#rwby volume 8 episode 4

[aspoonofsugar]

Ruby and the Splendor Solis

Here comes a quick alchemy meta! Alchemy is an ancient practice, whose goal is to create the philosopher stone. This stone gives immortality, transmutes lead into gold and creates new life (homunculus). From a philosophical point of view, alchemy's aim is to nurture the spirit and to make it perfect.

As @hamliet has explained in several metas, RWBY is an alchemical story, which metaphorically illustrates the procedure to create the stone (RWBY/Ruby).

Today's post will explore Ruby and Maria's interaction in volume 6 episode 8 (Dead End):

As a matter of fact the scene references the 6th plate of the Splendor Solis.

WHAT IS THE SPLENDOR SOLIS?

The Splendor Solis is an alchemical text, which describes how to make the philosophical stone through 22 illustrated plates:

4 introductory plates present the protagonists of the alchemical journey

7 parables illustrate the alchemical death and rebirth

7 flask plates explore the alchemical process from a practical point of view

4 final plates describe the alchemical process from a spiritual point of view

How does Ruby and Maria's scene reference plate 6?

PLATE 6 AND VOLUME 6

Let's begin with describing what plate 6 is like:

This plate has three philosophers under a tree with golden fruits. The tree is a metaphor for the alchemical process as whole. It is the philosophical tree and if you climb it you reach the golden fruit (perfection/the philosopher stone).

The three people embody the phases of alchemy:

The young man climbing the ladder is nigredo (black)

The man who wears white outside and red inside is albedo (white)

The man who wears red outside and white inside is rubedo (red)

Citrinitas (the yellow stage) is instead symbolized by the yellow flowers and by the golden bough the men are pursuing. The scene as a whole represents a transformation, which is why the birds that fly in the sky have some green shades. Green is, thus, the color of transformation.

How does all of this rely to Ruby and Maria?

First of all, the two silver eyed warriors speak under a tree:

With golden fruits:

Secondly, this scene frames Maria as the teacher and Ruby as the student. Maria is initiating Ruby to very important knowledge, so that our young alchemist can continue her journey.

Ruby: I don't know… I don't know anything… What do I tell Jaune and his team when we don't even have a plan? Qrow's out drinking, Ozpin hasn't come back and even if he did, I don't know if I could trust him. And there's always Jinn, but… we only have one more question we can ask her. I feel like I'm letting everyone down… Maria: If you're tired of not knowing anything, how about we discuss those eyes of yours?

MARIA, THE TEACHER

Maria embodies the archetype of the old wise woman. She is a mature version of Ruby (an older silver-eyed warrior), who comes in our protagonist's life to offer guidance. She is the more expert alchemist:

Maria grabs the golden fruit. Symbolically, this shows that she is far ahead of Ruby in the alchemical quest.

This is made clear by her:

semblance

weapon

Preflexes lets Maria sense everything better than others. Metaphorically, it means she has a better understanding of reality than others. This ties with her having wisdom.

Life and Death is made by two kamas that can be combined in a staff:

They can be separated (solvet) and united (coagula). Solvet and coagula is the mantra of alchemy, as this process aims to create the philosophical stone by separating and uniting the elements. Over and over. Until perfection is obtained. Metaphorically, it means a soul is refined through creation and destruction. Life and Death.

RUBY, THE STUDENT

Ruby is young and ignorant. She doesn't know what to do and she doesn't know about her eyes. She is the alchemist apprentice, who is going through a transformation:

Differently from the Splendor Solis plate, there are no birds in the scene. However, the scenery is full of butterflies, which are another symbol of change. Of death and rebirth:

As far as the nature of Ruby's transformation is concerned, the setting gives us some hints, as Maria and Ruby are speaking in a garden full of white snow. That is because RWBY is approaching albedo (the white phase). In particular, volume 6 climax marks Ruby's passage from nigredo to albedo. This process if metaphorically foreshadowed in Ruby and Maria's conversation thanks to a specific visual cue:

Let's look at Maria's plate:

The grapes are purple/black = nigredo, the black phase

The plate is white = albedo, the white phase

The lemons/oranges are yellow = citrinitas, the yellow phase

The strawberries are red = rubedo, the red phase

The kiwis are green = transformation (plus prima materia, aka the beginning)

In short, the plate and fruits are a metaphor for the alchemical process as a whole. What's interesting is that a little butterfly flies on them:

It pauses for a little while on top of the grapes (nigredo) until Maria gently takes it and has it fly forward (towards albedo). The meaning is clear. Maria acts a mentor, who helps Ruby leave the black phase and enter the white one. She gives Ruby the knowledge she needs to face her "trial of fire":

Maria: The light will only work in the presence of Grimm. Meaning the only practice you'll get will be a trial by fire.

TRIALS BY FIRE

Ruby faces her trial by fire in the climax of volume 6, as she fights the Leviathan:

There she uses Maria's teaching and the relic of Knowledge to defeat her foe through her internal light. This moment is when Ruby and the group leave Mistral and the Black Phase once and for all. They are ready to face Atlas and the White Phase.

Still, this isn't the only trial by fire our Little Red Riding Hood has to go through. She struggles through a second one in volume 9, as she and the group leave the White Stage (Atlas) through the Yellow Stage (the Ever After), so that they can enter the Red Phase (Vacuo). Once again this passage is shown through the Splendor Solis.

There is a giant tree:

A wise woman:

Butterflies:

Once again, Ruby is given guided by an older and wiser woman under a tree. This time she has to make a choice to go through a transformation. A process of death and rebirth:

In volume 6 Ruby learns about her internal light, whereas in volume 9 she discovers her inner shadows. In volume 6 she is given knowledge, while in volume 9 she is offered a choice. At the same time, in volume 6 the Splendor Solis reference is focused on a single meaningful scene, while in volume 9 it is more pervasive and present throughout the entirety of the season. In volume 6 the Splendor Solis comments Ruby's journey (the microchosm). In volume 9 this alchemical texts conveys RWBY's adventure (the macrochosm).

However, this isn't the only difference between the two transformative trials.

IDEAL AND REAL

Volume 6 has Ruby become an ideal:

Volume 9 has Ruby grow into herself:

Similarly, in volume 6 she latches on an idealistic idea of Summer (the Huntress), whereas in volume 9 she accepts Summer as a person (the Mother):

This passage from ideal to real isn't something unique to our heroine's arc, but it ties to everyone's story. Here come two examples.

Jaune's arc

In volume 6 Jaune is inspired by Pyrhha to push forward no matter what:

He wants to become more like Pyrrha, his ideal self.

In volume 9 Jaune is taught by Weiss to stop and accept a loss:

He realizes he is good as he is, despite his flaws.

Chemical weddings

In volume 6, Bumbleby goes through their second chemical wedding, where they kill Adam. The focus of Yang and Blake's relationship is that both girls have to become "worthy" of the other:

And now I know I'm worthy of you (Oh can't you see, you could be with me) With every smile you told me, "I love you" (I am your dream, I love you)

They push each other to grow and to become their ideal selves. Yang has to overcome her anger and abandonement issues to stay with Blake. Blake has to stop running away to be by Yang's side. Their fight with Adam tests their progress on their respective flaws.

In volume 9, White Knight has their second chemical wedding, where Jaune dies and is reborn thanks to Weiss. Their bond is about letting go of childish fantasies (the charming prince and the beautiful princess) and to accept the other for who they are:

Weiss: I think you’re asking too much of yourself. We’ve been telling ourselves that failing means we’re no good. But I can guarantee even the best Huntsmen in history… they’ve all lost. But they were still incredibly brave… and good.

They let go of paragons and come to love their real selves with both strengths and flaws. Their conversation in front of the Genial Gems conveys exactly this.

Interestingly, Bumbleby and White Knight foil each other in another way, when it comes to alchemical symbolism.

Bumbleby focuses on death and separation. They represent the "solvet" part of the process.

White Knight is linked to rebirth and union. They explore the "coagula" part of the process.

To be clear, the solvet and coagula parts are present in both relationships. Yang and Blake go through destruction to come back stronger and more beautiful than ever. Similarly, Weiss and Jaune have to face death, so they can be reborn.

Still, the focus of BB's weddings is on death/destruction:

Adam cuts Yang's arm and impales Blake

Adam dies

Whereas WK's weddings climax in resurrection/creation:

Weiss is reborn

Jaune and Ruby are reborn

This is because the two relationships are complementary and illustrate different sides of the alchemical process. However, there is a third ship meant to embody both parts.

RUBY AND OSCAR = SOLVET AND COAGULA

Ruby and Oscar's wedding is kicked off by their first meeting, when Qrow (a bird) brings Oscar to Ruby and unites the Solar King and the Lunar Queen:

Ruby and Oscar's wedding references the imagery above.

It is a union of opposites. The scenery of their first scene together has Ruby marked as fire and air, whereas Oscar is associated with earth and water. Moreover, both the moon and sun are present.

In general, Ruby is moon, silver, red and air, while Oscar is sun, gold, green and earth. They complement each other and are perfectly balanced. So, they don't need a specific focus on neither death nor rebirth because theis arcs are gonna explore both the solvet and the coagula. They are the whole.

This complementarity shows also in Oscar paralleling Ruby during the trials of fire.

While Ruby is talking with Maria and going through an internal transformation, Oscar goes through an external transformation (he changes clothes). Ruby connects with Summer (coagula), while Oscar is free from Ozpin (solvet). Both their transformations are tested in volume 6 climax, where Ruby grows into a leader (macrochosm), whereas Oscar grows into himself (microchosm).

While Ruby struggles with herself in the Ever After, Oscar struggles with Ozpin in Vacuo. Ruby separates her perception of the self from Summer (solvet), whereas Oscar is merging with Ozpin (coagula). Ruby is in a fantastical world symbolic of the inside (microchosm). Oscar is in the real world, which is going through big changes (macrochosm).

Right now, Ruby and Oscar are bound to meet again through Raven (another bird), which might kick off their second alchemical wedding. Not only that, but Raven herself might play the part of the Nevermore, as she wears a Nevermore mask and her name alludes to The Raven, Poe's famous poem and the inspiration for the Nevermore Grimm. If so, this meeting might be Rosegarden nevermore wedding, which for RWBY ships is about overcoming grief and death through love. Another declination of solvet and coagula.

#rwby #ruby rose #oscar pine #rosegarden #white knight #bumbleby #whiteknight #rwby meta #rwby alchemy #my meta

[dokidokitsuna]

Goldilocks in Grimmland

This is so, so premature...but my muses have been with me from start to finish on this idea and I adore it, so I'm talking about it now! :D

So in the RWBY NeverFell AU, Yang's little mishap during the Vytal Festival actually follows her around for quite a while; with pretty much everyone but her closest friends whispering behind her back about what she did to Mercury. This is very isolating and frustrating for her, especially since she knows from Ruby's eye-witness account that Merc was definitely faking his injury. She's determined to figure out how and why she saw that illusion, and also kinda wants revenge against Mercury for low-key ruining her life. ^^; And her investigation eventually leads her back to him...except, he looks a bit different now. Shocked by his Grimmification and eager to know more, she dives even deeper into the mystery.

Unfortunately, by this time, Salem has arrived at Beacon, parking her giant whale outside the premises similarly to the way she did in Volume 8. ^^ And upon landing, it creates a Grimm-based ecosystem-- a dark forest that gradually spreads outwards the longer it stays there, only adding to the population of Grimm overrunning the area. That's a whole other issue, that the rest of Team RWBY will probably be helping with. For Yang, it's mostly just a giant hindrance to her investigation. She's got suspicions about Mercury (and knowing he's a silver-eyed warrior, suspicions about her deceased mother) and she's sure that the answers are somewhere in that Grimm-whale. But with the death-forest of Grimm surrounding it, it seems impossible for her to get there.

Until, she remembers she knows someone with a semblance that's perfect for the job. ^^

+++

There are several reasons why I love this idea: it gives Yang the spotlight for once in her life; it makes Mercury relevant; it provides an opportunity to get members of the main cast close to Salem.

But the biggest one is: IT GIVES ME AN EXCUSE TO USE REN!!!!! (≧∇≦)ﾉ

I've always loved Lie Ren; like Penny, he's one of those characters who's just impossible to screw up (in basic concept, anyway...). Across RWBY's many adaptations and spinoffs, he's always adorable and always looks cool in combat.

The only problem with him, and the reason I've rarely spoken about him, is that...people don't seem to care about him?? ;_; Specifically, in the source material, he's given so little to do that there just isn't much of a reason to care about him. He barely has any motivations that don't boil down to some variant of "protect Nora". Even Nora herself is given character connections and talking points outside of "her man", but Ren has no one and nothing else. He gets a couple episodes of spotlight in Volume 4, and that's it for the whole series. ¯\_(ツ)_/¯

I mean, just think about this: Ren is the only member of the main cast who doesn't have a character song. o_o Look it up, it's true. I had to look it up just to make sure, because I found it appalling...this is a character who was originally voiced by the creator of the show; why is he such an afterthought???

So I decided, if I don't like this, I gotta do right by him in NeverFell, somehow. And it was REALLY hard to think of a place to put him, until I suddenly struck gold with this idea. ^^ Yang's little 'detective story arc' had been a thing for a while, and although I wanted her to be separate from Team RWBY, I never really liked the idea of her being alone. A character like her works best with someone to bounce off, and Ren's coolness is a great contrast for her bubbly personality.

Plus, I think putting Ren in a position like this could service him, too: not only does it give me an opportunity to add his semblance, backstory, and maybe even a Nuckelavee fight to the plot in the absence of a V4 timeline; it could give him a chance to "flesh himself out" the way Nora did in V7. Y'know, allow him to really connect with someone besides Nora-- and then, maybe seeing how similar-yet-different Yang is to his childhood friend is what'll get him to realize that he's never done this before. That maybe he's stuck to the familiar dynamic of that early relationship for so long, that there are different sides of his own personality that he's forgotten about. Sides that are coming out now that he's on this new adventure, with a new friend~.

#now this #this I might ship a little bit #i do love rarepairs #rwby #yang xiao long #lie ren #I LOVE how these designs came out

[pyxilatezero]

Need I say more?

I think the people, objectively, have spoken.

if I were to add in my opinion you’d see that I contributed a few fanfics to the mix

Main reason for my dislike of White Knight: I hate Jaune and Weiss is my favorite character, so I think she deserves better. I know some people won’t say this is a valid reason but Jaune originally and currently isn’t written very well. You basically have to give him his own episode to flush out his plot line, (like in the first season and every season afterwards where he’s important) and he’s not a main character so he takes up screen time. (They do the same with Oscar and the rest of JNPR Instead of doing a JNPR episode, they do each of them individually with sprinkles of plot in between) Honestly, a relationship between him and Weiss would be a bad idea. Case in point:

Volume 1 White-knight Moments:

Jaune unsuccessfully flirting with Weiss (+1)

Volume 2 White-knight Moments:

Jaune unsuccessfully flirting with Weiss (+1)

Volume 3 White-knight moments:

… PYRRHA! (-1)

Volume 4 White-knight moments:

… (No interaction; no points awarded or deducted)

Volume 5 White-knight moments:

Jaune does a common courtesy and saves Weiss’s life (does not count; he would react the same for anybody- ‘nO hE wOULdn’T’ shut up Victoria if any of your friends were dying you’d save their life) [+0.5]

Volume 6 White-knight moments:

…

Volume 7 White-knight moments:

…

Volume 8 White-knight moments:

…

Volume 9 White-knight moments:

Weiss admires Jaune over the fact that he’s mature, and supports him like a good friend after Ruby runs away. He reverts to his old form, and we never hear from them again. (+2)

Total score: 3.5/9 (trying to be generous, I really am)

Main reason for liking Whiterose: Enemies to friends to lovers is an adorable trope, and they get a lot of screen time together in the first few seasons. Also, Monty himself shipped them. While I won’t say Whiterose is objectively better than White Knight, I am going to say that when I include my own opinion, it is better. Weiss and Ruby’s relationship feels more like a slow burn than Yang and Blake’s. We get scenes that could be interpreted that way in almost every season since Volume one. Let me go through them, and to show how unfair this is, I’m not allowed to add more than 1.5 points:

Volume 1 Whiterose Moments

Ruby and Weiss are off to a rocky start, but slowly warm up to each other as time goes on, and they get closer. They have a mildly, could-be considered romantic moment where Weiss makes Ruby coffee so she can stay up to study. (+1)

Volume 2 Whiterose Moments

In the food fight, Ruby dramatically catches Weiss when she falls and pretends to cry over her. (Not really much, but it’s something). Ruby and Weiss consistently pair up to get things done throughout the season, especially when looking into information about Cinder. (+1)

Volume 3 Whiterose Moments:

Supporting each other when Winter gets there (that is Volume 3, right?), excellent teamwork in the first stage of the Amity Arena battle, and Weiss’s concern for Ruby when she disappears. (+1)

Volume 4 Whiterose Moments:

Thinks about each other, but otherwise, nothing. (No points awarded or deducted)

Volume 5 Whiterose Moments:

Weiss remember’s Ruby’s coffee taste. While this could be something any friend does, they spend time together, reflecting over beacon, and Weiss helps Ruby’s sister Yang through an implication that she’s doing it for team RWBY, but especially their eccentric fluffball of a leader. (+1.5)

Volume 6 Whiterose Moments:

Ruby saves Weiss on the train, Weiss saves Ruby in the battle against the mech, and they spend time together in the village with the grim. I should give two points here but I’m loyal to my word. (+1.5)

Volume 7 Whiterose Moments:

Ruby and Weiss sitting together during training, and Weiss supporting Ruby when the team splits up. (+0.5)

Volume 8 Whiterose Moments:

Supporting each other all throughout the volume by working together, and acting as teammates and partners. (+0.5)

Volume 9 Whiterose Moments:

Ruby supports Weiss after her being upset about the fall of Atlas. (Jaune’s interaction with Weiss, -1 point- would have been two, though)

6/9

In any scenario, Whiterose wins. Im sure other people could come up with reasons to disprove me, or say I’m biased (I am, this is in no way objective), but these are the things I saw with my own eight eyes because I own three pairs of glasses, and heard with my (admittedly failing) teenage ears.

I’m sure I’ll get flak for this from both sides of the shipping community, because admittedly, the RWBY fandom can be toxic (but it’s almost any fandom at that point) saying I either graded White Knight too harshly or I gave too many or too few points to Whiterose, and I also did all of this off the top of my head, so I apologize for my many mistakes. I have two last statements:

Rosegarden: 0/9

Oscar is 14 and Ruby is 17. If I, the same age as Oscar as of 2023, would not date Ruby at that time, it’s probably wrong. When it comes to relationships for younger people, it’s best to avoid age gaps larger than 2 years. It’s also best to avoid relationships altogether until you can at least go for a learner’s permit. I rest my case.

edit 3: alright, some people have corrected me on the age part, apparently he’s fifteen. I don’t hate Rosegarden, but something about Ozpin and Oscar being the same person makes me really uncomfortable (again, as someone who is younger). Thats the only reason I didn’t give it any rating- it just feels too close to, well… I don’t really have to say it. Especially when the whole point of things is that Oscar and Ozpin are becoming the same person.

Bumblebee: 8/9

It’s canon, bro. It does feel slightly forced at times, but they’re a strong couple who supports each other and helps each other through trauma. You go girls, lesbians all the way (insert lesbian pride flag here)

edit: got someone sending in a message about neither ever going to be canon. You’re right, but thank you so much for crushing a high schooler’s hopes and dreams. Have a nice day

edit 2: I prefer icerose over whiterose but I’ll get what I can take (canon ruby x ice Queendom Weiss). This is just an overall argument.

#rwby #whiterose #rwby weiss #rwby ruby #rwby jaune arc #weiss x ruby #jaune x weiss #character review #ship dynamics #canon probably deduction #but not really? #anti white knight rwby

[roosterteethwatchdog]

Last year around the end of July to the beginning of August I went through the RWBY volume 8 credits because of stuff I was told at the time to see how many people in the crwby were still with the company. I did that and it was very time consuming, and I said that I would never do that again. Fast forward to last week when V10 didn't get greenlit while RvB and Camp Camp got renewed and I got curious. I decided to do what I did last year again and went over the V9 credits. This is what I found. I will get into specifics after presenting the numbers. The names I counted are the beginning section from supervising director to post production producer, then the entire crwby section that comes after the voice cast section.

Total number of employees- 190

Confirmed gone but could not find specific date- 2

Left in 2020- 4

Left in 2021- 26

Left in 2022- 77

Left in 2023- 24

Total confirmed gone- 133

Those I could not confirm if they still work there/Rt work done under general freelance- 10

Those still at RT- 47

Depending on whether or not you want to count the 10 I can't confirm still work there, then anywhere from 24-30% or 1/4-1/3 of the people who worked on v9 still work there. Before we get into specifics, I want to mention that I was just as shocked about the 2022 number as you probably are to the point that I thought I messed up and after going over everyone I did it again and specifically marked the employees that left in 2022 and got the same number.

Here are some specifics from job titles from the V9 EP10 credits-Of four episode directors only one is left. Of two head of studios, one is gone. The environment, vehicle and prop designers are gone save for two I can't confirm still work there due to their rt work being in their general freelance. The 2d concept artists along with additional help are gone. The storyboard artists are gone save for one I can't confirm works there due to rt work being in their general freelance. From lead modeler to environmental modelers, all except one character modeler are gone. From pre-visualization artists to camera and layout artists they are all gone. of seven visual post artists, one is left. From the FX Technical director to the visual post intern, they are all gone. From lead rigging artist to jr. rigging artist, they are all gone. From animation director to lead animators, they are all gone. Of nine senior animators only one remains. from technical animators to animation intern, they are all gone. From mo-cap co-director to mo-cap artists all but one are gone.

This is telling me that animation has been gutted. I'm assuming those left are working on Deathbattle, Camp Camp, and RvB. I'm also going to assume that as time goes on the number of those still there is going to decrease as several of those who are still around have open to work on their profiles which means either supplemental income or they know their contracts aren't getting renewed and are preparing.

#rooster teeth #rwby #crwby #roosterteeth

[anthurak]

Question is, how are Weiss and Ruby going to overcome their Trauma in 4 episodes?

Something that I think needs to be kept in mind is that RWBY is not a show whose characters are able to resolve their problems quickly or easily. Just look at how many characters took several volumes to fully cope with their pain and trauma.

I think the most likely resolution for Ruby's arc this volume WON'T be 'overcoming' or 'dealing with' her trauma, but rather simply recognizing her trauma to begin with. Essentially finally admitting that she has a PROBLEM, both to her friends and to HERSELF. Only then will she be able to start the journey of overcoming that trauma.

As for Weiss, I think her resolution will come in the form of resolving her guilt over the loss of Mantle and Atlas. See, Weiss's big underlying motivation over the course of the show has been a drive to help people, a quality she shares with Ruby. Across Volumes 7 and 8, Weiss is driven to help the people of Atlas and Mantle, the place she grew up and has been her home. And in Volume 9, I think Weiss is pretty clearly wracked with guilt over how she believes she wasn't able to help those who needed her.

So I think a fitting resolution for Weiss this volume would be her realizing that there IS someone right beside her who she can help and DESPERATELY needs her help more than anyone: RUBY.

So I think a fitting resolution for both Ruby and Weiss this volume would be Weiss being the one to realize just how much trouble Ruby is actually in and stepping in to HELP her, likely by STOPPING her from doing some big sacrifice, which in turn leads Ruby to finally realizing and recognizing the serious problems she really has.

In other words, Weiss remembers a promise she made to Ruby so long ago, and she is going to keep it.

#rwby #rwby spoilers #rwby volume 9 #rwby theory #rwby ask #mikey polo420 ask #Ruby Rose #Weiss Schnee #white rose #otp #rwby character development #in which weiss is the best teammate ruby will ever have

[dextixer]

The ending of Volume 9 proves that RWBY is not about hope or acceptance, it is about meritless wish fulfillment.

Often have the topics of "consequences", of RWBY having "protagonist centered morality" and many other discussions surrounding team RWBY, and the plots inability to ever show them as being wrong. They might fail, but they are never wrong, and anyone who disagrees with them is instantly the enemy.

A lot of Fantasy stories at the end of the day are about hope. They are about the hero defeating a great evil and saving the day. This can take many forms, but unless a story truly aims for a tragedy or a more grimdark setting, hope always remains almost a constant companion to such stories.

The heroes fail, sometimes due to the enemy, sometimes due to their own failures, othertimes due to things that are outside their control. They can lose hope, and in fact, many stories traditionally have characters lose hope in their darkest hour. Only for it to be a set-up to some kind of an uplifting scene, or even an arc during which hope is restored.

Many fans of RWBY love to claim that RWBY is about hope, and admonish us critics for being "mean" or wanting a grimdark story. What these fans fail to realize however is something very simple...

What they are seeing is wish fulfillment.

In the last episode of V9, after Ruby reaches her lowest point. What is she told? That she is perfect the way she is. That everyone fails at some point. Ordinarily that would not be a bad lesson. But the thing with failure is that while it is inevitable, if the failure is caused by ones own actions that means that a mmistake was made, that a person is NOT perfect.

When in Volume 4, Ruby got Qrow stabbed by Tyrion by interfering in a fight that Qrow HIMSELF told her not to get into. Was she perfect? No. She made a mistake. But it was a mistake that came out of her selfish desire to play hero.

When in Volume 6 Ruby decided to steal an airship instead of doing literally anything else. Was that her being perfect? No. She made a mistake. A mistake that once again came out of a selfish desire, this time because she was told "No".

When in Volume 7 Ruby is trusted completely and utterly and given anything she wished for, a license, training from pros, upgrades to weaponry, unconditional trust of plans of national security. Only to then go out of her way to hide information and eventually betray the person who gave it all to her? She made a mistake, all because she decided that she will save everyone, even if it might kill everyone.

The first part of the wish fulfillment is that these things are not even acknowledged as mistakes. They are seen as "good" things, as "heroic" things, even by a lot of the fanbase.

The second part of the wish fulfillment is the lack of consequences. At the end of V4, Qrow is perfectly okay. In Volume 7 her decision to steal an airship is just ignored. In Volume 8 Ironwood is turned into a full on cackling saturday morning cartoon villain, so there is absolutely no need to even think about Rubys actions in V7 or her betrayal.

The ending of V9 takes the cake though.

The end of V9 has us see Vacuo with ships of various makings in the air above it. Many RWBY fans cheered! Look, Ruby was right! Ruby sent the message to everyone and the entire Remnant is now united! Suck it critics who said that her plan was bad! SHE WON!

Of course, these people fail to miss that they are cheering wish fulfillment.

Back in V8 the plan to warn the kingdoms was first hatched by Ironwood, and eventually stopped by none other than the "neighborhood hero" Robyn. Did the fanbase praise Ironwoods idea? No. They instead praised Robyn for stopping it.

Important part of it however was that once the message went out, it would create panic, thus Ironwood was planning to assist all of the states one by one to repel any Grimm incursions caused by such a message...

Yet Ruby went with this plan anyways... And nothing bad happened.

The narrative LITERALLY bent itself backwards to give Ruby a victory.

The SAME exact thing happened back in V8. Rubys plan of evacuating Mantle had no end point! It was simply evacuate Mantle to Atlas and then... There was no other plan. And while Atlas was suffering and its soldiers dying, Ruby drank tea in a mansion. The whole point of Atlas leaving without Mantle was to avoid getting swarmed by Grimm, to leave BEFORE it is too late to leave.

Now tell me dear readers, let us say that Mantle is evacuated into Atlas. What then? The Grimm have ALREADY reached Atlas. Its too late. Congratulations, the plan results in EVERYONE dying.

But wait, it does not. Because at the last second a GOD ITEM is revealed to be able to just portal everyone out.

That is not hope!

Hope is not the protagonist putting hundreds of thousands of people in danger with no plan to get them out of danger, only for the hand of the writers to come down and make them all survive.

Hope is not the protagonist taking reckless actions against their allies because they know that everyone will forgive them or that the allies will turn evil the next episode.

Hope is NOT the protagonists doing something that THE NARRATIVE says is impposible to do without consequences, only for those consequences to be deleted by the hand of the writer.

What HOPE at the end of the day is the protagonist keeping the fight on regardless of the odds, either to their heroic and expected death, or at a small but KNOWN chance of victory.

THAT is what separates hope from wish fulfillment.

Team RWBY being able to do anything and everything because the writers will give them a victory regardless of anything is not hope. And it will never be.

And it isnt Over

In case anyone has forgotten, Salem now controls the relic of creation. A thing that could be used to create anything for the sake of destroying ANY army that Salems enemies could wield. Let me ask you all. Is it not logical that Salem could just create a meteor shower and just destroy any and all airships over Vacuo? She has a literal god item that the protagonist gave to her by opposing Ironwood.

But i can tell you for a fact that she will never use it. The failure of losing the staff will never matter. Team RWBY will win regardless of how sensible or logical it is. The writers will make up a reason for why the staff doesnt work, or for why Salem does not want to use it.

And when that happens, be ready for RWBY fans to tell us all how stupid we are.

#rwde

[the-path-to-redemption]

Imo volume 8 is where rwby hit rock bottom. It's when you might as well give up ANY last bits of hope for a good story if you weren't self-caring enough to drop it after volume 4. It's when the show loses the last bits of self-awareness. It felt like the writers finally stopped trying, ykwim? Sure they were red flags and bigotry high and low every season prior, and one could endlessly nitpick and nitpick and nitpick what's wrong with this show, and if anything it may have never been good altogether. But fucking volume 8? Felt like they didn't know what story they wanted to tell anymore. There's no consistent story, arcs that matter or anything to be followed unless you turn your brain off and take nothing seriously.

But no, that wouldn't be right. Cause then there's volume 9, just when you thought it couldn't sink any lower. It is beyond my comprehension how any sane, mature viewer can look at how jokingly, carelessly, superficially the writers have treated the topics of suicide and yet STILL ask for more, STILL see nothing that'd have them go "ok, this is wrong, they shouldn't have done that", STILL screech green light volume 10!!!! all over the place.

Like, what is wrong with you people?

Long Post Ahead

In the words of Jellopocalypse, RWBY is a show that like to fly by the seat of its pants. The first few volumes, while shaky and full of things that is valid to criticize about, had this charm to it that pulled people to watch. It was a passion project and filled with care from its creator, and that was obvious. It was a diamond in the rough waiting to be polished and explored given time and effort.

However, it was also clear that the writers are still very, very incompetent for the actual writing for this show on the grand scheme of its narrative. Which is a shame, because they CAN write. Red vs. Blue had great episodes, and so did RWBY; Volume 7 had my favorite episode "Gravity" and it was written by M*les, so the dude can make a very good episode where you're engaged with it. However, that episode immediately went to the trash because everything after that is so bad, it made everything that happened in Gravity in regards to Ironwood meaningless. The hype was gone, the faith that we had for the show finally picking up again got shattered because the writers refuse to keep up the momentum of their story.

It's not the first time this happened. Things were picking up back in Volume 2 during Yang and Blake's conversation, then Cinder's infiltration into the CCTV tower, and then Mountain Glenn. But guess what? The girls defeated the bad guys and took a nap on it instead of continuing to question what's happening around them. Volume 3 had so many good moments, but the dredge of V4 and V5 and so on made the events of Beacon meaningless. No example is better than what happened to Penny.

There is a lack of consistency as well as a lack of passion for RWBY from its actual writers, because the show is RT's cash cow now. CRWBY from the get go just copies cool ideas and themes for other shows without actually understanding WHY it worked for those show. It's all every surface level writing, and it's insulting because they CAN write. They just chose to be incompetent.

#answered #anonymous #rwde #rwby critical #anti rooster teeth #anti miles luna #anti crwby #crwby critical

[what-the-heck-is-rwby]

Hello again!! Back with another episode of RWBY. Volume 4 Chapter 8: A Much Needed Talk

And based on the fact that Qrow seems about to spill the details of the secret war, I agree that this conversation is a long time coming. Also I’m still worried about him because he got STABBED BY A FREAKING SCORPION

But I’m sure that’s fine

Have I mentioned that I still love this intro?

#rwby #liveblog #rwby liveblog #rwby e08v04

[etincelleart]

Penny Polendina’s theme in V8 and V9 (RWBY)

Heyo !! I wrote this long analysis about Penny on Twitter and thought I could share it here as well o/

So this is a little silly analysis of mine about my feeling about how Penny was depicted in V8 and V9 :]

NOTE : 1) Don't take all of that really seriously, this is simply a "fun" little analysis and my OWN view on the subject. This is just how I feel considering the infos we got on Penny during V9 !

2) This is also probably delusional AND I know it

3) So there's not need to come and tell me "shE Ain'T ComInG bAck >:[[[[[[", we can disagree but please give me your opinion and arguments if you'd like to discuss about it ♥

Anyway, for 2 years after V8 finale I felt probably like most people :  "Penny is gone for good, she ain't coming back, this is gonna be a big deal for Ruby in V9 but I guess that's it". I knew that Penny's 2nd death was going to be a big thing for Ruby and I expected it like everyone.

I rewatched Penny's death at the end of V8 and it truly felt like a farewell, a goodbye forever, I mean she got stabby stab from Cinder and chose to ask Jaune to kill her to give the powers to Winter. To me there wasn't any going back after that :[

And even when I'm writing it rn I feel like this thread is probably useless as I can feel how much of a goodbye it felt, and even more with the song "Friend" adding more pain :]] Especially with these lines :

And with Penny's soul linked to the Winter Maiden powers, now linked to Winter's soul, I guess it felt like a point of no return. It *still* feels like it tbh.

But Volume 9 changed my view on all of that and that's not because I'm an Nuts and Dolts shipper aha. I'm truly trying to speak objectively and to take out my ship glasses-

I expected Penny's theme to be huge for Ruby, but I didn't expect it to be THAT huge and present throughout the entiere volume. Almost every chapter we got a reference, an allusion, an element linked to Penny, a vision, and finally an illusion made by Neo.

I'll try to list all of them :

Chapter 1 - It was pretty much expected, but Ruby learned Penny's 2nd death a this moment. The start of her true breakdown I guess-

Chapter 2 - Basically the 1st Nuts and Dolts chapter of this volume lmao One of the main key of this episode was Ruby finding Penny's sword, which added to her pain even if she tried to move on pretty fast after.

Chapter 3 - The guards tell about the swords, the Red Prince ditch the sword and Ruby's not okay with that-

No mention of her during Chapter 4, so Chapter 5 - Ruby finds Penny's sword at the Blacksmith, and there's this weird line and moment I'll talk about later 

Chapter 6 - Penny's reflection in the water, related to Jaune's guilt and trauma over her fate

Chapter 7 - Ruby's PTSD striking while the Jabberwalker attacks her, and she sees a vision of Penny hacked at the Schnee manor, right before they helped her and executed their plan for her and Atlas (also, Jaune talked about his feelings about what happened with her)

Chapter 8 - Penny illusion made by Neo, attacking and talking to Ruby And no mention of her in Chapters 9 and 10. So except for Chapters 4, 9 and 10, Penny was mentioned EVERY chapter.

Now I know what some of you might think, this was mostly to set up Ruby's breakdown and make her spiralling because it's such a big deal for her, and you're totally right. Penny was used mostly to accentuate Ruby's pain.

And I know that I said (in another Twitter thread) that I wasn't fully satisfied with the finale because of that theme not being addressed after having her presence throughout the whole volume, I think I needed a reminder about production and budget. I think I'll feel satisfied with V9 finale if Penny's theme have some closure in V10 or V11 with Ruby, Pietro, Jaune and Winter in Vacuo. I imagine that with V9 finale this isn't just “everyone is so happy”, this is just the beginning of healing.

Anyway, if we don't have any closure in the next volumes THEN I'll say that I'm disappointed, but I doubt this wouldn't be addressed at all after such a volume and how much V8 finale was. But yeah, V9 finale had to focus on Ruby.

So, even if Penny's presence throughout V9 is mostly to add some layers on Ruby and Jaune's pain and trauma/breakown, I truly feel like the message from this volume is still in complete opposition with stuff we knew so far.

Tbh until V9 I really thought one of the main message of RWBY was that life AND death were important, and that death was inevitable and couldn't be avoided, like in our world. That death can be cruel and happen anytime to even the most precious souls. And it is in fact, keep moving forward aren't just some cute words, it's a true motto of the show. But the thing is that for Pyrrha, I never felt we had any hope or confirmation that she could come back, and we had a closure for her in Volume 6 with the scene at the statue. And by learning about the Gods in V6 as well, I thought that no one in this show was probably going to be back (except fo Ozma who reincarnates). 

The thing with V9 is that we discover that the “Gods”, who set up their rules of life and death without any reincarnation and no dead can come back, aren't actually Gods but made by the REAL RWBY God, in a world where reincarnation is THE thing. 🫠

And again, I know that the theme of rebirth was focused on Ruby this volume, that she had to go through that journey to understand that she's human, she's not perfect, she's enough just as she is and can do her best.

But Penny's theme this volume still kinda unsettled me as I didn't expect it to be so present. Truly when you rewatch the Volume idk if it's because I'm biased or something but I see it everywhere. The thing again is that we didn't get any closure for her. We got so much references and scenes for her, and no closure (idk if it's because of budget or intentional tho).

There are a few moments that also seem pretty weird/confusing to me :

1) It was confirmed by the script that when Ruby wakes up on the Ever After, it was Penny's voices calling her 3 times. But those screams are different from the one when Penny and Blake see Ruby falling in V8 finale. I listened again and while one of them seems similar, the others are different. So are those screams we didn't hear as a viewer ? But it still feels weird to add them as if she remembered them when we never heard them. Maybe those screams were just Ruby waking up and her mind mixing everything, but it's still kinda odd to me.

2) Another weird scene and probably the one that interests me the most, is when Ruby meets the Blacksmith in Chapter 5. I still don't really know how to fully analyse or understand this scene tbh-

We know the Blacksmith is a "representation of the Tree", so why does she have Penny's sword ? How does she even have Summer's weapon ? Why does Penny's blade turn into Alyx' dagger ? Why does Penny's reflection seem real and Ruby actually sees it, meaning it's not just an effect to tell us that this sword reminds Ruby or her ? And most importantly, when Ruby asks her how she got Penny's blade, the Blacksmith answers : 

Why does Penny's reflection seem real and Ruby actually sees it, meaning it's not just an effect to tell us that this sword reminds Ruby or her ? And most importantly, when Ruby asks her how she got Penny's blade, the Blacksmith answers : "nothing, no one, is ever truly lost". Truly as a viewer and even when trying not to be a Penny or NND stan, I can't help but think that this opens a lot of doors for interpretation. What does that mean exactly ?

Knowing the nature of the Ever After, does she mean that literally ? That Penny's not lost as we all thought in V8 finale ? Or is that metaphorical ? She then says "And you, are you lost ?" so it feels like the first answer wasn't supposed to be about Ruby but about Penny's sword. Before the Blacksmith asks Ruby if she's lost, Ruby looks at the sword in a pensive expression and she sees Penny's reflection. Almost as if she was thinking about what the Blacksmith just said.

But what is the use of these reflections ? If it's not just an effect for the viewer but also something Ruby can see, what does that mean ? There is obviously a link between weapons and identity/characters here

Another thing that confuses me too is the fact that Penny's sword is changed into Alyx' dagger. So were these weapons only illusions ? Does the Blacksmith really have Penny's sword, of even Summer's axe ?

3) Another thing more subtle that apparently not everyone catched, is the leitmotiv from Ruby's talk about Penny in Chapter 2 that comes back during the finale when Ruby choses herself. I edited the 2 scenes so people can hear it and compare, here’s the link to the video on Twitter :

https://twitter.com/EtincelleArt/status/1652360420462587905?s=20

Why this OST in particular ? We know that Penny is linked to the themes of hope but also choice/freedom. Maybe this is how it is supposed to be a parallel for Ruby choosing to keep her hope and to do her best. But I can't help but think that it is still a bit sus to hear this leitmotiv again in such a big moment during the finale. Especially when we got no mention or vision of her for the last two chapters.

We also had themes that are related to her a lot such a friendship and kindness with Little, souls moving on to their next life (Penny has a soul, "her soul is who she is"). 

I just have this feeling that so much is related to Penny this volume, it feels like it's on purpose so the viewer is grieving her as much as Ruby does :')) But nothing really felt "conclusive" in the end. Again maybe this conclusion will be for later, once Ruby is able to talk with Pietro, since we know he most likely got to Vacuo with Maria as Amity appeared to be fixed and floating in the sky at the end of V9.

But again it links with other thread I've done about Pietro (I’ll probably post it here too on Tumblr) : what about him ? Would he be able to grieve Penny a second time ? How would he handle the 2nd time losing Penny ?

I'm not necessarily saying that Penny will come back blablabla ‘(still praying and high on hope and copium tho), but it's STILL a feeling and I hope that I get after watching Volume 9 when I basically accepted the fact that she was dead in V8 :'))

After V8 I was (and I'm still in someway) part of those who thought that she shouldn't come back a 3rd time, her arc was completed, her death made sense, she made a choice. Truly I couldn't see how her being back would be a good thing. Most importantly, I was scared that her being back again would invalidate everything that happened during V8 and the fact that she chose for herself. It's still one of the reasons for why I'm conflicted about this whole thing :')) 

Depending on how it's done with the writing, NOW that we know what we know about the RWBY lore, the origins, the Tree, the Ever After, the Blacksmith, Ascension, I *could* see it happen. Of course my fan side is like omg yes I'd like her back please please. My writer side before V9 was like "no I love her but it's a bad move". Now I'm more like depending on how it's executed, I might accept it.

I mean, her being back in V7 didn't erase all the pain, suffering and mourning we (as viewers) had to go through with Ruby and other characters. It worked and kept intact all the time we spent asking if she was going to be back or not.

 Knowing how much the theme or reincarnation/rebirth is everywhere in the Ever After, it changes my view on the RWBY universe because life and death aren't just the only options there. There are different rules

She might come back, she might not come back, I just wanted to express how this volume made me feel about this specific theme. It gives us such a different message compared to Penny's death in V8 :']]

I mean of course this volume is brighter than V8 but after a volume where a character just can't escape death even after fighting for SO LONG, we finally have some light and hope about a possibility of MAYBE her being alive could happen.

(Just my own feelings again) From the start during her Atlas arc, Penny :

 - got framed

- was forced to take the Winter Maiden powers she didn't want

- was attacked by Cinder

- was forced to leave her friends to do things she didn't want to

- was hacked by Watts

- was killed again

Her ENTIERE ARC was tragic and even if Penny's character is optimistic, joyful, friendly, she's a fighter and she has hope, she sees beauty in a lot of things, she *still* never got the chance to truly live the life she wanted to live. So with what we got from V9, I see only two options :

- she's revived SOMEHOW and finally get the chance to live as it was kinda implied in V9

- she stays dead and her character stays so tragic and painful aaaah-

As for *how* she could come back at some point, I have my few ideas but I don't really want to get into that rn, it was mostly about how everything about her felt odd in V9 compared to V8 truly.

To finish on a hopeful and delusional word : "things always come in threes" :p

#rwby #rwby theory #rwby analysis #analysis #penny #penny polendina #ruby #ruby rose #rwby volume 8 #rwby v8 #rwby volume 7 #rwby v7 #rwby volume 9 #rwby v9 #spoilers rwby volume 9 #nuts and dolts #thread

[itsclydebitches]

It sure was a Choice by Miles to include a cognihazard designed to obliterate the brains of anyone slightly critical of the show in episode 4. I'm just so curious whether he genuinely thought it would be funny or it was some weird malicious bent. I assume former given how the cat was otherwise treated, though none of the comedy worked for me.

I think it was meant to function both as comedy and an argument. We already have a ton of humor in Volume 9 that in no way breaks the 4th wall by acknowledging critics' (supposed) complaints, but even beyond that you don't just stumble into the "joke" of addressing the disappointed members of a fanbase... and you don't include that "joke" unless you intend to disagree with them.

So yeah, I think Miles assumed it would be funny with the humor stemming from the expected response of, "Oh my god that's ridiculous. Who's upset about that??"

The actual answer "No one." If we read the scene as a kind of argument from the writers, it's a strawman's argument: exaggerated and simplified to make it easier to refute. Notably, everything the Cat mentions are things that critics aren't concerned with. Or, to be more careful with my words because it's a big Internet and I'm sure someone, somewhere has brought these issues up, these examples are by no means representative of critics' primary concerns. We don't care that Ozpin is sharing a body with Oscar (that lives in the realm of other suspension of disbelief questions like, "When are the characters going to the bathroom?"), but rather that they're at the center of the cosmic narrative instead of the girls, the merge still isn't explained, Oscar's development has mostly happened off screen, etc. No one cares that Remnant had a floating city - to my mind that's a good idea to avoid the majority of the grimm - but rather that it was used as the symbol for a shoddily written classism arc and then plowed into the city below with our heroes now barely acknowledging that. Few fans care about Ciel specifically (beyond those individuals who understandably thought she might show up in the Atlas arc), they care about what she represents: a bloated cast where, as the Cat themselves say, characters rarely come back in a notable way.

The point of this scene is to make up/simplify/distort criticism until you have a list of ridiculous complaints and then go, "See how ridiculous they are? People upset with the show are so funny." Note that one of the REAL concerns acknowledged in the episode - the question of whether our protagonists are good huntresses - is immediately answered with a firm, unambiguous "Yes." Blake, Yang, and Weiss all speed-run a self-reflection arc in a matter of literal seconds, going, "You're questioning whether we're the heroes? Of course we are! I know exactly who I am, I have no doubts, and you are wrong to question our role as huntresses." The exception to this is Ruby who starts to take the question seriously... only for the Cat to interrupt, "saving" her, and painting the Caterpillar as the bad guy in the process.

Seriously, the ending of that scene frames someone making the girls reflect on their actions for once as an attack that needs to be stopped and that right there highlights the "protagonist centered morality" problem of Volume 6 onward.

Now, some otherwise well-written shows can get away with a scene like the Cat's and it comes across as the writers being playfully self-reproachful. "Yeah, we know we messed that up. Our bad. Let's laugh about it together and move on, yeah?" and the audience agrees because no story is perfect and you've done a good job on the whole. RWBY doesn't have that leeway though and, given the rest of the episode scoffing at one of the biggest concerns of Volume 8, the implication is not that the writers are humbly aware of their own inevitable mistakes, but that they just thoroughly disagree that they've made them. Anything they have kinda messed up - Ozpin-Oscar body, floating Altas, Ciel - is so minor and silly as to hardly be worth mentioning outside of a joke.

#rwde #rwby #mymetas

[bestworstcase]

with only three episodes left, what do you think is in store for the rest of the volume? personally, i’m having trouble imagining a solid resolution fitting into such a small window. not that i doubt there’s a way to end this volume succinctly—rwby is always throwing curveballs i could’ve never predicted hitting, which i love—but i suppose the hangnail in resolution’s cuticle is that jrwby are all finally facing their lifelong, beaten-in worldview being turned on its head and that seems like the kind of thing (on top of neo’s untold ever after story) that needs more time to be resolved. in which case, ig we’re not looking at a clean wrap up? do you think they end this volume ascending the ever after? escaping back to remnant? (i ask those two questions separately bc i wanna say they might have different answers lol)

as a point of comparison, here’s everything (not necessarily in chronological order) that happened in the last three episodes of V8:

1 - ironwood vs everyone beat down

2 - winter heel face turn completed

3 - met ambrosius + staff of creation rules

4 - magic rules lawyered penny into a flesh body to save her from the virus with a side dish of horrible body horror robot body death scene and holy shit atlas is FALLING.

5 - creation of whacky portals for evacuation to vacuo

6 - emergency evacuation broadcast CANCELLED!

7 - cinder remembers the power of friendship and uses it for evil

8 - cinder recovered the lamp and scored the password and used the last question to spy on team oz which is fucking hysterical by the way, so she knows the entire plan

9 - YANG DIES?

10 - ruby and blake fall too. and neo

11 - the evacuation dumps everyone in a sandstorm so they can’t call for backup and also the exit is one-way (“oh dear. ambrosius \:” love that enthusiasm sir)

12 - HARRIET TRIES TO NUKE MANTLE?

13 - ironwood murders jacques

14 - eleventh hour harriet heel face turn also zeki dies because atlesian tech goons thought the nuke needed to be plugged into the IOT for some reason god bless

15 - PENNY???

16 - and winter becomes the winter maiden

17 - TEAM RWBY TOTAL PARTY KILL!!

18 - jaune also

19 - salem and cinder playing chicken over who is going to blink first like they don’t both already know that it’s going to be salem

20 - ATLAS OBLITERATED FOREVER

that’s a lot of things!

now, it’s a lot easier to set up and execute a dense, tightly-paced climactic spiral of disaster than bring a lot of interconnected emotional crises to satisfying resolution in the same amount of runtime—but on the other hand, V9 has a lot less going on. it doesn’t FEEL that way because the emotional development has been so rich and done so, so well, but there honestly are not that many narrative threads to tie off. basically, the big ones are:

1 - ruby’s emotional crisis

2 - jaune’s corruption

3 - neo

4 - how do we get home?

5 - what do we do once we get there?

compared to the sheer amount of dominoes V8 had to juggle, handling this stuff is a nice little walk.

the key thing to remember—& this has been true for every one of rwby’s climactic sequences and also counts as writing advice—is that none of these major threads are truly discrete. they’re all interwoven with each other and bound together with all the smaller filaments (like the cat’s arc or little’s arc or the framing device of ‘the girl who fell through the world’ and what really went down with alyx and the tree), so you don’t have to resolve them separately and indeed you can’t because it all has to happen at once. what this means, from a writing standpoint, is you layer up and make every scene work towards the resolution of two or three major threads and however many minor filaments you can fit comfortably so that everything is doing work for everything else. if you’re efficient you don’t need a lot of time to pull off a stunning climactic sequence, and efficiency is something rwby has always been very, very good at. this is true even of V1 even though V1 feels laughably inefficient by the standards of V8; which is to say, they started off good and got much better.

the other piece to bear in mind is that V9 is not meant to be self-contained; it is not a character-focused breather volume to let the protagonists heal up before returning to remnant to carry on as they were, it is The Answer. when rwbyjn go home they are not going to return to the story they fell out of at the end of V8. that story is OVER. it ENDED. the final word was checkmate and the world they knew is GONE FOREVER. salem WON. the ever after is an epilogue to that story and the prologue for another; it isn’t building towards a resolution so much as it is building a hook.

(<- remember V3 “beginning of the end” and “end of the beginning”? this story-within-story device is something rwby has utilized before; this show is a singular contiguous narrative in the literal sense, but it’s structured as a trilogy.)

so V9 needs to be a satisfying farewell to the middle book and also make the case for continuing on to the third and final story—which very much works to its benefit here, because the sweeping emotional changes being developed actually SHOULDN’T be resolved. a clean wrap up would critically weaken the narrative structure. the immediate crises need to be realized—there must be a moment of peace, of closing one book and beginning the next; a hopeful glimpse of the story to come, of what it could be—and then they go home. and the new story begins.

in the figurative sense you could call it ascension. in the literal sense, no, i don’t think any of the remnant characters are going to ascend because i don’t think they can (frankly i’m bemused as to why so many people seem to believe otherwise; it seems to me that the cat has made it very clear that ascension is closed to non-afterans). but the idea of ascension? oh, yes, they’re carrying that forward with them.

as for whether they’ll return to remnant—yes. i think the probability that they don’t find their way home by episode ten is zero. how they return is an open question but also not a question at all, because the tree is the question and their answer is the door; this has been spelled out, explicitly, albeit in wonderlandish terms. what we don’t know yet is what this will look like, because the tree is also the blacksmith and the ever after runs on wonderland rules. it’s not going to be literal. (<- unless abstraction is less absurd than the literal option, which is possible given the likelihood that the ever after itself is fictional.)

#rwby v9 spoilers

[aspoonofsugar]

Hey Spoon, as someone with highly detailed, well-thought-out metas about RWBY, I would like to ask for your thoughts about two recent trends I have seen about Volume 9. Specifically, about Ruby and her breakdown.

First, there seems to be discussion about Ruby being a huntress as a bad thing? That the hunter system is toxic because it put Ruby in this situation in the first place, with a burden and stress on her shoulders? I don't agree, especially when WBY all triumphantly stated they were Huntress' to their past selves.

Second of all, people seem to have it out for the pep talks that Ruby has been given over the series? That the support and encouragement that Ruby has received over the series has done nothing but make her want to hide her trauma and bottle up her emotions, because people gave her pep talks, instead of directly saying 'Yeah its fine to feel bad'? Like, some of the comments they make is intriguing. Such as Ozpin's statement to Ruby - and from her to Jaune - about how a leader must always be their best self and put their teammates first basically, leading to them eventually breaking down as they are...

But its a bit unfair to say that every attempt to support and encourage Ruby over the show up until this point was worthless and meaningless, isn't it?

Note: I wrote half of this answer before episode 8. I honestly think this still all applies, so I have not changed it. Still, consider I am not discussing that much what happens there. That will have its own meta.

Hi!

Personally, I agree with your thoughts. I understand these takes and tbh I think several people are expressing them in different ways, framings and degrees.

That said, in this answer I am gonna consider them in their most extreme and simplistic form :)

Before I address them, though, here comes a short introduction on character arcs. Skip it if you already know these ideas.

CHARACTER ARCS AND THEME

There are different ways to discuss characters and their arcs. Here I am looking at them specifically from a narrative lens by using theme to classify and analyze them.

Many of these ideas come from @septembercfawkes great posts. Here they are if you wanna read more on the topic:

In short, there are 2 types of character arcs:

The character makes a 180 degree change when it comes to the theme > change arc

The character doesn't change idea about the theme > steadfast arc

If the theme the character believes in by the end of the story is the narrative truth, then the arc is positive, while if it isn't then it's negative.

Some examples:

Ilia starts the story by believing violence is the only way for Faunus to gain freedom, but ends her personal arc by learning this isn't true. "Hate is not the answer". > This is the theme the story supports hence Ilia went through a positive change arc.

Adam starts the story by believing the violence done to him justifies his own violence on others. Blake keeps telling him this is wrong and gives him the chance to change. He refuses and keeps believing the false thematic statement. This is why he is defeated by Blake and Yang, who know trauma and violence do not define who you are (the true thematic statement). > Adam is a steadfast negative character.

Ironwood starts the Atlas Arc by wanting to trust (true thematic statement), but he ends it by giving in to control (false thematic statement). Similarly, he has a good heart and believes in humans, but by the end he refuses his own humanity. > He goes through a negative change arc

Pyrrha starts the story by believing destiny is one's final goal. She thinks hers is to become a hero. She ends her personal arc by dying a hero and choosing her own destiny. > The thematic statement she believes in is the one the story supports hence Pyrrha is a positive steadfast character.

This is the short version >

If you believe something false in the beginning, you have a positive arc only if you change.

If you believe something true in the beginning, you have a positive arc if you hold on to that truth.

This means the narrative is gonna challenge the change characters and steadfast characters in opposite ways:

If you need to change, the story is gonna test you to see if you can change and will punish you, if you don't

If you need to be steadfast, the story is gonna test you to see if you can keep believing into something even when everything goes wrong

Now, guess which kind of character Ruby is?

RUBY IS A STEADFAST CHARACTER

Ruby believes the true thematic statement since the beginning:

"The world can be dark, but there is beauty in it and people should fight to protect it and make it better"

I don't think there is any doubt about this being true in the show. After all, the other MCs grow positively by starting to embrace this viewpoint.

What about Ruby, then?

She is steadfast, so for her the challenge is to keep believing in it even when everything goes wrong. Like at Beacon. Like in Atlas.

But wait! Ruby's viewpoint is flawed and she is breaking because of her unhealthy coping mechanism!

Yes, but this doesn't mean she isn't steadfast. Steadfast characters actually do grow a lot. Sometimes even moreso than change arc characters.

Do you remember Simba from the Liong King? Well, he is a steadfast character.

The Lion King's main theme is the Circle of Life > everyone has a role to play in this cycle

Simba believes this in the beginning and can't wait to be king!

Simba believes Mufasa is dead because of him, so he runs away and gives up the theme. He starts living with Timon and Pumba, 2 outcasts and he even eats insects (aka goes against nature) > he stops believing in the Circle of Life

Nala, Rafiki and Mufasa's ghost remind Simba of his role, so Simba starts believing in the true theme again

Simba defeats Scar and becomes King taking his place in the Circle of Life

As you can see, Simba grows a lot, but he is still steadfast because he knows the true theme since the beginning. It is just that he loses sight of it and needs to re-learn it.

This isn't all, though. What Simba does is more than just remember the theme. By the end he acquires a stronger understanding of it. This is because of 2 reasons:

He adheres to it despite all the obstacles, which makes the theme stronger and deeper.

He has a change arc when it comes to a secondary theme > responsibility.

Simba is initially irresponsible, but by the end he becomes responsible. This secondary theme feeds the main one > Simba's role in the Circle of Life is to be King, but this doesn't mean he will be able to do whatever he wants. Quite the opposite, being King means you have responsibilities. Simba learns this and so he gets to understand the Circle and his role in it better.

Well, something similar is going to happen with our Little Red Riding Hood.

BEING A HUNTRESS

Ruby used to be the embodyment of a Huntress:

Yang: I'm not like Ruby, she's always wanted to be a Huntress. It's like she said, ever since she was a kid, she'd dreamt about being the heroes in the books. Helping people and saving the day, and never asking for anything else in return.

Still, she has right now forgotten what being a Huntress means:

Ruby: Fight… monsters, I guess? I’m sorry, I don’t understand why this matters.

Being a Huntress means to help others, but Ruby answers Herb confusely and mentions "killing monsters" instead. Now, it is not that Ruby doesn't know what being a true Huntress means, but rather it is she has forgotten it.

Why is that so?

It is because the Shadows have slowly been eating at her to the point she can't ignore them anymore. All the stress, the horrors and the grief Ruby has been repressing have engulfed her. She literally can't see anything else anymore. She is so focused on Salem, on how monstruous and scary she is, she can't really see the witch is just a person. Not only that, she is forgetting that the point isn't to destroy Salem, but rather to protect lives:

Blake: Huntresses are heroes. We protect those who can’t protect themselves.

If she stays in the shadows she is gonna turn like Ozpin, like Ironwood and like Salem herself (symbolically). Still, how can she come out?

I think that when it comes to Ruby, she has to learn a secondary theme:

Maria: Interesting… Perhaps there was something that you just weren't seeing?

SILVER EYES - IDEALISM AND EMPATHY

Ruby's main attribute is her Silver Eyes, which are metaphors for themes and inner attributes. So far, I think the Silver Eyes mean 2 things:

Idealism > Ever heard of Wide Eyed Idealists? Yep, those are the Silver Eyed Warriors in a nutshell. The way the eyes work is literally that they reflect the light of the world (like the Moon mirrors the Sun). The SEW can use them only if they believe life is beautiful and worth protecting. This is why the way things are now Ruby is gonna have a hard time using them again.

Empathy > Ever heard of looking at the world through shades of gray? Maybe shades of silver is more accurate here :P But yeah, the Silver Eyes are probably gonna reveal new power and strength once the theme of empathy is gonna be explored more. After all, what does it mean to see the light in the darkness, if not to look at the most monstruous people and realize they are well... people? Isn't it like seeing the person (light) behind the monster (darkness)?

Let's highlight idealism and empathy are 2 secondary themes linked to Atlas (Creation > the Shallow Sea) and Vacuo (Destruction > the Judgement of the Faunus).

Atlas explores trust, which is a declination of faith (Trust Love)

Vacuo is set up to explore empathy - Shade references the shadow, Coco needs to take off her shades to see others properly and Vacuan students throws shades at the Beacon/Haven newcomers

What does it mean for Ruby?

Ruby has been using her eyes by relying on her child-like optimism and hopeful self. Still, this mechanism can't keep on working forever. It is too psychological vexing and simplistic. I honestly think the way forward for her is to develop a new found idealism, which is more rooted into a more mature empathy.

You don't need to ignore the shadows to see the light. Rather, the light found in shadows is brighter than ever.

This is the secondary theme Ruby needs to learn in order to gain a deeper understanding on the main one she already knows, but has forgotten. This is where she needs to go if she wants to re-affirm the main theme.

OTHERS HELPING RUBY

Well, I think the topic is already addressed this last episode:

Weiss: Maybe she didn't feel like she could... Ruby has always been the one to get us through the hard times. We say things like "We believe in you!" "We can count on you!" I know we mean well, but..."

I don't think what Weiss says in the episode means all the encouragement they have offered Ruby was wrong to begin with tbh. It is just that the right words for a specific situation might be wrong for another.

Ruby has been helped and loved by her teammates. Weiss's encouragement helped her becoming a good leader. Yang's love supported her. Blake and Jaune's admiration and loyalty helped her push through in difficult times. It is just that the Ruby right now doesn't need it anymore.

Her own coping mechanism is not functional anymore, which means she needs to develop another one and others need to realize it.

Which leads us to some generic thoughts on coping mechanisms...

COPING MECHANISMS

Coping mechanisms are neither good nor bad really. They are simply mechanisms we come up with in order to survive and push through. They can be functional or dysfunctional. Even better... they can be functional for a while and then they can start not fitting anymore.

RWBY as a story makes full use of this to the point characters' main flaws turn out to be their major strengths and vice versa. This is pretty well conveyed through semblances:

Weiss's semblance initially represents her dependance on her family name. As she grows, though, it becomes symbolic of her own individuality:

And right now, she has discovered a new found strength in her family (team RWBY plus her siblings). The idea that Weiss's strength comes from her bonds with others was never wrong, but initially it is applied in a dysfunctional way. As she grows, she gains a deeper understanding of this part of herself and she gets to shine.

2 Blake's semblance represents her tendency to tun away. Still, as she grows, she realizes that it also represents her ability not to break despite the abuse and the violence:

Not only that, but even her own coping mechanism to run away from an abuser is re-framed. She did the right thing by running away from Adam... it is just she should not let this tendency of hers to control her life completely. Sometimes running is fine, while other times it is better to stand your ground and fight.

3 Yang's semblance represents her tendency to use her losses, her wounds and defeats to grow stronger. It also represents her recklessness and her self-sacrificial tendencies. This is why its use is toned down, as she grows. In exchange, she gains a better understanding of what growing up despite one's losses means:

Yang: No. My losses, my failures. Those more than anything are what have shaped me into who I am, showed me how I need to grow.

It is also probable we will see this new-found wisdom reflected into her semblance eventually:

Ruby is the same... it is just we see her strengths rather than her flaws initially:

She is fast, so fast she even skips grades. She is smart and a quick-thinker.

She is flexible and resourceful and pushes through obstacles.

She is a leader able to carry everyone else...

And yet, she is also running away from her feelings...

And she is also spreading herself too thin for others...

Until she can't anymore...

Ruby, like everybody, is a mix of positive and negative traits. Not only that, but her most positive traits are her flaws and her weakness is her strengths.

She needs to do what the others have done with her help. She needs to gain a deeper understanding of herself and of who she wants to become. Only in this way she can re-affirm herself with a deeper awareness, so not to break down again.

#rwby #ruby rose #rwby spoilers #rwby volume 9 #asksfullofsugar #stormmodblog

[princess-of-the-corner]

One thing to note about RWBY is that it REALLY "grew the beard" over the course of its runtime.

Volumes 1-3 were animated in Poser (software that wasn't intended for use in animation), with rougher backgrounds and more simplistic writing related to complex themes. They were also only ever intended to be an extended prologue to the ACTUAL show, with the Big Twist of the Volume 3 finale being that the climax was actually just the inciting incident to the show's ACTUAL conflict.

Starting from Volume 4, the crew switched to Maya (software that's intended for use in animation), got better at writing more complex topics (the White Fang is treated more sympathetically than in the "Beacon Arc"), and Jaune was actually an interesting character for the entirety of the "Anima Arc" that lasted from Volumes 4-6.

Volume 7 is probably the best season of the show (I don't have a Crunchyroll account and so I haven't had the chance to watch Volume 9 in its entirety yet, even if I know what happens there). It deconstructs the whole "America Saves the World" trope with Atlas, and has some pretty good political satire that wound up being eerily prophetic. Also, Robyn Hill is one of the best characters the show has ever introduced.

Volume 8 contains both the best and worst moments of the series. V8C1-V8C11 features some of the best storytelling and most tense action from the franchise ever, but V8C12 has the overall message of "Okay but, the people who dehumanized Penny over her mechanical body KINDA had a point, let's fix what isn't broken!", V8C13 is a pretty descent villain episode, and V8C14 is by far the most offensive piece of media I've ever been subjected to. But still, up until those last three episodes, it was basically flawless.

I've heard Volume 9 is pretty good, but I'm side-eying everything involving Jaune because I honestly DESPISE the direction they took his arc in. But if we ignore EVERYTHING related to Jaune's role in the Volume, I like basically everything I've heard about it.

RWBY: After the Fall is a very good spin-off novel focused on popular side characters Team CFVY and shows what they've been up to since the Fall of Beacon in Volume 3. it also has a really interesting gimmick, as every other chapter is a flashback to something that happened in Team CFVY's past, further fleshing out their minor roles in the show.

RWBY: Before the Dawn is actual garbage. Sun's character arc (wherein his hypocrisy from the show is actually acknowledged and challenged) and Coco's and Velvet's shiptease are probably the only redeeming qualities. Taking this book into account actually makes Ironwood's reluctance to call Vacuo for help look REASONABLE. 2/10.

RWBY: Roman Holiday is a prequel novel focused on Roman and Neo, but Neo is the true protagonist here. The first few chapters leading up to their first meeting alternate between their perspectives, with the book being largely Neo focused after they finally meet.

RWBY: Fairy Tales of Remnant is an anthology of in-universe fairy tales. You can read it at any point in the series, but the further into the series you are when you read it, the more hints to RWBY's overarching plot you'll notice. While all of the Fairy Tales are works of fiction, some of them are dramatizations of actual events in the shadow war that RWBY's plot revolves around.

RWBY x JL: Super Heroes and Huntsmen is a 2-part film series wherein Team RWBY teams up with the Justice League. Part 1 features the Justice League visiting Remnant (kinda) during the events of Volume 7, and Part 2 features Team RWBY visiting DC Earth after the events of Volume 9.

There's also some ambiguously canonical comics published by DC, as well as 2 explicitly non-canon RWBY/DC crossover comic series. One features alternate versions of the Justice League cast who were born on Remnant, another features Remnant and DC Earth fusing due to Salem tricking Lex Luthor into helping her by playing off of his hatred of Superman. Neither of these crossovers are in continuity with the crossover movies.

Fascinating actually

[howlingday]

Hey what's the character that you used to hate but now absolutely love

You know, it's funny you ask this because I was thinking this as I was walking to my car from work. Yeah, work on Sunday morning. Don't it feel good?

I was expecting the question, "Which character do you hate?" because a lot of people hate Jaune for no good reason, and two characters popped up, Blake and Cinder.

Before we get to Cinder, I would like to say on record, I DON'T HATE BLAKE. I think she's a decent character, but I also think that a lot of her character development and story progress has been derailed for the sake of Bumbleby. It's like she's just there and doesn't contribute to the story beyond, "Oh, Yang is so beautiful and I want to kiss her." Meanwhile some of her best moments in RWBY Chibi stand out amongst the already cream of the crop bits. But again, I don't hate Blake. I just think that a lot about her has been... shall we say, mishandled?

But that's not what you asked. You asked me who I hated and now love. I've already gone and mentioned her, and now I'm going to get into it that I love Cinder Fall.

When she first showed up, she was this terrifying, shadowy figure who was pulling the strings for everything. Real Big Bad vibes and I was loving it. I mean, she friggin went toe-to-toe with Glynda Goodwitch for corn's sake! In the first episode!

As it went on, we learned she had an agenda, but we didn't know. She was just there, behind Torchwick, putting a flame to his ass and threatening him. Then came Volume 3 when she was in full-swing as a villain. She infiltrated the school, manipulated everyone so perfectly, that there's a reason Volume 3 is my favorite of the Volumes so far!

Then Volume 4 happened and... Ugh... Cinder, honey, baby, sweetie-pie, what the Sam Hill happened to you? You were a titan, a queen on a charred throne and now you're this pathetic, angry lapdog to an even more bland villain. You literally got Starscream'd and it hurts to watch you. Then came Volume 5 with your temper tantrums and your goading and your loss to an even cooler villain and... Ugh... You fell off, Cindy. You fell off real hard.

Then came Volume 8. And oh, did you come back with flames. You came home, took your lickings, and came out on top again. We got to see so much more to your character! Your depth and nuance and drive! I was a fool to hate you because I now see you for who you really are.

Cinder Fall, you are the broken, beaten, and scared little girl who grew up trying to never become her again. You picked yourself up and you turned yourself into a queen. Now, if only your destiny wasn't meant to end in ashes...

#my answer #my answers #rwby #cinder fall #my thoughts #blake belladonna

[bardock1991]

Fun ask: What are your favorite weapons in RWBY and in what order?

This is actually a pretty easy for me. I'll talk about 4 (see what i did there?) in particular from my least favorite up to my favorite.

Ember Celica: One of the few Gauntlet Weapons in the show & in my opinion, it's the best one. First of all, i like the design. A pair of golden bracelets that can turn into bulky, yet cool looking Gauntless that shoot shotgun rifles by THROWING A PUNCH! (well, until V6, but we don't talk about that scene in the end). I think this is a great representation of Yang's personality & it goes well with her Semblance. If she has to use her BODY to take hits, then she'll use her FISTS to deliver even STRONGER hits. It's a pretty good use of the "The best offense is a good defense" trope, which i appreciate. It's also a good way to show how smart Yang is since SHE'S the one who build it, imagine how much time & effort Yang had to put into making this weapon considering how dangerous it actually is?

Ozpin's Cane (which doesn't have a canon name as far as i can remember): Despite it's simple design, i like the way it's used like a rapier most of the time & above all else, the lore & history behind it. As Ozma passed on from host to host, he imbued his life force into the cane so that when the time is right, he'll use its true power... & BOY, did Volume 8 DELIVER on that front.

Crescent Rose: This probably wouldn't been as high as it is now for it not for V9, especially in the last chapter. I definitely LOVE Crescent Rose, it's an incredible design that's iconic. It made a Scythe that's also a Sniper, 2 things that SHOULDN'T work together, ACTUALLY work. But then we go to Volume 9, where it's used as a way to challenge Ruby's idendity, which i LOVE. I can't wait to see what the rest of V9 has in-store for her, especially Casey's recent tweet about next episode being "Edge City"... Oh boi...

Harbinger: This is LITERALLY Ragna The Bloodedge's Weapon, but with a Shotgun feature, how can i NOT love it?! Whenever i see Qrow fight with it, i ALWAYS think to myself that the writers (especially Monty back when he was alive, RIP) played A LOT of fighting games when developing some RWBY characters & their weapons. Look at Penny for example, she's a CLEAR reference & homage to Nu-13 from Blazblue. Can't say i blame them for it, this shit is lit! I also like how the scythe form of Harbinger itself is rarely used in the show, as if it's only used when Qrow is going to fight seriously, which is always hype. It's not as plot thematic as the last 3, but it's definitely the coolest & most fun to watch out of these 4 weapons i mentioned... & Now i want a scene where Qrow & Ragna are shooting the shit in a bar. Someone write a fanfic about that, i'd read it! XD

#RWBY #Ruby Rose #Yang Xiao Long #Ozpin #Oscar Pine #Qrow Branwen #RWBY Weapons

[nerdlydelicious]

apologies for all the asks!!! I don’t have many folks I chat RWBY with so I turn to the folks who’s opinions I’ve come to respect on tumblr!

Anyways - with the final episode of Volume 9 rapidly approaching, what do you think needs to happen in the finale for it to be concluded in a satisfying way?

cheers!

You’re fine, I like answering questions!

As for what needs to happen, in my personal opinion, the things that I think need to happen are as follows, but not strictly in this order:

1. Ruby has a talk with her mother, at least in some fashion, which helps her realize that she doesn’t need to be a completely different person to be the hero she needs to be, which helps her complete her ascension.

2. We also go through Jaune’s ascension and he is changed into a younger version of himself, but specifically not reverted back to his Volume 8 form as that would be literal character regression. Also, he keeps the warrior’s wolf tail.

3. Both Ruby and Jaune retain all their memories after ascension, and get new looks, and either upgraded or new weapons.

4. Ascended Ruby and Jaune tag team Neko Neo and kick his ass.

5. Neko Neo dies/gets taken by the tree to ascend. Don’t give either of them a second chance or a redemption arc.

6. Everyone has a tearful reunion with Ruby, apologizing that they weren’t there for her when she needed them and she forgives them.

7. Team RWBY and Jaune walk through the door into Remnant, and either the episode ends there to leave us on a cliff hanger for V10, or they walk out into Vacuo to throw us right into the action at the start of V10. Bonus points if Juniper goes with them.

8. We see Little again at some point. Maybe they help fight the cat in their new ascended form. And we get a heartfelt moment between them and Ruby.

As a bonus these are things that I don’t think have to happen for the finals to be satisfactory, but I’ll be very happy if they do:

1: when Jaune returns Weiss hugs him or in some way shows relief that he’s okay. Bonus points if she comments positively about his new look. It shouldn’t be a moment that overshadows the big reunion with Ruby (though I’m sure some people will gripe about it regardless), just a nice little touching scene between them.

2. Ruby lands the fight ending blow on the cat with her Silver Eyes powers. I don’t know why her powers would affect the cat, but it would be bad ass.

3. Ruby says something positive about Blake and Yang’s relationship. Mainly to piss off everyone making ‘Ruby is homophobic’ memes.

4. We get Yang and/or Blake teasing Weiss about Jaune, maybe one of them asking her if he’s still ‘mature’ enough for her, and Weiss being flustered and embarrassed.

5. As team RWBY and Jaune leave, we get scenes of the Afterans going about their lives. The Genial Gems building a new home, the market place being repaired, Jinxy peddling more items, the Hunter mice catching a snake, that kind of thing.

6. Red Like Roses part 3 for Ruby’s epic arrival at the climax of the fight vs the cat.

That’s everything I can think of, at least for now. I’m sure five minutes after I post this I’ll have four more things to add to the list XD

#rwby #rwby volume 9 #rwby vol 9 #rwby spoilers #rwby vol 9 spoilers #rwby volume 9 spoilers #jaune arc #weiss schnee #white knight #ruby rose #yang xiao long #blake belladonna