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#saroj khan
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"Sri is like Dilip Kumar and Amitabh Bachchan. Like them, is a rock, unaffected by periodic swings in star popularity. Nobody can shake her from her throne. Her charismatic value will always remain for her fans."
Saroj Khan
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rudrjobdesk · 2 years
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Saroj Khan ने सुशांत सिंह राजपूत को लेकर क्या कहा था? निधन के बाद अब बेटी ने किया खुलासा
Saroj Khan ने सुशांत सिंह राजपूत को लेकर क्या कहा था? निधन के बाद अब बेटी ने किया खुलासा
Sushant Singh Rajput: दिवंगत बॉलीवुड कोरियोग्राफर सरोज खान की बेटी सुकैना ने हाल में इंस्टाग्राम पर एक पोस्ट शेयर की है. इसमें उन्होंने अपनी मां के आखिरी वक्त की कुछ बातें साझा की हैं. इसमें सुकैना एक चौंकाने वाला खुलासा भी कर डाला है. सुकैना ने बताया कि उनकी मां सुशांत सिंह राजपूत (Sushant Singh Rajpoot) के बारे में उनसे बातें करती थीं.  सुकैना ने वो वक्त याद करते हुए बताया कि, मेरी मां को सोशल…
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shahrukhlove · 3 months
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Tengo a mis chicas Dile a los malos Que su tiempo Casi ha terminado Si, sè que ganaremos Y nuestro hefe Pateara tu culo
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pixlerelish · 5 months
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Mis chicas
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suchhikumarsblog · 1 year
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Memorable day of Mumbai Naagpada shioting files with Legend Late Saroj Khan .. #suchhikumar #suchhikumaractor #banarasichhorasuchhikumar
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ramayantika · 10 months
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Filmi prompts from old and our favourite bollywood songs that can be used for your desi romantic stories or as a cute little idea for your fake scenarios. Kya malum sochte sochte kab manifest hojaye?
1. Neele Neele Ambar Par (Kalaakaar)
-- This summer vacation you are at your nani ghar. The nights provide respite from the scorching heat so you run off to the terrace every night to sit and gaze at the moon until one fine evening, you see a boy opposite to your house wistfully gaze at the moon and scribble something on his notebook. His wavy hair falls gracefully on his eyes, and you can feel your heart melt. It's full moon, and she is right on the top of the terrace, letting her moonbeams fall on this handsome quiet writer. Perhaps, he realized someone's gaze over him. He looks up, and you swear to God that you have never seen such a beautiful boy ever. The boy blushes and continues writing while stealing glances at you.
2. Mitwa (Chandni)
-- It's the last day you both will ever meet in the school premises. Yes, it's farewell today. You are dressed in a yellow chiffon saree. For the first time, your school decided to make the boys wear kurtas instead of the usual suits, and the sight was too pretty for your eyes. Your boyfriend wore the typical black kurta with cuffed sleeves that made your heart go dhak dhak. Loads of fun filled dancing, canteen ka khana, principal ke speech ke baad arrived the time to say goodbyes. School had kept the farewell after board exams so this was literally the last time you all gathered together. After hugging your friends, you go to the school main gate and find him leaning against the adjacent wall.
Hand in hand, both of you walk outside the school. 'Everything is going to change, isn't it?" You ask. He takes a bite of his ice cream, and answers, "Yes. No more school classes, no more sneaking out and we might have a long distance going on, but some things will stay permanent."
"Aur voh kya?"
"Tere mere honthon pe mithe mithe geet mitwa.."
3. Bole Chudiyan (K3G)
-- You are the bride's sister, and that boy is your acadmeic rival at school. However, for now, he is also your jija's dear brother. Today is Sangeet, and you were determined to outperform ladke vale. Both of you were good at academics, but also at dancing. This was a test and a chance to rub defeat on his face.
That was your actual plan until two days ago, your didi jiju decided to have a group combined performance where you and your rival would be the lead dancers to unite both the enemies (you and him). Needles to say, you were mad. There was no way you would dance with his smooth moves and charismatic style. He was mad too. He would never dance with your graceful bollywood moves straight from 90s Saroj Khan choreohgraphy.
Keeping aside snide remarks and your school rivalry, both of you managed to choreograph and coordinate everyone dashed with a little tension that did not go unnoticed by didi jija and cousins. Dressed in a baby pink lehenga, you see him arrive on the stage in a golden white sherwani. He sends a two finger salute to your direction while you roll your eyes.
'Aake meri duniya mein vapas aajana' you pull him gently as per the choreography. He stumbles towards you, not aware of his scarf clinging on to your bracelet. 'Sehra baandh ke mahi tu mere ghar aana...' He twirls you halfway and you notice that his scarf is stuck on your bracelet.
You hate how his stupid handsome smirk is making butterflies fly in your body. After the semi twirl, he turns you over in front, his arm around your bare waist causing you to gasp silently. God knows what came over him. He lightly pecks your cheek in front of everyone and discreetly removes his stuck scarf.
'Oye soni kitti soni aaj tu lagdi ve bas mere sath yeh jodi teri sajdi ve' Didi and jija come in and dance to their assigned part. You run away from him quickly to calm your racing heart.
He is looking at you, a grin gracefully sitting over his pretty lips. You bashfully look up. 'Haan main ho gaya tera sajna.' It's the time for all the boys to come together on the stage. Your rival shoots a smooth wink before going to dance.
4. Ek ladki ko dekha toh aisa laga (1942: A love story)
You accidentally fell from your cycle by speeding over the speed breaker. Obviously you won't cry. You are fifteen now. A girl quickly arrives towards you, and in a soft voice asks, "Hey, you okay? That was a terrible fall. Dhyan kidhar tha?" Wincing, you look up, and see a pretty girl with silver jhumke and white salwar blowing at your wound. She is wearing a multi coloured bandhani dupatta. In two seconds, you forget the blood oozing out of your knee. The only red your eyes are focused on are on the pretty red shade of the girl's lips.
She is about to tear her dupatta to tie it across your wound. Your hand immediately holds her wrist, and you feel electricity jolt in your fingers. "Itna sundar dupatta kharab mat karo. Ghar idhar paas hai. Just help me to reach my gate, please."
Shaking her head, she tears her dupatta while you let out a gasp. "You are bleeding too much, besides I can always buy a new dupatta." She finally looks up at you and smiles. That's when you get a clear picture of her face.
Doe eyes lightly lined with kajal, a small bindi right between her eyebrows, and a small stone nath on her nose. She looks heavenly! You think how in front of such a beautiful girl, you look dust laden after falling off your bicycle.
"Aise mat dekho... tumhe pyaar ho jayega."
*:..。o○ ○o。..:**:..。o○ ○o。..:**:..。o○ ○o。..:*
Okay so the last one was inspired from @morally-gayy series.
There are going to be more. I can make them shorter though if you would want that.
Guys padh lena 🙏
Me forgetting to tag people again: @sanskari-kanya @manujanolavu @ma-douce-souffrance @kaal-naagin @ketchup-jar-ka @arachneofthoughts @irlparvati @krishna-sahacharini @krishna-priyatama
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filmmakersvision · 4 months
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Jawan Review
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November 17, 2023
by Inakshi Chandra-Mohanty
In the 1970s, Amitabh Bachchan’s entry into Hindi cinema gave birth to the “Angry Young Man.” He was a hero, who fought against the system, who fought against injustice, and became a voice for the subdued people in society. It was one man against the world. Through the 80s, this phenomena continued, but as the new century neared, the romantic hero emerged and the action hero became an afterthought. People either no longer wished to change the system, or they no longer trusted a lone hero to do it. With the birth of a new generation, softer male leads became the norm with Shah Rukh Khan at the height of romantic stardom.
Though Hindi films let go of this concept, South Indian Cinema, continues to celebrate its heroes through films on injustice with a male lead as savior. So it is only natural that Atlee, a South Indian filmmaker, brings back to Hindi cinema the heroic mass entertainer, ironically starring the very actor who had originally taken away the limelight from the “angry young man” of the 70s and 80s. Jawan follows a man who strives for justice, who wishes to correct a system which favors those who are guilty over the many innocents, and for that, he resorts to vigilantism putting him in the crossfire of both the police and an evil arms dealer.
I did not have great expectations from Atlee. Though his films are entertaining, they have never risen to greatness, barring Raja Rani, which is the best of his work. However, he has great mass appeal and Jawan promises the same.The plot is intricately woven with an amalgamation of elements that tackle many relevant issues in society today. From farmer suicides to hospital inadequacies, by blending real stories into a fictional universe, writer-director Atlee appeals to the struggles of the common man and attempts to raise awareness regarding the flaws in the system that governs Indian society. Alongside important themes, the film’s strength lies in its strongly choreographed action sequences with women at the forefront. Shah Rukh Khan as the man of many names is the hero, but he is surrounded by powerful women fighting for themselves and for others. It is exciting, entertaining, and visually captivating with a thoroughly ‘massy’ feel.
However, my biggest issue with Jawan is the same problem I’ve had with Atlee films in the past, particularly Mersal and Bigil. They’re all over the place. The shift between present and past, the placement of flashbacks, too many characters, too many plot points, everything is a disjointed mess. There isn’t a singular arc keeping the story moving. In an attempt to create suspense, using non-linear storytelling, the makers sacrifice emotions. We begin to connect with a character, or get interested in a certain plot point, but a sudden shift in the story, leaves us hanging. By the time it returns, our emotions no longer remain the same.
Nevertheless, it is entertaining and much credit for that goes to the performances. Every single actor in the cast does a tremendous job: the army of six girls (Lehar Khan, Sanjeeta Bhattarchaya, Priyamani, Sanya Malhotra, Girja Oak, Aaliyah Qureishi), Deepika Padukone in a cameo appearance, Seeza Saroj Mehta as the little girl Suji, Sunil Grover, Ridhi Dogra, Eijaz Khan, and even all those in small bit roles. As for the central trio, anything I say in their praise would be less. Nayanthara is enigmatic and powerful as the law-abiding officer in search of who she believes to be a problematic vigilante. I am glad her stardom is finally extending beyond the borders of the south. Though Vijay Sethupathi has already made his mark on the Hindi audience through Farzi, it is through Jawan his versatility comes forth. I have seen so many actors struggle outside their comfort language, but he doesn’t let his difficulty with Hindi get in the way of his menacing performance. And last but not the least, is the star of the show, Shah Rukh Khan. Comedy, romance, drama, action, there is no genre in which he lacks and Jawan touches upon it all. Such a strong, versatile range of emotions is displayed through one character. This film is a reminder that Shah Rukh Khan’s stardom and aura are unmatched.
Jawan is not perfect, it is not without its flaws. But its entertaining nature, the larger-than-life characters, and Shah Rukh Khan’s explosive comeback make it a worthwhile watch.
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indiejones · 2 years
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INDIES TOP 536 BOLLYWOOD SINGERS OF ALL TIME !
"Acting is in btwn lines, Singing is in btwn Words"
Hereby presenting the much awaited Indies All-Time Greatest Bollywood Singers compile !
Most in Top 10 with a song collection in the ten thousands to several thousands range each, thru the eras, barring a few of pre-independence yore.
Thus hitting upon the perfect mix of substance, style, old traditional classical, semi-traditional transitional, & new world razmatazz !
To posterity & beyond !
LATA MANGESHKAR & 1. KUNDAN LAL SAIGAL - JOINT NO. 1 !
. ..
MOHAMMAD RAFI 
KISHORE KUMAR
MUKESH
MANNA DEY
ASHA BHOSLE
SUMAN KALYANPUR
SHAMSHAD BEGUM
TALAT MEHMOOD
HEMANT KUMAR
MAHENDRA KAPOOR
SULAKSHANA PANDIT
ZOHRABAI AMBALAWALI
REWA SHANKAR
HEMALATA 
NOORJEHAN 
JAGJIT SINGH
SALMA AGHA
S.JANAKI
CHITHRA 
SURESH WADKAR
VINODINI DIXIT
KANAN DEVI
BHUPEN HAZARIKA
MANHAR UDHAS
RAFIQ GHAZNAVI
DHANIRAM 
NASEEM AKHTAR
SADHANA SARGAM
ASHIQ HUSSAIN 
SUBIR SEN 
ANWAR 
MADAN MAHENDRA 
ANUPAMA DESHPANDE
HARIHARAN 
SUDHA MALHOTRA 
PARUL GHOSH 
BINAPANI MUKHERJEE 
KHURSHEED 
AARTI MUKHERJEE
BINOTA CHAKRABORTY 
RUNA LAILA
MAYA DEVI
GHULAM ALI
TARABAI 
GYAN DUTT
IMDAD HUSSAIN 
MASTER MADAN 
TALAT AZIZ 
SUJATHA MOHAN
FRENI
PRAMODINI DESAI 
RAMDULARI
RATIKUMAR VYAS
KAUSHALYA 
SHAILESH MUKHERJEE
POORNIMA 
ANURADHA SRIRAM 
SUNEETA RAO 
BHUPENDRA SINGH 
KAMALA JHARIA
MOHAN ADVANI
MAYA BANERJEE 
KAUMUDI MUNSHI 
CHANDRANI MUKHERJEE 
UMA SHASHI 
R.P. SHARMA 
RADHA 
USHA MANGESHKAR
ANDREW KISHORE
JASPAL SINGH 
S.P. BALASUBRAMANIAM 
NAZIA HASSAN
SULOCHANA KADAM
ZEENAT BEGUM 
ROBIN MAJUMDAR 
SAROJ BORKAR 
AMIRBAI KARNATAKI 
TOCHI 
SRIMATI GHOSH 
BAPPI LAHIRI 
SANDHYA MUKHERJEE
SARASWATI RANE 
SHANTI DEVI
RADHARANI 
MADHAV KALE 
MADHUBALA JHAVERI 
MADHURA SHANTARAM 
LALITA DEULKAR 
JUTHIKA ROY
VANMALA
MASUD PARVEZ
NITIN MUKESH 
WAHIDAN BAI
SHYAMA HEMADY 
PUSHPA PAGDHARE 
MOHD FAROOQUI 
JIKKI 
YASHWANT BHATT
PANKAJ MULLICK
SUHASINI KOLHAPURE
RENUKA DEVI 
AMAR 
ASHOK KUMAR
MASTER MOHAMMAD
CHITALKAR 
BALWANT SINGH
SUSHEELA RANI 
RANU MUKHERJEE
DWIJEN MUKHERJEE
BELA MUKHERJEE
H. FARUQUI
K.C. DEY 
RAMYA IYER
MASTER VASANT
MISTER SHEIKH 
FIDA HUSSAIN
KALYANI DAS 
SUMATI
SUHAS 
SUNANDA KAMAT 
SNEHPRABHA PRADHAN
MISS KALYANI
PUTUL CHATTERJEE 
NAZIRA
RAVINDRA SATHE
MUMTAZ
NALINI MULGANVKAR
RAM PUNJWANI
SUMAN PUROHIT
PARO DEVI 
MADHUSUDAN
NARGIS BANO 
SUNILA DAS GUPTA
SUPRAVA SARKAR 
P.B.SRINIVAS 
VIMAL SARDESAI
RAJ KAPOOR
MUNIR ALAM 
KAMAL DAS 
MOHANA 
RATNA MALKANI
SRINATH TRIPATHI
LEELA MEHTA 
SURINDER KAUR 
DEEDAR PARDESI 
QADIR FAREEDI
MISS GULAB
INDIRA MANCHANDA
BRIJMALA 
VASANTI M.
M. SHARIF QAWWAL 
CHANCHAL KUMARI
SNEHAL BHATKAR
SANTRAM
SHYAM SUNDAR 
SHYAM KUMAR
KANTI LAL 
CHANDRASHEKHAR GADGIL 
ANIKA RIZVI 
RAJNI
KARAN DEWAN 
BHARTI
SHAMIM 
ABU BAKAR
AFZAL HUSSAIN 
GAUHAR SULTANA 
BALAKRAM 
SHYAMA SHARMA
CHAUBEY MAHARAJ
SHRADDHA PANDIT 
KAMLA SISTA 
SARDAR AKHTAR
MASTER GOPAL
DILRAJ KAUR 
SARDAR MANSUR 
TARABAI LUCKNAWI
S.L.PURI 
DHUMI KHAN 
BECHU DUTT 
ANIMA DASGUPTA
BIMLA KUMARI 
AMROZIYA BEGUM
NARAYAN
SHANTI SHARMA
PADMA DEVI 
PANDIT WAMANRAO 
KAMAL DASGUPTA
SUPRAVA GHOSH 
MISS IQBAL
HASHMAT 
MEERA
SHYAMLAL MITRA 
GOHAR MAMAJWALA
RAMA SHUKUL
SITARA DEVI 
BHOLA SHRESHTA
ISHWARLAL
MEEENAKSHI 
BEGUM AKHTAR
GIRISH
JAGMOHAN 
SABITA BANERJEE
PANDIT KRISHNARAO CHONKAR
RAJKUMARI
NASEEM AKHTAR
RAM SAIGAL
BEENA KUMARI
GOVIND GOPAL 
MASTER SONIK
SRINIVAS 
FEROZA BEGUM
KUSUM MANTRI
KARIMDAD KHAN
MUMTAZ ALI 
SHANTA THAKUR 
SATYA CHOWDHURY 
HAMIDA BANO
BABY ALKA 
USHA TIMOTHY 
RAMA DEVI 
SHOBHA BADRINATH 
BADRINATH VYAS
RAMCHANDRA PAL
P KRISHNA GOYAL
BIBBO
KAMAL BAROT
GANDHARI 
PRATAP 
LEELA CHITNIS
LEELA CHANDRAGIRI 
RAFIQ AHMED
VISHNUPANT PAGNIS 
PANDIT JASRAJ 
MISS KAMLA
ILA ARUN 
MEENA MANGESHKAR
NEENU MAJUMDAR
RASHIDA KHATOON
K. SUNDARAMMA 
RANIBALA 
MISS MOTI
PATANJAL
NARENDRA CHANCHAL 
ANJALI DEVI
MOLINA DEVI 
SHAMO 
SHARDA 
PADMA BANERJEE 
A.R.OJHA 
ARUN 
VEENA KUMARI
PRITAM 
VIJAY BENEDICT
SITARABAI KANPURI 
YASHWANT BALAKRISHNA JOSHI
RAMOLA 
SATISH BATRA 
RADHARANI BOMBAYWALI 
ANGUR BALA
BELA SAVER 
MISS ROSE 
C.S. RAGI
SUPRITI GHOSH 
KHAYYAM 
HUSN BANU 
AKBAR KHAN DURRANI PESHAWARI
MALKA AMIR JAAN
USTAD AMIR KHAN
ANURADHA 
ANEES KHATOON
MASTER AVINASH
MUKHTAR BEGUM 
REHMAT BANO 
ARUN KUMAR 
SATISH 
ARUN KUMAR MUKHERJI
REHMAT BAI 
HEERA KUMARI 
GEETA DUTT
MENKA BAI
KISHORE SAHU
PARSHURAM
IQBAL BIBI
VATSALA KUMTHEKAR
ZUBEIDA KHANUM
VIJAY KUMAR
BABY VIMAL
LAXMI ROY 
JAGJIT KAUR 
RAJA GUL
NOOR MOHD CHARLIE
KRISHNA KALLE 
JATIN PANDIT 
ASHIMA BANERJEE 
INDUBALA DEVI
APARESH LAHIRI
SUSHIL SAHU
SHAKTI T 
AZIZ NAZAN
RAJAN-SAJAN
SAPAN CHAKRABORTY
PANDYA
JANI BABU
PREMPAL 
GHULAM MOHAMMED 
BULO C. RANI
BHUSHAN MEHTA
LAXMI SHANKAR
KUSUM MANTRI
PANKAJ UDHAS
K.P.SEN 
MUKHERJEE
SURAIYA
JAMUNA RANI 
JAYWANT KULKARNI
MEENAKSHI SHIRODKAR 
RAVINDRA JAIN
ANIL BISWAS
KUSUM MANTRI
AMIT KUMAR
USHA KHANNA
SHAILENDRA SINGH
ANAND KUMAR
C. PAPON
M.G. SHREEKUMAR
VISHNILAL
SURESH (chal chal re naujawan)
MUMTAZ BEGUM 
SARLA DEVI 
VIDYANATH SETH
G.M.DURRANI 
PUSHPA HANS
LALITA RAO
RAMOLA
FAKIR MOHAMMED 
NALINI JAYWANT
YUSUF EFENDI 
PARVATI KHAN 
S.D. BATISH
S. BALBIR 
MEENA KAPOOR 
B.N.BALI 
SALMA 
KANTA KUMARI
ARUN BAKSHI
SAPNA MUKHERJEE 
P.BHANUMATI 
SHANKAR DASGUPTA
DILSHAD BEGUM
UMRAO ZIA 
S.N.TRIPATHI 
MINU PURUSHOTTAM
PINAKIN SHAH
ISHU 
ASHA POSLEY
GULSHAN SOOFI
SHANTI KUMAR DESAI
JAHANARA KAJJAN 
SONA CHATTERJEE
BHIMSEN JOSHI
ISMAIL AZAD QAWWAL
IQBAL SIDDIQUI 
HARISH BHARDWAJ
NIRMALA DEVI 
MARUTI RAO
DILSHAD BEGUM
CHITRAGUPT
RAM MARATHE
PARESH BANERJEE 
USHA BALSAWAR
SHAUKAT 
MANAS MUKHERJEE
SUNDARA BAI 
AFZAL LAHORI 
VITTHAL
MANSOOR 
SAVITA 
PEENAZ MASANI
LAISH RAM MEMA
BHARAT VYAS
SHEELA SHIRODKAR
SHEELA 
GOHAR MAMAJIWALA
MOHANTARA
LEELA SAWANT 
MANJU
RAM PYARI
SAGARIKA MUKHERJEE
KRISHNA GANGULY
SHARDA GANGULY
SHANKAR - SHAMBHU 
RAZIA BEGUM
SIDDHESHWAR MUKHERJEE
DEV KUMAR 
IKHLAQ AHMED
KESARI
SHEELA MITRA
AMRITLAL 
YAKUB 
KUMAR (jeevan naiyya, 1946)
USTAD AMANAT ALI 
FIROZE DASTUR 
PARVEZ KAPADIA
SUDHIR PHADKE 
SHANTA KUNWAR
MUNAWWAR SULTANA
UTPALA SEN
MITHU MIYAN
SHABNAM 
VASANTRAO DESHPANDE
SHOBHA JOSHI
ASHIMA BANERJEE
GHULAM HAIDER
IRA NIGAM
MENKA
SUNDAR
ROHINI ROY
SHYAMA BAI 
PEARU MASTER 
MASTER DEEN 
AHINDRA CHOUDHARY
SUMATI TRILOKEKAR
K. DEEP
SHAMINDER 
VANMALA 
SHEETAL GHOSH
LALITA PARULKAR
UMAKANT 
MRINAL GHOSH
SADHANA BOSE
NEENA B.S.
B.S.NANAJI 
SHANTA APTE
LEELA WARSI
AKHTARIBAI FAIZABADI
MANIK VERMA
S. MOHINDER 
MANMOHAN SINGH
ZAHOOR RAJA 
SURESH RAJVANSHI
POORNA SETH
BABY TARA
MUBARAK BEGUM
T.A.MOTI 
ZAWAR HUSSAIN
ANIMA GHOSH
AMBAR KUMAR
ERUCH TARAPORE
NARESH BHATTACHARYA
SUDHA KARMASE
NARAIN DUTT
RATTANBAI 
SURINDER KOHLI 
MIR ALI 
BANDE HASAN QAWWAL
VINOD
MINAAL WAGH
SHARMA 
NIAMAT ALI
RANGNATH JADHAV QAWWAL
SAROJ WELINGKAR
G.M.SAJAN 
GOVIND KURWALIKAR 
MALA BEGUM
MINATI SARKAR
MOTI 
MALTI PANDEY
SHEIKH ADAM
CHAUDHARY 
SADAT KHAN
SUNIL KUMAR
SHRIDHAR PARSEKAR
KRISHNA RAO
HEERA SAWANT
VIMAL VAKADE
ASHITA BOSE
HARIMATI 
AZIZ HINDI
MEENA KUMARI
AGHA
FAIZBAI
PROTIMA DASGUPTA
RAMESH GUPTA
JAYASHREE
VASANT DESAI
MOTILAL
SURESH BABU MANE
SARDAR MANSOOR
MAZHAR KHAN
MULIA
PATGAONKAR
POPATLAL
DURGESH KUMARI
SABITA DEVI
N. M. ADHIKARI
BABY SUMAN
HARISH
LEELA DESAI
JYOTI
SHANTA HUBLIKAR
SHAHU MODAK
DURGA KHOTE
NASEEM BANU
SARITA DEVI
WAHEEDAN BAI
MADHURI
ASHRAF KHAN
VIMLA
SHARDA PANDIT (eg baghban 1938)
E.G.PADGAONKAR
SADIQ ALI
AHMED DILAWAR
ALAUDDIN NAVEED
RENU
MEENAKSHI
REKHA MALLICK
BINOTA BOSE
MAJI
SARITA KHARWAL
RANJANA
BABY SHAKUNTALA
SHAUKAT ALI
BABY ANU
KAVI PRADEEP
SUNITA DEVI
SARASWATI DEVI
CHANDRAPRABHA
MASTER NISSAR
ZILLOO
.LALLUBHAI NAYAK
P.F.PITHAWALA
RANJIT RAI
SUSHILA
PREM ADIB
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Devdas: Dola Re
Say hello to India’s iconic song Dola Re. This dance was choreographed by Saroj Khan. This song featured two of Bollywood’s most iconic actresses Miss World 1994 Aishwariya Rai, and Dhak-Dhak Girl, Madhuri Dixit performing a duo. The song consists of music and dance that took place during Durga Puja, to worship the goddess Durga. The song was sung by Shreya Ghoshal and Kavita Krishnamurthy. The song’s meaning was to express love and friendship. These two women in the movie, their character’s lives were spiraling out of control. They both rejoice to shake it off and enjoy the moment.
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I thought this duo dance was so interesting to me that I feel like it could relate to anyone. Why is it so famous anyway? It’s the art put into it. These women look so fierce and amazing. It may be very girly but it’s so much fun watching them dance. I used to watch this in my childhood and copy the dance in front of the tv.
The meaning of the song wasn’t super complicated, but very simple. It could also not only relate to women but also relate to men. In fact, I barely see men doing parodies of Bollywood songs like Dola Re. Which gave me a great idea yesterday that I could create a visual of two of Napoleon’s marshals doing the same thing.
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Now I wasn’t sure where to start. Thinking about Napoleon’s marshals, I wanted two of his most important ones taking the lead. I was debating Murat and Ney, between Ney and Lannes. I went for Ney and Lannes. I did too many Murats. I hardly do Lannes. I also wanted to do Davout and St. Cyr. But Idk. Maybe switch around marshals whenever the scenes change?
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For the women, since it’s a girly song (not always girly), maybe Josephine and Marie Louise, or Hortense de Beauharnais and Aglaé Auguié or her sister Adelé.
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starfriday · 1 month
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One more feather in my cap : DHANRAJ PANCHAL
Embarking on a Dance Odyssey
In the kaleidoscopic realm of dance, Dhanraj Panchal emerges as a luminary, seamlessly intertwining classical grace with avant-garde dynamism. Originating from a quaint town, Panchal's early rendezvous with diverse dance forms ignited a fervor that metamorphosed him into a distinguished choreographic artisan.
The Tapestry of Tradition and Modernity
Panchal's choreographic tapestry weaves together threads of classical finesse and contemporary ingenuity. His performances, whether gracing the stage or enlivening music videos, unfurl narratives that resonate with an ethereal profundity, showcasing an unparalleled mastery of the art of movement.
A Dance Alchemist's Philosophy
Beyond the confines of mere physicality, Dhanraj Panchal views dance as an alchemical odyssey—a transformative sojourn transcending cultural boundaries. His choreography becomes a universal lexicon, eloquently communicating emotions and stories, leaving an indelible mark on the collective soul of his audience.
Engagement with the Dance Constellation
Panchal's influence extends beyond individual performances. Actively participating in the dance constellation, he imparts his wisdom through workshops and mentorship programs, nurturing a new generation of dancers who share his passion for pushing the boundaries of artistic expression.
The Resplendent Legacy Unfolding
As a maestro in motion, Dhanraj Panchal's legacy is an unfolding spectacle of brilliance. His commitment to both preserving and evolving the dance art form ensures an enduring impact, inspiring awe and reverence among admirers. In the resplendent tapestry of choreography, Panchal's name shines as a celestial constellation, beckoning admirers into the enchanting world of dance.
As of 2023 Dhanraj is currently working as a Bollywood Choreographer and has worked under Dance Director like Bosco -Caser Uma Gaiti Vijay Ganguly Shiamak Davar Saroj Khan on Film like Stree Andhadun Drishyam 2 Satya Prem ki Katha Jublee Lust Stories 2 and many more.
Hello recently choreographed the promo reality Dance show Hip Hop India for Amazon TV for Remo D'Souza and Nora Fatehi.
He has also worked for Brands like Crocs Shoes Free Fire India Cadbury Silk Schwarzkopf Snapdeal Netflix Amazon prime video etc.
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terencelewisinstitute · 2 months
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Bollywood Beats: Unleashing the Dazzling Tapestry of Indian Dance Cinema
A brief history of Bollywood dance and where to learn it?
Bollywood dance – a kaleidoscope of vibrant costumes, mesmerizing music, and infectious energy that's as diverse as India itself. It's not just entertainment; it's a cultural tapestry woven with threads of tradition, contemporary flair, and a dash of masala magic. For over a century, it's captivated audiences worldwide, making hearts thump to catchy tunes and feet tap to pulsating rhythms. So, grab your metaphorical dholki (drum), and let's delve into the fascinating world of Bollywood dance, from its humble beginnings to its dazzling present. You can also enroll in Bollywood dance institute in Mumbai to learn more.
From Classical Roots to Celluloid Magic:
Bollywood dance wasn't always the high-octane spectacle we know today. Its seeds were sown in the fertile ground of Indian classical dance forms like Bharatnatyam and Kathak, with their grace, storytelling, and expressive hand gestures, known as Mudras. In the early days of Indian cinema, these classical styles took center stage, adding cultural nuance to silent films. But as technology evolved and sound took over, dance in Indian cinema transformed, embracing influences from folk traditions like Bhangra and Marathi Lavani, injecting energy and vibrancy into every frame. All this and much more is taught in Bollywood dance academy in Mumbai. 
The Age of the Superstars:
The 1950s witnessed the rise of iconic stars like Madhubala and Helen who redefined Bollywood dance with their electrifying performances. Madhubala's sensual grace and Helen's captivating cabaret moves set the stage for a new era of dance that was as much about storytelling as it was about entertainment. Choreographers like Saroj Khan and Prabhu Deva emerged as auteurs, crafting dance sequences that were integral to the narrative, propelling emotions and highlighting plot twists.
From Masala to Metropolis:
As India modernized, so did its cinema. The 1990s saw the rise of "Masala" films, blending romance, comedy, and action with high-energy dance sequences. Michael Jackson's global influence ignited a fascination with Western styles, and Bollywood dances incorporated hip-hop, jazz, and contemporary elements, creating a truly hybrid form. Stars like Madhuri Dixit and Shah Rukh Khan became synonymous with this era, their energetic performances setting the box office ablaze.
Breaking the Mold: Contemporary Choreography:
Today, Bollywood dance is far from a monolithic entity. A new generation of choreographers like Bosco-Caesar and Ganesh Acharya are pushing boundaries, blending contemporary styles with traditional forms. Aerial silks, acrobatics, and even parkour find their way into film sequences, creating visually stunning spectacles. Additionally, filmmakers are exploring social themes and diverse narratives through dance, giving rise to thought-provoking pieces that challenge societal norms.
Beyond the Silver Screen:
Bollywood dance isn't limited to movie theaters. It's become a global phenomenon, inspiring fitness routines, dance classes, and even professional leagues. Platforms like YouTube have allowed independent dancers and choreographers to showcase their talent, reaching millions across the globe. Bollywood dance workshops and events are popping up in major cities worldwide, fostering cultural exchange and igniting a passion for this unique art form. If you looking forward to learning this skill then, learning at the best Bollywood dance institute in Mumbai is the next natural step. Terrence Lewis Professional Training Institute is hailed as the golden chalice for Bollywood dance enthusiasts. From experienced professionals to the latest Bollywood dance trends, everything is under one roof.
A great opportunity for students:
If you're captivated by the magic of Bollywood dance, the world is your stage. Start by exploring different styles from classical to contemporary. Attend workshops, find a dance teacher, and practice, practice, practice! Remember, Bollywood dance is about storytelling, so express yourself through your movements and embrace the joy of performance at Terence Lewis Professional Training Institute one of the leading Bollywood dance classes in Mumbai
For Brands and Corporates:
Looking to add a touch of Bollywood magic to your event? Partner with professional dancers or choreographers to create customized flash mobs, theme parties, or even branded music videos. The energy and vibrancy of Bollywood dance can elevate your brand image and connect with a diverse audience. For the best experience, partner with Terrence Lewis Professional Training Institute, Bollywood dance academy in Mumbai
For Dance Professionals:
Bollywood dance offers a plethora of opportunities for growth and collaboration. Hone your skills in various styles, attend masterclasses by renowned choreographers, and network with other dancers and filmmakers. You never know when your next big break might come in the form of a Bollywood song! 
In order to pursue your passion, you can start your training at Bollywood dance institute in Mumbai. 
The Future of Bollywood Dance:
As technology advances, expect to see even more innovation in Bollywood dance. Virtual reality training, motion capture technology, and holographic projections are just a glimpse into the future. Additionally, with India's growing global presence, expect to see more international collaborations and cross-cultural influences, shaping the next chapter of this dynamic art form. It is the right time to pursue your passion. Professional training in your field of interest will give you an added advantage though. Terrence Lewis Professional Training Institute is the go-to option for all aspiring Bollywood dance aspirants.
So, put on your dancing shoes, crank up the music, and let the rhythm of Bollywood take hold. It's a genre that celebrates life, love, and everything in between, with a sprinkle of masala and a whole lot of heart. From the bustling streets of Mumbai to living rooms across the globe, Bollywood dance continues to weave its magic, reminding us that sometimes, all it takes is a beat to unite us all.
For more information, visit our website: https://www.terencelewis.com
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gajawaja · 4 months
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Latest on Saroj Khan's life in Marathi Headlines
Explore the vibrant tapestry of Saroj Khan's life and marriage on Gajawaja! Unearth the Marathi news gem that delves into the dance legend's journey. Discover top stories, immerse in the latest entertainment buzz, and unravel the intricacies of Bollywood life. Dive into a riveting narrative that captures the essence of a true icon. Read our blog now!
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bandya-mama · 4 months
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Saroj Khan Birthday Special: Wishes from Bandya Mama
हिंदू परिवार में जन्मीं थीं मशहूर कोरियोग्राफर सरोज खान, फिर ऐसे बन गईं निर्मला से सरोज.
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pradip-madgaonkar · 4 months
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Saroj Khan Birthday Special: Wishes from Pradip Madgaonkar
हिंदू परिवार में जन्मीं थीं मशहूर कोरियोग्राफर सरोज खान, फिर ऐसे बन गईं निर्मला से सरोज.
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bollywoodirect · 5 months
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Ek do teen char panch chheh saat, Aath nau das gyarah baarah terah Tera karun din gin gin ke intezaar, Aaja piya aayi bahaar 35 Years of #Tezaab (11/11/88) "Tezaab," the 1988 Indian Hindi-language action romance film, features a star-studded cast including Anil Kapoor, #MadhuriDixit, Anupam Kher, Chunky Pandey, Mandakini, Kiran Kumar, and Suresh Oberoi. This film marked a significant milestone in Dixit's career, catapulting her to stardom, and further solidified Kapoor's fame following the success of "Mr. India" (1987). Directed and produced by N. Chandra. The memorable soundtrack was the work of Laxmikant Pyarelal and lyricist Javed Akhtar. This film was N. Chandra's third consecutive hit, following "Ankush" (1986) and "Pratighaat" (1987). It's notably remembered for the hit song "Ek Do Teen," which dominated the music charts. Critically acclaimed, "Tezaab" received accolades for its story, screenplay, dialogues, soundtrack, and cast performances. At the 34th Filmfare Awards, it led with 12 nominations and won 4, including Best Actor for Kapoor and Best Female Playback Singer for Alka Yagnik’s rendition of "Ek Do Teen," which also earned Saroj Khan a Best Choreography award. Kapoor achieved his first Best Actor Filmfare award, while Dixit received her first Best Actress nomination. "Tezaab" inspired remakes in Telugu as "Two Town Rowdy" starring Daggubati Venkatesh, and in Tamil as "Rojavai Killathe" with Arjun. Its plot draws loose inspiration from the 1984 film "Streets of Fire."
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