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#sakamoto maaya
nakamorijuan · 28 days
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坂本真綾 - 約束はいらない Maaya Sakamoto - Yakusoku Wa Iranai Tenkuu No ESCAFLOWNE - Opening Theme
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seiyuu-gallery · 6 days
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A piano cover I did of “Yakusoku wa Iranai” from Vision of Escaflowne.
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dodompa55 · 1 year
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坂本真綾
sakamoto maaya
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chiisanahoshi · 10 months
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アニメ『黒執事』新シリーズ ティザーPV|2024年放送決定!
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silvertsundere · 1 year
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Happy 43rd birthday to Sakamoto Maaya!
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shiiko529 · 1 year
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complain enough and i'll do part 2
**ive seen both "strange names" and "strange games" listed as the name of fai's song, anyone have a pic from the original japanese OST?
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Favourite (+ Least Fav) Female Seiyuu
Please check out the original post here!
This post will cover 3-4 on the original post. One thing I would like to say is that since this list is influenced largely by more recent roles that came out in the last decade or so, there are a lot of veterans missing from this list. I did try to mitigate this with one of the other questions.
While the ranking is based off of purely my personal opinion, I thought I would state some factors that go into the ranking.
Voice acting ability: This is pretty standard. You know what to expect here. Performance is a key factor here. If they can act well and convince me of the character they're playing, then I consider it a good performance. Range is another lesser component. If I feel like they have incredible range in terms of their voice and emotion, that also comes into play.
Sentimentality: This is very subjective. This takes into account things such as access to good to roles and the impact of those roles which largely depend on how good the show is and how strong the writing is. Voice actors can try their best and give really good performance, but if the production, writing, art, or directing isn't good, it can all amount to close to nothing through no fault of the artists involved.
Musical ability: These days, voice actors are expected to sing with few exceptions (Akira Ishida is an exception, for example).
Voice: Yeah, if I like their voice, it boosts them up the list because it's a voice acting list. It has nothing to do with their voice acting ability. Although, range can help this a lot.
Personality: Although it doesn't really have anything to do with any of the other categories, personality that is shown through shows, events, and radio do play a small part in this because seiyuu are ultimately entertainers. These days, they are expected to be the whole package.
I will include a gif of a role that I liked (recent roles are prioritized) for the top ten.
Least Favourite Female Seiyuu
Just like the male-counterpart, I definitely don't have a least favourite female seiyuu based on acting ability, but I do have seiyuu that I just don't like their voice. However, this has negligible interference with my enjoyment of the show. Plus, I don't fault actors or actresses for playing bad roles if I can help it. Off the top of my head, I don't really like Satomi Arai or Yukari Tamura since they are usually typecast in roles that I don't really like (loli archetype). Besides that, usually voice actresses have at least one or two other roles that break their usual typecast that I've seen.
Favourite Female Seiyuu (TOP TEN)
HONOURABLE MENTIONS:
These seiyuu are really good. I just ran out of spaces in the top ten. I also ran out of spaces in the honourable mentions spot. Just like the previous counterpart, the ordering changes really frequently so don't pay too much attention to that (except the top two which seem to remain consistent).
Mariya Ise
The duality and range of her voice is really cool. I think she's mostly on here because of Killua (which is funny since I never finishes HxH) and Ray (we don't talk about The Promised Neverland Season 2). Also, can we just mention how strong she is carrying her career while being a single mom? Some people in Discord were expressing disappointment with/at her, but I think she's doing great from what I can see. Also, I can't wait to hear more from Himeno in Chainsaw Man. From what I hear so far, she's really good.
Atsumi Tanezaki
I got the completely wrong impression about her voice acting after watching Zankyou no Terror and Mahoutsukai no Yome. Since both of those characters were relatively flat, I interpreted her performance as flat as well. However, after seeing her as Satowa in Kono Oto Tomare, Vivy, and most recently as Anya Forger, I realized, I was so fricking wrong.
Aki Toyosaki
I recently finished that Cautious Hero anime, and let's just say, I was not expecting her to go that hard voicing basically blonde Aqua. She did it really well, and she practically carried the show on her back. I get that she's usually known for cutesy roles, but I think she should start getting more casting to play really mature characters like in Re:Creators. I think she sounded great there (not that I ever finished the anime after it put me to sleep every time Inori Minase dropped an exposition rant).
Ayane Sakura
Ayaneru is incredibly talented. She got some hate for playing Gabi from Attack on Titan and Mika from Psycho-Pass 2 because those characters were hated, but ironically, I think that just means her performances made those characters exactly what they were meant to be. I haven't watched either, but I really like her performances in Non Non Biyori (which I also haven't finished), Hero Academia, Hotarubi no Mori e, Gotoubun no Hanayome, and Kakushigoto. I know Kakushigoto wasn't a main role, but she was funny whenever her character had a moment to be. Her chemistry with Kouki Uchiyama is also really endearing, and I would like to see her and Kensho Ono interact considering how much she loves Kana Hanazawa.
Rie Kugimiya
It's funny because a lot of my lists are missing the good veteran voice actors who carried a lot of the series that I first watched. Yet she's the only one that made it onto my new list (mostly because I wanted to shuffle in more of the newer roles I've seen). She was my preferred performance as Kotaro from Kotaro Lives Alone on Netflix (which you should watch); I watched the show both subbed and dubbed, and while both performances were great, I found myself preferring Rie Kugimiya's version. It's hard to explain why. Rie Kugimiya is also behind some of my favourite older roles like Alphonse Elric from Fullmetal Alchemist, Kagura from Gintama, and Taiga from Toradora.
Sora Amamiya
I could not believe that I had ten voice actresses that I liked more than Ten-chan. But this is how the ranking turned out when I was making it. I really liked her performance as Chizuru from Rent-a-Girlfriend which was one of the only things that carried this show (because it sure wasn't the writing). I prefer her more badass role rather than her cutesy ones like Akame from Akame Ga Kill (who should've been the MC instead of Tatsumi, my 13-year-old self says) and Touka from Tokyo Ghoul. I'm also a fan of TrySail which is the idol group with her, Momo Asakura, and Shiina Natsukawa.
10. Ai Kayano
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I honestly haven't watched a lot of her recent roles or some of her most popular ones (I could not sit through Konosuba, Saenai Heroine, or Guilty Crown). However, I watched Anohana and Sakurasou, and those were great. She also had a really entertaining run with Matsuoka since they've co-starred so many times together (seriously, so many). She seems to have a really nice and caring personality. Oh yeah, my friend also recommended that I watch Maquia because it's supposed to make me cry. We'll wait and see.
9. Rie Takahashi
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Now, this is one I didn't expect since she wasn't even in my honourable mentions, but I've seen her in a lot of things lately, and I'm pretty sure the roles I've seen her in aren't even her most notable ones with those being Takagi-san and Megumin from Konosuba. Despite that, she made Romantic Killer such a blast, and she's fun to watch in a lot of the events she's in too. There's a seiyuu subber named LegoF who subtitled a lot of her content, but he got taken down. However, he resurrected. I highly recommend Romantic Killer, by the way.
8. Maaya Uchida
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I found out about Maaya Uchida way before I found out about her little brother. In fact, when I started watching anime, his career hadn't really taken off yet. Maaya Uchida was the heroine in one of the first anime I'd watched when I was an early teen which was Noragami, and I later watched her breakout role in Chuunibyou as Rikka, and I really enjoyed that one too! When I heard her as Norman in The Promised Neverland, I couldn't believe it was the same person and had to check the cast list. Now, she also plays one of my favourite reverse harem protagonists, Bakarina (Catarina) Claes. She's a ton of fun to watch in the events she's in, and her dynamic with Yuuma is what you'd expect. I like some of her songs too (which are available on Spotify)
7. Asami Seto
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Man, I can't wait to finish watching Chihayafuru and Wandering Son. I swear, I'll get around to those eventually. I would've actually preferred her voice as Hori in Horimiya, but I think the cast that was chosen still did a really good job. Regardless, I really like her as Nobara in Jujutsu Kaisen and Mai in Seishun Buta Yarou. Honestly, the ordering of this list doesn't mean all that much because it switched so often (except for the top two).
6. Saori Hayami
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I really like her voice, but she's been in so much stuff lately that it almost feels the same way as I do with Yuuichi Nakamura. There is a little bit of over-saturation, but it's not any fault of the voice actor. I watched Akagami no Shirayuki-hime and really liked it. After that, I was drawn to Yamada-kun to 7-nin Majo where she played the main girl Shiraishi, I ended up liking that too. Her portrayal when switching character to character was astounding. She has a ton of other amazing roles too, and her most recent ones that stick out to me are Shinobu from Demon Slayer and Yor from Spy x Family. I expect some really good stuff to come out of Demon Slayer considering how Shinobu's character progresses. I won't spoil.
5. Kana Hanazawa
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I know some people are a little bit upset about how she hasn't gotten as many roles lately, and there's always the crowd that says that "that's what it means to be part of the industry", but Kana's impact on one of the most pivotal eras of anime will forever leave a mark, and I mean it, she was one of the first idol seiyuu I saw, and she is really good at her job. She made Deadman Wonderland a lot of fun, and she played the best girl in Nisekoi (will never forget how dirty the manga did her). She also stuck out as some nasty villains in Akame Ga Kill and Tokyo Ghoul. While writing this, I was also reminded that she plays Ichika who isn't a "villain" per se, but everyone in that fandom sure makes her out to be one. I still like that role, and I think she convinced me so well that she played the older sister that I forgot it was her.
4. Haruka Tomatsu
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She played the heroine in the first anime I watched (in subs)! And I'll be honest, I get why people call that heroine a bit bland, but I don't care, I like her all the same. Morgiana is fricking tough and badass. I will wait for a Magi season 3. I believe in it. I will go fricking watch it on Netflix again if it means we get the rest of the manga adapted. She was so much fun to watch in Horimiya too! She made so many of the funny bits, and she made me feel like I was watching a teen romcom (I was) despite being probably pregnant at the time (which is why she couldn't do some of the Horimiya events). I enjoy some of her music too, especially Sphere.
3. Mikako Komatsu
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This one was the result that surprised me the most, but the reasoning is similar to that of Rie Takahashi's placement. Both of them were really good in Romantic Killer, and Mikakoshi's range never ceases to amaze me. I think my favourite recent role from her is Riri from Romantic Killer and Maki from Jujutsu Kaisen which are just the absolute opposite of roles. Even her music has polar opposites. I listened to the ending theme of Romantic Killer right after listening to "Maybe The Next Waltz" and got whiplash so hard. Also, congrats to her and Maeno! Pretty much all of the seiyuu I watched when I got into anime are now becoming parents, and I really don't know how to feel about that.
2. Maaya Sakamoto
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My opinion on this one hasn't changed, and I still stand by the fact that Maaya Sakamoto is one of the best seiyuu singers out there, and I respect her singing a lot. She even has some musical theatre experience! Her voice acting range is incredible, and I was so happy when I found out that her and Kenichi Suzumura had their first child! Even though I haven't watched all of her titular roles, I really like what I have seen, and it's enough for me to put it this high on the list. Also, I'm really looking forward to hearing her and Rie Takahashi when I get around to watching Re:Zero Season 2.
1. Miyuki Sawashiro
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Since my opinion about her really hasn't changed all that much, I will just put pretty much the same entry as last time. I watched a radio segment with her and her brother. She sounds like an awesome older sister. Bishamon is honestly such a caring epic goddess who takes in people because she wants to care for them. She is a respectable goddess who is one of my favourite Noragami characters. Celty is a mysterious biker who is also really cool. Even though she barely speaks literally in Durarara, Miyuki reads her texts perfectly. If I'm going to continue watching Durarara, it's gonna be for Celty. The quest to find what she has been missing is one of my favourite sides of the story. Seo from Gekkan Shoujo is an inspiration who I love to this day. She’s one of my favourite characters, and I always rewatch her scenes. I love her voice and her singing. She speaks English and plays the piano too. I can’t even express in words how much respect I have for her. I would love to meet her someday. Also, I want another season of both Noragami and Gekkan Shoujo. There's more than enough people who want to watch those. Come on.
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hsylog · 2 years
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lilactranslations · 8 months
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Sakamoto Maaya - Eternal Return
どんなに想っても届かない恋があってさ donna ni omotte mo todokanai koi ga atte sa There's such thing as a love that, no matter how strongly you feel it, won't reach the other person どんなに願っても叶わない夢もあってさ donna ni negatte mo kanawanai yume mo atte sa And there's such thing as a dream, that no matter how hard you wish for it, won't come true 低空飛行 限界までわずか 目的地は遥か teikouhikou genkai made wazuka mokutekichi wa haruka About to crash and burn, not far from my limit, with my destination still far away -- さあ どうすればいい? saa dousureba ii? Tell me, what should I do?
僕はどうして どうして どうして諦めたいのに boku wa doushite doushite doushite akirametai no ni Oh, why do I, why do I, why do I, though I want to give up, 何度も何度も手を伸ばすの nando mo nando mo te wo nobasu no Just keep reaching for it, over and over again?
ほうき星いっこじゃ 僕は救われないけど houkiboshi ikko ja boku wa sukuwarenai kedo I won't be saved by a single comet passing by そんなのわかってて窓を開けてしまうんだよ sonna no wakattete mado wo akete shimaunda yo Still, knowing this, I find myself opening up my window 上昇気流 追い風を受けて 重力場の外へ joushoukiryuu oikaze wo ukete juuryokuba no soto e Caught in an updraft, I catch a tailwind and fly out of Earth's gravitational field もう戻れない mou modorenai Never to return
もっと遠くへ 遠くへ 意識の向こうへ motto tooku e tooku e ishiki no mukou e Going further, further away, beyond the limits of my consciousness 長く青く光る尾を引いて nagaku aoku hikaru o wo hiite A long, shining blue tail trailing behind きしむ体 欲望を抱いて kishimu karada yokubou wo daite My creaking body holding tight to its desires -- ああ僕は 僕は歌うよ aa boku wa boku wa utau yo Ah, I will, I will sing!
ベッドの下落として 忘れられた小さな箱 beddo no shita otoshite wasurerareta chiisa na hako A small box left forgotten underneath my bed 特別なものばかり集めた銀色の箱 tokubetsu na mono bakari atsumeta gin'iro no hako A silver box I filled with nothing but special things I'd gathered あれから ずっと are kara zutto Since back then, I've always --
僕は どうして どうして どうして諦めたいのに boku wa doushite doushite doushite akirametai no ni Oh, why do I, why do I, why do I, though I want to give up, 何度も何度も手を伸ばす nando mo nando mo te wo nobasu Just keep reaching for it, over and over again? 熱い秘密 抱えきれずに atsui himitsu kakaekirezu ni Unable to hold in all my passionate secrets ああ僕は 僕は歌うよ aa boku wa boku wa utau yo Ah, I will, I will sing 遠くへ 遠くへ 意識の向こうへ tooku e tooku e ishiki no mukou e Going further, further away, beyond the limits of my consciousness 長く青く光る尾を引いて nagaku aoku hikaru o wo hiite A long, shining blue tail trailing behind me 夢の中にまた夢を見る yume no naka ni mata yume wo miru I dream another dream within a dream ああ僕に 僕に救いを aa boku ni boku ni sukui wo Ah, grant me, grant me salvation 僕に 僕に自由を boku ni boku ni jiyuu wo Grant me, grant me freedom 僕に 僕にキセキを boku ni boku ni kiseki wo Grant me, grant me a miracle
Artist/Lyrics: Sakamoto Maaya (坂本 真綾) Album: You Can't Catch Me (2011) Listen Here: YouTube, Spotify English Translation by: lilactranslations
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suiyoubis · 11 months
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sakamoto maaya — naimononedari
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nakamorijuan · 1 month
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坂本真綾 - ともだち Maaya Sakamoto - Tomodachi Tenku No ESCAFLOWNE - Insert Song
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emma-fernweh · 1 year
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✴︎ ALL 
✴︎ a cappella ✴︎ arrange
#sakamoto maaya  #arai akino
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bihastuff · 4 days
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Maaya was worried about Ciel going to school because he is an introvert 😭
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dodompa55 · 1 year
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坂本真綾
sakamoto maaya
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Daisuke Ono has a new interview. And if he could, he’d play Sebastian Michaelis forever.
When I hear Maaya's voice, I can become Sebastian in the true sense, and if I told this story to Maaya-chan, it seems that Maaya-chan was the same, "If I hear Ono's voice, I can also be Ciel." When I heard that, I also said, "I'm really glad we recorded it together." In these times, distributed recording has become commonplace, and I think the staff had a lot of trouble keeping Maaya's schedule. But I'm grateful that we can definitely record it together.
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