I want. Four to get appreciation. Because
Four gave a ton of unnoticed help when Twilight was injured
The fight with Wild was difficult, and I know we're all concerned about his negative view of the shadow crystal
But Four did something that no one else really thought of to help- He took care of Twi's stuff
From the beginning he told Twilight to not worry about them
So Four took care of pretty much everything but the others (that Sky and Wars handled)
He took care of Epona
Which is so very important- he took care of Twilight's horse. After her arrival at the stable Four followed up on her
And for Epona, a horse so attached to her human, having some company can help so much for reassurance
He took care of Twilight's stuff
He got Twi's shield- his bags and equipment, and organized it into one place
And he was worried. He obviously found the shadow crystal while handling Twi's stuff, but his negative reactions to it were out of concern.
Also- because of his placement in this scene
I'm fairly convinced Four was ready to start cooking before Wild showed up (since he's beside the counter with food supplies). At the very least he had the basket of fruit out for everyone -but he was literally standing with food behind him- he thought of everything
And he did housekeeping!
Wars payed for the inn, so Four took care of the inn
Realistically these boys were probably not too concerned with tidyness. Four got all of Twi's things on one table, and took care of the room they stayed in
Organizing tables and Twi's things, having food supplies ready, and opening the curtains- overall he was the one tidying up the inn
Four helped in a huge way! He took care of Twi's horse (Epona is so important), his equipment and shield and bag, as well as the other rooms in the inn
Four filled in all the little tasks that others didn't think of. He helped in ways that were needed, but not obvious
There's a lot of problems with the shadow crystal and with Wild, and I don't know what's gonna happen in the future
But don't forget this- don't forget that Four was one who stepped up in an almost unnoticeable way
Don't forget that when everyone was barely holding it together, Four visited Twilight's horse and took care of his things
No matter what develops in the future- this amount of care shown is important ya know?
.
Art and comic from Jojo @linkeduniverse au :)))
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Mandatory rant about kaveh’s 2023 birthday letter incoming!!
Kaveh and Alhaitham’s birthday message subject lines are seen to mirror the other through their usage of punctuation, as Alhaitham’s subject line reads as: “…” as opposed to Kaveh’s: ‘!!!’.
A sense of familiarity evoked in their current living situation emanates from these mirrorings and within this message. Kaveh writes about him bringing coffee beans “home” in order to try, and then follows this with: “we compared the taste of each, we decided that this was the best”. Through Kaveh’s explicit usage of the word “home”, it is evident that the “we” refers to him and Alhaitham. This description establishes a sense of domesticity, only to be achieved in a mutually agreed ‘home’ as opposed to a ‘house’.
It is relevant to reference Kaveh’s understanding of “home”, as in a place in which words are not necessary and link it to the idea of companionship being more important than understanding. The latter idea consists of supporting a person, regardless of the ability to empathise with and relate to their particular struggles, should be valued over attempting to be understood by people who are not willing to listen in order to understand - established by Kaveh’s mother within his hangout.
In this, Alhaitham is offered as a companion to Kaveh, where he cannot empathise with Kaveh’s artistic and idealistic struggles, but he is willing to listen to him over offering empty words which cannot solve Kaveh’s particular problems.
Kaveh’s understanding of “home” as a place in which people are at ease with each other and support another regardless, can be seen within his relationship with Alhaitham.
Kaveh and Alhaitham split the chores according to Alhaitham’s character stories; they both make attempts to decorate the house; presumably they eat dinner together, according to Alhaitham’s Story Quest where he excuses himself in order to have dinner, only to talk to Kaveh; the two can be seen to share a study; when ordering out, Kaveh orders extra for Alhaitham – a common enough occurrence for Alhaitham to be confident in relying on this; and for Kaveh’s birthday they try coffee beans together to determine the best ones to send onto Kaveh’s friends - Kaveh’s close friends who are also Alhaitham’s.
Rather than the “cold” and “lonely” house which Kaveh was left with after the passing of his father and departure of his mother, this conjures the image of warmth and familiarity. In this, it can be inferred that the two have created a home together.
(Update: For more analyses like this, the essay this is taken from is now uploaded! It can be accessed here and here as as a pdf <3)
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i spoke about this briefly before, and i think i have my thoughts more collected now to develop on it; i feel like comics which show bruce comforting his child self in flashbacks of the wayne murder in crime alley understand the purpose of batman a lot more than the ones that have him talking to his parents.
if you've been keeping up with recent batman comics, then you'll notice a theme of bruce getting the chance to talk to his younger self. the important part though, is that it is not because of time travel or some detached third party force — it's the young bruce in batman's head.
it's the him hidden behind the black door in his mind when he's fighting his nightmares —
Batman Knight Terrors #2, 2023. written by Joshua Williamson.
— and it's the him tucked away in corner of his mind after being drugged and tortured with his greatest fears.
Detective Comics #1075, 2023. written by Ram V.
after experiencing something traumatic, the one bruce sees suffering from it isn't himself, but the young bruce wayne in the alley. because at the end of the day, every hurt circles back to that night, to that boy, that he can't save no matter how hard he tries — because that boy never left the pool of blood he was sitting in.
i think people often attribute the existence of batman as something created for his parents. to avenge them, or to be the symbol that could have saved their life had he existed before, to stop anyone else from being killed in the same way. there's some truth to that, however, to me, the answer is a little more selfish.
i think it has always been for himself, but not the him now, but the him that is still stuck in that alleyway, waiting over his parents dead bodies. batman is a symbol of hope and reformation and justice, but at its core, batman is what saved bruce wayne.
as a result, the panels above have a very different feel to say, this moment when bruce sees an illusion of his parents in Superman/Batman #56, 2009. written by Michael Green and Mike Johnson.
it's an emotional moment for sure, but it didn't quite speak to me the same way this absolutely phenomenal moment did in Batman: Blind Justice, 1989. written by Sam Hamm.
of course this moment is a lot more cynical in how bruce uses batman to cope with his guilt, while the other moments focus on batman providing young bruce with the hope to continue that he isn't alone — the sentiment of batman being the one to pick him up from the floor and lead him away from the scene in a shared motif.
it reminds me of that one discussion that batman is a victims power fantasy. his own fantasy! because bruce has — in order to have a semblance of control over himself — separated himself from this event that it is a completely different child at the scene of the crime. it's this fact that let's him reach down, hold the boy's hand and tell him everything will be okay.
this bruce wayne is a child, his child, gotham's child, thomas and martha wayne's child, an orphan to protect.
batman was made for children like bruce wayne, to stop them from becoming like him and for them to hold onto when it does — because batman is still trying to fix a problem that has an endless hole. he can never reconcile this trauma and let the boy in the alley leave, because that's not what batman was made for.
batman was made to protect the little boy, and in order to do that, he must remain in that alley.
there's still a bruce wayne who had to grow up, who learned to fight and love and lose again and again, a bruce wayne who becomes batman. a batman who then, tries effortlessly to fix problems and save people, who goes out everynight because if he doesn't, then that boy in the alley is left there for nothing.
then there comes a moment where he falls through the cracks and he's face to face with the child who can't leave and can't grow up and knows nothing but loneliness and grief — and batman gets to tell this child that life becomes more than just this alley.
the child is happy, if even for a moment, that batman is there. that's what batman is for.
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The thing about Otohan is that she had an awesome mechanical build and she served a narrative purpose in that the party lived in fear of her for nearly 60 episodes but she truly did die as she lived, with a personality replaced by frogs and murderous intent. And the thing is I suspect there's plenty of interesting stuff about there. I've been there as a DM, having built a super cool NPC with worldbuiding ties that the party simply did not give a shit about, and I think that's the same situation here.
Legend of the Peaks isn't particularly meaningful since only two party members have any recollection of the Apex War and neither show the slightest interest in the politics thereof and they haven't really been relevant to the story. We don't know why she worshiped the Raven Queen once nor what happened to make her stop while still using that symbol...and it hasn't really been relevant to the story. We don't know if the backpack came from her or was from Ludinus...but it's not really relevant to the story other than tracing the potions of possibility back through Treshi and Jiana. We don't know what specifically drove her towards the Vanguard other than lacking answers as a Ruidusborn - which may have simply been enough - but again. Not relevant. We have Liliana to represent the perspective of a Ruidusborn who went through the Omen Archive study and whose motivations warped and twisted from a place of genuine worry and fear, and we have Ludinus to represent the centuries-long architect of this entire plan (plus he can't stop monologuing about his motivations, and that is a compliment). That's plenty.
And so Otohan consistently fails the Sexy Lamp With A Gun Attached Test, and it doesn't really matter, and I'm sure there was a backstory there but there's quite literally been no reason to care about it at any point, and I think most people do not. Her entire purpose within the narrative was that of a sentient evil Jersey Barrier that ultimately had to be blown up. I'm infinitely more interested in the loot drop that resulted from her death (and obviously the emotional ramifications of FCG's sacrifice) than any of her repetitive zealot bullshit.
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