Gorgeous purple ground for this irotomesode showing a sedge of heron taking flight. The ground is woven with discreet yukiwa (stylized snowflake).
OP paired it with a sarasa (calico) obi depicting a boat in a scenery of Persian inspiration.
121 notes
·
View notes
So, after @subdee's excellent post about doubt regarding the Phantom Troupe's alleged slaughter of the Kurta Clan, I was staring at this image and thinking about Sheila's terribly sad expression here...
This is juuuust a theory, and there's not a ton to back it up but I'm just throwing it out there--make of it what you will!
Here the Phantom Troupe is talking about their grand plans to find out who killed Sarasa and hold them responsible for what happened to her, why would Sheila be heading away from them with that pained expression? It's possible she simply didn't approve of their methods of going about it (though she's not shown as involved in or reacting to that conversation), but the way it's framed makes me think more of her hiding something.
What if Sheila already knows who's responsible for Sarasa's death...because she has some sort of involvement in the kidnappings that have been happening in Meteor City? Wouldn't that explain her expression here and abruptly leaving the situation?
Perhaps she's acting as an informant for the kidnappers or is aiding them in some other way? She's frequently shown as being injured, which characters comment on being as a result of her "clumsiness," but maybe she's being repeatedly injured as a threat/method of controlling her?
(In this case it's entirely probable she didn't intend for Sarasa herself to be killed--Sarasa went outside her usual range to try to find more tapes, and the kidnappers had already met their "quota for delivery" so this may have been an unusual case. It's possible Sheila had some sort of agreement that they would leave her friends alone by sticking to specific areas, for instance, that Sarasa may have gone outside of.)
(This guy's moles are pretty distinctive so that makes me wonder if he'll show up again...)
This note about Sheila's role in the production could be relevant as well--that she's "two-faced."
I think it's possible Tserriednich and/or circles he runs in are involved with this whole operation, which could mean Kurapika and the Troupe have a common enemy. I'm not sure if the timeline supports Tserriednich's involvement due to his age, however, he might be too young. Regardless, it's interesting to me that both Kurapika and the Phantom Troupe have the same root cause of their trauma and desire for revenge: People buying and selling human beings and parts of human beings as trophies and for sadistic purposes, which is what Tserriednich certainly represents. (As I said in another post, I'm all but certain the head Tserriednich has is Pairo's. It sure looks like Pairo's face inside his nen beast...)
Sheila could still be involved with the same people by the time the Kurta Massacre happens, and she uses Kurapika and Pairo to gather information on the Kurta Clan for whoever this group or individual may be--likely the real culprit behind the massacre. Again, potentially Tserriednich or someone he's associated with.
What happened with Sheila and the Kurta Massacre definitely comes across as suspicious (her showing up and communicating with Kurapika and Pairo shortly before the massacre happens), so I feel that lends more credibility to the possibility of her being involved somehow in the Meteor City kidnappings as well.
Again, take this all with a grain of salt. Of course Sheila was previously involved with the Phantom Troupe so it could be that the connection is that simple (though to me it doesn't explain the scene from the beginning of this post nearly as well). But I definitely feel like something more is going on here.
68 notes
·
View notes