#save these boys from the heteronormativity

[jalluzas-ferney]

Cole wasnt “changed” to be gay. He never was STRAIGHT in the first place.

and hell- whi says he’s strictly gay now? Cole could like girls as well for all we know 🤷‍♀️ uk like, be a Bi king or smth.

The thing is, just like people are used to seeing characters from books as white as a default until stated otherwise, just because they’re so used to it, this happens with straightness as well.

People are will BEG and SWEAR that a character is straight just because they were never outright stated to be otherwise. And emphasis on “outright stated” because even when there is coding, hinting or just blatant portrayal of it, people will still deny that that certain character is queer because it’s not like they canonically turned to the camera and told the audience that “I AM NOT STRAIGHT.”

But to them, even if the character rarely showed any interest in the opposite gender or ever really talked ab their attraction, the character is just automatically straight. It’s just inherent. Of course they’re straight.

And you know what? Even if the character does, who said Bi people don’t exist? I have a lot of Bi friends and a family member that either are bi or are dating a bi person, and their attraction towards the opposite gender has never invalidated their attraction towards the same if gender non-conforming.

And even then, a lot of gay men or lesbians have struggled with comp-het in the past, reuniting them in having tried to date or even marry people from the opposite gender only to then realize they never truly were straight, and were just compulsively trying to conform or believe that they are straight because again, straightness has always been seen as the status quo. As the normal thing to be. The default.

And this isn’t me saying that “the writers were writing Cole as a dude with comp-het this whole time” or smth because I don’t know that. And while I could theorize that I don’t think the writers really were thinking about implementing compulsive heterosexuality into this silly Lego show.

But just like I can’t assure that Cole canonically has suffered from comp-het or that he is gay and not Bi or hell he could be asexual or smth while being gay WHO KNOWS-but just like we can’t exactly assure that he is exactly one of those labels, people cannot come here and act like Cole was ever REALLY canonically straight. Hell. You could even say None of the characters of the show are STRAIGHT because who said they were? You can def interpret them as straight! But why do people insist on acting as if portraying Cole as having a male character a romantic interest as them CHANGING him as if he really ever WAS straight?

No one acts that when a character is straight that it was a huge betrayal or smth because the character was “OBVIOUSLY” gay by default. No. People just see it as normal and move on because that has always been the status quo.

Because this is a heteronormative society as much as people try to act as if making a character gay is “appealing to the world and the general public” as if straight people are suddenly oppressed. Hetero friends of mine or my family will always automatically assume I’m straight because that’s the norm to them. People will always assume someone it het or cis unless outright stated otherwise.

And if you can’t tell what’s wrong with that…

…

And you know what? Get all pissed off about it. Complain. Make petition for “saving your boy Cole” (save him from what exactly? It’s not like Christianity exists in Ninjago so yall can scratch hell out of the list at least) the season was made. The character of Geo was made. The scenes where Geo fantasized about Cole being awesome and handsome were made. Scenes where Cole and geo talk about needing each other were made. Scenes where geo and Cole hold hands and look at each other all lovey dovey were made. None of that bigoted complaining is going to change that. Theyre not going back and deleting those scenes and they’re not suddenly gonna write Geo and Cole in completely different way from what they were written before. Womp. WOMP.

#ninjago #ninjago dragons rising #lego ninjago #savemyboycole #cole #ninjago cole #cole Ninjago #dragons rising #ninjago dr #gay rights #gay #comp-het #comphet #queer #queer representation #queer rep in media #geo Ninjago #Ninjago geo #geo

[respectthepetty]

In Defense of a Sucky Person

San Pang sucks.

He says shitty stuff and does stupid shit, but . . . he is a good guy.

Qian lives in San Pang's parents' rental, and they keep the rent low because Qian lives there (which is probably due to him being San Peng's friend). San Pang also reminds Qian to give Lili and Yuan their New Year's gift, plus he brings the gifts because he knew Qian would forget.

Each time Qian ends up in the hospital, San Pang is there to comfort the younger siblings and lecture Qian about how his pain is not his own, but his family's. PLUS he pays for the hospital bill.

He is there even when Yuan ends up in the hospital. And he always brings food with him!

He shows up! Each and every single time no matter the occasion.

And he steps in before Qian can become aggressive. Just like at Qian's graduation when a boy was hitting on Lili, before Qian could yell at the child, San Pang asked the boy boring questions to get him to move along.

He serves as the middleman in ALL of Qian's conflicts because Qian has always left him to do that. When Qian left the first business meeting, San Pang reminded their business partner that Qian would always pick his family over everything else.

Even when they were arguing at work, San Pang tried to calm both of them down before the whole business collapsed.

And when Qian snapped at everyone in the office for trying to take care of him, San Pang stepped in to calm Qian down and remind him that Yuan told them all to do that.

San Pang thinks of Qian as his brother. He does worry about him. He states that often. He does care about him. He also tells Qian that. Which is why San Pang wants Qian to be happy. It's why he does the heteronormative shitty thing and tries to set Qian up with women because he thinks a girlfriend could make Qian happy after Qian has spent his entire life taking care of his siblings, and his siblings thought it was a good idea too when they were younger!

Which is why he questions Qian after seeing him in bed with Yuan.

San Pang has been there, for everything. He was there to pick up Qian for work since he wasn't answering his phone! He shows up whether he is needed or not. He remembers when Qian forgets. He pacifies when Qian would fight. He questions when Qian would rather shut down. Yet Qian trusted him enough to tell him that Yuan was gay.

Even though he treats Lili like a kid, he is the only one who actually questions her and includes her in the conversations. Qian is the authority and Yuan defends him, but San Pang sees that both Qian and Yuan are the same - stubborn. Yuan didn't even tell Lili he was skipping grades.

So even though he knows some serious shit went down at that party, he is disgusted by Qian's actions, especially after Qian told him not to go after a BLEEDING Yuan.

Because San Pang was right! Qian and Yuan are stubborn. San Pang saw what was coming, and as sucky as that conversation was with Yuan, he was once again serving as Qian's middleman. He knew that if Yuan confessed to Qian that it would not go over well.

Yet San Pang still showed up for everyone when shit hit the fan. He showed up for Lili by taking Qian food. He showed up for Qian by offering him suggestions on how to handle the situation instead of shutting down and isolating.

And he showed up for Yuan.

San Pang sucks.

But he found a way for everyone to get out of this impossible situation without more blood being shed.

San Pang doesn't understand Yuan's romantic love for Qian, but he does understand Qian and Yuan. He knows that Qian needs time, and Yuan needs distance. This conversation isn't easy for him. But San Pang has always been the middleman because if not for him, Qian would be so much worst.

And he was.

So as much as San Pang sucks, he is a good guy who is trying to save his friend from being the worst version of himself and destroying Yuan.

So with Yuan gone, and Qian turning into himself, this outcome between him and Lili makes sense because he was the only one to ever include Lili in the conversation.

San Pang sucks, but in a family abandoned by the very people who should have been there for them, it matters that he always shows up.

Even when shit sucks.

#unknown #unknown the series #san pang sucks #but he is a good guy #in defense of a sucky person

[a-doubleh-x]

Why I like Charlastor

The other day I noticed there was some negativity in the Charlastor tag, including antis and people feeling the need to defend against antis, so I thought I might as well take a step back and just write candidly about why I like the ship.

I only got into Hazbin in October of last year, but already it has inspired me a lot to write and fantazise about it. Like most people, I started with the classic "they look cute together", but as I kept looking I couldn't help but think there was something else to these two than first met the eye.

For starters, I love Pollyanas! I think they get a bad rep for being naive, but I just appreciate an optimist like Charlie who just wants to make people around her happy because it makes her happy. I also like bad boys 😳 I'm a pretty heteronormative guy, so I haven't had a big chance to explore that part of myself yet, but I do like the danger and excitement someone like Alastor brings to the table.

I will admit when I started writing Charlastor I felt like I was handling dynomite. It's a lil scary to ship a boundless altruist with a manipulative sociopath, but bear with me.

I think each of them has something the other needs. I think Charlie needs someone to challenge her, someone to steer her in the right direction while she's mostly isolated. At the start of the series, practically nobody but Vaggie takes her seriously, and Alastor is no exception. He mocks her, teases her, but she still listens and I think it's because somewhere deep down she understands there's something he's trting to communicate in his annoying, but curious way.

Of course, I also love the fanon Charlie who's down bad for Alastor, and even if that Charlie is a little naive, I think it's also sweet and she can use some indulgence while most people treat her like a child.

On the other hand, when it comes to Alastor, this is a bit of a theory on my part, but I think he's secretely lonely. He has friends, certainly, like Rosie and Mimzy, but they're not good enough friends to live together with him. They don't seem to be able to save him from "pure, absolute boredom". But Charlie, for some reason can, even though she's a stranger at the beginning when Alastor chooses to move into the Hotel.

Alastor is not as much of a cynic as someone who chooses to see things in a perspective that benefits him. He doesn't think redeeming sinner is "hopeless", but "hilarious" instead, which has interesting implications to me. That's why he chooses to hover around Charlie, not because he thinks she's lame, rather because he thinks she's silly. She makes him laugh. Which I think is kind of how Alastor sees "love".

And then you have fanon Alastor who, depending on the writer, is either a horny animal, a wisecrack edgelord or a soft boy who's mean to everyone but Charlie XD I like several of those interpretations, but I kinda prefer mine just out of personal taste. I think the best part about Alastor is that he doesn't *care* what anyone thinks of him and always does what he wants, even at the expense of other people, which I find pretty enviable.

They're kinda both outcasts in their own ways. Charlie by being unable to fit in and Alastor being unwilling to compromise. But they don't judge each other. He supports her in his own weird way and she houses him and is delighted of him in general, which is tasty food for his ego. I do wonder why Alastor is interested in Charlie, both in canon and in a fandom vacuum.

There's some cool potential for drama there, but also growth and healing, in my opinion. Personally, I think Alastor doesn't want to actually *hurt* Charlie, but he may hurt those around her, which will be a moment to start settling compromises if Charlie puts her foot down.

That haz bin my review so far! I'm honestly pretty grateful for Vivziepop for all of the work she's done so far, I know directing, animating and writing two shows over the course of 5 year or so ain't easy. I'm also grateful to the fandom who shares their thoughts and vision, which calms the terrible voices I started hearing in my head since I bought this weird old radio.

I'm in the middle of a break, but if you're interested in my fanfics I'll get back to writing very soon. Cheers! 🌈❤🦌

#hazbin hotel #charlie morningstar #alastor hazbin hotel #charlastor

[alcalystrasz]

This Love at first sight between Argyle and Eden was introduced in order to show what heteronormative couples are like from Mike's point of view.

Which is is why in his Love confession he felt like he had to say that he fell in love with El the first time he saw her.

He had no idea what to tell her. It's only when Will remembers him that he's the heart that he makes up that confession in order to help El to get out and save Max. He thought that's what she needed to hear, because she wanted an I Love You, from him, from a long time now.

This is why his love confession doesn't make sense at all. First, when they meet for the first time in season 1, the scene wasn't made into thinking he fell in love for the first time or something romantic. He just felt confused of seeing a random kid in the woods, with just a t-shirt on, with a buzz cut, and without any idea if this kid is a girl or a boy.

And may I remind you that day, when they found her in the woods, is the same day Will disappeared. Mike really cares about Will, so much he went in the woods, in the pouring rain, with a high chance risk that something could also happen to him, to find him. So there's no way, he fell in love with a girl, a random girl, a random weird looking girl, that same day his bestfriend from ever disappeared.

While the Love Confession in season 4 didn't seem intimate because Will is almost all the time in the back, with the lights flashing, the heart to heart scene between Mike and Will in season 2 was made so it'd be only about them and no one else. It seems like they're the only two people in the room when they're not. There's no music, for more intimacy and more truth in Mike's speech, the light is only on them, and they're the only people the camera points at. The confession of Will sounded way more interesting than what he did to El.

At that moment he knew what he wanted to say. He wanted to talk about the first day they met. But for El, he didn't know what to say, he just thought about it and tried to invent something. But for Will, it came from the heart.

#stranger things #byler #byler is endgame #byler tumblr #byler is canon #finn wolfhard #noah schnapp #love #mike wheeler #will byers #byler nation

[orionsangel86]

Hob Gadling - A Queer Romantic?

I have been listening to The World's End chapters of The Sandman on Audible lately and just finished Hob's Leviathan. I didn't pay this story much attention when I first read the comic, as I tended to read through the stories quickly and put more focus into the stories where Dream had a larger role. But one of the reasons I like listening to the Audible book is because it allows me to absorb each story more thoroughly and take my time thinking about each one and the (usually multiple) meanings behind them.

Hob Gadling is a character that fandom has fallen in love with. I think this is clear to anyone that takes even a partial glance at Sandman fandom. This isn't a criticism - Ferdie's performance as Hob in the Netflix show has done wonders for Hob's character. He has made his version of Hob very easy to fall in love with!

But the truth is that in The Sandman comics, Hob is a minor character who we only get to know very little about. The story Hob's Leviathan appears in The Worlds End Sandman book. We only meet him twice before this, once in The Doll's House, where we are introduced to him in Men of Good Fortune, and again in Season of Mists when Dream comes to let him know that he may miss their next meeting. In both these issues, Hob is introduced via the narrator, and therefore I like to think that we are given a fairly honest representation of the kind of person he is. We watch him grow and learn throughout the centuries in MoGF, but one of the major takeaways from this I believe is that he tends to always be on the wrong side of history. He makes bad choices and can be a bit narrow minded. He is rude and selfish and also rather self-absorbed. I actually think that the performance of the voice actor who plays Hob in the Audible book emphasises these character flaws making him even more unlikeable in many ways, though I am aware that this could just be my own experience and opinion.

But Hob's Leviathan takes a different view of Hob. Literally. The narrator of this story is a young boy of 16 called Jim. Jim met Hob on a ship travelling from Bombay to Liverpool in 1914. Jim was working on the ship as a cabin boy and Hob had bought his passage back to England - though it is revealled at the end of the story that Hob actually owned the ship they were travelling on. It is clear that at this point in time, Hob is extremely wealthy.

Jim attends to Hob throughout the journey, and grows very fond of him. In Jim's tale, Hob is a good man, who is kind and thoughtful and cares about others. He saves the life of a stowaway (who turns out to be another immortal). He is shown to be patient, and funny, and very intelligent. Jim waxes poetic about how smart Hob is, and how much he impressed him. It is particularly clear in the Audible book that Jim is taken with Hob, to the point that it could arguably be a crush.

It is fascinating how much more likeable Hob is when narrated from the viewpoint of someone with a crush on him, whether this story is exaggerated through rose tinted glasses is of course something to consider. All the tales in World's End are just that, tales. There is a constant undercurrent of exaggeration and make believe to them where even the other patrons of the inn question elements to each of the stories. We are not supposed to take these stories as absolute fact, rather they are supposed to reveal to us more about the narrators as well as their own experiences existing in this magical and strange world.

When it is revealled that Jim is actually a girl called Peggy in disguise so they can get work on the ships, the quite obvious crush makes more sense to a heteronormative audience, but what I particularly like about this story is its queer potential. See in the comic, it isn't really clarified if Jim goes by Jim because they feel more themselves as a boy, rather than a girl, or if they are disguising themself as a boy just to get work as a means to an end. I would argue that the latter is the more obvious interpretation. Jim tells the other World's End patrons that they are getting too old to keep up the disguise and will eventually have to stop working in shipping, and that when that happens, they will take on a new name, a new identity and do something else, but that for now, the patrons can keep calling them Jim.

*for a lack of clarity around the point in the comic, I am going to use gender neutral pronouns for Jim going forward*

Now from Hob's POV, he figured out that Jim was a girl, and they talk about it briefly along with the sea serpent they saw. I think that at this point, Hob is impressively progressive compared to the previous times we have met him. Now whether or not this is biased storytelling from someone who has a crush on him remains to be seen, but if we take Jim's word as truth, not only is 1914 Hob a fair and honest man who is willing to pay the way of a stowaway and fully respect the secrets of a young girl disguised as a boy so they can work on ships, but he's also totally comfortable flirting with them.

I like that he calls Jim the "handsome cabin boy". I like that this version of Hob, whether real or an exaggeration skewed by Jim's feelings for him, respects Jim's identity. Jim may be a girl in disguise, but Hob doesnt call her pretty, he calls him handsome.

It's all just a bit subtly queer and I like that for Hob (But then I would do, I'm a Dreamling shipper HA)

When Jim finishes their story, they state that they didn't see Hob again after that, but the comics later do give us a possible outcome to Jim's story...

We next see Hob in The Kindly Ones where he is mourning the death of his girlfriend Audrey. He briefly reveals that Audrey was the first person he had loved since Peggy, who was his lover until her death during the Blitz. Whilst it isn't made clear that Hob's lover Peggy is the same Jim that we meet in World's End, it is a bit too much of a coincidence. The timing adds up. If Jim was 16 in 1914, they'd be in their early 40s during the Blitz. Hob remains forever in his early 30s so I'd say its a safe bet that Jim eventually found Hob again and they were together. Hob loved them enough that he wasn't with anyone again until Audrey in the 80s. That's 50 years worth of mourning. A long time not to be with anyone, even for an immortal.

It's funny because we know so little about Hob, but one thing that I have seen commented on here a lot is that comic Hob is deemed to be as Straight as an arrow. Now I admit that the voice actor in the Audible book plays him very straight, but that is still only one interpretation.

All this is to say that I am fascinated with how the Netflix show will adapt this, since Hob in the show already comes across much kinder and more selfless than his comic counterpart. He already has an entire fandom viewing him as queer, and the comics certainly don't outright shut down such interpretations. There are moments in the comics that you have to wonder on. He does call Jim handsome rather than pretty, and when he talks to Audrey's grave he mentions his wives and loves as separate groups. He talks about finding it easy to get sex if you want it, and he talks about it in generally gender neutral terms. In Sunday Mourning Gwen reveals that she thought he was gay when she first met him, though her reasonings were that he knew so many dead people (a dark reminder that these comics were published at the height of the Aids epidemic). He reacts very badly to the news of Morpheus' death. He states on several occassions just how much he liked Morpheus, and he is one of the few people to wake up from the Wake with tears running down his cheeks. I would arguably state that its between Hob and Matthew as to who had the worst reaction to Morpheus' death, showing just how much both Hob and Matthew cared about him, and placing Hob on par with Matthew in the comics is a big deal. He seriously considers accepting Death's gift when she offers it, simply because Morpheus is dead. He doesn't, because at the end of the day, its just not in his nature to do so, and given he then dreams of Morpheus, I like to think that it was a test, that he passed.

When it comes to how the show will adapt all this, I genuinely think it will take a new approach with Jim/Peggy. I think they will be either a trans man, or at least non binary. But I think having Jim be a trans man is the better option. In the comics, Jim's tale is only very subtly queer, Jim clearly likes being Jim, but it seems like its a means to an end, a convenience in order to get work on the ships, rather than being something that is core to Jim's feelings on their gender. Besides, if we assume that Jim is indeed the Peggy Hob talks about in The Kindly Ones, then we know that Jim goes back to being Peggy when they get older and apparently continues living as a woman whilst they are with Hob, otherwise I doubt Hob would have referred to one of his greatest loves by a name they themselves rejected and only used she/her pronouns when talking about them. Nevertheless there is no reason for the show to take this approach, and if they DO decide that Jim should be a trans man, then their relationship with Hob is canonically a queer one. Trans men are men and if one of Hob's greatest loves is a trans man, then Hob is a queer man himself. I genuinely believe the show will take this route and I can't wait to see it.

Going back to my point about narrators bias, if MoGF, SoM, tKO, and TW are all narrated by a neutral third party, then this must be the true Hob. A not overly likeable rather selfish man. He has his good points, and he has certainly grown and changed over the centuries, and carries a lot of guilt for his past mistakes, but he is still quite self absorbed. Jim paints a picture of a rose tinted Hob that is far more the dreamy romantic older gentleman that took a young person under his wing. Which is fair enough.

The show is of course its own adaptation, with changes from the comics as it sees fit, but I do feel it's my duty to remind you that the show also has a narrator guiding the audience through its many stories. Dream of the Endless, Lord Morpheus, King of Nightmares and Prince of Stories himself. Take from that whatever you will.

;-)

#why yes i did just imply that show!hob comes across so likeable because we are seeing him from Dream's POV #what of it? #lmao #sandman meta #the sandman #sandman analysis #hob gadling #dreamling #dream of the endless #the worlds end #sandman comic spoilers #major sandman comic spoilers #the sandman comics

[dudesome]

Seen too many ZAGR fics that defang Gaz in order to be saved from Zim.

If Gaz is having boy problems with some cunt harassing her, she doesn't need Zim for help. She would rip their spine from their arse before Zim could lift a finger. He would watch her grab someone's ankle and slam them on the ground like Musashi with Baki and Zim would be infatuated.

Like this.

Heteronormativity is everywhere.

#invader zim #iz #jhonen vasquez #gaz membrane #zagr

[pinkeoni]

WillEl Narrative Mirroring: Presenting Themes of Sexuality

If we consider powers as a means to present themes of sexuality, then looking at Will & El and how they mirror each other in narrative can reveal different angles on this topic and how the two sides of the coin come together to create a balanced whole.

Very very lengthy discussion of sex, sexuality, sexual assault, and child sexual abuse below the cut.

Will and El being different genders is important to their narrative mirroring, because they are displaying the difference between expectations in regards to male and female sexuality. Let's start with El and what her story says about female sexuality.

Layering the subtext behind supernatural elements is both practical and ethical, and I honestly applaud the Duffs for choosing to go this route rather than making it more explicit from the start, and instead sewing in details along the way. It helps keep the story digestible, allowing for a story like this to be shared to a wider audience while also not forcing their incredibly young actors to portray potentially very traumatizing circumstances.

I'm not the first nor will I be the last person to talk about all of the csa coding regarding El, Brenner, and the lab, especially here on tumblr. I was actually sent an anon awhile back linking a blog post back from 2016 that analyzed this exact thing.

"Eleven's interactions with 'Papa' are laden with coercive, coded language, intentionally leading viewers to make sexual abuse connections beneath the surface of the experiments we are shown. Eleven, vulnerable in a thin hospital gown, is told to "go deeper" and to ignore the men watching her perform. She is told the monster wants her, to go farther, "not to turn away from it." This language is intentionally loaded."

Girls are often forced into their sexuality at a young age, usually for the gratification of men

Young El, in hardly a hospital gown, is being forced to utilize her powers for the sake of Papa Brenner and other men in the lab. The sexuality/power connection is being established very early on.

And even once El has escaped the clutches of the lab and seems to find safety—

And before I have fingers pointed at me, no I am not trying to vilify Mike for this moment nor any of the boys for wanting to use El's powers to find Will. It's more complicated than that. The boys were young, their friend was missing and in danger, and they were excited by the prospect of a real life superhero being able to save their friend. I'll also get into how Mike is a victim of this forced heteronormative relationship much later in the post.

But still, even without meaning to, the boys are reinforcing the role that El is expected to fulfill, which is to use her powers and sexuality in service to the men in her life

Something impressive about that blogpost I linked earlier is the rightful calling out of how gross miIeven is way back in 2016, when the two were considered America's cutest couple by the general public.

"Crucially, in the climax, after Eleven's body is once again used for others, Mike promises her a home, and Eleven shows a glimpse of light, is almost comforted. She'll have a family, she'll have safety. Promise? No, Mike says. She'll have their mother, but while she's wearing his sister's dress he explains she won't be a sister, that he wants Eleven to meet his desire for a girlfriend. How could he possibly understand that more boundaries and a boyfriend is the opposite of what she needs?"

Girls oftentimes do not see many options outside of their sexuality

Starting in season 2 El has two modes of thinking: girlfriend or superhero. Her line of thinking isn't helped much by Hopper, who keeps her isolated from outside world. And like the boys, this is a complicated situation. Hopper is keeping El inside for the sake of her safety, lest the government catch her and lock her up again, and either use her or kill her. Still, this isn't good for her personal development.

Whereas Brenner was the sexually abusive dad who forced his daughter into adult roles at a young age, Hopper is playing the role of the overprotective dad who doesn't want to see his little girl grow up, something that continues in season 3. In his eyes, he is keeping El protected from the men of the outside world who are likely to want to take advantage of her, and keeping her locked in is his way of preventing that. But doing so is damaging to El's psyche in ways he may not realize.

So El is kept locked inside with some of her few windows to the outside world being spying on the boy who wanted her to be his girlfriend, and spending the entire day on the couch watching romantic soaps. Her options regarding freedom are skewed.

When El gets her first taste of freedom and leaves the cabin, she's in girlfriend mode. We know this when we see her go to Mike and she misreads and becomes jealous of his interaction with Max. Now I won't deny that El and Mike do have genuine care for each other, but here she ditches a boy that she hasn't seen in almost a year because he seems to have found another girl to fill that girlfriend role.

Having been hung up on in the void and replaced, El changes trajectory: superhero.

I do want to point out and emphasize the importance of El going to see Terry before this moment. El is not a robot that is programmed for sex and powers. She is very much human, and we see her desires for family and the life she could have lived, which is her motivation to seek both Mama and Kali.

Kali, another woman with powers who had been mistreated like her, offers El an alternative— use her powers against the men that have hurt her. When El sees that Kali is seeking her power as a means to use them, El leaves to save her friends and family.

I once again want to reiterate again El's humanity and her heart. El isn't returning to Hawkins simply as a means to become Mike's girlfriend and to become a superhero. She is doing so because she wants to save the people that she loves. Still, El's resolve for the season isn't super ideal given her overall arc. She is effectively fulfilling the roles that have been charted for her since the beginning. She learns that she can be a superhero and a girlfriend! Yay!

With danger out of sight, El seems to be spending her time doing the only other thing she thinks she can do, kissing Mike in her room. An activity which is described by Hopper and the rest of the party as being "unhealthy" and "bullshit."

So what is the solution? Completely remove her sexuality as Hopper aims to do?

We now come to my favorite friendship in the whole show, as well as the most important character in El's arc—

Max doesn't suppress El's sexuality or enforce it onto her, but rather is the first person who allows El to explore what she wants, offering her assistance but allowing El to lead the way. Brenner, Kali, Hopper, and Mike have all wanted to shape El into what they wanted her to be. For Brenner, a weapon. Kali, an avenger. Hopper, the perfect daughter. Mike, the perfect girlfriend. Max wants El to be whatever El wants to be. (God I love the elmax friendship so much)

Like I said before, Max does not aim to strip away El's sexuality like Hopper does. Hell, I wouldn't even say that she wanted to keep El from Mike. Hell, Max was even asking El if Mike was a good kisser after El had dumped him. Max is the one who offers to give El her moms Cosmo magazines. She isn't keeping El in the dark about sex and sexuality, but offering her a road map and actual information in order for El to come to her own conclusion about what she wants from it. El can look at pictures of Ralph Macchio and use her powers to spy but also enjoy shopping, listening to Madonna and reading comics.

When El is pushing her powers to find Billy, something that El choses to do of her own volition, it's the girls in her life (Nancy and Max) who advocate for her to lead the way while Mike is the one who wants to control her. And yes, once again the situation is complicated, Mike isn't doing this to be an asshole but out of concern for her safety, but needless to say he isn't beating the controlling boyfriend allegations. And this displays another facet of female sexuality—

Men often feel insecure when women exhibit ownership over their sexuality

Mike, who previously advocated for El to use her powers if it meant helping someone, is now actively pushing against it when it's El in the driver's seat and not him. And maybe Mike was right and El was pushing herself too far. And maybe he was concerned out of guilt for pushing her the first time, but would it also be too out of left field to say that Mike equates his part of his self worth on how much El needs him?

So maybe now I’ll talk about Mike

Mike really isn’t trying to be this malicious, manipulative guy who is using El for sex. Really, he’s not. Mike instead is a young boy who is going through some rather tough internal struggles of his own, and unfortunately brings El into it with him.

Mike is enforcing the heteronormative relationship onto himself just as much as he is doing it to El

I personally read Mike as gay and that plays into this analysis. Mike found a girl that he cared a lot for and everyone around him assumed that he must have feelings for her, so he played the role of the straight boyfriend. When I see Mike making out with El in her bedroom, I see a gay boy constantly trying to become attracted to his own girlfriend. Maybe if he keeps kissing her, maybe it’ll do something for him.

Keep in mind that Mike believes that that’s what El wants him to be, he’s not forcing onto her something that he doesn’t think she doesn’t want. He may have kissed her first, but then El was the one who tried to kissed him at the Byers house. Mike is mistaking El’s own confused feelings for genuine ones.

Being El’s boyfriend was Mike’s way of giving El what she needed, a way to be useful while simultaneously giving him a way to be normal. But what happens when his true feelings are starting to become harder to ignore?

Remember that Mike wasn’t writing “Love, Mike” when he believed that El was doing okay on her own in Lenora and making new friends. It almost makes me wonder if Mike would have said “I love you” to El if she had told Mike she was in distress.

But then again, we do see El in distress in front of Mike and yet Mike still can’t bring himself to say it. It isn’t until El is quite literally on her deathbed that Mike finally works up the courage.

In season four we have El regressing into her superhero or girlfriend mindset, with a third option added— monster.

A pinkeoni analysis that mentions El’s superhero/monster dichotomy???? SHOCKER!!

When girls are not seen as sexually desirable, they oftentimes feel monstrous as a result

El doesn’t have her powers anymore, and Mike no longer sees her as worthy of being a girlfriend, which means that she must a monster. This is a thought that is reaffirmed through El’s treatment from her classmates, and later El’s intrusive memories regarding the massacre. The only way El knows to escape this monster label is to regain her powers using NINA. This is what El knows, how to become a superhero. This is how she becomes desirable again.

I think that Max’s distance from El is a good contributing factor. Not the only one, but a main one for sure. El no longer has that guiding force, and there isn’t a girl in Lenora that understands her disposition and seems willing to take her under her wing. Sure she has her new mom Joyce, who is usually on the phone. Or her new brother Jonathan, who is usually stoned. And her new brother Will, whom we see try an give El support only for her to shut him down with “friends don’t lie.”

So El goes through NINA, gets her powers back, learns she isn’t the monster after all, oh and her boyfriend can say “I love you” now. And yet, as El realizes at the end, it’s not enough.

I promise this post is also about Will too

Now is the part of the post where we shift gears and finally talk about Will. El has more screen time than him, so there’s more to cover. I also felt like discussing her first laid some important groundwork in regards to how Will mirrors her narrative.

El showcased a lot of facets regarding female sexuality. Will covers aspects of male sexuality, but specifically gay male sexuality, which is an important distinction.

What does Hawkins feel about gay men?

Yeah, it’s not looking good.

Gay men are oftentimes perceived as predatory and dangerous

Will’s sexuality is practically an open secret. Will goes missing, and the town’s first thought is that he was taken by another gay man. Troy doesn’t say it directly, but the implication behind his words is that Will was raped and then killed, thus feeling the need to clarify that the man behind it was “another queer.” Gay men rape little boys and throw them into quarries, or so the town thinks.

The eighties is also such an important set piece for this narrative because the entire show takes place right in the midst of the Reagan Administration and the AIDS epidemic. A young gay boy dies and its suspected that another gay man killed him. The government is eager to sweep under the rug what actually did it. The anniversary of Will's kidnapping is Reagan's 1984 reelection date to the day.

Heterosexual men are treated differently on the basis of their sexuality

Well, duh. But I did want to highlight the differences between gay Will and his evil-straight-name-twin, Billy.

Billy wears his sexuality proud and openly. Based on Max's dialogue in season 3 we know that he has sex with girls often. In his introduction we are immediately shown girls ogling him. He arrives in town and is instantly liked and regarded. He catches the eyes of the hot moms in town and he's liked by the other guys.

Oh, and he's racist, violent, abusive, and overall a total sack of shit.

We see Billy's sudden rise to popularity in the same season that we see Will's incessant bullying and him being branded "Zombie Boy" by what seems to be the entire town. Even Billy who's been in town for like a day is already calling him "the freak." Will is sweet, kind, friendly, wouldn't hurt a fly, but he's the weird homo whereas Billy is the cool straight guy with the nice butt.

Gay men's sexualities are often suppressed

So now we get to the part that exhibits the WillEl mirroring, as well as some “Will has powers” theoretics. I guess your willingness as a reader to continue forward may depend on your feelings toward Will with powers. I may lose some of you, or maybe I may even swing some skeptics with my explanation. As I say in most of my posts: bare with me.

If El's sexuality and powers are being forced upon her, then Will's sexuality and powers are being forcefully snuffed out.

Let's take a look at Lonnie Byers, in many ways similar to Papa Brenner and in many ways his antithesis. Both abusive fathers with silver hair, Brenner is the obsessive parent who wants his fingers all over his daughter while Lonnie is the distant parent who wants nothing to do with his gay son. Joyce's dialogue "Lonnie said he was queer. Called him a fag." indicates that his homophobia probably has something to do with his distancing. Lonnie's verbal abuse of Will was likely a method of trying to snuff out his queerness. And when that didn't work, he left.

(and if you wanna get theoretical you could say that he had connections to the lab, knew about Will's powers and was trying to get rid of them, but that's just speculative)

A big part of season one is the fact that the entire time, Will was in his own house. He was spending his time running and hiding from the monster that was in his own home, the one that wanted to kill him. And the only time he ever expressed himself, the only time he ever used his powers—

—was when his loving and supportive mother encouraged him.

But also keep in mind that almost every time Will tries to speak with his mother through the lights, express more of himself and use more of his powers, it usually attracts the presence of the monster. Will continues his cycle of running and hiding until it doesn't work anymore, and we get what is perhaps the most overt sexual assault imagery in the show that even little fifteen year old Robin Pinkeoni picked up on in 2016.

Season one ends with Will experiencing sexual violence, and in season two we see how this trauma is encroaching on his everyday life, as well as being stalked by the same man that took him and shoved a vine down his throat for the sake of reproduction. He follows Will to the arcade. He follows him while he's trick-or-treating with friends. He finds Will at home. Eventually, he finds Will after hours at school where he's able to reenter his body in the second most overt sexual assault imagery in the show.

Where El's sexuality was suppressed in season 2, Will's sexuality was being forced upon

Will is feeling the effects of this assault for the rest of the season. He's finding it hard to sleep, and constantly feels the presence of the man who attacked him, everywhere.

Vecna is possessing Will because he wants to use him as a vessel to control help control his army, and for whatever other powers Will may have. If El never closed the gate, if Vecna had completely taken over Will's body as he originally planned, what would he have done from that point on? Would he have just discarded Will's body, or was there something special about him that he needed?

Will begins to believe that everything people say about gay men is true about him

Keep in mind that at this point Will's only experience and exposure to gay sex is being assaulted twice, all while his father and the whole town is bullying him and telling him that gay men are predators. Will isn't a predator. He isn't dangerous and we know this about him. And yet Will uses the freak label in a negative way.

So it's no surprise given the internal and external that Will is suppressing his sexuality even further.

In season 3 El begins her journey of self-discovery and likes what she finds. Will knows exactly who he is

and he hates it.

Will fucking hates himself bro. He knows he gay. And he accepts it. But he also accepts all of the labels and restrictions that it comes with. I am gay. My sexual desires are dangerous. I can never express and experience love and sex the way I want to.

And maybe there is a glimmer inside of him that sees that what he is is a wonderful thing, that maybe he does deserve better than all the abuse he's endured just for being who was.

And maybe these feelings were easier to pack away when he was younger. Maybe it was easier to say "I'm not gonna fall in love" when you're fourteen, but as you get older and grow into your teenage years...

...maybe your desires are getting harder to ignore.

What happens when you don't die innocent, and you grow up instead?

So we bring it around to season 5

El is a superhero and a girlfriend again. But it's not enough. Something is missing and she isn't fulfilled. Max is missing, and El is going to have to face and overcome her biggest challenge yet, which is completing her journey of self-discovery that started in season 3. She's going to have to put aside the expectations that many have for her and decide what she wants.

Will Byers is back in town. How has the climate surrounding gay men changed since then?

Oh! It's worse now!

Remember, the town believes that the same sodomizing Satanists are the ones behind the recent murders and earthquake. It's gonna be really bad for Will when he gets back.

So now Will is tasked with a challenge that is harder here in Hawkins than it might have been in Southern California. Maybe Will can't change the minds of these religious townsfolk but maybe he can somehow find a way to shift his own way of thinking. Embrace who he is, embrace his powers, and realize that he deserves more than the hand he's been dealt.

So that was... a lot

Analysis mostly over. Here are some of my concluding thoughts.

I know that this is probably one of my longest posts ever. I know that a lot of it feels like reiterating plot points, but that really felt like the best way for me to articulate all of my thoughts on this. A lot of it needs to be backed up with evidence from the show.

Also, sometimes when I sit down to make a new analysis, sometimes I don't make it because I think I have all of the answers, but I make it as a way to try and find answers. To talk through some of my long and complicated thoughts and open the floor to discussion. Even with the length of this post, there is waaaaaaaaay more that can be discussed regarding this topic (some that has already been discussed).

To wrap everything up, I wanna share this screenshot from Reddit, which low-key inspired this entire thing. For context, this was in response to a question asking if people expected to see a Will coming-out scene in season 5.

So, hopefully with this long ass post, I've proven that maybe the show is about the complex effects of one's sexuality in the 80's, actually.

#WOOF #probably my longest post to date #if you read to the end... i love you forever #wrote this up in kinda one go #maybe its obvious maybe its not #el hopper #stranger things #stranger things analysis #will byers #will byers has powers #byler #tw sa #tw csa #tw child abuse #mike wheeler #lonnie byers #martin brenner #this'll either do numbers or flop hope its the former

[omegalomania]

What are some of your favorite aro-/ace-coded fob lyrics?

oh fuck yes a little bowl of seeds just for me

boycott love from disloyal order of water buffaloes is a personal favorite of mine. its a lyric i really really want tattooed at some point. that's not the only lyric i latch onto from an aro perspective but it's probably the biggest one

basically the entirety of it's hard to say "i do" when i don't but a special mention goes to you are appealing to emotions that i simply do not have as well as the only ring i want buried with me are the ones around my eyes

it's true romance is dead / i shot it in the chest and in the head from the music or the misery is also a favorite of mine, also just that whole song in general

i thought i loved you but it was just how you looked in the light in hum hallelujah resonates with a lot of queer folks i've found, and it's no different for me

same goes for it's a strange way of saying that i know i'm supposed to love you from g.i.n.a.s.f.s.

i'm outside the door, invite me in / so we can go back and play pretend from alone together brings me back to when i was trying to perform heteronormativity/amatonormativity even if it was making me miserable

i also hold to a very similar vibe with she said "i love you 'till i don't" / i am just playing house, no idea what i'm doing now from sunshine riptide and also most of burna boy's verse, frankly. i fell in love but i didn't fall down and feel like i'm bulletproof, baby in particular

american beauty/american psycho, particularly the first verse. i think i fell in love again / maybe i just took too much cough medicine

golden is a big one for queer folks in general i've found. the chorus especially hits hard from an aro and/or ace reading. and i saw god cry in the reflection of my enemies / and all the lovers with no time for me

i've got a dark alley and a bad idea that says you should shut your mouth is a heavy song no matter how you slice it. but that chorus gets to me in particular: we can fake it for the airwaves / force our smiles, baby, half-dead / from comparing myself to everyone else around me

the kids aren't alright reads to me as one big anthem for platonic love above anything romantic, which resonates super hard with me. the second verse has a lot of good lines that i latch onto from an aroace lens too. your love is anemic and i can't believe / that you couldn't see it coming from me

pretty much the whole chorus of HOLD ME TIGHT OR DON'T does it for me, and those verses have got some good aroallo vibes too! i never really feel a thing... confidants but never friends...

the whole of fake out is a gimme. that chorus rings real true. starts with love is in the air, i just gotta find a window to break out and finishing with but it was all a fake-out

i've got all this ringing in my ears and none on my fingers is one that has another highly applicable title but the whole refrain of the truth hurts worse / than anything i could bring myself to do to you paired with the one-two punch of that second verse REALLY gets under my skin

and of course, the culminating one: you are what you love, not who loves you from save rock and roll. obviously there are a LOT of ways to read that line

there are a couple other songs i latch onto - wilson (expensive mistakes); a little less "sixteen candles", a little more "touch me"; the (after) life of the party to name a few - but the ones listed above are the big lyrics that resonate with me on a personal level

just in general i have a shitton of fob over on my aro playlist (which doubles as a general aroace/queer playlist but has a lot of emphasis on aromanticism) in case i forgot to mention anything but like i said those are the big ones

#askin hours #anon #happy aro awareness week lol ive had this in my drafts for mONTHS and forgot about it #sorry it took so long to answer i have a million asks in my inbox and just do not have time most days #go listen to aromanticism by moses sumney for black history month and aro awareness week btw #now THAT there is an album that rewrote my neural chemistry

[hana-no-seiiki]

SOME YANDERE FLUFF TO BRIGHTEN YOUR DAY.

// fantasy creature cruelty. yandere themes. heteronormative society (sort of?? both your paternal and maternal grandparents come in hetero pairs)

I don’t know if you guys read my yan! father fic yet but do go check out @yoru-no-seiiki for it (Unless you’re a minor cause that acc doesn’t allow those) as it happens in the same universe(ish) as this one.

So by now you’ve already met yan! father.

BUT WHAT ABOUT CUTE HIGH FANTASY YAN! GRANDPARENTS AND OLD MENTOR.

(honestly would love to see my moot’s takes on yan! grandparents so if ya’ll see this. it’s not only a sign but a call to aid plez)

mostly based off of mairimashita iruma kun’s sullivan, your YAN! PATERNAL GRANDPA and GRANDMA spoil you a shit ton.

YAN! P! GRANDPA is more on the type to spoil you physically/monetarily. If you have a need or even the slightest hint of desire for something, consider it received. He has saved so much of your drawings and if you happen to be the kid who drew monsters/weird abominations as a child then ya boi definitely has frankensteined some into being. His creations happened to net him a ton of money which he spent all on you as ‘thanks’ but everyone knows it’s just cause he’s infatuated with his cute grandchild.

YAN! P! GRANDMA leans heavily on the ‘unhealthily allowing this kid(you and yan!dad) to do whatever you want and even encouraging it’ sort of parenting. She taught how to kill and do it efficiently as a young child. Uncaring of whatever prophecies schmofeces oracles have of your future. She will make you into an indestructible machine and is hell-bent on it. … You have probably ingested a lot of poison from her cookies as a way to built immunity to the stuff.

Now your maternal grandparents are a lot let on the damaging side but are still pretty over the top.

Your YAN! MATERNAL GRANDPA loves showing off. He’s probably like a war general with many wives and sees love as ‘you worship/admire me’ which he sorta maybe passed unto you. He’s kind of like a caveman and believes a show of strength is in order to be successful. So there’s a lot of him flexing and challenging YAN! PATERNAL GRANDPARENTS to a duel.

Only for YAN! PATERNAL GRANDMA to swiftly have his ass wipe the floor.

YAN! MATERNAL GRANDMA is a jaded woman. She never loved her husband and had always wanted to flee the family and high society until you came along. I see her as the old version of those Manhwa female protags that have rebirthed multiple times and is just tired of the shitty life they’ve been dealt with. She’s incredibly knowledgeable on fashion, trends and the industry as a whole. She’ll make sure you look good at every turn. Maybe even start trends of your own. It doesn’t matter your body type and if isn’t what’s in at the moment, she’ll make it the moment. Unlike the paternal grandma and her husband, she would never put you in harms way. Even extending your time with her so you don’t have to do those barbaric acts with the others.

And then there’s YAN! MENTOR who swore to never have another child under him ever again. The last time he did that, said child (your father) destroyed his precious astrology tower and had him imprisoned for 5 years for a thing he never even did. Sure, 5 years is nothing for thousand or so year old man but boy was he pissed off.

YAN! MATERNAL GRANDPA had to threaten him to have you and YAN! MENTOR is almost thankful that he did.

YAN! MENTOR believes you to be his best student. It definitely did not start off that way. He thought that a prissy, spoiled brat like you would leave the moment he gave you a difficult task but you surprised him with your tenacity. Throughout all his trials for you, you always came out at top, if not persevered until your body couldn’t handle it anymore.

He definitely wants you to kill your dad as compensation though, and I wouldn’t be surprised if I end up writing him as the reason why you plotted to end the dude’s life.

To keep things fluffy, let’s say in this timeline, he saves you from your dad’s entourage and adopts you.

Your YAN! GRANDPARENTS definitely riot but all are mature enough to understand the situation in the end.

will write more on this on the future but for now, i gotta go! byeeee!!

#yandere #yandere x reader #yandere oc #yandere imagine #yandere fic #yandere x you #yandere oc x reader #platonic yandere #yandere family #yandere scenario #yandere drabble #yandere headcannons #yanderecore #yancore #yandere core #yandere concept #yandere idea #yandere fluff

[emblazons]

Thinking about how people who only (or primarily) understand Mike’s arc through a “hes queer and coming to accept it / struggling with heteronormativity/will get his happy ending when he gets with Will” lens are missing at least half of what defines his arc in the wider context / themes of the show.

Forewarning: long post (& also maybe an unpopular opinion)

Even as a queer person myself, I know that his arc isn’t solely about embracing his queerness (though it’s inherently interlinked). In Mike, you have a character who is being radically challenged by both external circumstances and his own decisions through a journey away from all kinds of forced conformity (social, familial, romantic & heteronormative) and into someone self actualized enough to live how they want…while also being strong enough to accept that they made mistakes along the way. Someone who is learning to be brave enough to say “this is who I am, what I enjoy, and what/who I love…and while it took me a lot of time to figure it out, now I can exist in the world embracing that even though it will take consistently resisting the tendency to accommodate people who think it’s unacceptable.”

Like. Even from a time before puberty (see: S3) Mike wants a life that stands apart from what’s expected of him in every area, not just in choosing a romantic relationship with another guy. He wants to continue to be a nerd and “child at heart” even though something else is repeatedly demanded of him by everyone from his parents to El in his romantic relationship. He wants to be a writer and someone who takes those nerdy interests into his adult life (cue aggressive gesturing toward the duffers themselves) and grates against all that’s been constructed for him even when he’s not (yet) brave enough to challenge it directly. Mike liking boys/loving Will is just “the final nail in the coffin” of his social and societal nonconformity—not the first (or the last) aspect of what makes him different from Hawkins or the life he was made to believe would suit him best.

Even the fact that Mike has a desire to be “normal” comes from an insecurity and fear that choosing what he truly wants will lead to him being outcasted and losing the people he cares for entirely—which is partially motivated by his queerness yes, but that also has a basis in his general interests and personality…which becomes especially obvious when you realize we are repeatedly shown that he is punished/has his wishes ignored in all areas he doesn’t conform, even long before we get into a plot where it’s clearer he likes boys.

We see it in how his parents have already started to demand he put boundaries on the time he spends playing his “childhood games” the very first scene of season one, how they demand social acceptable emotions from him when Will is missing, and how Karen & Ted want him to give up toys in S2 when he’s showing signs of depression (because they think the issue is him growing up, not that he’s struggling with loss or guilt for what happened to El).

We see it in how his own father comments about taking his CA trip away from him after calling Hellfire being a group for “dropouts” in S4 (implying that he is failing on an academic and social level that matters to wheelers—and that Nancy is good at).

We even see it in the way everyone from his bullies to his own girlfriend threaten and take things away from him when he doesn’t conform to social expectations...from Troy telling him to jump off the cliff to save Dustin in S1 (as punishment for the one time Mike stands up for himself in the gymnasium) to El jumping straight into breaking up with him and spying on him when he doesn’t do exactly what she wants him to in Season 3.

All of these moments are critical to understanding Mike as a person because they show us that, even without addressing his queerness, Mike’s desire to conform to socialized expectations involves but is not solely about him moving out of heteronormativity—it’s about him moving against everything that WASP, patriarchal, heteronormative and capitalistic and performative “wholesome American” values…and how he is learning to move past the fear of what will happen if he steps outside the lines in general, even though he already knows he hates those standards.

Mike’s “coming of age” arc is about finding the strength to choose the “path less traveled” in all areas of his life—even when it means (potentially) losing the support of the people he cares about. It’s about starting from a place of privilege and becoming okay with being outcasted from it in a way your insecurities never let you be before (which is inherently different than Will, who has always been shown to have some kind of support not just for his queerness but his artistic endeavors as well). Mike’s lack of support is why he starts from a place of deep insecurity, yes—but it’s also why him learning power of choosing to be himself, even if it means “losing” people when he’s honest about who (& what) he is will be universally powerful.

You don’t need to be queer to understand the power of what it means to know you will be okay even if people leave you. You don’t need to be queer to understand the power of stepping outside social expectations or your family’s way of raising you. You don’t even need to be queer to understand the weight of breaking up with someone you were only with to satisfy what you thought you should do, rather than be with who you want to.

The power of being strong enough to overcome your insecurities in order to “step out of line” and live and love as you want to is universal, and a stunningly brave choice no matter what or why you chose to do so. The fact that Will will be there waiting to love him in that honesty with himself is beautiful, yes—but it’s not the only lesson to be learned for Mike’s character.

Mike starting out with everything the world (or, at least America) tells would make you happy, realizing he is not happy with those things and rejecting them knowing it might have consequences is what makes his arc powerful, because he is learning (exactly like his sister Nancy) to be brave enough to accept those consequences (which for him are getting dumped, and feeling like he’s being left behind by some of his friends) to follow his own heart.

Even though The Duffers aren’t writing this into a tragic ending (aka: he’s not going to die or be left alone, because the duffers writing is inherently designed ro champion the outcast), these are the things that have (and will) make him relatable even to an audience that doesn’t know queerness. Erasing the fact that his lesson is the bravery it takes to follow your heart solely to talk about him liking guys (even Will) is to undermine his humanity, and the lessons to be learned from him by even the most general an audience.

TL:DR - the heteronormative aspect of Mike’s character is not the sole or even inherent issue within Mike, though heteronormativity is inherently built into his struggle.

There are deep dives on how his arc is also about a war against toxic patriarchy, toxic masculinity, emphasis on capitalistic and academic accomplishments over artistic ones, and even conformist relationships (whether they’re queer or not) that should be explored for his character—and I for one like him too much not to move out of just “this boy is queer because xyz” and into “let’s talk about Mike in terms of the wider scope of his cultural context and upbringing.” 🤷🏽‍♀️😂

#imma go watch the Oscars now but #i know people mean NO HARM in focusing on the heteronormative part of his arc because on tumblr esp that is inherently relatable but #it’s not the only thing that makes his character interesting! #and it’s not the only thing he’s struggling with in his ‘coming of age!’ #understanding white masculinity in America on a wider scale is SUPER helpful to understanding Mike #and in that sense Reddit is actually pretty good at catching his drift—THEY JUST DONT REALIZE THE DUFFERS ARE U N D E R M I N I N G it #erasing Mike’s queerness is to do him a disservice. I absolutely believe this. #but to deny every other part of him that isn’t just expected to be straight is to oversimplify him aggressively #you need BOTH to understand him #which is why you need both El and Will to make sense of his struggle lmao #(I still 100% believe he’s gay not bi) #(but him dating a girl was necessary to make sense of understanding that aspect of socialized expectations). #ANYWAY. Sorry for the rant lmao #mike wheeler core #mike wheeler #my st commentary #byler #< target audience #stranger things

[darkscorpiox]

Utena - Analysis on the opening

I don’t know if someone has already done it, but here’s my interpretation of the opening.

Warning: very, VERY long post and mention of scenes from the show, enough to be considered spoilers (sorry 😅)

Edit: I’ve made an analysis on the first ending as well

Let’s live heroically, let’s live with style. (Just a long, long time.)

The opening starts with our two main characters naked and in a fetal position, indicating their status of “newborn” in the story. Then, they are clad in the garbs of their respective roles. Interestingly, despite facing and leaning toward each other, their eyes remain close. In the case of Utena, it symbolizes her inability to see beyond her own narrative of the heroic prince saving the princess. As for Anthy, it’s her resignation to not see anything beyond her role of Rose Bride which she has played for decades/centuries, hence the long, long time.

Even if the two of us are torn apart… (Let go of me…) …take my revolution.

In the next sequence, not only are they not looking at each other, but they are also back-to-back, another indication that they are positioned to be at odds with each other, whether they want to or not. Still, despite the obstacles thrown at them, despite Anthy’s attempts to make Utena give up on her (“Let go of me…”), the latter doesn’t stop telling her to take her hand (revolution) and that’s what she did.

In the sunlit garden, we both joined out hands.

Miki’s sunlit garden is an idealized memory, so it makes sense to compare Utena’s goal of becoming a prince to the former. Also, the tower, where her journey is supposed to end with her heteronormative “happily ever after”, is where she and Anthy join hands and the latter’s revolution begins.

The sequence where Utena walks with the male students has a “one of the boys” kind of vibe and that might have been the intent. The tomboy character may appear progressive by refusing to conform to traditionally feminine gender norms, but that’s instead a sexist concept because it implies that Utena’s gender, her femininity (and by association, anything branded as “girly”), is the one thing that makes her less than her fellow male schoolmates. Also, she looks over her shoulder, something or someone (Anthy?) catching her attention which stops her from blindly following the other boys’ lead.

Drawing close for comfort, we both swore…

In Anthy’s case, due to her hair and skin color, the vibe she emanates as she walks with her fellow female schoolmates is “not like other girls”, another trope which hurts women by marginalizing the few “different/special ones” from the “normal/average ones” or vice versa. However, the reason she turned around (Utena? Her perspicacity?) is what helps her preserve the part of her identity which is still deep within her. So being different isn’t a bad thing as long as every person, especially girls, are given the same courtesy.

If you read the Japanese lyrics, you would know chikai (from chikau, meaning “to swear/vow”) is at the beginning of Anthy’s sequence, when we see the gates of Ohtori, where she swears to find Utena again.

(Also, did you notice that their respective sequences begin with a shot of where their story in Ohtori ends?)

…never again would we ever fall in love. (Every time.)

This line is sung as our two protagonists stand face to face in Anthy’s cage-like greenhouse, where the cycle of the quest for revolution always (re)starts. That vow of never falling in love again, along with that Every time, makes me wonder about how many games had taken place before Utena. How many times had Anthy been engaged to a “chosen one”? How many of those “chosen ones” did she grow to love, yet still choose to betray? How many times did she swore to never love another again only to do so despite said promise to herself? Utena, by ending the cycle, makes the vow mentioned before much sweeter: she and Anthy choose to never fall in love again because they have pledged their love for each other till death do them part (like a married couple 🥰🤵🏻‍♀️👰🏾‍♀️🥰).

I see that photo of us standing cheek to cheek… …and place a bit of my loneliness in our smiles. (Revolution!)

At this moment, the past represented by Utena and Anthy lying down, facing each other, and the future represented by the lyrics paralleled each other.

Past: a (naively) smiling Utena and a (falsely) smiling Anthy -> Anthy gives the white rose, the symbol of the Prince and by association, patriarchy, the source of her eternal pain, to Utena who is unaware of the dark history connected to it -> (failed) Revolution by dueling (transition to the dueling arena)

Future: the photo at the end of Episode 39 -> Anthy’s longing for Utena -> (successful) Revolution by leaving Akio

Even if I dream, even if I cry, even if I get hurt… …reality keeps on coming recklessly.

This sequence is about the Duelists.

Utena being the one who dreams is self-explanatory.

Saionji, if you pause at the right time, is seen with tears in his eyes. Behind his arrogant attitude is nothing but a mentally weak and insecure boy who throws violent tantrums when things don’t go his way.

Juri is no doubt the one most hurt in the series, not only because of her gender, but also because of her sexual orientation (I’ve made a post about it).

Miki and Nanami being the ones hit by reality makes sense due to the knowledge they idealize the relationship they shared with their respective siblings when they were children.

But what about Touga? Maybe it’s the confidence that he could get the power to revolutionize the (his) world if he emulates the system which had hurt him only to realize that such way of doing things won’t get him closer to his goal. Or, since he’s the first antagonist of the show, giving us a taste of what Akio, another male character whose inside is the opposite of his princely front, could do to girls, maybe he represents the reality/truth of the (imperfect) world.

All these Duelists, these teenagers, fight each other for a purpose and that later turns out to be futile after they find out that the rules they play by are a cover for a much more sinister plot.

I wanna find my own place, the value of being…

The first half, we focus on Utena who raises her sword with a determined look as the blue sky turned golden and the dueling arena crumbled. Utena rejects the narrative Akio wants for her and in the process, breaks the world he has created (and kept Anthy in).

While we zoom in on Utena, symbolizing her will to move forward, it’s the opposite with Anthy. Expression blank, she put some distance between her and Utena/the viewer(s), letting herself (her true self) disappear with Akio’s self-made world.

This sequence foreshadows what will happen in Episode 38.

…the person I’ve been until now…

But as it is shown in Episode 39, Anthy didn’t disappear in the fall of Akio’s world and stood up against her brother (riding a horse), mirroring Utena.

Also, we see Dios opens his eyes as the dueling arena crumbles to dust.

In Episode 13, Akio is conversing with a “sealed” Dios who “glare[s] at” him for wanting to bring the Prince back into the world. Dios had been “sealed away” because playing Prince had been killing him. Anthy had become the world’s sole target of their hatred so that he would no longer carry that great burden on his shoulders ever again. Dios is angry at Akio for not only trying to turn her sacrifice into a fruitless endeavor, but for also taking part in her eternal torment by making her an accomplice in his scheme.

Akio has internalized the teachings of patriarchy. He now idealizes the Prince, forgetting that his current self isn’t the result of Anthy sealing the latter’s power away. He had, of his own volition, casted away his “nobility” and enjoyed the privileges of his gender. He was free of the duties expected from the Prince yet chose to not use that freedom to search for a way to save his sister without taking on that mantle again. Protected by a patriarchal system, Akio is in fact afraid of carrying the weight of the world on his shoulders again despite his desire to return to his “glory days”. He wants to be the Prince again (regression), but also doesn’t want to give up his life of privilege. There is no step toward self-improvement. And that’s why his quest for revolution is nothing but a pretext to play people like a fiddle, especially the vulnerable ones like children and women. I think he subconsciously knows he’s maintaining a perpetual cycle meant to end in failure, but he’s too lost in his self-centeredness to take a third option, to destroy the limits of his coffin. In other words, Akio must let patriarchy (manifested through the game and the dueling arena) disappear in order to regain the lost part of him that is Dios, because what the latter really wants is to live in a better world, one where Princes aren’t needed anymore.

Let’s find the strength to throw it all away. Strip down to nothing all.

Utena having the strength to throw everything away references her decision to give up on the heteronormative “happy ending” given to her at the cost of Anthy’s well-being.

Anthy being stripped of everything references her true (naked) self within her coffin.

Become like rose petals, blowing free!

Honestly, that part was a bit difficult to interpret. We do see petals blown in the wind when Utena beats boys at basketball, but the only time I saw them concerning Anthy (and by association, the duels) was when the Duelist gets “deflowered”, and I didn’t get a feeling of freedom from it. Or so I thought at first. Knowing that the duels are part of Akio’s plot which is nothing but a wild goose chase, it makes sense in the context that losing means some time away from Akio’s control and thus, a chance to reflect and for self-improvement. Also, if the dueling arena is like a groomed flower, then its rubble is the petals. This might be foreshadowed in Episode 9, when Anthy falls with rose petals scattered everywhere as Utena tries to catch her.

Even if the two of us are torn apart… …I swear that I will change the world.

We have a return of Even if the two of us are torn apart… (Let go of me…) / …take my revolution. This time, there’s no request to let go of the other party and Utena is taking the next step toward (self-)improvement. If you pause at the right time, you can see she is not in a fetal position like at the beginning of the opening. Now, it looks like she is opening herself to the real world.

Anthy is not present, but that’s because she hasn’t reunited with Utena yet. Until that day comes, the latter will keep fighting for the world both deserve to live in.

In conclusion, the opening is a summary of the entire series and foreshadows how it would end.

#revolutionary girl utena #shoujo kakumei utena #rgu #sku #utena #utena tenjou #anthy himemiya #utena x anthy #anthy x utena #kyouichi saionji #juri arisugawa #miki kaoru #nanami kiryuu #touga kiryuu #prince dios #akio ohtori #revolutionary girl utena analysis #rgu analysis #revolutionary girl utena meta #rgu meta #rondo revolution #mine

[sparkysxi]

Alien Stage Predictions

so ROUND 6 dropped. As an Ivan fan I am DEVASTATED. but we must move on (have copium he and sua are secretly ok) (this is VIVINOS we’re talking about those bitches are dead) so I decided to have a little speculation about future content in order to strengthen myself against the inevitable heartbreak I will feel

ROUND 6 is the official halfway point of the series, so here are a few things I think could happen/future videos likely to drop:

An IVANTILL video like MIZISUA explaining their backstory (the lab/adoption center) 

A solo Luka video and a solo Mizi video 

perhaps a video for Isaac and Dewey. I just think they deserve a duet but I am not as confident in this prediction 

A video about the human rebellion (perhaps rescuing Till?) 

A video in the style of TOP 3, as an in-universe advertisement for the Finals/ROUND 7 

Speaking of the finals, that’s literally going to be a self-harm-off. 

Till has lost two of the most important people in his life and was already Not There during ROUND 6 he is not doing well, and I think Luka only really feels “alive” on the Alien Stage, so he may be trying to kill himself through entering the competition multiple times 

Or Luka is fucking insane and wants a mountain of bodies behind him to prove his worth to the aliens

maybe because of his laundry list of physical illnesses-perhaps Luka is scared he will be abandoned or killed for being a burden to his owner?

I think I will go INSANE if Mizi manages to rescue Till, like they get out of the arena, but Till’s crazy ass goes BACK INSIDE, like how he did for Mizi all those years ago, because he’s not leaving without Ivan’s body to at least bury him properly 

like the cinematic parallels that could be achieved here UGH *chefs kiss*

also I think it would be really cool if Till’s character became an exploration of heteronormativity-he’s been pining after Mizi after all this time, but he realizes that the admiration he has for her is not the same as the love she shared with Sua or the love/obsession Ivan had for him 

maybe Till is gay/bisexual-or on the ace/aro spectrum 

regardless of what he is the societal expectations are likely that girl humans like boy humans and boy humans like girl humans 

Till enters his queer rebellion era how DARE these aliens expect him to do ANYTHING

alien historians will call MiziSua and IvanTill “just really good friends”

anyway I also expect more Sua and Ivan hallucinations 

perhaps they’ll act as “guiding spirits” from here on out??

wouldn’t it be cool if we got a post-death Ivan and Sua duet? maybe they’re singing to Till and Mizi from the afterlife 

I’m less confident about that one as well but I think it would be neat 

a video of saving the children from Anakt Garden-with Till at the helm using skills Ivan taught him-less confident here again but would be fun nonetheless

I think it’s pretty likely BOTH Hyuna and Luka will die by the end of the series-Hyuna’s already injured and Luka has death flags (wearing all white and having feelings of love/affection/obsession towards another who does not reciprocate it equally) 

The non reciprocated love appears to be a common thread between our male contestants, doesn’t it?

However Hyuna may survive-half the cast lives, half the cast dies kinda thing 

They all end up missing their counterparts

I think ultimately the final scene of the series will be very melancholy-they’ve won, but at what cost 

And a lot of choking 

Also: one very emotional scene where the characters actually talk to one another. Not singing: talking to one another

#these are just my thoughts and speculations ill be happy with whatever vivinos is cooking for us #i was wrong with my round 6 predictions so take these with a healthy pinch of salt #alien stage #alnst #...does alnst merch do international shipping #i dont think so

[ambelle]

I’ve talked vaguely about white liberals treatment of BW both in real life and in fandom spaces but I feel I should expand on that.

A while back a BW wrote an article about how BM are the white people of the black community. White people were offended and baffled and BM protested. The thing is it's very much true. BM, along with BW are oppressed under a system stacked against us (along with many other demographics), but because BW are women we are also oppressed by BM.

White liberals have the privilege to not have grown up in the hood like I did. So they can claim a world without cops wouldn't turn into open season on BW at the hands of BM. They can say gangs, drive-bys, and drug dealers aren't dangerous and BM shouldn't be prevented from doing it. But when I was little I couldn't use the playgrounds because drug dealers used them as a place to deal and recruit little boys. I couldn't go to the local skating rink because gangs would go there to fight and shoot it up. I had to play in the street with my friends because the MEN in the community were ruining spaces meant for children. Erasing safety in general actually. Not the white president, the men in the community. I can say systematic racism and the BM who did a random drive-by on my house and raped little girls were both oppressing me. Both are true.

But it's not true to the white liberals who have a complete blind spot when it comes to BW because they don't acknowledge we are women. They see us as strong unwavering aggressive machines. We make good allies but they don't need to help us because we are invincible duh. It's the "bw saved the day" shit after every election followed by them going right back to ignoring us the next day.

It's them ignoring all the crazy stats about violence against BW to whitesplain to us how abolishing the police is a great idea. The men harming us will simply stop if they know we don't even have someone we may call for help. Let's abolish the police because they harm BM and BM never do anything they should be arrested for including my rapist. He was simply a victim of white supremacy and I should have hugged him after like the strong mammy I was born to be. No need to talk about black femicide.

Basically, white liberals care about BM (because it's trendy not because they give a shit see ANTIFA), BW care about BM, BM care about BM, and no one gives a shit about BW. That's the reality

But white libs in fandoms are racist in a different way. They like to adopt the struggles of demographics that are oppressed in real life and apply it to white characters. It's why characters like Silco and Jinx are so appealing to them.

(both trying to kill Zaunites here BTW)

Make no mistake If Silco were black fans would be holding them accountable same with Jinx. But they are white and they are (were) oppressed. That's literally a white liberal dream. They get to ignore the fact that Silco and Jinx are rich and they got rich by oppressing poor people and forcing children into child labor.

(that Zaunite teen boy died not that anyone cares. )

They get to weaponize classism to excuse the violence and murder they commit against other poor people. Who cares how many orphans he creates or how many poor children he tries to murder.

Mind you not only was Silco rich off the backs of poor people and the labor of kids, he used the enforcers to help him not only oppress his own people but also frame Ekko (ironically a BM) and the Firelights for crimes he and Jinx were committing.

Jinx who killed multiple Zaunites on purpose and tried to kill Ekko later on. Jinx who is rich and has no motive for the violence she commits. Jinx who is working for the man she KNOWS killed her father figure and tried to kill her siblings. Jinx who never once takes responsibility for any of the choices she makes. But she's white. It's why the fandom supports her hetero ship with Ekko (who they headcanon as being her emotional crutch). They only care about heteronormativity when there is a black woman they want to erase. No other straight pairing gets called "disgusting", "forced", "shoehorned", "a betrayal", or "immoral". Mel is forceful and aggressive. She's a seductress who manipulates Jayce into her bed and into doing her evil deeds.

(He's clearly not into her at all)

He should be kissing Vik's ass and worshipping the ground he walks on. Speaking of Viktor ...him using tech for his own gains, secretly merging his DNA with the core, getting addicted to shimmer, killing a fellow Zaunite and converting up her death + stealing her notes is something no one will discuss.

Because he's white , was once poor, and is "gay-coded". He's thus entitled to murdering a brown woman and entitled to Jayce's body. They weaponize LGBTQ+ rep in order to justify their racism much like the left does in real life.

Mel who shows no ill will towards Viktor is accused of being ableist and classist because she gave him a look when he was arguing with her. Mel who explains why she wants defensive weapons and has several scenes reiterating her motive is accused of wanting war and genocide.

Mel who has exchanged flirty looks with Jayce every episode before she kisses him is accused of raping him. Mel who isn't at all a part of the Vander/Silco/Jinx shenanigans in ep 1 is blamed for the death of Jinx's family because she "controls the council" (even though they often vote against her and Heimerdinger gets a pass despite being there when the cities were founded). Because she's black and rich. Thus they can weaponize poverty in order to villainize BW.

They shout over the people who are actually oppressed. Over the people who know what it's like to have drug dealers and gangs make your life hell while the government does the same on a less personal scale.

This is what white liberals do. It's not new. I won't even get into the weird ass envy/hatred/lust thing they have for bw. The dehumanizing and hypersexualizing shit they do is a whole other essay.

#long post #mel medarda #white liberals #fandom racism #fandom misogynoir #arcane

[ananke-xiii]

Another dream, always mine (and yes it's still spn s13 related because i have a bone to pick with dabb over that season specifically)

So here it goes. (Part 1)

Spn s13 but kelly doesn't die, cas doesn't die, crowley doesn't die. Lucifer dies for *reasons* but mary, dean and sam are stuck in the AU.

It's still spn so we just have to have mirrors and parallels, okay? Like, this show doesn't care about continuity but damn! They will stick to mirrors and parallels like it's a religion and so we do too.

The thing is that the AU is not the lame-ass AU Dabb or whoever came up with, it's at least an attempt at being an interesting place. So basically the AU is as boring and dumb as our earth, nothing has really changed, people are still trapped in the rat race that capitalism is (see, we have a little bit of critique here too, there is no escape from the capitalist-fascist-heteronormative narrative or isn't it?), the frigging white picket fences are still everywhere like a fucking nightmare BUT! This is an earth without monsters, angels, demons, nothing goes bump in the night but depression, paranoia and suicidal thoughts (now these are the real monsters) and YET this is THE chance for our heroes, this is the promised land, no past, only freedom, the american dream is theirs to grab (but don't worry this place hides a secret, this is still spn everything must be queer, you'll see). Sam, dean and mary are kinda lost cause, surprise surprise! It turns out that's not the things you want that you can't have but that you didn't know what you wanted so how could you have it in the first place? Mary is restless, this was supposed to be her dream, she died for it and now she doesn't want it and she goes through another deep existential crisis (and, really, we all just get mary because seriously? any character named mary who's also a mother has too much fucking weight on her shoulder, just let the woman be). Sam is kinda okay with it, he once again refuses to get in touch with his emotions and flees from them like the plague: they're gonna make it work, they will find a way (i want to convey ross from friends vibes when he's like *in a squeaky voice* i'm fine! Here, that's sam in the AU). The guy lives in his delusion, this is his chance at being normal (and oh boy is he wrong, you'll see). Dean feels just bad, he's supposed to feel happy with his mother and his brother/son (the weird implications of this situation will be explored) but he keeps thinking about that little house by the sea (or was it a lake?) that cas bought as fucking jimmy novak and how the angel spent months there with kelly playing daddy and how the fucking angel played him and dean just went along and repaired his stupid truck as if to thank him for breaking his heart but also, also, dean will never admit it to anyone ever but deep down he knows, he knows, that that was his place, his angel, his chance (we will also have an explorations into the complex theme of mpreg with the due "Junior" references we all deserve and insights into dean's maternal insticts).

Now back to earth.

Kelly gives birth to a baby jack, cas lives with them to protect them from the angels and demons that will sure come for a visit (but once again he will end up being a total agent of chaos, you'll see), the angel is a bit of a mess, though, and his obsession with saving dean winchester is finally making kelly feel quite concerned with her life choices, maybe trusting this guy was a little bit insane, was he always this deranged? (We'll soon see why she thinks that, she might have a point). Meanwhile crowley goes back to hell and we once again have a cheap game of thrones situation (because why not? i can't come up with infinite original ideas to fix this plot, okay? Also this is still spn, i can condone SOME cheap storylines on the side, and anyway mark sheppard makes anything work so we're good) where his varys-like smart brain cells will put him on the throne again (who's this asmodeus guy anyway, prince of hell or not, fuck him, he will not stick around here for a second season while dagon died like after 2 episodes she was in, not gonna happened in my narrative). But, you see, the demon has his own issues, and goes visiting kelly and the angel because why not? He likes kelly she seems interesting enough for a person who birthed satan's son, escaped from a fucking angel of the lord, was kidnapped by a goddamn prince of hell, managed to baby trap said angel of the lord, stole the frigging impala and escaped that menace that the winchesters are. She then proceeded to give birth knowing she might have died. She is something. Something a bit unhinged maybe but crowley digs her, okay? He still also has varys-like smart brain cells so he needs to visit to make sure that baby lucifer is, like, not plotting to take over hell or whatever newborn babies half-made from cosmic entities do these days. Also, also, watching castiel putting baby jack to sleep with those big strong angel gym-bro arms did something to him, his daddy fetish and his mommy issues raised their head and something else too, and he foolishly promises to keep jack safe from hellish attacks and indulges castiel in his winchester obsession. What? He misses the brothers too, those handsome, tall, cruel white boys (we are reminded that, visually, the whole cas/kelly/jack situation is quite similar to the weird crowley/dean/amara thing of s11, mirrors and parallels need to keep happening people, this is spn, we gott have 'em). Castiel is living his tragic destiny yet again, he's seen the AU, has been there, technically knows that dean, sam and mary are safe but he just has to see it for himself, right? Like he has to make sure, it's not like dean not being there is eating him from the inside, it's not like he starts feeling the pang of guilt over the huge betrayal he's forced onto dean,leaving him left behind again and again and playing him that way, no. He copes by sitting in his stupid truck that dean had repaired listening to that damn tape (every time he does that we have a close-up of kelly watching the pathetic scene from her window and sighing as if in "fuck, FUCK, my life"). And oh, yes he also starts researching about archangel resurrection because i may or may not bring back my girls, aka raphael and uriel but this is for part 2, you'll see.

#i said i had ideas where kelly is alive and thriving #i promised i had them #i m keeping that promise #well half of it #kelly is alive but she is not thrivig but she will #eventually #spn #supernatural #spn s13 #spn s13 but with my ideas because fuck it #castiel #crowley #kelly kline #mary winchester #jack kline #sam winchester #dean winchester #i will also insert a bit of #destiel #because they're just good for the narrative #whether you like it or not

[fatiguedcorvid]

the Zoldycks are patriarchy

A lot of ink has been spilled about how queer-coded Killua is, but an aspect of his arc I haven't seen mentioned is that the Zoldycks are an intergenerational project. Implying that as the heir, he’s expected to eventually marry a woman and create baby assassins of his own. The Zoldycks aren’t just an abusive family. They're the cis hetero patriarchy.

They’re a literal patriarchy, with the ageing patriarch and the rising patriarch, Zeno and Silva, the grandfather and father who lead the family. Kikyo is relegated to 2nd in command, relishing in bossing around Kalluto and Gotoh, but not daring to step on Silva's toes. But on top of that they represent the social pressure by society to conform to a hetero amorous normative lifestyle, in line with tradition. Silva’s words about how Killua will return to the family because that’s his nature echo a lot of homophobic rhetoric about how young queer/questioning people are just ‘experimenting’ and they’ll eventually realise they were just confused and enter a hetero relationship.

On top of that, the literal brainwashing by Illumi’s needles are the source of his anxiety and insecurity in his relationship with Gon. In this analogy the needle is the internalised homophobia, literally implanted in his brain by his family. It prevents him from truly embracing his queerness. At one point, when captured by Nobunaga it almost makes him suicidally sacrifice his own life. The way he manages to overcome it eventually is through his love and care for Gon.

The election arc represents the importance of queer solidarity between different identities within the community. Killua’s managed to escape the grasp of his family and carve out a life for himself on the outside, but his trans sister, Alluka, hasn't. He can’t save Gon without her/Nanika’s help, and she can’t escape and build a life outside without his help. The only way they can truly liberate themselves is by working together. When Killua tells Nanika to hide away and never show itself again it shows how the dynamics of queerphobia and heteronormativity can recreate themselves within queer spaces. How respectability politics and trying to sweep the less socially acceptable parts of the community under the rug doesn’t work. Even though Killua tried to protect Alluka by telling Nanika to go into hiding, he still ended up recreating the abusive family dynamic on a new scale. The right thing to do is accept Alluka and Nanika the way they are.

In the end, even though he and Gon parted ways he didn’t come crawling back to the Zoldycks because his journey was about more than just an infatuation with one boy. It was about self-discovery and a fight for liberation.

#hunter x hunter #hxh #killua zoldyck #silva zoldyck #alluka zoldyck #zoldyck family #queer analysis #queer theory #media analysis #gay #lgbt #lgbt media

[hawkinsp0st]

if i could chat with the duffers abt storytelling this is what i would nerd out with them about:

the narrative tension between will’s coded love confession and mike not realizing it yet is sooo juicy and well done because it wasn’t even an explicit love confession if will were to have said it in the first person. stay with me here.

“these past few months, i’ve been so lost without you”

“i need you, and i always will”

“i’m scared of losing you, just like you’re scared of losing me/el”

“you make me feel like i’m not a mistake at all… like i’m better for being different.”

deeply affectionate, definitely, but their friendship has always been like that. if will had just said it in the first person, mike wouldn’t have even thought of it as explicitly romantic tbh…

but it’s the fact that will coded his own feelings with el’s name, mike’s romantic partner, that is going to expose will in the end. and the fact that will brought it up as a solution to mike’s relationship problems and romantic insecurities. mike is going to have to contend with that part and that’s what will make it so satisfying.

the duffers used the circumstances, rather than the words, to code will’s confession and make it evident to the audience that truthfully, mike is most romantically fulfilled by will, as opposed to el.

they didn’t have will say “el loves you”—that would be boring. once mike found out about that, he would be like “oh okay, so will loves me?”

instead, they had will say “el needs you, misses you” etc. we as the audience filled in the blanks from the circumstances alone—that’s what mike is meant to do, too.

mike will not immediately realize “will loves me”—he will realize “will needs me, thinks highly of me, completes me”, and he will have to think critically about what that means for him. mike will have to piece together the ideas one by one—

i want to be needed, i need to be someone’s protector, i need someone who misses me like i miss them. will told me i was the one who saved him and that he needs me, and that makes me feel like i’m flying, so that means… 🤯

they also used mike’s uncomfortable monologue to show that mike returns will’s feelings, but doesn’t know it—and the awkwardness of the monologue, how terrified mike looks to say it as will urges him, the way they filmed mike with that super uncomfortable choke shot (shoutout to whoever first pointed this out on here, i don’t remember ur username!) and an ice-cold color palette is because he’s saying it to el, the wrong person for him.

(contrastingly—mike’s scenes w will this season have a very warm color palette. but in surfer boy pizza, he’s wearing blue, his face looks washed out, and he’s surrounded by metal.)

i see why the duffers did it this way now if endgame byler is what they want… bc will could have literally told mike that he loves him and wants to spend all his time with him, and mike would still take it platonically bc i honestly don’t think he’s ever considered the possibility that 2 boys could really be together.

but when the truth comes out with this context that will used his own feelings to sub in for el, who’s with mike romantically……..mike won’t be able to interpret it any other way. he will be forced to see what he needs to see.

so this was the duffers’ way to play with that tension between heteronormativity vs queer love, platonic vs romantic feelings, truth vs lies, love vs not-love, and make it narratively interesting (rather than it just being a short, cute moment with mild angst, the way i believe it would’ve been if will had simply confessed).

they had to put will’s feelings in a heteronormative package for it to get properly delivered to mike in a way that would register.

this entire “piggybacked” love confession and delectable back-and-forth between an unknowing mike and will was the duffers’ way of making byler seem like the most natural thing in the world amidst the homophobia and heteronormativity of the 1980s setting—and plenty of the GA.

#byler #the piggyback #duffers #god it’s SO GOOD