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The Oral History of Take This To Your Grave – transcription under the cut

The pages that are just photographs, I haven't included. This post is already long enough.

Things that happened in 2003: Arnold Schwarzenegger became governor of California. Teen Vogue published its first issue. The world lost Johnny Cash. Johnny Depp appeared as Captain Jack Sparrow for the first time. A third Lord of the Rings movie arrived. Patrick Stump, Pete Wentz, Joe Trohman, and Andy Hurley released Take This To Your Grave.

"About 21 years ago or so, as I was applying to colleges I would ultimately never go to, Fall Out Boy began as a little pop-punk side project of what we assumed was Pete's more serious band, Arma Angelus," Patrick wrote in a May 2023 social media post.

"We were sloppy and couldn't solidify a lineup, but the three of us (Pete, Joe, and I) were having way too much fun to give up on it."

"We were really rough around the edges. As an example of how rough, one of my favorite teachers pulled me aside after hearing the recording that would eventually become Evening Out With Your Girlfriend and tactfully said, 'What do you think your best instrument is, Patrick? Drums. It's drums. Probably not singing, Patrick.'"

"We went into Smart Studios with the Sean O'Keefe... So, there we were, 3/5 of a band with a singer who'd only been singing a year, no drummer, and one out of two guitarists. But we had the opportunity to record with Sean at Butch Vig's legendary studio.

"Eight or so months later, Fueled by Ramen would give us a contract to record the remaining songs. We'd sleep on floors, eat nothing but peanut butter and jelly, live in a van for the next three years, and somehow despite that, eventually play with Elton John and Taylor Swift and Jay-Z and for President Obama and the NFC championship, and all these other wildly unpredictable things. But none of that would ever come close to happening if Andy hadn't made it to the session and Joe hadn't dragged us kicking and screaming into being a band."

Two decades after its release, Take This To Your Grave sits comfortable in the Top 10 of Rolling Stone's 50 Greatest Pop-Punk Albums, edging out landmark records from Buzzcocks, Generation X, Green Day, The Offspring, Blink-182, and The Ramones.

It even ranked higher than Through Being Cool by Saves The Day and Jersey's Best Dancers from Lifetime, two records the guys in Fall Out Boy particularly revere.

Fall Out Boy's proper full-length debut on Fueled by Ramen is a deceptively smart, sugar-sweet, raw, energetic masterpiece owing as much to the bass player's pop culture passions, the singers deep love of R&B and soul, and their shared history in the hardcore scene as any pioneering punk band. Fall Out Boy's creative and commercial heights were still ahead, but Take This To Your Grave kicked it off, a harbinger for the enduring songwriting partnership between Patrick Stump and Pete Wentz, the eclectic contributions from Joe Trohman, and the propulsive powerhouse that is Andy Hurley.

The recordings document a special moment when Fall Out Boy was big in "the scene" but a "secret" from the mainstream. The band (and some of their friends) first sat down for an Oral History (which doubled as an Oral History of their origin story) with their old friend Ryan J. Downey, then Senior Editor for Alternative Press, upon the occasion of the album's 10th anniversary. What follows is an updated, sharper, and expanded version of that story, newly re-edited in 2023. As Patrick eloquently said: "Happy 20th birthday, Take This To Your Grave, you weird brilliant lightning strike accident of a record."

– Ryan J. Downey.

A Weird, Brilliant Lightning Strike Of A Record. The Oral History Of Fall Out Boy's Take This To Your Grave.

As told by:

Patrick Stump

Pete Wentz

Joe Trohman

Andy Hurley

Bob McLynn - Crush Music

Sean O'Keefe - Producer/Mixer

John Janick - Fueled By Ramen

Tim McIlrath - Rise Against

Mani Mostofi - Racetraitor

Chris Gutierrez - Arma Angelus

Mark Rose - Spitalfield

Sean Muttaqi - Uprising Records

Rory Felton - The Militia Group

Richard Reines - Drive-Thru Records

"To Feel No More Bitterness Forever" - From Hardcore to Softcore, 1998-2000

PETE WENTZ: When I got into hardcore, it was about discovering the world beyond yourself. There was a culture of trying to be a better person. That was part of what was so alluring about hardcore and punk for me. But for whatever reason, it shifted. Maybe this was just in Chicago, but it became less about the thought process behind it and more about moshing and breakdowns. There was a close-mindedness that felt very reactive.

TIM MCILRITH: I saw First Born many years ago, which was the first time I saw Pete and met him around then. This was '90s hardcore - p.c., vegan, activist kind of hardcore music. Pete was in many of those bands doing that kind of thing, and I was at many of those shows. The hardcore scene in Chicago was pretty small, so everyone kind of knew each other. I knew Andy Hurley as the drummer in Racetraitor. I was in a band called Baxter, so Pete always called me 'Baxter.' I was just 'Baxter' to a lot of those guys.

JOE TROHMAN: I was a young hardcore kid coming to the shows. The same way we all started doing bands. You're a shitty kid who goes to punk and hardcore shows, and you see the other bands playing, and you want to make friends with those guys because you want to play in bands too. Pete and I had a bit of a connection because we're from the same area. I was the youngest dude at most shows. I would see Extinction, Racetraitor, Burn It Down, and all the bands of that era.

WENTZ: My driver's license was suspended then, so Joe drove me everywhere. We listened to either Metalcore like Shai Hulud or pop-punk stuff like Screeching Weasel.

MCILRITH: I was in a band with Pete called Arma Angelus. I was like their fifth or sixth bass player. I wasn't doing anything musically when they hit me up to play bass, so I said, 'Of course.' I liked everyone in the band. We were rehearsing, playing a few shows here and there, with an ever-revolving cast of characters. We recorded a record together at the time. I even sing on that record, believe it or not, they gave me a vocal part. Around that same time, I began meeting with [bassist] Joe [Principe] about starting what would become Rise Against.

CHRIS GUTIERREZ: Wentz played me the Arma Angelus demo in the car. He said he wanted it to be a mix of Despair, Buried Alive, and Damnation A.D. He told me Tim was leaving to start another band - which ended up being Rise Against - and asked if I wanted to play bass.

TROHMAN: Pete asked me to fill in for a tour when I was 15. Pete had to call my dad to convince him to let me go. He did it, too. It was my first tour, in a shitty cargo van, with those dudes. They hazed the shit out of me. It was the best and worst experience. Best overall, worst at the time.

GUTIERREZ: Enthusiasm was starting to wane in Arma Angelus. Our drummer was really into cock-rock. It wasn't an ironic thing. He loved L.A. Guns, Whitesnake, and Hanoi Rocks. It drove Pete nuts because the scene was about Bleeding Through and Throwdown, not cock rock. He was frustrated that things weren't panning out for the band, and of course, there's a ceiling for how big a metalcore band can get, anyway.

MANI MOSTOFI: Pete had honed this tough guy persona, which I think was a defense mechanism. He had some volatile moments in his childhood. Underneath, he was a pretty sensitive and vulnerable person. After playing in every mosh-metal band in the Midwest and listening exclusively to Earth Crisis, Damnation A.D., Chokehold, and stuff like that for a long time, I think Pete wanted to do something fresh. He had gotten into Lifetime, Saves The Day, The Get Up Kids, and bands like that. Pete was at that moment where the softer side of him needed an outlet, and didn't want to hide behind mosh-machismo. I remember him telling me he wanted to start a band that more girls could listen to.

MCILRATH: Pete was talking about starting a pop-punk band. Bands like New Found Glory and Saves The Day were successful then. The whole pop-punk sound was accessible. Pete was just one of those guys destined for bigger things than screaming for mediocre hardcore bands in Chicago. He's a smart guy, a brilliant guy. All the endeavors he had taken on, even in the microcosm of the 1990s Chicago hardcore world, he put a lot of though into it. You could tell that if he were given a bigger receptacle to put that thought into, it could become something huge. He was always talented: lyrics, imagery, that whole thing. He was ahead of the curve. We were in this hardcore band from Chicago together, but we were both talking about endeavors beyond it.

TROHMAN: The drummer for Arma Angelus was moving. Pete and I talked about doing something different. It was just Pete and me at first. There was this thuggishness happening in the Chicago hardcore scene at that time that wasn't part of our vibe. It was cool, but it wasn't our thing.

MCILRITH: One day at Arma Angelus practice, Pete asked me, 'Are you going to do that thing with Joe?' I was like, 'Yeah, I think so.' He was like, 'You should do that, dude. Don't let this band hold you back. I'll be doing something else, too. We should be doing other things.' He was really ambitious. It was so amazing to me, too, because Pete was a guy who, at the time, was kind of learning how to play the bass. A guy who didn't really play an instrument will do down in history as one of the more brilliant musicians in Chicago. He had everything else in his corner. He knew how to do everything else. He needed to get some guys behind him because he had the rest covered. He had topics, themes, lyrics, artwork, this whole image he wanted to do, and he was uncompromising. He also tapped into something the rest of us were just waking up to: the advent of the internet. I mean, the internet wasn't new, but higher-speed internet was.

MOSTOFI: Joe was excited to be invited by Pete to do a band. Joe was the youngest in our crew by far, and Pete was the 'coolest' in a Fonzie sort of way. Joe deferred to Pete's judgement for years. But eventually, his whole life centered around bossy big-brother Pete. I think doing The Damned Things was for Joe what Fall Out Boy was for Pete, in a way. It was a way to find his own space within the group of friends. Unsurprisingly, Joe now plays a much more significant role in Fall Out Boy's music.

WENTZ: I wanted to do something easy and escapist. When Joe and I started the band, it was the worst band of all time. I feel like people said, 'Oh, yeah, you started Fall Out Boy to get big.' Dude, there was way more of a chance of every other band getting big in my head than Fall Out Boy. It was a side thing that was fun to do. Racetraitor and Extinction were big bands to me. We wanted to do pop-punk because it would be fun and hilarious. It was definitely on a lark. We weren't good. If it was an attempt at selling out, it was a very poor attempt.

MCILRITH: It was such a thing for people to move from hardcore bands to bands called 'emo' or pop-punk, as those bands were starting to get some radio play and signed to major labels. Everyone thought it was easy, but it's not as easy as that. Most guys we knew who tried it never did anything more successful than their hardcore bands. But Pete did it! And if anyone was going to, it was going to be him. He never did anything half-assed. He ended up playing bass in so many bands in Chicago, even though he could barely play the bass then, because simply putting him in your band meant you'd have a better show. He was just more into it. He knew more about dynamics, about getting a crowd to react to what you're doing than most people. Putting Pete in your band put you up a few notches.

"I'm Writing You A Chorus And Here Is Your Verse" - When Pete met Patrick, early 2001.

MARK ROSE: Patrick Stump played drums in this grindcore band called Grinding Process. They had put out a live split cassette tape.

PATRICK STUMP: My ambition always outweighed my ability or actual place in the world. I was a drummer and played in many bands and tried to finagle my way into better ones but never really managed. I was usually outgunned by the same two guys: this guy Rocky Senesce; I'm not sure if he's playing anymore, but he was amazing. And this other guy, De'Mar Hamilton, who is now in Plain White T's. We'd always go out for the same bands. I felt like I was pretty good, but then those guys just mopped the floor with me. I hadn't been playing music for a few months. I think my girlfriend dumped me. I was feeling down. I wasn't really into pop-punk or emo. I think at the time I was into Rhino Records box sets.

TROHMAN: I was at the Borders in Eden's Plaza in Wilmette, Illinois. My friend Arthur was asking me about Neurosis. Patrick just walked up and started talking to me.

STUMP: I was a bit arrogant and cocky, like a lot of young musicians. Joe was talking kind of loudly and I overheard him say something about Neurosis, and I think I came in kind of snotty, kind of correcting whatever they had said.

TROHMAN: We just started talking about music, and my buddy Arthur got shoved out of the conversation. I told him about the band we were starting. Pete was this local hardcore celebrity, which intrigued Patrick.

STUMP: I had similar conversations with any number of kids my age. This conversation didn't feel crazy special. That's one of the things that's real about [Joe and I meeting], and that's honest about it, that's it's not some 'love at first sight' thing where we started talking about music and 'Holy smokes, we're going to have the best band ever!' I had been in a lot of bands up until then. Hardcore was a couple of years away from me at that point. I was over it, but Pete was in real bands; that was interesting. Now I'm curious and I want to do this thing, or at least see what happens. Joe said they needed a drummer, guitar player, or singer, and I kind of bluffed and said I could do any one of those things for a pop-punk band. I'd had a lot of conversations about starting bands where I meet up with somebody and maybe try to figure out some songs and then we'd never see each other again. There were a lot of false starts and I assumed this would be just another one of those, but it would be fun for this one to be with the guy from Racetraitor and Extinction.

TROHMAN: He gave me the link to his MP3.com page. There were a few songs of him just playing acoustic and singing. He was awesome.

WENTZ: Joe told me we were going to this kid's house who would probably be our drummer but could also sing. He sent me a link to Patrick singing some acoustic thing, but the quality was so horrible it was hard to tell what it was. Patrick answered the door in some wild outfit. He looked like an emo kid but from the Endpoint era - dorky and cool. We went into the basement, and he was like, trying to set up his drums.

TROHMAN: Patrick has said many times that he intended to try out on drums. I was pushing for him to sing after hearing his demos. 'Hey! Sing for us!' I asked him to take out his acoustic guitar. He played songs from Saves The Day's Through Being Cool. I think he sang most of the record to us. We were thrilled. We had never been around someone who could sing like that.

WENTZ: I don't think Patrick thought we were cool at all. We were hanging out, and he started playing acoustic guitar. He started singing, and I realized he could sing any Saves The Day song. I was like, 'Wow, that's the way those bands sound! We should just have you sing.' It had to be serendipity because Patrick drumming and Joe singing is not the same band. I never thought about singing. It wasn't the type of thing I could sing. I knew I'd be playing bass. I didn't think it'd even go beyond a few practices. It didn't seem like the thing I was setting myself up to do for the next several years of my life in any way. I was going to college. It was just a fun getaway from the rest of life kind of thing to do.

STUMP: Andy was the first person we asked to play drums. Joe even brought him up in the Borders conversation. But Andy was too busy. He wasn't really interested, either, because we kind of sucked.

WENTZ: I wanted Hurley in the band, I was closest to him at the time, I had known him for a long time. I identified with him in the way that we were the younger dudes in our larger group. I tried to get him, but he was doing another band at the time, or multiple bands. He was Mani's go-to guy to play drums, always. I had asked him a few times. That should clue people into the fact that we weren't that good.

ANDY HURLEY: I knew Joe as 'Number One Fan.' We called him that because he was a huge fan of a band I was in, Kill The Slavemaster. When Fall Out Boy started, I was going to college full-time. I was in the band Project Rocket and I think The Kill Pill then, too.

MOSTOFI: After they got together the first or second time, Pete played me a recording and said, 'This is going to be big.' They had no songs, no name, no drummer. They could barely play their instruments. But Pete knew, and we believed him because we could see his drive and Patrick's potential. Patrick was prodigy. I imagine the first moment Pete heard him sing was probably like when I heard 15-year-old Andy Hurley play drums.

GUTIERREZ: One day at practice, Pete told me he had met some dudes with whom he was starting a pop-punk band. He said it would sound like a cross between New Found Glory and Lifetime. Then the more Fall Out Boy started to practice, the less active Arma Angelus became.

TROHMAN: We got hooked up with a friend named Ben Rose, who became our original drummer. We would practice in his parents' basement. We eventually wrote some pretty bad songs. I don't even have the demo. I have copies of Arma's demo, but I don't have that one.

MOSTOFI: We all knew that hardcore kids write better pop-punk songs than actual pop-punk kids. It had been proven. An experienced hardcore musician could bring a sense of aggression and urgency to the pop hooks in a way that a band like Yellowcard could never achieve. Pete and I had many conversations about this. He jokingly called it 'Softcore,' but that's precisely what it was. It's what he was going for. Take This To Your Grave sounds like Hot Topic, but it feels like CBGBs.

MCILRITH: Many hardcore guys who transitioned into pop-punk bands dumbed it down musically and lyrically. Fall Out Boy found a way to do it that wasn't dumbed down. They wrote music and lyrics that, if you listened closely, you could tell came from people who grew up into hardcore. Pete seemed to approach the song titles and lyrics the same way he attacked hardcore songs. You could see his signature on all of that.

STUMP: We all had very different ideas of what it should sound like. I signed up for Kid Dynamite, Strike Anywhere, or Dillinger Four. Pete was very into Lifetime and Saves The Day. I think both he and Joe were into New Found Glory and Blink-182. I still hadn't heard a lot of stuff. I was arrogant; I was a rock snob. I was over most pop-punk. But then I had this renaissance week where I was like, 'Man, you know what? I really do like The Descendents.' Like, the specific week I met Joe, it just happened to be that I was listening to a lot of Descendents. So, there was a part of me that was tickled by that idea. 'You know what? I'll try a pop-punk band. Why not?'

MOSTOFI: To be clear, they were trying to become a big band. But they did it by elevating radio-friendly pop punk, not debasing themselves for popularity. They were closely studying Drive-Thru Records bands like The Starting Line, who I couldn't stand. But they knew what they were doing. They extracted a few good elements from those bands and combined them with their other influences. Patrick never needed to be auto-tuned. He can sing. Pete never had to contrive this emotional depth. He always had it.

STUMP: The ideas for band names were obnoxious. At some point, Pete and I were arguing over it, and I think our first drummer, Ben Rose, who was in the hardcore band Strength In Numbers, suggested Fall Out Boy. Pete and I were like, 'Well, we don't hate that one. We'll keep it on the list.' But we never voted on a name.

"Fake It Like You Matter" - The Early Shows, 2001

The name Fall Out Boy made their shortlist, but their friends ultimately chose it for them. The line-up at the band's first show was Patrick Stump (sans guitar), Pete Wentz, Joe Trohman, drummer Ben Rose, and guitarist John Flamandan in his only FOB appearance.

STUMP: We didn't have a name at our two or three shows. We were basically booked as 'Pete's new band' as he was the most known of any of us. Pete and I were the artsy two.

TROHMAN: The rest of us had no idea what we were doing onstage.

STUMP: We took ourselves very seriously and completely different ideas on what was 'cool.' Pete at the time was somewhere between maybe Chuck Palahniuk and Charles Bukowski, and kind of New Romantic and Manchester stuff, so he had that in mind. The band names he suggested were long and verbose, somewhat tongue-in-cheek. I was pretty much only into Tom Waits, so I wanted everything to be a reference to Tom Waits. The first show was at DePaul [University] in some cafeteria. The room looked a lot nicer than punk rock shows are supposed to look, like a room where you couldn't jump off the walls. We played with a band called Stillwell. I want to say one of the other bands played Black Sabbath's Black Sabbath in its entirety. We were out of place. We were tossing a few different names around. The singer for Stillwell was in earshot of the conversation so I was like 'Hey, settle this for us,' and told him whatever name it was, which I can't remember. 'What do you think of this name?' He goes, 'It sucks.' And the way he said it, there was this element to it, like, 'You guys probably suck, too, so whatever.' That was our first show. We played first and only had three songs. That was John's only show with us, and I never saw him again. I was just singing without a guitar, and I had never just sung before; that was horrifying. We blazed through those songs.

ROSE: Patrick had this shoulder-length hair. Watching these guys who were known for heavier stuff play pop-punk was strange. Pete was hopping around with the X's on his hands. Spitalfield was similar; we were kids playing another style of music who heard Texas Is The Reason and Get Up Kids and said, 'We have to start a band like this.'

MOSTOFI: The first show was a lot of fun. The musical side wasn't there, but Pete and Patrick's humor and charisma were front and center.

TROHMAN: I remember having a conversation with Mani about stage presence. He was telling me how important it was. Coalesce and The Dillinger Escape Plan would throw mic stands and cabinets. We loved that visual excitement and appeal. Years later, Patrick sang a Fall Out Boy song with Taylor Swift at Giants Stadium. It was such a great show to watch that I was reminded of how wise Mani was to give me that advice back then. Mani was like a mentor for me, honestly. He would always guide me through stuff.

MOSTOFI: Those guys grew up in Chicago, either playing in or seeing Extinction, Racetraitor, Los Crudos, and other bands that liked to talk and talk between songs. Fall Out Boy did that, and it was amazing. Patrick was awkward in a knowing and hilarious way. He'd say something odd, and then Pete would zing him. Or Pete would try to say something too cool, and Patrick would remind him they were nerds. These are very personal memories for me. Millions of people have seen the well-oiled machine, but so few of us saw those guys when they were so carefree.

TROHMAN: We had this goofy, bad first show, but all I can tell you was that I was determined to make this band work, no matter what.

STUMP: I kind of assumed that was the end of that. 'Whatever, on with our lives.' But Joe was very determined. He was going to pick us up for practice and we were going to keep playing shows. He was going to make the band happen whether the rest of us wanted to or not. That's how we got past show number one. John left the band because we only had three songs and he wasn't very interested. In the interim, I filled in on guitar. I didn't consider myself a guitar player. Our second show was a college show in Southern Illinois or something.

MCILRITH: That show was with my other band, The Killing Tree.

STUMP: We showed up late and played before The Killing Tree. There was no one there besides the bands and our friends. I think we had voted on some names. Pete said 'Hey, we're whatever!'; probably something very long. And someone yells out, 'Fuck that, no, you're Fall Out Boy!' Then when The Killing Tree was playing, Tim said, 'I want to thank Fall Out Boy.' Everyone looked up to Tim, so when he forced the name on us, it was fine. I was a diehard Simpsons fan, without question. I go pretty deep on The Simpsons. Joe and I would just rattle off Simpsons quotes. I used to do a lot of Simpsons impressions. Ben was very into Simpsons; he had a whole closet full of Simpsons action figures.

"If Only You Knew I Was Terrified" - The Early Recordings, 2002-2003

Wentz's relationships in the hardcore scene led to Fall Out Boy's first official releases. A convoluted and rarely properly explained chain of events resulted in the Fall Out Boy/Project Rocket split EP and Fall Out Boy's Evening Out with Your Girlfriend. Both were issued by California's Uprising Records, whose discography included Racetraitor's first album and the debut EP by Burn It Down. The band traveled to Wisconsin to record their first proper demo with engineer Jared Logan, drummer for Uprising's 7 Angels 7 Plagues.

TROHMAN: This isn't to be confused with the demo we did in Ben's basement, which was like a tape demo. This was our first real demo.

STUMP: Between booking the demo and recording it, we lost Ben Rose. He was the greatest guy, but it wasn't working out musically. Pete and Joe decided I should play drums on the demo. But Jared is a sick drummer, so he just did it.

TROHMAN: We had gotten this great singer but went through a series of drummers that didn't work out. I had to be the one who kicked Ben out. Not long after, our friend Brett Bunting played with us. I don't think he really wanted to do it, which was a bummer.

STUMP: I showed up to record that demo, feeling pulled into it. I liked hanging out with the guys, but I was a rock snob who didn't really want to be making that type of music. The first few songs were really rough. We were sloppy. We barely practiced. Pete was in Arma Angelus. Joe was the guy determined to make it happen. We couldn't keep a drummer or guitar player, and I could barely play guitar. I didn't really want to be in Fall Out Boy. We had these crappy songs that kind of happened; it didn't feel like anything. Joe did the guitars. I go in to do the vocals, I put on the headphones, and it starts playing and was kind of not bad! It was pretty good, actually. I was shocked. That was the first time I was like, 'Maybe I am supposed to be in this band.' I enjoyed hearing it back.

SEAN MUTTAQI: Wentz and I were pretty tight. He sent me some demos, and while I didn't know it would get as big as it did, I knew it was special. Wentz had a clear vision. Of all the guys from that scene, he was the most singularly focused on taking things to the next level. He was ahead of the game with promotion and the early days of social media.

STUMP: Arma Angelus had been on Eulogy. We talked to them a bit and spoke to Uprising because they had put out Racetraitor. At some point, the demo got to Sean, and he decided to make it half of a split with Andy's band, Project Rocket. We were pretty happy with that.

HURLEY: It was kind of competitive for me at the time. Project Rocket and Fall Out Boy were both doing pop-punk/pop-rock, I met Patrick through the band. I didn't really know him before Fall Out Boy.

TROHMAN: We got this drummer, Mike Pareskuwicz, who had been in a hardcore band from Central Illinois called Subsist.

STUMP: Uprising wanted us to make an album. We thought that was cool, but we only had those three songs that were on the split. We were still figuring ourselves out. One of the times we were recording with Jared in the studio, for the split or the album, this guy T.J. Kunasch was there. He was like, 'Hey, do you guys need a guitarist?' And he joined.

MUTTAQI: I borrowed some money to get them back in the studio. The songwriting was cool on that record, but it was all rushed. The urgency to get something out led to the recording being subpar. Their new drummer looked the part but couldn't really play. They had already tracked the drums before they realized it didn't sound so hot.

STUMP: The recording experience was not fun. We had two days to do an entire album. Mike was an awesome dude, but he lived crazy far away, in Kanakee, Illinois, so the drive to Milwaukee wasn't easy for him. He had to work or something the next day. So, he did everything in one take and left. He played alone, without a click, so it was a ness to figure out. We had to guess where the guitar was supposed to go. None of us liked the songs because we had slapped them together. We thought it all sucked. But I thought, 'Well, at least it'll be cool to have something out.' Then a lot of time went by. Smaller labels were at the mercy of money, and it was crazy expensive to put out a record back then.

MUTTAQI: Our record was being rushed out to help generate some interest, but that interest was building before we could even get the record out. We were beholden to finances while changing distribution partners and dealing with other delays. The buck stops with me, yes, but I didn't have that much control over the scheduling.

WENTZ: It's not what I would consider the first Fall Out Boy record. Hurley isn't on it and he's an integral part of the Fall Out Boy sound. But it is part of the history, the legacy. NASA didn't go right to the moon. They did test flights in the desert. Those are our test flights in the desert. It's not something I'm ashamed of or have weird feelings about.

STUMP: It's kind of embarrassing to me. Evening Out... isn't representative of the band we became. I liked Sean a lot, so it's nothing against him. If anybody wants to check out the band in that era, I think the split EP is a lot cooler. Plus, Andy is on that one.

TROHMAN: T.J. was the guy who showed up to the show without a guitar. He was the guy that could never get it right, but he was in the band for a while because we wanted a second guitar player. He's a nice dude but wasn't great to be in a band with back then. One day he drove unprompted from Racine to Chicago to pick up some gear. I don't know how he got into my parents' house, but the next thing I knew, he was in my bedroom. I didn't like being woken up and kicked him out of the band from bed.

STUMP: Our friend Brian Bennance asked us to do a split 7" with 504 Plan, which was a big band to us. Brian offered to pay for us to record with Sean O'Keefe, which was also a big deal. Mike couldn't get the time off work to record with us. We asked Andy to play on the songs. He agreed to do it, but only if he could make it in time after recording an entire EP with his band, The Kill Pill, in Chicago, on the same day.

MOSTOFI: Andy and I started The Kill Pill shortly after Racetraitor split up, not long after Fall Out Boy had formed. We played a bunch of local shows together. The minute Andy finished tracking drums for our EP in Chicago, he raced to the other studio in Madison.

STUMP: I'm getting ready to record the drums myself, getting levels and checking the drums, pretty much ready to go. And then in walks Andy Hurley. I was a little bummed because I really wanted to play drums that day. But then Andy goes through it all in like two takes and fucking nailed the entire thing. He just knocked it out of the park. All of us were like, 'That's crazy!'

WENTZ: When Andy came in, It just felt different. It was one of those 'a-ha' moments.

STUMP: Sean leaned over to us and said, 'You need to get this guy in the band.'

SEAN O'KEEFE: We had a blast. We pumped It out. We did it fast and to analog tape. People believe it was very Pro Tools oriented, but it really was done to 24-track tape. Patrick sang his ass off.

STUMP: The songs we had were 'Dead On Arrival,' 'Saturday,' and 'Homesick at Space Camp. There are quite a few songs that ended up on Take This To You Grave where I wrote most of the lyrics but Pete titled them.

WENTZ: 'Space Camp' was a reference to the 1986 movie, SpaceCamp, and the idea of space camp. Space camp wasn't something anyone in my area went to. Maybe they did, but it was never an option for me. It seems like the little kid version of meeting Jay-Z. The idea was also: what if you, like Joaquin Phoenix in the movie, took off to outer space and wanted to get home? 'I made it to space and now I'm just homesick and want to hang out with my friends.' In the greater sense, it's about having it all, but it's still not enough. There's a pop culture reference in 'Saturday' that a lot of people miss. 'Pete and I attack the lost Astoria' was a reference to The Goonies, which was filmed in Astoria, Oregon.

HURLEY: I remember hearing those recordings, especially 'Dead on Arrival,' and Patrick's voice and how well written those songs were, especially relative to anything else I had done - I had a feeling that this could do something.

WENTZ: It seemed like it would stall out if we didn't get a solid drummer in the band soon. That was the link that we couldn't nail down. Patrick was always a big musical presence. He thinks and writes rhythmi-cally, and we couldn't get a drummer to do what he wanted or speak his language. Hurley was the first one that could. It's like hearing two drummers talk together when they really get it. It sounds like a foreign language because it's not something I'm keyed into. Patrick needed someone on a similar musical plane. I wasn't there. Joe was younger and was probably headed there.

HURLEY: When Patrick was doing harmonies, it was like Queen. He's such a brilliant dude. I was always in bands that did a record and then broke up. I felt like this was a band that could tour a lot like the hardcore bands we loved, even if we had to have day jobs, too.

"(Four) Tired Boys And A Broken Down Van" - The Early Tours, 2002-2003

STUMP: We booked a tour with Spitalfield, another Chicago band, who had records out, so they were a big deal to us. We replaced T.J. with a guy named Brandon Hamm. He was never officially in the band. He quit when we were practicing 'Saturday.' He goes, 'I don't like that. I don't want to do this anymore.' Pete talked with guitarist Chris Envy from Showoff, who had just broken up. Chris said, 'Yeah, I'll play in your band.' He came to two practices, then quit like two days before the tour. It was only a two-week tour, but Mike couldn't get the time off work from Best Buy, or maybe it was Blockbuster. We had to lose Mike, which was the hardest member change for me. It was unpleasant.

TROHMAN: We had been trying to get Andy to join the band for a while. Even back at that first Borders conversation, we talked about him, but he was too busy at the time.

STUMP: I borrowed one of Joe's guitars and jumped in the fire. We were in this legendarily shitty used van Pete had gotten. It belonged to some flower shop, so it had this ominously worn-out flower decal outside and no windows [except in the front]. Crappy brakes, no A/C, missing the rearview mirror, no seats in the back, only the driver's seat. About 10 minutes into the tour, we hit something. A tire exploded and slingshot into the passenger side mirror, sending glass flying into the van. We pulled over into some weird animal petting zoo. I remember thinking, 'This is a bad omen for this tour.' Spitalfield was awesome, and we became tight with them. Drew Brown, who was later in Weekend Nachos, was out with them, too. But most of the shows were canceled.

WENTZ: We'd end up in a town, and our show was canceled, or we'd have three days off. 'Let's just get on whatever show we can. Whatever, you can pay us in pizza.'

STUMP: We played in a pizza place. We basically blocked the line of people trying to order pizza, maybe a foot away from the shitty tables. Nobody is trying to watch a band. They're just there to eat pizza. And that was perhaps the biggest show we played on that tour. One of the best moments on the Spitalfied tour was in Lincoln, Nebraska. The local opener wasn't even there - they were at the bar across the street and showed up later with two people. Fall Out Boy played for Spitalfield, and Spitalfield played for Fall Out Boy. Even the sound guy had left. It was basically an empty room. It was miserable.

HURLEY: Even though we played a ton of shows in front of just the other bands, it was awesome. I've known Pete forever and always loved being in bands with him. After that tour, it was pretty much agreed that I would be in the band. I wanted to be in the band.

WENTZ: We would play literally any show in those days for free. We played Chain Reaction in Orange County with a bunch of metalcore bands. I want to say Underoath was one of them. I remember a lot of black shirts and crossed arms at those kinds of shows. STUMP: One thing that gets lost in the annals of history is Fall Out Boy, the discarded hardcore band. We played so many hardcore shows! The audiences were cool, but they were just like, 'This is OK, but we'd really rather be moshing right now.' Which was better than many of the receptions we got from pop-punk kids.

MOSTOFI: Pete made sure there was little division between the band and the audience. In hardcore, kids are encouraged to grab the mic. Pete was very conscious about making the crowd feel like friends. I saw them in Austin, Texas, in front of maybe ten kids. But it was very clear all ten of those kids felt like Pete's best friends. And they were, in a way.

MCILRITH: People started to get into social networking. That kind of thing was all new to us, and they were way ahead. They networked with their fans before any of us.

MOSTOFI: Pete shared a lot about his life online and was intimate as hell. It was a new type of scene. Pete extended the band's community as far as fiber optics let him.

ROSE: Pete was extremely driven. Looking back, I wish I had that killer instinct. During that tour; we played a show in Colorado. On the day of the show, we went to Kinko's to make flyers to hand out to college kids. Pete put ‘members of Saves The Day and Screeching Weasel’ on the flyer. He was just like, 'This will get people in.'

WENTZ: We booked a lot of our early shows through hardcore connections, and to some extent, that carries through to what Fall Out Boy shows are like today. If you come to see us play live, we're basically Slayer compared to everyone else when we play these pop radio shows. Some of that carries back to what you must do to avoid being heckled at hardcore shows. You may not like our music, but you will leave here respecting us. Not everyone is going to love you. Not everyone is going to give a shit. But you need to earn a crowd's respect. That was an important way for us to learn that.

MOSTOFI: All those dudes, except Andy, lived in this great apartment with our friend Brett Bunting, who was almost their drummer at one point. The proximity helped them gel.

STUMP: There were a lot of renegade last-minute shows where we'd just call and get added. We somehow ended up on a show with Head Automatica that way.

MCILRITH: At some point early on, they opened for Rise Against in a church basement in Downers Grove. We were doing well then; headlining that place was a big deal. Then Pete's band was coming up right behind us, and you could tell there was a lot of chatter about Fall Out Boy. I remember getting to the show, and there were many people there, many of whom I had never seen in the scene before. A lot of unfamiliar faces. A lot of people that wouldn't have normally found their way to the seedy Fireside Bowl in Chicago. These were young kids, and I was 21 then, so when I say young, I mean really young. Clearly, Fall Out Boy had tapped into something the rest of us had not. People were super excited to see them play and freaked out; there was a lot of enthusiasm at that show. After they finished, their fans bailed. They were dedicated. They wanted to see Fall Out Boy. They didn't necessarily want to see Rise Against play. That was my first clue that, 'Whoa, what Pete told me that day at Arma Angelus rehearsal is coming true. He was right.' Whatever he was doing was working.

"My Insides Are Copper, And I'd Like To Make Them Gold" - The Record Labels Come Calling, 2002

STUMP: The split EP was going to be a three-way split with 504 Plan, August Premier, and us at one point. But then the record just never happened. Brian backed out of putting it out. We asked him if we could do something else with the three songs and he didn't really seem to care. So, we started shopping the three songs as a demo. Pete ended up framing the rejection letters we got from a lot of pop-punk labels. But some were interested.

HURLEY: We wanted to be on Drive-Thru Records so bad. That was the label.

RICHARD REINES: After we started talking to them, I found the demo they had sent us in the office. I played it for my sister. We decided everything together. She liked them but wasn't as crazy about them as I was. We arranged with Pete to see them practice. We had started a new label called Rushmore. Fall Out Boy wasn't the best live band. We weren't thrilled [by the showcase]. But the songs were great. We both had to love a band to sign them, so my sister said, 'If you love them so much, let's sign them to Rushmore, not Drive Thru.'

HURLEY: We did a showcase for Richard and Stephanie Reines. They were just kind of like, 'Yeah, we have this side label thing. We'd be interested in having you on that.' I remember them saying they passed on Saves The Day and wished they would have put out Through Being Cool. But then they [basically] passed on us by offering to put us on Rushmore. We realized we could settle for that, but we knew it wasn't the right thing.

RORY FELTON: Kevin Knight had a website, TheScout, which always featured great new bands. I believe he shared the demo with us. I flew out to Chicago. Joe and Patrick picked me up at the airport. I saw them play at a VFW hall, Patrick drank an entire bottle of hot sauce on a dare at dinner, and then we all went to see the movie The Ring. I slept on the couch in their apartment, the one featured on the cover of Take This To Your Grave. Chad [Pearson], my partner, also flew out to meet with the band.

STUMP: It was a weird time to be a band because it was feast or famine. At first, no one wanted us. Then as soon as one label said, 'Maybe we'll give 'em a shot,' suddenly there's a frenzy of phone calls from record labels. We were getting our shirts printed by Victory Records. One day, we went to pick up shirts, and someone came downstairs and said, 'Um, guys? [Owner] Tony [Brummel] wants to see you.' We were like, 'Did we forget to pay an invoice?' He made us an offer on the spot. We said, 'That's awesome, but we need to think about it.' It was one of those 'now or never' kinds of things. I think we had even left the van running. It was that kind of sudden; we were overwhelmed by it.

HURLEY: They told me Tony said something like, 'You can be with the Nike of the record industry or the Keds of the record industry.'

STUMP: We'd get random calls at the apartment. 'Hey, I'm a manager with so-and-so.' I talked to some boy band manager who said, 'We think you'll be a good fit.'

TROHMAN: The idea of a manager was a ‘big-time' thing. I answered a call one day, and this guy is like, 'I'm the manager for the Butthole Surfers, and I'd really like to work with you guys.' I just said, Yeah, I really like the Butthole Surfers, but I'll have to call you back.' And I do love that band. But I just knew that wasn't the right thing.

STUMP: Not all the archetypes you always read about are true. The label guys aren't all out to get you. Some are total douchebags. But then there are a lot who are sweet and genuine. It's the same thing with managers. I really liked the Militia Group. They told us it was poor form to talk to us without a manager. They recommended Bob McLynn.

FELTON: We knew the guys at Crush from working with Acceptance and The Beautiful Mistake. We thought they'd be great for Fall Out Boy, so we sent the music to their team.

STUMP: They said Crush was their favorite management company and gave us their number. Crush's biggest band at the time was American Hi-Fi. Jonathan Daniels, the guy who started the company, sent a manager to see us. The guy was like, "This band sucks!' But Jonathan liked us and thought someone should do something with us. Bob was his youngest rookie manager. He had never managed anyone, and we had never been managed.

BOB MCLYNN: Someone else from my office who isn't with us anymore had seen them, but I hadn't seen them yet. At the time, we'd tried to manage Brand New; they went elsewhere, and I was bummed. Then we got the Fall Out Boy demo, and I was like, Wow. This sounds even better. This guy can really sing, and these songs are great.' I remember going at it hard after that whole thing. Fall Out Boy was my consolation prize. I don't know if they were talking to other managers or not, but Pete and I clicked.

TROHMAN: In addition to being really creative, Pete is really business savvy. We all have a bullshit detector these days, but Pete already had one back then. We met Bob, and we felt like this dude wouldn't fuck us over.

STUMP: We were the misfit toy that nobody else wanted. Bob really believed in us when nobody else did and when nobody believed in him. What's funny is that all the other managers at Crush were gone within a year. It was just Bob and Jonathan, and now they're partners. Bob was the weird New York Hardcore guy who scared me at the time.

TROHMAN: We felt safe with him. He's a big, hulking dude.

MCLYNN: We tried to make a deal with The Militia Group, but they wouldn't back off on a few things in the agreement. I told them those were deal breakers, opening the door to everyone else. I knew this band needed a shot to do bigger and better things.

TROHMAN: He told us not to sign with the label that recommended him to us. We thought there was something very honest about that.

MCLYNN: They paid all their dues. Those guys worked harder than any band I'd ever seen, and I was all about it. I had been in bands before and had just gotten out. I was getting out of the van just as these guys got into one. They busted their asses.

STUMP: A few labels basically said the same thing: they wanted to hear more. They weren't convinced we could write another song as good as 'Dead On Arrival.' I took that as a challenge. We returned to Sean a few months after those initial three songs, this time at Gravity Studios in Chicago. We recorded ‘Grenade Jumper' and 'Grand Theft Autumn/Where is Your Boy' in a night or two. 'Where is Your Boy' was my, 'Fine, you don't think I can write a fucking song? Here's your hit song, jerks!' But I must have pushed Pete pretty hard [arguing about the songs]. One night, as he and I drove with Joe, Pete said, 'Guys, I don't think I want to do this band anymore.' We talked about it for the rest of the ride home. I didn't want to be in the band in the first place! I was like, 'No! That's not fair! Don't leave me with this band! Don't make me kind of like this band, and then leave it! That's bullshit!' Pete didn't stay at the apartment that night. I called him at his parent's house. I told him I wasn't going to do the band without him. He was like, 'Don't break up your band over it.' I said, 'It's not my band. It's a band that you, Joe, and I started.' He was like, 'OK, I'll stick around.' And he came back with a vengeance.

WENTZ: It was maybe the first time we realized we could do these songs titles that didn't have much do with the song from the outside. Grand Theft Auto was such a big pop culture franchise. If you said the phrase back then, everyone recognized it. The play on words was about someone stealing your time in the fall. It was the earliest experimentation with that so it was a little simplistic compared to the stuff we did later. At the time, we'd tell someone the song title, and they'd say, 'You mean "Auto"'?

JOHN JANICK: I saw their name on fliers and thought it was strange. But I remembered it. Then I saw them on a flyer with one of our bands from Chicago, August Premier. I called them and asked about this band whose name I had seen on a few flyers now. They told me they were good and I should check it out. I heard an early version of a song online and instantly fell in love with it. Drive-Thru, The Militia Group, and a few majors tried to sign them. I was the odd man out. But I knew I wanted them right away.

HURLEY: Fueled By Ramen was co-owned by Vinnie [Fiorello] from Less Than Jake. It wasn't necessarily a band I grew up loving, but I had so much respect for them and what they had done and were doing.

JANICK: I randomly cold-called them at the apartment and spoke to Patrick. He told me I had to talk to Pete. I spoke to Pete later that day. We ended up talking on the phone for an hour. It was crazy. I never flew out there. I just got to know them over the phone.

MCLYNN: There were majors [interested], but I didn't want the band on a major right away. I knew they wouldn't understand the band. Rob Stevenson from Island Records knew all the indie labels were trying to sign Fall Out Boy. We did this first-ever incubator sort of deal. I also didn't want to stay on an indie forever; I felt we needed to develop and have a chance to do bigger and better things, but these indies didn't necessarily have radio staff. It was sort of the perfect scenario. Island gave us money to go on Fueled By Ramen, with whom we did a one-off. No one else would offer a one-off on an indie.

STUMP: They were the smallest of the labels involved, with the least 'gloss.' I said, 'I don't know about this, Pete.' Pete was the one who thought it was the smartest move. He pointed out that we could be a big fish in a small pond. So, we rolled the dice.

HURLEY: It was a one-record deal with Fueled By Ramen. We didn't necessarily get signed to Island, but they had the 'right of first refusal' [for the album following Take This To Your Grave]. It was an awesome deal. It was kind of unheard of, maybe, but there was a bunch of money coming from Island that we didn't have to recoup for promo type of things.

JANICK: The company was so focused on making sure we broke Fall Out Boy; any other label probably wouldn't have had that dedication. Pete and I talked for at least an hour every day. Pete and I became so close, so much so that we started Decaydance. It was his thing, but we ended up signing Panic! At The Disco, Gym Class Heroes, Cobra Starship.

GUTIERREZ: Who could predict Pete would A&R all those bands? There's no Panic! At The Disco or Gym Class Heroes without Wentz. He made them into celebrities.

"Turn This Up And I'll Tune You Out" - The Making of Take This To You Grave, 2003

The versions of "Dead on Arrival," "Saturday," and "Homesick at Space Camp" from the first sessions with Andy on drums are what appear on the album. "Grand Theft Autumn/Where is Your Boy" and "Grenade Jumper" are the demo versions recorded later in Chicago. O'Keefe recorded the music for the rest of the songs at Smart Studios once again. They knocked out the remaining songs in just nine days. Sean and Patrick snuck into Gravity Studios in the middle of the night to track vocals in the dead of winter. Patrick sang those seven songs from two to five in the morning in those sessions.

STUMP: John Janick basically said, ‘I'll buy those five songs and we'll make them part of the album, and here's some money to go record seven more.'

MCLYNN: It was a true indie deal with Fueled by Ramen. I think we got between $15,000 and $18,000 all-in to make the album. The band slept on the studio floor some nights.

STUMP: From a recording standpoint, it was amazing. It was very pro, we had Sean, all this gear, the fun studio accoutrements were there. It was competitive with anything we did afterward. But meanwhile, we're still four broke idiots.

WENTZ: We fibbed to our parents about what we were doing. I was supposed to be in school. I didn't have access to money or a credit card. I don't think any of us did.

STUMP: I don't think we slept anywhere we could shower, which was horrifying. There was a girl that Andy's girlfriend at the time went to school with who let us sleep on her floor, but we'd be there for maybe four hours at a time. It was crazy.

HURLEY: Once, Patrick thought it would be a good idea to spray this citrus bathroom spray under his arms like deodorant. It just destroyed him because it's not made for that. But it was all an awesome adventure.

WENTZ: We were so green we didn't really know how studios worked. Every day there was soda for the band. We asked, 'Could you take that soda money and buy us peanut butter, jelly, and bread?' which they did. I hear that stuff in some ways when I listen to that album.

HURLEY: Sean pushed us. He was such a perfectionist, which was awesome. I felt like, ‘This is what a real professional band does.' It was our first real studio experience.

WENTZ: Seeing the Nirvana Nevermind plaque on the wall was mind-blowing. They showed us the mic that had been used on that album.

HURLEY: The mic that Kurt Cobain used, that was pretty awesome, crazy, legendary, and cool. But we didn't get to use it.

WENTZ: They said only Shirley Manson] from Garbage could use it.

O'KEEFE: Those dudes were all straight edge at the time. It came up in conversation that I had smoked weed once a few months before. That started this joke that I was this huge stoner, which obviously I wasn't. They'd call me 'Scoobie Snacks O'Keefe' and all these things. When they turned in the art for the record, they thanked me with like ten different stoner nicknames - 'Dimebag O'Keefe' and stuff like that. The record company made Pete take like seven of them out because they said it was excessively ridiculous.

WENTZ: Sean was very helpful. He worked within the budget and took us more seriously than anyone else other than Patrick. There were no cameras around. There was no documentation. There was nothing to indicate this would be some ‘legendary' session. There are 12 songs on the album because those were all the songs we had. There was no pomp or circumstance or anything to suggest it would be an 'important’ record.

STUMP: Pete and I were starting to carve out our niches. When Pete [re-committed himself to the band], it felt like he had a list of things in his head he wanted to do right. Lyrics were on that list. He wasn't playing around anymore. I wrote the majority of the lyrics up to that point - ‘Saturday,' 'Dead on Arrival,' ‘Where's Your Boy?,’ ‘Grenade Jumper,' and ‘Homesick at Space Camp.' I was an artsy-fartsy dude who didn't want to be in a pop-punk band, so I was going really easy on the lyrics. I wasn't taking them seriously. When I look back on it, I did write some alright stuff. But I wasn't trying. Pete doesn't fuck around like that, and he does not take that kindly. When we returned to the studio, he started picking apart every word, every syllable. He started giving me [notes]. I got so exasperated at one point I was like, ‘You just write the fucking lyrics, dude. Just give me your lyrics, and I'll write around them.' Kind of angrily. So, he did. We hadn't quite figured out how to do it, though. I would write a song, scrap my lyrics, and try to fit his into where mine had been. It was exhausting. It was a rough process. It made both of us unhappy.

MCLYNN: I came from the post-hardcore scene in New York and wasn't a big fan of the pop-punk stuff happening. What struck me with these guys was the phenomenal lyrics and Patrick's insane voice. Many guys in these kinds of bands can sing alright, but Patrick was like a real singer. This guy had soul. He'd take these great lyrics Pete wrote and combine it with that soul, and that's what made their unique sound. They both put their hearts on their sleeves when they wrote together.

STUMP: We had a massive fight over 'Chicago is So Two Years Ago.' I didn't even want to record that song. I was being precious with things that were mine. Part of me thought the band wouldn't work out, and I'd go to college and do some music alone. I had a skeletal version of 'Chicago...'. I was playing it to myself in the lobby of the studio. I didn't know anyone was listening. Sean was walking by and wanted to [introduce it to the others]. I kind of lost my song. I was very precious about it. Pete didn't like some of the lyrics, so we fought. We argued over each word, one at a time. 'Tell That Mick...' was also a pretty big fight. Pete ended up throwing out all my words on that one. That was the first song where he wrote the entire set of lyrics. My only change was light that smoke' instead of ‘cigarette' because I didn't have enough syllables to say 'cigarette.' Everything else was verbatim what he handed to me. I realized I must really want to be in this band at this point if I'm willing to put up with this much fuss. The sound was always more important to me - the rhythm of the words, alliteration, syncopation - was all very exciting. Pete didn't care about any of that. He was all meaning. He didn't care how good the words sounded if they weren't amazing when you read them. Man, did we fight about that. We fought for nine days straight while not sleeping and smelling like shit. It was one long argument, but I think some of the best moments resulted from that.

WENTZ: In 'Calm Before the Storm,' Patrick wrote the line, 'There's a song on the radio that says, 'Let's Get This Party Started' which is a direct reference to Pink's 2001 song 'Get the Party Started.' 'Tell That Mick He Just Made My List of Things to Do Today' is a line from the movie Rushmore. I thought we'd catch a little more flack for that, but even when we played it in Ireland, there was none of that. It's embraced, more like a shoutout.

STUMP: Pete and I met up on a lot of the same pop culture. He was more into '80s stuff than I was. One of the first things we talked about were Wes Anderson movies.

WENTZ: Another thing driving that song title was the knowledge that our fanbase wouldn't necessarily be familiar with Wes Anderson. It could be something that not only inspired us but something fans could also go check out. People don't ask us about that song so much now, but in that era, we'd answer and tell them to go watch Rushmore. You gotta see this movie. This line is a hilarious part of it.' Hopefully some people did. I encountered Jason Schwartzman at a party once. We didn't get to talk about the movie, but he was the sweetest human, and I was just geeking out. He told me he was writing a film with Wes Anderson about a train trip in India. I wanted to know about the writing process. He was like, 'Well, he's in New York City, I'm in LA. It's crazy because I'm on the phone all the time and my ear gets really hot.' That's the anecdote I got, and I loved it.

O'KEEFE: They're totally different people who approach making music from entirely different angles. It's cool to see them work. Pete would want a certain lyric. Patrick was focused on the phrasing. Pete would say the words were stupid and hand Patrick a revision, and Patrick would say I can't sing those the way I need to sing this. They would go through ten revisions for one song. I thought I would lose my mind with both of them, but then they would find it, and it would be fantastic. When they work together, it lights up. It takes on a life of its own. It's not always happy. There's a lot of push and pull, and each is trying to get their thing. With Take This To Your Grave, we never let anything go until all three of us were happy. Those guys were made to do this together.

WENTZ: A lot of the little things weren't a big deal, but those were things that [felt like] major decisions. I didn't want 'Where Is Your Boy' on Take This To Your Grave.

JANICK: I freaked out. I called Bob and said, 'We must put this song on the album! It's one of the biggest songs.' He agreed. We called Pete and talked about it; he was cool about it and heard us out.

WENTZ: I thought many things were humongous, and they just weren't. They didn't matter one way or another.

"Our Lawyer Made Us Change The (Album Cover)" - That Photo On Take This To Your Grave, 2003

STUMP: The band was rooted in nostalgia from early on. The '80s references were very much Pete's aesthetic. He had an idea for the cover. It ended up being his girlfriend at the time, face down on the bed, exhausted, in his bedroom. That was his bedroom in our apartment. His room was full of toys, '80s cereals. If we ended up with the Abbey Road cover of pop-punk, that original one was Sgt. Pepper's. But we couldn't legally clear any of the stuff in the photo. Darth Vader, Count Chocula…

WENTZ: There's a bunch of junk in there: a Morrissey poster, I think a Cher poster, Edward Scissorhands. We submitted it to Fueled by Ramen, and they were like, 'We can't clear any of this stuff.’ The original album cover did eventually come out on the vinyl version.

STUMP: The photo that ended up being the cover was simply a promo photo for that album cycle. We had to scramble. I was pushing the Blue Note jazz records feel. That's why the CD looks a bit like vinyl and why our names are listed on the front. I wanted a live photo on the cover. Pete liked the Blue Note idea but didn't like the live photo idea. I also made the fateful decision to have my name listed as 'Stump' rather than Stumph.

WENTZ: What we used was initially supposed to be the back cover. I remember someone in the band being pissed about it forever. Not everyone was into having our names on the cover. It was a strange thing to do at the time. But had the original cover been used, it wouldn't have been as iconic as what we ended up with. It wouldn't have been a conversation piece. That stupid futon in our house was busted in the middle. We're sitting close to each other because the futon was broken. The exposed brick wall was because it was the worst apartment ever. It makes me wonder: How many of these are accidental moments? At the time, there was nothing iconic about it. If we had a bigger budget, we probably would have ended up with a goofier cover that no one would have cared about.

STUMP: One of the things I liked about the cover was that it went along with something Pete had always said. I'm sure people will find this ironic, but Pete had always wanted to create a culture with the band where it was about all four guys and not just one guy. He had the foresight to even think about things like that. I didn't think anyone would give a fuck about our band! At the time, it was The Pete Wentz Band to most people. With that album cover, he was trying to reject that and [demonstrate] that all four of us mattered. A lot of people still don't get that, but whatever. I liked that element of the cover. It felt like a team. It felt like Voltron. It wasn't what I like to call 'the flying V photo' where the singer is squarely in the center, the most important, and everyone else is nearest the camera in order of 'importance.' The drummer would be in the very back. Maybe the DJ guy who scratches records was behind the drummer.

"You Need Him. I Could Be Him. Where Is Your Boy Tonight?" - The Dynamics of Punk Pop's Fab 4, 2003

Patrick seemed like something of the anti-frontman, never hogging the spotlight and often shrinking underneath his baseball hat. Wentz was more talkative, more out front on stage and in interviews, in a way that felt unprecedented for a bass player who wasn't also singing. In some ways, Fall Out Boy operated as a two-headed dictatorship. Wentz and Stump are in the car's front seat while Joe and Andy ride in the back.

STUMP: There is a lot of truth to that. Somebody must be in the front seat, no question. But the analogy doesn't really work for us; were more like a Swiss Army knife. You've got all these different attachments, but they are all part of the same thing. When you need one specific tool, the rest go back into the handle. That was how the band functioned and still does in many ways. Pete didn't want anyone to get screwed. Some things we've done might not have been the best business decision but were the right human decision. That was very much Pete's thing. I was 19 and very reactionary. If someone pissed me off, I'd be like, 'Screw them forever!' But Pete was very tactful. He was the business guy. Joe was active on the internet. He wouldn't stop believing in this band. He was the promotions guy. Andy was an honest instrumentalist: ‘I'm a drummer, and I'm going to be the best fucking drummer I can be.' He is very disciplined. None of us were that way aside from him. I was the dictator in the studio. I didn't know what producing was at the time or how it worked, but in retrospect, I've produced a lot of records because I'm an asshole in the studio. I'm a nice guy, but I'm not the nicest guy in the studio. It's a lot easier to know what you don't want. We carved out those roles early. We were very dependent on each other.

MCLYNN: I remember sitting in Japan with those guys. None of them were drinking then, but I was drinking plenty. It was happening there, their first time over, and all the shows were sold out. I remember looking at Pete and Patrick and telling Pete, ‘You're the luckiest guy in the world because you found this guy.' Patrick laughed. Then I turned to Patrick and said the same thing to him. Because really, they're yin and yang. They fit together so perfectly. The fact that Patrick found this guy with this vision, Pete had everything for the band laid out in his mind. Patrick, how he can sing, and what he did with Pete's lyrics - no one else could have done that. We tried it, even with the Black Cards project in 2010. We'd find these vocalists. Pete would write lyrics, and they'd try to form them into songs, but they just couldn't do it the way Patrick could. Pete has notebooks full of stuff that Patrick turns into songs. Not only can he sing like that, but how he turns those into songs is an art unto itself. It's really the combination of those two guys that make Fall Out Boy what it is. They're fortunate they found each other.

"I Could Walk This Fine Line Between Elation And Success. We All Know Which Way I'm Going To Strike The Stake Between My Chest" - Fall Out Boy Hits the Mainstream, 2003

Released on May 6, 2003, Take This To Your Grave massively connected with fans. (Fall Out Boy's Evening Out with Your Girlfriend arrived in stores less than two months earlier.) While Take This To Your Grave didn't crack the Billboard 200 upon its release, it eventually spent 30 weeks on the charts. From Under the Cork Tree debuted in the Top 10 just two years later, largely on Grave's momentum. 2007's Infinity on High bowed at #1.

WENTZ: I remember noticing it was getting insane when we would do in-stores. We'd still play anywhere. That was our deal. We liked being able to sell our stuff in the stores, too. It would turn into a riot. We played a Hollister at the mall in Schaumburg, Illinois. A lot of these stores were pretty corporate with a lot of rules, but Hollister would let us rip. Our merch guy was wearing board shorts, took this surfboard off the wall, and started crowd-surfing with it during the last song. I remember thinking things had gotten insane right at that moment.

HURLEY: When we toured with Less Than Jake, there were these samplers with two of their songs and two of ours. Giving those out was a surreal moment. To have real promotion for a record... It wasn't just an ad in a 'zine or something. It was awesome.

MCLYNN: They toured with The Reunion Show, Knockout, and Punch-line. One of their first big tours as an opening act was with MEST. There would be sold-out shows with 1,000 kids, and they would be singing along to Fall Out Boy much louder than to MEST. It was like, 'What's going on here?' It was the same deal with Less Than Jake. It really started catching fire months into the album being out. You just knew something was happening. As a headliner, they went from 500-capacity clubs to 1500 - 2000 capacity venues.

WENTZ: We always wanted to play The Metro in Chicago. It got awkward when they started asking us to play after this band or that band. There were bands we grew up with that were now smaller than us. Headlining The Metro was just wild. My parents came.

MCLYNN: There was a week on Warped Tour, and there was some beel because these guys were up-and-comers, and some of the bands that were a little more established weren't too happy. They were getting a little shit on Warped Tour that week, sort of their initiation. They were on this little, shitty stage. So many kids showed up to watch them in Detroit, and the kids rushed the stage, and it collapsed. The PA failed after like three songs. They finished with an acapella, 'Where is Your Boy,’ and the whole crowd sang along.

WENTZ: That's when every show started ending in a riot because it couldn't be contained. We ended up getting banned from a lot of venues because the entire crowd would end up onstage. It was pure energy. We'd be billed on tour as the opening band, and the promoter would tell us we had to close the show or else everyone would leave after we played. We were a good band to have that happen to because there wasn't any ego. We were just like, "Oh, that's weird.' It was just bizarre. When my parents saw it was this wid thing, they said, 'OK, yeah, maybe take a year off from college.' That year is still going on.

MCLYNN: That Warped Tour was when the band's first big magazine cover, by far, hit the stands. I give a lot of credit to Norman Wonderly and Mike Shea at Alternative Press. They saw what was happening with Fall Out Boy and were like, 'We know it's early with you guys, but we want to give you a cover.' It was the biggest thing to happen to any of us. It really helped kick it to another level. It helped stoke the fires that were burning. This is back when bands like Green Day, Blink-182, and No Doubt still sold millions of records left and right. It was a leap of faith for AP to step out on Fall Out Boy the way they did.

STUMP: That was our first big cover. It was crazy. My parents flipped out. That wasn't a small zine. It was a magazine my mom could find in a bookstore and tell her friends. It was a shocking time. It's still like that. Once the surrealism starts, it never ends. I was onstage with Taylor Swift ten years later. That statement just sounds insane. It's fucking crazy. But when I was onstage, I just fell into it. I wasn't thinking about how crazy it was until afterward. It was the same thing with the AP cover. We were so busy that it was just another one of those things we were doing that day. When we left, I was like, 'Holy fuck! We're on the cover of a magazine! One that I read! I have a subscription to that!'

HURLEY: Getting an 'In The Studio' blurb was a big deal. I remember seeing bands 'in the studio' and thinking, Man, I would love to be in that and have people care that we're in the studio.' There were more minor things, but that was our first big cover.

STUMP: One thing I remember about the photo shoot is I was asked to take off my hat. I was forced to take it off and had been wearing that hat for a while. I never wanted to be the lead singer. I always hoped to be a second guitarist with a backup singer role. I lobbied to find someone else to be the proper singer. But here I was, being the lead singer, and I fucking hated it. When I was a drummer, I was always behind something. Somehow the hat thing started. Pete gave me a hat instead of throwing it away - I think it's the one I'm wearing on the cover of Take This To Your Grave. It became like my Linus blanket. I had my hat, and I could permanently hide. You couldn't see my eyes or much of me, and I was very comfortable that way. The AP cover shoot was the first time someone asked me to remove it. My mom has a poster of that cover in her house, and every time I see it, I see the fear on my face - just trying to maintain composure while filled with terror and insecurity. ‘Why is there a camera on me?'

JANICK: We pounded the pavement every week for two years. We believed early on that something great was going to happen. As we moved to 100,000 and 200,000 albums, there were points where everything was tipping. When they were on the cover of Alternative Press. When they did Warped for five days, and the stage collapsed. We went into Christmas with the band selling 2000 to 3000 a week and in the listening stations at Hot Topic. Fueled By Ramen had never had anything like that before.

MOSTOFI: Pete and I used to joke that if he weren't straight edge, he would have likely been sent to prison or worse at some point before Fall Out Boy. Pete has a predisposition to addictive behavior and chemical dependency. This is something we talked about a lot back in the day. Straight Edge helped him avoid some of the traps of adolescence.

WENTZ: I was straight edge at the time. I don't think our band would have been so successful without that. The bands we were touring with were partying like crazy. Straight Edge helped solidify the relationship between the four of us. We were playing for the love of music, not for partying or girls or stuff like that. We liked being little maniacs running around. Hurley and I were kind of the younger brothers of the hardcore kids we were in bands with. This was an attempt to get out of that shadow a little bit. Nobody is going to compare this band to Racetraitor. You know when you don't want to do exactly what your dad or older brother does? There was a little bit of that.

"Take This To Your Grave, And I'll Take It To Mine" - The Legacy of Take This To Your Grave, 2003-2023

Take This To Your Grave represents a time before the paparazzi followed Wentz to Starbucks, before marriages and children, Disney soundtracks, and all the highs and lows of an illustrious career. The album altered the course for everyone involved with its creation. Crush Music added Miley Cyrus, Green Day, and Weezer to their roster. Fueled By Ramen signed Twenty One Pilots, Paramore, A Day To Remember, and All Time Low.

STUMP: I'm so proud of Take This To Your Grave. I had no idea how much people were going to react to it. I didn't know Fall Out Boy was that good of a band. We were this shitty post-hardcore band that decided to do a bunch of pop-punk before I went to college, and Pete went back to opening for Hatebreed. That was the plan. Somehow this record happened. To explain to people now how beautiful and accidental that record was is difficult. It seems like it had to have been planned, but no, we were that shitty band that opened for 25 Ta Life.

HURLEY: We wanted to make a record as perfect as Saves The Day's Through Being Cool. A front-to-back perfect collection of songs. That was our obsession with Take This To Your Grave. We were just trying to make a record that could be compared in any way to that record. There's just something special about when the four of us came together.

WENTZ: It blows my mind when I hear people talking about Take This To Your Grave or see people including it on lists because it was just this tiny personal thing. It was very barebones. That was all we had, and we gave everything we had to it. Maybe that's how these big iconic bands feel about those records, too. Perhaps that's how James Hetfield feels when we talk about Kill 'Em All. That album was probably the last moment many people had of having us as their band that their little brother didn't know about. I have those feelings about certain bands, too. 'This band was mine. That was the last time I could talk about them at school without anyone knowing who the fuck I was talking about.' That was the case with Take This To Your Grave.

TROHMAN: Before Save Rock N' Roll, there was a rumor that we would come back with one new song and then do a Take This To Your Grave tenth-anniversary tour. But we weren't going to do what people thought we would do. We weren't going to [wear out] our old material by just returning from the hiatus with a Take This To Your Grave tour.

WENTZ: We've been asked why we haven't done a Take This To Your Grave tour. In some ways, it's more respectful not to do that. It would feel like we were taking advantage of where that record sits, what it means to people and us.

HURLEY: When Metallica released Death Magnetic, I loved the record, but I feel like Load and Reload were better in a way, because you knew that's what they wanted to do.

TROHMAN: Some people want us to make Grave again, but I'm not 17. It would be hard to do something like that without it being contrived. Were proud of those songs. We know that’s where we came from. We know the album is an important part of our history.

STUMP: There's always going to be a Take This To Your Grave purist fan who wants that forever: But no matter what we do, we cannot give you 2003. It'll never happen again. I know the feeling, because I've lived it with my favorite bands, too. But there's a whole other chunk of our fans who have grown with us and followed this journey we're on. We were this happy accident that somehow came together. It’s tempting to plagarize yourself. But it’s way more satisfying and exciting to surprise yourself.

MCILRITH: Fall Out Boy is an important band for so many reasons. I know people don't expect the singer of Rise Against to say that, but they really are. If nothing else, they created so much dialog and conversation within not just a scene but an international scene. They were smart. They got accused of being this kiddie pop punk band, but they did smart things with their success. I say that, especially as a guy who grew up playing in the same Chicago hardcore bands that would go on and confront be-ing a part of mainstream music. Mainstream music and the mainstream world are machines that can chew your band up if you don't have your head on straight when you get into it. It's a fast-moving river, and you need to know what direction you're going in before you get into it. If you don't and you hesitate, it'll take you for a ride. Knowing those guys, they went into it with a really good idea. That's something that the hardcore instilled in all of us. Knowing where you stand on those things, we cut our teeth on the hardcore scene, and it made us ready for anything that the world could throw at us, including the giant music industry.

#long post #lke. VERY long post #fall out boy #fob #take this to your grave #tttyg #patrick stump #pete wentz #joe trohman #andy hurley #if theres any typos lmk and i'll fix em this. hust took fucking forever to transcribe.

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yanderestarangel · 7 months

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can you write some headcanons for smoke (tomas vrbada) from mk1? there’s barely anything on tumblr for him😭

HEADKANONS | TOMAS VRBADA - SMOKE MK1

TW: SFW, NSFW Headcanons, AFAB Anatomy, Husband!Tomas.

A/N: thanks for the idea anon<3 I miss this big guy on tumblr, Tomas my love deserves more attention.

He is the shy type, a loving, passionate and gentle lover, even with his most serious exterior he melts in your arms.

Tomas loves just being at home with you, especially if you are married - whether it is an arranged marriage or a spontaneous marriage - he likes you, if it is an arranged marriage he will be shy to even talk to you, but he will do his best to being a good husband, respecting your limits, remembering important dates like your birthday - he even saves money to buy something you really want and makes dinner for you -

He is the type that will want to be your safe haven, if you live in the same house with him, you will take care of the house while he goes out to work with the Liu Kuei clan, but if you want to work for him that's fine, but he You will be reluctant at first for fear of being hurt in some way.

Tomas doesn't allow you to be close to Bi Han, don't take him the wrong way, he's just afraid because he knows his brother, Bi Han doesn't like anyone and probably if you and Tomas are married by arrangement, it was the grandmaster himself who forced him both to get married, as a form of "humiliation" for Vrbada, but it had the opposite effect, he was happy to have someone like you.

He's the type who only talks if you talk to him, he's always been like that, sometimes if you get too distracted he'll even forget that Tomas is at home, getting scared when you turn around and see him at the kitchen table, cutting his teeth vegetables for dinner for both of you.

On his days off from the clan, he likes to just spend time with you, watching movies, taking care of the house - mowing the grass, reading some books, practicing some new moves or, if you want, sex all day long, oral, anal, vaginal , whatever you want and order he will do to you, do you want him to fuck you from the outside? He goes. Do you want him to fuck you with his dick all over the house? He goes. Do you want to suck his dick? He'll let you stand between his legs until you're satisfied - he loves your blowjobs, especially if you pay attention to his balls, even if he's too shy to talk.

Tomas has a twenty centimeter dick, thick, slightly bent to the right with two thick veins that stand out on the sides, which pulsate extremely when he is hard. The color is pink at the tip going halfway, he is very sensitive - he gets hard with practically anything you do, even cumming in his pants if you tease him, especially if you masturbate him through the fabric, he whimpers and begs to cum, begging for your pussy, mouth, breasts anything, he just needs your body connected to his-

He values your pleasure first, but sometimes he can't hold back, cumming before you do, he's embarrassed, blushing while apologizing to you, but he won't stop trying to make you cum, he has so much repressed lust :( Tomas will continue to have a hard-on even after the first orgasm, that is, he will make you cum, whether with his dick, mouth, fingers or taking turns between the three, after all, it's your pleasure that matters to him.

He loves fingering you, always paying attention to your clit, he knows the right spots, where to touch, where to massage and how to massage - Tomas will finger you with both fingers, using his thumb to pay attention to your throbbing bud, while you praised him for holding his fingers so well - Example:

"-Good boy | Good girl"

"-Pretty little doll"

"-Babydoll"

"-Little prince | Little princess"

"-Sweetheart"

"-My angel"

"-My boy | My girl"

"-Mine, mine alone"

"-You've done well/a good job my love."

"-You're making me really happy right now baby."

"-Fuck that's it, I know you can take it all."

Cowgirl - Tomas likes to see you in control, your pleasured face bouncing on his dick, as he watches your pussy being impaled by his dick, Vrbada's strong hands on your waist, squeezing the soft flesh of your body as he watches your breasts jump with each movement, he helps you by praising you and moaning to let you know that he is loving it, he is also quite vocal, you can see Tomas' face contorting with pleasure, his worked muscles trembling with each ride of your pussy tight on him, just keep enjoying yourself on his dick as he praises you for being so good for him as he cums inside your pussy with a guttural moan.

Reverse cowgirl - Vrbada loves seeing your ass bouncing on his crotch, how your back and waist look so delicate while your pussy swallows him greedily, he tries to be a gentleman with you but loses control, holding your ass tightly , slapping and fucking you at his pace.

Missionary - He loves this position because he can look at you, every reaction of pleasure, every time his cock slips out of your pussy, every time you moan when he pushes his thick shaft into your uterus, he always captures your pleasure, praising you and talking looking into your eyes how beautiful you are, while kissing you on your neck, breasts, face,lips, placing his forehead on yours while closing his eyes or looking down, seeing your wet intimacies, he loves seeing your full belly, with a slight elevation caused by his seed - he loves making a good creampie, taking his fingers up yours sensitive hole and dirtying the tips, rubbing it on your lips while he made you taste his cum.

Bonus: The only time you saw him angry was when Bi-Han betrayed him and Kuai Liang, he arrived at your house, an aura of anger and black smoke surrounding him tightly, you didn't even have time to ask. Tomas's anger and frustration seemed to radiate from him as he entered the room, his emotions practically palpable. Without saying a word, he took off his mask and kissed you fiercely, his desperation and anger evident in his actions. As he rubbed his hard cock against your body, you could feel the intensity of his emotions swirling between you. It was clear that he intended to release his anger through fucking, and you were more than willing to be his outlet. His grip tightened around your waist as he turned you around, removing your shorts and exposing your delicate pussy. With one hand, he easily trapped his legs, holding you in place as he ravished you with an almost primal intensity. "-Fucking Bi-Han." -Tomas growled, his voice mixed with anger and frustration. "-He betrayed us, son of a bitch, our father would be so disappointed... he was always so cold to me... shit shit, I thought he was my brother." As he continued to thrust into your pussy, his movements becoming more urgent and forceful, he tore off your shirt, exposing your breasts to his hungry gaze. The sight of your bare flesh only intensified his need, your lewd growls echoing through the room, he pushed his fingers into your mouth making you suck on them. "-Take my fingers, my dirty little slut" -ordered Tomas, his voice dripping with dark desire. "-Suck them, show me how eager you are to please me." With each strong thrust, Tomas vented his anger on your poor pussy.

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miraclewoozi · 7 months

Text

ELECTRIC. - y.jh

your best friend is many things. smart, funny, empathetic, a complete and utter pain in your ass to name but a few. and on the evening of his twenty-eighth birthday, you discover something a little unexpected: jeonghan is very afraid of thunderstorms.

pairing : jeonghan x fem reader. content : f2?. smut. fluff. a bit of angst. comfort. (MINORS DNI) w/c : 6.3k warnings : swearing. jeonghan has astraphobia / a fear of storms (for a brief period, he's a little fragile). intentional lowercase. smut tags utc. PLEASE let me know if i've forgotten anything. notes : happy birthday to this sweetest of sweethearts. i would chew my right arm off if he asked me to. (barely proofread. if you see a typo, no you didn't.<3)

smut tags : pussy drunk jeonghan (my beloved), no real power dynamics but jh is a cocky mf and a bit of a dick, panty sniffing hehe, fingering, oral sex (f rec), reader is turned on by the storm. they're very unserious about it.

the lead actors meet in a kiss. the screen fades to black. so ends yet another round of your annual birthday movie nights.

jeonghan reaches for the remote and silences the end credit theme to the film you’ve just finished watching at the same time as you lift your head up off his shoulder, stretching high above your head and letting out perhaps the loudest yawn (-stroke-moan) of your life. your joints ache from too long spent in one, rather cramped, position, your eyes feel heavy in the late hour. the room falls almost silent around you both, save for the harsh splashing of rain against the windows.

(this really doesn’t help the fact that you’re seconds away from falling asleep.)

“what did you think?” jeonghan asks, stretching his long legs out in front of him.

“not my best pick,” you say, scrunching your nose a little. “not my worst, either.”

your best friend gives a short ‘ha’ of agreement, finally standing up off the couch. “couldn’t have said it better myself.”

he gathers up the takeout boxes currently decorating his coffee table and grabs the now empty drinks glasses with his free hand, grunting softly as he stands fully upright again. you see him trying to roll out a kink in his neck and laugh from where you’re still settled comfortably in the couch cushions.

“you’re going stiff in your old age,” you tease him, grinning brightly. he fires a look at you that simultaneously dares you to keep going down this path, and yet also, tiredly agrees. “remind me to book you a good massage for your birthday next year.”

he grunts something that sounds suspiciously like an instruction to go fuck yourself as he takes his leave from the room, carrying everything that needs to be thrown away or washed up into the kitchen. you busy yourself on your phone while he’s gone, deciding to check in on your weather app. you quite like the rain and you’re really not that worried about driving home in it; you’re just curious how long it’s going to last for.

in the delay of the app opening, a series of bright flashes bounce off every single wall in the living room. when you glance outside, the rain is falling harder than before; barely ten seconds later, a thunderclap roars through the ajar windows and you feel it all the way down into your tummy.

you don’t have a chance to excitedly run across the room to get a look at the storm, though. a loud swear and the sound of crashing glass stings your eardrums before the rumble is even over. instead, you’re bolting through in the same direction jeonghan disappeared off in just moments ago, your heart having taken dangerous residence your stomach.

“what’s wrong?!” you ask as you skid around the corner in your socks, just managing to catch yourself from sliding straight into the wall at the end of the hallway. “i heard a—”

you freeze, then, falling silent. jeonghan is gripping onto the kitchen counter like his life depends on it with both shattered glasses laying at his feet; he looks like he’s seen a ghost, all white-knuckled and clammy and pale-lipped. it’s terrifying.

“hey,” you say, slowly making your way into the room, mindful not to startle him and even more careful not to stand on one of the many shards on the laminate. “what happened? are you okay?”

he nods, weakly. swallows hard. blinks a few times, curls and uncurls his fingers, steps back from the counter.

“yeah,” he breathes eventually, uncertain and still visibly shaken. he wipes his palms on his sweatpants and looks over at you, forcing a smile, but you’ve known him for entirely too long to be sold on this terrible performance. “i, uh-...”

but jeonghan stops short, shaking his head, running out of words to say. for a moment, you think maybe he’s about to apologise; that’s the shape his lips make, anyway. you cut in before he gets the chance.

“it’s okay,” you say, leaning one hip up against the counter. “go sit down, i’ll clear all this up. watch where you stand, though.”

“you don’t have to–” he starts, but you interject before he can even entertain the idea of cleaning the mess himself.

“i know i don’t, but i want to. go. i’ll only be a minute.”

begrudgingly, he agrees; you grab the broom from his kitchen cupboard and start slowly sweeping the broken glass into a dustpan while he carefully steps on the safe parts of the floor and makes his way back through to the living room. you make reasonably quick work of everything, emptying the fragments into the bin on top of the takeout boxes – all that’s left by the time you’re finished a couple of minutes later, is to try and figure out what caused all this in the first place.

jeonghan isn’t an easily shaken individual; you know this from years of experience. he seems to be able to catch you every time, without fail: whether he’s just popping out at you from behind a door and making you yelp, or he’s near-on giving you heart failure by texting you that something terrible has happened and that you need to come over, immediately, only for said ‘terrible’ thing to be that he got really comfy on the couch without making any popcorn. but regardless of all the numerous ways he manages to terrorise you, you’ve never, ever managed to do the same back to him.

he’s always shrugged off your attempts, bragging that he just isn’t afraid of anything. so… you’re not really any closer to finding an answer at the time of going back through to the living room with your backpack slung over one shoulder.

“you wanna tell me what happened in there?” you ask, sitting down next to him on the couch. you’re sure his posture is supposed to be an attempt to convince you that he’s absolutely fine, now, but jeonghan looks stiff and is outright refusing to meet your eyes, despite your best attempts. again, unfortunately, you aren’t so easily fooled.

“i just came over dizzy,” he lies, doing his best to play it down. “maybe i stood up too fast and had a delayed reaction, i don’t know.”

“i’ve known corpses get up faster than you did, hannie,” you deadpan, laying one hand by his knee. “come on. that’s crap.”

he doesn’t quite jerk away from you, but you do feel his thigh muscles tense under your touch. you slide your palm down onto the couch between you instead in an effort to make him a tiny bit more comfortable.

“it’s nothing,” he tries. “really. it’s–”

“jeonghan–”

“y/n.”

the room around you falls silent, both of your stubborn personalities at a stalemate. he won’t talk, and you won’t let him stay quiet. it’s been this way for years. since you were teenagers, even. you’d think he would have learned by now. (he hopes that you might have, too.)

but, there is a fact at play that makes you stop staring him down, and you relax your shoulders slightly as you sit forwards.

“i’m only letting this go because it’s your birthday,” you sigh, clasping your hands together. “if it was any other day of the week–”

“yeah, yeah. trust me. i know.”

there’s an edge to his voice that almost sounds like your jeonghan. like the teasing menace you know and adore. almost. it’s missing something. missing his usual spark.

“i swear to god, though, if i find out you’re sick and you’re not telling me,” you mutter under your breath. not quite under your breath enough, mind – he hears you perfectly, and you can see, out of the corner of his eye as you start to rummage through your backpack for your car keys, the way his ears prick up.

“don’t be stupid, i’m not sick,” he says. the truth in these words, specifically, is evident in the weight of his voice, in the way his fingers brush against the small of your back. “i swear.”

“pinky swear?” you ask, turning to look at him over one shoulder.

he holds out his little finger on his right hand for you, both eyebrows raised in a silent challenge. you pinch your lips tight before hooking your own pinky through his, leaning in and pressing a short kiss to the pad of your thumb. the way you used to when you were kids. ‘you really can’t break those.’ he used to say. ‘they’re like, triple the strength’. saved for really important promises. when he does the same, you know you can believe him.

“okay,” you concede, going back to your search. “in that case – i think i’m gonna head on home before the roads get flooded.” you had to learn the hard way that the drains in this part of town aren’t known for their ability to handle much more than a middling rainfall.

somehow – always, somehow – buried at the very bottom of your backpack, you manage to find your keys and your hand curls around them as soon as you feel one of the rough edges against your fingertips. it’s barely been three seconds since your announcement, but jeonghan has managed to shuffle right into your personal bubble anyway and is now sitting with one arm pressed fully against your own.

“i don’t know if it’s safe to drive when it’s like this,” he says quietly. “it seems dangerous.”

“i think i’ll be okay if i leave, like, soon,” you try to reassure him.

“you think,” he repeats, narrowing his eyes at you.

“i’ve driven in so much worse, believe me,” you say. “don’t worry, i’ll be careful.”

“why don’t you just stay the night?” he offers. “you’re not working tomorrow, are you?”

“i’m not,” you confirm, and you do genuinely consider the offer for a moment before deciding to decline. “but i need a shower, and–”

jeonghan interrupts you, a little too quickly. “you can use my shower, i’ve got spare towels. i’ll sleep on the couch. don’t drive in this.”

“hannie, stop worrying,” you laugh, starting towards the door. “i promise, i’ll go slow and i’ll text you the second i’m home.”

“y/n,” he sighs, stepping towards you, jaw tense. “please. just this once.”

you swallow, looking all over his face, trying to figure out what train of thought the cogs behind his eyes are turning in tune with, why he’s so stressed about this. you’ve never known him behave like this sober. (you’ve only ever known him to be like this once, at all, and he tried to kiss you, then, so–)

“i really…” you start, only to be interrupted by another brilliant white flash. your eyes dart to the window just in time to see the lightning bolt through the clouds, and you feel your face noticeably soften in wonder. barely four seconds later – it’s getting closer – the loudest thunder clap you think you’ve heard in your life drowns out every thought you’ve ever had.

every thought, except the sudden pressure of jeonghan’s fist around your forearm. every thought, except the stuttered gasp he lets slip. every thought, except the sudden fear in his too-wide-eyes.

oh, you think, realisation dawning on you as the blunt press of his nails grows just a fraction softer in time with the end of the rumble. that’s…

“it’s okay,” you say softly, taking a step closer to jeonghan and opening your arms for him to step into. “it’s okay. i’m here.”

he falls against you like an unsteady house of cards, his arms tight around your back and his head buried into the place in your shoulder where it fits the best. you’ve never seen him like this, and you’re not really sure what to do with yourself; he’s always been the sturdy one, between the two of you. he’s always been your rock. there’s a little bit of an irony in how he’s always been the one to help you weather the storm, but with the shoe on the other foot…

“how can i help you?” you ask, trailing your fingers up and down his back, not really sure that he can feel you through the thick material of his sweatshirt but you’re trying your best, anyway.

he squeezes you tighter, buries his head further down into your shoulder, takes a few shaky breaths in through his mouth and screws his eyes shut a little more before he makes his request.

“please stay with me.”

if your heart wasn’t aching for him before, it most certainly is now. you nod to the room at large, hoping jeonghan can feel the movement even a little. you don’t loosen your hold around him, though: you let your best friend cling to you for as long as his muscles will allow before they start to ache and he has to step away.

“come with me,” you say once he’s finished running his fingers through his hair, trying to set it back to rights. “it’s okay.” you hold one of your hands out to him and he takes it, albeit apprehensively; giving his palm a squeeze with your own, you guide him through the apartment towards his bedroom.

“what are you–?” he asks, and despite his earlier hesitance to hold onto your hand, he doesn’t want to let go of you now you’ve reached your destination. he just stands next to you, fingers threaded through yours, looking at your face with tired eyes and a lifted brow.

“grab your bedsheets,” you tell him, shaking your hand free. “and your pillows. we’re gonna make a fort.”

“a what?”

“a blanket fort,” you say. “to hide from the storm.”

he doesn’t say anything for a moment, and for a brief second, you think maybe the idea has offended him. his face hasn’t lifted into the smile you sort of expected it to; instead, he’s just staring down at his bed as if he’s trying to will himself out of existence.

“we don’t have to do all that,” he says. “it’s… that’s way too much?”

“it’s your birthday,” you counter. “and i want to make you a birthday fort. like we used to, when we were kids. it’ll be fun!”

he gives a little sigh, but it’s not one of sadness or exasperation with you. it’s defeat. except, you think if you could taste it, you’d be able to pick up a tiny lacing of sweetness in his exhale.

“fine. you’re building it, though.”

you think it’s safe to say that perhaps, you’re a bit out of practice. you distinctly remember this being much easier when you were young: throwing bedsheets and blankets over the couch and propping them up with chairs or broomsticks. the forts that you would make as a child were, truly, a sight to behold: you used fairy-lights to decorate one, once, and it still remains one of your most prideful projects to date. the slight catastrophe that sits in jeonghan’s living room by the time you’ve finished laying out the last few pillows is… more a cave, in your opinion, and not a very pretty one, but you emerge from it smiling anyway and jeonghan looks at you so fondly that no matter how rubbish it is, it’s worth the half an hour you spent putting it together.

“what do you think?” you ask, sitting back on your heels.

“it’s not your best,” jeonghan teases as he walks towards your monstrosity masterpiece, critically eyeing the ‘roof’ that would definitely fail any kind of health and safety audit. “but it’s not your worst, either.”

a bright smile lights up your face as he drops down to his knees and crawls inside the space alongside you, letting the ‘door’ (a particularly thick blanket) fall down behind him. one of the (many, many, many, many, many) problems you encountered was trying to make one of these to fit two grown adults, but with him tucked away inside with you and a few flashlights to prevent you from being plunged into darkness… ignoring the potential for it all to come collapsing in on you at any given time, it’s surprisingly comfortable.

you lay back against the pillows first and jeonghan follows soon after, a weirdly gleeful smile playing at his lips as he does. he curls into your side and you talk, and talk, and talk. about everything. about nothing. it doesn’t really matter.

you’re not quite sure why, but the deep roars of the storm outside don’t seem to bother jeonghan quite as much in here. maybe it’s because he’s not alone, and there’s no imminent threat for him to be: maybe your company really is making a difference. he still reaches for you every time there’s a particularly loud clap, still closes his eyes and takes a series of deep breaths until his stress passes, but for whatever reason, he feels significantly less tense.

and when, after the third boom, he decides just… not to let go of your hand? who are you to try and force him?

there’s… just one problem, though. you’re ecstatic that the storm isn’t bothering jeonghan as much, now. that he can talk absolute nonsense to you in your private little hideaway, that he can lean his head against your shoulder and chuckle at your bad jokes and even crack a few of his own. genuinely, you could not be happier. for him.

but there was more reason than wanting to sleep in your own bed that had you desperately trying to get home before you realised the gravity of your best friend’s situation.

with every new growl of thunder outside, something low in your stomach twists, accompanied by an ache, a warmth, a throbbing between your thighs. at first, it was easy enough to battle through. you kept telling yourself that the thunder never lasts too long, that you could get through this without jeonghan being any the wiser, that everything was going to be fine. but now, almost an hour later, the buzz of electricity in the atmosphere and the entirely-too-addicting scent of your best friend’s fabric softener has you feeling hot enough you could faint.

you twist and shuffle over and over, hoping to find a position that eases the throbbing. it’s fine, you think, taking a deep breath and praying to every deity you can recall by name that jeonghan doesn’t notice your discomfort. i can do this. it’s fine. just a little while longer.

a spectacular boom sounds through the apartment and jeonghan’s fingers tighten around yours so much that, against all your better judgement, you let out a loud gasp. not out of pain, though – no, you wish. if only it was that easy. ha. no – as he squeezes your hand, images flash through your mind of him being the one to relieve you of the tension building up beneath your skin. of him gripping and grasping and tugging, thrusting, tasting, adoring. your throat runs dry and you squeeze your thighs together desperately, pinching your lips tight, willing your pounding heart to calm the fuck down. willing your cunt to stop drooling into your panties.

“fuck,” you breathe when he finally lets go. you feel him shuffle at your side and prop himself up on one elbow, looking down at your face with mild terror written into the lines of his own.

“i’m so sorry – did that hurt?” he asks, searching your eyes for any kind of clue. you wish he wouldn’t. surely, you think, pressing your tongue harshly against the roof of your mouth, surely my pupils are blown to oblivion, right now.

you shake your head, not trusting yourself to speak.

“are you sure?” he asks, slowly running his fingers down your arm, moving to take hold of your hand again if you’ll let him. you flinch, the drag of his nails akin to an electric shock – like being struck by lightning, you tell yourself – and he snaps his hand back straight away. “what’s wrong?”

“nothing,” you hurry, pushing yourself up to sit (almost head-butting him in the process) and groaning at the way the seam on your jeans rubs against your clit. who wears fucking jeans to a movie night? what absolute moron–

“do you feel okay?” jeonghan questions, sitting fully upright now too. “do you think it was the foo–”

“oh my god, please,” you whimper, bowing your head, letting your hair fall around your face, shielding you from him. just a little. not quite enough. “please. i’m fine. stop asking. i’m fine.”

“said everyone, ever, who was in fact – not fine,” jeonghan quips. “do you need water? i can help, just talk to me–”

“jeonghan,” you snap, whipping your head back up. your face feels hot and you don’t know if you’ve ever felt this tense before in all your years on this earth. all your muscles are tweaking in anticipation for something that most certainly is not going to happen, and you really need him to stop talking in that deep, smooth, caring voice. with immediate effect. for the love of god –

…and heaven above, the penny drops.

jeonghan’s concerned expression turns to one of complete shock and you cover your face with both hands, trying so desperately hard not to be perceived by him in this most humiliating of moments. he doesn’t say anything for a second, and you tell yourself that he’s probably trying to find either a terrible joke to ease the tension or a way to tell you to go home. you don’t know which would be worse, but it’s only a matter of time until you find out.

therefore, you definitely don’t expect him to pry your hands away from your cheeks, and for his shit-eating, impishly charming, handsome-as-fuck grin to be the first thing your eyes land on when you open them.

“really? thunderstorms?” he asks, close enough that you feel the breaths that his words don’t quite steal. “that’s your kink?”

“it’s not a kink,” you whine, throwing your hands down either side of you. he doesn’t release his hold on your wrist, though. “come on, don’t be–”

“of all the things you could be into,” he says. oh, he’s back. he’s back with a vengeance. you suppose, really, you should be glad that he’s feeling more like his usual self, but the fact that it’s at your expense? that there’s no-one else around for him to turn on instead? that this is your topic of conversation at ten past midnight on his living room floor?

“hannie, please,” you huff, lips drawing downwards into a frowning pout. the ache isn’t going away. why isn’t it going away? why is this cocky, smirking version of your best friend making you feel even hotter under the collar? what’s going on? “don’t you think i’ve suffered enough?”

“not even nearly,” he says, sitting up on his knees, resting his palms on his thighs. “since when? how did you even fig–”

boom.

and his jaw falls slack, watching you squirm.

you’re quite literally fighting for your life. or, at minimum, for your friendship. because, really, you could jump jeonghan’s bones right now and you don’t actually think he’d turn you down (something to be filed under: thoughts that are not making this any easier). but that’s not what you’re trying to do; you’re trying to help him feel better, and take his mind off his fear, and when he pulls his bottom lip between his bottom teeth before speaking –

“okay, wait. hear me out.”

to both of your surprises, you do. you don’t try and protest, which he was sort of expecting you to do. you don’t tell him to shut up, you don’t try and get away from him. you sit there, eyes wide, hands curling into the blankets beneath your slowly numbing ass, and you wait for him to continue.

“i can help you.”

your heart shoots up into your throat and you struggle to swallow around it. your breaths are heavy, laboured, your lips parted and a little swollen from how you’ve been biting at them for the past hour and a bit.

“you don’t have to–”

“shut up, y/n,” he says dismissively, crawling in front of you and lifting your hands away from the bedding you’re kneading (pathetically, in his professional opinion) like a cat. “listen. you’ve helped me so much tonight, you don’t even know. let me return the favour.”

“hannie…”

“hannie,” he whines, in a poor imitation of your voice. “hannie, i only helped you because you needed me– is that it? look at you, y/n. you’re a mess.”

if this were anyone else, you’d be livid. not only at the way he so effortlessly makes fun of you, but at the fact that he accurately finished your sentence without having anything more than an affectionate nickname to work from as a hint. you don’t know what to say, suddenly stunned into silence, but it’s all right. you don’t need to say anything; he keeps going.

“you need me. let me help you – look. it’s my birthday.”

he wants this, you think to yourself, growing slightly concerned by the way your heart continues to hammer in your throat. he wants… me.

you give one slow, but definite, nod of your head and jeonghan’s grin grows from cocky to genuine. he crawls until he’s right up in your space, lifting a hand to your cheek, and you forget how to breathe for a moment as he looks you in the eyes with more heat than the mid-august sun.

“lie down,” he says, pushing that last little bit closer and capturing your lips in a kiss. it’s short, but mind-boggling. your brain goes totally blank when he pulls away. “it’s okay. i’ve got you.”

but you do as he says and shuffle around the little fort so you’re on your back, head resting against one of the many pillows you’re grateful you brought in here with you. he crawls on top of you, then, caging you in with one hand either side of your head, settling with one of his knees slotted between your just-parted thighs.

“okay?” he asks, searching your face for any signs of discomfort or worry. he doesn’t find any, though – he’s met only with a perhaps too enthusiastic nod and your hands playing at the hem of his sweatshirt. he chuckles, bending down to kiss you again, a little deeper this time, a little longer. open-mouthed and hot, swiping his tongue over your bottom lip, dropping onto one elbow so his torso lies almost flush against yours.

“easy, tiger. taking care of you, right now.”

you sigh as his lips start to descend down the column of your throat, and you press your shoulders back into the blankets to try and push that little bit closer to him. one of his hands slips beneath your own shirt and his palm comes to rest flush against your hip, dragging his thumb in small circles over your skin.

“this,” he mumbles into your collarbone, tugging the neckline of the garment between his teeth for a moment so you know what he’s referring to. “off.”

“bossy,” you mumble, your body cold all of a sudden as he sits back away from you and you tug your t-shirt off over your head. as you do, he reaches behind his neck and tugs off his sweatshirt as well before he tosses it up near your head, out of the way.

now, this is certainly not the first time you’ve ever been around jeonghan without anything covering his top half, but it is something that you rarely get the chance to see. if it’s not the fact that he’s chronically freezing cold, it’s because he’s grown emotionally attached to some of the baggiest tops known to mankind, or he’s worried about getting a sunburn so is still covered up at the beach. for one reason or another, this just isn’t something you’re blessed to see very often, and he looks so good you almost forget that it’s him.

of course, that only lasts until he says something really fucking dumb. in other words, all of about three seconds.

“how… practical,” he says, eyes trained down on the bra covering your tits. in a way, it’s probably a good thing you’ve snapped back to your senses, because you once again find yourself thinking that if this were anyone else, you’d have told them to get off you and never call you again.

but why is jeonghan, of all people, criticising your choice of comfy underwear… weirdly endearing?

“sorry,” you grunt, making no effort to hide the (flesh-toned, full-coverage, entirely too old) bra that he’s looking at like it’s personally offending him. “didn’t expect to need to impress, tonight.”

“don’t be sorry,” jeonghan says, shaking his head as he unpops the button on your jeans and tugs them down over your hips. “just… do better next time, yeah?”

you laugh so suddenly, so abruptly, so loudly that you choke on your own spit and end up coughing a little, propping up on one elbow to try and relieve the burn in your lungs as he continues to work your pants off your legs. by the time he scrunches them into a ball and puts them to the side, too, you’ve managed to catch your breath, and gasp out, “next time?”

“next time,” he nods, making himself comfortable between your thighs. he lays one palm on the inside of each knee, pushing them as far apart as your hips will allow, before he brings one hand over your covered cunt and drags his thumb up and down your slit.

you don’t even get a chance to ask why he’s so sure there’ll be a next time. he skillfully works you through the material and in seconds, has you tipping your head back into the pillows, moaning at the overwhelming feeling of finally being touched.

“so fucking wet,” he sighs, feeling your arousal through the cotton of your underwear, pressing the material between your folds. his thumb circles your clit over and over, the pressure just right – not so light that he’s teasing, not so hard that you’re squirming away from him. hell, if you knew he was this good, you’d have dragged him into bed years ago.

“come on, hannie,” you gulp as he starts to work his thumb faster, starts to massage at your inner thigh with his other hand. “need more…”

well, he doesn’t need to be told twice. you lift your hips and he tugs your panties down your thighs, unhooking them from around your ankles. you expect him to, you know, return to business, but he does something just a little bit unhinged first and brings your soaked underwear up to his face. you hear how deeply, how loudly he inhales, the subsequent groan he gives even louder, and you swear the reason you end up bumping his hip with your knee is to bring him back to earth, because it actually feels like he’s forgotten you’re lying right there.

“i’ll do it myself, in a minute,” you threaten, and jeonghan grins wickedly down at you as he lowers your panties down to join the rest of your discarded clothes.

“no you won’t,” he tells you – he tells you? – , finally now lying down between your legs, just inches away from your glistening cunt. “god – as if i’d ever let that happen.”

“i swear– ” you start, half a second before one of his fingers presses against your hole. you stop talking with a gasp, a hand flying to your chest and squeezing against your tit. just like that. in a heartbeat, you’re done for.

he seems intent on gathering as much of your arousal on his fingertip as he possibly can, running it through your folds, pressing it inside you, smearing your slick all over and then some like a fucked-up painting. only once he’s satisfied does he finally start to work his finger in and out, pressing his lips just above where your clit is begging for his attention.

“don’t play stupid,” you chide him when he looks up at you through his lashes, eyes wide and feigning innocence. “if you can find it through my underwear, you can find it now.”

“bossy,” jeonghan tuts. “what’s with the rush, huh?”

and he adds another finger to the first, both long and elegant and reaching spots inside you that your own physically can’t. you keen against your will, hips reacting of their own accord, trying to fuck your pussy down against his hand. he makes no effort to stop you.

“m’not gonna beg,” you tell him. “just – fuck, get your mouth on me. now.”

to his credit, he does.

and more to his credit, being eaten out has never, ever felt this good.

the hand not grasping at your chest shoots down to tangle in his long, silky hair, and jeonghan moans loudly against your pussy as he laves his tongue everywhere he can. over your clit, between your folds, slipping it inside your hole in place of his fingers – he’s relentless, slurping and groaning and finding some sort of insane stamina from somewhere deep in his soul. you swear to god, this is not the man who sometimes falls asleep with his light on because he doesn’t have the energy to get up and turn them off.

within a matter of minutes, you can feel the coil in the pit of your stomach growing tighter and tighter, your walls fluttering around his fingers, your moans and whines only getting louder by the minute. your legs are shaking. your thoughts are little more than static, and him. at some point – you don’t know when –, jeonghan reached around your hips to pull your thighs together and clamped them around his ears, mumbling against your clit something to the effect of to help with the thunder. (you don’t mention that there hasn’t actually been another thunder crack since he started making out with your pussy. it doesn’t feel relevant, somehow.)

every time you tighten your thighs, every time you squirm, he hugs you tighter against his cheeks and you just end up humping against his tongue. something tells you maybe that was the plan all along?

sparks of energy start to prickle all over your skin as you teeter on the edge of your high. your fist tightens in jeonghan’s hair, your breaths become fewer and further between. it’s frankly a bit of a miracle you’ve even managed to last this long – you held back as long as you could, determined to milk as much of the pleasure his hands and his mouth so skillfully bring as you can. just in case there’s no next time, but… hell, do you hope there is.

“hannie, i’m–” you gasp, his fingers curling upwards again and resuming their earlier assault on your g-spot. “fuck, hannie, i’m so close–”

“mm, have been for a while, huh?” he asks, drawing his mouth away from you, licking his tongue over his arousal-slickened lips. “you’ve been holding out on me.”

“yeah, but-... i wanna come so bad,” you swallow. jeonghan flicks his tongue out over your clit again and you jolt up into the touch. “please, don’t stop.”

“won’t,” he promises. and it’s the last thing he says before his lips meet your pussy again and he brings you over the edge into the most electrifying of climaxes.

by the time you’ve stopped twitching with the aftershocks of your orgasm, jeonghan is sat up on his knees again, softly massaging at your hips with his thumbs. your vision is still kind of fuzzy at the edges when you glance up at him, and for a moment, with a hazy outline and an amber glow behind him owed to the flashlight you set at the entrance to the fort, you think he looks a little too much like an angel.

“where the hell did that come from?” you ask him, fighting against the squirming in your belly. fighting against the sensation that feels a little too much like butterflies.

“really?” he asks in a breathy laugh. “that’s-... i mean, do you actually want to know, or…?”

you mull this over for a moment before crossing your arms over your eyes and concealing yourself from his view, shaking your head. one part of you is morbidly curious as to how he got so good at giving head. the other part of you is too busy trying to gather the brain cells he just sent flying across about eight different dimensions.

“i think you’ve broken me, jeonghan,” you breathe, feeling more than seeing him lie down next to you again. his lips press sweetly against the curve of your shoulder. warmth radiates from that one spot, all over your body. you smile, like a complete loser.

what’s worse is that you really don’t mind.

“is that a yes, then?” he asks, slinging an arm over your waist. you turn your head to look at him, eyes crossing a little with how unexpectedly close he is.

“yes to what?”

“to next time,” he says. his grin matches yours and you nod your head at him, yes. in your peripheral vision, you notice how he lifts one hand, extends his little finger. straight in front of you, you see both of his eyebrows raise.

you pinch your lips tight before hooking your own pinky through his, leaning in and pressing a short kiss to the pad of your thumb. the way you used to when you were kids. ‘you really can’t break those.’ he used to say. ‘they’re like, triple the strength’.

saved for really important promises.

“to next time.”

thank u so much for reading, i hope you enjoyed this. as always, your likes/reblogs/comments and feedback are always deeply appreciated.<3

#jeonghan smut #yoon jeonghan smut #seventeen smut #svt smut #kpop smut #jeonghan x reader #j writes.#*#ft. the lowest effort banner of all time <3

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simplyjake · 2 months

Text

Valentines day w Enha Hyungs🫶

summary: what u and ur man do on ur first valentines day tgt<3

a/n: and fuck everyone who got a valentine. let me be a hater but i also had to pump this one out before the day ends for me

Heeseung

Oh hee, my sweet hee

HE WENT ALL OUT

Ofc he did its ur first valentines with each other as a couple

You guys used to do valentines as friends

Both single and lonely

But since he finally had the balls to ask u out you can now spend it in a relationship!

He actually got u a reservation to ur fav restaurant months in advance

Bc bro knew that the place does not PLAY w reservations

Its always so busy

So the fact that he did this in advance makes ur heart swell

You bought him his first bouquet of flowers

He sobbed.

Boys deserve their flowers too!

He cherishes the flowers and when they die

He does that thing where he presses dead flowers and shit

Then puts them in a frame above his bed

He got you flowers too with a teddy thats huge as fuck

You end the night with a celebratory minecraft session <3

Jay

Such a romantic ill cry

You were never much of a valentines day celebrator

You thought it was stupid (me too bff)

That was until you finally had ur person to do it with

Im a sucker for jay playing guitar so obviously

This man learns ur top 3 songs on guitar and plays it for you

You got him a bunch of custom guitar pics and those r all he uses btw

He gets u this big ass bouquet that came with a crown n shit

“Had to go all out for my princess”

SHUT UP

We know hes an excellent cook

So of course he cooked a 5 star home cooked meal for the both of you

W niki as ur server

He was promised robux if he did that btw

You got him tickets to see his fav band thats coming to town in a few days

He blew up

Sooo thankful for you

And to think this is only ur first valentines day?

Baby it only goes up from here!!

Jake

Our jakey poo

Hes the best at this shit lemme tell you

You woke up to home cooked breakfast in bed

So sweet of him awww

Hes had this day planned for a while

He saved up so that you can have a shopping spree

Ur literally in shock bc jake??? You did not have to do all that

A nice set of flowers and movie day in would settle

But not to him nuh uh

Dont worry you made sure you got ur gift in as well

You even got something for layla!!

When you mentioned that u got layla a gift too he almost got down on one knee i swear to god

After ur little spree you guys went out to eat for dinner

You begged him to let u pay

He alr spent so much today that you were gonna be upset if he didnt let you pay for this one thing

He reluctantly let u pay the bill

But he HAD to be the tipper

The day couldn't have gone any better

ALSOOOO

Posts u to “Valentine” by laufey

Sunghoon

Sunghoon is so cutie

He knew you were coming over soon so he set up his room with all of ur favorite things

Like ur fav drinks in the shape of a heart on his bead

Giant teddy bear sitting in the corner

Rose petals and even balloons everywhere

Do u guys know the tik tok audio

“Victor u actually did this” LMFAOOOOO

You'd recreate that video with him

“Baby are u srs”

“Hoon pls we’d go viral”

And u did btw

You guys would have a cute comfy day in

He'd rather save all the big gestures for ur birthday!

You two are a really lowk couple

He posted u for v day and people slide up like

“Wtf since when did u bag a hottie”

“YOURE DATING Y/N”

And he shows them to u giggling cus like

Hes the one who gets to show u off and be with you forever

#enhypen #enha #enha x reader #enhypen imagines #enha imagines #heeseung #jay park #park jongseong #jake sim #sim jaeyun #park sunghoon #heeseung x reader #jay park x reader #jake sim x reader #sunghoon x reader #enhypen reactions #enhypen x reader

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t-lostinworlds · 4 months

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Treasure Be Damned | Nathan Drake

》 PAIRING: movie!nathan drake x female!reader

》 TROPE/GENRE: childhood best friends to lovers; angst; fluff

》 SUMMARY: Nathan wished it didn't take something drastic to happen for him to finally realize what he felt for you. And no matter how much that gold was worth, you will always be his greatest treasure.

》 WARNINGS: both are orphans (mentioned), tech genius!reader, protective!nathan, switch pov halfway thru, kinda canon divergent (a.k.a. i made slight changes to some scenes from the movie), pining, jealousy jealousy, idiots in love, some angst, kidnapping, canon level violence, injuries, love confessions and a cute fluffy ending.

》 WORD COUNT: 5.4k+

A/N: hello! me again with another fic. this may seem super random but this was commissioned by the lovely @theslayerofthevampires ! thank u so so much hun <3 my first ever commission btw. trying to stick to a certain word count was actually quite interesting to me alskalsk but this was fun to write and i hope i did it justice!

+ also i couldn't think of a better title and the summary is kinda cheesy but we love cheese in this house so alksalkslaks

📍 BLOG NAVIGATION ✩ MAIN MASTERLIST

⊱ ─────.⋅♚ *｡･ﾟ.★. *｡･ﾟ✫*.

You and Nathan had been best friends for as long as you could remember.

When he punched a guy twice his size all because they made you cry on your first day at the orphanage, he quickly gained your trust and loyalty. It was reciprocated when you dumped all your lunch on a kid when they poked fun about why his brother left him.

You two had been inseparable ever since.

Nathan was protective of you, and you were protective of him.

As years passed, that protectiveness only grew tenfold. With it came the care and affection that went from strictly platonic to something warmer, sweeter.

For you, at least.

You couldn't pinpoint when it started, all you knew was that everything Nathan did for you suddenly felt special—like it was solely for you.

The change wasn't outright. It was a slow realization, when the little things he did made your heart grow warmer and beat faster all the same.

At first, you thought it was a simple crush—a silly phase, that with time, it would fade.

But no.

As months moved to years, it went from something that lingered to something you couldn't escape from.

The moment you truly figured that what you felt about him wasn't as simple as an adoration for your best friend was on your eighteenth birthday.

Nathan had spent all the money he saved from working odd—and honest, he made sure to make that known—jobs on a silver necklace.

Maybe you watched way too many romcoms, maybe it was all in your rose-tinted head, but there was an underlying romance in the way he stood behind you, so close and warm, as he put the necklace on for you.

With bated breath, you let him, trying your best not to melt over his simple touch. His fingertips brushed against your skin so delicately but felt electric in all the right ways.

You only regained your breathing when he finally stepped back. Yet he took it away a moment later when he gently tapped the charm—shaped like a compass—sitting between your collarbone, a fond smile on his lips when he said,

"So you'll always find your way back to me."

How could you not fall in love?

What a cliché.

Falling in love with your childhood best friend.

It would've been cute if it was reciprocated.

But whatever he saw you as was strictly platonic.

You were constantly reminded of how unrequited your love was with the hook-ups he brought back to the apartment.

You had agreed to be his roommate to help lessen the expenses. Even though you had only recently moved in together, you were starting to doubt if it was a good idea—for your heart's sake, anyway.

It didn't even stop there.

Because here you were once again, sporting an ache in your chest as you watched him flirt with a blonde girl at the bar.

As much as you enjoyed visiting him at work, seeing him flirt with the pretty customers regularly will always leave a bad taste in your mouth.

Jealousy.

A feeling you shouldn't be entertaining in the first place. You were just a best friend. You had no right to go all green-eyed whenever you saw him with another girl.

Nathan Drake wasn't yours.

You didn't even realize that you were too deep into your thoughts until a familiar voice brought you out of it.

"You okay?"

You blinked, looking up to see Nathan regarding you with brows furrowed in concern.

"Huh?"

"You've been glaring at that thing for a good minute now," he explained, nodding at the personalized cocktail he made for you.

He always did that whenever you stopped by, experimenting with new mixes he thought you'd enjoy solely based on how well he knew you. You give him your honest feedback in return. It was your own little game.

"Is it bad?"

"No, no, no," you said, taking a sip before smiling. "I liked it."

"Just 'like', damn. I need to step up my game," he sighed in feigned disappointment. When you didn't react as much, he added, "What's wrong?"

"Nothing."

Nathan looked at you for a moment, lips pursed as he shook his head.

"You're such a bad liar."

"I'm not," you scoffed, playfully rolling your eyes. "You just know me so well."

"I do," he hummed, grin turning proud. "I also know when something's bothering you so, what's up?"

"Girl things." You shrugged, trying to seem nonchalant. You could tell it confused him, because he was never uncomfortable to talk about those topics with you. But before he could even question it, you quickly added, "I think I'm going to head home first. You didn't forget your keys, right?"

"That was one time," he grumbled, eyeing you for a moment because he obviously didn't buy your excuse. A second later, he sighed, "Yeah, I got my keys."

"Okay, See you later," you said, gathering up your things before walking towards the door.

"Let me know if you get home safe," he called out.

You only threw him a salute in response.

-:-:-:-:-:-:-

It was the harsh light from the huge window in the living room that woke you up.

You must have fallen asleep on the couch in the middle of watching your comfort movie—a poor attempt at trying to distract yourself from your lovelorn predicament.

Who knew dealing with feelings could be so exhausting?

It was the smell of bacon that coaxed you out of your cocoon, though.

"Good morning, sleepyhead," Nathan greeted as soon as you stepped into the kitchen. He threw you a warm smile over his shoulder before he continued making breakfast—shirtless, might you add. "There are painkillers beside your water in case your neck is killing you. I would've carried you back to your bed but you kick in your sleep and I've learned my lesson so…"

It did happen once.

He was trying to coax you off the couch and back into the comfort of your bed. But as he got closer, your leg having a mind of its own when you were deeply asleep, you kicked him straight in his jewels—his words, not yours.

The loud thud of him falling on the floor didn't even shake you awake, not even when he was groaning in pain.

You couldn't even remember any of it.

"How many times do I have to apologize for you to let that go?" you chuckled, settling at your usual seat at the small dining table you had.

"Not enough," he snorted. "I still feel the phantom of the kick, you know."

"You're so dramatic." You rolled your eyes, glancing around only to catch a glimpse of that old yet familiar green trunk. It was then you noticed some of his old stuff littered around, trinkets and memorabilia he hadn't looked at in a while. Just as you were about to question him about it, you saw the excited look on his face. You narrowed your eyes, asking, "Did I miss something?"

"Quite a lot, actually," he chuckled, sauntering over to you with your breakfast for the day. Putting the full plate in front of you, Nathan leaned down and quickly kissed your forehead. "Eat. I'll tell you all about it."

You ignored the phantom of his lips on your skin.

-:-:-:-:-:-:-

A treasure hunt.

Nathan dragged you into a treasure hunt.

You didn't trust this Victor Sullivan guy, but Nate seemed to be adamant about finding this gold in hopes of finding Sam too. And you trust your best friend's judgment so that made Sully a friend of your best friend, much to your dismay.

"Do I look okay?" you asked, straightening out your long, black evening gown as you emerged out of the makeshift changing room.

When you didn't hear an answer, you looked up to see Nathan staring at you with a certain look in his eyes.

Your face warmed. "What?"

"Okay?" he scoffed, shaking his head as if he was offended by the word you used. With a gentle smile, he gestured at you with both hands. "You look beautiful."

"Thanks. You don't look bad yourself," you responded with a shy smile, unable to hold his gaze for much longer. You fixed your entangled necklace, instead.

"Here, let me," he said, quickly walking over to you to straighten it out, his touch featherlight against your skin. "It's a gorgeous necklace. The guy who gave this to you has good taste."

"If good taste means licking his own ass, then, it's a bit questionable."

"Okay, gross," he playfully grimaced. "All I'm saying is that I picked the right one for you."

"You did." You smiled fondly.

"Perfect," he hummed with a smile, his gaze slowly trailing from your necklace up to your eyes, his next words barely even a whisper. "You're perfect."

You didn't know if it was even meant for your ears but you could only stand there, staring into his brown eyes that seemed to shift from one emotion to another.

Nathan was about to say something when Sully came out of nowhere with that grumpy look on his face.

"Why are we bringing her again?" he asked as if you weren't standing in front of him.

"She's a genius with computers," Nathan said, a bite in his tone. "She's going to help us get through any security tech easy breezy."

Sully narrowed his eyes between you two before shrugging.

"Fine," he grumbled, looking you up and down before walking away. "We leave in ten minutes."

"I don't think he likes me very much," you sighed once the door shut.

"I don't think he likes anyone," Nathan said, smiling at you reassuringly. "Don't take it personally."

And you didn't. Truly.

But when you got to the auction house, it definitely felt more personal when the old man wouldn't tell you anything.

No communication. No updates. No information. Nothing.

Only when you ask Nathan directly were you able to get a grasp of what was going on or when to proceed to the next step—if he wasn't distracted.

With the countless pretty ladies dressed to the nines, you best believe he wasn't anywhere near focused.

You were angry because this was a dire situation. One wrong move could get you guys caught. You were too goddamn young for prison.

You definitely weren't bitter over something else.

"Do you always feel the need to flirt with anything that walks?" you spat when he finally reached the door you'd been trying so hard to keep open without getting caught. It took him three minutes more since he was busy chatting up some random trust fund girl.

"I wasn't—Jesus," he grunted, the door hitting him on the way as you walked past it.

You couldn't be bothered to wait anymore. You didn't look back and simply sped walk towards the power switch.

"You're upset," Nathan said once he caught up with you.

"I'm not upset," you grumbled. "I'm annoyed."

"It's the same thing."

"It's fucking not."

"Okay, geez," he conceded, pouting, "What'd I do?"

"What aren't you doing?" you asked sarcastically, harshly tapping on your phone as you tried to decode the security lock on the main switch. "Oh right, focusing on your job!"

"Christ, do you two always bicker like an old married couple?"

"Shut up!" you and Nathan barked synchronously.

Shaking your head, you calmed yourself, punching in the security code.

"Look, I'm sorry, alright? I was just trying to scope potential—"

You glared at him.

"I'm shutting up."

"Just do your thing. I want this over and done with," you grumbled, stepping aside once the circuit box finally opened.

"You're a genius," he praised with a smile, placing a quick kiss on your forehead. "Thank you."

"Whatever."

You wished you could say everything went smooth sailing from there, but when did it ever?

Everything happened so fast.

One minute you two were walking out of the control room, the next you were being chased down but huge men.

Running in heels was not fun.

And then it was a blur, someone grabbing your arm in a way that made you scream in pain to Nathan tackling the guy to the ground, landing blow after blow to his face until blood started to splatter on the suit he was wearing.

"Touch her again and I'll kill you."

You'd never seen him so angry before.

But that anger quickly disappeared when he fussed over you, hands soft against your cheeks yet the panic and worry were evident in his eyes.

It took several 'I'm fine's and a couple more reassurances that you weren't badly hurt to get him to fully calm down and help you up so you could get out of this place.

Unbeknownst to you, there were curious eyes watching everything closely with a knowing yet wicked smile on her lips.

-:-:-:-:-:-:-

You thought the feeling of being outcasted was only a small blip at the auction house.

But you were so wrong.

"What happened to you?" you asked when he finally met up with you at the church in Barcelona, soaking wet from head to toe.

"Long story."

"So you brought your girlfriend with you" A girl—Chloe, you later learned—suddenly appeared.

"She's not my girlfriend," Nathan quickly corrected.

Yes, it was true.

But the way he shut it down so quickly as if the thought made him hurl made the sting harsher.

It didn't take long for you to notice how Nathan seemed to be following Chloe around a lot.

So much so that you were becoming more of an afterthought.

They were always conspiring amongst themselves. It was in their line of expertise, you supposed, and you were just the tech girl. But it wasn't like you were clueless about it. Nate has told you enough stories for you to get the gist of what was going on.

It was getting pathetic, trailing behind them like some puppy, wanting to feel included.

When Nathan argued with Sully that you were not leaving his side when it was time to split up, you could only laugh at it now.

What was the point when you were immediately alone when you got into the tunnels?

Even more as you stood by yourself at the club, watching him dance with Chloe, so close, in the guise of blending in.

Maybe if you weren't distracted you would've noticed the man sneaking up behind you. You would've been able to run before he could grab you from behind, hand over your mouth as he started dragging you backward. And maybe you were quite good at kicking someone's jewels when you hit the jackpot the first time, enabling you to escape and scream for help.

You were yelling Nathan's name, but it was the loud gunshot that caught his attention.

It was heartbreaking to think that it took you getting shot in the leg for him to fully acknowledge you.

You were overwhelmed with too many emotions that you became numb, simply letting them take you back to the safe house in silence.

"I'm sorry," he whispered as he sat by your temporary bed, carefully wrapping the bandage on your thigh after he cleaned it. Thankfully, the bullet was only meant to slow you down, not kill. "I'm supposed to be looking out for you."

"It's fine," you sighed. You knew he was being sincere. He looked thoroughly distraught when he saw you drop to the ground. You knew it wasn't his fault, and you knew he was already blaming himself enough. But with the pain and bitterness—both physically and emotionally—you couldn't stop it. "You were busy. I get it."

He frowned. "What's with that tone?"

"There's no tone," you grumbled, avoiding his gaze.

"You're annoyed."

You shook your head. "I'm not annoyed.'

"So…you're upset," he hummed, reaching for your hands. You pulled away, carefully getting comfortable on the bed.

"I'm going to sleep," you sighed, pulling the covers over you.

Nathan got the hint, standing from his seat with a sigh, "Okay, goodnight, just…call me if you need anything."

So when you woke up in the middle of the night when a sudden sting went up your leg, you quickly yet carefully got out of bed to look for him.

You wish you hadn't bothered.

The last thing you wanted to see was him and Chloe getting cozy on the balcony, a bottle of wine between them.

You figured you weren't important enough to interrupt their moment. Besides, the ache in your leg couldn't compare to the absolute pain in your heart. It only intensified when they started leaning toward each other.

So you quickly went back to bed, tainting the pillowcase with salted tears.

-:-:-:-:-:-:-

"Here." Nathan kneeled in front of the foot of the bed, tying your shoelaces for you. "So, I've been thinking…"

"Uh oh," you joked.

"Maybe you should sit this one out."

Your smile quickly got wiped off your face.

"What?"

Nathan glanced at the door. You followed his gaze, catching a glimpse of Chloe before she hurriedly walked away.

You pressed your lips, nodding in understanding.

"It's not what you think it is," Nathan placated.

"Sure it's not," you scoffed.

"Look, you're injured and—"

You stood up, abruptly cutting him off. You grabbed your bag, limping around the room as you gathered your stuff.

"Woah careful, your wound is still fresh," Nathan followed you around, arms out in case you stumbled. "What are you doing?"

"Leaving. That's what you wanted, right?"

"What? No!" he rushed, hands on your shoulder, stopping you. "What I meant was, you need to recover first."

"Right," you scoffed, shrugging him off before you continued packing. "Because it's going to be dangerous and you're looking out for me, trying to protect me and all that bullshit."

"It's not bullshit!"

"You know, after all we've been through, I thought I could count on you to at least be honest with me," you said bitterly.

"What's that supposed to mean?"

"It means," you pressed, harshly zipping up your bag. "If you wanted me out of the picture, you could've just said so."

Shaking his head, he argued, "That's not it."

"Maybe," you said, looking him straight in the eyes. "But fewer people, more gold to go around, right?"

That rendered him silent.

"You've known me your whole life," he started, hurt flickering in his irises. "You really think I'd do that to you?"

"I don't know anymore, Nate." You threw your hands up exasperatedly. "Because ever since you met them, I barely recognize you anymore. You've been wanting their approval so bad you're getting desperate for it.

"And I always thought that when we get the chance to find this treasure, we'll do it together, side by side like we always do. But all I've done this whole time is be a third wheel to whatever this is." You gestured at him and the door, laughing sarcastically. "Fourth, if you include Sully."

"That's not true," he argued weakly, realization dawning on his face.

"You whisper among yourselves, nobody tells me a fucking thing, you don't even tell me anything anymore! I'm always left chasing after you because you couldn't be bothered waiting for me to catch up. Fine, I might not know everything about this treasure but it'd be nice to get filled in every once in a while instead of leaving me clueless! Hell, you're starting to forget you brought your best friend with you—"

"I didn't forget about you—"

"You didn't even notice I was getting dragged away until I was shot!"

Nathan looked away.

"All of you are always excluding me and it sucks," your voice cracked, blinking away unshed tears. "And don't think I didn't see you conspiring with Chloe last night."

He looked confused. "Last night?"

"When I came looking for my best friend for help because my leg was hurting like a bitch but I didn't want to be a cockblock so, you're welcome."

"You're not—" Nathan cleared his throat, shoulders slumping, looking at you apologetically. "Y/N…"

You shook your head, harshly wiping at your eyes, putting your jacket on. "The more it goes on, the more I think that you just brought me along because it was convenient for you. Now that I'm considered a liability, gotta leave the extra baggage right?"

"That's not fucking true!" he gritted, pulling his hair frustratedly. "You're part of this as much as I am!"

"Right. Where are we going next?"

Nathan blubbered like a fish out of water.

"That's what I thought," you scoffed, slipping your backpack on.

"Wait, dammit," he cursed when you walked past him, chasing after you into the living room. Frustrated, he called out, "All I'm asking is for you to sit this part out because you're hurt."

You stopped, slowly facing him.

"I never thought that the loneliest I'd ever feel is when I'm supporting you to chase this dream you'd been wanting ever since you were a kid," you admitted, chest tightening as you stared into his troubled brown eyes. "So, I'm not sitting this one out, Nate, I'm done."

You shoved the cross right on his chest.

"Have fun on your honeymoon," you said, bumping his shoulder as you walked out the door.

"Y/N!"

You never looked back.

-:-:-:-:-:-:-

Nathan was smart in a lot of different aspects. But emotions and feelings?

Oh he was stupid as fuck.

He wished it didn't take something drastic to happen for him to accept what he truly felt for you.

Part of him was relieved because at least you weren't there when the plane fiasco happened, especially with your injury. He was appeasing his guilt by telling himself that you were safer this way.

Nathan wouldn't know what to do with himself if something worse happened to you.

But as he was decoding the postcards Sam sent—a difficult task to focus on when he couldn't stop worrying about you so much—Chloe suddenly came in with a package.

"It has your name on it."

He opened it confused, but nothing could prepare him for what was inside.

The dread and fear started to creep up his spine when he held the silver necklace he gave you.

You never took this off.

As he emptied the box in a rush, photos upon photos of you tied up and gagged, beaten and bruised with blood tainting your delicate skin, Nathan felt like his entire heart was taken from him.

'The map or her. Choose wisely.'

It came in flashes, moments where you'd been there for each other, the joy and heartbreak, success and failures—you were always there, his one constant.

Then came the moments where he dreamed about you and him, doing things best friends shouldn't be doing.

He always knew what he felt about you but he shoved it down in fear of ruining the friendship you'd built over the years. But now? Denying it seemed insignificant. Now there was a chance he wouldn't be able to tell you at all.

Nathan was losing the love of his life.

-:-:-:-:-:-:-

"That didn't take long," Braddock laughed sardonically, standing up from a large rock nestled on the beach somewhere in the Philippines.

"Where is she," Nathan growled, the tube map holder slung on his back.

Braddock nodded at one of her men, Nathan's heart sinking to his stomach when they dragged you in, your yelp piercing his chest when they shoved you on the sand.

Nathan instinctively tried to run for you.

"Not so fast," Braddock hummed, clicking her gun before pressing it on the back of your head. "How do I know this isn't a trick?"

"I think you already figured out I don't play games when it comes to her."

"Well, let's see," she challenged. "On your knees, Drake."

"N-Nate," you whimpered, adamantly shaking your head. Even in your state, you were still trying to protect him.

"It's okay," he reassured with a smile, hands up as he did as told.

Braddock grabbed a fistful of your hair and pulled you closer to where he was.

He stifled his anger. But best believe he'd already plotted so many ways to make Braddock suffer for what she did to you.

But one wrong move could cost your life.

"Hand it over."

"Untie her."

Braddock rolled her eyes but did so anyway.

"Hey, hey, look at me," Nathan whispered, your tear-filled eyes meeting his. He lifted his chin once, gaze flickering behind you. "I got you, okay? You're going to be okay."

"Enough with this sappy bullshit. Hand over the map or she dies."

Nathan slowly grabbed the map, only to throw it away as far as possible.

On cue, a huge explosion distracted Braddock enough for you to abruptly stand on your feet, hitting her under the chin with your head.

"You bitch!" she yelled, dropping the gun.

Nathan quickly pulled you aside and grabbed the weapon. With no remorse, he shot Braddock on both thighs, once more on the arm to be petty.

He'd do much worse if you weren't on borrowed time.

Nathan grabbed your hand and made a run for it.

-:-:-:-:-:-:-

The silence was tense.

But Nathan was focused on taking care of you first.

He was busy enough trying not to cry whenever he'd discover a new cut and bruise on you that he couldn't even dwell on the fact that you were showering together. You were both in your underwear, but still.

It was when he had you sitting on the counter as he patched you up when you spoke.

"You didn't have to do all that for me."

"You know, it hurts me so much that you think I wouldn't take a bullet for you," he sighed, finishing up a bandage before meeting your glossy eyes. "You're more important to me than you think you are."

"No, I know it's just—" You bit your bruised lip. Nathan quickly pulled it away with his thumb, not wanting you to worsen your injury. You leaned into his touch as you continued, "You've been dreaming of this since you were a kid and I feel like I've ruined it for you."

"You didn't ruin anything."

"But you should be out there looking for the gold," you said. "Instead you're stuck here with me."

"Listen to me, if I had to choose between that gold and—" He took a breath, holding your face in both hands as he stared at you longingly. "The woman I'm hopelessly in love with then…"

Nathan breathed out with a smile, "Fuck that gold."

You stared at him in a way that made him believe that he'd done it.

He'd finally ruined your friendship to a point of no return.

That until you broke out into the sweetest, brightest smile that made his heart grow and his knees weak all the same.

"It's not as hopeless as you think it is."

Nathan felt like his heart was about to burst.

"Yeah?" He grinned, giddy and warm, gently parting your legs and stepping a little closer.

You let him into your space. But suddenly your brows furrowed, frowning. "What about you and Chloe?"

"So you were jealous."

"Nate."

"There's no me and Chloe," he reassured, gently taking your hands, kissing the insides of your wrists before placing them on his shoulders. "Maybe I got the incredibly stupid idea to make you jealous—I know, baby, I'm an idiot—but she shot that down real quick."

"But—"

"Those times you've seen me with her, all I kept talking about was you," he admitted, blushing. "I'm sure she'd grown sick of me being lovesick."

Nathan probably talked her ear out about how hopelessly in love he was with you, seeking advice on what to do because it was the one thing he couldn't go to you about.

She had been really helpful, pushing him to confess because it was better you know before it's too late, and that in this line of work, you'd never know when that would be.

If only he hadn't let his cowardness win.

"She argued with me that leaving you behind was a bad idea, and if I listened to her I—" He pressed his forehead against yours with a shaky breath. "I'm sorry."

"I know you like to take all the blame but this isn't your fault," you hummed, fingers combing the straggles of hair on the nape of his neck.

"It kind of is," he pressed, eyes watering as he thought about what he dragged you into.

He couldn't stop thinking about the pain you'd gone through all because he was being reckless. For as long as he could remember, he made a vow to himself to always keep you safe no matter what. Yet here he was, failing at that—failing you.

"I'm sorry for being such a shitty best friend this past week," he said, caressing the apples of your cheeks.

"You were pretty shitty," you teased, though he could see the way your body relaxed a little. He could tell that you appreciated hearing his apology. It must've been weighing on you since you left.

It made his heart ache.

"I was and I'm sorry," he said regretfully. "I guess I just got so caught up in this whole treasure-hunting thing that I lost sight of what's truly important to me. But still, it's no excuse. I was the one who dragged you into this, I should've been attentive enough."

You turned your head and kissed his palm, a silent way of saying it was okay. He felt like he was about to melt.

"And I'm sorry for taking so goddamn long to tell you how I feel," Nathan admitted.

"Yeah well," you hummed, smiling at him sweetly. "We're both at fault on that one,"

"Still, I'm sorry," he whispered, brushing the tip of his nose against yours. "For everything."

You nodded, a smile on your lips. "I can't say I forgive yet—"

"Understandable."

"But hey," you hummed, leaning closer. "You have plenty of time to grovel and make up for it."

Nathan chuckled, brushing his lips against yours with a whisper, "Can I start with a kiss?"

You nodded with that cute giggle of yours, one that still echoed as he finally closed the distance.

So many things filled him up at once—soft, sweet, warm. So many emotions rattling his heart as your lips molded into one—relief, passion, love.

It was gratifying, a kiss he'd been dreaming of for as long as he could remember. But, with your fingers in his hair and his hands on your waist, your warm body flushed to his with no space in between, nothing could ever compare to the real thing.

And yes, it was going to take some time to repair the cracks that were made in your relationship. But he was willing to wait and do whatever it takes to gain your full trust back.

Nathan didn't care how long or how much work it would take, as long as at the end of every day, you came back home to him—it was more than worth it.

-:-:-:-:-:-:-

"Kid, are you even listening to me?"

"Sorry, Sully," Nathan said unapologetically. "But whatever the wife says, goes and her plan is usually better than yours."

"I'm technically not your wife yet," you giggled, your engagement ring glinting as you continued bypassing the security cameras using your phone.

"Technically, yes," he agreed, shrugging. "But in my head, you've been my wife ever since you put that ring on."

"Always thinking ahead, huh?" You finished up the job, slipping your phone into your pocket before turning to him with a raised brow.

"Oh yeah," he hummed, pulling you closer by the waist. "And once we get married, in my head, we already have three kids."

"Three?" you choked out a laugh.

"Five?"

"Let's start with one and see where that goes."

"We should definitely practice later."

"Do I always have to remind you two that this is an open line?"

"Oh we know," Nathan hummed, kissing you with a loud smack which earned an annoyed groan. He then gestured at the door with a bow. "After you, Mrs. Drake."

"Still up for debate."

"I'd take your last name any day."

"I was thinking hyphenated."

"Not a bad shout."

"Get moving you two!"

"Sully, you're getting so close to getting your wedding invite revoked."

You laughed at that.

Nathan couldn't resist kissing you once more.

"Let's go," you giggled against his lips. "We still have treasure to find."

"I'm in no rush," he shrugged, brushing his nose against yours. He was sure his eyes were glowing with pure adoration. "Already got the best one right here."

You groaned and called him cheesy but you still kissed him anyway.

Treasure be damned, with you by his side, Nathan was the richest man alive.

✫*ﾟ･ﾟ｡.★.*｡･ﾟ♛ *.

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gentlebeardsbarngrill · 2 months

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02/21/2024 Daily OFMD Recap

TLDR; Cast & Crew Sightings; Rhys Darby; Samba BTS; Vico Ortiz; Ruibo Qian; HowToHelp; Petition Embed; Queerties Last Day; IRL Outreach Assets; New Watch Parties; Visual Rep of SaveOFMD Effort; Fan Spotlight; Collages; OurFlagMeansBooze; Articles; Morale; Love Notes; Daily Darby/Tonight's Taika;

Wow everyone, crazy day again. Day 2 of BTS Darbygeddon. I'm actually going to set a google calendar reminder for tomorrow between 1-2 in case Samba decides to drop another doozy on us. Hope you all had a good day. Here's the highlights-- there's more I would have liked to add but I need to get permission first, so I'll hopefully have them up tomorrow. As always, please let me know if I missed anything <3

== Cast & Crew Sightings ==

= Rhys Darby =

Back again with another Cameo is Rhys for our lovely crewmate @Kellykat53 over on twitter! Thank you so much for sharing this with us Kelly, it's a lovely little inspirational video, definitely gives us plenty of Vitamin RD (as @scorpiostarseed would say). Check out the Cameo

= Saint Samba Schutte =

I've seen several people mention that Samba is a Saint (sorry not sure who started it to attribute it) so going forward, that will be his name. SO MANY BTS pictures and videos. My goodness. Has it even been a day since the last Merstede dump? It has, but damn, here we are with the BOYFRIEND video, and the nipple scratching, and oh look it's Buttons from the Cryptid Factor! As always, if you have access to instagram, please check out these posts on Samba and Rhys' posts/stories.

Videos on Tumblr:

Boyfriends - ty @blakbonnet!

Merstede - ty @kiwistede!

English Jacket - ty @kiwistede!

Cursed Jacket - ty @kiwistede!

Steard Nips - ty @kiwistede!

Rhysently Granted Reunion - ty @kiwistede!

= Vico Ortiz =

Vico voiced the new novel "The Diablo's Curse "by New York Times Best Seller Gabe Cole Novoa! I know some of you are huge Vico fans so wanted to mention it, you can purchase the audio book here. Src: Vico's IG

= Ruibo Qian =

Are you in New York? Our Pirate Queen will be at the #TonyKiserTheater NEXT MONDAY, FEBRUARY 26 at 6:30PM for a one night only reading of On The Evolutionary Function of Shame, by D.A. Mindell - For more details visit here.

== How to Help ==

Hey all! We're adding some things to the daily task lists (and taking some off). Here they are!

= Petition Embed Code =

Looking to easily embed the petition link in your AO3 fic, or maybe your email? @sonnetforbonnet was kind enough to provide us with some embeds you can use! Please visit the repo for the codes!

= Last day for Queerties! =

Please remember to vote! Today's the last day!

Best TV Comedy

Best TV Performance

= IRL Outreach Assets =

== New Watch Parties Coming Up! ==

The Pirates! Watch Party! This is a family friendly movie so bring the kids! Or the adults-- or anyone you know, really, as long as it's not against their will! Sunday March 3rd, 3 PM EST, 12 PM PST, 8 PM GMT!

Watch Party Hashtags:

#OurPirateCaptain

#SaveOFMD

#AdoptOurCrew

== Visual Representation of Fandom Efforts to SOFMD ==

Remember our friends that had the in person Matelotage Processional? Well they're back with a funny video illustrating the fandom efforts of Save OFMD!

Fangirlfoto's Instagram Don't have instagram? See the video on the repo here.

＝＝ Fan Spotlight ＝＝

Thank you once again to @wndrngnomad on twitter for all their awesome collages dedicated to the Cast and Crew! Day 21: Calypso's Birthday! Perfectly timed considering the lovely Boyfriend themed BTS we got today! Catch-Up: Day 2: Madeleine Sami!

= Our Flag Means Booze! =

Our absolutely brilliant crew-mate @quiet-compassion over on tumblr has been designing OFMD Themed Drinks since the show was dropped by Max! These not only have super fun and creative names you'll all recognise, but an amazing array of flavours too! If you're 21+ (in the US) or the appropriate age for drinking in your country, feel free to try them out! As always, please drink responsibly! Are you celebrating with Moonglow Manifesting? Why not try the "Moon Glow" cocktail for the end of the event! Want to see ALL their concoctions? Head on over to the repo, they're all there!

== Articles ==

17 Facts and Easter Eggs about OurFlagMeansDeath That will Get you On Board - 17 Fakten und Easter Eggs zu „Our Flag Means Death“, die dich ins Boot holen - ty @AddieH on twitter

Max: The 34 Absolute Best TV Shows to Watch

==Morale ==

Hey crew. I've been hearing some scuttlebutt around the deck that people are starting to worry again about whether or not s3 is going to happen. The love notes section is already pretty long so I'm not gonna go too crazy up here too -- instead I'm going to just point out that David Jenkins, while not active and posting things for us right now, is sneakily poking around in Samba and Rhys' BTS comments. He's still there, he's still watching, and I think he can tell we're all feeling the high from Samba's releases. Don't give up hope, these things take time. They're gonna get there. I'm gonna add the trends to this section today because I think it's important to see what we did today:

== Love Notes ==

Hey Lovelies. I know I've said it before, but it bares repeating since I know a lot of you are struggling right now.

Just a gentle reminder that if your brain is telling you that there's something wrong with you, or that you've done something wrong or embarrassing -- it's lying to you.

There's been so much dopamine from all the excitement lately with the BTS, that it has to come down at some point, and when it does, your brain will sometimes over-compensate and you start feeling maybe worse than you did before.

This is totally normal, it really is. Our brains are glorious complex pathways of unmeasurable brilliance, and yet a simple hormone change can make that same brain tell us that we're not enough, or we're not worthy.

I am here to remind you, you are so very much enough.

No matter what is happening in your life-- in your job, in your personal relationships, in your family, in your school, anywhere--

YOU ARE ENOUGH, EXACTLY HOW YOU ARE.

If you feel like you've failed, or you've let someone down, just know you are STILL enough. We all fail, it's how we learn.

We pick ourselves back up and we try again, and if we fail again--

We're STILL enough, and we are still worthy of love and comfort.

Eventually you will succeed. You will get there, and all the while while you work on it, YOU. ARE. ENOUGH.

I know it's so hard to see when you're feeling small, but I see you all every day, and I am awe-struck at your constant ability to band together and not only find love and support, but give it so freely and lovingly.

A simple @ to someone, alerting them to something they'd like

A love note in dms or on a tumblr post

A gif or picture or video brought to tumblr from some other platform so others can see them.

Writing a fic or drawing a picture.

A reblog with tags, goofy or not

Anon Asks showing people you support how they feel about a given topic

Liking a post.

These are all love notes. No matter how public or private, they're all there and they all add up eventually to form this wonderful community and you've been kicking ass at love.

I know we all look like we're having a good time, but a lot of us are struggling silently, and yet we're finding ways to reach out to one another and spread love to help us all get through. Love isn't always positivity, it can be commiseration, or frustration on behalf of someone. You all are finding the best ways to help your crew, and I'm so very proud of you.

You all are capable, creative, gifted, beautious piles of stardust smooshed together into one wonderfully unique package, and you are so very loved.

You are enough,

You are loved,

and THINGS WILL GET BETTER Lovelies.

Get some rest <3 You got this.

= Daily Darby / Tonight's Taika =

What can I say, I literally can't not include this Rhys gif today. It's physically impossible, please forgive me. Good fucking lord, I'm going to Costa Rica now. Also, sorry I tried to get a matching Taika gif, but I have run out of brain cells. Hopefully this one will suffice.

Rhys - Courtesy of @bizarrelittlemew

Taika - Courtesy of @studiomoon

#ofmd daily recap #ofmd daily recaps #daily ofmd recap #daily ofmd recaps #taika waititi #rhys darby #ofmd #our flag means death #vico ortiz #ruibo qian #save ofmd #saveofmd #save our flag means death #ofmd bts #samba schutte #saint samba schutte

119 notes · View notes

makelemonade · 1 year

Text

Happy Birthday!

my birthday was 3 days ago (sixteenth) so here are some headcanons as to how the Genshin guys are on your birthday

Relations: Ayato, Albedo, Alhaitham, Aether, Childe, Cyno, Scaramouche/Wanderer x Gender Neutral Reader (separate obv )

Warnings: uhm slight angst, swearing, too much fluff ew (aw), forgetting abt ur birthday (literally all of them do)

support me on kofi!! link is on master list (pinned post)

Ayato:

-I’ll be so fucking supercalfraglicious rn, that man won’t even be able to spend it with you.

-Yoimiya and Ayaka def bet 10$ he forgets acc

-but because I’m SUCH a sucker for angst to fluff

-In the morning, he won’t even know what day it is. He’ll be to tired to comprehend anything. He’s not a morning person in the slightest

-He does wake up before you though due to the work, so you’ll still be asleep while he greats ready and gives ur forehead a lil smooch before he heads out to do any tasks or duties

-you’ll wake up upset to see NO GIFT LIKE WTF

-richest man in Inazuma CANT even get u anything ?!

-maybe he left it for thoma so he can give it to you when you wake up!!

-when you go eat breakfast, ur eyes light up to see thoma holding a gift but slightly dim when it’s none other than his and not your beloveds.

-nonetheless your happy you got a gift !!

-it’ll be a few hours and STILL no gift. Thoma tells you with a sad dog pout face that Ayato did forget

-so you actually spend the day with him!!! thoma >>>>>

-your back in the evening, signs of daylight all gone as night was to hit

-when ur back you fully come to terms Ayato did forget about your birthday because he didn’t even wish you a happy bday :)

-you walk past him sitting on the bed with a few bags of stuff you liked that Thoma bought as another gift and Ayato looked at you confused

“Who bought you all of that?” He asked, sitting up and setting a few work files down on the bed.

“Thoma.” You answered, not even sparing him a glance.

“Confusion grew more along with a tinge of jealousy. “What was the occasion?”

“My birthday.”

-I’m telling u rn any type of emotion DROPS

-he lowkey might start crying

-hell ask u to sit on the bed and apologize for everything and like just kiss u all over and if ur still mad he’ll understand but like god knows you can’t stay mad at him

-he acc takes u on a shopping spree the next day and tasks Thoma with inviting all of your friends so when you get back to the estate, it’s none other than a surprise party!!

Albedo

-HE DOESNT EVEN KNOW WHAY A BIRTHDAY IS

-thankfully you explained it to him a few weeks before your birthday and even if he isnt human, he’d like to partake in it

-but he’s never done this before so he has to seek out Kaeya for them

-he went to Klee first but decided It wasn’t best to give you a bomb for your birthday

-Kaeya tells him all type of gift ideas and Albedo acc saves up a bunch of his money to buy you all your favourite stuff

-he’s so cute

-he tries to bake a cake

-key word tried

-his cake became demolished like alchemy couldn’t even fix it

-it was adorable though and you thanked him for everything. he forgot about work the whole day just for you :)

Alhaitham

-i cant decide if he forgets or is just too busy to spend it with you

-I think he’ll forget to call off work on the day of your birthday and won’t be able to spend it with you

-like he remembers your birthday but his slow ass just couldn’t remember to call off work

-he does have a present ready for you though! and a long message he sent to your Akasha while he was at work

-he actually did come home early just for you

-insert him twirling you around omfjwknfkwjdjwdjjed

-so if u decide to go out, he’ll take you to a very fancy and expensive restaurant and give u ur gift there

-if u decide to stay in he’ll bake a cake from scratch with you (those cute movie scenes where there’s like flour on both of ur faces)

-and then end the night watching a movie and falling asleep or birthday fuck, ur choice

Aether

-THIS MAN DOES NOT FORGET

-he’s just too busy he can’t spend the whole day with you

-BUT he takes you on commissions with him!!

-big mistake

-so u end up getting hurt and he has to take you to the nearest like hospital or whatever they have in that world

-he’ll probably just cry out of guilt because it’s ur birthday and part of his gift was that you practically almost die

-memorable birthday in my opinion

-birthday scar !!!

-he gives paimon a bunch of mora so she can go buy food and you both end up spending your birthday in the hospital

-hey at least he’s with you !!

-he acc crawls in the hospital bed beside you and your both just cuddling

-paimon is in the corner btw making sure y’all don’t do shit if ykyk

-once ur all better, he makes sure to take you out to dinner and get you an even better gift <3

Childe

-he forgets.

-not changing my mind.

-like I feel like ekaterina will have to remind him

“How is Y/N’a birthday so far?”

-insert jaw drop, shock face, eyes wide

-he will BURST out the bank and run straight to your shared home

-now you’ll be sad but like ur choice if u wanna cry or be mad

-if ur crying on the bed he’ll sit beside you and start kissing u all over ur face and saying he’s sorry and sorry all over again while whispering endearments

-if ur mad he’ll let himself be a punching bag

-he ENCOURAGES u to slap him but you only punch him playfully

-he’ll take you out and get you the most EXPENSIVE jewelry like literal fucking diamonds

-if u even want u can spend it with Zhongli too

-he just wants to make sure you have the best day just minus the fact he literally forgot

-he’ll take u in a trio to Snezhnaya or anywhere in the world just for you to forgive him

Cyno

-ladies and gents and my non-binary friends….

-he doesn’t forget!!!

-he acc has it all planned out- where you wanna celebrate is your decision

-if you wanna adventure around? Go for it! He’ll be with you and protect you from any monsters

-you wanna stay in? he’ll buy every movie you love and you’ll do a movie spree

-u wanna party ? Even on short notice he’ll Invite everyone hours before and youll all be having fun in the bazaar

-nonetheless he just wants you to have fun- it’s your day after all

-he has a lot of money, he just didn’t know what to get you, so if there’s any free time he’ll let you go around and buy whatever you want

-at the end of the day he’ll cuddle up to you and omg HE’LL LIKE whisper the happy birthday song to you as you drift off to sleep and idk why but that’s so cute to me

Scaramouche/Wanderer

-guys I’m just gonna say Scaramouche cuz for this he’s still working for Fatui but he is very ooc and soft (wanderer personality kinda)

-so sorry friends but the man literally doesn’t even know it’s your birthday month

-I think Childe will remind him by asking how your bday day is so far and Scaramouche will be like fuck

-Childe will def kaugh at him for forgetting but out of kindness he’ll tell Scaramouche what to do

-Scaramouche will race home and he’ll kiss u and shit hug u and apologize while saying he’ll do anything to make it up to you

-ANYTHING.

-you guys are in Snezhnaya and there’s not much to do but you decide to go ice skating !!

-you’ll have to teach him cuz he can’t skate for life

-he’ll encourage you to just take his mora or card or wtv and buy whatever you want cuz like

-he’s loaded

-you just decide to go buy some food aka hot chocolate to warm up. Maybe some snacks if you wanna watch movies that night

-he does buy you a cake though so when your home he can light it up

-he’ll sing the bday song while hugging you from behind and when it comes to your age he’ll blow out the candles with you then kiss u on the cheek

-UGH

1K notes · View notes

callsign-dexter · 8 months

Text

From Exes to Lovers

Request: Hi ☺️ Could i request a Connor Rhodes imagine for my bday tomorrow? Maybe where the reader is his ex and also a nurse at the med. One time you get in a terrible car crash and get to the ER where Connor gets called to save you. You nearly die during the surgery but he saves you and stays with you all the time till you wake up. Then he keeps caring for you during your whole recovery and you slowly start getting your old feelings back, so you decide on a second chance for your love. Hope this is ok ❤️

Pairings: Connor Rhodes x Nurse!Reader

Warnings: angst, fluff, car crash, inaccurate medical talk, implied cheating but not really

A/N: Happy birthday to the anon who sent this request in!

Frist Installment: Exes to Lovers

Second Installment: Lovers Forever

Masterlist

You don't know how it happened. You had the right of way. The light was green. Some drunk person had run their red light and t-boned you as you were crossing the intersection. They had hit you hard enough that your car flipped 4 times until it landed thankfully upright but in the other lane. Glass was everywhere. You're pretty sure you had a concussion from hitting your head on the steering wheel and the window. You for sure had broken bones. But then the pain came especially around your abdominal area. The other driver had died on impact. How did this happen you ask? Well, this is how.

You had just gotten back from visiting your friend, Hailey Upton, and her husband, Jay Halstead, you were ranting about Connor Rhodes, your now ex-boyfriend, and that you had caught another woman texting. You had dated for 3 years. He was also coming home later than normal. So once you stormed out you went straight to their house crying. It was a huge fight. Luckily for you, you had kept your apartment.

It was getting late and you just wanted to go home and eat a pint of ice cream and watch some cheesy sappy movie. You didn't have to work that night or the next day which was great. That also meant you didn't have to see Connor tonight or tomorrow, you were a nurse at Med. You loved him you really did but you couldn't stand a cheater and weren't going to tolerate it. As you were driving you came to a stop at a red light, while stopped you answered some texts and then put your phone down. As you started to drive you noticed headlights coming to you on your left and they were coming fast. The next thing you knew metal was hitting metal and then your car was flipping. Your head hit the steering wheel and then the window. The airbag deployed hitting you and breaking your nose and throwing your head into the headrest.

Your adrenaline was wearing off and then all the pain hit you and you moaned in pain. There was glass everywhere. You felt blood running down your face and into your eye. You felt the most pain in your abdominal area. You carefully looked down and saw glass puncturing you. You tentatively touched it but knew better than to yank it out. You couldn't hardly breathe. All of sudden you felt another impact and you were being pushed into a telephone pole wrapping your car on the passenger side. You blacked out.

You only came to when you heard your name being called by a voice but didn't open your eyes. It sounded underwater. You wanted to answer but couldn't you just wanted to sleep.

"Y/N it's Kelly. Can you hear me?" Kelly, your other best friend asked but you didn't respond. "Y/N I really need you to open your eyes." He said and you tried oh you tried. You slowly started to crack them open. "There we go." He said once he saw them open.

"Kelly?" You asked slurred.

"Yea it's me. You were in an accident. We're going to get you out and to Med. Ok?" He asked and you groaned and your eyes begin to shut again. "Hey hey no no keep those eyes open." He said but your eyes were already closed. "Y/N, hey. Open those eyes for me, please." You actually complied this time. "There we go. How are you and Connor?" He asked not knowing of the situation.

"'Roke up." You said slurring your words that shocked him.

"Why did you two break up?" Kelly asked as he shouted orders to his team.

"Cheated." You said slurring your words again and then your eyes rolled into the back of your head and your head lulled to the side and Kelly caught you. This freaked Jim out but he had to keep calm.

Everyone worked with ease and carefulness but quickly to get you out. They all saw the damage and knew you would be critical. When they got you out they put you on a backboard and a gurney and loaded you up and you were on your way to Med.

When you got to Med you were unconscious and couldn't hear anything. You were breathing but barely and it was labored. You went to your little paradise where Connor and you never broke up instead you got married and started a family one boy and one girl, it was perfect.

---------------------------------------------------

Connor was having a good night, well as good as one can have when one breaks up with another. He had been heartbroken when you pulled away from his kisses and started to pull away from him. The fight kept playing in his head. You had been the one to break up with him. You had seen a text from another girl on his phone but what you didn't know was that the other girl was a married woman jeweler who was setting his grandma's diamond in a set so he could propose to you. The reason why he was coming home early was because he was making details on how to propose and where making sure it was perfect.

Connor was in the ED when the ambulance came rolling in. He didn't look up considering it was a normal part of ED but when Maggie gasped he looked up and his face drained. "Maggie please tell me that is not Y/N." He said almost pleading.

"I'm sorry Connor. Take her to Trauma 2 and make it fast." She yelled and she turned to Connor.

"Let me go." Connor said and Maggie looked hesitant. "There are no other available doctors at the moment. Let me do it." He pleaded.

"Fine." She said and he rushed in and started giving orders.

Connor was supposed to be getting off shift when you rolled around but now he just couldn't make himself leave. Not with knowing you were in major surgery to fix your abdominal aorta that glass had found itself embedded in.

They wheeled you into surgery where he scrubbed in. "Ok guys, she is one of us. We have to save her but we handle it just like every other surgery." Connor said and they nodded. They got to work. Everything was going smoothly until one of the surgery techs noticed a drop in stats.

"Dr. Rhodes. Her O2 is dropping and he looked up.

"Ok start bagging her and get those stats back up." He said and they nodded. Once they got your stats back up. But then your heart rate started to drop. The machine alerted them. He looked up and then looked down. It started lowering when he took the glass out and he started to move faster.

"Heart rate is dropping." The tech said and before anyone could say anything you started to flatline "She's flatlining." The tech said.

"Start compressions. I'm holding this aorta off so she doesn't bleed out." Connor said and that's what they did. "Give me a clamp." He demanded and they did and clamped off the aorta and had his go at compressions he was about to have them shock you but then your heart rate came back up. "Ok let's finish this quickly and get her into recovery." He demanded again and they did just that. "Just hold on, baby. I'm gonna get you out of here." He quietly told you and everybody else pretended not to hear him. "When she gets out of recovery and into a room let me know." He said and they nodded.

4 hrs is how long it took to repair the aorta. He was an absolute wreck. But he had stayed calm while doing the surgery. He had gotten changed and then went to the doctor's lounge and waited when one of the surgery techs came in to let him know you were out of recovery in a room. He asked what number and when they told him he was up and going to you. When he got there he looked at you and regretted everything. He pulled the uncomfortable blue plastic chair by your bedside and sat down. He grabbed your hand and stroked your knuckles, and every now and then kissed them. He just had to wait for you to wake up.

---------------------------------------------------

A consistent beeping is what woke you up. You had slowly opened your eyes but quickly slammed them shut when they met with harsh light. You then felt a weight on your hand and looked over to find the black haired, blued eyed man that you once called your boyfriend. He was sleeping and looked so peaceful but you needed to wake him up. "'Onnor." You said sleepily and he stirred until he woke up and at first he looked confused but then saw you were awake.

"Baby." He sighed out in relief. Your scrunched your nose up.

"I'm not your baby anymore, Connor. We broke up." You said and rolled your eyes which hurt. He sighed he wasn't going to fight with you, especially since you just got out of surgery. "What's the damage?" You asked moving due to uncomfortableness. He sighed.

"You have 4 broken ribs, a concussion, your abdominal aorta was torn but I was able to fix it. You have a hairline fracture on your right ankle. A sprained left wrist. Multiple cuts from the glass and a lot of bruising." He listed what was wrong and you stayed silent.

"What about the other driver?" You asked

"He was drunk and died on impact." He told you and you nodded.

"What about my car?" You asked again, you loved your car.

"I'm sorry. It's totaled. You'll have to get a new one." He said and you nodded and let a tear slip. "Are you ok?" He asked truly worried.

"Yea. I'm just going to miss that car." You said and he chuckled and smiled both of which you loved.

"We'll get you a new and better car." He said.

Dr. Goodwin came into your room and you looked up and smiled "Hi, Nurse Y/L/N. How are you feeling?" She asked.

"Sore. Just found out my beloved car was totaled." You said and everyone chuckled and smiled.

"I'm sorry to hear that. I'm came here to let you know you're going to have the next few weeks off to recover with pay and Connor is going to be allowed a few days off." She said and you looked confused.

"Why is that?" You asked her.

"Since you have nobody here he decided to be the one to look after you." She said

"That's not necessary. I can look after myself." You tried to defend yourself.

"You had a major surgery and will need someone to look after you. Connor volunteered." She said and you may not have liked it but agreed.

You spent a week in the hospital making sure everything was then you were released in Connor's care.

---------------------------------------------------

When you got to his apartment that night after your release it was slow going but he was ok with that. He was and has always been so patient with you. You hated that you broke up with him but you couldn't stand a cheater. You both got into the apartment and he had to settle down on the couch while he pampered you and got the bed ready and made you something to eat. He truly was the sweetest man ever. "If you need me for anything during the night wake me up, and I mean anything." He said and you nodded.

"You got it." You said. The two of you stayed up and watched some TV and you ate what was allowed. When and if you wanted to get up he was there helping you. You knew now why you first fell in love with this man.

This went on for a few weeks and your old feelings started to come back and you started to fall in love with him again. When he went back to work was the hardest but you managed and if you need something he said to call him, Hailey, Jay, or Kelly. You didn't call anybody because you were perfectly fine. You and Connor had been texted throughout the day. Most of your wounds, sprain, and fracture had healed. You still had stitches but they were due to come out soon.

One thing was on your mind and you couldn't get it off of your mind. That was why did he cheat. When you didn't text him back one day it was when he was finishing his shift and it was worrying him but stayed calm. Once out of the hospital he got into his car and drove home. He found you sitting outside on the terrace. You didn't hear him come in so you jumped when you touched you. "I'm sorry, Baby. I didn't mean to startle you." He said and you hadn't been correcting him when he said it. "What's wrong? You didn't text me back." He said and you sighed as he bent down looking at you.

"Why did you cheat?" You said just coming out and saying it.

"Baby, I didn't cheat on you." He said and you glared at him.

"Don't lie to me." You said and he sighed and hung his head.

"I'm not. Just hold on. Don't move." He said and you did what you were told, to be honest you were still sore and you didn't feel like moving.

"Don't walk away from me. Who the fuck is Samantha?" You yelled out after him but he returned with a black velvet box.

"I didn't cheat on you. Samantha is a married woman-" He started but you cut him off and threw your hands up which pulled on your stitches but you didn't care.

"So you cheated on me with a married woman? Why were you coming home so late? I loved you and still do." You said you hadn't noticed the black velvet box.

"You didn't let me finish. Samantha is married woman jeweler that was helping me set my grandmother's diamond into a ring. I was coming home late because Hailey and Ava were helping me pick out a perfect spot to propose that night you stormed out. Also you still love me?" He asked and you nodded your head.

"Yes. I still love you." You said and he kissed you. You gladly kissed him back.

"I love you too. I was going to make this special but with how you look under these lights and the sunset now is as good time as any. So, here it goes. Y/N Y/M/N Y/L/N I have loved you since the beginning. I have loved you since I laid my eyes on you. It was love at first sight for me. I knew you were the one right then and there. You are so special to me and when we broke up it broke me and when I saw you come into ED I was petrified. I don't want to lose you again. I want to grow old with you and have a family with you. So, will you make my dreams come true and make me the happiest man on earth and marry me?" He finished and was already kneeling on one knee as he pulled out the ring, it was a cut cornered princess cut with one diamond on each side, it was perfect. The way it glimmered under the light made it all more beautiful. You were crying and then you nodded your head.

"Absolutely, I will marry you. It'll make me the happiest woman in the world." He smiled and put the ring on your finger and gently grabbed your face and crashed his lips into yours. Everything was perfect.

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When you were allowed to back to work you went with Connor and you were holding hands, everyone took notice of that. You both got changed and started your shift. You were told if you needed a break than you take it. The stitches had been removed but you didn't have your normal energy back just yet.

As the two of you walked out he left you at the desk and kissed you. "I'll see you later, fiancé." He said with a smile.

"Yes you will my soon to be husband." You smiled and he left. Everyone came up to you.

"So I take it you're back together." April said and you nodded and showed them the ring.

"More than back together. Engaged." You said and everyone squealed in excitement, the same way Hailey had done when you told her. They asked for details and you gave them. As they were talking to you, you saw Connor walk by with Will and Ethan and he smiled at you and winked which you returned.

Yea, everything was going to be ok. You had the man of your dreams and were about to start a life with him. It was perfect. You were finally in paradise.

Tag list:

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