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#roy a. giles
kitsunetsuki · 1 year
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Roy A. Giles - Honey Magazine (April 1973)
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angieschiffahoi · 1 year
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ted lasso is giving me anxiety
do i like this show because it hurts me? yes
do i want everyone to be happy regardless? of course
f*ck rupert? always
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imperfectfragilediary · 3 months
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L'Uomo Vogue 1993
Ron West, Giles Lees Curtiers, Ward Stegerhoek & Roy Liebenthal by Steven Klein
Styled by Stefano Tonchi
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the-mediaeval-monk · 4 months
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Walters Art Museum Les livres du gouvernement des roys et des princes W.144 f.2r
A kneeling Giles of Rome, dressed in the black habit of an Augustinian monk, presenting the book to a seated Philip the Fair
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threewaywithdelusion · 10 months
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I’ve been seeing the Jamie Forgiving His Dad debate and I think it’s really interesting.
A) we don’t know if he forgives his dad. All we know is that he visits him in rehab. Maybe they fight. Maybe Jamie decides he can’t be around his father because his dad finally making an effort is too little, too late. Maybe James Tartt falls off the wagon.
B) I don’t hate it as an ending because it feels true to the characters. If I were Jamie, would I forgive James Tartt? No. Do I think people should always forgive their abusive parents if they learn from their mistakes and try to be better? Also no. Do I think Jamie Tartt, as a character, is the type of person to give his dad a second chance even after everything his father put him through? Absolutely yes.
Do I think Ted Lasso is the type of person to tell Jamie to forgive his dad even though that’s arguably terrible advice? Also absolutely yes. Ted believes in second chances, even when people don’t deserve them.
Watching Ted Lasso, I was thinking about Buffy. (Haha yes, the day I don’t relate something to Buffy you will know I have been replaced by an alien lookalike).
Anyway.
In Buffy, Giles says “To forgive is an act of compassion, Buffy. It’s not done because people deserve it. It’s done because they need it.”
In some places, Ted Lasso executes that idea really well. It’s Ted forgiving Rebecca for sabotaging Richmond for a whole season because “divorce is hard.” It’s Ted telling the police that he gave Beard his car. It’s Ted never holding Nate’s betrayal against him, even though it hurt him deeply and personally, and welcoming him back with open arms.
It’s Ted, it’s Ted, it’s Ted.
Of course Ted told Jamie to forgive his father. He couldn’t ever have done anything else.
Also featured in Buffy is the idea that “redemption is a process, not an event” (to quote Mark Field in Buffy the Vampire Slayer: Myth, Metaphor, & Morality). This idea shows up again and again, but especially in the characters of Angel, Faith, Spike, and Willow.
One grand gesture is not redemption. Promises are not redemption. Redemption “is fighting. It’s hard and it’s painful and it’s everyday.” 3.10
So no, I don’t think James Tartt has been redeemed. I think he can be. If he tries really, really hard every single day for the rest of his life, then maybe he can be redeemed. He can’t know he will succeed and that’s part of the point: to struggle and fight to be good, not to win back Jamie’s affections or to be considered a good person, but because it’s the right thing to do.
(Doctor Who now: “Goodness is not goodness that seeks advantage. Good is good in the final hour, in the deepest pit, without hope, without witness, without reward.”)
Redemption is Jamie apologising to his teammates, not being a bully again, and actually passing the ball. A (much flimsier) redemption is Nate giving up the glory that he’s chased at everyone else’s expense and going back to being Richmond’s kit boy.
Redemption is not Isaac attacking a homophobic fan because that is an Event, not a Process. (If he wants redemption, he’s going to have to work harder and keep working, but I do have faith that Isaac will get there).
One of the things I like about Ted Lasso is that the characters are imperfect. Always. They work on themselves and try to be better people and they’re still imperfect. When the story ends, Roy is still the kind of guy to get into a fistfight over his ex-girlfriend. Jamie is still the kind of guy to use a leaked sex tape like a weapon when he feels threatened. Rebecca is still the kind of woman who shields herself against a relationship that could really hurt, because she's been burned before. Ted still hides his emotions behind humor and forgives people who don’t deserve it. Beard goes back to Jane.
Do the characters end up better than where they started? I’d say overall, yes. Have they fixed all their flaws and overcome all their struggles? Absolutely not.
All that to say, I like that Jamie went to see his father. Personally, I think that's going to go terribly and James is going to let him down again. I don't think James Tartt deserves forgiveness or a second chance. But Jamie has to be Jamie. And Jamie was always going to forgive his father the second James Tartt showed the slightest hint of trying to reform himself.
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kutputli · 1 year
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I planned to rewatch season 2 of Ted Lasso doing my Nate notes before watching season 3, but the torrent dropped and I was weak. So since I seem to have decided to break my lurker mode and get into participatory fandom after mumblemutter years, forewith! Oh also, I propose a #Safe for Nate Fans tag for ease of finding posts of likeminded people. :)
I find myself watching the show with a split conciousness. Which is always how I watched it. In one way, I watch it in ‘normal’ mode, which is to say through a white gaze, which I’ve cultivated through decades of watching white media and being perfectly able to enjoy and appreciate it. When I do that, I’m able to spread my attention wide and indulge my curiousity about all the characters. (I’ve never had much affection for either Ted or Rebecca, so I look around them to see what the rest are doing. Roy, Trent, and Sam the most, and then Keeley and Jamie.)
But reading fannish posts about the show, and reading fic, inevitably gets me into the second mode of watching, which is as a person of colour, watching a show made by white people, which has a few (so few!) characters of colour. And oh boy, the defensive tension that envelopes me as I watch it that way.
All of which is to say, its very hard to code switch between both. Either I can be in one mode and complain about the absence of Trent when teased with James Lance in the series regular credits, and I can writhe in the excruciating agony that is Roy and Keeley’s shattering heartbreak as they go through their super mature super friendly concious decoupling and to wonder where the fuck a constantly crying Keeley came from and when she hung out with Higgins so often... or.
Or I can talk about how I automatically notice every non-white body in every frame, and start counting them in every scene with extras.
And since I guess there will be enough posts doing the former, that I can like and agree with, I might as well do the latter.
I am so angry about Sharon being given a (presumably) white boyfriend. Because the ultimate signaling that a Black woman is successful is for her to have a conventionally hot, thin, tall, WHITE man. Fucking yuck.
Meanwhile Nate... Jesus. Watching him be cruel to people below him is just painful. That moment when he ignores the hello from the Black woman on the escalater... ugh. And there’s always the explanation that he is so caught up in his own head and his paralysis of social interaction, but still. It’s wrong, and it hurts to watch. I can’t bear people who are rude to employees, and I’m so angry with Nate for doing that. And I’m also angry that I have to keep pointing out to myself, in response to the fannish reactions I’m anticipating, that none of what he is doing is worse than the way Rebecca treated her employees. (And probably how Cartrick treated the players?) The dum-dum line is just terrible, but then again, Ted Lasso told Nate to call his players big dumb pussies, so...
Nate’s new colleagues! Disco is entertaining! I enjoy how he does not seem to be judging Nate, and has an eager terrier vibe of his own. It would be nice if they could be friends.
Rupert’s PA Ms. Kakes, that pallid zombie lady, is interesting, because here’s my prediction. She’s kind of Rupert’s new Higgins. So she probably has to help him bring his women in and out. I suspect at some point Rupert will either sexually harass her, or do something else that she feels responsibility for, and Nate is going to side with her over Rupert. And that (to call back to Keeley’s line about how the previous business in her new office got shut down) is going to be how Nate will help take down Rupert. (I did enjoy the casual mention of the Sacklers as Rupert’s friends to signpost that he is Truly Evil and The Worst. Yes Rupert, you are.)
I am also enjoying the hell out of watching the craft both Anthony Stewart Head (Giles!) and Nick Mohammed are bringing to their scenes, because they are both being so very layered. Rupert just keeps flipping on a dime between genuinely charming and flirtatiously encouraging, and coldblooded threats (he totally staged that car tow, like he got Robbie Williams cancelled). And Nathan... can hold his own! He’s getting so much better and being able to keep up with the social interaction, and respond to the situation as needed, and yet maintain a bit of his own voice and opinion (on his face, if nowhere else.) I honestly thought Nate would just let them tow the car away and try to get it back quietly afterwards, out of shame, but he spoke up for his ride. (And of course the parallels - Nate gave Ted a ride in his car on his first day, Rupert gave Nate a car on his first day.)
And now, Nate’s first press conference! (And of course, all the parallels with Ted’s)
“I’m pretty sure I said wonderkind” - this is at the heart of the Problem of Nathan. Because, he didn’t. I’ve gone back and watched it. We’ve all gone back and watched it. We’ve seen Jan Maas point out to him his mistake. But Nathan just doesn’t let it go. He keeps sticking with the lie. Has he convinced himself about it too? I honestly can’t tell. But here’s the thing. This is a character who has for years, for decades, been dealing with lies and gaslighting and omissions - structurally, by being the kind of person he is in the place he is in. He was told he was worthless, and only capable of being a kitman, and of course I can fill in all the lies a brown man in post-Brexit Britain gets met with, just while walking down the street. Colin and Isaac and Jamie all acted like they had never bullied him. Rebecca taking actions that anyone with a knowledge of the game and the club like Nate has would be able to tell were harmful, and then just acting like she was always everyone’s well wisher. People in power lie, and the structure supports their gaslighting and their rewriting of of history. So that’s what Nate is doing, stubbornly pushing his own stupid, ridiculous lie at all the powerful people he aspires to be a part of. This is the part where I’d like to sit Nate down and ask him what his morals really are. Does he want to make of himself a Rishi Sunak or Bobby Jindal? Is he that self-serving and hypocritical?
There are two reasons why I know Nate to be better than the average self-serving conservative desi sell-out: One is the deep vein of feminism and sensitivity that runs through him - his inner critic is as harsh on him about the misogynistic mistakes he makes as about the social cues he fumbles. And the second is that, unlike Ted (who cares about people) and Rebecca (who cares about winning), Nate cares about the game. He has a deep love for football, which is what fuels his knowledge of it. And unlike Rupert, I don’t think Nate hungers for power (though he definitely misuses what power he now has). I think Nate hungers for belonging - for being included, for having the right to be considered an inalienable part (of the game, of the people, of the nation). The only way out is through, but I hope that we will find a distinction between the way Rupert loves the game - wanting ownership and control, and how Nate loves the game - wanting inclusion and celebration of his own talents in improving it.
But back to that press conference. Nate having the soundtrack of an impending panic attack like Ted had is a bit on the nose, and I get that the show wants us to keep comparing how Ted deals/dealt with a situation vs how Nate does. But, I’m sorry, you just cannot keep making 1:1 comparisons between a well off white American and a middle class brown Britisher. As Nate keeps futilely reminding the narrative - he has a right to be here, he belongs!
What I find frustrating and fascinating is the entire absence of any discussion of Nate as a person in Richmond - Higgins and Rebecca are alone, watching his press conference, and there is not one personal remark about him - oh, he’s really gone grey now! Has he lost weight? His contract was generous enough for him to have not needed to leave, right? Something? Anything! Even Beard and Roy and Ted - all we get is a “that little shit” from Roy. It’s all of Nate’s worst fears - they don’t know him, they don’t remember anything about him, they don’t talk about him. Contrast that with how much Rebecca talks about Rupert. Whatever happened to ‘be curious, not judgemental’? I actually think that’s rubbish - I am both curious AND judgemental of things that bother me, but why is no one gossiping about their assistant coach suddenly fucking off?
Besides the journalist who asked the sewer photo question to Nate, there was another older Black woman journalist in the funky flowy top. I hope one of them becomes the Trent Crimm to him. Though its nice to see Marcus Adebayo get his full byline at the Independent. Marcus’s article says, “Harsh words from Shelley for the club and coach who raised from obscurity as the kitman to assistant coach” and yet again - the same misleading narrative of white saviorism and enforced gratitude. Ted needed Nate’s help to do the job he was unqualified to do, and Nate gave his extra labour, skill and help for a full season without any recompense. For all of Ted’s being nice about Nate on a personal level (and I do believe in the genuineness of that niceness) he has not reversed this narrative of what Nate owes to him.
And that is the Problem of Ted Lasso. Ted values personal kindness and generosity over structural change which is both why he fails to be an actual friend to the first person (of colour) who was kind to him when he came to the UK, and also why he is failing as a coach to get his team to the victorious position his boss wants him to take it to.
And then we see Ted Lasso ‘fighting back’, as Rebecca begs him to. (A note that marginalised people are often not perceived as fighting back against the structural injustices that attack them daily; they are mostly portrayed by the dominant framing as just ‘combative’ and ‘angry’.)
This scene is doing a lot of work, and I think of it as emblematic of the show (and the writers) greatest strengths and weaknesses both. The show is good at craft and writing and flipping from emotion to comedy to pathos to truth, and this scene does all that. Ted makes himself vulnerable, though you can see how it batters at him to invite those laughs. It’s a contrast to Nate - a reminder that the masculinity the show values is about bringing down one’s defences and inviting collaborative relationships - get people to laugh with you, don’t attack, be kind.
But the show is also terrible at accounting for the ways that race and racism are a structural force that affects every character it casts with a racialised body, and this scene highlights it. Nobody laughed with Nate when he was self-deprecating and open. In season 1 we see him constantly try to respond to his bullies with laughter and smiles, trying to play it off as banter between equals so as to minimise the hurt it causes as violence with a power imbalance. It doesn’t work. (And anyone who has studied the evolution of the stand up comedy circuit over the past few decades - a background that of these several show writers have - knows the ways that material is racialised, both the race of the comedian, and of the audience, matters deeply in figuring out what material gets people to laugh, and when.)
You cannot expect me to believe that Nathan Shelley, newly minted coach of West Ham, at his first press conference, could have got everyone to laugh with him and twitter to meme approvingly had he made jokes about calling himself a dummy and the washer of other players’ underwear. That Ted’s tactics are universal, and would work for any man, and not specifically a successful white american who got paid the big bucks to do a job he wasn’t qualified for while he fucked off and left his son on his Eat Pray Love foreign travel. (Nathan will never be allowed to forget that he fucked up the pronunciation of wonderkind. Ted can make comments about a reptile having a belly button uncontested.) 
And I bet that’s what Nate is thinking as he watches that press conference - that subtle fear and sadness on his face (God, Nick Mohammed is SO FUCKING GOOD) for both himself and Ted. Nate cares for Ted as he resents him, and watching Ted publicly take a hammer to himself like this is scary and painful. But its also terrifying because Nate has been frantically trying to keep up with the rules of professional interaction in the echelons of power, and now here’s another exception made. Did he just fuck up again, making them laugh at his wit about another team, the way that Rupert clearly indicated he was to do?Ted was the one who taught him it was ok to be snarky and snappy and put-downy! Now he has to account for a different way to play the game?
I’m not going to pick a side on the headcanons about Nate being neurodiverse, but even for neurotypical people codeswitching and transitioning across lines of race and class and culture - it is exhausting to keep up with the constantly edited rulebook in your head. And Nate has not a single person on his side to help him do it.
Cue the text from him mum, which, imma just going to be full South Asian and call her Aunty. Because she sends him photos of the pretty moon, and he responds sweetly, because of course he does. I bet she sends him whatsapp forwards about eating almonds soaked overnight in water. The thing about his dad being upset about him swearing - its a very immigrant experience to have to prove over and over that you know the language as well as the white people, and can use it properly and politely, that you aren’t uncouth and barbaric. I know exactly where the dad is coming from and I also know how it cuts Nate like a knife that never once can his parents just be fucking normal (white) and say love you! (This is why I maintain that Nathan’s dad is not the James Tartt Sr monster that fandom makes him out to be. He’s an immigrant parent who raised a diaspora kid and the can of worms of messy fucked up relationship that involves is a whole other thing.)
I love that Nate read the note saying follow your gut, and immediately went for the honesty of admitting that he didn’t know whether to open the present in front of her or not. (The struggle is real).
Ms Kake’s ‘its a car’ was beautifully delivered. I get the sense that this character is watching a seduction going on as she has had to facilitate for many before, and is observing with the attentive dispassion of a scientist.)
Rupert nodding from the asinine futuristic window like a cartoon supervillian, while Nate gives a nod and immediately after (he can’t help it!) and awkward thumbs up. God I love these two actors. And I really really want to watch Nate collaborate with Ms Kake and take on Rupert. That would be the parallel to season 1 Ted and Higgins vs Rebecca that is worth making the comparison with. (Nate, unlike Colin, can drive a fancy car perfectly well.)
I’m not a fan of the precocious children dispensing wisdom trope, so Henry telling Ted he still needs to try to win, and Phoebe saying Roy is stupid for breaking up is whatever, but if I don’t see Nate’s niece in person this season, I will sulk a lot. (I am assuming Trent Crimm’s daughter will show up as part of whatever romantic arc he’s destined for.)
My final plea for the season is to see Nate in non-branded non-work clothes, and not That Suit, either. Let the man do a scene in jeans and a soft sweater! And thank you lord, for the gratuitous shirtless Sam shot.
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thedeadleafs · 6 months
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The Supersizers Go... Edwardian (AKA 'Edwardian Supersize Me')
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BBC 2 Series in which restaurant critic Giles Coren and writer and comedian Sue Perkins experience the food culture of years gone by. This was the pilot episode (originally broadcast in 2007) which went on to inspire the later episodes and series.
In this episode, restaurant critic Giles Coren and writer and performer Sue Perkins spend the week on the diet of a wealthy Edwardian couple. Cue enormous amounts of offal, game, red meats and eggs - consumed from breakfast to late night snacks.
Over the week they have a nine course dinner party with guests including Roy Hattersley, and an authentic 1905 society banquet attended by Anton Mosimann at The Savoy.
Overwhelmed by the amounts they have to eat – over 5,000 calories a day – Sue and Giles knock back the alcohol, play practical jokes and find themselves constipated for most of the week.
The Edwardian era (1901-1914).
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still-single · 1 year
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HEATHEN DISCO ep. 334 streaming now
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HOUR 1
Th’ Faith Healers – Don’t Jones Me
Spacemen 3 – Billy Whizz/Blue 1
Shizuka – 6 Gram Star
Kicking Giant – She’s Real (version)
Trees Speak – Stone Tape
Mark Stewart + Maffia – As the Veneer of Democracy Starts to Fade
Charles Hayward – Lopside (A JD Twitch Optimo Espookio Version)
Ministry – Twitch II (version)
Cyberplasm – Autogenesis (HIDE Remix)
Old Saw – Weathervaning
Ultramarine – Pansy (Peel Session)
HOUR 2
McDonald and Giles – Tomorrow’s People (The Children of Today)
Roy Ayers – Sweet Tears
Patrice Rushen – Haven’t You Heard
Primal Scream – Higher Than the Sun (A Dub Symphony) Part 1
May Blitz – Virgin Waters
Todd Rundgren – Chain Letter
Tim Hecker – Living Spa Water
Mag-Amplitude – I Like to Rock and I Love to Roll
Fresh Blueberry Pancake – Clown on a Rope
Sudden Death – The Zoo
Los Kowalski – 323/Tama
London Brew – Nu Sha Ni Sha Nu Oss Ra
FACS – Class Spectre
HOUR 3
YoshimiOizumikiYoshiduO – yO Me
Xylouris White – Witnessed by Angels
Walter Bishop Jr. – Soul Turn Around
Anadol – Casio Havasi
Loose Ends – Slow Down (Slow Jam)
Opium Monks – The Secrets of Africa (instrumental)
April Magazine – Jungle City Beat
The Flowerpot Men – Jo’s So Mean to Josephine
Future Sound of London – You’re Creeping Me Out
Playgroup – No Speed Limit
Bar-Kays – Boogie Body Land
Mute Duo – Landmusik
The Dark – Last Day
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crackers4jenn · 1 year
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I've watched about 9 episodes of Ted Lasso total, and most of those have been this season, but here are my half-serious "I barely have the context I need" predictions for how the show will end:
Ted's gonna go back to the States and re-spark his relationship with his ex, family wins!!
Rebecca's gonna wind up alone and awesome and not needing a man because seriously she's still way too haunted and distracted by whatever the heck Rupert (Giles) is doing all the time to fall into a sudden forevership
(but maybe the Dutch boatman will show up at the last second for a dot-dot-dot crumb to imply there's a literal ship on the horizon, with her name on it)
Jamie/Roy/Keeley open relationship
Trent/Colin idk everyone is all buzzing about Ted and Trent and maybe it's just my hate-on for Jason Sudeikis but no way is Trent's type sporty Ned Flanders.
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sunnydaleherald · 11 months
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The Sunnydale Herald Newsletter, Saturday, June 3rd
SENATOR: The vampire with a soul will play a pivotal role in the apocalypse. VAIL: And as a reward, will become human. SEBASSIS: A paranoid person might think you're trying to manipulate us in an attempt to fulfill this prophecy. ANGEL: I have no desire to become human. SEBASSIS: Oh, good. Then you won't mind signing that pesky future away. Through that document, the prophecy can be undone. Your signature there will remove any opportunity that you will ever earn your once-precious humanity. Will you sign it? ANGEL: Of course.
~~Not Fade Away~~
The Sunnydale Herald is looking for at least one new editor. Contributing to the Herald is a great way to get your Buffy on! Find out more here.
[Drabbles & Short Fiction]
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First Turn in the Spiral by Gabriel_Is_My_Guardian_Angel89 (Angel/Spike, E)
Guardian of the Night by Loki_Dokie_Okie (Xander/reader, G)
Sweet dreams are made of this by Bl4ckHunter (Warren, The Sandman crossover, T)
Flower in the Desert by InMyOwnHeadItGoesLikeThis (Willow/Tara, T)
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Accidental Slumber by lokidokieokie (Giles/reader, not rated)
Guardian of the Night by lokidokieokie (Xander/reader, not rated)
Get Well by way2geeky (Spike/reader, not rated)
[Chaptered Fiction]
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Dress My Body All in Flowers White, Chapter 28 by othellia (Buffy/Spike, M)
sunnydale anonymous, Chapter 16 by bodytoflame (Buffy/Faith, T)
Divide & Conquer, Chapter 37 by Removes_and_Cleans_Glasses_00 (Buffy/Giles, E)
The Wedding, Chapter 6 by Alwaysandforevermylove (Buffy/Faith, E)
Just Married, Chapter 3 (complete!) by AJ Fields (myfanfiction) (Xander/Anya, T)
Held Together, Chapter 7 by MadeInGold (Angel/Spike, M)
Moments that Make You: The Hero and The Princess, Chapter 5 by myheadsgonenumb (Cordelia/Doyle, T)
objects in the mirror are not as they appear, Chapter 2 (complete!) by BeatriceEveryTuesday (Giles/Jenny, T)
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A Family Room at the Heartbreak Hotel, Chapter 5 by Julikobold (Buffy/Spike, PG-13)
Twice Broken, Thrice Burnt, Chapter 7 by ClowniestLivEver (Buffy/Spike, NC-17)
The Neighbor's Point of View, Chapter 16 by the_big_bad (Buffy/Spike, PG)
Sparks, Chapter 6 by Dusty (Buffy/Spike, NC-17)
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The Saviour and the Slayer, Chapter 1 by OUATBuffyFanHere (OC Summers sister, Once Upon a Time crossover, FR13)
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A Family Room at the Heartbreak Hotel, Chapter 5 by Julikobold (Buffy/Spike, PG-13)
Twice Broken, Thrice Burnt, Chapter 7 by ClowniestLivEver (Buffy/Spike, NC-17)
Float, Chapter 7 by Grief Counseling (Buffy/Spike, NC-17)
[Images, Audio & Video]
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Tattoo: the slayer Scythe by Lonely-Wasabi-305
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Artwork: Spike "Every day I save you" by absentfather (worksafe)
Artwork: anya and giles study by williamprattz (worksafe)
Artwork: Faith and Sasha Waybright by tales-of-lellu (worksafe)
Icons: Willow/Tara by buffyversefans (worksafe)
Special effects: Angel S4 Spider Monster part 1 by Christopher Burdett
Special effects: Angel S4 Spider Monster part 2 by Christopher Burdett
Special effects: "No Face" ghost from Hellbound by Christopher Burdett
Artwork/sewing: Buffy hoodie by rattusrattus3 (worksafe)
Playlist: Buffy x Faith by super-rangers
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Fanvid: If I Can’t Love Her - Roy Mustang/Spike/Kaz Brekker/Mr Darcy by Lauren Rogers
Fanvid: Buffy the vampire slayer crashed Melrose Place (opening) by Soaps4Life
Fanvid: Spike and Klaus- My Way (Gary Oldman as Sid Vicious cover) by Bobblehead89
Fanvid: buffy vs Dracula 4K (Gods & Monsters) by Moon Child
Fanvid: BTVS | Help, i'm alive by WeCan Try
Music: Slayer - Buffy the Vampire Slayer by Cyberpunk Dystopia
[Reviews & Recaps]
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angel "you're welcome" by elliebartlets
Conversations with Dead People by spikes-left-eyebrow
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Video: Into the Buffyverse 1:1 Hellmouth by Biffs Werewolf World
Video: Did Buffy become a vampire? Season 1 Episode 10 review [Nightmares] by All Things Aida
[Search]
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Fic search: looking for a BtVS Willow/Tara fic that was originally posted on the old Kittenboard by keliana856 via ao3fics-lost-and-found
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Fic search: spike & Buffy living in Latin America because of time travel by mypalal8907
[Fandom Discussions]
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Is Willow a bad person for getting with somebody like Kennedy? by Girl4Music
the state of buffy media makes me so insane by helpfulbug
Bangel v. Spuffy v. Fuffy in terms of episodes where they have scenes together by juanabaloo
Buffy Season 2, Episode 17 Passion Thoughts by linkspooky
any time i see art from the btvs comics by louisandjade
Angel signing letters with “A” instead of his name by oveliagirlhaditright
Buffy can always tell when it’s Angel or not by oveliagirlhaditright
the few times that Buffy and Willow really fight in BTVS, you feel it and it usually has such devastating consequences by oveliagirlhaditright
the mutiny scene [in Empty Places] by tuiyla
[About the Kennedy dislike] by tuiyla
when Buffy goes to kill Faith in Graduation Day, she changes into an outfit in Faith’s color palette first by witchothewest
angel’s photographic memory by angel-thoughts-dum
How is Spike, even with the posthypnotic trigger, more dangerous than Willow? by hero-adjacent
Giles likely got $52,000 ($1k a week) a year working for the Watcher’s Council by hero-adjacent
[What is Buffy doing during Angel S4?] by mayorsquid
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Was Fred’s death unnecessarily cruel? by vampmogs
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The Darla and Drusilla Season 2 Storyline should have been more developed by Billboard_1183
Anyone else hated that Angel was ready to die for Darla? by Sutech2301
Dawson's Creek references in Buffy could hint at how the Spike/Angel/Buffy triangle could eventually turn out by APixelPrincess
Why doesn’t The Initiative care about LA? by Eagles56
Xander [looking too old] by Speed-Zealousideal
Season 4 was The Worst. Season 3 was The Best by Billboard_1183
Flooded (episode 4, season 6) - What the hell, Willow and Tara? by dismustbetheplace
How could Angel have come back after being killed by Buffy? by RansieTheWitch
Do you believe there was ever a way Warren could have been redeemed? by mbene913
Out of all the characters, who has the best wardrobe? by DistastefulSideboob_
"I could smack ya so hard, your eyeballs'll switch sockets" by kipcarson37
Why does the master say 'my soul is your soul' when he's doing that ritual? by Boble123pop
Naive Buffy by moshmoshhh
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Video: Buffy Fans LOVE It ... But ...: A Dissent on "The Body" - Did Season 6 Do Grief Better? by Examining Kubrick Philosophy Craven Nolan
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applecrumbledore · 2 years
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I was tagged by @zxrocide to do ten fandoms, ten characters. had to really scrape the bottom of the barrel to think of things I've ever read/written fandom stuff for. hope you like weeb shit
1. Fullmetal alchemist - roy mustang
2. berserk - guts
3. yakuza - majima
4. homestuck - dave strider (lol)
5. jojo's bizarre adventure - okuyasu
6. supernatural - Sam (this had to go somewhere)
7. the expanse (books) - amos
8. venture bros - brock samson
9. buffy - giles
10. haikyuu - ukai
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undead-bones · 1 year
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Some exemples to my other posts's ideas
Inaction/Neutrality. (Cowardice? Refusal to Save? To Rebel? To Protect? To Punish? To get Revenge? To Fight Back? To Stop? Or denied you the right to take said action?)
Abuse? Refugees? Punishment? Insult? Revenge? Injustice? Didn't save you/take you from the bad situation you're in? Let the person hurt you? Expect to accept the bullshit?
Doran Martell, Hinata (for Neji), Thranduil, Jaime Lannister (for Rhaella), the Valar.
Ungratefulness (Betray after they Help/Save you? Refuse to aid after everything you did and sacrifice for them? Don't valorize you enough?).
Defended when they lied. Killed because they helped you. Demand help/forgiveness after what they did to you. Got in trouble for helping them and was abandoned.
Walder Frey, Ariadne, Cersei (with Ned), Daenerys (with the Starks).
Not taking your side in the conflict. They forgive and stay with the person who wronged you (both of you?) or take their side, befriend or ally with said person, even help in hurting you or save them. Assist in the cover up. Or even giving a false testimony.
Finrod, Celebrimbor, King Viserys, Ned, Ollie, Sawada Nana, Wei Wuxian.
A character does shit and runs away, leaving their friends/family behind to suffer the consequences (or stigma) of being associated with them.
Defector, Run Away Bride, Evil Lineage, Kidnapped by Enemies
Rhaegar, Paris, Orochimaru (with Anko), Iemitsu.
Traitor of the Folk or Race/Category Traitor, maybe can be related to the '•' above or a Hunter of His Own Kind. (Inner-Prejudice maybe? Denial of Origin? Mixed Heritage? Or marrying someone of a 'lesser' kin can be considered 'treason'. Depends which the Folk in question is the considered superior/inferior, or can be a more Grey area too)
Raised by Rival/Adopted, Pretend to be Evil, Survival, Exception
Honerva (Haggar), Mance Rayder (kinda?), Norlin 'Silver Zoro', Uchiha Itachi, Conner (the Android), Raine Whispers.
Blitz and Fizzarolli from HB are considered that by Striker
Turns Against (their Faction? Their Family? their Leader? A member? Encouraged by a specific person?)
Nargothrond, Argella Durrandon, Havria.
Amnesic Crimes (maybe being unaware or mind controled?)
Bucky, Roy Clone, Clone Trooper Fox, Amnesic Villain, Hercules, Light Yagami
Pre Redemption Crimes
Ignus, Maleficent, Jaime Lannister, Ollie
Seduce an Character (like a Lady Mcbeth/Evil Advisor, Evil Stepmother, Black Widow or an Gold Digger). A powerful person? political power? magical? Its an non-human supernatural being? Your Archnemesis? A Love Matyr? Manipulation? For their assistance/help? Face-Heel Turn? Using a person's feelings for your own benefit? Revenge? (on your other love? On the subject in question or someone related to them?)
Human Weapon
Mal (Descendants), Alyss Baskerville, Lysa Arryn, Ilosovic Stayne, Cora from Ouat, Queen Ariana (Barbie), Stephan (Maleficent), Annatar (Silm), Prince Hans
Secret Child
Of a posmortum character, missing, trump card, revenge, throne rival.
Oak Greenbriar, Jon Snow, Setsuna and Towa, Jinmi, Luke and Leia, Lyra Belaqua, Kubo, Jenna Greenwood, Jake Brandon, the Sawada Family, Aurora, Killmonger, Ryan Butcher, Melody (Ariel), Historia Reiss, Arthur Curry
Chosen One Wannabe/I Could Have been a Containder
Orochimaru, Princess Rhaenys, Morro, Tai Lung.
There is Another/Hidden Tribe
Planet Pollux, Pandas (Po's Family), Maleficent's people, Quincy, Rio 2. Kara Danvers.
Locked in the Basement
Giles Grimm, Morpheus, Lapis Lazulli, Elk (Centaurworld)
Battle Royality/Infiltration
Joshua (twewy), Player 001 (Squid Game), Logan (Jigsaw)
Loyal Servant
Xiao, Sui-Feng
Villain and Hero (kind off?) have a kid together
BB (Kill Bill), Alice Baskeville (PH), Damian Wayne, Zuko (Cuz of Ursa), Sephiroth, Luke Skywalker, Kubo, Illyasviel Von Einzbern, Lloyd Garmadon
Identity
Yue, Venti, Utawarerumono, Yaotl, Gabriel (SP)
Alayne Stole, Mare Barrow
Vessel/In another Form
Bakura, Kurama, Kur, Blue Beetle, Angra Mainyu, Fnaf's Animatronics
Mogget Abhorsen, Annatar, Neliel Tu Oderschvank, Yaolt, Annatar
Unfriendly Fire
Anna of Arendelle, Rin Nohara, Yanli, Crepus Ragnvindr, Connla
Recruit the Enemy
Celaena (TOG), Levi Arckerman, Mukuro Rokudo, Suicide Squad, Xiao
Exiled
Dionysus, Kaedehara Kazuha, Zuko
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newromanticsmuses · 2 years
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Muse List
Newest Muses – Most recently added; especially looking for new interactions & very active
- Kenny McCormick (South Park) - Deandra “Dee” Reynolds (It’s Always Sunny) - Dream (Sandman--FC; Adrien Brody) - Poe Dameron (Star Wars)
Primary Muses – Muses most often awake and active; always available
- Harry Potter (Harry Potter/Canon Divergent Adult & Slytherin AU) - Five Hargreeves (The Umbrella Academy) - Jean Grey (X-Men/Mix of XMCU & Evo Canon) - Allison Reynolds (The Breakfast Club) - Cordelia Chase (BTVS) - Asher Wyatt (I Bet You Think About Me OC; bio) - Eddie Munson (Stranger Things) - Max Mayfield (Stranger Things) - Steve Harrington (Stranger Things)
Secondary Muses – Muses that are usually awake and active; usually available
- Remus Lupin (Harry Potter/Single ship with kissofthemuses) - Ronald Weasley (Harry Potter) - Ella Lopez (Lucifer) - Diego Hargreeves (The Umbrella Academy) - Tara Maclay (BTVS) - Rupert Giles (BTVS) - Audrey Hope (Gossip Girl Reboot) - Gendry Baratheon (GOT/ASOIAF/Modern AU Available) - Jules Vaughn (Euphoria) - Ethan Golden (Euphoria) - Rahne Sinclair (X-men: New Mutants/Evo) - Dustin Henderson (Stranger Things) - Jonathan Byers (Stranger Things)
Obscure Muses Spotlight – Muses that lack muse because they lack interactions; available by request and I’m willing to tell you about them
- Sarah Finley (The L Word: Gen Q) - Patty O’Connor (Kevin can F*** Himself) - Toni Shalifoe (The Wilds) - Luna La (Gossip Girl Reboot) - Natalie (YellowJackets) - Dwayne Hoover (Little Miss Sunshine) - Wyatt Langmore (Ozark–Stranger Things Verse) - Wendy Byrde (Ozark)
Selective Muses – Muses that are picky and slower to reply with; available by request
- Richie Tozier (IT) - Stanley Uris (IT) - Peter Hayes (Divergent) - Charles Gunn (BTVS) - Lorne “The Host” (BTVS) - Paige Michalchuck (Degrassi: TNG) - Ellie Nash (Degrassi: TNG) - Henry Winter (The Secret History) - Proinsias “Cass” Cassidy (Preacher) - Petyr Baelish (GOT/ASOIAF/Modern AU Available) - Roy Kent (Ted Lasso) - Meriadoc Brandybuck (LOTR/Movie Canon) - Fezco (Euphoria) - Ashtray (Euphoria) - Dan Humphrey (Gossip Girl; Reboot Verse Available) - Henry Tanaka (The Wilds)
Private Muses – Muses mostly written with one or several muns; IM to express interest
- Joey Potter (Dawson’s Creek) - Drue Valentine (Dawson’s Creek) - Ryan Atwood (The OC) - Fulton Reed (The Mighty Ducks) - Charlie Conway (The Might Ducks) - Mallory Higgins (Cruel Summer) - Percival Graves (Harry Potter/Canon Divergent) - Akeno Menzies (Gossip Girl Reboot) - Tom Wambsgans (Succession) - Mark S.(cout) (Severance) - Alan Zaveri (Russian Doll)
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the-mediaeval-monk · 1 year
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Tumblr media
A kneeling Giles of Rome, dressed in the black habit of an Augustinian monk, presenting the book to a seated Philip the Fair
Les livres du gouvernement des roys et des princes W.144 f.2r
Source: The Walters Art Museum
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lonesomedotmp3 · 2 years
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giles from buffy is uther? giles from buffy is homophobic dog jpg uther pendragon?? he's logan roy before logan roy uther pendragon???? hello??????
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sebeth · 2 months
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All-Star Squadron #13
Warning, Spoilers Ahead…
“One Day, During The War” by Roy Thomas, Adrian Gonzales, and Mike DeCarlo.
Hawman calls the first official meeting of the All-Star Squadron to order. Present for the meeting are the Shining Knight, Johnny Quick, Liberty Belle, Hawkgirl, Robotman, Commander Steel, Firebrand, and the Atom.
Hawkman’s first order of business is to elect a chairman for the All-Star Squadron. Carter has declined the position as he is still and active member of the Army Air Force.
Hawkman notes Batman, Superman, the Spectre, and the Flash have not enlisted in the armed services. Wonder Woman is noted to not be a member of the Justice Society but she has accepted membership in the All-Star Squadron.
The Shining Knight reports that his fellow members in the Seven Soldiers of Victory (Green Arrow, Speedy, Vigilante, Crimson Avenger, Star-Spangled Kid, Stripesy) have not enlisted in the arms services but stand ready to aid the All-Star Squadron as individuals or as a group.
Robotman mentions other possible candidates for membership: Mr. Terrific, Wildcat, Air Wave, TNT & Dyna-Mite, Doll Man, Mr. America, Manhunter, and Plastic Man. Plas has previously assisted the All-Stars on two occasions.
Commander Steel is amazed by the number of mystery men that have debuted since he was a prisoner of war.
The group votes – by ballot – to elect a new leader. The winner is…Liberty Belle! Johnny notes Libby is the “most widely-read lady columnist this side of Eleanor Roosevelt.”
Sir Justin announces he is taking a leave of absence as he will be returning to Brittain to serve as Winston Churchill’s personal protector. No, don’t take Justin away, he’s my favorite part of the series!
Firebrand, Johnny Quick, Liberty Belle, Hawkman, and Hawkgirl travel to California to visit Danette’s brother, Rod, who was wounded in the attack on Pearl Harbor. Rod was the original Firebrand.
Danette is having a difficult time letting go of her hatred for all Japanese due to the attack on her brother. Libby reminds Danette she lost her father to a Nazi bomb but she doesn’t hate all Germans. Libby couldn’t do that and remain sane.
Roy mentions this in several issues – the importance of not hating an entire country/ethnicity/group of people – due to the actions of a few.
The Hawks ditch the rest of the group as they travel over San Francisco. They want some alone time to make out.
Danette’s trauma from the first arc of the stories seems to be catching up to her. She’s certain nobody can protect her “just like nobody could protect my brother”.
Libby reminds Danette their true enemies are the fascist dictators, not the people under their yoke.
Back in New York, Commander Steel checks up on his old mentor, Dr. Gilbert Giles. Steel meets with his former fiancé, Gloria Giles, who informs him her father is dead. Steel almost reveals his identity to Gloria but doesn’t when he realizes she’s married to a serviceman named Brad Farley. Steel informs Gloria that Hank Heywood died on a mission in Europe.
Robotman returns to Queens, New York to check on a project Chuck Grayson, his assistant, is working on. Bob discovers Chuck and Joan Carter, Bob’s former girlfriend, unconscious. Bob destroys the malfunctioning machine that knocked the duo unconscious.
Joan is unaware of Bob’s survival in his robot shell. Bob wants it to stay that way until he is more comfortable in his new self. Bob uses a rubberized face and hands to appear as “Paul Dennis”.
“Paul” and Chuck are informed by a henchman for Sam Glottery that the lawyer is going to have Robotman declared a public menace.
The Shining Knight and Churchill return to England. Justin battles the planes that are blitzing England.
Danette, Johnny, and Libby enter the hospital where Rod is a patient. Danette reunites with Rod. Rod mentions Slugger Dunn has already returned to active duty. Danette confesses her hatred to Rod only to be scolded by her brother. He tells her she is “too smart for that kind of racist talk”. Rod reveals it was an American soldier of Japanese descent that saved Slugger and Rod’s lives – at the cost of his own.
Danette comes to her senses and begs forgiveness for being “fool-blinded by hate”. Rod tells Danette to be a force for good.
Firebrand, Johnny Quick, and Liberty Belle entertain the wounded soldiers at the hospital.
Back in Washington, Al (the Atom) meets up with Mary James, his girlfriend. Mary isn’t thrilled with Al’s enlistment and begs him to come home safe.
A simple “day in the life” issue that wrapped up the loose ends on Commander Steel’s plot and set up Robotman’s future plot. The past few arcs (Feathered Serpent, Baron Blitzkrieg, Hastor/Flying Eye) were weak, but this was a return to form. Great character moments for most of the All-Stars. Loved it.
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