#says who podcast

[adreamthatsworthkeeping]

I'm listening to the latest Town Watch and Dan said "the year before Covid, 1999".

Look, Dan. It does feel like we've had Covid for 25 years and the Before Times may well have been 1999.

#I know he meant 2019 #but 1999 is great because you have to say so many wrong numbers #says who podcast #town watch #dan sinker

[noonstate]

i need well meaning cis people to stop attemping to steelman trans healthcare conversations because it basically always ends with them just lying about easily checkable things "no minors are getting irreversible treatments" wrong not true "no minors are having surgery" also false, like instead just say the truth: currently some minors (few, but some) are able to access hrt that will have some irreversible changes on their body, some (even fewer) minors are able to access surgery.

the counter to transphobes screaming "these kids are being irreversibly changed" isn't "no children are accessing this care" it's "puberty is also an irreversible change" and "i think under 18s and even under 16s should be able to make medical decisions actually"

"no minors are accessing this care" means that transphobes can easily point to the examples of minors who are accessing that care, which just make us look like liars. sometimes teenagers and children need to make medical choices on their own. i think a 14 y/o should be able to get an abortion. i think trans kids and teens should be able to have the approriate care, which for some will just be like, picking a new name or haircut, and for some, sure, could be surgery.

#*m #so many journalists / youtubers / podcasters try to defend trans people but just like. say this shit that is basically a lie #i get why i get it's an easier convo to have but actually having the hard conversation is really fucking important. #not for the transphobes those people are fucked but like. for the well meaning libs who listen to x news piece or x podcast u know

[samglyph]

I hate to remind you guys but Arthur isn’t an old man he’s like. 32. That’s the average age of like. A dropout cast member. Do you know how many twitch streamers are in their 30s. How many podcasters. He shouldn’t be in the hell pit he should be on game changer.

#malevolent #that’s a joke do not let this man on a game show #people keep calling him an old man or saying people are drawing him to young but again! #he’s pretty young! the only thing that might make him look older is the horrors and the alcoholism #also as a person in my twenties who regularly gets mistaken for a high school freshman #I give permission for people to draw anybody as baby faced as they want. it’s representation #(that’s also a joke) #malevolent podcast

[ghosty-bat-enthusiast]

Jarchivist s3 design lol.

I’ve actually seen a lot of ppl drawing s3 Jon recently but oh well, I never claimed to be original. I really want to draw my takes on the whole archive crew + Georgie but my brain has been fixated on this guy for like a year now and it stops me from drawing literally anything else lmao (rip to my ocs, I miss them dearly).

[ID: A page of Magnus Archives fanart of Jon Sims, titled "Jarchivist S3" and appended with a doodle of a cat plus the caption "I headcanon him as being super normal about cats." Jon is a thin brown man with chin-length hair.

•The left shows a full-body of Jon, shown wearing a What the Ghost hoodie with a long red skirt and brown loafers labeled as "boring ppl shoes." The hoodie has an arrow pointing out the full design of the WTG hoodie, which features a cat ghost and is captioned "epic logo." Jon has bandages around his neck and right hand, and he's holding a tape recorder with a suspicious expression.

•The right shows a more cartoony full-body of him wearing a bright pink hoodie with purple cats along the bottom. His eyes are comically big and round, and he's labeled "About to meet unspeakable horrors" and "The narrative's favorite guy."

•The bottom left shows Jon from the chest-up, wearing a jack-o-lantern long-sleeved shirt and looking pensive as the Admiral sits on his arm. End ID]

#the magnus archives #tma podcast #my art :] #jonathan sims #jarchivist #tma season three #Also Jon in a skirt #U agree #Also the admiral is there #described #just popping out to say thank you to the person in the tags who wrote the ID #I’ll try to add them to all my art posts

[voilaammayi]

John Hamish Watson at any given moment:

#sherlock and co #I’d die for this man #I just want to put him in my pocket and listen to him ramble about absurd things whole day #but just for a day #I’d have to give him back to baker street after a day or else the place would dunno collapse on itself #there is no baker street 221b without john watson #I’ll fight anybody who says otherwise #john watson #sherlock #sherlock holmes #goalhanger #goalhanger podcasts #sherlock & co

[selkiecoded]

man. wtnv ran so other podcasts could follow desperately in its footsteps.

#maybe due to the indie capabilities podcasts provide‚ perhaps they always wouldve gotten extremely extremely gay. whos to say? #but personally‚ i really dont think the fiction podcast scene would be where it is in atmosphere story or queerness without wtnv. #i love you wtnv. listened to some of the phone call again. i love you cecil.

[letterful]

since everyone and their mother is into metafiction now, i’m taking this opportunity to plug one of my favourite pieces written in this vein that i’ve read recently: You're Wrong About Misericorde. it’s (a transcript of) a fake episode of a real podcast that doubles as a fantastic urban legend–inspired (and vaguely capital-w-Weird) story. i don’t want to spoil too much, but it revolves around a non-existent 70s flick and all the conspiracy theories surrounding it; also, the way it manages to seamlessly weave together factual and fake cinematic history is simply masterful (and will doubtlessly have you doing plenty of googling). 

#and i'm saying this as someone who's not overly fond of the actual podcast that inspired it! #(anyhow. if you liked Machado's 'Law and Order' novella you will probably also like this; i know i did)

[physical-manifestation-of-spite]

What if the King in Yellow just has really bad cuteness aggression

#posted this on Twitter and thought it was funny so I’ll post it here too #malevolent #malevolent podcast #who’s to say the king in yellow didn’t just want to squeeze Arthur really hard #I mean #it’s possible #Arthur Lester #king in yellow #the king in yellow #spiteful musings

[hephaestuscrew]

"With a goddamn harpoon": The significance of Minkowski's weapon of choice within the narrative and characterisation of Wolf 359

TL;DR: Despite its initial comic role, the harpoon becomes a important symbol of Minkowski as a character; it is particularly associated with her desperate need for control, her desire to keep her crew safe, her stubborn determination, and her occasional unpredictability. These associations add to the narrative significance when Minkowski kills Cutter with the harpoon. 

[Tagging people who said they wanted to be tagged: @browncoatparadox @captain-lovelace @goblincaveofvibes ]

~~~

Ep21 Minkowski Commanding

First appearance 

We first encounter the harpoon in Minkowski Commanding, which is a significant episode for Minkowski's characterisation because it's the first big departure from Eiffel's point-of-view into Minkowski's. It's arguably the most Minkowski-centred episode in the whole show, so it stands out when we think about her as a character.

EIFFEL (over comm) Um, Minkowski? Why is the armory wide open, and also, apparently, robbed? Where's the tactical knives kit? MINKOWSKI Don't worry. I've got that. EIFFEL Oh. And the M4 carbine? The, like, really-dangerous-in-space, select-fire M4 carbine? MINKOWSKI Yeah, I've got that too. EIFFEL And this empty rack I'm looking at right now with a label that says "harpoon" suggests that... MINKOWSKI Yes. I have it, Eiffel.

The harpoon is introduced as part of a list of over-the-top weapons that Minkowski takes on her plant-monster-hunting mission. It's initially just a funny moment to emphasise how seriously she's taking this mission. The weapons arguably increase in unlikeliness as Eiffel lists them, and it's a comic image to think of Eiffel deducing the situation from the empty rack labeled 'harpoon'. It could have been an entirely throw-away joke that was never brought up again. The M4 carbine never comes up again. The tactical knives kit is mentioned in Knock, Knock, but not in a plot-significant or symbolic way. 

'Goddamn harpoon' speech

So why does the harpoon become such an iconic part of Minkowski's brand (and I'm pretty certain it was seen as significant by fans long before the finale)? It's got to be because of the next time it's mentioned, when Minkowski talks to the plant monster in the same episode:

MINKOWSKI (getting psyched up) You wanna play with me, huh? You wanna run rings around me? The joyless, boring, predictable old Minkowski? She can't stop you, right? Not someone as smart and powerful as you. You've got her pegged. Good. Get complacent. Get smug. That's right when you'll find me waiting for you. With a goddamn harpoon.

There's so much to say about this speech and what it reveals her character. For one thing, it's all projection - we have no real indication of what (if anything) the plant monster thinks of Minkowski. We don't even really know how much understanding it has when listening to her talk. She imagines that this silent adversary would call her "joyless, boring, predictable". I suspect that these are all things that she's been called a fair bit in the past. (To be honest, I wouldn't be surprised if they are all things that Eiffel called her at one point.)

But the harpoon is proof against - if not the accusation of joylessness - the idea that Minkowski is boring and predictable. Boring and predictable people don't opt for a harpoon for fighting on a spaceship when plenty of more conventional weapons available. A harpoon is unexpected, and there's a kind of power in that.

Another interesting thing about that speech is that the whole thing would make at least as much sense - if not more - if it was directed at Cutter. In Sarah Shachat's episode commentary on Minkowski Commanding (part of the bonus material available to buy here), she says that Minkowski "is really speaking to Cutter in this moment". It's made clear that Minkowski's behaviour in Minkowski Commanding is not just about the plant monster itself. She tells Eiffel, "I have to take it seriously! If I can eliminate one threat, just one, then we are that much closer to going home!" 

The specifics of the plant monster's location, abilities, and origin are mysterious, but - unlike many of the other forces threatening the safety of Minkowski's crew - it is at least tangible and harpoon-able and not light years away. Hunting the plant monster is a way for Minkowski to assert control when so much is outside of her control. It's an attempt to demonstrate that she is - as she puts it - "in charge of this disaster". Minkowski treats the plant monster as a physical symbol of all the threats her crew are facing, and so the harpoon becomes a physical symbol of her fierce (if sometimes misguided) determination to take control of the situation and fight back against those threats to protect her crew.

The line "you'll find me waiting for you. With a goddamn harpoon" is one that sticks in the mind, especially since - with one notable exception - 'goddamn' is about as potent as swearwords get on this show. And it's the harpoon that she uses to give specificity to the threat. 

Absurdity

A harpoon is powerful and threatening, which is exactly what Minkowski is trying to convey to the plant monster, but in this context - not only on dry land but on a spaceship - it's also kind of absurd. From the way we hear it fire in the finale, we can tell that it's more like a speargun than a hand-thrown harpoon spear, but it's still an out-of-place weapon for space-based combat. Minkowski's already been shown to have a penchant for archaic weaponry, after her drunken enthusiasm over the cannon during the talent show incident, which is largely played for laughs. Similarly, in the episode commentary for Minkowski Commanding, Sarah Shachat says that the harpoon was introduced mostly just because it was funny; "[including a harpoon] was me sort of embracing the Moby Dick of it all. And I had no idea at the time how much importance that silly harpoon would take on." 

Eiffel makes a Moby Dick reference himself ("10 days of Captain Ahab's Space Walkabout"). I haven't read Moby Dick so I can't properly analyse the significance of this reference, but the initial prominence of the harpoon (traditionally a whaling tool) enables that connection. It feels like a good example of the classic Wolf 359 thing where something comedic has the potential to take on a deeper significance. It conjures an image of Minkowski as a Captain with the potential to be consumed by a single-minded mission to destroy... A potential that she resists in the conclusion to Minkowski Commanding when she chooses to leave the plant monster alone. The harpoon also fits with the sprinkling of nautical imagery and language in Wolf 359 (e.g. the repeated use of the word 'boat'), as well as the retro-futuristic feel of the Hephaestus.

We never learn why there's a harpoon on the Hephaestus. It seems like yet another of those bizarre unexplained quirks of the station, like the items in the storage room where Eiffel finds Box 953. Even when the weird mysterious features of the Hephaestus are depicted in a comedic way, these features are still a demonstration of the fact that the characters are in an environment that they don't understand and that their surroundings have been shaped according to the whims of Command.

I think we can assume none of the members of the Hephaestus crew brought a harpoon up with them. For whatever reason, someone at Goddard Futuristics must have decided to put a harpoon in that armory. Like most things in the crew's lives, the harpoon is owned by Goddard Futuristics. So the way Minkowski uses the harpoon could be seen as an instance of reclaiming something from Goddard and their control over her surroundings (in a similar way to how her crew are able to utilise the maze-like structure of the Hephaestus to their advantage when hiding first from the SI-5 and later from Cutter and the crew of the Sol).

Other mentions of the harpoon

The harpoon doesn't actually make another physical appearance until the finale, when it truly comes into its own. But there are a couple of little hints before then that it has become a part of Minkowski's brand amongst the other characters as well as to the listeners. These mentions remind the listener about the harpoon, so we don't forget about it before its big comeback in the finale.

Ep27 Knock, Knock

EIFFEL [to Minkowski] Like getting rid of all the weapons, for a start. We should gather up all the guns, the tactical knives, your harpoon. Put it all in the arms locker, seal that sucker up, and put the key in one of Hera's service canisters.

In this quote, Eiffel refers to it as "your harpoon" - the only weapon he ascribes ownership to here. He sees it as something she's laid claim to. He also thinks the harpoon is worth mentioning specifically, which suggests that he thinks that Minkowski would reach for it first if she was feeling particularly violent. This reinforces the idea that the harpoon has become a symbol of Minkowski's character. This connection is also strengthened by the fact that the harpoon is also never mentioned in relation to anyone other than Minkowski using it.

Ep45 Desperate Measures

LOVELACE [to Kepler] Yeah, right. Nobody knows this station like Alexander Hilbert. He knows every nook, cranny, hidden room - everything. And as back up he's got the only woman's who's ever turned outer space monster hunting into a recreational sport. You'll never see them coming... until all of a sudden there's a harpoon in your face, and you end up on the operating table of the finest medical sadist that Goddard Futuristics ever produced.

Lovelace mentions the harpoon and specifically refers to Minkowski's plant-hunting exploits, even though she didn't witness them. So we know that someone has told her that story. And what she's taken away from hearing the story is an emphasis on Minkowski's harpoon and an admiration for her determination. I don't think Minkowski was the one to tell Lovelace about her plant-monster-hunting mission, because I don't think she's necessarily proud of it. I suspect it was Eiffel who told her - he's the most natural storyteller of the group. In Mutually Assured Destruction, soon after meeting Lovelace for the first time, he says "Nobody's told you about the Plant Monster yet? So, funny story..." And I believe  Eiffel would have told the story of Minkowski's plant monster hunt in a way that conveyed both the ridiculousness of her behaviour but also a kind of awe at her boldness and persistence.

The tone of "all of a sudden there's a harpoon in your face" is pretty similar to "That's right when you'll find me waiting for you. With a goddamn harpoon". Once again, the harpoon is portrayed as something that the Hephaestus crew's adversary won't expect, something that will play a key role in that adversary's defeat. You might almost think something was being foreshadowed here…

Characterisation through Weaponry

When we think of the harpoon as a symbol of Minkowski as a character, it seems worth drawing a comparison with the only other Wolf 359 character who I think has a form of weaponry as a big part of their brand: Jacobi and his explosives. While a harpoon certainly has a lot of potential for violence (a potential which Minkowski utilises), it is targeted and intentional in a way that bombs don't tend to be. It's harder to have collateral damage with a harpoon, and I think that reflects a difference between Minkowski and Jacobi's approach to conflict.

A harpoon isn't really designed for combat - it's for hunting whales and other marine animals. It feels significant that Minkowski's key weapon of choice - the one she threatens the plant monster with and kills Cutter with - isn't the weapon of a soldier. She took an assault rifle with her to hunt the plant monster, but that wasn't the weapon she held onto. She's not a natural soldier, even if she'd sometimes like to think she is. 

Maxwell's Death

When Minkowski kills Maxwell, it's with a gun, not a harpoon. She's trying to be a soldier there. She's trying to do what she has to. I don't know much about how a harpoon is fired, but I've a feeling that there's less uncertainty about whether a harpoon was fired deliberately than a gun; the ambiguity around Minkowski's agency in Maxwell's death is a key part of the story that wouldn't work with a harpoon. But perhaps more importantly, I don't think there's meant to be a sense of victory or relief in Maxwell's death, unlike Cutter's. The harpoon - as a weapon that has become strongly identified with Minkowski as a character - is saved for moments when Minkowski is asserting her power in an active way that she isn't conflicted about. 

Ep61 Brave New World

About a third of the way into the finale, there's another indirect mention of the harpoon:

RACHEL Y-yes, sir… Umm, we also picked up some chatter on their weaponry supplies… Firearms, explosives, something about a harpoon…

This is a nice little reference which reminds the listener of the harpoon in anticipation of its big moment later on in this episode, while once again playing with its incongruity in a list of more typical combat weapons. Given that Minkowski and co. have guessed that they are being listened in on here, their choice to talk about the harpoon might be seen as their way of having a bit of fun, or it might be seen as their way to imply the same threat that Minkowski made to the plant monster. Cutter had warning, but he didn't heed it.

Which brings us, of course, to the harpoon's most significant moment:

Cutter frowns. Then he hears it: CLA-CLUNK! His eyes widen.  MINKOWSKI Let's see you catch this.  FWUUUMP! An ENORMOUS THING IS SHOT. A moment later, Cutter COLLIDES AGAINST THE WALL, IMPALED.  MR. CUTTER ... a... harpoon? That's not... how this is... supposed... to... He struggles for a few more moments...and then he stops.

This scene is a classic instance of Wolf 359 utilizing the audio medium to leave a significant element of the situation unknown to the listener until the right moment. We don't know that Minkowski is carrying the harpoon. We don't know that she's readying it as Lovelace talks. When we hear something fire, there's a moment where a listener might or might not have realised exactly what just fired. It's Cutter who delivers the glorious revelation. It gives the moment an additional burst of triumph that Cutter's final words are an expression of shock, not just that he has been defeated but at the weapon with which the killing blow was struck.

Human unpredictability 

It's not just that Minkowski kills Cutter with a harpoon; it's also that she wouldn't have been able to kill him without it. He can catch bullets after all, so Minkowski and Lovelace's guns are basically useless. Cutter thinks he's therefore invincible, but he hasn't accounted for the possibility that Minkowski might have a less conventional weapon on hand, one which fires larger projectiles that he can't catch so easily. The fact that she's carrying an unexpected weapon - a weapon that might have seemed ridiculous - is what allows her to defeat Cutter and therefore to survive. 

It's a repeated theme in Wolf 359 that the protagonists' strength is not that they are the most powerful or they behave in the most logical ways, but that they are complicated and human and unpredictable and very much themselves - all of the things that Cutter and Pryce don't want in their 'ideal humanity'. When Minkowski kills Cutter with the harpoon, it's a victory for human unpredictability and individual idiosyncrasies.

Making good on her promise

Thinking back to Minkowski Commanding, we can see that the threat Minkowski made to the plant monster absolutely came true with Cutter. He got complacent. He got smug. (I'd argue that smugness has always been one of his key attributes.) And he found her waiting for him, with a goddamn harpoon. The return of the harpoon for this moment suggests the defeat of Cutter is a culmination of some of the motivations and traits that Minkowski showed when hunting the plant monster, now channeled in a more suitable direction. She continued trying to get them "that much closer to going home". Her - sometimes absurd - determination provides a throughline from an episode that was mostly comedic (Minkowski Commanding) to a dramatic emotionally powerful finale. As Sarah Shachat put it in her audio commentary, Minkowski "makes good on her promise [that she makes in her harpoon speech in Minkowski Commanding]. That's why she's a hero."

It's significant that Cutter dies from an unlikely weapon that is so strongly identified with Minkowski. It makes that moment feel like truly hers (although she is of course right that she couldn't have done it without Lovelace - that's called being part of a crew). 

As the Commander, it feels apt that Minkowski is the one to kill the long-standing 'big bad'. Pryce is arguably the same level of antagonist as Cutter, but he's the one that we've been aware of since we became aware of larger sinister forces at work in this narrative. 

And if Minkowski has a personal nemesis, it's Cutter. He's the one who recruited her into the hellscape that is the Hephaestus. He played on her ambitions to get her where he wanted her. She trusted him the way she trusted the official chain of authority at the start of the mission. And that trust was extremely misplaced.

The significance of Minkowski being the one to kill Cutter is highlighted by the fact that she kills him with a weapon that only she uses, a weapon that links us back to her behaviour 40 episodes earlier. The sense of control that she was desperately seeking in Minkowski Commanding might not be completely within her grasp by the end of the finale, but she's reclaimed a piece of it by defeating the man who has been exerting control over her life for so long. And she did it with that goddamn harpoon.

#It's harpoon time!! #Honestly I think there's probably still lots more to say #but this is plenty to be getting on with #Feel free to share your own thoughts #Wolf 359 #w359 #Renée Minkowski #The stuff about human unpredictability was inspired a lot by conversations with my friend @commsroom #so she'd be in my bibliography if I had one #Something that didn't really fit in here but feels relevant is the way that fans #(particularly podcast fans who don't have canon appearances to go off) #will use certain characteristics/ objects/ clothing choices to make a character identifiable in art #Like if I see art of a Wolf 359 character with some combination of cigarette/ headphones/ Star Wars t-shirt #I know it's Eiffel even if it doesn't look like my mental idea of him #And the harpoon is definitely part of that shorthand for Minkowski #because no one else would have it #so lots of Minkowski art features the harpoon #which strengthens the associations that I'm talking about in this post #And that's interesting to me #because it's an unintended way in which fandom has the potential to influence how people perceive a character #but I think in this case it just adds further value to things that are already implied in canon #Renee Minkowski #Commander Minkowski #w359 spoilers #wolf 359 spoilers #the empty man posteth

[octoberheart1]

I made fanart for Malevolent!

I drew John as I picture him in some nebulous future/AU where he's still himself, but also at full King in Yellow power again if that makes sense.

(Also, Arthur is actually in this one too, try to find him!)

#I based his “mask” on a barn owl because John gives me owl vibes #and i say this as someone who has spent time around owls #I put "mask' in quotations because it's his face/a faceplate #Also his two cloak buttons are stylized stars #malevolent fanart #malevolent #john malevolent #john doe malevolent #King in yellow malevolent #sort of #malevolent podcast #arthur and john malevolent #john doe

[rickybaby]

Daniel’s father talking about the Targa Florio and it’s connection with the Ricciardo family’s love for motorsport:

Joe was born in Sicily and credited the Italian island with planting the seeds of his family’s love affair with racing. “They used to have this huge race called the Targa Florio that was really big and famous from the 1920s right up to the mid-70s,” he said. “I was too young to remember but my dad tells me my grandfather used to put me on his shoulders and walk me down the hill to watch the cars as they came through. I think motorsport is in our DNA.”

+ Daniel on driving around his grandfather’s hometown:

“I would like to say … hey, I went racing around the streets where you [his grandfather] grew up. I passed your house, drifting … sideways, and I left some rubber just outside your front door.”

#I always think about that one podcast Daniel did with Jackie Stewart where he talked about getting to give his dad #who once dreamed of being a formula one driver #unique experiences that he couldn’t have imagined in his wildest dreams #and also recently when he talked about how something crazy would happen and his dad would look at him to say how is this happening #and Daniel would be as excited and as speechless as him #so I can only imagine sharing the story of driving the torga florio with his dad who has this place #as such a core memory to his love for motorsport #must be truly special #daniel ricciardo

[chuthulhu-reads]

[ID: Two panels from Dungeon Meshi. The first scows Senshi clutching his face as tears start to spill out of his eyes, saying, "I've always... always wanted to have this soup one more time." He's not wearing his helmet in this panel, so his face is unusually visible, detailed and vulnerable. The second panel shows himself as a youngster, surrounded by his old mining team, all smiling at each other, one of them rubbing Senshi's head. Modern-day Senshi continues, "Thank you. All of you. Thank you." End ID.]

Holy shit. I anticipated some tragic backstory from the "I must feed the young ones" panels, but what I'd guessed was that Senshi might have become so devoted to cooking and eating literally whatever because he'd previously survived a famine and had seen children starve to death. I did not expect him to have been the child who was the sole survivor of a doomed travel party, one of whom was determined to feed Senshi first because he was the youngest, and that Senshi has lived with the fear of having inadvertently committed cannibalism by eating stew that he'd never quite known the contents of. I'm happy for him that Laios deduced and confirmed for him that it was griffin meat, that he was able to taste the meal that saved his life once more and remember the friends he lost. Seriously, I'm crying, and also earnestly relieved that while his backstory is pretty dark, it's not the type of fucked up I'd been preparing myself mentally for.

#Dungeon Meshi #Delicious in Dungeon #Dunmeshi #though it IS really worth exploring the ethics of cannibalism in survival situations #The podcast You're Wrong About has a really interesting pairing of episodes #in the Donner Party and Flight 571 Crash episodes #Both about disasters in which people wound up eating their dead to survive #and an interesting connection they drew was that it wasn't the cannibalism itself #that destroyed the lives of the Donner survivors #it was the horror and disgust and societal rejection they got for having eaten human flesh #even the children who had no idea what they were eating were treated with revulsion #and this is clearly the response Senshi feared facing if anybody knew what he'd eaten #But Flight 571 like a century later #the survivors were faced with a lot of understanding when rescued #relatively little condemnation and revulsion #by and large commentators acknowledged that they did what they had to do #and sympathized with how difficult and painful it must have been #which is what Senshi gets from his party #Laios wants to figure out the truth because he knows it's hurting Senshi not to know #But at one point Marcille straight up says that none of them would think less of Senshi if he did eat dwarf stew #Okay so this is Marcille 'ardent student of blood magic' Donato #but Chilchuck agrees #anyway I think that would be a particularly interesting conversation to have in a cooking manga #how do you safely eat a dead friend when that's all you have to survive on? #what are the nutritional benefits other than 'better than starving'? #what are the risks? There's prion diseases and all sorts you can get #they write it off as eating the dragon part but they DO spend seven days eating Falin at the end #ARE there any in/famous cannibalism cases in this world? #Do peopel argue about whether or not it's cannibalism if a dwarf eats a tallman? #enquiring minds (mine) want to know

[navree]

malevolent season 4 episode 11, part 38: the tear

john: arthur you're ugly arthur: john you're a baby

#personal #malevolent #malevolent podcast #malevolent spoilers #we're a quarter of the way through and i'm sorry it's so funny #'arthur you're a disheveled mess and your hair looks bad' #'john you act like a little baby who doesn't know anything' #and they're not even saying them as insults!

[satsumadraws]

direct action

[ID: a two-panel comic of Arthur Lester from Malevolent. The background of the first panel consists of scribbled black strokes, on which John’s yellow dialogue is written. It is largely obscured by Arthur, but visible pieces say, “Oh, God, Arthur, they’ve skinned--” “Blood--” “Rotten--” In speech bubbles that further hide this text, Arthur is saying, “All right, that’s-- JOHN, stop, that’s enough!”

In the second panel, Arthur has slapped his right hand firmly over his eyes. The black background has been reduced to a small, angry shape looming over Arthur’s shoulder, with slitted yellow eyes and a sharp-toothed open mouth. John is shouting, “HEY!” /end ID]

#demons HATE him! with this one weird trick-- #malevolent #malevolent podcast #arthur lester #tbh I'm not caught up who am I to say he hasn't already employed this technique #I think he should at least once #as a treat

[rooolt]

Fucking ENOUGH “normal is actually the chosen one bc of the fucked up oak family” bullshit. Normal is actually the chosen one because normal chose to care

#Actually sick of it #Sorry I hate “normal is actually larks kid” theories and posts 1) you’re not the first person to say that 2) it’s bad and sucks #I just will be so angry if it’s canon it’s so dumb it adds nothing #I’m okay with the ambiguity I don’t want confirmation #Also I hate the idea that normal has to be the “chosen one” to save the world #It’s stupid and dumb who chose him #(I think there is some fandom bias of normal and this people are more inclined to make him the most “main character” by insisting he’s the #Chosen one but it’s soooooo much more interesting if he actually isn’t. You people hate complicated situations in stories) #N e ways I’m average and regular and have normal feeling abt this podcast #dndads #dungeons and daddies #sofie bikes is the realest chosen one “motherfucker I’m here” bring that energy to dndads

[nylongenesis]

Here’s the thing about Timothy stoker

here it is the tim post

People who say tim is an asshole are partially correct.

People who say tim is ‘toxic’ are INCORRECT.

I am very strongly about this because. listen to me. okay.

SPOILERS UP TO TMA SEASON 3 AHEAD

Imagine BEING timothy stoker. After whats probaboy the secondmost traumatizing experience of your life in which you almost die if not by the worms then by the MEDICAL EMERGENCY (respiratory acidosis is a medical emergency :3) your body was put into- plagued with nightmares and the pain of your body being covered in holes and your medical issues, you come back to the archives expecting to see your best friend, That will make it all better. It’ll be so worth it once you can see her again.

And then she acts so distant. And you dont know why.

And you have just lost your friendship. The one that’s kept you going this whole time. The one you were starting to believe might have been unbreakable. And you Don’t. Know. Why.

Eventually after many failed attempts to reconnect, you resign yourself to the fact that she just got tired of you. That you were right this whole time. That she just pitied you. You still don’t know what you did wrong and it’s eating you alive, but she won’t tell you, so you have to settle with pretending to be glad that she’s at least alive, All while your boss is literally going insane and STALKING YOU???

Only to find out after a YEAR of believing you were just unlovable that this person? The person youve been trying to ‘reconnect’ with? That isnt your best friend, Your best friend dies and you never noticed. How could you not notice? But when you see the real picture of her she feels like a stranger and you realize you have no fucking escape from your horrible, unforgivable sin of forgetting your friend. Because no matter what you do, trying to look back at your memories, that *thing* is there instead. You can’t even enjoy your memories before she died.

So you sit there, alone and afraid. Angry, grieving, everything else. What are you supposed to do but make the thing that has haunted you since the disappearance of your Brother feel the kind of pain it is making you feel?

Tim isn’t toxic. Hell I wouldn’t even say he’s that much of an asshole.

He’s a hurt child.

Mentally, especially in season three, he’s having the equivalent of a child’s breakdown. The kind they have when they don’t know how to express the emotions they’re feeling. These emotions- this grief, this anger, this pain- it’s so big, it’s so much, and he feels so small, so incapable and weak, and he cannot properly handle it. He cannot cope. Especially since he’s still somewhat trapped in who he was when his brother was taken.

Now im not saying the way he went about this is at all great, but yknow. Everyone forgives reactions to trauma until they’re personally inconvenient or ugly.

Tim lost everything, and honestly i would be pretty damn similar if I was in his position! That’s DEVASTATING.

In the end, there’s such a horrible tragedy to his entire character that goes almost entirely unnoticed unless you’re like me and you’re insane and overanalyze someone based on one word in an extra audio thats not in the podcast.

Anyways, that’s why I love Tim.

#tma #tma podcast #tma spoilers #the magnus archives #timothy stoker #timsasha #if you squint #He makes me ill #Jonny you absolute madman stop writing so well #every time I think abt tma i just get really upset #this is why the fandom is all shitposts #long post #character analysis #This whole thing stemmed from the audio of tim at sashas grave #specifically the part where he goes #‘I just thought you had finally gotten tired of me or something’ #That ‘finally’ is EVERYTHING. you dont understand. #It says SO MUCH about him and his true self in ONE WORD #Tim is a guy who copes w his horrific trauma and fear of vulnerability by making jokes and it shows. #I miss him.