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#scary door
the-thing-of-worms · 11 months
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@pandemonium825
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macksartblock · 1 month
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manifesting (finale's been recorded)
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densewentz · 1 year
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more dreamling dad au bc thats just what i do now apparently i like lazy afternoon naps and so do our boys
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thisismisogynoir · 26 days
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I love it when women hate men. I love it when women are allowed to vent to each other about how horrible and creepy men are. I love it when women form friendships with and prioritize each other over relationships with men(whether they're attracted to them or not). I love it when women put men dni in their bios and on their nude photos and on posts on their blogs. I love it when women refuse to mollycoddle and accommodate entitled male feelings with "but this doesn't mean I hate all men, I know a few men who are great, I love my father/sons/brothers/uncles/male cousins/guy friends" I love it when women complain about men WITHOUT "not all men" being a disclaimer. I love it when women avoid socializing with/refuse to be around/befriend/get close to men because they know men can't be trusted. I love it when women make "kill all men" jokes. I love it when women offer absolutely no concern or care for men's feelings and if their misandry offends men whatsoever because why should we, men are the oppressor class who have raped and killed and abused us and kept us as subjugated as second-class citizens for millennia, they regularly mistreat us and the women in their own marginalized communities still every single day and make this world so much harder and more awful for us to be in, and if we choose to hate them and not spare them any sympathy then so be it, and I don't just mean "men as a class" either, you can be a woman who doesn't want to have anything to do with any man on an individual basis and completely cuts off men from her personal life too and ykw I will love and fucking support you in that because men deserve absolutely NOTHING from us. If they're so tough and strong then they can handle it just like they can handle being lonely. If you are a woman who hates men, ESPECIALLY IF YOU ARE A LESBIAN AND/OR A TRANS WOMAN, then just know that I love you. I love you, I support you, and you are safe here.
#was going to make a post about how much i hate that women aren't allowed to hate their oppressors but i decided to spin it into something#positive instead#this is supposed to be the feminist site that makes reddit mgtow piss their baby diapers so let's go back to despising men and not coddling#their feelings and let's dye our hair blue while we're at it#i am so tired of this new wave of guilt-tripping and gaslighting women who hate men and don't trust or want to be around them#i hate how we're made into villainesses or the problematic ones for not valuing them in our lives or for wanting to guard ourselves or be#safe from our oppressors#and i'm tired of people who don't know the first thing about feminism being like 'BUT THAT'S TERF RHETORIC WHAT ABOUT X MINORITY MEN'#guess what women can also be x minority that you're trying to protect the men of and we get to hate men too#trans women are included when i say women btw and trans men are included when i say men#if anyone has the right to hate men more than anybody else it's trans women esp trans lesbians because they put up with so much shit#from men that even cis women do not and they especially know how vile men are behind closed doors#so#terfs fuck off#radfems fuck off#and if anybody tries to make this post more appeasing to men or 'not all men's this post you are getting blocked and hit with a hammer#feminism#misogyny#sexism#patriarchy#tw men#tw rape#tw abuse#misandry#terfs dni#radfems dni#feminists need to go back to being scary and unpalatable for men none of this 'but some of them are good!' bullshit#men are entitled to nothing from us#and if you try to prove me wrong then you are just proving my point if you have nothing good to say then simply keep scrolling#ok? ok.
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ruinationz · 6 months
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shut the door, stay with me.
REDRAW OF A REDRAW!!! BURN PYGMALION FUNDAMENTALLY CHANGED ME AS A PERSON AND I CAN ONLY CREATE SO MANY THINGS TO EXPRESS THAT CHANGE
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Today Zoro is: so so scared he's so lost someone come get their marimo!
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murk888 · 2 months
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*coughs* 👁️👁️ ...
and two more sketches :3
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Consider: Michael Distortion using trapdoors too. Him popping up out of the floor or ceiling. Him deciding that he's done with a conversation and just opening a trapdoor underneath him. Him playing a prank on Jon or someone else by surrounding them with trapdoors
Give Michael more trapdoors
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cynomain69 · 1 year
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✨Can I Offer You An Akademiya Romance In These Trying Times✨
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chezzkidsarchive · 7 months
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I love analog horror until it hits you with the
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medicalunprofessional · 9 months
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flood
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~♫
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mikeystrawberry · 7 months
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comic cover sketches
I don’t plan on cleaning these up as of right now, but I wanted to get another idea off my long ass list. I might do some more episodes but I’m not sure which ones yet.
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honestlyvan · 1 month
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I do kind of wonder if the implicit assumption that Door is mad at Alan for involving Saga should be re-examined a little bit.
The game is very careful to not frame any of Saga's relationships as paternalistic. Like, repeatedly, with emphasis, especially among the relationships with people who are close to her and have reasons to act protective over her. Having Door primarily be motivated by a sense of righteousness over someone messing with his protectorate goes against theme with her, and would single him out as the only male character whose help Saga does need.
Furthermore, we know Freya didn't seem to think that highly of Door, never telling Saga anything about him and being firm in not wanting to discuss the topic. Her considering Door a potential danger to Saga just like her powers and choosing to hide the truth to protect her wouldn't make sense if she, too, could use her seer powers to confirm that Door did have Saga's best interest at heart, and with Door existing outside of time, I don't think there's adequate signalling that this would be something he would have had a change of heart about.
Furthermore, while Door is very likeable and definitely not a villain or even an antagonist... he is very trickster-like, and seems very cavalier with how he chooses to interfere and when. From his interactions with the Old Gods, spending fourty years on kill-on-sight terms with them only to happily fanboy over having them on his show and collaborate with them to mess with Alan, to the way he almost deigned to let Alan create a hint for Saga about how to use her powers rather than letting Saga and Tim just work it out amongst themselves, he's playing the long game in every situation and seems to enjoy making the story take twists and turns because of his involvement.
So Door is in a weird superposition of meddlesome/hands-off largely because I almost got a sense that with Saga, he's keeping his distance on purpose. Keeping himself concealed and out of the conversation, despite much of her story being discovering her origins and discovering her own supernatural influence. Outside of letting Alan create a single manuscript page about him, he doesn't even hint at his own existence while Saga is in the Dark Place, theoretically right there for him to reach out to.
And if Door does ultimately think that surely any daughter of his can handle herself, there is one another innocent that has been involved in this all by Wake I could see him getting worked up over instead.
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666frames · 1 month
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Beyond The Door / The Devil Within Her (1974)
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scattergoriesofevil · 3 months
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Vox Machina: We cannot open doors. Why is this a recurring problem? WHY. We have a lockpicking guy AND a half giant who can tear a wall apart with his hands.
Mighty Nein: We have so many fucking problems. SO MANY. Doors? No, what are you talking about.
Bells Hells: We were trapped but we MADE a door! What do you mean there was already one right there? WE’RE ON THE MOON WE’RE EXCITED.
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cellarspider · 2 months
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7/?? germs.
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We return to a movie that disrespects the archaeological importance of roads, Prometheus.
I am still not over that. I will never be over that.
This time, content warnings for continuing frat boy archaeology, cringeful application of racist terms to lily-white androids, me screeching about site contamination some more, and Apollo’s dodgeball striking this movie with a glancing blow about masking.
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So, back in the theater in 2012, I had already lost sympathy for the cast. They were being set up as stock horror movie characters, they were doing their jobs in a way with a certain flair for the incompetent.
And one of them, I suspect, the movie intends to make into a “flawed but you feel for him” kind of guy. Or, I hope they intended to make him “the guy in the slasher movie who you hate and want to see die”. That’s Holloway, one of the two archaeologists. He’s robot racist.
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Like, seriously robot racist. The whole crew is, David literally gets referred to as “boy” here, which isn’t so much a dogwhistle as a tornado siren. No wonder David is quietly starting to show his disdain for the human crew.
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“They're making you guys pretty close [to human now], huh?”
“Not too close, I hope.”
One of the few themes the movie handles halfway competently is the parallel between the humans stumbling all over themselves as they rush to go meet their makers, while David is already experiencing the disappointment of actually meeting his, and finding out they’re a bunch of clueless assholes. Are we supposed to believe the same of the Engineers? I don’t know. They definitely think of humans as lesser, though. More to come on that later.
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Because right now, an expedition is barrelling toward the alien structure–again, driving all over the FCKING ALIEN ROAD–and they’re doing it with only six hours of daylight left, because Holloway literally says “It's Christmas [...] and I want to open my presents.”
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I cannot communicate how heinous this character felt. The actor did a perfectly fine job playing him, but if Charlie Holloway was real, his name would be said with the same venom as that of the man pictured below: Heinrich Schliemann, the man who found the real, actual city of Troy, and immediately dynamited a trench through the royal palace, destroying who knows how many artifacts from the period the Iliad was based off of. Yes, I picked out the most assholish-looking photo of him I could find on purpose.
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Also, Holloway’s an anti-masker, apparently.
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I’m going to step back for just one second and list the one practical, movie budget reason why characters might take their helmets off. The costume designers did an admirable job coming up with something that fits the general requirement of a helmet in major studio releases, prior to The Mandalorian: make the actor’s faces completely visible, because without actors with a strong sense of physical presence and voice acting, you’ll lose connection with the audience.
They did a great job with that. Unfortunately, shiny helmets are a bastard to digitally edit film crew out of. 
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It’s not impossible to place lights and crew so that the audience won’t notice them. Alien certainly pulled it off. Clear plastic elements in helmets also mean other logistical challenges, though: fogging being the main one. This, and cooking your actors in a fishbowl under studio lights.
Both problems can be simultaneously combated by installing A/C fans within the helmets, but because these helmets are entirely clear, you’re limited to hiding them down near the neck, and anybody who’s done similar for a cosplay or suit will know that it’s potentially noisy and not always effective. You can actually see condensate on the helmets in the movie, though whether that’s from the actor’s breath or a deliberate choice, I don’t know.
All this adds up to increased time resetting actors (i.e. cleaning sweat off of them without disrupting their makeup), more exhaustion from said actors, and the worry that the highest-paid, plot-critical actors may decide they don’t want to do a sequel if the shooting experience is too physically unhealthy.
And then there’s also more time spent carefully arranging crew and lights to hide their reflections, or more time making some poor VFX artist erase a transparent, curved reflection from frame and replace it with something else, or make the actors more comfortable by adding the glass in later with CGI, at the potential loss of some realism. The average modern movie studio would choose one of these VFX-driven options and demand it done in a week, which is why VFX artists need to unionize.
So. I understand at least a few logistical reasons why you don’t tend to make actors wear helmets for too many shooting days. But it has to be balanced with the story. It has to feel believable. It has to fit the story. It has to not make your characters look like mud-witted morons.
As soon as they find liquid water and the oh-so-deadly CO2 levels start to drop, Holloway takes his helmet off.
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“Don't be an idiot.”
“Don't be a skeptic.”
Flames on the side of my goddamn face.
Now, this is the moment a lot of people lost sympathy for the human characters, even back in 2012. It was a dumbass idea even then, in the pre-’rona years. Sadly, Millburn the biologist isn’t written smart enough to punch Holloway in the nuts over even thinking of doing this, because we have two problems with what Holloway’s doing here: Biology, and biology.
First, biology.
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(https://www.turbosquid.com/3d-models/13-viruses-virus-3d-model/1071200)
Obviously, they don’t know if anything’s in the air. He could find out that humans are deathly allergic to alien dust mites. He could have just caught himself a case of space covid, which he and the lemmings that follow him can then transmit to the entire crew if he’s not kept in quarantine. They can sterilize the sealed suits, but they can’t sterilize the inside of his lungs. Yet.
Second, biology. 
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Specifically, Earth biology. Do you know how carefully modern space agencies sterilize anything that’s headed for Mars, or anywhere else that might have a biosphere of its own? A lot! They sterilize everything a lot! Because microbes are hardy little bastards. We’ve never found extraterrestrial life, only precursor molecules that show the capacity for life to develop in other places. How are you going to verify you’ve found alien life, or even those precursors, if you can’t prove that your samples are uncontaminated? What happens if microbes from Earth manage to survive the trip and establish a foothold somewhere? What if they destroy native life?
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This movie’s characters treat this with only a fraction of the gravitas that the cinematography does, which is part of why this remains so jarring throughout. The practical sets, the art direction, and the camerawork are all excellent. The editing continues to do its best, though it almost feels like things were cut very tight through this to speed things along and to give more time, unfortunately, to what the characters are doing. 
their crimes against my sanity are not done yet
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As a side note, rounding up some discussion from a previous entry: The most excellent artist @noordzee pointed out that the clashing artistic style of the moon and stars slapped onto the carving of Kʼinich Janaab Pakal I. In the previous post, I focused on the link between that carving and its use in ancient aliens conspiracy theories. But let's dig a bit into actual Maya iconography around celestial bodies instead.
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Now, I am not an expert on Classical Maya stuff. Not in the slightest. And there is a lot of information on their art that is linguistically inaccessible to me, as a non-Spanish speaker. But out of the Maya art and writing that survived the book-burning conquistadors, we have some iconography for the moon and stars, and they don’t look like what’s in the movie.
I wasn’t able to find any specific pieces of art that contained stars, but I did find the glyph for star, ek’. 
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I was only able to find depictions of a crescent moon in the context of the moon goddess, where she tends to be sitting on the crescent like a chair, or one part of it is shown behind her, almost like a tail (though I can’t be certain whether that’s due to chipped paint).
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The moon by itself was somewhat harder to find. I couldn’t find any Maya depictions of it with my limited poking around of the spanish internet, but I did find a (much later) Mixtec depiction of the moon, complete with a lunar rabbit! Much like East Asian cultures, the darker markings on the moon are culturally interpreted as a rabbit shape.
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Thanks again to nordzee for pointing out the dissonant art style, because the real mesoamerican art on this subject is phenomenal.
Next time, the movie will hurt me more, so if anybody else has fun facts to share or details to point out. PLEASE. Ease my pain.
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Alt text citations:
None this time. Many ramblings, though.
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