i think it's quite amusing how the dish was shown using namari's perspective. before tasting it, she thought it wouldn't taste good and even thought of eating the stew as a form of punishment. right after tasting it, only then did the stew become vibrant in her eyes.
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The Guardian out here asking the real questions.
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[papamin au 🐅] waiting room 🏥
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made a chart of the straw hats' skin tones with the colors being screencapped directly from the episodes, to show how much they've lightened.
this is more than just an "artstyle change" or "design evolution" or "just the timeskip" this is blatant racism/colorism. it's fucking ridiculous and i don't understand how toei is continuously getting away with it
please reblog btw, i think this is something people should see
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Spent this week on making a bunch of faux oldschool anime screencaps. Had a blast making these, I’m especially happy with the background in the third one. I’ll probably keep making these, so look forward to more of these in the future!
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They Do Not Exist (1974) by Mustafa Abu Ali (watch)
from PalestineCinema.com:
Salvaged from the ruins of Beirut after 1982, Abu Ali's early film has only recently been made available. Shooting under extraordinary conditions, the director, who worked with Godard on his Ici et Ailleurs (Here and Elsewhere), and founded the PLO's film division, covers conditions in Lebanon's refugee camps, the effects of Israeli bombardments, and the lives of guerrillas in training camps. They Do Not Exist is a stylistically unique work which demonstrates the intersection between the political and the aesthetic. Now recognised as a cornerstone in the development of Palestinian cinema, the film only received its Palestine premiere in 2003, when a group of Palestinian artists "smuggled" the director to a makeshift cinema in his hometown of Jerusalem (into which Israel bars his entry).
Abu Ali, who saw his film for the first time in 20 years at this clandestine event noted: "We used to say 'Art for the Struggle', now it's 'Struggle for the Art'"
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