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artist-elenalobutina · 8 months
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" Подсолнухи, арбуз и айва " холст/масло 50/70 см.
" Sunflowers, watermelon and quince " canvas/oil 50/70 cm.
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littleshukaku · 2 years
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Gaara fanart ♥
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clipsocallipso · 2 years
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Моя работа "Ожидание" заняла первое место в конкурсе "Водные просторы" в поддержку Центра спасения морских млекопитающих от портала"Артнаграда" и @citycelebrity ))) "Waiting" won 1st place in art contest "Water Spaces", organized by "Artnagrada" art portal and Citycelebrity in support of Center of sea mammals' saving ! :) #fantasyart #artcontest #citycelebrity #surrealart #contemporaryart #russianart #russianartist #surrealart #surrealpainting #magicrealism #acrylicpainting #awardwinning #waterfantasy #mermaids #mermaidlife #mermaidart #mermaid_legends #underwaterart #underwaterworld #artecontemporanea #художникипитера #артнаграда #artist_spb #beautifulbizarre #bizarreart #undine #живописьакрилом #сюрреализм #фэнтезиарт (at Atlantic Ocean) https://www.instagram.com/p/Chc6JfTNSPH/?igshid=NGJjMDIxMWI=
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ianfulgar · 8 months
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A stalwart of avant-garde design, Iakov Chernikhov's contributions to the Constructivist and Suprematist movements are unparalleled. His Russian heritage, steeped in the socio-political changes of the 19th century, shines through in his works. The "Suprematist Composition, 1922", influenced by Malevich's Suprematism, is a masterclass in blending form with function, using stark geometric contrasts to captivate and convey the spirit of the movement. #artist #iakovchernikhov #suprematistcomposition #avantgardeart #constructivistmovement #russianart #geometricdesign #20thcenturyart #artphilosophy #formmeetsfunction #artisticrevolution #malevichinspired #abstractexpression #artandpolitics #designinnovation #chernikhovlegacy #suprematistmovement #arttranscendence #visualnarrative
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ishonin · 1 year
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First of three new roles for a broken stapler "Composition in warm colours", Stapler, sandpaper, mandarin 2022
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tynatunis · 2 years
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"Tristan and Isolde" by Marc Fishman. ✨ Tristan and Isolde is a medieval chivalric romance. Based on a Celtic legend and possibly other sources, the tale is a tragedy about the illicit love between the Cornish knight Tristan and the Irish princess Isolde. It depicts Tristan's mission to escort Isolde from Ireland to Cornwall to marry his uncle, King Mark of Cornwall. On the journey, Tristan and Isolde ingest a love potion, which instigates a forbidden love affair between them. . .Repost @artsyerato# . Reposted from @art.redhaired . . . #painting #paint #art #painter #pablopicasso #leonardodavinci #rembrandt #claudemonet #titian #gustavklimt #museum #paintingdetails #classicart #classicalpainting #historyofart #arthistory #artdaily #artoftheday #paintingaccount #russianart #dailypainting #paintingoftheday #artdetail #третьяковскаягалерея #русскоеискусство #painting #feed #artgalleries #arthistory #artlovers #tristanandisolde #marcfishman https://www.instagram.com/p/CjHfGWhI6w-/?igshid=NGJjMDIxMWI=
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lartesumarte · 2 years
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👨🏼‍🎨 BORIS KUSTODIEV - Il bolscevico ⏱️ Data: 1920 🖌️ Tecnica: olio su tela 🖼️ Dimensioni: 101x140,5 cm 🏛 Ubicazione: Mosca, Galleria Tret'jakov
Follow 🚀@lartesumarte
Questo #dipinto si colloca in un periodo a cavallo tra l'Avanguardia russa e il Realismo socialista. In questa tela viene celebrato il periodo della Rivoluzione d'ottobre, con la figura del bolscevico che sovrasta la folla con una bandiera rossa tra le mani. Il rivoluzionario avanza a grandi passi, rappresentando l'avanzare della nuova società sovietica
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uartslibraries · 2 years
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Engineer, agitator, constructor : the artist reinvented, 1918-1939 : the Merrill C. Berman Collection
// organized by Jodi Hauptman and Adrian Sudhalter
N6487 .N4 M8634 2020
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Why would Kazimir Malevich shift away from Suprematism after the 1920’s?
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Kazimir Malevich On the Boulevard, canvas, oil. 60.5 x 78, 1929 – 1930 Kazimir Malevich’s evolving relationship with Suprematism in the post-1920s era was influenced by a variety of factors, reflecting a complex interplay of political, personal, and philosophical dynamics.
Politically, the ascent of Joseph Stalin’s regime in Soviet Russia marked a significant shift in cultural policies, favoring Socialist Realism as the sanctioned artistic style. Suprematism’s abstract, non-representational approach clashed with the regime’s preference for art that served propagandistic purposes and depicted idealized Soviet themes. Consequently, Malevich encountered mounting challenges in showcasing and disseminating his Suprematist works within the state-controlled artistic milieu.
However, Malevich’s relationship with Suprematism was not solely defined by external pressures. Internally, he experienced a gradual evolution of his artistic vision and philosophical outlook. While Suprematism had been groundbreaking in its time, Malevich may have felt constrained by its formal constraints and sought new avenues for creative expression. His later works reflected a deeper engagement with spiritual and metaphysical themes, indicating a transition towards a more introspective and contemplative artistic practice.
Moreover, practical considerations likely influenced Malevich’s approach. With Suprematism marginalized within the Soviet art world, Malevich may have pragmatically adapted his artistic output to align with prevailing trends and market demands, ensuring his continued relevance as an artist.
“On the Boulevard” by Kazimir Malevich from the late 1920s to early 1930s, places it squarely within the period when Malevich was shifting away from Suprematism. This painting further exemplifies his departure from the movement.
In “On the Boulevard,” Malevich continues to depart from the strict geometric abstraction of Suprematism, instead incorporating elements of the urban landscape in a more recognizable manner. The use of color and form in this painting suggests a transition towards a more varied and representational style.
By depicting scenes from everyday life, such as people walking along a boulevard, Malevich moves away from the purely abstract concerns of Suprematism and towards a more figurative and narrative-driven approach. This departure from his earlier style reflects his evolving artistic interests and his willingness to explore new avenues of expression.
Overall, “On the Boulevard” serves as another example of Malevich’s shift away from Suprematism during the late 1920s and early 1930s, as he embraced a more diverse and representational approach to painting.
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lisablasstudio · 1 month
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Monday's image: March 18, 2024
Aleksei Sundukov, Prolonged and Undiminishing Applause, Oil on canvas, 148 x 202.8 centimeters, 1987, Zimmerli Art Museum, Rutgers University, New Jersey
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artist-elenalobutina · 4 months
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" Собор в Блуа " холст/масло 90/60 см.
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rayharrisartsblog · 7 months
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alenabelle · 10 months
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ianfulgar · 7 months
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Iakov Chernikhov's contributions to avant-garde design are underscored by his unique philosophy: art should be a dialogue between the creator and the observer. Engaging with the Constructivist and Suprematist movements, he crafted pieces that beckoned viewers to participate in this dialogue. The "Suprematist Composition, 1922", inspired by Malevich's ethos, is a testament to this belief, using geometric forms to spark conversation and introspection. #artist #iakovchernikhov #suprematistcomposition #avantgardeart #constructivistmovement #russianart #geometricdesign #20thcenturyart #artphilosophy #formmeetsfunction #artisticrevolution #malevichinspired #abstractexpression #artandpolitics #designinnovation #chernikhovlegacy #suprematistmovement #arttranscendence #visualnarrative
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batchone012 · 11 months
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Russia's War in Ukraine
Ukraine says it has gained ground from Russia in Zaporizhzhia
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Ukraine is claiming that it has gained ground from Russia in the southern Zaporizhzhia region as fierce fighting continues there and in the eastern Donetsk region. 
“Ukrainian Defense forces continue the defense operation in the Bakhmut direction. Our soldiers are advancing, the enemy is losing ground on the flanks,” Oleksandr Syrskyi, Commander of the Ukrainian Land Forces, said Tuesday. 
Ukrainian officials also claimed advances towards the direction of Berdiansk over the past day.
CNN cannot independently verify battlefield information.
“The area taken under control amounted to three square kilometers,” (1.5 square miles) Ukrainian military spokesman Andriy Kovalov said Tuesday. 
Ukrainian officials say Russia is "in no hurry" to rescue people from floods as dozens remain missing
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Water levels are gradually receding after the Nova Kakhovka dam collapse caused flooding across the southern Kherson region, but some settlements are still under water, according to Ukrainian officials. 
Up to 42 people are still missing after the dam collapsed eight days ago, and 10 are now known to have died on the Ukrainian-controlled side, the head of Kherson region military administration, Oleksandr Prokudin, said Tuesday. 
Russia currently controls the east bank of Dnipro River near the dam site, but the number of dead in those areas is unclear.
“As of this morning, the average level of flooding is 2.7 meters (8.9 feet), which is 27 centimetres (10.6 inches) less than last night,” Prokudin said in a statement posted to Telegram. 
On the Ukrainian-held west bank of the Dnipro River, 3,600 houses in 31 settlements remain flooded, but over the past day, water has receded from 200 houses. 
Ukrainian rescue workers have managed to rescue 2,757 people from the flooded settlements, including “263 children and 77 people with limited mobility,” Prokudin said.
The Russian-occupied east bank, however, “remains extremely critical,” with 17 settlements still flooded, added Prokudin.
"Russia is in no hurry to rescue people from any of them, who are in mortal danger because of them. We are doing everything we can to save our people from there," he said.
Ukrainian President Volodymyr Zelensky has blamed Moscow for the collapse of the Nova Kakhovka dam and said Russia should bear “criminal liability” for “ecocide.”
Russia launched 14 cruise missiles at Ukraine overnight, Ukrainian military says
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More Russian attacks: Elsewhere, Russian shelling hit Ukraine's northeastern Sumy and Kharkiv regions, the Armed Forces of Ukraine said in a statement.
In the southern Zaporizhzhia region, three bombs hit the town of Orikhiv, killing one civilian and destroying homes, it added. 
Russian military bloggers claimed Monday that Ukrainian efforts to advance south of Orikhiv have been resisted and geolocated video appears to show Ukrainian armor losses in this area.
Source - CN
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andrewgangan · 1 year
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Andrew Gangan. Figure. 2023. Terracotta.
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