THEY EDIT FINE THINGS WELL: OFMD KISS AND KNIVES SCENES (S1 E9 & S2 E3) COMPARISON
Marveling at the OFMD editors who did so much more than just reuse Schumann’s Kinderszenen, Op. 15: VII. And Erik Satie’s Gnossiennes No. 5 from the season 1, episode 9 kiss scene in the season 2, episode 3 knife pulling scene.
Unedited audio from both episodes plays simultaneously in this comparison video. Take a look and a listen at what happens, with Gnossiennes No. 5 from 0:15 to 0:52. The music is playing twice, but you only hear it once because it matches perfectly. The way the verbalizations and dialogue work together are the kill-me-now gut punch taste-of-orange frosting on the best cake ever.
Why did JP called Susie and Eddie sticky heads when he arrived at the Manor the next morning? Was it because Susie and Eddie were kissing or sth on that couch or because they were supposed to have a hungover?
I am not a native speaker so I wondered if ‘a sticky head’ is an expression I am not familiar with.
season 5 is going to be the year of adrinette i can feel it in my bones. win after win for me personally. every new episode will only make me more powerful physically mentally emotionally etc. what i am trying to say is congratulations in advance to me
Am I bringing up this debate again? Yes, yes I am.
Do you realistically think Byler could/will have an implied sex scene in S5? Why or why not? Like in all honesty, I know this is a huge NONO topic but I want to know what ppl think.
lol
Hello Nonnie!
This is not a NONO topic for me at all.
But no, in all honestly, I don't realistically think there could/will be an implied sex scene in season five for byler. Or possibly any other characters honestly. other than maybe a jopper waking up in bed scene etc.
I don't think this is because things won't be happening with byler, but I honestly just don't think there will be time. There's going to be so much happening, so much plot they're gonna have to get through, so much love stories and loose ends and the vecna/end of the world of it all.
Do I think there will be tension? YES. Do I think there will be kissing? YES. Could it even be hot and heavy? Sure. Otherwise? I'm no so sure.
The only way I could realistically seeing something happen is because of the end of the world thing and a possible want of losing virginity going on before they "die".
And of course I hope Byler happens, but honestly this could be a plausible plot line for Mileven too if that's the route the Duffers' decide to go.
Also, side thought, I think if anything with Will's plot line directly addressing his sexuality and therefore his wants and desires for Mike, a masturbation or implied fantasy scene is probably way more likely than a sex scene between any of the teens.
I feel like I’m being gaslit by people saying shit like ‘WWDITS better not pull the “one person in the ship gets abandoned after the possibility of running away together comes up” thing or I’m going to be upset’ because? They? Already did that? Like I understand the wound is fresh because of Good Omens 2 (and the resolution already HAPPENED in WWDITS compared to where OFMD and GO are now) but. Did. Did we forget this? The train station? Nandor’s desolate ‘Guillermoooooooo!?’? The suitcase? What is going on here lmfao?
hi welcome back to me once again screaming about our flag means death and its use of gnossienne no. 5. heads up for spoilers for the first three episodes of season two and each episode the theme pops up in going forward.
cool cool cool. so it's been established that gnossienne no. 5 is the love theme for ed and stede as it was used during many of the pivotal moments of their relationship in season one. I'll do a brief recap but for a post breaking that down more see this bad boy.
the main thing with my previous analysis is that the instruments and tone changed each time the song came in, sometimes being loud and brash, other times being a whisper in the back of a quiet realization. therefore, I was so incredibly excited to see if/when/how it made its reappearance in season two. below is a compilation I'll update with each episode .
episode one and two don't have any use of it as far as I caught on my first watch through. please let me know if you catch it!
episode three:
5:40 - when stede boards the revenge for the first time after ed destroys it. he's looking for his love and it makes sense that this would be our first instance of the song in the season so far. however, the slow and almost hesitant piano of the song is cut off by the sheer destruction of the ship. we know how much the revenge means to stede, it was his lifeline and his home and the place he and ed found their love for each other. naturally it being destroyed would halt the music. it's also fun that we make it all the way to episode three without it appearing because that's when ed makes his first appearance in season one. good symmetry. good soup.
12:35 - when stede enters the captain's quarters alone to clean up the daggers the song comes in and we hear the iconic melody instead of just the notes leading up to it. he's fully allowing himself to stew in the mess the man he loves has made and how he's a direct cause of it. the main part starts as the camera shifts to a dagger right before stede pulls it out, perhaps indicating that their love has wounded them. he knows that ed is gone but the crew hasn't revealed where or why. the music then ends on a sour note and cuts out as izzy starts to speak, breaking the spell as he's confronted with the reality of one of the people who has been both complicit and victimized by ed's breakdown.
16:06 - as stede admits to zheng yi sao that he feels like he's the cause of ed's destructive streak and that he let him down, the theme once again comes in, this time softer than the previous two appearances in the episode. notably it's also piano, keeping in line the same tonal theme of simplicity and hesitance. it once again runs its course until an interruption happens with auntie bursting in to announce that she found "the jackpot" aka a dying ed stored in the secret room.
episode four:
00:00 - right at the start as ed is coming back to life. it ends abruptly as ed hits stede in the face, showing us that things aren't going to be all lovey dovey.
26:05 - it starts as ed says "buttons, people don't change" (before buttons turns into a seagull, proving this to be false). this is a really important one for several reasons. the first of which being that stede has once again left him alone in the woods, but this time he comes back for ed. ed is confronted with change, assured by it, things can be better. the second and infinitely more exciting to me, is the fact that this version is played on the harpsichord. where did we hear the harpsichord version last? the bathtub scene of season one, when ed decides to change for the first time. when he trusts stede to change with him.
episode five:
26:03- "you wear fine things well" part two. y'all. Y'ALL. it's the same exact version as the first time this scene happened. the critical difference is that they're experiencing it as reality and not a lovestruck delusion. they're flawed and fucked up and the moon isn't as full but the song is still the same. they're still in love.
episode eight:
12:10 - "I feel it in my soul, a love like ours can't disappear in an instant" Y'ALL I FUCKING CALLED IT I KNEW WE'D GET A BIGGER ORCHESTRATION OF THE SONG. we have strings as well as the piano and the theme is joyful and beautiful and reflecting that ed finally admits to himself that he loves stede. this is it. I'm buying dinner and going feral as my original tags promised. y'all this season was a doozy and you can best believe that if we get a season three I will be losing my noodle on how they decide to orchestrate the final usage of this song.
BITCH FIONNA AND CAKE JUST FiNISHED ONE WEEK AGO AND THE SEASON 2 OF OFMD IS ALREADY STARTING???????
STOP IT!!!!
DUDE HOW IM SUPOSED TO GIVE MY UNDIVIDED LOVE AND ATTENTION TO ALL MY HYPERFIXATIONS IF THEY ALL JUST SLAP ME IN THE FACE ONE AFTER THE OTHER WITH 0 TIME TO RECOVER FOR THE NEXT SLAP?????
FIRST IT WAS ALL THE HYPE FOR THE 60TH DOCTOR WHO ANIVERSARY, THEN GOOD OMENS 2 AND WHAT WE DO IN THE SHADOWS SEASON 5 ,THEN FUCKNG FIONNA AND CAKE AND NOW OFMD 2???????
SLOW DOWN BITCH WTFFFFF. I CANT GIVE THE AMOUNT OF ATTENTION I WANT TO EVERYTHING AND ENJOY IT AS LONG AS I NEED IF THESE FUCKING SERIES DONT FUCKING COOPERATE WITH ME.