Love is hard…difficult. It’s dealing with someone’s shit day in and day out but never giving up on them because your heart won’t let you. It’s having a million reasons to leave them…but always having one good reason to stay
A. Jade, Ruthless Knight
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You know what I think about a lot.
When my boy Steven Grant sat down to make a deal with Khonshu for Marc’s freedom he did it while thousands of people were needlessly dying.
Steven Grant, sweet, kind, gentle Steven Grant, sat down to shamelessly manipulate a god into getting what he wanted while people were being murdered en mass. In fact, he used these peoples’ deaths as a goddamn bargaining chip to get what he wanted.
Steven Grant was ready to let the world burn for Marc Spector without an ounce of hesitation or guilt and I feel like we don’t talk about that enough.
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Secret plot ideas I would love to rp with D if I ever get the chance
CORRUPTION ARC. Just D losing all faith in humanity and becoming Feral. He becomes the monster his father, Dracula was.
After all, D was created to be his dad's successor. In canon it is implied that D is named after Dracula. Destined to be Drac JR.
Like D just embracing the WORST aspects he keeps hidden underneath his stony facade. Just like his twin bro.
I think someone will have to push this man into villainy because he ain't gonna go evil himself.
Just D HAPPYILY DRINKING THE BLOOD OF ANYONE AND EVERYONE. MORE RUTHLESS MORE COLD BLOODIED (Lol The pun.) FUcking done and jaded and realizes his father may be right about humanity.
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[ID: Digital illustration of Knight Triumphant from Blaseball. Knight is a suit of armor with African fish eagle motifs, including sweeping metal wings. He is standing with his hands resting on his longsword. Both the sword and his helmet are splattered with blood, discoloring the otherwise pristine armor. The second image is a close-up his bloodied chestplate and helmet. End ID.]
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“steven died the same way he was born, to protect marc”
thank you for that statement!! i am now also going to throw myself off the side of a boat!!
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The appeal of starting from the ending and working back is that you put a cap on every Might Have Been, every wandering tangent, etc. that your drafting mind might otherwise wind down. And there's nothing more irritating then having a good idea when wrapping something up only to realize you didn't have time to foreshadow it like you did the other 2 or 3 recurring consequences (TV writer woes).
Everything in the final conversation Abernathy has with Valentine has to be doing the work of two or three callbacks. Right now I've only hit the initial callbacks, and as I sketch out the ideas mentioned her in passing, which evoke certain strong emotions, then I know I need to do something with V's work involvement with Biotechnica, with some sort of clash with Jenkins, with what Valentine is like when she loses her temper. And I know that because it's what Abernathy is fixated on trying to control this breakup conversation, and also reveals what Abernathy herself is concerned about, and perhaps has been concerned about for a long time and never shown. (Or has she?)
Anyhow I love talking process, so this is the kind of skeleton script I'm going to be working backwards from. It will most certainly not survive exactly like this, but it's a good anchoring point:
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“If you tell anyone about anything, I’ll have you removed and handled as a double agent. You have been awful involved with Biotechnica lately.” - “I’m not going to warn you again. Do you understand?”
(dully) “You do that and they’ll know I was telling the truth.”
“It doesn’t matter what they know, it matters what they can prove.” (you know this. we've talked about this. don't be stupid.)
“I suppose next you’ll be asking me to use my new position to spy on Jenkins for you.” (petulant. bitter. a tool, you were always a tool, do you understand?)
“No. I know how you get when you’re angry.” (thinking. malicious. flippant.) “Besides, I thought you’d enjoy a chance to get your claws into him.”
(silently angry. is the implication that she’d do for him what she’d done for her? that she’s just a dangerous beast? that she knows her and her anger so well?)
“Well?”
“What do you want me to do? Beg for leniency? Make some emotional plea? You want me to ask if you ever even gave a shit about me? You want me to put on a show?” - “You wouldn’t believe a word I said anyway. Give me a cigarette.”
(hands one over, lights it. finally makes eye contact. this is real.) “Don’t look so glum. You wouldn’t have gotten half as far as you have without my help. You can cry into your bank account if you want, but it’s not like I’m kicking you out on the street.”
“Alright.” (inhale. peace. emptiness. drains her drink. drops the cigarette into abernathy’s.) “It’s done.”
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Re-reading this I already know I need to work in some reference to Valentine's mother and some warning/advice/celebration they have near the end of this reverse story. Something that ties back to her own failed marriage and divorce and dashed expectations. Something about finding a reason to keep going on until you can't bear to any more. Something that echoes the familial stubbornness which means Valentine in the damn things overlap will endure anything so long as she knows the expiration date.
The most fascinating part of writing these two to me is that Abernathy has this very strict rule about never admitting guilt or regret directly, but she'll say something like "I'd apologize but it's already done, isn't it?" and it's like YOU COULD STILL SAY IT! But she sees that as weakness. And Valentine picks up that same attitude here "What do you want me to do? Beg for leniency? Make some emotional plea?" They're mocking each other for the very normal human desire for acknowledgement. They're intelligence agents who think they're just making sure they're not fooling themselves (they're fooling themselves). Sincerity is only useful for pre-empting someone else trying to expose your vulnerability.
Anyway, they're operating on a certain set of fucked up toxic social rules that are in some respects even harsher than the normal corpo set. They're self-policing, because Abernathy is obsessed with gaining favor with someone who is a misogynistic homophobe, and she's playing for keeps against people who aren't reviled by this person. The idea might also come up that she doesn't NEED to be doing it to this degree, but she's warped her own idea of what she needs to do, and what kind of person she needs to be, and applied that to Valentine as well. The tragedy is that they love each other. They work well together. It's never going to work out. It didn't work out. But look at what they had, and how fucked up and funny and exciting it all was before it went to shit.
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Had it not been for her time among the other Black Serpents, Rethel would have been much colder and power hungry than she was. She already had her habits of usurping what she deemed weak leaderships to take charge, was already well-versed in using her silver tongue to get her way with nobles and knights alike, every little bit she was trained in growing up, to serve as the proper heir to the Alberich name, and her father’s successor once the time came. However, it was in joining the knights ( done because Anfortas figured it would do her good to build reputation and support for herself in being among them, as well as for how good it would look to show her capabilities rather than having her be chosen successor to himself from her being his daughter ), that she was able to break out of the much more selfish, cunning mentality and truly come to understand and adore the people she was told she would lead over one day. And it was that fondness that would let her dedicate her heart to ( what she assumed was ) the bitter end, when the Cataclysm fell upon her beloved home.
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