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kekwcomics · 9 months

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TERROR FROM THE YEAR 5000 (Robert J. Gurney Jr, 1958)

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schlock-luster-video · 1 month

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On March 24, 1970, Bloody Mama debuted in Little Rock, Arkansas.

#bloody mama #roger corman #shelley winters #samuel z. arkoff #crime film #crime thriller #1970s #70s movies #exploitation film #b movies #historical drama #period drama #movie art #art #drawing #movie history

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oldshowbiz · 7 months

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Wild in the Streets (1967)

#wild in the streets #exploitation films #aip #american international #american international pictures #samuel z. arkoff

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criscostarr · 23 days

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Penetration, collage, 2024

I was really hoping this collage wouldn't look like a total ripoff of Rectal Itch, and I think I was successful in making it different. Consider it a series with more parts to come. I included several nods to the first collage (a switchblade, a prominently featured "sex-change movie" poster) but where the first was focused on horror, I focused more on sexploitation with this piece. I did, however, include a tribute to exploitation movie legend Samuel Z. Arkoff. Don't overlook David Bowie, Jayne Mansfield, and a teen clutching to a giant woman's breasts from Bert I. Gordon's "Village of the Giants."

#my art #collage #horror movies #exploitation #david bowie #samuel z. arkoff #sexploitation film #jayne mansfield

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tcmparty · 2 years

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@tcmparty live tweet schedule for the week beginning Monday, May 16, 2022. Look for us on Twitter…watch and tweet along…remember to add #TCMParty to your tweets so everyone can find them :) All times are Eastern.

Friday, May 20 at 8:00 p.m.

BEACH BLANKET BINGO (1965)

The surfing gang rescues a beautiful singer from evil bikers.

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esonetwork · 5 months

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Teenage Caveman | Episode 385

New Post has been published on https://esonetwork.com/teenage-caveman/

Teenage Caveman | Episode 385

Jim reflects on a Roger Corman classic from 1958 – “Teenage Caveman,” starring Robert Vaughn, Darah Marshall, Leslie Bradley, Frank De Kova,June Jocelyn, Jonathan Haze,Beach Dickerson, Ed Nelson and Robert Shayne. In a land of dinosaurs, a young primitive man questions his clan’s laws and seeks to explore the “forbidden regions” nearby. Find out more on this episode of MONSTER ATTACK!, The Podcast Dedicated To Old Monster Movies.

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quasar1967 · 2 years

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Master Of The World (1961)

THE FABULOUS ADVENTURES OF THE MAN WHO CONQUERED THE EARTH TO SAVE IT!

A mad genius tries to bomb the world into peace.

#master of the world #jules verne #vincent price #samuel z. arkoff #60s sci-fi #60s fantasy #science fiction movie posters

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kosmos2999 · 4 days

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Saturday’s Late Night Sci-Fi Cinema

Assignment Outer Space (1960 film)

Italian (left) and American release posters

Main cast:

Rik Van Nutter as Ray Peterson (IZ 41) Gabriella "Gaby" Farinon as Lucy (Y 13) David Montesor as George the Commander Archie Savage Al (X 15) Alain Dijon as Archie (Y 16) Franco Fantasia as Sullivan

Production staff:

Directed by: Antonio Margheriti (as Anthony Daisies - Italian version) (as Anthony Dawson - American version) Screenplay by: Antonio Margheriti (uncredited), Ennio De Concini (as Vassilij Petrov), Jack Wallace (American narration only) Cinematography by: Marcello Masciocchi Special effects by: Caesar Peace Music by: Lelio Luttazzi and Carlo Savina (uncredited) Produced by: Samuel Z. Arkoff (executive producer) Hugo Grimaldi (executive producer) Presented by: Fred Gebhardt Production companies: Titanus and Ultra Film (Italian version), American International Pictures (American version) Released by: Titanus (Italy), A Four Crown (US) Original release date: August 1960 (Italy), December 13, 1961(US) YouTube channel: Sci-fi-London

In December 17 of the year 2116, Ray Peterson, reporter of the Interplanetary Chronicle of New York was sent aboard the Spaceship Bravo Zulu 88 to the International Satellite Zulu Extra 34.

His mission is to write a story about the check-up of infra-radiation flux on Galaxy M12.

What should be a routine procedure suddenly changes. Before the spaceship crew were leaving to Base 12 on Mars, they tried to communicate with the Spaceship Alpha 2, but they get no answer.

They assume its pilot is dead.

During the passage to the red planet, they have to attend an emergency with Spaceship Metro Sierra 13.

After landing on the Martian moon, Phobos to rescue the only survivor of the Metro Sierra 13 -- who was dying -- the Commander received an order to move to the Interplanetary Base on planet Venus.

Their mission there was to intercept the Alpha 2. This ship is out of control and has two photonic deflectors activated creating an intense heat shield capable of destroying all life on planet Earth.

It's time to Peterson to prove his worthiness despite the Commander and some others of his fellow crewmates see him as "a leech".

Assignment Outer Space is a 1960 space opera film. An English dubbed release of the original Italian movie, Space-Men. Presented in its original color format.

Fascinating facts:

This is the debut of Antonio Margheriti as a director.

To simulate the effect of weightlessness due to the lack of gravity in space, actors were instructed to move in slow motion. Actor Archie Savage aced this technique because he was also a dancer.

In the US, it was released almost a year after its original Italian release in a double feature with an black-and-white American film presented on this blog on April the first, The Phantom Planet.

youtube

#space opera #space western #60s sci fi #italian adventure #italian fantasy #Italian sci-fi #Assignment Outer Space #Antonio Margheriti #Anthony Dawson #Italian space opera #Italian movies #Youtube

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frankendykes-monster · 5 months

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Watching The Amazing Colossal Man (1957). You know shit is gonna go down when you see Samuel Z. Arkoff's name in the credits.

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moviesandmania · 6 months

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THE BEAST WITH A MILLION EYES (1955) Reviews and free to watch online

‘An Unspeakable Horror… Destroying… Terrifying!’ The Beast with a Million Eyes is a 1955 American science fiction horror film about an alien able to see through the eyes of the many creatures he takes control of. The movie was produced and directed by David Kramarsky, although some sources indicate that it was co-directed by Lou Place and co-produced by Roger Corman and Samuel Z. Arkoff. The…

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#1955 #David Kramarsky #free to watch online #horror #monster #movie film #Paul Birch #Paul Blaisdell #review #reviews #Roger Corman #sci-fi #The Beast with a Million Eyes

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twittercomfrnklin2001-blog · 8 months

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Frogs

A very young Sam Elliott paddles through a swamp taking pictures at the start of George McCowan’s eco-horror THE FROGS (1972, Prime). With the first shot, the frame freezes on two large lizards with the names of AIP’s founders, James H. Nicholson and Samuel Z. Arkoff, superimposed over them. At first, I thought someone was slagging the executives, but all the credits play over freeze frames of various noxious critters, litter and pollution, so unless someone hated everybody working on the film, I guess that wasn’t the case. Nonetheless, any time those two lizards turned up, it seemed the money men were on set making sure nobody was wasting money. At times, they even helped kill off various characters, possibly so they could stop paying them. But that’s enough whimsey for now. The film depicts the animal kingdom revolting against humanity after years of abuse. Its heart is in the right place, but its brain is nowhere to be found. A boating accident leads to nature photographer Elliott’s staying with ruthless tycoon Ray Milland’s family during a reunion celebration, but the script is so inept it takes forever to establish the blond young man (David Gilliam) always by Milland’s side is his grandson and not some random boytoy. For that matter, it’s hard to keep clear which characters belong to which parents. Most of the deaths are laughable, but dotty Aunt Iris (Hollis Irving), done in while hunting a butterfly for her collection, actually works, as the creature leads her deeper and deeper into the swamp, and she becomes progressively disheveled. Some of the actors — Elliott, Joan Van Ark (in her film debut), Judy Pace and Nicholas Cortland — do decent work within the limitations of the inane script. Milland snarls his way through until almost the end, and Lynn Borden whines so much as his daughter-in-law it was a mercy to the audience she was finally done in by a large tortoise. The film has good atmospheric photography by Mario Tosi, though there are times the footage cuts between day and night with no logic. And Les Baxter creates an eerie score with random notes that seem inspired by the sound score for Alfred Hitchcock’s THE BIRDS (1963). Of course, this is an obvious attempt to up the ante on that film. Sadly, the ad campaign didn’t warn us “THE FROGS is coming,” but they did advise, “If You Are Squeamish Stay Home!!! Cold green skin against soft warm flesh…a croak…a scream.” The scream, I fear, would mostly likely be from laughter.

#horror films #ecological horror #sam elliott #ray milland #joan van ark

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50-awfull-bad-films · 1 year

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Well I would call this a so bad it’s good movie,Blackenstein the black Frankenstein 1974 is an American international picture not produced by Samuel Z Arkoff but another producer who tried to follow the success of Blacula and Sugar Hill . The story simple a Vietnam vet who had his arms and legs blown off has an operation by Dr Stein ( John Hart ) and his fiancé who is Assisting The DR ( Ivory Stone) while a jealous butler sabotaged the serum making the former amputee into a raving monster that goes out and dismembers and kills people at night as he sneaks out unnoticed. The ending is somewhat downbeat as he meets his fate at the hands of attack dogs which proceed to tear him apart . This is the 500th movie made by American international pictures.

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schlock-luster-video · 10 days

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On April 14, 1968, Tales of Terror debuted in Madrid, Spain.

Here's some new Peter Lorre art!

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oldshowbiz · 7 months

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The American International Hotel Room

#samuel z. arkoff #aip #american international #american international pictures

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mokalaxani · 2 years

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Double feature brent hartinger pdf writer

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disappointingyet · 2 years

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Beach Party

Director William Asher Stars Annette Funicello, Robert Cummings, Frankie Avalon, Dorothy Malone USA 1963 Language English, surfer 1hr 41mins Colour

It’s set on the beach and they have some parties

Back when I was about 10, I used to watch the Beach Party movies on TV. I hadn’t seen them since, and approached this with caution. Stuff that seems fun when you are a kid is not always what you dig when you’re older, after all. But (maybe because I had low expectations), I found Beach Party really enjoyable.

In case you don’t know, this is the first in a successful series made by American International Pictures, the amazing independent production company led by the brilliantly named Samuel Z Arkoff that was responsible for I Was A Teenage Werewolf and distributed the original The Little Shop Of Horrors as well as the Roger Corman/Vincent Price/Edgar Allen Poe films, and later made biker flicks and stuff like The Trip.*

The formula for the Beach Party movies? Pretty young folk in swimming trunks/bikinis (as appropriate), pop music and some fairly basic, often slapstick, humour. And that’s mostly it – but AIP knew how to make snappy, watchable trash.

The original has two intersecting main plots. The first involves Frankie (Frankie Avalon) and Dolores (Annette Funicello, the original former Mickey Mouse Club star to grow up and don a bikini) who arrive to spend the summer living on the beach. Frankie thinks they are going to be alone but Dolores – understanding what would be expected in that situation – has invited all their friends to crash with them. A blue-balled Frankie decides to get back at Dolores by flirting with other girls.

Meanwhile, eccentric anthropologist Professor RO Sutwell (Robert Cummings) is spying on the kids using advanced surveillance equipment and building up courage to actually make contact with his subjects. He’s assisted by Marianne (Dorothy Malone), whose crush on her boss is blithely ignored.

Days are spent on the beach, evenings often at a beatnik-vibed hang out called Big Daddy’s, where Dick Dale and The Del Tones, no less, are the house band. That’s also where the characters encounter a hapless (and rather aged) biker gang, who would also be regulars in the series.

So that’s about it, plotwise. It’s basically a collection of daft but often endearing set pieces, culminating a huge bar brawl + pie fight, and to me that’s all you can ask. The music runs from not great to pretty good. The surfing close-ups are laughably in-the-studio, and the stuff that is actually people in the water is unspectacular by later standards.

Although AIP were very much creating a teen-targeted product here, for this one, they balanced that with the two middle-aged stars. Bob Cummings was a familiar face to mainstream audiences, having had a couple of different eponymous sitcoms by this point. His rather random film career includes two Hitchcock films – Dial M For Murder (he’s the guy Grace Kelly is having the affair with) and Saboteur – plus the absolute batshit noir The Chase.

Dorothy Malone’s career highlights were also a long way from exploitation comedy – her final film was Basic Instinct and she was the second female lead (behind Lauren Bacall) in the Douglas Sirk classic Written On The Wind. But maybe her key contribution to cinema is the role simply billed as ‘Acme Bookstore Proprietress’ in The Big Sleep – when old-fashioned critics claim that movies were more sexually charged when filmmakers were not allowed to show anything but relied on talking and chemistry, this is what they mean.

As for Annette and Frankie, what never occurred to me before is this: surfing (and Californian beach culture in general) is so associated with ultra-blondeness, but AIP opted for this distinctly Italian-American pair. Sure, they were both already stars – not only was Avalon a regular on the pop charts, he’d appeared with John Wayne in The Alamo. But still, I think it’s interesting choice.

I’m not going to argue that Beach Party is anything other than cheap and cheerful. But I wasn’t bored for a second, and that’s not a small achievement. A surprisingly enduring pleasure. *The 1967 Peter Fonda and Bruce Dern LSD movie, not the Coogan/Brydon comedy.

#beach party

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