#satoshi ikeda

[iforgottohitplay]

#riki oh 2 child of destruction #riki oh #satoshi dezaki #bin shimada #ryuuzaburou oomoto #shuichi ikeda #tomomichi nishimura #animation #anime

[rivamika-trash]

Attack on Titan The Final Season Final Part (Part 2) Pre-broadcast Countdown Illustrations

10 - Kenta Ueda 上田健太 (production progress) 9 - Masako Yokote 横手雅子 (original illustration) 8 - Hajime Okuno 奥納基 (3DCG animation director) 7 - Subaru Ikeda 池田昴 (3DCG modeling director) 6 - Yoshiyuki Sano 佐野誉幸 (Giant Art Director) 5 - Takuya Suezawa 末澤卓哉 (original illustration) 4 - Ji Onishi 大西慈 (Color Design) 3 - Michelle Sugimoto 杉本ミッシェル (original illustration) 2 - Satoshi Ikeda (Animation Director) 池田智志（作画監督） 1 - Manabu Akita 秋田学 (Chief Animation Director) 0 - Tomohiro Kishi 岸友洋 (character design/chief animation director)

#attack on titan #shingeki no kyojin #進撃の巨人 #levi ackerman #mikasa ackerman #eren jaeger #armin arlert #reiner braun #jean kirschstein #connie springer #ymir fritz #cart titan #armored titan #snk illustrations #eremika #attack on titan final season #ema

[lostcauses-noregrets]

New final season art by Animation Director Satoshi Ikeda.

#this is so beautiful #levi ackerman #official art #snk final season #snk

[silvermoon424]

My manga collection (October 2023)

I did a post detailing my manga collection back in 2021, but it's grown a lot since then so I figured I'd make a new post! It was also a good time to do so because we're repainting my room and while there's usually a ton of anime merch in front of the books on my shelves, now it's all been packed up. So there's a clear look at the books without me having to move anything, lol.

Anyway, without further adieu, here we go! My manga collection is largely shoujo (specifically magical girls) and horror manga.

Pet Shop of Horrors by Matsuri Akino

Pet Shop of Horrors: Tokyo by Matsuri Akino

The Clique by Yishan Li

Frozen II manga by Arina Tanemura

Dark Metro by Tokyo Calen and Yoshiken

Yokai Rental Shop by Shin Mashiba

Confidential Confessions by Reiko Momochi

Pichi Pichi Pitch (aka Mermaid Melody) by Michiko Yokote and Pink Hanamori

Magical Girl Site by Kentaro Sato

Reiko the Zombie Shop by Rei Mikamoto

Les Miserables (manga adaptation) by TszMei Lee

Nightmares for Sale by Kaoru Ohashi

Presents by Kanako Inuki

Mail by Housui Yamazaki

Dark Water by Meimu

Tale of a White Night by Tooko Miyagi

Goth by Otsuichi and Kendi Oiwa

Beautiful People by Mitsukazu Mihara

Attack on Titan: No Regrets by Gun Snark and Hikaru Suruga

In Clothes Called Fat by Moyoco Anno

A Girl on the Shore by Inio Asano

Bride of Deimos by Etsuko Ikeda and Yuuho Ashibe

Limit by Keiko Suenobu

Helter Skelter by Kyoko Okazaki

Dolls omnibus (in Japanese) by Yumiko Kawahara

Ibitsu by Haruto Ryo

A God Somewhere (Western comic) by John Arcudi and Peter Snejbjerg

Beauty (Western comic) by Hubert and Kerascoët

Ah! My Goddess by Kōsuke Fujishima

Only One Wish by Mia Ikumi

Higurashi When They Cry: Festival Accompanying Arc by Karin Suzuragi

Chronicles of the Grim Peddler by Lee Jeoun-A

PTSD Radio by Masaaki Nakayama

Elfen Lied by Lynn Okamoto

Ikigami: The Ultimate Limit by Motoro Mase

Happy Sugar Life by Tomiyaki Kagisora

JoJo's Bizarre Adventure: Phantom Blood by Hirohiko Araki

An Ojamajo Doremi artbook (in Japanese)

Mermaid Saga by Rumiko Takahashi

Dolls by Yumiko Kawahara

Maid-sama by Hiro Fujiwara

Franken Fran by Katsuhisa Kigitsu

Hell Girl by Miyuki Eto

Gurren Lagann by Kotaro Mori

Doll by Mitsukazu Mihara

Mantis Woman by Senno Knife

Various Sailor Moon artbooks from the anime, manga illustrations by Naoko Takeuchi, and fan artbooks

Sailor Moon Eternal Edition by Naoko Takeuchi

Sailor V Eternal Edition by Naoko Takeuchi

Puella Magi Madoka Magica by Hanokage

Puella Magi Madoka Magica: The Different Story by Hanokage

Puella Magi Madoka Magica: The Wraith Arc by Hanokage

Puella Magi Madoka Magica: The Rebellion Story by Hanokage

Puella Magi Oriko Magica by Kuroe Mura

Puella Magi Oriko Magica: Sadness Prayer by Kuroe Mura

Puella Magi Tart Magica by Golden Pe Done

Magia Record: Puella Magi Madoka Magica Side Story by Fuji Fujino

Assorted PMMM and Magia Record artbooks

Pokemon Adventures (aka Pokemon Special) by Hidenori Kusaka and Mato/Satoshi Yamamoto. I own the complete set of the RBG, Yellow, GSC, FRLG, Emerald and HGSS arcs as well as a few volumes from the RS, DP, and Black/White arcs.

Various Pokemon 4koma (in Japanese)

Pokemon: I Choose You by Ryo Takamisaki

Phantom Thief Pokemon 7 by Miho Asada

The Rise of Darkrai by Ryo Takamisaki

Pokemon Diamond and Pearl Adventure by Shigekatsu Ihara

The Electric Tale of Pikachu by Toshihiro Ono

The Art of Pokemon Adventures by Satoshi Yamamoto (both English and Japanese versions)

Pokémon Mystery Dungeon: Ginji's Rescue Team by Makoto Mizobuchi

Pokemon Ranger and the Temple of the Sea by Makoto Mizobuchi

Various Junji Ito Manga:

Dissolving Classroom

Fragments of Horror

The Liminal Zone

Sensor

Black Paradox

Gyo

Uzumaki

Tomie

Deserter

Tombs

Lovesickness

Smashed

Shiver

Frankenstein

Remina

Venus in the Blind Spot

No Longer Human

Twisted Visions (artbook)

Uzumaki coloring book

Uzumaki (original printing) by Junji Ito

Museum of Terror by Junji Ito

Soichi by Junji Ito

The Drifting Classroom by Kazuo Umezu

JoJo's Bizarre Adventure: Battle Tendency by Hirohiko Araki

Orochi by Kazuo Umezu

Be Very Afraid of Kanoko Inuki! by Kanoko Inuki

Wonderland by Yugo Ishikawa

Shadows House by Somato

I Had That Sane Dream Again by Yoru Sumino

Is Love the Answer? by Uta Isaki

Nightmare Inspector by Shin Mashiba

The Ring by Misao Inagaki

Wonder House of Horrors by Miyako Cojima

Puella Magi Suzune Magica by GAN

Puella Magi Kazumi Magica by Masaki Hiramatsu and Takashi Tensugi

Magia Record: Another Story by U35

I also have some manga in storage like Inuyasha and Kitchen Princess, but that's about it!

#my collection #manga collection #manga collector #manga

[semitranslatedseiyuublog]

17th Seiyu Awards

This year's Seiyu Award ceremony was the first in-person one in three years, and it's also the first year that they made the awards completely gender-neutral which is a decision I can get behind. With each of the awards, I will be putting one notable role each from this past year or so, but I won't be putting any for some awards. I might put my thoughts under some, but I don't want to clog this post with too much uselessness.

Best Leading Voice Actor Award:

Chika Anzai

Takuya Eguchi

He also won the Most Valuable Seiyuu Award.

Atsumi Tanezaki

Best Supporting Voice Actor Award

Shuuichi Ikeda

Ryotaro Okiayu

Atsumi Tanezaki

Best Rookie Voice Actor Award

Shuuichiro Umeda

Hina Suguta

Anna Nagase

Minami Hinata

Shion Wakayama

Best Foreign Film / Drama Award

Shihori Kanjiya

Toshiyuki Morikawa

Note: He is the official dub-over for Tom Cruise. Top Gun: Maverick was really popular in America (even getting nominated for Best Picture at the Oscars)

Best Singer Award: Nijigasaki High School Idol Club

Influencer Award: Natsuki Hanae

His cats released a photobook.

Kei Tomiyama Award: Junichi Suwabe

Kids/Family Award: Ikue Otani & Rica Matsumoto

Considering that Matsumoto played Ash (Satoshi) in Pokemon, it is only fitting to give her and Otani (the voice of Pikachu) the best sendoff possible (although, Pikachu will remain in the cast).

Best Synergy Award: Jujutsu Kaisen

I totally thought this was going to go to Lycoris Recoil, but Jujutsu Kaisen is very popular. I still don't know if they're recasting Geto due to recent news though.

#seiyuu #eguchi takuya #tanezaki atsumi #anzai chika #hanae natsuki #suwabe junichi

[kishigunpla]

Let’s take a break from novels and comics and instead listen to some late 1980s city pop! Part 3 of my TIME review is about the Joy and Pain chapter, a collection of Charma art inspired by the Satoshi Ikeda album of the same name.

This part covers pages 79 – 102

#kishi's doujinshi corner

[odaclan]

I happened to see in the news some new cast announced for Dousuru Ieyasu.

Satou Ryuuta as Hideyoshi's brother Hidenaga (top left), Oonishi Riku as Ran(maru) (top right), Tokushige Satoshi as Ikeda Tsuneoki (lower left), and Hamano Kenta as Nobunaga's son Nobukatsu (lower right)

To adhere with historical records, the article said Ranmaru will go by just "Mori Ran", and not "Ranmaru". Not only did the Shinchoukouki records this, but he apparently wrote his own letter signatures in that way. However, for the costuming, the style they went with is "old school". The curling hair tie and heavy kataginu is a typical look of the more kabuki-inspired look from black and white Shouwa era movies.

I'd thought it was curious that Ikeda was wearing that Buddhist monk's "drape" (kesa 袈裟), but it's actually how he was drawn in his portrait.

Nobukatsu's casting and styling is also interesting. His appearance is somewhat reminiscent of Sometani's Nobunaga from Kirin ga Kuru, and it looks almost like they made him wear an outfit that resembles the classic Kanou Soushuu Nobunaga portrait. Maybe it's meant to emphasise a sort of "Nobukatsu tries to follow his father's footsteps" plotline during Komaki-Nagakute. He was known to be using a Tenka Fubu-esque seal in that time period, after all (see this post).

#dousuru ieyasu #live action series #live action #nhk drama #nhk taiga drama #taiga drama #ikeda tsuneoki #hashiba hidenaga #toyotomi hidenaga #oda nobukatsu #mori ran #mori ran naritoshi #mori ranmaru

[crazyasianlove]

Signal: The Movie (JM, 2021) (Sub. Esp)

DESCARGAR O VER ONLINE AQUÍ

Título: Signal: The Movie País: Japón Género: Thriller, misterio, drama Duración: 122 min. Fecha de estreno: 2 de abril, 2021 Dirección: Hashimoto Hajime SINOPSIS La historia continúa desde el drama y SP de "Signal". Saegusa Kento y Sakurai Misaki siguen averiguando cuál es el paradero actual de Ooyama Takeshi. CAST Sakagushi Kentaro como Saegusa Kento Kichise Michiko como Sakurai Misaki Kitamura Kazuki como Ooyama Takeshi Kimura Yuichi como Yamada Tsutomu Ikeda Tetsuhiro como Kojima Shinya Ihara Tsuyoshi como Aoki Junki Tanaka Tetsushi como Yamazaki Satoshi Sugimoto Tetta como Mitani Munehisa Kaga Takeshi como Itagaki Shinjiro Nao como Koizumi Michiru Aono Kaede como Anzai Rika

TRÁILER: https://www.youtube.com/watch?v=6S0ecHKqkZI

#signal #jmovie #sakaguchi kentaro #kichise michiko #kitamura kazuki #kimura yuichi #iketa tetsuhiro #ihara tsuyoshi #tanaka tetsushi #sugimoto tetta #kaga takeshi #nao #aono kaede #película #proyectos terminados #sub. español

[leenaevilin]

[Pics] ミュージカル『テニスの王子様』4thシーズン 青学vs聖ルドルフ・山吹 (musical tennis no oujisama 4th season seigaku vs sei rudolph gakuin・yamabuki)

main visual ↑↑↑ & visuals update under the cut^^

Cast:

SEIGAKU

Imamaki Hikaru as Echizen Ryouma (越前リョーマ)

Yamada Kento as Tezuka Kunimitsu (手塚国光)

Hara Takakazu as Ooishi Shuuichirou (大石秀一郎)

Mochida Haruki as Fuji Shuusuke (不二周助)

Shioda Ichigo as Inui Sadaharu (乾貞治)

Tomimoto Soushou as Kikumaru Eiji (菊丸英二)

Ootomo Kai as Kawamura Takashi (河村隆)

Houjuyama Shun as Momoshiro Takeshi (桃城武)

Iwasaki Yuuga as Kaidou Kaoru (海堂薫)

Ryouta as Horio Satoshi (堀尾聡史)

Shiraishi Kotobuki as Katou Kachirou (加藤勝郎)

Ichikawa Manato as Mizuno Katsuo (水野カツオ)

ST. RUDOLPH

Okumura Hitoshi as Akazawa Yoshirou (赤澤吉朗)

Mitsui Junpei as Mizuki Hajime (観月はじめ)

Kubo Yuudai as Yanagisawa Shinya (柳沢慎也)

Satou Rei as Kisarazu Atsushi (木更津淳)

Saezawa Shuuto as Nomura Takuya (野村拓也)

Ishihara Yueto as Fuji Yuuta (不二裕太)

Ninomiya Raimu as Kaneda Ichirou (金田一郎)

YAMABUKI

Kuwahara Shou as Minami Kentarou (南健太郎)

TAISEI as Sengoku Kiyosumi (千石清純)

Masunaga Takumi as Akutsu Jin (亜久津仁)

Haitsuka Soushi as Higashikata Masami (東方雅美)

Matsubara Rin as Nitobe Inakichi (新渡米稲吉)

Terashima Reon as Muromachi Touji (室町十次)

Uchino Fuuto as Kita Ichiuma (喜多一馬)

Hashimoto Yuuki as Dan Taichi (壇太一)

FUDOMINE

GAKU as Tachibana Kippei (橘桔平)

Maiguma Kousuke as Kamio Akira (神尾アキラ)

Tsuchiya Naotake as Ibu Shinji (伊武深司)

Kitadai Takashi as Inoue Mamoru (井上守)

TENIMYU BOYS

Oono Hiroyuki as Ikeda Masaya (池田雅也)

Akashi Riku Kurihara Itsuki Honma Kazuki

homepage twitter natalie

#テニスの王子様 #tennis no oujisama #tenimyu #今牧輝琉 #imamaki hikaru #山田健登 #yamada kento #原貴和 #hara takakazu #持田悠生 #mochida haruki #塩田一期 #shioda ichigo #富本惣昭 #tomimoto soushou #大友海 #ootomo kai #寶珠山駿 #houjuyama shun #岩崎悠雅 #iwasaki yuuga #りょうた #ryouta #白石寿 #shiraishi kotobuki #市川愛大 #ichikawa manato #奥村等士 #okumura hitoshi #久保侑大

[wisteriavines]

Discontinued Writing (idk you yet)

original prompt

“Hey guys look! They still sell sugar-free gummy bears!”

“Of course they do. The company went out, er no, will go out in a few years.” 

“This is great, I love this stuff! I have to stock up!” 

“Didn't the company go out of business because they found something wrong with the ingredients of the food?” 

“...He’ll be fine.”

“...”

“...Yeah, okay. Hey, Hiro-!”

“Oh shit, oh shit-”

“We’re gonna die-ie! Someone hold me!”

"Why did we ever think this was a good idea!?"

“Someone please explain to me, why, exactly, we are doing this.”

“Because it’s the right thing to do and we are good people.”

“Bullshit. I saw Daichi walk past and steal a child’s ice cream once.”

“Hey, come on! That was my nephew and he was being a little shit, I was perfectly within my rights to steal his ice cream!”

“He was five and you were twenty for fucks sake.”

“What the fuck, what the fuck, what the fuck-”

“It’s just a bug, what are you screaming for?”

“It’s a fucking abomination is what that is!”

“Oh come on! Charles isn’t that bad!”

“‘Charles’ is a fucking crossbreed of a spider with a cockroach!”

“Akira, I swear on Ume’s dog’s grave, if you don’t-”

“Woah, hey, why my dog!?”

“Idiot! Ume’s dog isn’t dead yet! The mutt has no grave to swear on!”

“Oh my god! My dog isn’t dead!”

“Ume, get back here! You can see your pet later!”

“Maa, that’s kinda cruel, Yuri. Especially since I remember you crying at Sunny’s funeral.”

“When did Sunny have a funeral? And why wasn’t I invited? What the hell guys! I loved that dog too, ya know!”

“We don’t got this, holy shit, we are way in over our heads,” Tanaka Akira, (future) roast chef, moans pitifully in his arms, hunched over the cafe table. 

Fukui Sayuri, (future) magazine manager, scowls in irritation while reaching over to smack her peer on the head. “Shut up, dammit. Your quick-to-depress attitude isn’t what we need right now.” 

“Ahaha, that’s a bit harsh, don’t you think, Yuri-chan?” Yamamoto Takeshi, (future) physical therapist for athletes, laughs awkwardly. 

Nakamura Taiyo, (future) translator, snorts in disbelief. “No, Yuri-chan is right. Getting depressed is the last thing we need to be doing.” 

“My name is Sayuri, dammit! Stop shortening it!” 

“Ano,” Ito Rin, (future) veterinarian, speaks up hesitantly. “Should we really be fighting right now?” 

“Yeah, come on guys, be serious about this,” Kimura Hana, (future) lawyer, pipes up before taking an obnoxious sip of her drink. 

Inoue Nobu, (future) math professor, looks on disapprovingly but ultimately decides not to comment, turning his attention to conversation at hand. “Why are we even meeting at such a small cafe anyway? There’s twenty of us for God’s sake.” 

And there are twenty of them. The entirety of Yūei’s (upcoming) General Education Class 1-D is clustered together in a corner, garnering more than a few stares. A few of them shift and smile sheepishly while the others either glare at or ignore their surroundings. 

“Ah, that’d be my fault,” Shimizu Isao, (future) dentist, raises a hand in embarrassment. “I forgot this place used to-, er, will be? Uhm..well I just remember it to be a large but affordable restaurant.” 

Most of them sigh, waving his unspoken apology off. It wasn’t his fault, they’re all still getting used to being more than 10 years in the past. If there’s one good thing about being in the past, it’s the fact that it’s currently the brief break before their first year at Yūei starts and after the entrance exams. Being accomplished adults doesn’t necessarily mean they remember middle/high school science, math, history, etc..

“Look,” Ikeda Satoshi, (future) radio host, sighs while waving his hand around to gather everyone’s attention. “We need to figure out what exactly we’re going to do.” 

“What’s there to figure out?” Aoki Nanami, (future) politician, argues with crossed arms. “What’s there to do? We’re fifteen again. We have to go through high school and college and job applications all over again.” 

“Exactly!” Takagi Ume, (future) accountant, cuts in. “We have to go through high school again! Do you remember what that was like?” She fixes a glare on her (past? future?) classmates, making them shift and grimace in remembrance. 

How could they honestly forget? It was the most formative three years of their life. It was the only time most of them have been so close to danger. Close villain attacks aren’t exactly forgettable, especially not the panic attacks that developed with them. 

“So, what? We transfer out of Yūei while we have the chance? Move out of the city? Country?” Ando Osamu, (future) CEO of his own company, questions harshly, bringing down a silence on the group. It wasn’t a secret that Osamu started his own company, one meant to help victims and families of victims, because he lost some family in the various public attacks on Yūei’s hero students. 

“Don’t be stupid,” Ogawa Misaki, (future) pastry chef, scoffs. “We’re fifteen now. The chances of us convincing our families to flee the country for no palpable reason is comparable to picking a single grain of flour out of a pile with an entire hand. Next to impossible.” 

“Hey, let’s calm down a little,” Ishikawa Hiro, (future) ER nurse, frowns. “Getting so worked up so soon isn’t gonna help.” Sweeping everyone with a disappointing stare, he continues after a minute. “Let’s start with the facts first, okay?” 

Hasegawa Daichi, (future) doctor, rolls his eyes at the familiar routine but leans forward to start. “Fact: we’re past Yūei’s entrance exams,” he drawls, leaning his head against his hand. “Fact: it’d be suspicious to decline an acceptance into Japan’s leading school. Especially since I remember everyone here being so excited to have attended.” 

“Fact: we’re attending Yūei,” Ishii Tomiko, (future) film director, groans in realization. She startles, looking up as someone gently removes her hand from her hair, a stress habit of hers. 

Yamaguchi Ryuji, (future) fashion designer, offers her a tired and apologetic smile. They’ve worked together during the few times he was asked to help with the clothes designs of various productions. Being classmates and working together, he recognizes when Tomiko is about to start stress-spiraling. 

Matsumoto Chizu, (future) chemical engineer, observes the interaction with a roll of her eyes. Those two have been dancing around each other for years. It was funny at first but after more than a decade? She really just wants to lock them in a closet for a couple of hours. 

“So, we’re going to be dodging villain attacks again?” Hayashi Aiko, (future) pediatrician, whines in disbelief and frustration. For living in a society where everyone experiences a villain attack at least once in their lifetime, it really isn’t something to complain about. But getting targeted for attending a specific school? That’s different. That’s being reluctant to step outside the school gates because of the fear that they’d be attacked. That’s worrying about their families for simply being related to them and sending them off to school. 

Mori Ena, (future) web designer, reaches over and comfortingly rests a hand on her shoulder. Looking at her classmates, at their defeated, resigned, bitter expressions, she straightens her back and takes a deep breath. 

“Or,” she starts, making sure everyone’s attention is on her. “We do something about it.” 

They pause, staring at her in confused anxiety. They know what she’s suggesting, they’ve all had the same line of thinking before meeting up. But, could they? They were Gen Ed students for a reason. 

“Why should we?” Hana argues, always willing to play devil’s advocate. “We aren’t heroes, or even hero hopefuls. We’re civilians despite our collective experiences and the training Yūei provided us after the threat level rose. We also aren’t exactly good people.”

“While Hana has a point, so does Ena,” Rin speaks up, shifting when everyone turns to look at her. “We’re adults, even if it's only in mind. They may have been Hero Students but they’re just kids now and we have valuable knowledge that can save them a lot of grief.”

“And who would believe us? What proof do we have?” Nanami shoots down. “Yeah, we’re adults but to the whole world, we’re also just a bunch of brats.”

“We also have no connections to get us any proof,” Osamu adds, getting a few agreeing nods in return. 

#wisteriavines #idk you yet au #discontinued writing #bnha #mha #original characters #line divider credit goes to firefly graphics

[iforgottohitplay]

#riki oh #riki oh 2 child of distruction #satoshi dezaki #bin shimada #ryuuzaburou oomoto #shuichi ikeda #animation #anime

[kurosawagumi]

Faces

Fashion

Pets

Tattoos

Homes

Locations

Aiba Ren

Ashida Kiyoshi

Azuma Masao

Cheng Eric Wan

Cheng Li Wei

Dong Min Jae

Endou Nobuo

Han Shi Won

Hirano Masahiro

Huang Yao Zu

Ichihara Ryuuji

Ikeda Noriko

Kang DaeHyun

Kato Asuka

Kawano Yukari

Kitazawa Junpei

Kurosawa Hinata

Kurosawa Ryuunosuke

Kwon Chiko

Lee Sung Ho

Martell Jerome

Moon Soo Bin

Mukai Koan

Narita Hideki

Otsuka Yuri

Saejima Keitaro

Seok Ji Hoon

Shibaguchi Eishi

Suzuki Mamoru

Taguchi Satoshi

Tanaka Shoichi

Thakur Rihaan Avir

Tsukamoto Hotaka

Xuan Li Ling

Xuan Ming Li

Yoshida Takeo

Zhuo YuHan

#ladrpgcast

[dopingconsomme]

#IFTTT #November 16 #2022 at 05:00AM

[alessandrobracalente]

Ryoji Ikeda "supersymmetry" from YCAM on Vimeo.

Ryoji Ikeda "supersymmetry" (2014/Commissioned by YCAM) supersymmetry.ycam.jp

Concept, Composition: Ryoji Ikeda

in collaboration with Programming, Computer Graphics: Norimichi Hirakawa, Tomonaga Tokuyama, Yoshito Onishi Mechanics/Optics/Device Design: Norimichi Hirakawa Computer System Design: Tomonaga Tokuyama Technical Management: Norimichi Hirakawa, Tomonaga Tokuyama Electronics Design: Yoshito Onishi

Curator: Kazunao Abe (YCAM) Co-curator: Patrick Gyger (Le Lieu Unique)

Yamaguchi Center for Arts and Media [YCAM] Assistant Curator: Tsubasa Nishi Construction Supervision: Richi Owaki Sound Programming: Satoshi Hama Device Design/Set-up: Richi Owaki, Keina Konno Sound: Satoshi Hama, Etsuko Nishimura System Engineering: Yohei Miura Lighting Design: Fumie Takahara Technical Management: Clarence Ng Public Relations: Miyuki Tanaka Documentation: Ryuichi Maruo, Tomoya Watanabe Signage Operation: Naomi Kakuda Education: Kiyoshi Suganuma

Ryoji Ikeda Studio Creative Director: Emmanuelle de Montgazon Administrative Assistant: Yuko Higaki

Mechanics/Electronics Design: Koichiro Mori Shutter Device Set-up Support: Makoto Hirabayashi Graphic Design: Kazuya Kondo

Organized by Yamaguchi City Foundation for Cultural Promotion In association with Yamaguchi City, Yamaguchi City Board of Education supported by the Agency for Cultural Affairs Government of Japan in the fiscal 2014, Institut Français du Japon and the partnership Institut Français-Ville de Nantes (France), THE ASAHI SHIMBUN FOUNDATION Cooperated by Gallery Koyanagi,Tokyo Equipment cooperation Mix Wave,Inc. , Bell-Park Co.,Ltd. Co-developed with YCAM InterLab Co-produced withLe lieu unique, scène nationale de Nantes with the Support of the City of Nantes and the Ministry of Culture and Communication (France) Produced by Yamaguchi Center for Arts and Media [YCAM] , Ryoji Ikeda Studio

[the-chikyuu-times]

#eren yeager #mikasa ackerman #armin arlert #historia reiss #sasha blouse #jean kirschtein #connie springer #attack on titan #aot #shingeki no kyojin #anime #illustration #art #artwork #official art #satoshi ikeda #happy new year

[demifiendrsa]

Attack on Titan: The Final Season episode 1 (episode 60) illustration by Satoshi Ikeda.

#Attack on Titan #Shingeki no Kyojin #AoT #SnK anime #MAPPA #Satoshi Ikeda #anime #TV anime