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#screencap 1860
umabloomer · 1 year
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Simeon Solomon, The Mother of Moses (1860), and studies of Fanny Eaton (1859) for Yocheved and Miriam
Screencaps or Yocheved and Miriam from Prince of Egypt (1998)
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surrexi · 1 year
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i don't wanna go hunt through screencaps of non-grisha costumes can someone tell me which period of victorian fashion they were drawing from?
my gut says either late 1860s slimmer crinolines or 1870s/1880s bustles?
yes this is pertinent to me trying to plow through my writer's block as i work on chapter five of my darklina soulmate au fic
because (a) i wanna get the clothes riiiiight and (b) i'm explicitly identifying the grand palace as being rococo in style so i wanna know approximately how long aleksander has been seething over that monstrosity if it was last renovated/added onto sometime in the 1730s-1760s, lol
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petalmelon · 4 years
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*watches little women once*
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di-biancoenero · 6 years
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Screenshots da 1860 (1934) diretto da Alessandro Blasetti
Il capolavoro di Blasetti o uno dei suoi capolavori, il regista romano si contraddistingue sempre per originalità delle inquadrature, ricercatezza nella disposizione scenica, realismo ed accuratezza storica. Sempre tenendo presente che il cinema è una forma d’arte con lo scopo di educare ma anche di intrattenere un pubblico culturalmente e socialmente eterogeneo, Blasetti non scende mai a patti né con le mode  né con l’elitarismo culturale, scegliendo un linguaggio verbale e visivo immediato e travolgente. E intanto inventa o anticipa i tempi.
Abituati oggigiorno a colonne sonore prevaricanti, colpisce qui l’assenza di  musica, sostituta dai rumori di cose e persone e da cori popolari. I primi tre minuti del film scorrono senza neanche una parola, mentre la complessità politica del Risorgimento viene spiegata semplicemente attraverso il dialogo dei passeggeri di un treno.  La pellicola si conclude con la battaglia di Calatafimi al termine della quale Carmeliddu, il protagonista, urla gioiso e spontaneo: ’Garibaldi ha detto che abbiamo fatto l’Italia!’. E la telecamera scorre e indugia sui corpi reversi l’uno sull’altro di due italiani, un garibaldino e un borbonico.
Alla base del film, come ricorda lo stesso Blasetti, le Noterelle dell’Abba  (Giuseppe Cesare, uno dei Mille) suggeritegli dall’amico Emlio Cecchi.
Attualmente visibile su RaiPlay
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marzipanandminutiae · 4 years
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What is the differences between fashion of the human years or druisilla (1860s) and spike (1880s) from buffy the vampire slayer?
Good question!
So looking at a timeline from Magical Internet Land, Drusilla was turned in 1860. Which would make the fashions for a woman her age (say, for daywear) something like this:
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(June fashions, 1861. The Englishwoman’s Domestic Magazine.)
I picked this specific plate because it has green in it. Much like:
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this screencap of human!Drusilla. Which is very “you tried,” but there’s the slightest nod to pagoda sleeves and she has a bonnet on, so...3/10.
As for William the Bloody (Awful), his clothing doesn’t look very different on the surface since the changes in menswear were pretty subtle.
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(Young man, 1860s)
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(Young man, 1880.)
With Drusilla, though, a lot more would be different. Here’s what they did:
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(I like the blue and green. The hair says “we saw one early 1870s image and half-assedly tried to replicate it.” But at least they acknowledge that time has passed and fashions did change.)
And here’s an 1881 fashion plate:
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So yeah! Subtle change between the two eras of fashion for him (if he’d been an adult in both, which of course he wasn’t); dramatic for her. And the show...made An Attempt.
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jacademia · 5 years
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Film Allusions in Crimson Peak
Hi, all! So because I am deep in my horror movie feels at present and, as horror is a genre that some of you are new to/unfamiliar with, want you all to have some more context for Crimson Peak as an intertextual Gothic pastiche, I thought make a little list of films (mostly horror) that CP references, alludes to, or visually echoes (other than Jane Eyre or any iteration of “Bluebeard,” that is). This list is certainly not exhaustive, but I hope will give you a starting place at understanding the scale of the intertextual web this movie is weaving (also maybe give you some movie recs if you’re into horror/classic cinema. I’ll try to include links to films in the public domain).
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Nosferatu (1922) and other early 20th century cinema
Del Toro makes use of a lot of the aesthetics and techniques of film from the late Victorian period/early 20th century (appropriate since Crimson Peak is set in the 1890s - incidentally one of the peaks of Gothic literature). One of these is iris shots/iris transitions (shown above in this screenshot from Nosferatu). Iris transitions are when a circular black mask over the shot shrinks, closing the picture to a black screen (very common in early horror film and 1920s cartoons, ie Betty Boop). If you’d like some very iconic, silent vampire cinema, you can watch Nosferatu here at archive.org for free.
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The Old Dark House (1932) | Watch free on Archive.org
Seeking shelter from a storm, five travelers are in for a bizarre and terrifying night when they stumble upon the Femm family estate.
A trope codifier for the haunted house movie, complete with oodles of Gothic weirdness, including those ooky spooky, co-dependent Femm siblings.
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Rebecca (1940) | Watch free on Archive.org
A self-conscious bride is tormented by the memory of her husband's dead first wife.
Based on Daphne Du Maurier’s novel of the same name (itself heavily based on Jane Eyre), this Gothic variation on “Bluebeard” was Alfred Hitchcock’s first American film, won two Academy Awards, and is still considered one of the best psychological thrillers of all time. Features an overbearing female figure who directly interferes with our protagonist’s marriage to her, er, Prince Charming in the form of a Sapphic housekeeper obsessed with keeping the memory of the first Mrs. De Winter alive.
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Notorious (1946) | Watch free on Youtube
A woman is asked to spy on a group of Nazi friends in South America. How far will she have to go to ingratiate herself with them?
Don’t drink the tea! Also, butterfly-backed chairs. Allll the butterfly-backed chairs.
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The Fall of the House of Usher (1960)
Upon entering his fiancée's family mansion, a man discovers a savage family curse and fears that his future brother-in-law has entombed his bride-to-be prematurely.
Two prongs here: Crimson Peak is very much playing with Edgar Allan Poe’s short story (incest siblings! Gothic manors sinking into the earth!) and evoking a particular aesthetic associated with a number of 1960s/70s “schlock” Gothic horror films like those made by Roger Corman who applied his use of vivid color and psychedelic surrealism to a number of Poe’s works. 
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AESTHETIC!!!!! Speaking of aesthetic excess...
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The Brides of Dracula (1960) and other Hammer Horror films
Vampire hunter Van Helsing returns to Transylvania to destroy handsome bloodsucker Baron Meinster, who has designs on beautiful young schoolteacher Marianne.
Known for a series of Gothic horror films made during the 1950s - 1970s featuring well-known characters like Count Dracula, Baron Frankenstein, and The Mummy, Hammer film productions hooked audiences with its use of vivid color, gore, sexy damsels in nightgowns, sexy women with fangs, sexy mummy girls, sexy... you get the idea. It left an indelible aesthetic mark on horror cinema since (including Crimson Peak). Also famous for catapulting the careers of Christopher Lee and Peter Cushing or, as you might know them, Count Dooku and Grand Admiral Tarkin from Star Wars.
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The Innocents (1961)
A young governess for two children becomes convinced that the house and grounds are haunted.
Frequently listed as one of the best horror films of all time, The Innocents (one of Del Toro’s direct inspirations -- clock the nightgown in the screencap) is a loose adaptation of Henry James’ seminal Gothic novella The Turn of the Screw.
So many more under the cut...
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The Leopard (1963) 
The Prince of Salina, a noble aristocrat of impeccable integrity, tries to preserve his family and class amid the tumultuous social upheavals of 1860's Sicily.
Another of Del Toro’s direct intertexts, which influenced Crimson Peak’s party scenes.
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Suspiria (1977), the films of Mario Bava, and giallo cinema
An American newcomer to a prestigious German ballet academy comes to realize that the school is a front for something sinister amid a series of grisly murders.
A cult horror classic, Italian director Dario Argento’s Suspiria plays fast and loose with Gothic horror and fairy tale tropes, making for a slasher film quite unlike any other. Notable for its dreamlike surrealism, use of highly-stylized colorization, and sheer amounts of gore, Suspiria remains one of the most aesthetically influential horror films of all time and, looking at screenshots, you can maybe see its visual influence on films like Crimson Peak:
Guillermo Del Toro has also cited Mario Bava, another of the key figures in the golden age of Italian horror, as inspiration for his use of color and set design in Crimson Peak.
From Bava’s Black Sabbath (1963):
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From Blood and Black Lace (1964):
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Bava’s film, Blood and Black Lace, belongs to the giallo genre, which refers (at least, in English-speaking countries) to (largely 1970s) Italian horror thrillers/slashers notorious for their combination of intense, stylized violence and eroticism. Very much a precursor to the American slasher film.
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The Shining (1980) 
A family heads to an isolated hotel for the winter where an evil spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from both past and future.
As film that also loosely adapts “Bluebeard,” it’s perhaps unsurprising that there are so many allusions to Stanley Kubrick’s adaptation of Stephen King’s novel of the same name in Crimson Peak. 
And, man, does it have it all! Snowed in, Gothic entrapment! Threats of domestic abuse! Secrets locked away in forbidden rooms! Ghosts! So many ghosts!
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Ghosts in the bathtub! 
Ludicrously enormous amounts of blood! Innocent waifs with the ability to commune with the dead! Intrepid third parties who heroically make an attempt to reach the isolated Gothic hellscape to help our damsel in distress only to get immediately merc’d! It’s all here, y’all.... except the incest, of course.
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Flowers in the Attic (1987) 
Children are hidden away in the attic by their conspiring mother and grandmother.
Ok, this is something of a cheat, as Crimson Peak is alluding more to V.C. Andrews’ infamous novel of the same name, not the 1987 film (which is an abysmally terribly adaptation and hilariously bad flick). Anyway, abused siblings are locked away in an attic... and... well... things get all... Sharpe family values, if you know what I mean.
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Bram Stoker’s Dracula (1992) 
The centuries old vampire Count Dracula comes to England to seduce his barrister Jonathan Harker's fiancée Mina Murray and inflict havoc in the foreign land.
If you liked Crimson Peak, I think you’ll enjoy this too, as, like CP, this movie is a sincere horror film, but also a pastiche/celebration of the Gothic and vampire cinema. It’s visually sumptuous and very high-energy (if you didn’t like CP or Moulin Rouge!, this one is probably not for you).
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Sleepy Hollow (1999)
Ichabod Crane is sent to Sleepy Hollow to investigate the decapitations of three people, with the culprit being the legendary apparition, The Headless Horseman.
This is another one that, if you liked CP, you might enjoy. Based on Washington Irving’s "The Legend of Sleepy Hollow,” Tim Burton’s film evokes a number of genres and horror aesthetics, most notably the Gothic horror flicks of the 1950s/60s, to create a kind of Hammer Horror film for American Gothic.
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The Devil’s Backbone (2001) and Del Toro’s other films
After Carlos -- a 12-year-old whose father has died in the Spanish Civil War -- arrives at an ominous boys' orphanage, he discovers the school is haunted and has many dark secrets that he must uncover.
Crimson Peak is not Guillermo Del Toro’s first foray into Gothic horror, as ghost stories and dark fairy tales are very much his specialty (as we shall see again in Shape of Water later this semester). I highly recommend his ghosts-as-a-reflection-on-the-trauma-of-war film The Devil’s Backbone and his take on portal fantasy, Pan’s Labyrinth (2006), as they’re both excellent and you can see echoes between them and the effects/visuals of Crimson Peak.
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Anna Strong Costume Appreciation Post: Part 2: Colonial Casuals
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Okay, it’s a terrible pun, but I had to start somewhere! This is the second part of my costume nerdery re Anna’s Strong’s onscreen wardrobe. You can find the first part here:
Costume does a lot of the heavy lifting with characters in tv and film, before they even open their mouths onscreen. How someone looks, what they wear - it’s a big piece of how they’re presented, in addition to the actor’s performance  and with period pieces it can help influence a character’s performance. A lot of actors often bring their own ideas of the character to the costume designer, and they work together to bring the character to life. I’d normally refer to the excellent Frock Flicks blog for this sort of commentary , but they were kinda underwhelmed by the costumes:http://www.frockflicks.com/turn-washingtons-spies-2014/
So, its a daft fluffy British nerd to the rescue! A long post on the lovely Anna Strong, and her costumes through the show.All credit for these amazing pieces goes to costume designers Donna Zakowska (seasons1-2) and Lahly Poore (seasons 3-4) 
In my last post,we looked at Anna’s finer gowns. Today is going to be what I like to call the ‘colonial casuals’ that Anna wears throughout the show’s four seasons, as well as a couple of gowns I missed out on the first time round:
2:Anna’s Simpler Gowns!
A: The Purple Stripe Gown:
Sadly, a lovely gown we see once in Episode 2 and then it vanishes offscreen, never to be seen again. It’s a nice purple/grey stripe in a warm linen, very much an everyday dress. Stripes are very much Anna’s thing, it seems - (but they are also an 18th century thing. ) Anna wears it whilst doing hate-laundry for her unwanted redcoat house-guests, being uncomfortably stalked by Simcoe and urging Abe on to consider spying, all in the course of one episode!
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How Historic Is It?
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Nothing in purple, but this much finer silk stripe has much the same silhouette as Anna’s.
B: The Green Jacquard Dress
(Screencaps provided by the wonderful farfarawaysite.com)
This is what I like to call Anna’s “Cursed Gown”, because boy, does a lot happen to her in it! We first see it on screen in Season 1. It’s a subtle dark-green silk, but very simply made up, and we see Anna wearing it as an everyday middle-class gown - not something you’d do chores in, but appropriate to everyday lady-like activities. I actually made a list of things that happen to Anna throughout the series whilst wearing it:
1) Has to tell Abigail she’s “still” enslaved, and being sent off to work from stangers away from her son and everyone she’s ever known.
2) Almost has adulterous table-sex with Abe during that clinch mid-season 1.
3) Is thrown out of Whitehall by Mr Pompous Woodhull down below there in Season 2.
4) Immediate next scene? Anna rejects Simcoe, in a terrifying ‘oh-God what’s going-to happen’ scene that had me seriously frightened for her.
5) Gets revenge-snogged by Simcoe in front of the entire town, ruining her reputation.
6) Watching murdered redcoat corpses swing in the breeze as Simcoe begins his rivalry with Hewlett.
7) ANOTHER terrifying ‘oh-God what’s going-to happen’ scene: When captured by those Queens Rangers: the one where Anna is almost coreced into sex with a random Queens Ranger goon - before straight up STABBING him in the crotch and then shooting him, point-blank, in the FACE. 
And then we don’t see it again after Season 2 finishes. Poor Anna.
(To be fair, she probably burned it afterwards, and I don’t blame her. Nothing good ever seems to happen to her when she’s wearing it.)
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How Historic Is It?
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This is a finer version than Anna’s with a bigger damask print, as working class dress doesn’t tend to survive as well as the gorgeous silks. But based on the style? Yes, 10/10 for accuracy. I just hope nicer things happened to the person who wore this one!
C: The Russet Jacquard Dress:
I only have one measly screencap for this one, and it doesn’t even show most of the dress! Boo. It looks identical to the Cursed Dress even down to the jacquard silk, but it’s in a warm brown-red. Anna wears it during the “Battle of Setauket” Season 1 finale episode, (discovers her friends have been lying to her about her husband being dead, and then jumps into a river in it to swim back to Abe - hum, maybe that pattern is cursed?)
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How Historic Is it?
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Hmm... difficult to say, based on the one screen shot! I’m assuming it’s basically the same silhouette as the green dress. I think I need to rewatch to give it a proper look.
D: The Grey Dress, with 2  Bodices:
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On a fashion level, these dresses are pretty nondescript - well, they’re grey. And plain. But what I like best about them is that there’s two bodices for them - one, a jacket with Anna’s trademark peplum back and long sleeves for colder weather, and then there’s another one with shorter sleeves, ruffles and some discreet trim for when it’s warm. I find it interesting that Anna wears the grey dresses a lot when having shy, cute interactions with Hewlett. Is it suggesting a  softening of her hatred for the British as simply the ‘enemy’ once she gets to knew Hewlett as a person? That’s probably reading too much into it, but never mind. I like my costume subtext.
How Historic Is It?
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 Honestly? I’m not sure. Sadly I struggled to find pictures for this. If we’re going 90 years later, making different interchangeable bodices for one dress was definitely a thing in the 1860s:
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But from the existing gowns I’ve found online, it doesn’t appear to be a thing (or at least, nothing we have evidence for) in the 18th century.  But mixing and matching skirts and jackets with petticoats is something everyone did, the same way we mix t-shirts with pants and skirts, and it suits Anna’s practical personality - as well as the fact Anna isn’t wealthy anymore. She’s going to have to make do with what she has. So I am giving the designers a pass on this one, with an added tick for practical wardrobe decisions.
And that’s it for now, folks! I don’t want to make this post TOO LONG! The final post on Anna’s wardrobe will be looking at her jackets, stays and quilted jumps.
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pandolfo-malatesta · 6 years
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A little info on late 19th/early 20th century photography to go along with Hana’s present for the boys.
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Just as a little reminder, here’s the previous existing photo of Skitts.  It does not do him justice (as he himself has admitted).
This page discusses the cost of cabinet cards (and other forms of photography) in the 1880s.  I wasn’t able to find anything on the turnaround time for when a customer might expect to get their photos back after they were shot, but it’s got to be a few weeks.  
Eastman Kodak’s Brownie camera was introduced in 1900, and that helped make photography more accessible to the masses, which also helped drive down the demand for professional portraits.  But though less popular, some studios did hang about; this article talks about how people collected cabinet cards and their predecessors, cartes de visite, of actors and other celebrities.  So now please imagine Irving Hall selling cabinet cards of Medda in a variety of poses and costumes.
Here’s a catalog from 1904 for Century cameras of Rochester, NY.  These seem higher-end than the Brownie.
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There isn’t a shot in which the whole of the sign is clearly visible, but it’s possible to piece together the name from a few different scenes.  (Sorry for the unflattering screencap, Pie.) 
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Till & Cook advertise their portraiture services, as these nice young ladies notice, but they also offer daguerreotypes, which would have been, like, super outmoded by 1904.  Wikipedia says of the format that “surviving examples reliably dated to between the 1860s and the 1960s are now exceedingly rare.”
$2 in 1904 would be around $54 in 2016.  It’s a chunk of change, but she wouldn’t be spending so much if she hadn’t missed his birthday. 
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tasksweekly · 7 years
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[TASK 056: THE IRON CONFEDERACY]
Shout out to @olivaraofrph​ for inspiring and helping compile this task! There’s a masterlist below compiled of over 90+ faceclaims categorised by gender with their occupation and ethnicity denoted if there was a reliable source. The Iron Confederacy's a pre-colonial powerful Native American/Canadian political and military confederacy, forming at an unknown time before 1692. While the Confederacy itself dissolved in the 1860s, the tribes that formed it remain as the Plains Cree, Saulteaux, and Nakoda Sioux. If you want an extra challenge use random.org to pick a random number! Of course everything listed below are just suggestions and you can pick whichever character or whichever project you desire.
Any questions can be sent here and all tutorials have been linked below the cut for ease of access! REMEMBER to tag your resources with #TASKSWEEKLY and we will reblog them onto the main! This task can be tagged with whatever you want but if you want us to see it please be sure that our tag is the first five tags!
THE TASK - scroll down for FC’s!
STEP 1: Decide on a FC you wish to create resources for! You can always do more than one but who are you starting with? There are links to masterlists you can use in order to find them and if you want help, just send us a message and we can pick one for you at random!
STEP 2: Pick what you want to create! You can obviously do more than one thing, but what do you want to start off with? Screencaps, RP icons, GIF packs, masterlists, PNG’s, fancasts, alternative FC’s - LITERALLY anything you desire!
STEP 3: Look back on tasks that we have created previously for tutorials on the thing you are creating unless you have whatever it is you are doing mastered - then of course feel free to just get on and do it. :)
STEP 4: Upload and tag with #TASKSWEEKLY! If you didn’t use your own screencaps/images make sure to credit where you got them from as we will not reblog packs which do not credit caps or original gifs from the original maker.
THINGS YOU CAN MAKE FOR THIS TASK -  examples are linked!
Stumped for ideas? Maybe make a masterlist or graphic of your favourite faceclaims. A masterlist of names. Plot ideas or screencaps from a music video preformed by an artist. Masterlist of quotes and lyrics that can be used for starters, thread titles or tags. Guides on culture and customs.
Screencaps
RP icons [of all sizes]
Gif Pack [maybe gif icons if you wish]
PNG packs
Manips
Dash Icons
Character Aesthetics
PSD’s
XCF’s
Graphic Templates - can be chara header, promo, border or background PSD’s!
FC Masterlists - underused, with resources, without resources!
FC Help - could be related, family templates, alternatives.
Written Guides.
and whatever else you can think of / make!
MASTERLIST!
Ladies:
Wilma Pelly (80) Saulteaux - actress.
Buffy Sainte-Marie (76) Plains Cree - singer-songwriter.
Margo Kane (65) Saulteaux and Cree - actress.
Sharon Bruneau (53) Metis of Cree, Cherokee, and French descent - model and bodybuilder.
Chantal Kreviazuk (43) Ukrainian, Scottish, English, 1/16th Polish, 1/64th Saulteaux - singer and songwriter.
Cheryl L’Hirondelle (58) Metis of Cree descent, French, German, and Polish - musician.
Michelle Thrush (50) Plains Cree - actress.
Irene Bedard (49) Inuit, Inupiat, Yupik, Cree, and Metis - actress.
Jennifer Podemski (43) Saulteaux, Ojibwe, Israeli, and Polish - actress.
Georgina Lightning (born 1964) Plains Cree - actress and filmmaker.
Tamara Podemski (39) Saulteaux, Ojibwe, Israeli, and Polish - actress.
Crystle Lightning (36) Plains Cree - actress.
Sarah Podemski (36) Saulteaux, Ojibwe, Israeli, and Polish - actress.
Teneil Whiskeyjack (29) Plains Cree and Mexican - actress.
Shayla Stonechild (23) Metis of Blackfoot and Cree descent - actress and model.
Michaella Shannon (21) Plains Cree and Possibly Filipina (was featured in a magazine of and for Filipino-Canadians, however can't find anything stating she's Filipina) - model, actress, singer, and tv host.
Osa Roan (21) Plains Cree and Isleta Tiwa - Instagrammer (osamuskwasis).
Savannah Rae Boyko (16) Cree - singer.
Hozhoni Whitecloud (15) Ho-Chunk, Omaha, Otoe, Comanche, Plains Cree, Lakota Sioux, Menominee, Muskogee, and Arikara - model.
Amber Midthunder (born 1991) Hunkpapa Lakota Sioux, Hudeshabina Nakoda Sioux, Sisseton-Wahpeton Oyate Dakota Sioux, Chinese, and English - actress.
Xandrah (?) Nakoda Sioux - singer-songwriter.
Georgia Wettlin Larsen (?) Nakoda Sioux - singer.
Teagan Littlechief (?) Saulteaux and Cree - singer-songwriter.
Rosary Spence (?) Cree - singer-songwriter and actress.
Levi Sophia (?) Cree, Chinese, and British - model and actress.
Jaylene Johnson (?) Metis of Cree and French descent.
Kym Gouchie (?) Dakelh, Cree, and Shuswap - singer-songwriter.
Morningstar Mercedi (?) Chipewyan, Cree, and Metis - actress
Miika Bryce Whiskeyjack (?) Plains Cree and Mexican - actress.
Jessica Matten (?) Metis of Cree and Saulteaux, Chinese, French, British, and Ukrainian - actress.
DJ Kookum (?) Plains Cree - musician.
Eekwol (?) Cree - rapper.
Shayna Jackson (?) Cree and Dakota Sioux - actress.
Kait Angus (?) Mohawk and Cree - singer.
Niska Napoleon (?) Cree - singer-songwriter.
Alana LaMalice (?) Cree and Dene - actress and model.
IsKwe (?) Cree, Dene, and Irish - singer-songwriter.
Arlette Alcock (?) Metis of Blackfoot, Cree, and Nakoda Sioux descent - singer-songwriter.
Khadijha Red Thunder (?) Cree, African Canadian, and Spanish - model.
Wandbi Nanji (?) Yankton Dakota Sioux and Nakoda Sioux - musician.
Jayli Wolf (?) Saulteaux - actress.
Brandy McCallum (?) Blackfoot, Cree, and Metis - singer-songwriter.
Joleen Mitton (?) Plains Cree, Blackfoot, French, and Scottish - model.
Ranae Morriseau (born 1965) Saulteaux and Cree - actress.
Roseanne Supernault (?) Métis of Cree - actress.
Darian Landray Lonechild (?) Plains Cree and Saulteaux - model.
Sandy Scofield (?) Metis of Saulteaux and Cree descent - singer.
Heather White (?) Mohawk and Nakoda Sioux - actress.
Fawn Wood (?) Plains Cree and Whonnock Salish - singer.
Marilyn Thomas (?) Cree and Saulteaux - filmmaker.
Allyson Pratt (?) Metis of Plains Cree and French descent - actress.
T-Rhyme (?) Cree and Dene - rapper.
Shalaine Bouvier (?) Plains Cree - model.
Sera-Lys McArthur (?) Nakoda Sioux and Irish - actress.
Sewepagaham (?) Cree and Dene - singer.
Mariame (?) Cree - singer.
Laura Vinson (?) Metis of Cree, Cherokee, French, and English descent - musician.
Beatrice Love (?) Cree - singer-songwriter.
Thelma Cheechoo (?) Cree - singer-songwriter.
Bee Pastion (?) Nakoda Sioux - singer.
Shakti Hayes (?) Plains Cree - singer-songwriter.
Barbara Dumigan (?) Plains Cree - beauty pageant titleholder.
Angela Miracle Gladys (?) Plains Cree - dancer.
Male:
Michael Eklund (55) Cree and Norwegian - actor.
Lorne Cardinal (53) Cree - actor.
Michael Greyeyes (50) Plains Cree - actor.
Nathaniel Arcand (45) Plains Cree - actor.
Adam Beach (44) Saulteaux and ⅛ Icelander - actor.
Ryan Black (44) Saulteaux - actor.
Rudy Youngblood (34) Cree, Comanche, and Yaqui - actor, musician, dancer, and artist.
Bronson Pelletier (30) French, Plains Cree - actor.
Cody Lightning (30) Plains Cree - actor.
Nakotah LaRance (27) Hopi, Tewa, Nakoda Sioux, and Navajo - actor.
Joel “DIVIN3” Logan (born 1989) Cree - musician.
Ceejay Naistus (23) Plains Cree - musician.
River Thomas (born 1998) Plains Cree - model (for no reason won’t come up on google but instagram is riverfromthe6).
YoungPride (?) Plains Cree - musician.
Sunny D (?) Plains Cree - musician.
Sause Opissinow (?) Plains Cree - musician.
Sebastian Gaskin (?) Plains Cree and Russian - musician.
Mathew Jade Skylar Strongeage (?) Saulteaux - actor.
David Midthunder (?) Hunkpapa Lakota Sioux, Hudeshabina Nakoda Sioux, and Sisseton-Wahpeton Oyate Dakota Sioux - actor.
W.T. Goodspirit (?) Cree - musician.
Justin Rain (?) Plains Cree - actor.
Mato Nanji (?) Yankton Dakota Sioux and Nakoda Sioux - musician.
Pte Nanji (?) Yankton Dakota Sioux and Nakoda Sioux - musician.
William Prince (?) Saulteaux and Cree - singer-songwriter.
InfoRed (?) Cree and Nakoda Sioux - musician.
Jimmy Blais (?) Plains Cree - actor.
Jason Burnstick (?) Plains Cree - musician.
J Dizzay (?) Cree - rapper.
Drezus (?) Plains Cree - rapper.
Billy Simard (?) Cree - singer-songwriter.
KASP (?) Cree - rapper.
Pacey Gillespie (?) Saulteaux and Cree - actor.
DJ Creeasian (?) Cree and Vietnamese - musician.
Ben G (?) Metis of Cree descent - musician (Niiko Soul and Ben G).
Robbie Black Kettle (?) Saulteaux and Blackfoot - musician.
NB:
Tomson Highway (65) Two Spirit - Cree - author and playwright.
Kent Monkman (born 1965) Two Spirit - Cree and Irish - artist.
Cris Derksen (?) Two Spirit - Cree and Unspecified White Mennonite - cellist
15 notes · View notes