Balearic Lounge Corporation - Picture (Ibiza Lounge Of Love)
In the night when I'm dying to see your face
I look at your picture on my phone
Flooding back sweet memories of our time
I know that I'm not afraid
In the night when I'm thinking about your choice
You walked away, now I'm all alone
Turn the page, close the book
These are changing times
I'll never break through your barricade
In the day when I'm trying to make my space
Holding back my tears, I think of home
Always looking for answers in your eyes
I wanna break through your barricade
In the day when I'm needing to hear your voice
It's clear that I'm crying on my own
Take me back to the days when you were in my life
I thought that we had it made
One thing I know that is right
I can't get you out of my sight
I see what you show me
I know what you show me
You promise me fire now at night
I can't be alone one more night
I just need you here by my sight
You say that you know me
I see what you show me
It's hard to believe you were mine
Ooh, a picture's worth a thousand words
Ooh, a picture's worth a thousand words
Ooh, a picture's worth a thousand words
Ooh, a picture's worth a thousand words
Ooh, a picture's worth a thousand words
Ooh, a picture's worth a thousand words
Ooh, a picture's worth a thousand words
Ooh, a picture's worth a thousand words
One thing I know that is right
I can't get you out of my sight
I see what you show me
I know what you show me
You promise me fire now at night
I can't be alone one more night
I just need you here by my sight
You say that you know me
I see what you show me
It's hard to believe you were mine
Ooh, a picture's worth a thousand words
Ooh, a picture's worth a thousand words
Ooh, a picture's worth a thousand words
Ooh, a picture's worth a thousand words
🌊pairing: poet!seonghwa x doctor!gn!reader
🌊genre: fluff, slice of life, slow burn, healing, strangers to lovers, comfort
🌊summary: what do a poet who lost his inspiration and a cosmetic surgeon who lost their empathy have in common? when you make an escape from the city to a memory-filled cottage on the edge of the world, you meet park seonghwa, a poet who, after growing fatigued of shallow critique and unwanted attention, is on a search for true beauty. you, a surgeon who cannot bear to hear nor assess another patient , abhor its twisted definitions. as the seasons change, storms abate and your paths entangle, you discover a new, unparalleled kind of beauty.
🌊wordcount: estimated around 30k
🌊warnings/tags: semi-edited, ??? attempts at sijo (forgive me), discussion of beauty standards, mention of surgery/clinics, weather imagery, dreams/nightmares, discussion of life and death (jokes relating to death), talk of side character death, urban/rural comparisons, isolation, burnout, philosophy, judgement of media, seaside, cliffs, dialogue + inner thoughts, perspective switching, falling in love, loving another's mind, talk of what is 'real' beauty, food, eating, cooking, implied anxiety, implied impulsive thoughts, sneak into home
🌊author's note: happy birthday, seonghwa. thank you for all you inspire me to do, and for teaching me how to find the sun even in a rainstorm. sincere and diligent, you are the spring, the renaissance, the glimmering light. wishing for you and for atiny alike to have a cherished panacea and a love brighter than the stars.
teaser (1.3k):
...Mid-spin, just as you were finished with making the filling and were in the process of lining a baking tin with some of the pastry, the front door creaked open, revealing the figure that you had spotted outside of your window, walking alongside the beginnings of what would be a cliff’s edge. You stood still, holding the pie tin, feeling the grooves of its edges, balancing the dough that was still wrapped in clingfilm right in the middle, as though if you were to not move this man would not see you. Heart quickening to a nauseating pace, the intense scrutiny that you were receiving made you want to collapse behind the counter. Before this moment, you had convinced yourself that you had fully adopted a devil may care attitude, and that you were ready for whoever you would encounter, having prepared the humble abode for a you-style reception and to assert who truly was deserving of ownership of this property. But something about this enigmatic persona who, just like you, remained unmoving, echoed the seastorms. A roaring of the waves was contained in his orbs, so dark due to the light being behind the man’s back that you could barely detect the transition from pupil to iris. A nose worthy of being depicted in renaissance paintings, in fact, if you had to pinpoint one way to describe the stranger, is that he reminded you of subjects that graced the walls of art galleries, selected by masters to be immortalised in the artists’ name. Nameless, much like he was to you in this present moment. His lips, ever so slightly parted as if he had been on the verge of saying something to you, only for the aim to fall short of execution, voice drowning in doubt or disgust. The corners of the man’s mouth were gently downturned - not unpleasantly so, but rather giving him an aura of intimidation that intrigued you. Shadows on his face suggested to you that he was unshaven, though, you had to admit that it was not too bad of a look. In fact, an interesting edge of ruggedness that balanced with his longer locks gave the man a new form of allure, and in turn, forced you to keep your eyes on him despite feeling inklings of terror. The scene reminded you of a faceoff between two territorial wolves - whose domain was this? Only time and a match of resolve would tell.
He was the first to break eye contact, sighing and moving to take off his shoes and trench coat. You remained still - a hostile animal that was expecting aggression at any moment. The man was silent, unphased by your ‘out of the blue’ appearance at least outwardly, and you were not certain whether his lack of reaction was something to be taken with gratitude or suspicion. As you inspected his motions, how he stretched out his arm to hang the trench coat on the rack that was hammered to the wall, with the right nail ever so slightly lower than the left, how he ran a hand through his hair, casting shadows over what hinted at months of fatigue. Not quite pallid, but definitely tired skin, holding times of discomfort, sleeplessness. Dark circles under those deep, pensive orbs, cheeks that were somewhere between sunken and youthful. The man stood before you in a white shirt, the colour a last cry to some form of purity and hope. You could guess why he was at the cottage, since it was not too challenging to see your own reflection in the corners of his soul, much like you could sense that he was reading you. He reminded you of an angel who was tired of praying, barely capable of carrying his body. Pressed down by the story that had been written for him, he was likely here for an escape, to drown out the sounds of whatever he was running from. Perhaps you should be friendly, and welcome this lost soul. After all, he could be unaware of where he is nor of what unspoken rules exist around here. The least you could do is make him feel at home-
“You made a mess,” and just like that, all desire to be amiable flew out of the window and into the sea. His curt comment was like a burning cold scalpel, words too familiar to be neutral and well-received.
Before you could respond, the man was well on his way to the bathroom, and judging by the slam of the door, he was not very pleased to see the rearrangements you had made. No comments followed, however, and instead, the pause was filled by the sound of running water, followed by a muffled mumbling when following a couple of rattles, the pressure inevitably dropped and there was barely a trickle. You shook your head, amused by how this man had been living in this property without the basic knowhow. Clearly, he was one of the many cityfolk who wanted to try his luck while on holiday. Exotic stay to talk about with his glamorous friends, you bet. For him to explain how ‘the bucolic was not even as appealing as literature made it out to be’. Standard. Faceless. You would forget him in no time, especially since he would probably leave before it got less fun and more mundane to stay out in the wilderness. That pretty face should not know harshness. With a huff, you set the tin down onto the counter and set the oven to preheat. With swift, irritated movements, you took to lining the metal with the dough, and in no time shifted to ladling the filling inside, halting to watch the last of the fruity cinnamon remnants dribble from the bowl down to join the rest of the sweet and sour promise.
The man returned when you were in the process of lacing strings of dough together to structure a coherent design. With an embarrassing surgical precision, you focused on the patterns - culinary sutures, almost horrified by the technique that you could not prevent from channelling itself through your body, to your very fingertips especially now that there was an audience. If he wanted to give you a stern talking to, it had quickly dissipated and mid-stride, the stranger was observing you as though you were carrying out a sacred ritual. The spotlight was on you as you demonstrated how to put the flesh back together. Piecing the skin bit by bit so as to ensure minimal scarring, careful now, people come to you to make themselves feel beautiful after all. String by string, the pie was looking more like itself, a recipe book photograph, something worthy of immortalising as the model step before baking. A beeping confirmed that the patient was relaxed, steady, with a perfect heart rate - good, all the readings were steady, now all you needed was to make the final - you felt for the tray finding empty space. Did someone misplace the tools? Panic shot into your nervous system and with a jolt you pushed yourself away from the table, only to find yourself gazing, startled, at someone who you had begun to assume was an intern. The guest, or cohabitant? An eyebrow raised, the ghost of a smirk on his lips as he took in your state. You clicked your tongue, finally putting two and two together and grabbing the timer behind you, purposefully taking your time so that you would not have to look at your newfound personification of madness for longer than necessary. So much for an introduction; the figure who was still a mystery to you slinked back into the shadows, with only the click of the office door serving as a confirmation that he was real. You rubbed your temples, the distant thrumming of a headache resembling a thunder that crawled over the horizon. Demonstratively, you sprinkled some flour onto a previously clean spot on the wooden countertop, only to automatically reach for the towel and drop the action again. No, it was time to bake. You needed to bake. You needed to make this place feel like home for the next couple of months, even if this peculiar character was going to be sharing it...
Welcome to Sandy Shores Beach, where sun-kissed sands meet the rhythm of crashing waves. Dive into relaxation as you sip on refreshing drinks at our outdoor bar, groove to the beats of Latin music and savor the taste of grilled delights from our outdoor grills. Challenge friends to a game of chess on our beachfront chessboards, or gather around our community picnic tables for some seaside fun!
Details:
Price: 23,915
Lot Size: 40x30
Lot Type: Beach
Version: 1.42
Store Content: String of Inspiration (Wall) ⚠️
CC Used: None
Packs Needed: The Sims 3, Ambitions (floor and wallpaper), Generations (wallpaper), Late Night (gothic column), Seasons
File Type: Package
⚠️-Not included in the download
Hey everyone! It's a great day to share one of my earlier builds, Sandy Shores Beach, which I originally created for a small world that I typically prefer for gameplay. Initially placed on a smaller lot, I decided to move it instead to Sunset Valley and placed it at the Recurve Stand lot.
Click on the ’Keep Reading’ below for more information and pictures on this lot.
This beach lot features an outdoor bar with tables overlooking the beach, perfect for romantic dates, as well as picnic tables with barbecue grills for Sims who enjoy cooking their own food.
Additionally, there are outdoor chess tables for entertainment, picnic blankets to get away from the crowd, lounges and a sandbox for children to play in. There's plenty of space for activities like ball games, tag or just running around.
I have checked the empty or existing beach lots with other worlds I currently have and it can fit in Twinbrook (42x52) and Appaloosa Plains (40x55) though you may need to use the Soften Terrain tool to smooth it out a bit for easier Sim navigation.
📣Please be aware that there are spawners used on this lot thus I would advise to not rotate the Beach Lot to avoid duplicate spawners and remove spawners when the lot is deleted due to them remaining on the empty lot. To check and remove spawners, enable “testingcheatsenabled true” and “buydebug on” after.
I've also included Public Picnic Spots, which will appear when using the same cheat codes mentioned above. Feel free to use the dropper tool to copy and place more picnic spots on the lot.
📣Please also note the required expansions pack listed in the Lot Details above especially those that uses the build items such as floors, columns and wallpaper, the lot would not show up in your game if you don't have those unfortunately. For the rest ,they are mostly décor which will automatically be replaced in your game.
I haven't taken part in one of these chains in a long time. But, @n-talia-a tagged me in a "top 5 on repeat" chain and so here we go. This is all the more recent on repeat, not in totality.
1. 3TEETH - Slum Planet feat. Mick Gordon
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Do you like Industrial? NiN? Metal? Punk? Cyberpunk? and the music from Doom (2016)? Well 3TEETH has what you need, and this track was produced by the man behind Doom (2016). I am blasting this likely 3x a day, at a minimum. Warning: Video features flashing.
2. Yard Act - The Trench Coat Museum
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Found this one recently, and the bass line is just addictive. Video is pretty great as well, especially the ending.
3. TURNSTILE - UNDERWATER BOI
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Turnstile has been a group I've been listening to a lot since 2020 or so. Typically more hardcore, but this one is just a nice seaside vibe. They even just did a remake of their last album as a jazz album. Really good stuff.
4. Drain - Feel The Pressure
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Following in the water-related theme I suppose (pretty apt for myself, personally speaking). This is a hard and heavy punk metal groove.
5. WARGASM (U.K) - Your Patron Saints
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Wargasm is by far my favorite band of the last several years. I found them at the tail-end of 2019, and went deep during the early pandemic and never got out. I am addicted to every song of theirs, this is an incredible act. I highly suggest everyone checking out their entire discography. Industrial meets nu-metal (with heavy prodigy vibes). Warning: Video features flashing.
Bonus: FIDLAR (anything and everything by them)
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If I said Wargasm is my favorite band of the last several years, FIDLAR is my favorite band of the last decade. I am playing their albums back-to-back multiple times a week.
Notable Mention: Seaway. Love that band. They were my most listened to in 2020 I believe. Classic pop punk style with a modern bend.
I don't usually continue the chain, but I'll add @swordarmsaxelegs, @the-alex-xander, @oyeden, @tomandgeriatric @myfriendgoo94
Through Sea Mist and Shadows (Prologue) Bucky Barnes x Reader
series masterlist
monday, march 12th, 5:37 am;
The salty mist spraying from the bow of the ferry stings in a familiar way. It reprimands the skin like the pained gaze of a tired mother, racking her body with a subtle guilt she thought she had forgotten years before. The morning moon dips lazily into the horizon, casting a hazy grey film over the sky and across the reflective waters. Somewhere beyond the distance, the sun is beginning to rise, awakening the small coastal village which holds the heart of her childhood.
Beneath her fingers the rough, raised grain of the ship's wooden rails keep (Y/n) grounded from her fleeting anxiety, she runs her fingers into the grooves until they leave indents on her skin. It had been many years since she had returned to the cold, dreary island, it's hidden beauty laying deep beneath its layers. Six years, she recalls, though it had been more like ten since she had stayed for more than a simple visit. The time had treated her well, it taught her more than she could imagine - both about herself and the world around her. When she looks back on her youth she feels like a stranger now, she's nervous that her home will see her that way too. To be swallowed and spit back out in rejection, cast into the sharp rocks of the coast.
The remote island sits modestly in the Gulf of Maine, somewhat near Winter Harbor. It's terrain ranges from dark, foreboding forestry to beautiful rocky coastlines, lush pastures, and seaside cliffs. The village is quaint and friendly, lined with old, mossy cobblestone and run down fish markets, humble boutiques, and an unvisited gift shop. You'll always find a doting neighbor, but you can guarantee that everyone will know your business as well. It was a community she knew she belonged to despite her reluctance. When she was a child, her time was spent barefooted on the soft sands, the smell of sea salt and petrichor tickling her nose. A leather saddle tucked beneath her and the rhythmic beats of the horses' gait on the cobblestone paths. Laughter amongst siblings and time spent with dirt-covered hands and brown fingernails from the vegetable garden. Calloused hands pulling her up into the twisted branches of the apple trees and bouquets of wilted wildflowers. The brush of shoulders and shy smiles, school bells and then 'goodbye's.
She huffs, long and drawn out, closing her eyes and feeling the sway of the boat encasing her.
Pilot ID: Harlan Salk-Wakeford, RKTS-S Platform #107 ("Colony Veritas")
Status: Active
Current Assignment: Supply line suppression, standard anti-materiel targeting regimen
Dropped off Harlan's wedding ring earlier. Put it in his palm before they took him in for final preparations. They'd already rewired his optic nerves into the targeting superstructure before I got there. The technicians said he could still perceive his surroundings, but he didn't close his hand when I held it. Apparently that's normal.
I think I was too fast for him to feel me.
He's in orbit now, camping in the L8 Lagrangian Point between Colony Veritas and our shield moon. His installation's big enough to see from the cliffs south of our cabin. I camp underneath him on the seaside, at the big overhang with the willow tree and the gulls. My telescope fits nicely up there.
The barrel of his new body glimmers at night. It's two miles long, I'm told, big enough for me to walk down the grooves of the rifling. Every round he'll fire is the size of a four magrail cars stacked on top of each other. From planetside it's not so imposing, though. It's almost delicate from that far away, a razor-thin line projecting from the rest of him, incomplete under harsh light, like a cat's whisker.
He can see faster than light now. Command says he's the closest that colony stock can come to godhood. I believe it.
But I don't want to.
They unveiled his new body two months into the occupation. It's a new type of ultra-long-range battery, one that fires fast enough to warp space: a Relativistic Kinetic Targeting System—Superliminal-class. RKTS-S. Pronounced "rickets", like the ancient Earth disease that ruined people's bones. That turned children into hunched figures with legs like parentheses.
They break the gunner's legs outwards to fit them in, funnily enough. The rest follows slowly, incrementally cracking out then back into place, like a branch snapping in reverse. I asked the technicians why they did it like that. No one answered me. They just turned the cranks and stared at the floor.
They use some type of singularity lensing to alter the gunner's consciousness. Time dilation swallows them. In seconds they live a billion lifetimes, all prescripted targeting protocols injected into the spine with a cocktail of salts and stem cells that crack the brain apart. Somehow, the people stay inside, and they can take commands just fine. I'm unsure how.
They remember what their old life was. Some of them even talk. The signals of the speech fire beyond their reach, beyond will, looping for millenia of perceived time before their body spits them out. The world around them moves like a glacier.
Gunners aren't allowed outside of their bodies. It's inhumane to make them leave.
Harlan signed up when I wasn't home. He sent me out for errands in the morning, at the crack of dawn, acted like it would be a fun surprise when I got back. I didn't think anything of it at the time.
I could walk okay with the cane, but it took all day just to go to the markets without money for the trams. He misplaced my cards and used the cash for something he didn't want to talk about. I made it back at dusk.
I couldn't be mad, not truly. I know the Septarchy would have taken me for infantry if he didn't agree to it. I yelled anyway. I regret that now, so much. More than anything.
I think he was counting on that—me taking so long. I couldn't tell them to take me instead if I wasn't there.
"No, no, let me go. You're not cut out for zero gee. You still get seasick, remember?"
I do now, worse than before. I didn't when he held me.
He'd been inconsiderate before, especially since we lost the baby. The blood terrified him. I guess a fetus dripping through your fingers will do that to a man. Even after that, though, he found the strength to carry me to the ambulance and stay up in the waiting room for two days while they fixed things. He's his strongest when he's afraid.
What I wouldn't give for him to be weak, like me. Now that he's up there I can take official hormones. I can get a beard, get muscles bigger than these frail things my mother's side shackled me with. Get a voice deep enough to cry with dignity.
Sometimes I dream that he's sick. I imagine that he'll come home from the hospital instead of me, infirm and feeble, and he'll get to stop working for awhile while I make bread and cut firewood and carry him for a change. He can pick a ring out from the catalog on the coffee table, and read his novels and heal and sleep.
They married us then, on the installation, after I held his hand. The Septarchy said they'd officiate as long as he signed up for the program; men weren't allowed to be wed without service licenses, and I was only a man to the Septarchy because they didn't let colony women go to war.
Apparently Harlan is rare. One of a kind. Perfect for this.
"I can protect you from up here."
I lie in our tent. My sleeping bag is half-empty. I run my hands over vacant air and I stare into orbit. I think about the surgeon closing his hand around the ring. It's a size too big for him now, since the IVs feed him less heartily than I did.
The vows are over on Veritas. It's okay, though, love. You can take your time.
According to what they said, you'll be accepting them for the next ten million years.
hi! can anyone recommend a older woman/younger man trope? any rating will do hehe i recently read watermark by summerofspock and was completely enamored by it! i searched for the tag on ao3 but it seems like theres only 5 existing works for that trope so im asking if anyone has more recs hehe thank you so much!!
Hello. Here are a couple of older woman/younger man fics for you...
Going Down (now with 99% less cringe) by tikli (E)
The new intern at Miss Fell’s office has caught her eye. They’ve been flirting for two weeks. What happens when they get stuck in a lift together?
or: Older Busty Blonde Seduces Hot New Intern
Being Neighbourly by Ack_Emma (E)
Innocent college freshman Aziraphale introduces himself to his seductive neighbour and offers to help out around her home.
Antonia Crowley is glad for the help and makes sure to pay him properly for the work.
Hell Has a Place For Those Who Sin by TawnyOwl95 (E)
"Are you trying to seduce me, Mrs Morningstar?"
Really though, how else is a young man with a new degree and ambition supposed to react to that?
Honeysuckle & Heat Waves by pilatesandpinot (E)
Ezera Fell has returned to the town where she’d spent her summers growing up – seaside Tadfield, where the slogan is “Everyday is a Holiday” and the perfect escape for a recent divorcee like herself. But she isn’t just here for holiday or to “get her groove back”; she’s inherited her late aunt Agnes Nutter's bed and breakfast and is determined to restore it to its former glory. She’s consulted the help of the best gardener in town, except there’s one issue: he’s Anthony Crowley, the same man she serendipitously had a one-night stand with while on holiday in Paris. Will the sparks fly now that they’ve been reunited, or fizzle out?
And the one you mentioned...
watermark by summerofspock (T)
Aziraphale happily works as the librarian of a small liberal arts university in the rural town of Tadfield. When the newly hired biology professor seems to enjoy tormenting his students by sending them after obscure references, she decides he needs a stern talking to. He decides they could be pretty good friends.
Simple ideas for future Javelia pieces on request:
"Do you permit it?" Was the first thing Javi said, the very first time he decided to kiss Amelia on the lips; romantic as a Black and White film star and likely to make Amelia explode on first contact.
Amelia absolutely loves running the tips of her fingers along Javi's face, from the corners of his eyes, down, up, and grooving outward towards the tips of his ears.
Home cooked meals are how Javi shows his infinite love and affection--half of every meal he provides including a savory course, the other half sweet.
Little tiny gifts picked up and hidden in pockets and around the home is how Amelia shows love and adoration. Shiny rocks, smoothed glass from the seaside, loose change in groups of three so they jingle in pockets like chimes; all of these are sure to spark a smile, which is more than enough for her.
The first thing to bring into the house together, when they get together, is a giant goldfish that Amelia found languishing in a pet shop like a little black blob. They take care of it together like a baby, watching in awe as it grows healthy and mobile and SO COLORFUL with their combined willingness to put their mutual efforts to good use.
Amelia sometimes can't help that the first thing she does on coming home after a long day at work is locate Javi so she can collapse on top of him and squeeze his boobs like airbags.
If Javi had to spend the rest of his life on a tropical island, he's pretty sure he could be perfectly content as long as he had Amelia--or, at least, her and the means to turn any bananas he might find into bread.
"Peanut butter and jelly~" "Grilled cheese~" Was something of a sing-song introduction to their first date. In their defense, they'd had a long day, two weeks of pushing back and delay, a horrifically disgusting fight with a monster, and just wanted to eat and CUDDLE. (It was perfect, fuck anyone that tried to poke fun at them.)
Got tagged in so many amazing things by so many precious humans while I was away, thank you all so much for thinking of me! 🥰🫶
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First up, @mishervellous, @creepkinginc, @energievie, @tanktopgallavich and @look-i-love-u tagged me to complete this wonderful Tag Game Tuesday created by our beloved @celestialmickey!
Please address me as: Lyds 💙
How many countries have you lived in? Two (one main one and the other for a few months)
States/provinces? Two (one in each country)
Cities/towns? Two (same as above)
Homes? Two (only counting long-term ones that are deserving of the name)
Road trip or long-haul flight? I'm used to and love road trips, but would prefer to go on a plane right now as it's been 14 years since my last flight.
On the spectrum of hoarder to minimalist, where do you fall? I'm a maximalist, so... organized hoarder? 😅
Do you have a keepsake box/bin/bag and if so, what’s in it? I have two, a box with old letters and photos from dear people, the other is a chest with handmade cards from my husband, we gifted them to each other every month for 3 years and it's overflowing at this point.
If you could live anywhere, where would you live? While living on the seaside with the mountains two hours away is not bad, I'd like to be closer to the cooler, foresty part of my country, also anything in the Scandinavian region seems very appealing.
Favorite place in your home? It changes frequently, right now it's my office corner with my baroque style desk and memo board full of inspiring, queer stuff on it 💖
Finally, what’s your current favorite item in your home? A tiny, antique, Viennese furnace I got from my grandparents', it's chipped in places and needs a paint job but I love putting LED tealights in it and watching it glow, especially during the holidays.
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Next, I was tagged by @mishervellous and @ian-galagher to make this sweet picrew!
Lounging at home and thinking of all of you 😍
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Last but not least, @mishervellous, @creepkinginc and @look-i-love-u tagged me to play this Screenshot Game!
Rules: post a screencap of your lock screen photo, a screencap of the last/current song listened to, as well as the last photo of a celebrity that you saved in your phone.
My bunny, my ringtone and my current crush 🤗
I'm super late and feeling a little overwhelmed with getting back into the groove, so I'll skip tagging this time, however if you see this and would like to complete any or all of these, please do! Love and good vibes to all 💙✨️
Following the Collapse/the world’s destruction in 2018 and her lottery selection to go on a French resource-searching convoy to North America in 2028 (at the age of 48), Brianne’s life is reduced to the contents of one canvas backpack. This is what she, the convoy's and later, the Highwaymen's horticulturalist, carries and keeps until she dies (shot and killed while gardening one crisp fall morning during an attack on the Chapter's home base).
A Swiss Army knife with multiple tools including a nail file, scissors, and tweezer.
A Burberry Check Cashmere scarf and fingerless leather gloves to work the garden.
Her second pair of clothes.
A flip mirror and brush.
Amber glass jars of homemade cream for the face and hands that smell of lavender, a healing balm, and a vial of hemp oil.
Two black cover moleskin journals: one contains notes for the Highwaymen Chapter’s garden management. The other is personal; on occasion, she writes thoughts that need expressing but with no one to express them to. It is just shy of two pages full when she dies.
Three well-used pencils and a broken sharpener (she uses her the Swiss Army knife instead).
A soft leather-bound, 4x6 photo flip book with plastic sleeves and button closure filled with pictures of her family and loved ones. Among them is one of her sister and her on Victoria Peak in Hong Kong, with her mother and other Guyots (material side) at a seaside restaurant in Cannes, a picture of her garden in full bloom in Hampstead, one of her father and her and her sister when they were children, selfies of her and Santiago on Rook, another she snuck when he was cooking dinner, one of his beachside shack as well.
On the back of every photograph are notes written in pencil: who, when, and where the picture was taken, and of thoughts and memories of that person (death dates are kept here as well). There are also sorrows penciled in later: “I miss you, wherever you are.”
This hand-size album is thick because in between the photos she’s tucked little saved mementos. Behind a picture of her mother is a vintage Chanel heart pendant she kept after she died (of cancer) in their bunker. Inside a piece of folded paper is an island flower from Rook given to her by Santiago, which she pressed in a book long ago (as she did with all the flowers he gave her). Some sleeves contain favorite pages ripped from broken books she used to own. More random is a tea tag from the very last cup of bagged black tea she drank.
A horribly worn, spine-broken paperback copy of Pride and Prejudice.
A small, beach wood flower carved and gifted to her for Christmas by Santiago almost two decades prior. Its edges are worn and its grooves are smooth from being handled often.
Not in her bag but usually always on her person is a platinum whistle on a long chain, a wide-brim hat, and a gauze scarf appropriate for warmer weather. She takes care to protect herself from the sun.
Christ, was this 17 years ago? Thinking about Herbert and his grooves because of this review I did this week sent me back to one of the first features I did for Mixmag back in 2006. It was a pleasure to do and really, really stuck with me - especially his bit when we were sitting on the beach about how much sonic information was surrounding us in the moment.
👇🏻👇🏻
In the sleepy Kent seaside town of Whitstable – more famous for oysters than techno – Matthew Herbert owns a modest but pretty old coach house. It’s sweetly rustic outside, functionally modern and open-plan inside. A couple of young mums from down the road have popped in to say hello and have a cup of tea; Herbert is yawning, stretching and saving the tunes he was up late making on his laptop-powered mini studio. Musical equipment is dotted around; it could be any moderately untidy techno fan’s house. Herbert himself – in Fred Perry and low-hanging jeans – doesn’t look at all out of the ordinary for a 30-something with a raving past. He holds up an artillery shell.
“It’s from a Tornado bomber,” he explains, “in fact this one was actually salvaged from a battlefield in Iraq, so it’s been used in a combat situation. It’s so well-constructed, some of the most precise craftsmanship around; but look…” He slides off part of the brass casing, taps it on the table and an incredibly clear tone rings out. “It makes a really beautiful sound, like a Tibetan temple bell or something. So I’ve sampled that…” He hits a key on the laptop and a chiming melody starts up, building into a spacey groove. It is indeed rather beautiful. “…I’ve taken something designed only to kill and changed its purpose completely.” Herbert might appear ordinary superficially, but it swiftly becomes obvious that his image as dance’s nutty professor is not far wrong.
Matthew Herbert’s compulsions to experiment and play with ideas have been obvious throughout his career. He started playing raves on the West Country free party scene with Aphex Twin. His albums are some of electronic music’s most experimental (but still listenable) works. He talked Dizzee Rascal into coming on stage with the Herbert Big Band of veteran jazz players, and his discography veers between brutal techno, gorgeous electronica and sexy disco. He’s turned politics into theatre and protest into weird noises; when he played with the Big Band in Syria (“I really wanted to play in the Axis Of Evil!”), the moment when they created a rhythm track by ripping up the Daily Mail drove the crowd wild with shock and delight (“they could be arrested and tortured if they ripped up their own newspaper, so this was amazing for them”), and at a solo show in Australia the ravers’ biggest reaction was when he sampled himself destroying the sponsors’ video tape that has been projecting footage behind him. His new album Scale, overflows with wonky noises and stunning songs. It contains samples of 723 different objects and instruments – from meteorites to petrol pumps to underwater drumkits – and for every last one of these, he has an explanation connecting it into his wider worldview.
Looking more closely around Herbert’s living space, it becomes clear there are quite a lot of books on odd topics like the philosophy of food or the economics of armaments. It’s a perfect, still Summer day, though, and we decide to stroll down to the quiet beach nearby. As we go Herbert points out how even though it seems almost silent that every sound we hear could tell someone about our situation, from the health of the birds singing to the types of cars to the type of building work going on – and how each of those illustrates the economics and ecology of the area to someone with an expert ear.
It should be enough to give you a headache just thinking about it, but the weirdest thing of all is that listening to him explain all this is oddly enjoyable. Like his music and political performances, it’s funny rather than preachy, and it’s obvious that he does it because he enjoys it. Of course, being Herbert, he has a detailed explanation of how he combines fun and ideas in his records. “I like to construct each album like a hotel. You can just come in and have a drink at the bar and have a good time – but if you want, you can keep coming back to explore much further.” Behind every door – every sound or rhythm – is something going on, he says. Through track titles and information on his websites he gives away “keys” that let you uncover a little more of what’s going on and understand the whole thing a little more. In a world where downloading individual tracks dominates, this is a unique way to get people listening to and thinking about a whole album.
It’d be easy to characterise Matthew Herbert, dance music philosopher (and ‘hotelier’!), as a classic outsider. As we sit down on the beach to continue our chat, though, he insists he had a “totally normal middle-class Kent childhood; I was a very sociable kid, really”. At school, however, he avidly looked for connections between things: “it would always fascinate me if, say, I found out that the dinosaur triceratops is called that because it has three horns. Straight away that animal is connected with numbers, words, history, and just about every other subject.” He was addicted to music from infancy too, picking up new instruments at a rate of knots, and devouring jazz and classical theory.
His introduction to raving came at Exeter University, where he got stuck into the West Country free party scene along with Aphex Twin, Luke Vibert, Global Communication, and experimented with his own dance tunes. The scene was separate enough to be distinctive – “no-one could afford to get to Bristol let alone London” – and held together by the legendary Mighty Force shop and label, which brought in Chicago acid tunes and released Aphex Twin and Herbert’s first records. Herbert loved the exchange of ideas at those early free raves: “council estate lads from Plymouth or Exeter who you’d expect to be out stabbing people, dancing and talking with the landed gentry who’d given up their land for parties.” Promoters would get him to play his quirky, housey tracks after sunrise, “with everyone sitting around talking and feeling really… strange!”
Herbert kept with his organic, emotive sound – often featuring his partner Dani Sicilano’s mournful vocals – through the 90s, even as the underground favoured relentless instrumental techno. Fashions have caught up with him now - the classic Around The House and Bodily Functions albums sound incredibly fresh in today’s Minimal climate – but he has kept moving on in ever-weirder and more diverse directions. For his last album, the wonky and experimental Plat Du Jour,’ Matthew had a pie baked in the UK Foreign Office, flew it over to the site of a battle in the US Civil War, and got a guy who had served in the CIA in Vietnam under Nixon to shoot up the cake with an old Nazi officer’s pistol. The various connections between the factors in the pies destruction relates to the history of international conflict and the globalised food but just as importantly Matthew points out “it seemed like fun to go to such ridiculous lengths to blow up dear old mom’s apple pie!“
Perhaps this just sounds barking mad, but it also illustrates the method at the heart of Herbert’s madness. Life is a projectfor him, a series of schemes to have fun whilst developing his ideas about the connections between things. Almost all the money he makes from the remix and film soundtrack work which increasingly comes his way (he is currently pitching for his first Hollywood movie) is ploughed into further developing his unique musical and political ideas, and into supporting his fellow maverick artists through his Accidental, Soundslike and Lifelike labels.
The dedication to investing in creating great stuff is also important throughout Herbert’s extended musical family, including the promoters of the infamous Soundslike:Werk parties in London. These parties, as well as providing some of the most twisted electronic music and raving atmosphere in the capital – held in unusual venues like old cinemas and art centres, they are proper all-night raves where live electro, techno, grime and other, weirder electronic styles run together into non-stop delerium – are run in typically ethical fashion, with profit shares meaning that international DJs playing a couple of hours don’t get paid more than barstaff who sweat it out all night. This attention to detail means that, without being all knit-your-own-hippie-party worthy, that they can provide a genuinely mental atmosphere without the shadowy presence of rip-offs and psycho promoters - “club owners are so often a certain type of person,” says Herbert, “very very motivated by profit – it’s a very pure form of capitalism nowadays.”
That sort of commitment to making the party a collective effort is something he feels was strong in the free party scene til the Criminal Justice Act of 1994 put a stranglehold on the scene, sending soundsystems abroad or into clubs. “The potential is still there,” he says, “after all, how many people are out socialising, listening to music dancing themselves wild every weekend across the world? Millions? Tens of millions? But there’s very little sense of that having a purposenow.” One of the rare occasions where he seems less than enthusiastic in conversation is talking about purpose-built ‘clubbing bars’, which he has seen more than enough of in his years of gigging and DJing: “I would happily never set foot in another bar again; they’re all starting to look like such clichés now, no beer that’s not bottled, no sandwich that’s not a ciabatta…”.
This talk reminds us that it’s getting to lunchtime. We walk with crunching footsteps back up the pebbly beach back towards where Herbert’s hefty old BMW is parked, ready to head out to a country pub to eat. The cars (he has two souped-up Beemers), he admits, are one of the contradictions in his personal politics. “They’re my real weakness,” he laughs, “obviously I’m concerned with our oil addiction and global warming, but these do at least fit with my thoughts on craftsmanship. And they are very fast.” Rebuilt and hand-tuned, these cars will last a lifetime, unlike modern cars, designed for obsolescence and riddled with so much computer technology they’re nigh-impossible to fix.
That is one of the vital parts of Herbert’s philosophy. Whether it’s cars, political ideas or music, he believes in things built to last: antidotes to the ever-hungry and wasteful culture of constant consumption that seems to dominate now. And unlike politicised rock stars – the Bonos and Stings – he doesn’t believe in preaching; rather than tell you what you should be doing he wants to lead by example, showing that the good stuff needn’t be trash, and that thinking about your place in the world needn’t be a drag or the province of hippie dreamers. “Enjoying life,” he says, “doesn’t have to make you dumb; you don’t need to compromise, in life or in music.“
Over lunch we talk about the future. Planning long-term is out of the window right now, while he works out how to promote and tour the lush intricacies of Scale – he’s busy working out how to reproduce songs recorded with a 50-piece orchestra with 3 musicians. However as he is entirely his own boss, running his own labels and planning his own gigs, he is not bound by traditional music industry timetables, and is keen to keep the touring flexible to allow for all his other activities. He is increasingly being courted by the art world and is busy planning the first of his regular columns for a highbrow art magazine. If the aforementioned Hollywood soundtrack pitch comes off, that will take up his time for a while, otherwise he will get back to researching and reading, “looking for more new ways to make sounds nobody has ever heard before”. It’s not a bad life, being a mad scientist.
23:57 JAZZ HOLDOUTS - April and May
23:53 PAOLO RUSTICHELLI - Changes
23:49 STEVE OLIVER - Oh Yeah
23:45 SLIM GAMBILL - Up (feat. Charlton Singleton)
23:42 KONSTANTIN KLASHTORNI - Let's Fall In Love
23:37 BONEY JAMES - Without A Doubt
23:33 KEN NAVARRO - Out Of The Blue
23:27 KIM SCOTT - Two Become One
23:22 BAKERS DOZEN - No Doubt
23:17 JACKIEM JOYNER - Get Down Street
23:12 EUGE GROOVE - Mr. Groove
23:08 3RD FORCE - We'll Be Together
23:04 UNDER THE LAKE - Last Day of March
23:00 CHRISTOPHE GOZE - Soul to Soul (2022 Version)
22:59 ENRICO DONNER - Chicago At Sunrise
22:53 YIRUMA - River Flows In You (N-Drew Fate Remix)
22:49 WALK OFF THE EARH - Somebody That I Used To Know
22:46 JAVAH, STACEY MCCLEAN - You And Me (Damien Chillout)
22:40 K. S. PROJECT - Looking For Paradise (Original Mix)
22:35 YULIET TOPAZ - Frozen
22:31 LONDON GRAMMAR - Non Believer (Groove Armada's Revival Mix)
22:28 BELLATRAX FEAT. TINA COUSINS - Cant Hold Back (Acoustic Mix)
22:22 THE DO - Too Insistent (Trentemoller Remix)
22:18 BISCAINE - Sunrise At Paradise Beach (Original Mix)
22:12 LOREEN - Euphoria (Cool Bill Seaside Mix)
22:08 BLISS - Evening Sun
22:03 BLUE STAHLI - Corner (Ad Astra Remix)
21:59 THE FUSION, JANE MAXIMOVA - Behind Rain Waves (Chillout Mix)
21:52 TRIANGLE SUN - Buddha
21:49 BON JOVI - It's My Life (Piano Version)
21:44 ALY, FILA, TIFF LACEY - Paradise (Original Mix)
21:39 BETSIE LARKIN, BOBINA - Belong To Me (Sunset version)
21:34 THE SHAPESHIFTERS - Lola's Theme (Lola's Loungin' Mix)
21:28 ROAN PORTMAN - In Faith We Trust
21:23 BARCLAY & CREAM - You're Not Alone (Alexander Metzger Mix)
21:19 LIZ KAY - Castles In The Sky (Kenny Hayes Nitelite Mix)
21:13 LUDOVICO EINAUDI - Nuvole Bianche
21:08 THE PROJECT PARADISE - We Love You Moscow (D.A.W. Remix)
21:05 FLORITO - Saigon Morning
21:01 ROMA BABANOV - Flight
20:57 LOUNGE GROOVE AVENUE - Don't Be So Shy
20:53 BLANK & JONES, DELERIUM, RANI - Fallen (Chillout Mix)
20:45 THE RHYTHM DIVINE - Moments In Love
20:42 MAXIGROOVE - Alone (Wellski )
20:37 ANN GRACE - Moon In Love
20:31 BOBINA, BETSIE LARKIN - You Belong To Me (El Gambrero Remix)
20:26 SINOPTIK MUSIC - Black Islands
20:21 PAUL ADAM - Backwards (original mix)
20:20 DIANA KRALL - California Dreamin'
20:13 EMILIA DE PORET - Weightless (Chillout Mix)
20:07 SUNLOUNGER - Lost (Chill Version)
20:02 MUSIC EMOTION - Believe (Jazz Fusion Mix)
19:57 DJ MILEWS - Children
19:54 FONZERELLI - Dreamin (Chill Mix)
19:50 RUTH ANN - Beautiful
19:46 RIHANNA - We Found Love (Dj Fernandez Chillout Remix)
19:42 INMOTION - Summer Days
19:37 GET FUSION - Last Day Of Summer (Chillout Mix)
19:31 SHERRIE LEA - No Ordinary Love (Arnold T Chill Mix)
19:28 PAROV STELAR - Milla's Dream
19:24 MARCUS SCHOSSOW, ANDY DUGUID, EMMA HEWITT - Light (Acoustic Version)
19:20 BLANK & JONES, RACHEL LLOYD - Under The Stars (Stardelay Mix)
19:14 RED - Pieces
19:10 MRDISCLAIMER, MILA ZHAVROVA - Evening Sun
19:06 LINKIN PARK - New Divide (Lukas Termena Chillout Mix)
19:02 DEEP MOTIONS - Memories
18:58 SAGI REI - Your Loving Arms
18:54 SOLARIC INC - Children (Chill Mix)
18:50 DJ SALAMANDRA - I want it all (Dj Alatiz Remix)
18:46 RICHARD MARX - Right Here Waiting
18:43 STIPPLE - Evening Coast (Original Mix)
18:37 NIGHT, FUNKAGENDA - Shogun (Mark Knight & Funkagenda's Average House Band Remix)
18:33 EVANESCENCE - My Immortal (Acoustic Version)
18:29 THE LIGHTNESS PROJECT, NICK FERA - Beautiful Dream
18:23 TRANZLIFT - Heaven's Shore (Magdelayna's Chilled Remake)
18:18 DJ ANTOINE - This Time (Acoustic Mix)
18:15 DJ G.ROS, IAN CAREY - Keep On Rising
18:10 SMOOTH DELUXE - Dream of Insomnia
18:07 TRACEY THORN - Night Time (Original Mix)
18:02 D-PULSE - Velocity Of Love (Original)
17:57 THE SURA QUINTET - Onda De Bossa
17:53 AURORA - Where Would You Go When It Starts To Rain (Original Mix)
17:48 PIANOCHOCOLATE - Forgotten Love
17:42 EUPHONIC TRAVELLER - Pont Notre Name (original mix)
17:38 BLANK & JONES, JASON CAESAR - Pura Vida (De
17:34 THE UNDERDOG PROJECT - Winter Jam (Acoustic Version)
17:31 C.CIL - Sunset
17:28 VITO FOGNINI, CARI - True To Myself (Original Mix)
17:23 CECILE BREDIE - Dreamland
17:18 CALAR DEL SOLE - Cafe Del Mar (Lounge Remake)
17:14 CARDINAL ZEN - Warmth
17:10 THE UNDERGROUND PROJECT - Summer Jam (Ivan Tretyakov ReChill)
17:05 CIARA, JUSTIN TIMBERLAKE - Love Sex Magic (Chillout Mix)
17:00 DUBDIVER - Reverie
16:57 DAVE KOZ - Summertime in NYC
16:53 ART RUPRECHT - A Love Sublime
16:50 NICK COLIONNE - Joint is Poppin'
16:46 GHOST JAZZ TRIO BAND - Looking Good (feat. James Morgan)
16:41 CHUCK LOEB - Affinity
16:36 FUNKTASTIC PLAYERS - Summer Winds
16:32 ACOUSTIC ALCHEMY - Love Is All There Is
16:28 GREGG KARUKAS - Green Hills
16:22 DREAMING IN COLOUR - Yearbook
16:18 ALEXANDER ZONJIC - Nature Boy
16:14 KONSTANTIN KLASHTORNI - Everywhere I Go
16:09 BRIAN SIMPSON - Something about You
16:05 KEN NAVARRO - Frenchmen Street
16:00 KIM WATERS - Heart Seeker
15:59 CHRISTOPHE GOZE - Lazy Sunday
15:55 DEE LUCAS - Full Tilt (feat. Blake Aaron)
15:51 JACKIEM JOYNER - Later Tonight
15:47 ART RUPRECHT - Wine and Dine
15:41 EUGE GROOVE - Knocki Knocki Who's There
15:37 GHOST JAZZ TRIO BAND - Sun Tides
15:32 UNDER THE LAKE - Lazy Saturday
15:28 FUNKTASTIC PLAYERS - You Make Me
15:23 DOMINIC CAMARDELLA - Headwinds
15:19 DANNY LERMAN - Amadeus' Kiss
15:14 LOWELL HOPPER - Groove Maker
15:09 DARREN RAHN - Flashback
15:04 GREGG KARUKAS - Speakeasy
15:00 DAVE KOZ - The Closer We Get
14:58 KONSTANTIN KLASHTORNI - Chica Timida
14:53 EVERETT B WALTERS - You'll Never Know
14:50 CHRISTOPHE GOZE - The Nightfly (2022 Version)
14:45 HIROSHIMA - Brighter Days
14:39 CHUCK LOEB - Unspoken
14:35 ART RUPRECHT - City on a Hill
14:32 NELSON GARCIA - East Coast Drive
14:27 GHOST JAZZ TRIO BAND - Dreams Above (feat. James Morgan)
14:22 NICK COLLIONNE - What You Do To Me
14:19 FUNKTASTIC PLAYERS - Glad I Met You Tonight
14:14 SPONTANEOUS GROOVIN' COMBUSTION - Chicago Morning
14:11 EARL KLUGH - I'm Ready For Your Love
14:07 KEN NAVARRO - Lost And Found
14:03 EARNEST WALKER JR - Palm Avenue
14:00 NICK COLIONNE - The Journey
13:57 FOUR80EAST - Roll On
13:51 JACKIEM JOYNER - Big Step (feat. Gerald Albright)
13:47 UNDER THE LAKE - Have I Told You
13:42 EUGE GROOVE - Movin' On
13:37 FRANK PIOMBO - Sunset Beach (The Cape)
13:33 EVERETT B WALTERS - Mom's Biscuits
13:29 ART RUPRECHT - Coast to Coast
13:25 CHRISTOPHE GOZE - Visual Love
13:21 HIROSHIMA - Someday Soon
13:17 GREGORY GOODLOE - All the Way
13:12 GREGG KARUKAS - Catalina Wind
13:07 GEORGE JINDA - Deep as The Night
13:04 LOWELL HOPPER - Point Of View
13:00 H ALLAN - Rise
12:56 KONSTANTIN KLASHTORNI - I Feel It Coming
12:52 GREG MANNING - Dance With You
12:48 CHRIS STANDRING - Pandora's Box
12:43 KEN NAVARRO - Time And Love
12:39 JEFF KASHIWA - Let It Ride
12:35 NICK COLIONNE - Just Let it Be
12:31 UNDER THE LAKE - Around The Block
12:26 JAZMIN GHENT - Funk Junk
12:20 EVERETT B WALTERS - It's Yo Time
12:16 CHRISTOPHE GOZE - We'll Meet Again (2022 Version)
12:12 HIROSHIMA - Always Tomorrow
12:08 JESSY J - Una Mas
12:04 ART RUPRECHT - Saving Grace
12:00 JACKIEM JOYNER - Double Bass
11:57 EUGE GROOVE - Tenderly
11:53 JOYCE COOLING - Grass Roots
11:47 LOWELL HOPPER - Whatever It Takes
11:44 HAVILLA KING - Morning Soul
11:40 DAVE BAKER - California Dreaming (feat. Rich Kurtz & Walter Runge)
11:36 GREGG KARUKAS - Hey Witness
11:32 MAX HIGHSTEIN - Open To Receive
11:28 JIM ADKINS - Reflections
11:24 DREAMING IN COLOUR - No More Goodbyes
11:19 MARC ANTOINE - Marco Polo
11:15 EVERETT B WALTERS - It's for the Love of Music
11:11 CHRISTOPHE GOZE - Passing Time
11:08 HIROSHIMA - Groove Latino
11:04 ROB TARDIK - Smile
11:00 ART RUPRECHT - Living in the Son
10:54 GEREY JOHNSON - Slave To The Rhythm
10:49 UNDER THE LAKE - When Autumn Comes
10:45 BLUEY - You Are the One
10:40 KONSTANTIN KLASHTORNI - Lullaby
10:36 DEON YATES - No Other Love (feat. Chis Davis)
10:33 CHRIS STANDRING - Have Your Cake And Eat It
10:28 KEN NAVARRO - You Are Everything
10:24 MEKIEL REUBEN - Another Sunday
10:20 DAVE KOZ - Yesterday
10:16 NICK COLIONNE - Nico's Ride
10:12 GREGORY FIELDS - In The Moment
10:08 EVERETT B WALTERS - Chuck's Chunky Fried Chicken Shack
10:04 CHRISTOPHE GOZE - Bossa Roma
10:00 HIROSHIMA - Side Street
09:57 JOHNNY BRITT - Can't Stop (Vocal Version)
09:53 ART RUPRECHT - A Good Thing
09:48 BIRDS OF A FEATHER - See You Soon
09:44 EUGE GROOVE - Religify
09:40 ROBERTO RESTUCCIA - Love Crazy
09:36 JACKIEM JOYNER - Sweetness
09:32 ADAM HAWLEY - Can You Feel It (Feat. Marcus Anderson)
09:27 RICHARD BROWN - Stars In My Eyes
09:23 LOWELL HOPPER - Night Drive
09:20 BRAD ALEXANDER - Sunrise on I15
09:16 KEN POWE - College Hills
09:12 CHRIS STANDRING - Qwertyuiop
09:08 BONEY JAMES - Maker Of Love
09:05 GREGG KARUKAS - Fly Away (Thinking of You)
09:00 KONSTANTIN KLASHTORNI - Drive Me Home
08:58 KEN NAVARRO - It's Up To You
08:53 CHRIS GODBER - Upward and Onward
08:49 KIM SCOTT - Free To Be (Feat. Jazmin Ghent)
08:45 NICK COLIONNE - Just Being Me
08:40 BAKERS DOZEN - Brooklyn Bound M
08:37 ROBERTO RESTUCCIA - Clickin
08:31 EUGE GROOVE - S7ven Large
08:27 JACKIEM JOYNER - Lost Without You
08:22 3RD FORCE - You Gotta Be Real
08:18 THE ALLEN CARMAN PROJECT - Groove Salad
08:14 ACOUSTIC ALCHEMY - Marrakesh
08:10 KEN POWE - Above The Clouds
08:06 RJC (Rhythm & Jazz Coalition) - Best Part
08:00 CHRIS STANDRING - Liquid Soul
07:58 GREGG KARUKAS - London Underground
07:53 KONSTANTIN KLASHTORNI - Stylish Walk
07:48 KEN NAVARRO - A World Of Our Own
07:44 ADRIAN CRUTCHFIELD - Lover
07:41 CHRIS BIG DOG DAVIS - It's All Love
07:37 NICK COLIONNE - Got to Keep It Moving
07:33 ROBERTO RESTUCCIA - Arrival
07:29 AL DEGREGORIS - Cookie Jar
07:22 EUGE GROOVE - Love, Passion And Joy
07:19 CHAZZY GREEN - Because of You
07:15 JACKIEM JOYNER - Share My Tears
07:09 THE ALLEN CARMAN PROJECT - Hearsay
07:04 AVENUE BLUE - Just Goodbye (feat. Jeff Golub)
07:00 GABRIEL MARK HASSELBACH - Chill@Will
06:56 ALEXANDER ZONJIC - Rolling in the Deep
06:52 KEN POWE - Wish You Were Here
06:48 ELENA IOUROVA - Autumn Leaf Fall Again
06:44 GREGG KARUKAS - Too Cool (To Be Hot)
06:40 KONSTANTIN KLASHTORNI - Made a Way
06:36 CHRIS STANDRING - Love and Paragraphs
06:32 KEN NAVARRO - Wake Up Call
06:27 ROBERTO RESTUCCIA - That's It For Tonight
06:23 STEVE COLE - Bright Side
06:18 NICK COLIONNE - Only 2CU Smile
06:14 KENNEY POLSON - Innocence
06:09 PATRICK BRADLEY - Meant to Be (feat. Darren Rahn)
06:05 CHAZZY GREEN - At My Place
06:00 EUGE GROOVE - Faithful Central
06:00 BE'NE MUSIC - Gold Finger
05:55 GABRIEL MARK HASSELBACH - Litmus Test
05:51 JACKIEM JOYNER - Step With Me
05:46 KIM WATERS - Dreaming of You
05:42 AL DEGREGORIS - East 86th
05:38 THE ALLEN CARMAN PROJECT - Carmanology
05:33 KEN POWE - First Love
05:29 AMANDUS - Enjoy
05:25 ROBERTO RESTUCCIA - Liquorice Pizza
05:20 GREGG KARUKAS - Chasing The Wind
05:16 KONSTANTIN KLASHTORNI - Too Much Heaven
05:12 CHRIS STANDRING - CS In The Sunshine
05:07 KEN NAVARRO - In My Wildest Dreams
05:03 STEVE COLE - Woman's Gotta Have It
05:00 NICK COLIONNE - Some Funky
04:56 CHAZZY GREEN - Let's Go Home
04:52 BRIAN SIMPSON - Because of Love
04:49 BE'NE MUSIC - Just You Just Me
04:44 GABRIEL MARK HASSELBACH - Presence of Mind
04:38 EUGE GROOVE - Old.Edu (Old School)
04:33 PATRICK BRADLEY - Exhale
04:30 JACKIEM JOYNER - Treasure
04:25 KIM WATERS - Bring It
04:21 ROBERTO RESTUCCIA - 1985
04:16 AL DEGREGORIS - Times and Travels
04:13 LE JAZZ COLLAB - On the Tap
04:09 DEE LUCAS - The Time Is Now
04:05 DOMINIC CAMARDELLA - I Long 4U
04:00 GREGG KARUKAS - Riverside Drive
04:00 KONSTANTIN KLASHTORNI - Irresistible
03:55 THE V.I.P CLUB - Night Move
03:51 KEN NAVARRO - The Meeting Place
03:47 CHRIS STANDRING - As Luck Would Have It
03:43 CHAZZY GREEN - Work 2 Do
03:39 STEVE COLE - Soho
03:34 BE'NE MUSIC - 120 East
03:30 GABRIEL MARK HASSELBACH - Chill@Will (Raincoast Mix)
03:25 EUGE GROOVE - Hey Hey Lil' Lilah Belle
03:21 ERIC DARIUS, NORMAN BROWN - Just For The Moment
03:16 AVENUE BLUE - The Conversation
03:12 ROBERTO RESTUCCIA - With Every Turn
03:08 THREESTYLE, MAGDALENA CHOVANCOVA, ROBERT FERTL - Better Days
03:04 BRIAN CULBERTSON - That's Life (feat. Earl Klugh)
03:00 MARION MEADOWS - Dreamin
02:56 JACKIEM JOYNER - Unforgiven
02:52 3RD FORCE - We Should Be Together
02:48 GROOVE 55 - Brothers
02:44 DEAN JAMES - GroovySax
02:39 R.L. WALKER - Memories Kept
02:35 REBECCA ANGEL - Just the Two of Us
02:30 SAN GABRIEL SEVEN - Moment by Moment
02:26 ROBERT HARRIS - Sign of the Times
02:22 AL DEGREGORIS - All in Good Time
02:17 TIM BOWMAN - Soul Dream
02:12 KEN NAVARRO - In The Sky Today
02:08 NICK COLIONNE - Still Connected
02:04 LES SABLER - Tranquility
02:00 KONSTANTIN KLASHTORNI - If I Told You
01:57 CHAZZY GREEN - It's Time to Play
01:53 MARION MEADOWS - Samba De Playa
01:48 BE'NE MUSIC - Rock Steady
01:43 DANNY LERMAN - No Ordinary Love
01:38 DARREN RAHN - Give 'n' Take
01:34 KIM WATERS - No Sleeep
01:30 PATRICK BRADLEY - Lighthouse (feat. Allen Hinds)
01:25 GREGG KARUKAS - You'll Know it's Me
01:21 BRIAN CULBERTSON - Go
01:16 EUGE GROOVE - Sunday Morning
01:11 BLAIR BRYANT - Catamaran
01:08 JACKIEM JOYNER - Too Good At Goodbyes
01:04 KEN NAVARRO - Summer Smiles
01:00 FREDDIE FOX - Expression Of Love
00:56 ROBERT HARRIS - Easy Like Sunday Morning
00:53 DAVE SERENY - Talk To Me
00:49 MARION MEADOWS - Consequences
00:43 CHAZZY GREEN - Love to Be With You
00:39 2UNES - Rain Forest
00:35 GABRIEL MARK HASSELBACH - Vanishing Summer
00:31 DESMOND MEYER - Lickamore
00:27 GIL - You & Me
00:23 AL DEGREGORIS - Hey You
00:18 LES SABLER - Esselle's Dance
00:14 TIM BOWMAN - Boss
00:08 KIM WATERS - 95 North
00:03 KONSTANTIN KLASHTORNI - Silky Way
00:00 STEVE COLE - Let's Go!
I’m really into this one’s groove. Like a strange shambling street parade. Something you stumble into in some seaside town. Everything’s washed in a pale haze, the background lost in mist. Music for murmuration. Do starlings know the shapes they make? Do you know where you’re going? Away from the sea. Into the hot dark. Into the heart of it.
Or something like that. idk. Shimmy shake with the heebie jeebies.
Across their self-titled debut effort, Newark, NJ based duo The Jack Moves captured the duality of the city’s existence, from the crummy and rude glory hole bandits of Penn Station to cherry blossom park lovers north of the city. The seaside soul meets skate-punk funk narrative was artfully carried forward on the band's sophomore offering Free Money, which was named one of 2018's best albums of the year by KCRW.
Once again it’s on… after a stint stuck in solitude, The Jack Moves are back in the ring. Still in love, but not falling. This time, they’re the prize. This go-round, they’re coming out swinging, not too cute for a scuffle. Still cruising, but now it's for a bruising. Legendary producer/arranger Paul Kyser dubbed The Jack Moves “the baddest band in New York City," and they sound every bit of it on their third full length LP Cruiserweight.
Since that last outing, which included two cross-country road tours in 2019, Zee Desmondes and Teddy Powell have collected the experiences from their previous travels, and brought them back to home soil, where they would inevitably get deeper into their Jersey roots. To examine what distinguishes a city like Newark and a state like New Jersey from any other. How it’s become like an alternate dimension, somewhat stuck in the past, but simultaneously far off into the future. To further connect with an unusual cast of characters, and translate their passion and mysticism into song. Still dripping with hard soul, but not quite as obvious to categorize…
With Cruiserweight, The Jack Moves take a cinematic approach to song making. Each tune is a vignette, where the fellas get deep into character, to deliver essential parts of the story. As the plot thins and thickens, we’re treated to the sound we’ve come to love, along with a few new card tricks brought to the table.
With its infectious, ebullient hook and jaunty flute, lead single “Somebody's Watching You” might seem like a sweet paean to longing, to desire—but it's also an ode to looking in its many forms, to the interplay of gazes online and in real life, to observing, being observed, and performing for the eyes of others. Follow up single "Seabra" is a breezy and romantic, mid-tempo ballad, calling back to Philly soul acts like Teddy Pendergrass or Harold Melvin & The Blue Notes, but infused with a sweet Brazilian samba rhythm, à la Astrud Gilberto and Antonio Carlos Jobim. The Jack Moves enable disparate elements to coexist within sweet soul/R&B, much like the Brazilian community in their home-base of Newark has become an intrinsic part of the city's character. “Lionel Richie” is a hard soul banger, complete with throbbing bassline, menacing drums, luscious string and horn arrangements and cocky vocals. The song is reminiscent of The Ohio Players and Rick James funk, or INXS dance-rock if spun at one of David Mancuso's infamous ‘70s parties at The Loft. It's a distinctly east coast R&B sound, but able to sit comfortably alongside a contemporary outer-regional song like "Am I Wrong" by Anderson .Paak & the Free Nationals, or joints by artists like Bakar and Frank Ocean. Imagine a steaming subway commute through the bowels of the city, to emerge into the powder keg that is NYC… ‘Lionel Richie' is that energy. Perfect for modern and nostalgic soul, funk, boogie, rare groove, and disco playlists.
Overall, Cruiserweight is a potent dose of everything we've come to know and love from The Jack Moves, from the sweet soul of "When You're In Love" to the rock & roll tinged "Gatti vs Ward," but with a noticeably more dynamic range. With this record, The Jack Moves promise to strengthen their foothold within the current musical landscape, occupying greater space across genres, and taking significant steps forward into this next chapter.
In 2022 The Jack Moves have toured with Thee Sacred Souls, Ghostfunk Orchestra and Weapons of Mass Creation. They’ve been sampled on songs featuring Ghostface Killah and Conway the Machine, and have performed at Brixton Academy, Red Rocks and Billboard Live in Tokyo. Their singles “Somebody’s Watching You” and “Seabra” can be heard on Morning Becomes Eclectic. For those who may have contemplated betting against The Jack Moves… you might be stupid, but don’t be crazy!
Cruiserweight will be available October 14th 2022 on Digital and CD with the 1st vinyl pressing due August 2023 クレジット2022年10月14日リリース
Produced by The Jack Moves
Engineered by Z. Desmondes
Strings/Brass/Wind/Harp Engineered by Chris Gilroy
Mixed by Chris Gilroy
Assisted by: Angelo De Filippis, Matt Huncke, Jacob T. Kiely-Song
At Douglass Recording, Brooklyn, NY
Mastered by Alex DeTurk at Bunker Mastering
Recorded at
Arranged by Paul Kyser
Published by Indpependent Champion
Artwork by Alehsi Lambo
(p) & (c) 2022 Everloving, Inc.
2658 Griffith Park Blvd. #115
Los Angeles, Ca. 90039
All rights reserved
Ezera Fell has returned to the town where she’d spent her summers growing up – seaside Tadfield, where the slogan is “Everyday is a Holiday” and the perfect escape for a recent divorcee like herself. But she isn’t just here for holiday or to “get her groove back”; she’s inherited her late aunt Agnes Nutter's bed and breakfast and is determined to restore it to its former glory. She’s consulted the help of the best gardener in town, except there’s one issue: he’s Anthony Crowley, the same man she serendipitously had a one-night stand with while on holiday in Paris. Will the sparks fly now that they’ve been reunited, or fizzle out?
Written for the "Miss Fell's Summer Holiday" event.
Words: 3931, Chapters: 1/11, Language: English
Fandoms: Good Omens - Neil Gaiman & Terry Pratchett, Good Omens (TV)
Rating: Explicit
Warnings: Creator Chose Not To Use Archive Warnings
Categories: F/M, Multi
Characters: Aziraphale (Good Omens), Crowley (Good Omens), Anathema Device, Newton Pulsifer, Hastur (Good Omens), Madame Tracy (Good Omens), The Them (Good Omens), Beelzebub (Good Omens), Gabriel (Good Omens)
Additional Tags: Female Aziraphale (Good Omens), Male Crowley (Good Omens), South Downs Cottage (Good Omens), One Night Stands, Strangers to Lovers, Strangers to Friends to Lovers, Aziraphale Has a Vulva (Good Omens), Crowley Has a Penis (Good Omens), Gardener Crowley (Good Omens), Oral Sex, Age Difference, Older Woman/Younger Man, Consensual Sex, Summer Romance, Alternate Universe - Human, Light Angst, Minor Character Death, but happens before the fic, Other Additional Tags to Be Added, Magical Realism, If You Squint - Freeform, Fluff and Smut
From https://ift.tt/3yDrT2m
https://archiveofourown.org/works/40725699