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#samantha mathis
onscreenkisses 9 months
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There's a part of me that really wants to stay There's a part of you that will always stay
FERNGULLY: Crysta + Zak + moments
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popculturebaby 4 months
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Christian Bale and Samantha Mathis 馃槏
I鈥檓 not sure if this photo is real or edited but i love it. If someone knows let me know please 馃馃徎
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branfraser 2 years
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Samantha Mathis and Christian Bale in LITTLE WOMEN (1994) dir. Gillian Armstrong
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melis-writes 1 year
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AMERICAN PSYCHO (2000) | 聽dir. Mary Harron.聽
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turanami 1 year
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didanagy 9 months
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LITTLE WOMEN (1994)
dir. gillian armstrong
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90smovies 2 months
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pierppasolini 1 year
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American Psycho (2000) // dir. Mary Harron
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nathalieskinoblog 5 months
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wildbleaberry 10 months
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i get to make this meme as a treat
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the-other-art-blog 9 months
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I don't know if you have seen these comments on social media, but I have noticed a large part of people hate AmyLaurie even if they think of Jo is aro/ace or lesbian. They just hate the ship. When I read the book after the movie, I thought it was very well developed.
I've seen it. I think most of it comes from the idea that Laurie and Amy's marriage is a direct consequence of Jo's rejection. I hear people talk about them in a simplistic and superficial manner. "Laurie loves Jo but she says no, so he goes to her sister," or "Amy married her sister's ex." Cinema Therapy referred to it as Laurie getting over Jo by marrying Amy! This really hurts the relationship because it makes Amy a rebound. I just saw this post (x) that perfectly contrasts the audience vs the actual book. In the book, Laurie has headaches over his feelings. He thinks he has to remain loyal to his "love" for Jo but can't stop thinking about Amy.
And the hate for Amy alone makes people furious because she got a happy ending. Laurie's money might not have been important for the Marches, but it certainly is for some readers/viewers.
And then adaptations have never really made an honest effort to promote the couple. I know the story is not a romance, but a coming-of-age. But the character's growth led them to a place where they can build a healthy relationship.
Neither Florence nor Timothee made one intelligent comment about them. Flo justified the relationship by saying Amy had always loved him, which doesn't really mean anything, and then focused only on Amy's ambitions. And Timothee literally said Laurie lost because he didn't marry Jo and he always talked about JoLaurie 馃が馃が馃が馃が馃が (beware for a new wave of those stupid comments during Dune 2 promo). In general, the promo for that movie ignored AmyLaurie. Where were the photoshoots, the interviews?! And the movie itself doesn't care about the love story and makes it all about the economic proposition speech 馃檮馃檮馃檮. If Greta didn't care about the romance, then why did she put so much emphasis on it?
Other adaptations have given them truly beautiful moments, but overall they fall short. The 2017 series made a video about JoFritz, but I don't think Kathryn Newton (Amy) did any press. It does have the best proposal scene, though 馃グ馃グ馃グ馃グ. And at the very least, Laurie does not publicly humiliate her and then just kiss her. And it shows that they were friends since they were children.
The 1994 film had the best shot because the actors were a real couple. But there's something about Samantha Mathis' acting that just doesn't work. Plus they added the infamous line "I always wanted to be part of the March family."
Most adaptations sideline that story or completely omit any scene in Europe. So you see Laurie proposing to Jo and in the next scene, he comes back married to Amy. Make it make sense. Because Europe is also the part where Laurie grows up so that also is gone. I keep hearing the 1970 BBC series does a good job, but it is the most difficult to find.
So, part of it is a lack of reading comprehension, plus oversimplification, and unsatisfactory adaptations. It's all part of the problem.
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celuloideycarbono 5 months
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River Phoenix in "The Thing Called Love" (Peter Bogdanovich, 1993).
Not the best movie ever (not even a good movie anyway), but River Phoenix's country-gaunty version isn't bad at all. For me, it's a kind of guilty pleasure. His weird and maniac performance is becoming more and more dear to me. It's a shame that it was his final completed film.
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Little Women (1994)
Director: Gillian Armstrong
Cinematographer: Geoffrey Simpson
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branfraser 2 years
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Samantha Mathis in LITTLE WOMEN (1994) dir. Gillian Armstrong
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scenesandscreens 5 months
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The Strain, Season One (2014)
Directed by Guillermo del Toro, David Semel, Keith Gordon, Peter Weller, Charlotte Sieling, Guy Ferland, John Dahl, Deran Sarafian & Phil Abraham
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polniaczek 2 years
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Samantha Mathis and Sandra Bullock as platonic friends 馃憖 in The Thing Called Love (1993)
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