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phantomofthepairofdice · 3 years

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The Rosscars 2020

Wow. It’s that time of year again, only this time it’s different because it’s on a blog that no one will read! (hold for applause) Welcome to the first annual online publication for the Rosscars (hold for applause while the reader acknowledges how positively droll it is that I combined my name with “Oscars”). Who can forget such indelible Rosscar memories like when Steven Soderbergh surprised us all and won Best Director for Out of Sight or Bill Irwin’s beautiful speech upon winning Best Supporting Actor for Rachel Getting Married?! The Rosscars mean something different to everyone, but we all know that they mean quality choices made by a committee of one schmuck. This year’s Rosscars are bizarre because in an effort to be more like the Academy guidelines, film’s nominated have been released between January 1, 2020 and February 28, 2021. As usual, theatrical windows be damned, streamers are welcome. Of course, I have my gripes. I like categorizing movies by release year – specifically, when they become available to the plain old public like yours truly – not at festivals, limited runs in NYC and LA. Well, the Oscars are still weeks away and I feel like everybody wants to forget about last year and move onto this one that we’re already three months into - So here are my awards for the films, performers, and craftspeople that stood out in a pretty exceptional year for movies even though distribution was stranger than ever.

**A few caveats and guidelines to Rosscar newcomers (which I imagine is just a formality since we all know the Rosscars so well)**

The rules and categories are a little different around here. First, not every category is honored directly. That’s for a few reasons, chiefly that I don’t feel qualified to reward the technical categories properly – I suppose I should say that I feel less qualified to do so than the “above the line” categories. In keeping with the Academy standard, there are five nominees in each category, except for Best Picture, Best Non-Fiction/Documentary Feature, and Best Ensemble Cast which allow up to ten. Every category, save those three, will have the possibility of honorable mentions, because I want to highlight some things that just barely missed the cut. The narrowing down of a lot of these categories was awfully tough.

Nominees are listed alphabetically, and the winners are in bold and italics.

Also, it’s important to keep in mind that I couldn’t see everything (this isn’t a job and it’s still $20 to rent The Father, y’all) and that these are just the opinions of one (self-described) “bozo on the internet.” If you’re a reader and have different picks, feel free to share!

Special Commendations for some things that I want to recognize: • Ludwig Goransson for his Tenet score which is an absolute banger • The costumes of Emma. (Alexandra Byrne), Ma Rainey’s Black Bottom (Ann Roth), and Small Axe (Jaqueline Durran, Sinéad Kidao, and Lisa Duncan) all struck me as exceptional • Trent Reznor and Atticus Ross with their scores for both Soul and Mank. Crazy that Pixar is working with the guy who made “Closer” • The cinematography of Da 5 Bloods (Newton Thomas Sigel), First Cow (Christopher Blauvelt), Beanpole (Kseniya Sereda), and A White, White Day (Maria von Hausswolff)

The Rosscars red carpet was, as usual, a bizarre affair. People filed into the theater and it seemed like the only encounters were awkward ones. Vin Diesel showed up in character as Bloodshot, Aaron Sorkin started getting really verbose about what a lovely night it was, and it became clear that most of the celebrities in attendance didn’t read their invitations closely enough to realize that this was not, in fact, the Academy Awards.

Everyone’s seated, and the show is under way. After a medley about the nominees this year by Common and Seth McFarlane that was more corny but clever than it was funny, the first official category is here, and the presenter is none other than... Ross!

Best Supporting Actor:

1. Chadwick Boseman for Da 5 Bloods

2. Matthew Macfadyen for The Assistant

3. Jesse Plemmons for Judas and the Black Messiah

4. Paul Raci for Sound of Metal

5. Glynn Turman for Ma Rainey’s Black Bottom

Honorable Mentions:

• Lucas Hedges for Let Them All Talk

• Orion Lee for First Cow

• Bill Murray for On the Rocks

Best Supporting Actress:

1. Vanessa Bayer for Barb and Star Go to Vista Del Mar

2. Candice Bergen for Let Them All Talk

3. Gina Rodriguez for Kajillionaire

4. Amanda Seyfried for Mank

5. Yuon Yuh-jung for Minari

Honorable Mentions:

• Jane Adams for She Dies Tomorrow

• Charin Alvarez for Saint Frances

• Talia Ryder for Never Rarely Sometimes Always

• Debra Winger for Kajillionaire

Everyone loves a montage. The audience gets comfortable in their seats as the video screens start to show a montage of some of the most famous moments from Hollywood’s most magical movies. Fred Astaire and Ginger Rogers waltz, gliding across a dance floor like two hovering angels. There’s a clip of Leo declaring himself king of the world in Titanic, the flying bicycles in ET, Bogart stares longingly into Bacall’s eyes, and then there’s some scene where Tom Cruise rides a motorcycle from 2010′s Knight and Day. The audience all seems confused how that last one got in there. The John Williams music swells as little Kevin McAllister screams when puts on aftershave. We see clips of Robert De Niro in Taxi Driver, Carrie Fisher’s Princess Leia embrace Harrison Ford’s Han Solo, Bruce Lee smoothly declares that boards don’t hit back and... wait... was that a clip from Michel Gondry’s Green Hornet with Seth Rogen? And that’s a clip from What Happens in Vegas... Bad Teacher... Vanilla Sky... Shrek 2... Any Given Sunday... Everyone is flummoxed. The last clip fades out and a sole editing credit appears: Cameron Diaz. The lights come up and there’s some applause, but mostly confused murmurs.

The ceremony has had a bit of a misstep, but nothing it can’t recover from, especially as the next category is announced over the PA, and it looks like the presenter is... Ross!

Best Ensemble Cast:

1. Bacurau

2. Da 5 Bloods

3. Kajillionaire

4. Let Them All Talk

5. Ma Rainey’s Black Bottom

6. Minari

7. Nomadland

8. Pieces of a Woman

9. Small Axe

Best Original Screenplay:

1. Danny Bilson and Paul Dameo & Spike Lee and Kevin Wilmott for Da 5 Bloods

2. Lee Isaac Chung for Minari

3. Brandon Cronenberg for Possessor

4. Sean Durkin for The Nest

5. Kleber Mendonça Filho and Juliano Dornelles for Bacurau

Honorable Mentions – a very difficult task to weed this down to five.

• Shaka King and Will Berson for Judas and the Black Messiah, from a story by Kenny and Keith Lucas

• Steve McQueen, Alastair Siddons, and Courttia Newland for Small Axe

• Kelly O'Sullivan for Saint Frances

• Thomas Vinterberg and Tobias Lindholm for Another Round

Best Actor:

1. Ben Affleck for The Way Back

2. Chadwick Boseman for Ma Rainey’s Black Bottom

3. Delroy Lindo for Da 5 Bloods

4. John Magaro for First Cow

5. Mads Mikkelsen for Another Round

Honorable Mentions:

• Riz Ahmed for Sound of Metal

• John Boyega for Small Axe

• Daniel Kaluuya for Judas and the Black Messiah

• Hugh Jackman for Bad Education

• Ingvar Eggert Sigurðsson for A White, White Day

We have a break in the action and it looks like Darius Rucker has showed up to perform what he would have nominated for Best Original Song. The crowd is absolutely furious as he starts playing a song that apparently was in Trial of the Chicago Seven. An ocean of sonorous boos and curses overtakes the the once docile crowd. The Rock just ripped his chair from out of the ground. Jane Lynch somehow smuggled in a civil war era flintlock pistol that she’s now pointing at the stage! Suddenly, the crowd unifies around what started as a confident chant of one lone audience member - John C Reilly. It’s growing... Ja Ja Ding Dong, Ja Ja Ding Dong, Ja Ja Ding Dong - it’s like the macabre circus performers from Tod Browning’s Freaks, but instead of chanting “Gooble Gobble” they’re clearly pining for Darius to change his tune to the silly and delightful jam from Eurovision Song Contest: The Story of Fire Saga. Darius, scared for his life, leaves the stage, but here come Will Ferrell and Rachel McAdams to deliver the goods. Busy Philips and Michelle Williams burst into tears. Tom Hanks nods in approval. A segment saved by brave artists placating a toxic group of fans... we’ve just witnessed a live version of the Snyder Cut, folks.

Jack Nicholson seems completely unfazed, giving a thumbs up to the camera and blowing a kiss to the next presenter. Coming to the stage is... Ross... again...

Best Actress:

1. Jessie Buckley for i’m thinking of ending things

2. Carrie Coon for The Nest

3. Han Ye-ri for Minari

4. Sidney Flanagan for Never Rarely Sometimes Always

5. Vasilisa Perelygina for Beanpole

Honorable Mentions – these cuts were especially painful

• Haley Bennet for Swallow

• Morfydd Clark for Saint Maud

• Frances McDormand for Nomadland

• Christin Milioti for Palm Springs

• Geraldine Viswanathan for Bad Education

Best Adapted Screenplay:

1. Charlie Kaufman for i'm thinking of ending things from Iain Reed's novel

2. Sarah Gubbins for Shirley from Susan Scarf Merrell's novel

3. Kelly Reichardt and John Raymond for First Cow

4. Simon Rich for American Pickle from his short story "Sell Out"

5. Mike Makowsky for Bad Education from Robert Kolker's "The Bad Superintendent"

Best Non-Fiction/Documentary Feature:

1. Boys State

2. Collective

3. David Byrne’s American Utopia

4. Dick Johnson is Dead

5. Feels Good Man

6. In & Of Itself

7. The Painter and the Thief

8. Time

Jimmy Fallon has come out on stage to do a bit about the pandemic and watching movies at home. People are just absolutely not having it. He tries not to laugh at his own jokes while doing what I guess is technically a pretty good impression of Dr. Fauci interviewing James Corden as Martin Scorsese (the less said of this impression, the better) on what is or isn’t cinema. The bit doesn’t track and Fallon is absolutely tanking. The producers cut away from the stage to spare the viewers at home from this monstrosity. We see crowd shots of Millie Bobby Brown shaking her head in dismay, Colin Firth is simultaneously grimacing and trying to stave off laughter, Cynthia Erivo is texting, and director Tom Hooper is taking notes for his next film. Corden yells, “Carpool Karaoke! Remember?!” Ron Howard has fainted. This thing is almost completely off the rails.

Coming back to the stage is the next presenter, a clearly embarrassed... Ross! He’s in a total flop sweat, but stumbles his way through a joke about how Fallon should try co-hosting the Oscars with James Franco sometime. There are scant chuckles throughout a crowd that mostly just wants to see who won and go home.

Best Director:

1. Christopher Nolan for Tenet

2. Spike Lee for Da 5 Bloods

3. Steve McQueen for Small Axe

4. Kelly Reichardt for First Cow

5. Chloé Zhao for Nomadland

Honorable Mentions:

• Kitty Green for The Assistant

• Eliza Hittman for Never Rarely Sometimes Always

• Charlie Kaufman for i'm thinking of ending things

• Thomas Vinterberg for Another Round

Best Picture

1. Bacurau

2. Barb and Star Go to Vista Del Mar

3. Da 5 Bloods

4. First Cow

5. i'm thinking of ending things

6. Judas and the Black Messiah

7. Never Rarely Sometimes Always

8. Nomadland

9. Small Axe

10. Tenet

Accepting the award for best picture is none other than Eve, the cow actor who played the titular First Cow! The audience is enamored with how graceful she looks in her cow gown, and her speech, though indecipherable, is likely simple, observational, and deeply profound for those who speak cow.

Wow, what a ceremony! Hearts were broken, property was damaged, dreams were fulfilled... blood was shed? Damn it, Meryl Streep came in and mugged Charlie Kaufman before absconding with the trophy. Oddly, she’s a previous winner, so the attack isn’t out of need for hardware. People are reading through articles about production on Adaptation for potential motives. Streep made time for a photo opportunity, but remains at large.

I could go on ad infinitum about all of these nominees and winners themselves and why they did or didn’t make the cut, but that’d be better served in a different piece. For now, my thoughts on most of these can be found on the Best of 2020 write-up and over on my Letterboxd. And, as always, these awards can be revoked and redistributed at will, so don’t get too cozy with that statue, Danny Bilson!

On behalf of the RAOGL (Rosscars Association of One Guy at a Laptop), thanks for reading, and stay tuned as we’re establishing a tip line for anyone has seen Ms. Streep or her stolen valor Rosscar. We’ll see you next year. Keep watching movies, and keep arbitrarily quantifying them in terms of subjective quality!

#awards #movies #film #Rosscars

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regardezmoica · 5 years

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The 63rd BFI London Film Festival programme

As always, the BFI is throwing THE FESTIVAL with some of the most expected films in the line-up. NOT TO MISS :)

OPENING & CLOSING NIGHT GALAS

THE PERSONAL HISTORY OF DAVID COPPERFIELD - OPENING

Directed by Armando Iannucci (The Death of Stalin)

Starring Dev Patel as David Copperfield, Tilda Swinton, Hugh Laurie, Peter Capaldi, Ben Whishaw, Paul Whitehouse and Gwendoline Christie

European Premiere

THE IRISHMAN - CLOSING

Directed by Martin Scorsese (Silence, The Departed)

Starring Academy Award® winners Robert De Niro, Al Pacino and Joe Pesci

International Premiere

HEADLINE GALAS

KNIVES OUT - American Express Gala

Directed by Rian Johnson

Starring Daniel Craig, Chris Evans, Ana de Armas, Jamie Lee Curtis, Toni Colette, Katherine Langford and Christopher Plummer

European Premiere

THE AERONAUTS - The Mayor of London’s Gala

Directed by Tom Harber (Wild Rose)

Starring Academy Award® winner Eddie Redmayne and Academy Award® nominee Felicity Jones

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A BEAUTIFUL DAY IN THE NEIGHBOURHOOD - BFI Patrons’ Gala

Directed by Marielle Heller ( Can You Ever Forgive Me? )

Starring Academy Award® winner Tom Hanks, Matthew Rhys.

GREED - Headline Gala

Directed by Michael Winterbottom (The Trip, The Wedding Guest)

Starring Steve Coogan as Richard ‘Greedy’ McCreadie, Isla Fisher, Shirley Henderson and David Mitchell

European Premiere

HOPE GAP - Headline Gala

Directed by William Nicholson (screenwriter of Les Miserables, Gladiator, Shadowlands)

Starring Annette Bening and Bill Nighy

JOJO RABBIT - Headline Gala

Directed by Taika Waititi (Boy, Hunt for the wilderpeople, Thor Ragnarok)

Starring Taika Waititi, Scarlett Johansson, Thomasin McKenzie (Leave no trace), Sam Rockwell, Rebel Wilson and Stephen Merchant.

European Premiere

THE KING - American Airlines Gala

Directed by David Michôd (Animal Kingdom, The Rover)

Starring Timothée Chalamet, Joel Edgerton, Lily-Rose Depp, Ben Mendelsohn, Robert Pattinson

UK Premiere

LE MANS’ 66 - Headline Gala

Directed by James Mangold (Logan)

Starring Matt Damon and Christian Bale

UK Premiere

MARRIAGE STORY - The May Fair Hotel Gala

Directed by Noah Baumbach (While We’re Young, Frances Ha)

Starring Adam Driver and Scarlett Johansson

FESTIVAL AND STRAND GALAS

EMA - Festival Gala

Directed by Pablo Larraín (Jackie)

Starring Gael García Bernal, Mariana Di Girolamo

ABOMINABLE - Family Gala

Directed by Jill Culton and Todd Wilderman for Dreamworks

UK Premiere

BACURAU - Thrill Gala

Directed by Kleber Mendonça Filho (Neighbouring Sounds) and Juliano Dornelles

Winner of the Cannes Jury Prize 2019

THE DUDE IN ME - Laugh Gala

Directed by Hyo-jin Kang

JUDY & PUNCH - Dare Gala

Directed by Mirrah Foulkes

Starring Mia Wasikowska

THE LIGHTHOUSE - Cult Gala

Directed by Robert Eggers (the Sutherland Award-winning director of The Witch)

Starring Robert Pattinson and Willem Dafoe

OFFICIAL SECRETS - Debate Gala

Directed by Gavin Hood’s (Eye in the Sky)

Starring Keira Knightley, Matt Smith, Ralph Fiennes, Matthew Goode and Rhys Ifans.

THE PEANUT BUTTER FALCON - Love Gala

In association with Malta Tourism Authority

Directed by Michael Schwartz and Tyler Nilson

UK Premiere

THE TWO POPES - Journey Gala

Directed by Fernando Meirelles (City of God, The Constant Gardener)

Starring Anthony Hopkins and Jonathan Pryce

WESTERN STARS - Create Gala

Co-directed by Thom Zimny and Bruce Springsteen

European Premiere

SPECIAL PRESENTATIONS

Eleven Special Presentations shine the spotlight on new work from major directors.

BAD EDUCATION in association with Empire - Directed by Cory Finley (Thoroughbreds) and starring Hugh Jackman and Allison Janney

BLACKBIRD - Directed by Roger Michell (Enduring Love, Le Week-End, Notting Hill)

BOMBAY ROSE Directed by debut director and screenwriter Gitanjali Rao

THE CAVE - Directed by Oscar-nominated Feras Fayyad’s (Last Men in Aleppo)

FIRST LOVE - Directed by Takashi Mike

GÖSTA - TV series directed by Swedish writer-director Lukas Moodysson

KRABI, 2562. - Experimenta Special Presentation - Directed by two award-winning directors Anocha Suwichakornpong and Ben Rivers

LOVE, LIFE AND LAUGHTER - Archive Special Presentation - starring Betty Balfour

OUR LADIES - Directed by Michael Caton-Jones (The Jackal, Basic Instinct 2)

PORTRAIT OF A LADY ON FIRE - BFI Flare Special Presentation in association with Sight & Sound - Directed by Céline Sciamma and starring Adele Haenel

ROCKS - Directed by Sarah Gavro (Brick Lane, Suffragette) - Starring Bukky Bakray, Kosar Ali and Shaneigha-Monik Greyson

OFFICIAL COMPETITION

FANNY LYE DELIVER’D, Thomas Clay’s intoxicating 17th Century drama with Maxine Peake in the title role

HONEY BOY, Alma Har’el’s artful and soul-baring examination of the lingering effects of emotional abuse, written by Shia LaBeouf, who stars alongside Lucas Hedges

LINGUA FRANCA, a beautifully performed character study of a Filipino transwoman and undocumented immigrant in Brooklyn, from writer/director Isabel Sandoval, who also takes on the lead role

LA LLORONA, Guatemalan director Jayro Bustamante’s taut genre-bending thriller about an elderly general haunted by a spectre of the past during his trial for genocide

MOFFIE, Oliver Hermanus’ haunting examination of the violent persecution of gay men under Apartheid

MONOS, a hallucinogenic, intoxicating thriller by Alejandro Landes about child soldiers high in the mountains of South America

THE OTHER LAMB, Małgorzata Szumowska’s beguiling, genre-tinged English-language debut examining life in an otherworldly cult

THE PERFECT CANDIDATE, Haifaa Al Mansour’s inspiring drama about a young doctor who becomes an electoral candidate to challenge Saudi Arabia’s strict social codes

ROSE PLAYS JULIE, an immersive and gripping drama from directing duo Christine Molloy and Joe Lawlor about a young woman seeking her biological mother

SAINT MAUD, the debut feature from director Rose Glass, in which a mysterious nurse becomes dangerously obsessed with saving the soul of her dying patient.

FIRST FEATURE COMPETITION – SUTHERLAND AWARD

ATLANTICS (Dir. Mati Diop). A hypnotic, genre-shifting portrait of a girl’s awakening.

BABYTEETH (Dir. Shannon Murphy). A feverish Australian drama featuring a superb performance by breakout star Eliza Scanlen as Milla, a seriously ill teenage girl who falls madly in love with a young drug dealer.

CALM WITH HORSES (Dir. Nick Rowland). Cosmo Jarvis gives a visceral performance in Rowland’s gripping feature debut as Douglas, the hired muscle for a crime family in rural Ireland. A

HOUSE OF HUMMINGBIRD (Dir. Bora Kim). Announcing a bright new voice in South Korean cinema, Kim brings both humour and elegance to her autobiographical debut in this absorbing coming-of-age drama about teenager Eunhee and her dysfunctional Seoul family circa 1994.

INSTINCT (Dir. Halina Reijn). Carice van Houten plays respected clinical psychologist Nicoline, who after starting a new job at a penal institution finds herself flirting with danger in her sessions with inmate Idris.

THE LAST BLACK MAN IN SAN FRANCISCO (Dir. Joe Talbot). Jimmie dreams of reclaiming the beautiful late 19th-century home his grandfather built, before hard times and changing demographics forced his family out.

MAKE UP (Dir. Claire Oakley). A riveting psycho-sexual drama in which teenager Ruth travels to a seaside holiday park to stay with her boyfriend Tom, and one day finds evidence he might be cheating on her.

RELATIVITY (Dir. Mariko Minoguchi). It is love at first sight when Nora and Aaron first meet on a rainy day in an underground station, but Aaron’s fate takes a dramatic turn and changes Nora’s life in an instant.

SCALES (Dir. Shahad Ameen). A visually resplendent tale set in a small Gulf fishing village, where the population live in thrall to the otherworldly creatures of the sea.

The BFI London Film Festival will celebrate international cinema from the 2nd to the 13th of October.

An advice, don’t miss it ;)

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booksfriendsnews · 4 years

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famousnewspaper-blog1 · 5 years

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Caro Leitor(a)

Belo Horizonte, 08 de Outubro de 2019.

Este edital, é para falar sobre grupos músicais. Esperamos agradá-los,e ficaremos felizes em saber opiniões de todos vocês.

Meu nome é Roseane,tenho 16 anos,nasci Em Belo Horizonte,cidade localizada no Estado de Minas Gerais.

Eu gosto do Coral Kemuel,gosto das Músicas da Isadora Pompeo,Gosto das músicas da Gabriela Rocha,Porque eles são minhas referências e inspiracões no mundo Gospel.

Meu nome e Luana, tenho 15 anos,nasci em Belo Horizonte,cidade localizada no Estado de minas gerais

eu sou apaixonada na dupla SIMONE E SIMARIA porque, elas são muito humildes, tem uma historia de vida que incentiva, elas são a prova viva de que tudo e possível.

meu nome é Brenda, tenho 17 anos, moro em belo horizonte - minas gerais. sou fã de musicas americanas mais precisamente pop e hip hop/rap. minha artista favorita é Ariana Grande, gosto dela porque ela passa mensagens boas, é uma mulher maravilhosa e forte e porque ela tem musicas para qualquer momento.

meu nome e Sarah,tenho 17 anos, moro em Belo Horizonte ,cidade Minas Gerais sou fa de musicas gospel,sertanejo.Minha fã e Marilia Mendonça ela tem carater e humilde

Meu nome e Nayara eu tenho 17 anos,e moro em Belo Horizonte e adoro Ludimila ela e uma cantora muito famosa,e sempre esta ajudando os mais necessitados

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eddycurrents · 5 years

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For the week of 11 March 2019

Quick Bits:

Age of Conan: Bêlit #1 expands Marvel’s Conan franchise further with the beginning of this limited series featuring the early days of the notorious pirate Queen of the Black Coast. Tini Howard, Kate Niemczyk, Jason Keith, and Travis Lanham deliver a compelling story setting up the tragedy of Bêlit’s early life and her one-track mind for adventure on the high seas.

| Published by Marvel

Amazing Spider-Man #17, after two preludes (one branded, one not) and a simmering sub-plot of Taskmaster and Black Ant kidnapping the villains running for months, finally gives us part one of “Hunted” from Nick Spencer, Humberto Ramos, Victor Olazaba, Edgar Delgado, and Joe Caramagna. And it’s essentially more set-up. Don’t get me wrong, it’s still great, building anticipation for the hunt to really start in earnest, but it’s a slow build.

| Published by Marvel

Animosity #19 starts trying to pick up the pieces after the fall of the Walled City. There’s some very interesting questions raised regarding survival and existence from Marguerite Bennett in this one, as both the animals and humans try to figure out a way to bridge the divide.

| Published by AfterShock

Asgardians of the Galaxy #7 concludes this arc with Sera and the Ravagers, as they team up to help refugees and Ego, the Living Planet. I still think it’s weird to see essentially the movie version of Yondu in present day 616 continuity, but Cullen Bunn keeps this fun. I suspect that Sera/Angela fans will still be disappointed, though.

| Published by Marvel

Assassin Nation #1 is the exciting debut of this action thriller, somewhat in the vein of Skybound’s other title Die!Die!Die! mixing elements of extreme violence, action, and a bit of humour, from Kyle Starks, Erica Henderson, and Deron Bennett. It’s a damn good set up, immersing us into a world of assassins jockeying for a number one spot, screwing one another over and turning on them for the highest bidder, with two interesting hooks of “Chekhov’s Gun” trying to figure out who’s trying to kill him and Bishop searching for who killed his husband. Phenomenal art from Henderson, with some very inventive death sequences.

| Published by Image / Skybound

Avengers: No Road Home #5 takes it up another notch as the Avengers continue to battle against Nyx and her children, this time narrated by Scarlet Witch. The fight on Nightmare’s front gets particularly interesting as we see how scary Hulk has really become, along with a humorous fight between Hawkeyes. Sean Izaakse and Marcio Menyz really turn in some incredible artwork here. And the final scene is pretty savage.

| Published by Marvel

The Batman Who Laughs: The Grim Knight #1 isn’t something I was going to pick up, but I saw some gushing about it from people I trust and decided on a last minute purchase. Like the rest of the Batman Who Laughs mini-series, this is dark, giving us a “Batman” who picked up the gun that was used to murder his parents, and, though technically proficient, isn’t really for me. What I do really appreciate, though, is the artwork from Eduardo Risso and Dave Stewart. It is gorgeous, with Risso continuing to explore some of the softer, painted style that he’s used in Moonshine and Hit-Girl. It really is worth the price of admission.

| Published by DC Comics

Buffy the Vampire Slayer #3 continues to be one of my favourite comics each month. Jordie Bellaire, Dan Mora, Raúl Angulo, and Ed Dukeshire are presenting a story here that so perfectly captures the spirit and fun of the television series, while also just being a great original tale. It’s fun to see the old faces in new situations, but it’s also an enjoyable story in its own right, introducing us to the characters and tossing them into the chaos.

| Published by BOOM! Studios

By Night #9 gives us Jane’s mom’s history with Charlesco and more or less the origin of the portal and the experiment. It’s particularly interesting as John Allison, Christine Larsen, Sarah Stern, and Jim Campbell tell the story in the visual style of an early ‘90s comic. There’s even a nice little nod to the Marvel Bullpen in there.

| Published by Boom Entertainment / BOOM! Box

Calamity Kate #1 introduces us to Kate, Vera, Jade and a world of monster hunting in this debut from Magdalene Visaggio, Corin Howell, Valentina Pinto, and Zakk Saam. Between this, The Girl in the Bay, and the forthcoming Dark Red, I’m loving the higher profile that Howell is carving for herself. She’s a great artist with excellent versatility.

| Published by Dark Horse

Catwoman #9 is a fill-in issue from Ram V, John Timms, and Josh Reed that’s one part revenge tale and one part heist, resulting overall in one hell of a good single issue. There’s a nice sense of rhythm and pacing to the story that fits with the theme of the heist, with some great artwork.

| Published by DC Comics

Cover #6 brings what has been one of the most unique, ambitious, and inventive uses of the comics medium I’ve seen in a long time to a close, with a bit of conversation and some gorgeous art from Brian Michael Bendis, David Mack, Zu Orzu, and Carlos M. Mangual. It get even more meta this issue, along with the usual multi-layered storytelling that delves into the comics world.

| Published by DC Comics / Jinxworld

Cyber Force #9 more or less completes the gathering of the team, presenting a bit of a quiet moment to collect themselves before setting up a confrontation with Cyberdata. There’s some interesting soul-searching between Dominique and Ripclaw on whether or not with the change they’re still them. And, as usual, the art from Atilio Rojo is pretty much worth the price of admission on its own.

| Published by Image / Top Cow

The Empty Man #5 has some gorgeous artwork by Jesús Hervás and Niko Guardia, especially among the repeating cycles of the opening and closing scenes.

| Published by BOOM! Studios

The Flash #66 brings back the single issue Rogue profile format for an origin story of the original Trickster, James Jesse, from Joshua Williamson, Scott Kolins, Luis Guerrero, and Steve Wands. Great art from Kolins and Guerrero.

| Published by DC Comics

The Freeze #4 concludes the first arc, with a very satisfying reveal of the serial killer and confirmation on a few other ongoing plot threads that nicely serve as a hook for future arcs. I’m really enjoying this one. Dan Wickline, Phillip Sevy, and Troy Peteri are telling a very compelling story here about essentially rebuilding society from a very different form of cataclysm, with some wonderful character-building and enough intrigue to keep you on your toes.

| Published by Image / Top Cow

Grimm Tales of Terror #13 is one of the better recent issues, with Joe Brusha, Umberto Giampà, Fran Gamboa, JC Ruiz, and Fabio Amelia diving into the story of a true crime writer investigating a serial killer in Detroit utilizing the signatures of other famous serial killers. There are a few really nice twists throughout the tale.

| Published by Zenescope

Gunning for Hits #3 throws a few wrinkles into Martin’s plans for Stunted Growth and Brian Slade as Slade’s bodyguard, “Mr. Gladstone”, causes problems while trying to extort Martin. This continues to be a dense, but satisfying, read every month. It feels like Jeff Rougvie, Moritat, and Casey Silver are just packing in as much content as they possibly can.

| Published by Image

Hawkman #10 features a larger than life confrontation between Hawkman and Idamm. Bryan Hitch, Andrew Currie, and Jeremiah Skipper deliver nicely on that widescreen epic feel of the assault on London.

| Published by DC Comics

Hit-Girl Season 2 #2 gets up close and personal with the uglier side of Hollywood as Kevin Smith, Pernille Ørum, Sunny Gho, and Clem Robins continue their arc featuring the adaptation of Hit-Girl’s side of the story from Kick-Ass by the film industry. Things get a little complicated.

| Published by Image

House Amok #5 concludes what has been an excellent, mind-bending series exploring truth and delusion and the power of family, from Christopher Sebela, Shawn McManus, Lee Loughridge, and Neil Uyetake. This finale doesn’t give any easy answers and actually raises a few more questions, all with some gorgeous artwork from McManus and Loughridge.

| Published by IDW / Black Crown

James Bond: Origin #7 begins “Russian Ruse” with Ibrahim Moustafa and Roman Stevens taking over art duties, joining Jeff Parker and Simon Bowland in this tale of essentially piracy in the Barents Sea. Nice set up of the Russians’ duplicity here and an inept Commander not listening to Bond’s observations.

| Published by Dynamite

Justice League Dark #9 unleashes the Lords of Order against pretty much everyone, causing death and destruction as they try to “cleanse” reality of the chaos they think infests it. Between them and the Otherkind, things aren’t looking particularly cheery for existence. Incredible artwork from Alvaro Martínez Bueno, Miguel Mendonça, Raul Fernandez, and Brad Anderson.

| Published by DC Comics

Little Bird #1 is an experience. Darcy Van Poelgeest, Ian Bertram, Matt Hollingsworth, and Aditya Bidikar launch a dystopian future where a theocratic America seems to rule with an iron fist and a pocket resistance holds out in the Canadian Rockies. There’s a bit of a feel of Akira here, and Grendel: God and the Devil, maybe even a little Martha Washington, but still with its own unique elements and some seriously awesome art from Bertram and Hollingsworth.

| Published by Image

Livewire #4 concludes the first arc with a nice bit of soul-searching as Amanda comes to terms with what she did during Harbinger Wars 2. Between this, Age of X-Man: Prisoner X, and this week’s Shuri, Vita Ayala is definitely on fire right now. They’re doing some great character-driven work and it shines in this finale. Also, Raúl Allén and Patricia Martín can do no wrong. The layouts on this book are stunning.

| Published by Valiant

The Magnificent Ms. Marvel #1 is the beginning of a new era for Kamala Khan from Saladin Ahmed, Minkyu Jung, Juan Vlasco, Ian Herring, and Joe Caramagna. Using a kind of fable narration, setting up something new for the future while dealing with a continuation from Kamala’s current status in the presents, is a nice approach from Ahmed. It also marks a good jumping-on point for new readers as it recaps more or less what you need to know about Ms. Marvel’s history. Beautiful art from Jung, Vlasco, and Herring.

| Published by Marvel

Murder Falcon #6 is an epic, face-melting issue. Daniel Warren Johnson and Mike Spicer give us a bit of a tearjerker as Anne comes to terms with her situation with Jake and finally finds her voice. It’s really incredible. Also, giant monsters and metal.

| Published by Image / Skybound

Oblivion Song #13 jumps ahead three years for a new status quo, a few shuffled faces, and new situations for many of the cast of characters, providing an excellent jumping on point for new readers. There are some interesting bits about harnessing the flora and fauna of Oblivion for medical advances and the growing mystery about what the Faceless Men are doing. Gorgeous art as always from Lorenzo De Felici and Annalisa Leoni. De Felici really does some amazing reaction shots.

| Published by Image / Skybound

Old Man Quill #3 advances the Guardians’ story a bit further as they celebrate what little hope they’ve brought to the Wastelands, while hell in various forms circulates around them. It certainly pretty bleak, even in the good times.

| Published by Marvel

Outer Darkness #5 drops hell on the crew’s head as they crash on a relatively inhospitable ice planet with an ancient evil prowling and the crew at “Each Other’s Throats”. Also, naked cat girls. John Layman, Afu Chan, and Pat Brosseau are doing an incredible job with this mix of sci-fi and horror and the stakes seem to have been raised this issue.

| Published by Image / Skybound

Shuri #6 begins a two-part guest arc from Vita Ayala, Paul Davidson, Tríona Farrell, and Joe Sabino as Shuri travels to New York in search for the Lubber. Great art from Davidson and Farrell and Ayala has a wonderful feel for Miles and Shuri’s voices.

| Published by Marvel

Spider-Gwen: Ghost Spider #6 continues to suss out a new role for Gwen now that her identity is public and she’s returned to her own Earth. The character building that Seanan McGuire is doing here is pretty spectacular, especially given how strong the interpersonal relationships in the series were to begin with under Jason Latour and Robbi Rodriguez. Also, the art from Takeshi Miyazawa and Ian Herring is perfect.

| Published by Marvel

Star Wars: Age of Republic - General Grievous #1 is the last of these Age of Republic one-shots from Jody Houser, with Age of Rebellion coming next from Greg Pak and a rotating team of Chris Sprouse, Marc Laming, and others. This one focuses on Grievous and is a nice look into what he traded of himself in order to become the even worse monster that we see in the prequel trilogy and Clone Wars.

| Published by Marvel

The Stone King #4 concludes what has been a wonderful light fantasy adventure Comixology original series from Kel McDonald and Tyler Crook. There’s an interesting throughline in the story of responsibility for family versus responsibility for the greater society that comes to a head here, along with misunderstandings continuing to cause conflict. It’s not exactly a happy ending, but there is a set up for something more down the road that I’d love to see. Beautiful artwork from Crook.

| Published by Kel McDonald

Supergirl #28 concludes her jaunt with the Omega Men and the Supergirl clones, opening up more questions about The Circle and the destruction of Krypton. I’ve enjoyed the circuitous route Marc Andreyko has been taking us on to advance Supergirl’s mission, tossing bits of side adventure in growing out of her search, but it feels like we’re going to get down to brass tacks soon. Great art again this issue from Eduardo Pansica, Julio Ferreira, FCO Plascencia, and Chris Sotomayor. Pansica does some great horror and creature work and it shines through in the Kryptonian monstrosities.

| Published by DC Comics

Superman #9 tells of Jonathan’s ordeal trapped on Earth 3, tortured at the hands of Ultraman. Great art from Brandon Peterson and Alex Sinclair during the Earth 3 sequences. It’s also interesting to see that dream still haunting Superman.

| Published by DC Comics

Teenage Mutant Ninja Turtles: Shredder in Hell #2 continues to be revelatory. Mateus Santolouco, Marcelo Costa, and Shawn Lee are doing some incredible work as Shredder continues to be plagued by nightmares, demons, and the undead as he tries to figure out his way through hell and his status as a vessel for the dragon god’s spirit. Over the years, Santolouco has grown exponentially as a storyteller and this is just a masterpiece.

| Published by IDW

Titans #35 continues the team’s nightmare excursion to Unearth, fighting a possessed enraged Beast Boy, Raven’s angry aggressive side, and Mother Blood as we head into the series conclusion next issue. This is a very entertaining story from Dan Abnett, Bruno Redondo, Christian Duce, Marcelo Maiolo, and Dave Sharpe, really putting the team behind the 8-ball wondering how they’re going to get out of this mess. If they get out this mess.

| Published by DC Comics

Tony Stark: Iron Man #9 continues the “Stark Realities” arc, nicely advances Controller’s assault on Stark Industries, the eScape users causing havoc, the mole within Stark, and the corruption causing Tony’s current simulation, from Dan Slott, Jim Zub, Valerio Schiti, Paolo Rivera, Edgar Delgado, and Joe Caramagna. Some really interesting possible revelations about Tony during this issue.

| Published by Marvel

Transformers #1 begins a new continuity, a new universe, a new era for the Transformers, from Brian Ruckley, Angel Hernandez, Cachét Whitman, Joana Lafuente, and Tom B. Long, as we start off some time in the past of Cybertron, before Autobots or Deceptions, as Bumblebee watches over a newly-forged Cybertronian as he makes his first decisions. We also get bits of an uprising of “Ascenticons”, though their ideals and motivations aren’t really explained, just showing a disagreement between longtime friends Megatron and Orion Pax (not Optimus Prime yet). It’s not bad, with some nice bits of humour, and there is an interesting mystery for a cliffhanger, but it is slow. The art is nice, but like the story there’s nothing flashy about this right now. I’ll certainly give it a few more issues, but there’s really nothing “bold” about this new era. Don’t expect something radical out of the first issue, this one plays it pretty safe.

| Published by IDW

Winter Soldier #4 delves into RJ’s father, Richie, attempting to get back into his life. It’s heartfelt and bittersweet, with Kyle Higgins, Rod Reis, and Clayton Cowles delivering a gripping tale with one hell of a set up for the final issue. Reis’ art remains absolutely incredible.

| Published by Marvel

Wonder Twins #2 is more fun from Mark Russell, Stephen Byrne, and Dave Sharpe. There’s some nice commentary on the state of corporate run prisons in the United States in amongst a humorous send-up of z-list villains in the Legion of Doom’s farm team, the League of Annoyance. Great art from Byrne.

| Published by DC Comics / Wonder Comics

Other Highlights: Accell #19, Auntie Agatha’s Wayward Home for Rabbits #5, Blackbird #6, Dark Ark #15, GI Joe: A Real American Hero - Silent Option #4, Go Go Power Rangers #18, The Goon #1, Head Lopper #11, House of Whispers #7, LaGuardia #4, The Life and Death of Toyo Harada #1, The Long Con #7, Marvel Action: Spider-Man #2, Marvels Annotated #2, The Maxx 100 Page Giant, Prodigy #4, The Punisher #9, Radio Delley, Rick & Morty Presents Jerry #1, Riverdale: Season 3 #1, Runaways #19, Spider-Man/Deadpool #47, Star Trek: Discovery - Captain Saru, Star Wars: Han Solo - Imperial Cadet #5, The Unbeatable Squirrel Girl #42, Wonder Woman #66

Recommended Collections: Astonisher - Volume 3: Black Hat, Batman vs. Deathstroke, By Night - Volume 1, Defenders: The Best Defense, Infinite Dark - Volume 1, Mata Hari, Moonstruck - Volume 2, Rick and Morty vs. Dungeons & Dragons, Shadowman - Volume 3: Rag & Bone, She Could Fly, Sleepless - Volume 2, Star Wars Adventures - Volume 5: Mechanical Mayhem, Strangers in Paradise XXV - Volume 2: Hide and Seek, Trout - Volume 1: Bits & Bobs, Vampironica - Volume 1, The War of the Realms Prelude

d. emerson eddy knows a muffin man.

#This Week in Comics

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ricardofonseca · 5 years

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Posse de Thiago Diaz na OAB mostra a força política do jovem advogado .

Fotos: Kayo Souza

Com um Salão lotado de autoridades, conselheiros, advogados e convidados, tomou posse na última sexta-feira (8), para o Triênio 2019/ 2021 na Presidência da Ordem dos Advogados do Brasil Secção Maranhão OAB-MA, o jovem advogado maranhense Thiago Diaz.

A cerimônia aconteceu no requintado Hotel 5 estrelas. Blue Three São Luís e contou com a presença de mais de mil pessoas conforme informou a assessoria de Imprensa.

Com um discurso emocionado Thiago Diaz disse: “Inicio esse discurso, nesta tribuna, da mesma forma com a qual agradeci pela maiúscula vitória no dia 23 de novembro, dizendo que: as mãos de Deus nunca me colocam onde a graça dele não possam me alcançar”. E completou: “Pois sem os meus Pais, eu nada seria... tudo o que represento devo a eles”.

O deputado estadual Neto Evangelista, representou o presidente da Assembléia Legislativa do Estado - deputado Othelino Neto, o desembargador Jorge Rachid Maluf representou o Presidente do Tribunal de Justiça desembargador José Joaquim dos Anjos, o procurador do Estado, Rodrigo Maia, representou o governador do Estado, Flávio Dino e o secretário de Fazenda do Município, Délcio Rodrigues, representando o prefeito de São Luís Edivaldo Holanda Júnior,

Estiveram presentes o deputado federal, Eduardo Braide, o deputado federal, Edilázio Gomes da Silva Júnior, o deputado estadual, o deputado estadual, Wellington do Curso, procurador geral de Justiça, Luiz Gonzaga Martins Coelho, o vereador Osmar Filho, o presidente do Tribunal de Contas do Estado, Raimundo Nonato de Carvalho Lago Júnior, a desembargadora do Tribunal Regional do Trabalho, Márcia Andrea Farias da Silva, o deputado federal João Marcelo de Sousa, o conselheiro nacional do Ministério Público, Leonardo Accioly da Silva, a desembargadora Nelma Sarney e o desembargador Paulo Velten, a reitora da Universidade Federal do Maranhão, Nair Portela e demais autoridades.

O Presidente da OAB Nacional Felipe Santa Cruz disse:

“Estou aqui com muita satisfação para representar a advocacia nacional na posse desse jovem, talentoso advogado, essa liderança da advocacia do Maranhão, e queria dizer ao Maranhão que nós temos, no Brasil inteiro, uma admiração verdadeira pelo trabalho do Thiago. Isso é muito bom, para nós que somos mais velhos, ver que a Ordem está em boas mãos e que a OAB tem novos quadros. Ser reeleito nesse quadro de crise, onde a população passa e a advocacia passa por dificuldade, é um atestado de qualidade, é um certificado de confiança. A advocacia brasileira vem aqui hoje, principalmente, para abraçar o Dr. Thiago Diaz e abraçar sua nova diretoria e dizer parabéns à OAB Maranhão, parabéns a advocacia do Maranhão pelo belo trabalho realizado, e que os próximos três anos sejam da mesma qualidade”.

Thiago recebendo o diploma de Presidente da OAB -MA das mãos de Felipe Santa Cruz Presidente da da OAB Nacional.

Tomaram posse também: Heleno Mota - Vice Presidente, Ananda Farias - Secretária Geral (foto), Valéria Ferreira - Secretária Geral Adjunta, kaio Vyctor Saraiva - Tesoureiro.

Diretoria da CAAMA

Diego Sá - Presidente, Cristiane Ribeiro - Vice-Presidente, João de Araújo - Secretário Geral, Janete Matos - Secretária Geral Adjunta, Erivaldo Lima - Tesoureiro, Cristiana Jansen - Suplente , Fábio Rodrigues - Suplente, Nathália Santos - Suplente.

Os salões do hotel estavam todos lotados...

Conselheiros empossados:

ALEX OLIVEIRA MURAD ALMIVAR SIQUEIRA FREIRE JUNIOR CACILDA PEREIRA MARTINS ELMARY MACHADO TORRES NETO ERIVELTON LAGO FLÁVIO HENRIQUE CARDOSO MATOS FRANCISCA MARLUCIA DE MESQUITA CARNEIRO VIANA FRANCISCA MEIRE SILVA SOUSA FRANCISCO DE ASSIS DE ASSUNÇÃO MORAIS FILHO FREDERICO AUGUSTO COSTA UMA GISELLE DE CASTRO UMA PESSOA GUSTAVO MAMEDE LOPES DE SOUZA HUGO ASSIS PASSOS JEZANIAS DO REGO MONTEIRO LILIANNE MARIA FURTADO SARAIVA LUCIANO PEDRA FONSECA MALAQUIAS PEREIRA NEVES MARCELO BRUNO MARTINS FEITOSA MARIA ANDRADE SANTOS MARINEL DUTRA DE MATOS MAURO HENRIQUE FERREIRA GONÇALVES SILVA MICHAEL ECEIZA NUNES POLLYANNA SILVA FREIRE PROCOPIO ARAUJO SILVA NETO RUTTERRAN SOUZA MARTINS SANDRA GONÇALVES MACEDO STELA MARTINS CHAVES ANICÁCIO VANDIR BERNARDINO BEZERRA FIALHO JUNIOR ALBA MARIA D’ALMEIDA LINS ANDREA FONTOURA SANTOS ANDREIA DO NASCIMENTO OLIVEIRA MENESES ANTONIO RAFAEL DA SILVA JUNIOR BENEDITO NABARRO BRUNO LEONARDO BRASIL LOPES DIEGO ECEIZA NUNES ELIAS GOMES DE MOURA NETO ERRICO EZEQUIEL FINIZOLA CAETANO FELIPE VIDIGAL CANTANHEDE FERNANDO HENRIQUE LOPES VERAS FRANCISCO MENDES DE SOUSA GUILHERME ANTÔNIO DE LIMA MENDONÇA HENRIQUE ROOSEVELT OLÍMPIO DE OLIVEIRA IDAELCIO SOUSA MENDONCA JUNIOR IVALDO CORREIA PRADO FILHO JETETE GUIMARÃES TAVARES JOEL DANTAS DOS SANTOS JULIO MOREIRA GOMES FILHO MALONE FRANÇA NUNES MÁRCIO ANTONIO PINTO DE ALMEIDA FILHO MARILIA FERREIRA NOGUEIRA DO LAGO MARINA DE FATIMA SCHALCHER DE CASTRO DIAZ MIGUEL ARCANJO SILVA COSTA JUNIOR MIGUEL CAMPELO DA SILVA FILHO ODUVALDO SANTOS CRUZ PABLO ALVES NAUÊ RAIMUNDO EVERARDO RODRIGUES JUNIOR SARAH LAMARCK SERGIO ROBERTO ARANHA PINHEIRO SILVANA FERREIRA LIMA RUBIM VALÉRIA DOS REIS CARDOSO VIVIANNE MACEDO COSTA

Uma solenidade que mostra o prestígio e a força política do Jovem advogado Thiago Diaz, que surge em seu segundo mandato como presidente da OAB, como uma nova liderança que poderá (quem sabe) ocupar outros espaços na política do Maranhão.

O Blog Propagando deseja sucesso ao Thiago e seus pares, nessa nova jornada à frente da OAB do nosso estado.

#possethiagodiaz

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foxingpeculiar · 2 years

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Okay, since it's NYE, it's time for the annual "these are the movies I watched (for the first time) this year. A slightly lower total this year (145) compared to the previous two years (200 and 246, respectively) because I got really into gaming again this year and damn if that doesn't suck up a lot of rec time. Anyway, here's the list. Some good stuff. A lot of music docs, I'm noticing.

1. Step Brothers (2008, Adam McKay) 2. Manhunter (1986, Michael Mann) 3. Old School (2003, Todd Phillips) 4. Ma Rainey’s Black Bottom (2020, George C Wolfe) 5. Village of the Damned (1960, Wolf Rilla) 6. The Masque of the Red Death (1964, Roger Corman) 7. Icarus (2017, Bryan Fogel) 8. The Bad Seed (1956, Mervyn LeRoy) 9. To Die Like a Man (2009, João Pedro Rodirgues) 10. Virtuosity (1995, Brett Leonard) 11. Yentl (1983, Barbra Streisand) 12. Promising Young Woman (2020, Emerald Fennell) 13. The China Syndrome (1979, James Bridges) 14. The Little Things (2021, John Lee Hancock) 15. The New World (2005, Terrence Malick) 16. The Silent Partner (1978, Daryl Duke) 17. Stories We Tell (2012, Sarah Polley) 18. Ministry of Fear (1944, Fritz Lang) 19. The War Room (1993, Chris Hegedus & DA Pennebaker) 20. Rabid (1977, David Cronenberg) 21. Murder in New Hampshire: The Pamela Smart Story (1991, Joyce Chopra) 22. Shimmer Lake (2017, Oren Uziel) 23. Rocco and His Brothers (1960, Luchino Visconti) 24. She Done Him Wrong (1933, Lowell Sherman) 25. Lifeforce (1985, Tobe Hooper) 26. Nomadland (2020, Chloe Zhao) 27. I Care a Lot (2020, J Blakeson) 28. Juliet of the Spirits (1965, Federico Fellini) 29. Black Girl (1966, Ousmane Sembène) 30. Salesman (1969, David Maysles, Albert Maysles & Charlotte Zwerin) 31. Phantom of the Paradise (1974, Brian De Palma) 32. Red Desert (1964, Michelangelo Antonioni) 33. The United States vs. Billie Holiday (2021, Lee Daniels) 34. Palm Springs (2020, Max Barbakow) 35. Antebellum (2020, Gerard Bush & Christopher Renz) 36. The Last Blockbuster (2020, Taylor Morden) 37. Attack the Block (2011, Joe Cornish) 38. Another Round (2020, Thomas Vinterberg) 39. Bikram: Yogi, Guru, Predator (2019, Eva Orner) 40. Zack Snyder’s Justice League (2021, Zack Snyder) 41. Pierrot le fou (1965, Jean-Luc Godard) 42. Raya and the Last Dragon (2021, Carlos López Estrada & Don Hall) 43. Christine (2016, Antonio Campos) 44. Cat Ballou (1965, Elliot Silverstein) 45. Suburbia (1983, Penelope Spheeris) 46. Sympathy for Mr Vengeance (2002, Park Chan-wook) 47. The Morning After (1986, Sidney Lumet) 48. Lady Vengeance (2005, Park Chan-wook) 49. The Postman Always Rings Twice (1946, Tay Garnett) 50. Bacurau (2019, Kleber Mendonça Filho & Juliano Dornelles) 51. Rosewood (1997, John Singleton) 52. The Crazies (1973, George Romero) 53. The One I Love (2014, Charlie McDowell) 54. Stranger by the Lake (2013, Alain Guiraudie) 55. Duck Soup (1933, Leo McCarey) 56. Contempt (1963, Jean-Luc Godard) 57. Scooby-Doo (2002, Raja Gosnell) 58. Casting JonBenet (2017, Kitty Green) 59. Ace in the Hole (1951, Billy Wilder) 60. Foreign Correspondent (1940, Alfred Hitchcock) 61. Henry V (1944, Laurence Olivier) 62. The Damned (1969, Luchino Visconti) 63. Joan Didion: The Center Will Not Hold (2017, Griffin Dunne) 64. The Witch Who Came from the Sea (1976, Matt Cimber) 65. Harlan County, USA (1976, Barbara Kopple) 66. Dark City (1950, William Dieterle) 67. The Pelican Brief (1993, Alan J Pakula) 68. Mortal Kombat (2021, Simon McQuoid) 69. A New Leaf (1971, Elaine May) 70. Things Heard & Seen (2021, Shari Springer Berman & Robert Pulcini) 71. La Flor (2018, Mariano Llinás) 72. The Woman in the Window (2021, Joe Wright) 73. The In-Laws (1979, Arthur Hiller) 74. The Ear (1970, Karel Kachyna) 75. PG: Psycho Goreman (2020, Steven Kostanski) 76. Game Night (2018, John Francis Daley & Jonathan Goldstein) 77. Fitzcarraldo (1982, Werner Herzog) 78. Burden of Dreams (1982, Les Blank) 79. Awaara (1951, Raj Kapoor) 80. To Sleep with Anger (1990, Charles Burnett) 81. The Conjuring: The Devil Made Me Do It (2021, Michael Chaves) 82. Days of Wine and Roses (1962, Blake Edwards) 83. Spiral: From the Book of Saw (2021, Darren Lynn Bousman) 84. Son of the White Mare (1981. Marcel Jankovics) 85. Belladonna of Sadness (1973, Eiichi Yamamoto) 86. Woodstock ’99: Peace, Love and Rage (2021, Garret Price) 87. Homicide (1991, David Mamet) 88. The Suicide Squad (2021, James Gunn) 89. Reminiscence (2021, Lisa Joy) 90. Cast a Dark Shadow (1955, Lewis Gilbert) 91. Asparagus (1979,

Suzan Pitt) 92. Knowing (2009, Alex Proyas) 93. Fellini Satyricon (1969, Federico Fellini) 94. Bhoot (2003, Ram Gopal Varma) 95. State of Play (2009, Kevin Macdonald) 96. The Limits of Control (2009, Jim Jarmusch) 97. Did You Wonder Who Fired the Gun? (2017, Travis Wilkerson) 98. La Belle et La Bête (1946, Jean Cocteau) 99. Margaret (2011, Kenneth Longeran) 100. Mrs. Parker & the Vicious Circle (1994, Alan Rudolph) 101. Mishima: A Life in Four Chapters (1985, Paul Schrader) 102. Clay Pigeons (1998, David Dobkin) 103. The Naked Gun: From the Files of Police Squad! (1988, David Zucker) 104. Malignant (2021, James Wan) 105. Crooked House (2017, Gilles Paquet-Brenner) 106. Richard III (1955, Lawrence Olivier) 107. The Onion Field (1979, Harold Becker) 108. God Told Me To (1976, Larry Cohen) 109. The Taking of Pelham One Two Three (1974, Joseph Sargent) 110. A Nightmare on Elm Street 3: Dream Warriors (1987, Chuck Russell) 111. The Lost Honor of Katharina Blum (1975, Volker Schlöndorff & Margarethe von Trotte) 112. The Cheshire Murders (2013, David Heilbroner & Kate Davis) 113. *Candyman (2021, Nia DaCosta) 114. Clockwatchers (1997, Jill Sprecher) 115. The Last Movie (1971, Dennis Hopper) 116. The Twentieth Century (2019, Matthew Rankin) 117. Wild Combination: A Portrait of Arthur Russell (2008, Matt Wolf) 118. To Die For (1995, Gus Van Sant) 119. *No Time to Die (2021, Cary Joji Fukinaga) 120. Paradise Lost: The Child Murders at Robin Hood Hills (1996, Joe Berlinger & Bruce Sinofsky) 121. Insidious, Chapter 2 (2013, James Wan) 122. The Velvet Underground (2021, Todd Haynes) 123. An Elephant Sitting Still (2018, Hu Bo) 124. The Big Chill (1983, Lawrence Kasdan) 125. Four Hours at the Capitol (2021, Jamie Roberts) 126. Dune, Part One (2021, Denis Villenueve) 127. Cure (1997, Kiyoshi Kurosawa) 128. La piscine (1969, Jaques Deray) 129. L’humanité (1999, Bruno Dumont) 130. The Green Knight (2021, David Lowery) 131. Baal (1970, Volker Schlöndorff) 132. Titane (2021, Julia Ducournau) 133. Raw (2016, Julia Ducornau) 134. Moby Dick (1956, John Huston) 135. Batman: The Long Halloween—Part 1 (2021, Chris Palmer) 136. Batman: The Long Halloween—Part 2 (2021, Chris Palmer) 137. Until the End of the World (1991, Wim Wenders) 138. Office Killer (1997, Cindy Sherman) 139. Trick ‘r Treat (2007, Michael Dougherty) 140. 69: The Saga of Danny Hernandez (2020, Vikram Gandhi) 141. Music Box: Listening to Kenny G (2021, Penny Lane) 142. Lydia Lunch: The War is Never Over (2019, Beth B.) 143. The Anderson Tapes (1971, Sydney Lumet) 144. Don’t Look Up (2021, Adam McKay) 145. The Matrix: Resurrections (2021, Lana Wachowski)

#personal #movies

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