looks up towards the ceiling, closes his eyes like he's gathering himself. again, people take this as a bonding moment. the next portion of the scene contradicts this. honestly, i'm not completely sure, either. i think he's honest when he says he doesn't hate oliver. so, what? he's jealous, definitely. he wants to hold the same power as oliver, a foreign entity with somehow so much more privilege than farleigh. maybe that bred a certain kind of infatuation; the need to emulate what you'll never be. of course, he sees himself in the boys felix brings home; they, just like farleigh, need or want something from the cattons (although i object to the idea that farleigh is somehow "a mirror" of oliver). do what you will with this word vomit, i don't know where i'm going here.

and OH MY GOD "if you ever wanted me to talk to them, to see if there's... if i can help in any way," is diabolical. so terribly diabolical. the sheer idea that oliver knows, is pummeling it into farleigh's face, that he has authority over farleigh's life like that? that he knew felix for six months and he can somehow "talk to" farleigh's family about treating farleigh better... vomit inducing. farleigh is actually your best american girl.

[1:09:39] (karaoke scene) elsbeth, so uncomfortable with the idea that oliver is using them. i suppose that's the manner of wealthy people; they don't want to believe that they're only good for their money. but... they did that to themselves, in a way. they enjoy the pet projects, the charity work, the ego boost that comes with inviting the "lesser" to saltburn. hanjob on a haybale, golden big boy summer, right? everyone in the room is scandalized. farleigh is having the time of his fucking life. yet, here's the kicker,

[1:10:10] oliver: this is your song too, farleigh. come finish it. farleigh: only if you insist!

and then farleigh gives the performance of his life, by the way. people died. but... nobody is uncomfortable. literally no one. no one shudders or gasps at the scandal of oliver saying "this is your song, too" over the karaoke microphone; everyone heard. nobody cares. they all know. they start clapping farleigh on, cheering. elsbeth relaxes back onto her bed of cushions, because farleigh is entertaining. the change in mood is soooo... interesting.

[1:10:45] curse this scene, i don't even want to talk about it. it was hot, oliver and farleigh are so homoerotic, whatever yadayada. just like every other sexual scene in this movie, it is riddled with a suffocating kind of uncomfortable tension. we are made intimate third-party witnesses to carnal, sinful, emotionally ambiguous scenes. when i pointed out farleigh seemed more comfortable with flirting then comfort, when i said farleigh uses sex as a tool, when i said farleigh was projecting with "he's so insecure, so you know he'd put in the work." i just overthink. but any person that has sexual relationships with teachers needs intensive therapy and that cannot be denied. however, it's oliver, that uses sex as a tool throughout this movie. another uncomfortable parallel between the two characters.

something about farleigh's expression throughout this scene is... kind of hurtful. the way the moonlight just barely illuminates the light in his eyes, whereas any detail of oliver's face is shrouded in darkness. it make's farleigh look young, innocent, real. (sidenote, as i'm watching, i have to mention this. the way farleigh says that second "no" is so funny. "...no...?" LMFAO). man, i don't even know what to say, past this. the whole dominant dynamic, farleigh saying "i'm going to behave" is a little too painful considering the context leading up to this scene. it's freaky. it's so very oliver.

this is way too long but i could make so many more connections with their final confrontation at oliver's birthday party. i'm drowning in thoughts. what i really wanted to highlight was how ambiguous farleigh's character is, and how differently a lot of his scenes can be perceived. i've decided that farleigh is a sympathetic character, similar to oliver but so much less powerful. some people hate farleigh! so. there's that. the end! thanks to anyone who read this whole thing!

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