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#rwby v3
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Qrow drinks, Blake runs away, and I make shitposts. We all have our own ways of coping ok??
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hiru315 · 9 months
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emotionally still stuck at rwby volume 3.
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ahn1zos · 8 months
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just thought it would be fun sketching the scene that Winter mentions Weiss writing about Ruby lol
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0kamikamisama · 10 months
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Red Like Roses~ 🌹 Remake of this (2019) 
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bumblebybelladonna · 10 months
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RWBY Art - Theatrical Limited Edition
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rwby-is-the-best · 6 months
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there are comparisons and parallels to be drawn here
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fadedneonzzz · 6 months
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I got a commission from the artist Nero Watch of Flashback Cinder, i think this turned out beautifully
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Why do you think RWBY v1-3 worked compared to the rest of it?
Hm.
Honestly a lot of the first three volumes doesn't - the pacing can be awful (and grinds to a halt within arcs dealing with Jaune), the writing decisions leave a lot of to be desired(and are beyond offensive at times).
To say what the first three volumes do well is to talk about what the volumes after dont.
The issue with V4 and onward is simple one:
Too many new redundant characters
I have been hammering on this point again and again - in a weird attempt to expand the world, the showrunners ended up filling it with things that overlap win purpose or outright have no purpose.
Generally if you want to have something happen and want to choose between existing character and new character as initiator, nine times out of ten it's better to go with an existing character.
For example, why did we need Salem's evil council of evil? Why did we need a whole team of villains on Salem's side that essentially fulfill same role and purpose as Cinder's group already did? They don't exactly do anything for the lore or the setting and most of their purpose is one-note - Hazel for example exists just to rage about Ozpin in a poorly executed attempt at making his intentions and role more ambiguous - but there are already plenty of characters who can fill that purpose, so why was Hazel, as a character made? Raven exists, Ironwood exists and is clearly having a crisis, even Haven's headmaster exists (let's say he does) - plenty of ways other characters can fulfill the same purpose as Hazel without Hazel existing. Same extends to the rest of Salem's group - Watts exists solely to "explain" the computer virus (why did we need it explained?) and to have a reason to go against Atlas (but Cinder already has a reason thanks to her backstory in-show???) and Tyrian is the same way.
Too many redundant story beats
The writing attempted to make the setting more complex, but in the end a lot of what's added has no real reason to be there - why do we need Relics when Maidens are already there? Even if we were to go with the same idea of Gods causing doomsday(as dumb as it is) the writing could just as easily have the exact same plotline with collecting Maiden powers, for example. So why have vaults and then relics on top of that?
The Gods are the same way too. Why have Gods at all when you can already comfortably just go with the idea of Salem getting Maidens powers to her side being just as catastrophic? Salem's backstory doesn't even need them - in fact if one were to remove the Gods and keep the backstory the same, the end result would be exact same story. But the show doesn't do that - instead, come V9, it adds ANOTHER layer of gods and magic trees and gives the god brothers a backstory that ALSO wasn't needed and doesn't do ANYTHING in terms of furthering the narrative.
Generally if there's a plot thread you'd want to do the first question to ask would be "Does this change ANYTHING for any of the characters?" - plot is an excuse to get characters through the story beats after all. In the case of God Brothers, the plot thread invents a new problem and then solves it - nothing changes.
Lost Focus
The show is titled RWBY for a reason.
Ruby, Weiss, Blake, Yang - that's the core of the show.
The show started with the color trailers focusing on them and their journeys. The Volume 3 ended with them each having their own issues to deal with and plot threads tying to those issues.
What do the Volumes that follow do with that set-up? Nothing.
Volume 4 is absolutely pointless in grand scheme of things.
Volume 5 is absolutely pointless in grand scheme of things.
Volume 6 is absolutely pointless in grand scheme of things.
In fact, I wrote about the story structure issues with V4 years ago
The narrative structure, at the basic level, is a game of Connect-the-Dots - you have specific story beats you want to reach that work in accordance with overall story and character outline - it's up for The Plot(tm) to lead the characters from one beat to the other.
The way RWBY works past V3 is by inventing a new problem that didn't and then resolving it, essentially staying in place. I sort of outlined it in the V4 structure chart in my write up in how nothing in that Volume serves any real purpose nor furthers the characters.
What does the mess at Haven Academy contribute to the story story that Beacon already haven't? Does what happen there affect the story going forward? No.
What does team RWBY and the whole absolutely dumb and boring mess with the mech and leviathan do for the story? Are there any lasting consequences from that happening? Nope.
What does the run-in with the Apathy do for the characterization? Are there any lingering psychological effects? Do we learn something new about how Grimm function or how the Eyes work? Are there any lingering implications or any story holes that the encounter slots in into? Absolutely nothing.
That's three big examples in those Volumes where the writing invents a new issue, resolves it and doesn't further characters or narrative by doing so.
In Connect-the-Dots, you don't stop hopping from dot to dot midway-through, you don't hop back and forth between existing dots. Story beats and character beats are beats for a reason - they move things forward, they affect things, they alter things. If you have something that leads the narrative back at the place it was before in then you might as well delete the entire thing.
Now this is not the same as characters being stuck in loops or the idea of repetition as storytelling device - repetition that the narrative is aware of WOULD be a story beat in on itself and this is not that.
In fact even going into Atlas arc - the endgame has almost nothing to do with the build up to it and would happen anyway even if most of the volumes leading to it were removed.
Anticlimactic Payoff
If the narrative is build up to something, the pay off should generally equal to the amount of time and focus spend on the build up (unless it's used as a contrast).
Yet in RWBY a lot of mysteries end up being more of matter-of-fact answers than revelations.
What happened to the moon? Oh something crashed into it.
Why are Ozpin and Salem the way they are? Gods did it.
Why is Raven angry at Ozpin? He...turned her into a bird?
What has been Raven up to? Nothing.
Is Ozpin shady or not? Eh, not really - he's just sort of there.
What's up with the creatures of Grimm? Gods did it.
All of these were teased and built up going forward and the actual revelations never justified the build up or teasing that came before.
None of those revelations did anything to further the narrative or develop characters.
It was as if the writers were going through a checklist of what needs to be revealed.
So, What about the first three Volumes?
Now, flip everything I wrote about V4 and onward upside down.
That's the first three Volumes.
The only characters that exist are the ones that have an use within the narrative.
The plot threads are revealed when they become relevant - Mt.Glenn comes up when it matters, for example. If anything there's not enough reveals.
One can easily trace the plot threads through the story - how Ruby's introduction to Beacon affects her dynamics with Weiss, how Jaune's and Ruby's struggles with unexpected positions of leadership affect the team formation, how the friction within the teams furthers the plot to crash into villains goals. And what's more - each mini-arc ties to the four leads and their characterization. Things don't just happen - each storyline starts with the character and ends with characters growing or their relationships changing.
The Payoff is extremely good - V3 takes every single thing the show did through the three volumes and makes use of it. Everything matters - Mt. Glenn exposition, Roman, WF stuff, Jaune's insecurities, Pyrrha's characterization, Yang's characterization, Blake's conflict, Ruby's growth and position int he story, Weiss growth, etc - everything gets used and everything affects the characters involved.
For all the flaws, for all the absolutely insensitive story decisions and bad jokes - the first three volumes manage to handle those key points well and the end result is far more enjoyable.
The volumes after don't.
While good action sequences helped one of many reasons I hold V1 through V3 dear to my heart is because the show pulled off something that was quite rare back then when those Volumes aired - delivering actual consequences and not being afraid of upsetting the status quo within the story.
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graveyardhavoc · 11 months
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Kdksmmsmsmsmamaam kiss kiss kiss…
I drew the wrong v ruby originally she’s still underneath this, I miss them before trauma, let my girls be happy p,ease…
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nazis-get-punched · 7 months
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Oh my god I just realised Zwei from RWBY IS A REFERENCE TO FUCKING EIN FROM COWBOY BEBOP
HOW DID I ONLY JUST REALISE
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rubyfunkey · 1 year
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bout that time where im just redrawing old rwby art it seems
(2023, 2020, oct. 2018, and feb. 2018)
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i'm back on my bullshit
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hiru315 · 9 months
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Do you believe in destiny
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ahn1zos · 8 months
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another drawing of a v3 scene that i found very sweet and sad and 😭😭😭
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also, my creativity is running low, so if y’all have any ideas, i’ll be happy to draw ‘em!
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kinaesthetiqueer · 7 months
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POV: you're about to get your ass beat
I wish we'd gotten to see them fight together that one last time before everything went so, so sideways. :')
i do not give permission for my art to be re-uploaded to other websites, used for any sort of AI or used without my permission. reblogs are fine of course. :)
after a long long drawing hiatus, i have been slowly working on this and i'm cautiously happy to share it. things have really changed in the past decade for online artists, since i was actively sharing art last. it's kind of scary looking out here but i would still like to share occasionally.
as a reward for clicking the readmore, here's the original thumbnail for this piece
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bumblebybelladonna · 9 months
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Ruby's sad memories 🥀
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