#scott hastings | Explore Tumblr Posts and Blogs

imaginesheaven · 11 months

Text

Lonely Water (GN!Reader x TF141)

Lonely Water

GN!Reader x TF 141 (platonic)

Summary: You crash into the ocean with a helicopter during a mission. Waiting for your hopefully on time rescue you relive some of your favorite memories of your team. Kind of inspired by the song “Hold Back The River” by James Bay.

Callsign: Phoenix

Length: Around 2.3k words

Warnings: Swearing as always, angst, mentions of injuries, drowning

“Mayday! Eagle 3 is coming down in the middle of the ocean. The pilot is dead and I have no fucking clue how to fly this thing! … Oh, fucking hell…”

There is nothing but darkness around you. The mysterious but dark night sky with thousand shining stars above you and the deadly ocean lurking beneath you. The water is just waiting for you to lose the last of your endurance so you can sink into its cold embrace.

“I’m stronger than you think”, you hiss at the tiny waves of dark ocean water, but you are actually not sure how much longer you will survive. The cold of the sea comes creeping in what feels for hours now. It made itself a home in your bones so deeply freezing that your lips have turned already blue. The feeling in your arms and legs starts to fade just like your will of survival.

The helicopter sunk within minutes after the horrific crash into the water. There was literally nothing left to cling onto. You wouldn’t be Jack clinging for dear life onto a wooden door, while your true love stays safely above the freezing water.

The thought of the Titanic brings a weak smile onto your lips. At least you still got your humor with you to keep you company.

Darkness fills your mind with the sinking dread that your team probably wouldn’t be fast enough to rescue from this death trap. Your form floats on the water like a dead man hoping to delay the bitter end for just another few minutes.

The exhaustion slowly takes over as your eyes flutter shut desperate for a moment of rest. Cold water comes rushing over your face since the ocean was waiting for its chance to drown you in its embrace. The water is merciless. Adrenaline rushes through your vein bringing back your will to fight. You swim with weak strokes back to the surface. How much longer can you keep up against the sea?

“Oi! Not so fast, Phoenix!”, a familiar voice behind you yells out. The dirt beneath your shoes crunches as you jog through a patch of trees. Wait, a minute. The water surrounding you has vanished? This can’t be real, right? It hast to be a memory.

“Too bad you are so slow, Soap. You could easily catch up with me if you would work out a bit more”, you reply to the familiar voice behind you. Soap stares at you speechless for a second before he speeds up to catch you. Laughing you send him a wink and even put more speed on to outrun him more than easily.

Soap grunts with exhaustion ready to bring you down with him. He jumps forward his arms stretched out. This man is an open book for you for years now. Still grinning you make a step to the side completely out of his reach. Soap falls to the ground without you.

Absolutely pumped you start your little victory dance knowing exactly that in the distance Price, Gaz and Ghost are watching the two of you with binoculars. “That was quite a fall Soap took there”, the Captain comments the downfall of the poor Scott, “Pay up, Gaz.” The young soldier lets out a groan but always pays his bet debts.

“Phoenix could outrun us all, Gaz, never think otherwise”, no matter how often Ghost sees you running he is always mesmerized by your endurance.

“How can you be so damn fast?”, Soap can’t believe he lost once again. You give him a half shrug with your shoulder, “I imagine Death chasing me and what do we say to Death?”

“Not today”, you whisper smiling. The thought of your teammates brings you pure joy despite the fact you are probably going to drown. The only family you ever had and ever needed. For a second you close your eyes hoping to see more memories.

“So, your callsign is Phoenix. What’s the story behind it?”, Gaz asks you with a bright smile on his lips. Sometimes he reminds you of a little boy in a candy store. You can’t believe how much happiness his happiness can bring you.

“Well…”, you start your not so exciting story, but Soap interrupts you immediately: “Phoenix survived a car crash with a big explosion and came back out of its ashes like a Phoenix. Tada! The callsign was born!”

The silence in the room is deafening before you burst out with laughter, “What the hell, Soap?! No, that’s not what happened!” Everyone except Gaz gets a good laugh from this story. He looks so terribly confused and kind of intimidated at the same time.

“Poor Gaz is probably traumatized for the rest of his life. I like to burn things and someone else already had the fucking callsign Pyro so I had to improvise”, you explain him the situation with a few words. The young soldier rolls his eyes. Still a tiny smile on his lips can be seen.

“Have you any idea how hard it was to get Phoenix and Soap as both demolition freaks on the team? Explosions. Fires. Laswell was not happy at all”, Price recalls his quite one-sided conversation with her. The only thing she said was “NO!” over and over again. Well, she also said “FUCKING HELL FOR SURE NOT!” once. But Captain Price gets what he wants in the end.

A tiny tear rolls down your face, but you can’t feel anything anymore. The cold crept into every single fiber of your body. In the end it doesn’t matter anyway. You are still surrounded by water so what matters a single tear escaping? It’s the only one. Way too tired you can’t share more than that tiny tear with the ocean.

“Are you fucking serious? You could have died!”, you hiss angrily at Ghost as you patch the bullet wound in his side up. The tough soldier keeps quiet letting you work. “It’s like I’m talking to a brick wall without a single thought behind those eyes. Except for sacrificing himself for someone else”, you keep going with your monologue. No one dares to speak like that to him. Except you. It’s always you.

Ghost can’t see how your hands are shaking. How the fear takes over your already worry-ridden mind. How you blame yourself for not being fast enough in the end. You could have prevented this from happening.

But Simon knows you better than you yourself sometimes, “Not for anyone. Only for you, Phoenix. I’m sorry, but please stop worrying. Stop blaming yourself. In the end it was my decision. That’s what we do for each other. Keeping each other safe, right?”

Not answering you put away the first med kit finally done with patching him up. Ghost isn’t the one with the soft side, but with you it is so easy to feel safe for once. You stand up hoping to run from this conversation. His hand stops you dead in your tracks as he grabs your wrist, “Right?”

A slight smile appears on your lips still not turning around to face him, “Of course… but you are still a brick wall.” Simon can’t help himself but smile too behind his mask.

What have you done? If Simon would be here with you, he would hold this whole conversation against you. It’s the same reason that has brought you into the middle of the ocean. You wanted to keep them safe. Your team. Your family.

The helicopter was loaded with explosive meant to kill. Bombs. Soap’s favorite. There was no time to defuse them. You had not a single second to think about it. Just enough time to act on impulse. What a great idea to bring the helicopter down over the ocean far away to hurt someone else. But what about you?

“No, you are not stronger than me, Gaz”, Soap puts down the money for his bet. There is never a dull moment with those clowns. A tiny smile appears on your lips as you nurse your lonely drink in your hand.

“What’s so funny?”, Price notices your rather happy facial expression. “Nothing, just happy to be alive”, you reply simply. The Captain doesn’t need an explanation what you mean exactly. He just knows. You don’t need to elaborate how they give you a feeling of being home. How they are like the family you never had before in your life. They are everything you need to be happy.

But now it is time to let go.

Tired you keep your eyes closed as the cold water pulls you down into its embrace. You are not scared anymore to give up this time. Only gratefulness and happiness are present in your heart and mind. The joy you experienced is more than enough for a whole lifetime.

For the last time you open your eyes to see the darkness around you. It was the only friend you had the last few hours. The tiny waves trying to lull you into a memories-filled sleep. The cold making it easier to let go. You have been tired for so long already. Tiny air bubbles escape and leave you behind.

The darkness lurks beneath you, but above the water surface shines a strange light. Is that the beacon of hope you were looking for the whole time? There are voices too, but you can’t understand what they are yelling. You are sinking further and further. Far away from the light.

Above the lonely water your team is looking for you desperately.

The thought sends a surge of energy through your body. As hard as you can you wave your arms and legs completely uncoordinated. Still the movement brings you closer to the surface. You can’t give up now. Not so close to them.

Your whole body is numb and hurts at the same time terribly. The ocean gives its best to keep you to itself. The cold clouds your mind. Are you paddling into the right direction? Are you going further down?

Then your arm breaks through the surface. But that’s all you had left in you.

Something grabs your hand so tight you almost screamed out loud because of the pain. Your head is still underwater. There is another tightness in your lungs screaming for just a tiny bit of fresh air.

Slowly you get dragged out of the darkness. Leaving the ocean behind. You take a gasping breath. The world outside the water is so overwhelming. The lights blind you for a moment. The loud noises roar in your ears. Pure chaos. For a moment you miss the calming darkness of the ocean.

A slight smile would appear on your lips as you see the faces of your teammates, but that’s too much for now. Gaz and Soap have their hands tightly on your arms, while Price and Ghost try to heave you into the helicopter by your tactical vest. All your gear got extremely heavy soaked with ocean water to the brim. You wish you could help them out, but you reached your limit of energy a long time ago. They lower you to the ground finally freed of the water.

“We got Phoenix. Go, Nik”, Price gives his order to Nicolai. Your favorite Russian pilot. Ghost and Soap try to get rid of your tactical vest together. Gaz stands ready with a blanket to warm you up. They keep talking to you, but you can’t quite follow their words. Your mind still frozen in place.

“Hey, hey. You broken?”, John puts his hand on your ice-cold cheek to get your attention. This time you can manage a weak smile, “Define broken, Captain.” He lets out a deep sigh full of worry but more than happy to hear your voice once again.

“Don’t ever do this again, muppet. You were out there the whole night. We- … We literally thought you were gone. Want to sit up?”, Price grabs your shoulder softly too scared to hurt you after what you went through. Ghost on the other side helps you too to sit up.

The sun starts to rise on the horizon bringing another day to this earth. Another day you are able to see. Another day to be alive.

“You damn lucky bastard. The endurance from your jogging probably saved your ass out there”, Simon can’t believe he gets another chance to see you again. It breaks his heart to see you beaten up and weak like this, but you are alive.

“What do we say to Death?”, Soap asks you grinning like always. “Not today”, you reply enjoying the little inside joke the two of you have.

Price puts his leg behind your back so you can relax yourself against him. Ghost rests his hand on your shoulder letting himself feel grateful to have you back. Soap sits next to you. Shoulder against shoulder. Just like out in the battlefield. Gaz holds one of your hands in his to get them back to normal temperature.

Your little family.

Lonely Water

Let us hold each other

2K notes · View notes

wrestlingwithlife · 9 months

Text

Hot Showers And Steamy Kisses

After training showers turn out to be a bit to steamy for Soap to handle.

Soap x Male!Reader

Warnings : Suggestive Content but nothing explicit

—————————————————————————————————————

Y/n ducked out of the ring, rolling his neck as he made his way back to the wall where is Soap was awaiting him. Soap offered his boyfriend a grin, eyes trailing his frame.

“You look hot.”

Y/n snorted, shaking his head. “Yeah, hot and sweaty.”

“That’s just how I like you~”

“You’re nasty.” The s/c male complained as he slapped Soap’s hands away, but he couldn’t help the small chuckle that escaped his lips at his lovers antics.

Soap went to lean on his boyfriends shoulder, but Y/n stuck an elbow out, keeping him from coming any closer.

“Absolutely not. We are both soaking wet and smell. Wait until after we shower.”

Soap grumbled a bit, but the invitation was there so he didn’t complain to much.

The Scott’s eyes suddenly got a mischievous look to them. “You should let me shower with you.” He begged, tilting his head in the way he knew Y/n wouldn’t be able to say no.

The e/c eyes male looked down at his boyfriend, seemingly weighing his options. The two had seen each other naked plenty of times, but they’d never really showered with one another.

Well they had, but it went much further a simple shower.

“Fine, but I’m tired, so we’re only showering. Understand?”

Soap huffed, a small whine bubbling in the back of his throat, but Y/n stood firm on his demands.

“Fine.”

・゜゜・．・゜゜・．・゜゜・．・゜゜・．・゜

Soap slipped into Y/n’s room quietly, the sound of water running from the shower head already present. Soap had made a stop by his own room to grab a pair of comfy sweats, that had originally belonged to Y/n, to change into after he showered.

Y/n had gone a head to get the shower ready, already stepping in as he awaited his boyfriend’s arrival.

Soap tossed the sweats onto the bed before hurrying towards the bathroom, eager to join his lover. In his haste he ignored the suspicious amount of steam that filled the room as he stripped or the overwhelming heat he felt as he pulled back the curtain a bit to step into the shower.

The mow-hawked male slipped between Y/n and the water, only to let out an undignified yelp as the scalding liquid poured down his back.

“What the fuck!?” Soap shrieked, scrambling to stand in front of Y/n and clinging to his chest as he used his boyfriend as a shield.

The e/c eyed male quirked a brow, his hands resting on Soap’s hips to steady him. “What’s the matter?”

It dawned on Soap that his boyfriend was just casually standing under the scalding stream of water, seemingly unfazed.

“What the hell are you?” The Scott muttered under his breath, pressing close to his boyfriend so no stray bits of water would attack his already red skin.

Watching as Soap practically hid away from the shower head it was easy for Y/n to figure out the issue. “Is the water to hot for you?”

Without waiting for the other male to answer the h/c haired male reached back to turn down the water’s temperature. After a moment Soap stuck a tentative hand out, letting out a sigh of relief as he found the water much more bearable.

He leaned his head back a bit, giving his boyfriend a skeptical look. “I’m convinced you’ve burned all the nerves in your back off.”

Y/n chuckled, e/c eyes gleaming as he leaned down close to Soap’s face. “Maybe.” He hummed before capturing the males lips in a steamy kiss. Y/n pushed back on the smaller male until he was pressed against the wall of the shower.

Soap let out a surprised grunt at the feeling, gasping for air when Y/n finally pulled away. “I thought you were to tired?” He puffed, looking up into Y/n’s needy gaze.

The male hummed, hands trailing down Soap’s backside. He leaned in close, leaving playful nips along his ear.

“I just got my second wind~”

Soap was in for a long night.

————————————————————————

Sorry it’s a bit short, I’m currently working on a Ghost story and I hit a bit of a writers block so I decided to give y’all this to hold you guys over lol

Also I wanna know if you guys would be interested in the occasional spicier stories as well 😏

Man’s a bit of an update on Cowboy!Reader, I’ve got two stories planned out for him so I hope you guys will like them when they come out! They’ll be a bit longer than the normal ones so they may take a bit longer.

Anyhow, sorry for dumping all that information lol

- Author~Chan out ✌️

#task force 141 #cod x male reader #cod x reader #john soap mactavish #soap x reader #soap x male reader #soap x y/n

434 notes · View notes

muscleonly4u · 1 month

Text

Scott Hastings 🏴󠁧󠁢󠁳󠁣󠁴󠁿

#Scott Hastings #muscle #bodybuilding #posing #so hot 🔥🔥🔥#huge bodybuilder #hot as fuck

22 notes · View notes

outtoshatter · 2 months

Text

This week's author spotlight: @hedwig221b!

Over 10k:

Take me Away From Here | E | 33k tags: nontraditional Alpha/Beta/Omega dynamics, historical, mpreg, angst & hurt/comfort, possessive Derek Summary: Derek Hale looked terrifying. With his broad frame and muscles, with his wild black hair and thick beard, with his eyes the color of blood and fangs of a killer. Despite his kindness and his apparent attraction to Stiles, he was still a stranger, a predator, a wolf.

The thing is, Stiles would deal, but others might not. People found Lord Hale horrid, monstrous and unapproachable.

If Stiles stood behind him, no one would touch him.

He’d be safe with the wolf. If not from him, then definitely from everyone else. And that was enough.

Full and Void | E | 23k tags: established relationship, canon divergence, void Stiles, dark Derek, captivity, gore Summary: Stiles could be meek, sure. In Derek’s arms, softened under the touch, pinned under his weight. He allowed himself to relax only in Derek’s sole presence.

Stiles could also look meek. Small, scared. Let the enemies think he was hiding in his mate’s shadow. After all, no one would stop to think that the shadow could ever be dangerous.

Torn Apart and Set Anew | M | 18k tags: established relationship, omegaverse, werewolves are known, whump Stiles, stalking, murder Summary: “Someone’s here,” Stiles whispered, feeling weirdly numb.

The metal latch clicked. With ice filling his lungs and his fingers shaking terribly, Stiles swiveled his head in the direction of a window and froze for a beat of a second.

There was a face behind the glass.

Forgettable and plain, but at the same time familiar face.

Wait for me | M | 64k tags: Cursed Derek, Spark Stiles, mates, alcoholic Sheriff, angst & hurt/comfort Summary: “Stiles, we know about your Spark,” Scott looked at Stiles with desperate eyes, trying to convey something. “He is the Werewolf who's been chasing you. You must run. We’ll help you…”

Stiles stared at his friend, genuinely concerned for his sanity, because the nonsense he was sputtering was really fucking confusing.

The Rarest of Gems | E | 26k tags: mates, Alpha/Beta/Omega dynamics, hurt/comfort, angst with happy ending Summary: "There, somewhere, a flower grows. Its curious petals reach in curiosity, but get burned in return. It craves a soothing touch, a lover’s kiss. It is the sweetest nectar, the brightest moonlight, the most alluring starry night. It is the rarest of gems. It is your mate, alpha Hale. But beware and haste, for the flower grows among the most vicious thorns, who can’t wait to tear it apart."

Under 10k:

Devoured | E | 5k tags: Sex Deity Derek, virgin sacrifice Stiles, consensual somnophilia Summary: Breathless, Stiles shifted his gaze up and went red from the knowing smirk on the deific face. The man’s red eyes sparkled in the moonlight, glowing like two fires on the tips of the candles. One of his thick eyebrows was lifted in amusement.

He was the most beautiful being Stiles had ever seen. As was probably expected, considering he was the god of sexual desire.

Kiss it Better | T | 1k tags: fluff & hurt/comfort, established relationship, mpreg Summary: Eli was healthy, bubbly and happy most of the time, a perfect overly energetic and curious child, but sometimes he just gave Stiles this studying, almost suspicious long stare and pursed his little button nose, as if thinking very hard about something.

Today was one of those days.

Mountain to Hide Behind | T | 3k tags: established relationship/married, mpreg, implied cheating, no actual cheating Summary: “Did you honestly think Stiles wouldn’t notice your absence? He can’t even stomach his dinner, because he knows you’re busy fucking side-chicks as he does so.”

A stunned silence filled the room.

Right then, faced with the sentence he was too scared to even think of, Stiles realized he couldn’t take it anymore. At his first mortifying quiet sniff, Derek swerved around to look at him.

He looked horrified.

Safe | Not Rated | 974 tags: fix-it-fic, established relationship, magical Stiles Summary: “Where is he?” Stiles rumbled, glancing at each member of the pack in front of him, before settling his incinerating gaze on one person he once considered a brother. “Tell me, Scott, where is my husband?”

Fate is Not a Real Thing | E | 5k tags: werewolves are known, full shift wolves, witch Stiles, mates, angst with happy ending Summary: See, the nature was a nasty thing. Yes, Derek despised him, hated him, may be wished him dead sometimes, but he couldn’t fight the instincts. Sometimes it was hard for Stiles to remember that none of that was done out of Derek’s free will. His glares and frowns and his silence always put Stiles in his rightful place, though. He was a mistake and a joke. It hurt, very much so, because, even though Derek didn’t want anything to do with Stiles, he wanted everything with Derek.

Series:

The Happiest of All | 2 works | 57k total | complete some tags: mates, angst with happy ending, possessive Derek, true alpha Derek, spark Stiles, mpreg

Go check out hedwig221b's AO3 page, and don't forget to mind the tags, leave a kudos and maybe even a comment!

#sterek #author spotlight #sterek fandom #teen wolf #derek hale #stiles stilinski #hedwig221b #spotlight saturday

134 notes · View notes

cavalorn · 1 year

Text

Eye of newt and toe of frog: what was really in the witches’ cauldron in Macbeth? (CW: torture, death, historical racism, historical antisemitism, animal and human body parts) Ever since Scott Cunningham first made the following claim in the 1980s, there has been an increasingly widely circulated belief that the ingredients of the Macbeth potion were not grisly animal parts at all but merely herbs and plants, concealed under code names:

“every ingredient (Shakespeare) lists as being in the witches' pot refers to a plant and not the gruesome substance popularly thought”

This proposal had not appeared at all in analyses of Shakespeare prior to Cunningham’s Magical Herbalism: The Secret Craft of the Wise but is now extremely popular, especially the often-cited proposal that ‘eye of newt really meant mustard seed’. Lists of ‘herbal codes’ circulate online, purporting to explain all the different ingredients of the Macbeth potion away as plants. Witches, according to these lists, were grossly misrepresented. Their grisly concoctions were nothing but herbal mixtures.

Code-names and substitutions have certainly played a part in magic in history. Cunningham was familiar with, and makes reference to, the Greek Magical Papyri in which a famous list of secret substitutions is given. For example, ‘the tears of a Hamadryas baboon’ are to be taken to mean ‘dill juice’. The concept of a secret herbal code in which grisly-seeming or mythical ingredients are in fact plants – and only the enlightened few are aware of this - was therefore not a new one.

Was Cunningham correct?

First let’s look at the historical context.

Shakespeare wrote Macbeth under the patronage of James VI of Scotland / I of England. The King was paranoid about witches, was personally present at the interrogation of at least one, and wrote a book called Daemonologie all about them. The depiction of witches in Macbeth would have needed to flatter and support the King’s personal convictions. These fictional witches are therefore evil through and through, and we should be suspicious of any interpretation that seeks to lessen their horror.

Other plays were written around the same time that feature witches in similar roles, such as Jonson’s Masque of Queens and Middleton’s The Witch. We will come to those in due time.

Let’s examine the evidence for Cunningham’s claim, line by line. Round about the cauldron go;

In the poison’d entrails throw.

Right from the start, we have a reference to ‘poison’d entrails’. This immediately tells us that the ingredients are characterised both by being poisonous or venomous in nature and by coming from living creatures. Herbs and plants do not have entrails.

Toad, that under cold stone

Days and nights hast thirty one

Swelter’d venom sleeping got,

Boil thou first i’ the charmed pot.

The first ingredient is, quite plainly, a living toad. Specifically, it is a toad that has been secreting venom over a period of time.

The choice of a venom-secreting toad as the very first ingredient cannot have been a coincidence, seeing as the King had himself interrogated an accused witch who had been put to torture, and who had ‘confessed’ to collecting toad’s venom in order to use it in a sorcerous attempt against the King’s life.

The alleged witch’s name was Agnis Thompson, and the King interrogated her in 1591. His account of this is written up in his book, Daemonologie. Agnis Thompson 'confessed' to having taken a black toad, hung it up and collected the venom that dripped from it over three days in an oyster shell. This venom was supposedly intended to be used in a spell that would bewitch the King to death, 'and put him to such extraordinary paines, as if he had beene lying vpon sharp thornes and endes of Needles.'

It is worth noting at this point that the King also recorded his belief that the Devil causes witches to "joint dead corpses, & to make powders thereof" which are then used in spells. This belief can also be found in Daemonologie.

So in the very first ingredient that goes into the cauldron, the live toad steeped in its own venom, we have an immediate disproof of Cunningham’s claim that ‘every ingredient refers to a plant’, along with a clear reference to the King’s own personal lived experience and profound beliefs concerning witches.

It ought to go without saying that King James VI/I was a deluded bigot who had innocent women tortured and put to death in service to his twisted agenda, but let’s say it anyway.

Fillet of a fenny snake,

In the cauldron boil and bake;

As with ‘entrails’, the use of the term ‘fillet’ leaves in no doubt that we are dealing with a dismembered living creature. A fenny snake is simply a snake from the fens.

Convoluted attempts have been made to identify ‘fillet of a fenny snake’ as a plant of some kind, but given that Cunningham’s claim has already been disproved, there seems no point in not taking Shakespeare at face value.

Eye of newt

Let’s get this out of the way: there is zero historical evidence that ‘eye of newt’ ever meant ‘mustard seed’. There are no herbals that give this as a name – not that were written prior to the 1980s, at any rate. The obvious conclusion is that it is modern lore created in sympathy with Cunningham’s claim. The ‘mustard seed’ interpretation is all over the Internet, of course, because sites typically copy one another without bothering to look for original sources.

(I would like to say, for the record, that if I assert here that ‘no historical source says X was ever used to mean Y’ and anyone later provides a historical source that unambiguously DOES say X was used to mean Y, I will print this article out and eat it. With mustard.)

Assertions that eye of newt meant mustard seed usually also assert that it was a popular component of witches’ spells. In fact, Macbeth is the one and only historical instance of ‘eye of newt’ appearing as a spell component. It is famous because the play is famous, not because it was in widespread use. The idea that it was a codename for some other ingredient thus appears even less credible.

Other attempts to interpret Shakespeare according to the Cunningham agenda include the rival claim, sometimes seen, that ‘eye of newt’ actually meant a type of daisy. Just as with mustard seed, there is no historical evidence at all to support this.

We should perhaps expect to encounter multiple claims as to the ‘real meaning’ of the potion ingredients, because the point of these claims is not to provide a definitive substitution code that was actually used by practitioners of the past, but simply to repeat the insistence that Shakespeare’s words do not mean what they say.

It is, of course, possible to assert that the enlightened ‘mustard seed’ interpretation has simply been handed down secretly through the years from witch to witch, never once appearing in print until the 1980s when such things could at last be shared openly within the hallowed pages of Llewellyn books. Claims of this sort are unanswerable.

Incidentally, the typical construction for plant names is not ‘B of A’, but ‘A’s B’ or simply ‘AB’, as we find with names like day’s eye (daisy), baby’s breath, coltsfoot and foxglove. If Shakespeare’s spell had run ‘breath of babe and eye of ox / foot of colt and glove of fox’ then we would be having a very different conversation.

Tongue of dog

This ingredient is the first one where the Cunningham agenda might seem credible, if it had not already been disproven by the very first of the ingredients. There is a herb called ‘houndstongue’, Cynoglossum officinale, which is also known as houndstooth and dog’s tongue.

Was Shakespeare referring to a herb here, then, rather than the tongue of a literal dog? Given the anatomical specificity of some of the later ingredients, there is no reason to think so. Animal tongues have played a part in magic for centuries. The Epistula Vulteris (800 CE), for example, proposes putting a vulture’s tongue in your shoe to make enemies adore you. The 16th century Tree of Knowledge instructs the reader to take the tongue of a hoopoe and hang it on the right side of the body, close to the heart, in order to defeat anyone in court.

Wool of bat

Despite this ingredient being relatively innocuous – ‘wool’ could theoretically be harvested from a bat without harming it – attempts have been made to identify this as moss, or even as holly leaves, via a convoluted train of association that links the shape of bat’s wings with the shape of holly. No historical sources give ‘wool of bat’ or ‘bat’s wool’ as a term for a plant.

Toe of frog

Some modern sources assert that ‘toe of frog’ refers to the buttercup, possibly because the Latin name Ranunculus means ‘little frog’. One is left to wonder what part of a buttercup the ‘toe’ might refer to.

Unfortunately, no historical sources give ‘toe of frog’ or ‘frog’s toe’ as a term for a plant.

Adder’s fork

At first sight this looks like another possible point for Cunningham. Adders have forked tongues, and there are several plants that bear the name ‘adder’s tongue’. However, there is no evidence of the use of the specific term ‘adder’s fork’ to refer to a plant.

We would also have to explain why, given that these ingredients are demonstrably not being presented in an overall context of plant symbolism, any of the plants known as adder’s tongue would be intended here over the surface meaning.

Blindworm’s sting

The ‘sting’ (fang) of a venomous snake, or possibly a slow-worm, which are ironically not venomous. This ingredient is probably intended to pair with the last one: they are both from the mouths of reptiles.

No historical sources give ‘blindworm’s sting’ as a term for a plant.

Lizard’s leg

The leg of a lizard.

No historical sources give ‘lizard’s leg’ as a term for a plant.

Owlet’s wing

The wing of an owlet, or baby owl.

No historical sources give ‘owlet’s wing’ as a term for a plant. (I am getting as tired of typing this as you probably are of reading it.)

Scale of dragon

An ingredient that at first glance appears to buttress Cunningham’s claim, because unlike the others it cannot possibly mean what it says. Dragons don’t exist. However, ingredients that use the term ‘dragon’ in their naming do exist, such as ‘dragon’s blood’.

Excitingly, there is a plant known as the dragon’s scale fern, Pyrrosia piloselloides. Should we concede a point to Cunningham here?

Unfortunately, I do not think we can. The dragon’s scale fern is native to Singapore and was first catalogued by Carl Linnaeus in 1763. There seems no way that Shakespeare could possibly have heard of it. Moreover, ‘dragon’s scale’ is merely an English translation of the term ‘sisek naga’. I’ve been unable to find any use of the name ‘dragon’s scale fern’ in English prior to the 20th century.

Did Shakespeare mean a literal dragon, then? Considering his plays involve literal ghosts (e.g. Caesar, Banquo, Hamlet’s father), literal monsters (Caliban) and literal witches with the power to ‘hover through the fog’ and summon storms at sea, we needn’t worry about Shakespeare depicting things which we now know to be impossible. So yes, literal dragon’s scale. Tooth of wolf

It is tempting to identify this ingredient as the herb houndstooth, but the problem there is that houndstooth is the same as houndstongue, for which see ‘tongue of dog’ above.

No historical sources give ‘wolf’s tooth’ as a term for a plant. Witches’ mummy

Either ‘the mummified flesh of dead witches’ or ‘mummified human flesh, as used by witches’. Bizarre though it may sound, mummified human flesh was used for medical purposes before and after Shakespeare’s time. See Sir Thomas Browne, Hydriotaphia, 1658: ‘The Egyptian mummies which Cambyses spared, avarice now consumeth. Mummy is become merchandize, Mizraim cures wounds, and Pharaoh is sold for balsams.’

No historical sources give ‘witches’ mummy’ as a term for a plant.

Maw and gulf

Of the ravin’d salt-sea shark

The mouth and stomach of a shark.

No historical sources give ‘shark’s maw’, ‘shark’s gulf’ or ‘shark’s stomach’ as a term for a plant. There is a succulent called Shark's Mouth Mesemb that is native to South Africa, but given the additional description lavished on the shark – ‘ravin’d, salt-sea’ – it seems pretty obviously a literal shark.

Root of hemlock digg’d i’ the dark

Here we come to our first actual plant ingredient, which is named as such. Do please note the significance of ‘digg’d i’ the dark’. It’s not just hemlock, it’s hemlock that has been gathered in the ‘proper’ way. Where literal plants are concerned, the time and method of harvesting is magically significant. This suggests that far from everything in the spell being a plant as Cunningham proposed, the actual plants involved are special and treated with particular care.

Liver of blaspheming Jew

Exactly what it appears to be, disgusting historical antisemitism and all.

Gall of goat

The gall (bile) of a goat. (Goat’s gall and honey were used as a treatment for cancer in Saxon times. Who knew?)

No historical sources give ‘goat’s gall’ or ‘goat’s bile’ as a term for a plant.

Slips of yew

Sliver’d in the moon’s eclipse

Another actual plant ingredient, named as such. Just as we saw with the hemlock root, when the spell calls for actual plants, the witch is careful to specify the method of gathering. ‘Sliver’d in the moon’s eclipse’ means that the yew was peeled off in slivers during an eclipse of the moon.

Nose of Turk

The literal nose of a literal Turkish person. My suspicion is that this mocking of foreign people and their religions was deliberate pandering to the King, almost to the point of pantomime.

Tartar’s lips

See above.

Finger of birth-strangled babe

Ditch-deliver’d by a drab

The severed finger of a baby strangled at birth, having been born in a ditch to a sex worker.

There is a Korean succulent called ‘baby’s finger’ but there is no hope whatsoever that Shakespeare could have meant something so innocent.

Tiger’s chaudron

A tiger’s entrails. Derives from the exact same source as ‘cauldron’, so Shakespeare was frankly cheating a bit to use it as a rhyme here.

No historical sources give ‘tiger’s chaudron’ or ‘tiger’s entrails’ as a term for a plant.

A baboon’s blood

Curiously, ‘the blood of a Hamadryas baboon’ is one of the ingredients in the Greek Magical Papyri which is deemed to be a code name. Unfortunately for Cunningham, the ingredient it is a code name for is the blood of a spotted gecko, bringing us all the way back to lizard’s legs and newts’ eyes.

It’s worth noting in passing that Shakespeare wouldn’t have been familiar with the Papyri Graecae Magicae, given that they weren’t rediscovered and republished until the 19th century.

In any case, no historical sources give ‘baboon’s blood’ as a term for a plant.

In summary, of the twenty-three ingredients that go into the witches’ cauldron:

two – yew and hemlock - are unambiguously plants and named as such, with the method of gathering described

two – tongue of dog and adder’s fork – resemble extant folk names for plants, i.e. houndstongue and adder’s tongue

the remaining nineteen are all animal or human body parts, or in the case of the toad, the entire animal

Cunningham does not seem to have considered that disguising innocent herbs with grisly sounding names would have invited trouble rather than deflecting it. For example, even if ‘wool of bat’ had been a codename for moss, no practitioner with an ounce of sense would have referred to it as such when they could just call it moss. Gathering moss might be eccentric; gathering wool of bat could be seen as diabolic.

Some commentators have taken the view that Shakespeare might have been using ironic humour, by listing ingredients that were grisly sounding but also folk names for ordinary plants, intending the audience to pick up on his clever references. The audience would, so the theory claims, have recognised the wordplay because the folk names would have been in common use at the time. This theory falls apart, however, simply because the vast majority of the ingredients were not folk names for plants, and only two can possibly be considered such. Even in their case it is necessary to use some creative interpretation.

There is an additional problem with the ‘secret herbal code’ hypothesis. Cunningham’s core argument is that ‘witches, magicians and occultists wished to keep secret the most powerful of the old magics’, hence the use of codes. And yet, the arguments advanced for which ingredient represents which plant are based on common folk names, not secret lore unavailable to the masses. One cannot draw a link between ‘tongue of dog’ and the herb houndstongue, insist that the parallel is obvious, and then claim that this was a secret code.

To use the Papyri Graecae Magicae as an example of a genuine secret substitution system, ‘a physician’s bone’ is code for ‘sandstone’. There is no conceivable way a person could have inferred the real ingredient from its code name. And yet, the supposed herbal codenames in Macbeth are all based on inference, such as ‘finger of birth-strangled babe’ being taken to mean ‘bloody finger’ and thus ‘foxglove’.

Media magica in other Jacobean dramas

As mentioned above, it was not only Shakespeare who wrote plays in which witches prepared concoctions that contained human or animal body parts. However, only Shakespeare seems to have been singled out for his alleged use of secret herbal code names (which, as we have seen, does not bear scrutiny).

Ben Jonson’s The Masque of Queens was written for King James VI/I and was first performed in February 1609 (three years after Macbeth) in honour of the King’s eldest son, Prince Henry. Like Macbeth, it flatters the King’s obsession with witches by featuring a gathering of them. They discuss the ingredients they have gathered, such as:

I have been all day, looking after

A raven, feeding upon a quarter;

And, soon, as she turn'd her beak to the south,

I snatch'd this morsel out of her mouth.

This hag has snatched a morsel of human corpse that had been cut into four pieces (as in ‘hung, drawn and quartered’) out of the beak of a raven.

Just as in ‘Macbeth’, we then hear of a miscellany of gruesome ingredients, such as the bitten-off sinews of a hanged murderer, the fat of an infant, the brains of a cat, frog’s blood and backbone, owl’s eyes, viper’s skin and basilisk’s blood, none of which can possibly be taken to be codenames for plants. Moreover, we are fortunate to have Jonson’s own notes on his work, in which he laboriously details the sources he used and the practices he intends to depict:

But we apply this examination of ours to the particular use; whereby, also, we take occasion, not only to express the things (as vapours, liquors, herbs, bones, flesh, blood, fat, and such like,

which are called Media magica) but the rites of gathering them, and from what places, reconciling as near as we can, the practice of antiquity to the Neoterick and making it familiar with our popular witchcraft.

Jonson’s representation of plants is of particular interest here. He has one hag declare: And I have been plucking, plants among,

Hemlock, henbane, adder's-tongue,

Night-shade, moon-wort, libbard's-bane;

And twice, by the dogs, was like to be ta'en.

And offers the following explanatory text: Cicuta, hyoscyarnus, ophioglosson, solanum, martagon, doronicum, aconitum are the common venefical ingredients remembered by Paracelsus, Porta, Agrippa, and others; which I make her

to have gathered, as about a castle, church, or some vast building (kept by dogs) among ruins and wild heaps.

Just as with Shakespeare’s mention of hemlock and yew, there is no suggestion of code names.

‘The Witch’ by Thomas Middleton was also performed by the King’s Men. It, too, depicts witches in exactly the way the King expected to see them depicted. For example, Hecate says to Stadlin: [Giving her a dead child's body] Here, take this unbaptised brat.

Boil it well, preserve the fat

The subject of herbs comes up in this graphic exchange: STADLIN

Where be the magic herbs?

HECATE

They're down his throat:

His mouth cramm'd full, his ears and nostrils stuff'd.

I thrust in eleoselinum lately

Aconitum, frondes populeas, and soot-

You may see that, he looks so b[l]ack i' th' mouth-

Then sium, acorum vulgare too,

[Pentaphyllon], the blood of a flitter-mouse,

Solanum somnificum et oleum.

Middleton even brings a comic touch to the loathsomeness of the witches’ concoctions. Almachildes (who has brought the witches toads in marzipan as a gift) is invited to dine with them, and responds

How? Sup with thee? Dost think I'll eat fried rats

And pickled spiders?

Conclusions

The witches depicted by Shakespeare, Jonson and Middleton for the entertainment of King James VI/I are shown employing animal and human body parts as well as plants in their spells, in accordance with the King’s personal beliefs and with the playwrights’ understanding of magic as depicted in such texts as Cornelius Agrippa’sDe Occulta Philosophia.

There is no evidence to support the suggestion that any of the ingredients named are meant to be taken other than literally. They are not codenames for plants. Eye of newt in particular is not a folk name for mustard seed and never has been.

Scott Cunningham’s assertion that “every ingredient (Shakespeare) lists as being in the witches' pot refers to a plant and not the gruesome substance popularly thought” is simply wrong.

Although Cunningham was wrong, and may well have known it, his motivation is understandable. Modern witches are revolted by the idea of body parts being used in spells and wish to distance themselves from it. The ‘herbal code’ interpretation provided a means to recast the horrific Jacobean witch (who did not exist outside of the popular and kingly imagination) as an enlightened and humane herbalist.

But if we allow ourselves to misrepresent Shakespeare in this way, we risk erasing the memory of the real victims: Agnis Thompson, the accused witch who was tortured into ‘confessing’ her use of a toad, and her fellows. Squeamishness must not be allowed to prevent us from confronting the uncomfortable facts of history.

#scott cunningham #witchcraft #shakespeare #macbeth #eye of newt #herbalism #plants and herbs #witch

221 notes · View notes

chimpanzeedotcom · 5 months

Text

Scott Pilgrim is NOT a tgirl. Fujoshis hit the Scollace yaoi mines post haste

65 notes · View notes

whatgaviiformes · 2 days

Text

Fic: Grannies - part 3

A/N: Sorry this took so long. Unedited.

Summary: Gordon’s committed to the bit. The bit just happens to be an obnoxious amount of granny squares

Part 1 here | Part 2 here

Also just added to AO3

In this part: Virgil

“Your brother,” Virgil says, sinking heavily across from Scott at his work desk. The words trail… “Infuriating.” The chair was only there some of the time - mostly when more than one of them had to be on a conference call.

Scott raises an eyebrow, his typing unhindered by his younger brother suddenly resting his cheeks on the wooden desk in defeat. “And? What did Gordon do now?”

It’s of no consequence to Virgil that his big brother can tell just who’s the problem. It's obviously Gordon. They all have their little tiffs every now and then, but none of them would ever headdesk over the youngest, John's too far away for arguments to linger, and since Virgil is coming to Scott…

Virgil and Gordon work together too closely sometimes.

The interesting part is Gordon's off duty; he was called out to Eddington to spend some time on site with his marine research and would continue to be on leave for another four days.

“He leave you with a parting gift?” Scott asks. “Replaced your hair gel with Vaseline? Reorganized your paints? Switched your phone to pig latin?”

“Ugh, do not put those ideas out in the Universe,” Virgil warns, warily raising his head from his hands to glance around the villa. He doesn’t put it past Gordon to have ears around, especially those named Alan. Feeling safe that no one is hiding nearby, he swings back to Scott, his eyes narrowing as he catches sight of familiar stitching resting on the desk underneath Scott’s coffee. “You!”

Virgil clambers for the square, pushing the mug to where the desk is bare. Luckily, Scott’s mostly drunk it through and so the liquid barely swirls halfway up the side in his haste to grab for the fabric below it.

He glares at Scott.

“It’s finished.” He raises the granny square up to Scott’s eye level, his fingertips white where he holds up the coffee-stained yarn. “How is this one finished?” The confusion on Scott’s face dissipates, and Virgil notices the quirk of his smile that tells him Scott is biting the inside of his cheek to keep his expression in check. “Why are you laughing? Stop it,” he says.

Scott takes this as permission, of course, to crack a smile, and Virgil’s eyebrow twitches indignantly.

“This is about the blanket, then?” Scott calmly and gently pries his coaster from Virgil’s fingers and straightens it back on the desk, followed by the mug in its proper position. “Before you start shouting betrayal, Gordon is still a shit and equal-opportunity pest. John wove in the ends for me last time he was here.”

“John did?”

“Yes.”

Virgil deflates; the sigh deeply lodged in his chest as he squeezes the bridge of his nose. “Do you think he’d be willing to do about, oh, 200 more? And how do you know about the blanket?”

“Neither one of you are entirely subtle.”

“Gordon figured it out, didn’t he?”

Scott hesitates. Nods. “There’s really only so much you can do with them. Retaliate, or make something. Gordon knows you well enough to know you won’t discard them. So…”

“So, he already knows I’m making something. Left all of these ends unwoven on purpose? Chose the most offensive colors known to humankind, specifically to annoy me?” Virgil shakes his head, groaning. “Nevermind, I don’t need you to answer.”

“You know who he is,” Scott says with a grinning shrug. “I can’t let you disown him.”

“Pity.”

“Is that what dragged you down here all defeated?”

Virgil points a finger. “I am not defeated. I’m frustrated. And I’m not sure there’s a point to all of it if there’s no element of surprise.”

“Virg-”

“I’ve been trying for,” he checks his watch, “five hours to arrange these squares together, and nothing looks right. So what do I do? I take a break, weave in some ends, come back to it after. And after - I have more ends and still no design.”

“That sounds pretty defeated to me.”

“He wants me to go insane!”

“He wants you to embrace his chaos,” Scott amends. “Come now, Virgil. You got this. Let us help,” he encourages, and Virgil has no choice but to sigh as his brother reaches for the comm to Thunderbird Five. “John, we have a situation.”

Their brother smirks when he answers. His hair is a shade darker than usual and waving in its wet, unstyled shape, indicating that John’s only recently gotten out of the shower. He’s dressed, but hasn’t switched his glasses for contacts. “You know, that’s my line,” he responds dryly. “Good Morning, Virgil.”

It’s 3PM.

But it is the first time Virgil has had a chance to speak to John since he spent the bulk of his morning with the project at hand. Virgil usually checks in with their distant space monitor during his morning coffee, so Virgil internally scolds himself for the rude gesture he was about to make and recognizes the irritation he feels is not John’s - or even Scott’s - fault. He waves instead.

It’s easier to let Scott explain. As the oldest of them, he has a way of focusing on facts and details for emotionally charged situations. It’s one of the reasons he’s a great commander. Of course, if he’s the one emotionally charged, that’s a different story.

“Show me his stitches, again?”

Now, John however, he’s concise - often three steps ahead before he clues the rest of them in.

Scott picks up the coaster and pushes his chair back to come around the desk to give John a better view. Once Virgil spins his chair to fully face John’s hologram, Scott places a hand on his shoulder.

“Yeah, you’re not doing that,” John tells him, matter-of-fact. “Crochet what ends you can when you join squares together. Measure everything so I can get enough fabric, and I’ll help you put a lining on it.” He says the list of instructions with the same inflection as when directing a rescue, his hands flying across the resources in front of him.

It’s not a bad idea. With a lining, the most weaving he might need to do would be ensuring all ends were on the “wrong” side of the squares.

“What about if something pokes through the spaces of the granny square?”

John raises an eyebrow at Virgil’s question. “He’ll deal. He knew what he was doing when he didn’t finish them off properly. Don’t worry, we’ll find something so obnoxiously fishy, he won’t care. I found a pattern here with anemones in little hats.”

Virgil can’t help but giggle at that, and John smiles at him brightly, his eyes larger behind the wire frames.

“I’ll keep looking,” he tells him. “We can keep workshopping ideas.”

“Thanks, Jay. Now about the arranging,” Scott says. “I have some ideas about that, Virgil, if you’re willing to show me what you have.”

Grateful, Virgil nods. “Another set of eyes would be great.”

“F-A-B! Let’s go make order out of chaos.”

#fic: grannies #gavii scribit #Gordon tracy #Virgil tracy #scott tracy #john tracy #thunderbirds are go #thunderbirds fanfiction #crafty tracys

22 notes · View notes