Whumptober #28
This is an AU based on the 2009 film Push. So, The Man From UNCLE but with super powers!
xxx we might not make it to the morning
“Ah, there you are. I was wondering if you’d come.” One corner of her mouth is upturned, and there’s nothing in Victoria’s tone, in the way she speaks, that’s out of the ordinary. And yet…There’s something there, something that tickles the back of Napoleon’s mind and then disappears the moment he reaches for it, like grasping at smoke.
It unsettles him, even as he puts on a false smile of his own, calm and full of charm. “How could I not? When a stunning woman such as yourself extends an invitation, one would be a fool not to accept it. I brought champagne.” He lifts the bottle slightly, and she steps out of the doorway so Napoleon can enter the suite, closing the door behind him. Napoleon sets the champagne down and turns to Victoria with one eyebrow quirked. “So what is it you wanted to discuss? An art deal, perhaps?”
Victoria grins broadly, showing pearly white teeth that remind Napoleon of a wolf’s, and she lets out a laugh. “Come now, Napoleon. Neither of us is that naive, so let’s not pretend.”
Napoleon’s stomach ties itself in knots at the use of his real name, but he’s careful not to let his shock show. His cover is blown, but he has to keep his head. “Damn,” he says. “I thought I was doing so well.”
“Oh, don’t sell yourself short, Agent Solo. You were doing very well!”
“What, so you found a Watcher, then? A Sniff?”
The woman watches him out from under heavy, dark lashes. There’s something predatory in her gaze, and Napoleon feels the hair on the back of his neck stand up. His strategy shifts immediately from gathering what intelligence he can to finding a way out of here, now.
But then…she speaks. And realization barely has time to hit him before her words crash over him and into him, entangling her lies with his reality.
“You really shouldn’t trust that big Russian ape, you know.”
Napoleon frowns. She’s only barely started to Push, and the contradicting thoughts in his mind confuse him. Surely she can’t mean…“Illya?”
“Kuryakin, yes. He’s still working with them. It’s dreadful, really, the way he’s using you and dear little Gaby. Playing you for fools.”
Confusion slowly turns to anger, and Napoleon feels his hands curl into fists. “I’ll kill him.”
He doesn’t notice Victoria’s amused smile, or the blackness of her eyes. “Now, there’s an idea. He’ll see you coming, though. The man is tracking you, after all.”
Napoleon’s thoughts are heavy and plodding, like there’s weights around their ankles, and it takes him a long moment before he says, “That’s impossible. I check my clothes, and my shoes.”
Victoria sighs, walking past Napoleon and to the nightstand next to the bed. He turns to watch her. “No, no darling. You misunderstand me. He didn’t place the tracker on you, did he? He planted it in you, in your belly.”
Napoleon’s heart rate picks up, hands breaking into a sweat. His head hurts. This doesn’t seem right, but she’s said so and--
“The bastard,” he says.
“Indeed.” She opens the nightstand drawer and pulls something out, lifting it to show him. A small paring knife. She places the point against the tip of her finger and looks at it thoughtfully. “If you want to kill him, which you do, you’ll need to get that pesky tracker out first and destroy it.”
A tracker, a Russian tracker inside him all this time, Kuryakin and the fucking KGB aware of his every move, his every secret…All of it lies. His trust given to the enemy, to a man who’s needled his way into his life and used him.
He needs to get the tracker out and smash it to pieces. And then he needs to find Illya and smash him to pieces, too.
Victoria closes the space between herself and Napoleon and reaches up with one hand, gently running the back of her long fingers down his face, lingering at his jaw.
“I’d love to stay and watch, I really would, but unfortunately I’ve more important matters to see to. Much less entertaining, though. Pity.” She sighs wistfully and holds out the knife. “You’ll need this. A bit short, but it’s sharp enough.”
Napoleon takes the blade from Victoria and she plants a kiss on his lips, lingering a long moment before she pulls away with a smile.
“Goodbye now, Napoleon. We shan’t be seeing each other again, I don’t think. And do be quiet, we don’t want anyone coming in here and trying to stop you.”
Napoleon nods idly, staring down at the small weapon he’s been handed as Victoria leaves the suite.
The agent turns the knife in his hand so it’s pointed toward his belly. His body’s instinct to survive is shouting at him, trying to seize control of his limbs. But there’s a tracker inside him, put there by a man who has lied to him, violated him, betrayed him. And he needs to get it out. He has to. Mind overrides body and he drives the knife forward, plunging it into the right side of his torso, halfway between ribs and hip. The pain pulls the breath out of him and the blood is instant, welling up around the blade and soaking his crisp, white shirt. He’s on the floor before he knows he’s falling, sitting on the carpet against the settee, his legs outstretched before him. His heart pounds in his chest, in his ears, as he starts to pull the knife to the left (the woman wasn’t lying, the knife is sharp) and his hands begin to tremble as more blood spills from him. His body shakes as he continues, quaking with the effort of containing the screams that want to erupt from him--screams of agony, of hurt, of rage. He doesn’t let them out though, he can’t. Only the occasional whimper or groan slips through his lips, though the sounds are quickly stifled. Mostly he gasps, rapid, sharp breaths through flared nostrils, his mouth drawn into a thin grimace.
He wants to stop.
But then Victoria’s voice again, and her words push every other conscious thought aside so that he’s focused only on his task. To get the tracker out.
He’s shaking so badly he can hardly hold the knife, so he wraps his left hand around his right and then he keeps moving. He doesn’t think about the fact that his lap is becoming increasingly wet and warm as blood spills from the lengthening split in his belly. Doesn’t think about the fact that, despite the sweat on his forehead, he’s growing colder.
He has to get the tracker out.
And then he’s going to kill Illya Kuryakin.
xxx
They don’t wait for the girl at the front desk to give them a key. They don’t have the time, and Illya can blast the door open anyway, and does so with more strength than Gaby has seen in a while, nearly knocking it from its hinges. He bursts into the room and then freezes so abruptly that Gaby runs into the back of him.
“Illya!” she gripes, and steps out from around him and then she freezes, too. “Mein Gott.”
Napoleon is on the floor, slumped against a settee, his face shiny with sweat and a sickly shade of gray and there’s blood, there’s so much blood all over his front and his hands and the white carpet beneath him and she’s seen a lot since working with Waverly but this…Bile rises in her throat and she has to turn away, doubling over and clutching her stomach and waiting for the moment to pass. This seems to rouse Illya from his daze and her charges forward.
“Cowboy!” he cries, and Gaby looks up in time to see the Russian fall to his knees beside the agent. He’s muttering in Russian, words too low and fast for Gaby to understand but she thinks he may be praying as he puts two fingers to Napoleon’s neck, searching for a pulse.
“Is he--”
“He is alive,” Illya says. “Go find clean towels, we must try and control the bleeding.”
Gaby nods, hurrying off to the bathroom, and she’s grateful to have a moment to herself, to collect herself as she collects the towels. She’s strong and Napoleon Solo is strong and it’s going to be okay.
That’s when the shouting starts.
She hears Illya first. “Solo, what are you--You are badly injured you must--”
And then Napoleon, and the tone in his voice sends ice in her veins.
“Get the fuck off me, I’ll kill you!” There’s a tiredness in his voice, a slurred quality to his words that she knows comes with being badly hurt, but even so the words are laced with fury and hatred and she hurries back to the two agents.
Napoleon has a knife in his red-with-blood hand, holding it up in front of him, and Gaby can see it shaking. Illya is a step back, hands up in a gesture of retreat, face twisted in hurt and confusion.
“Napoleon!”
Gaby’s cry gets his attention and he looks over at her, then down at his belly. “I have to get it out. Gaby, I--I have to get it out!”
And then he’s aiming the knife at himself, moving quickly but Illya is quicker and grabs both his wrists. The knife clatters to the ground and Napoleon’s face darkens with rage.
“Cowboy, it’s me!” Illya cries. “You’re badly wounded, we have to get you to help, do you understand?”
“You’re a liar,” Napoleon snarls, jerking slightly as he tries to free himself from the Russian’s grip. The action is quickly followed by a sound of pain and his eyes squeeze shut.
“Illya, let him go,” Gaby says, barely keeping her voice from shaking. “He’ll hurt himself more trying to fight you.”
“He will hurt himself anyway if I let him go.” There’s desperation in Illya’s voice, written on his face and in his body, in the uncertainty that is as plain in his grip as the strength. “It--it is bad, Gaby. The towels--he needs the towels.”
Gaby nods, kneeling beside the two men and it’s only then, with the blood on the carpet soaking through the knees of her trousers, that she fully takes in Napoleon’s injury. It’s nothing short of ghastly--a long, ragged cut running from one side of his belly to the other. It's hard to tell but she notes that there doesn't seem to be anything other than blood spilling from the gash. It offers some comfort, but not much.
She’s seen what a powerful Pusher can do, and Victoria is obviously not short on power. It’s plain that Napoleon doesn’t have much strength left in him, but whatever she’s planted in his mind is compelling him to use every ounce of it acting on whatever she’s told him to do, even if it kills him.
She positions herself next to Illya, who’s still holding Napoleon’s wrists, and presses a towel to the long gash, and another, and it’s obvious that he’s in agony but he doesn’t scream, just writhes weakly and lets out small, hair raising whimpers.
“We can’t move him like this,” Gaby says. “Maybe if he were calm, but he is bleeding too much and there’s no way he’ll let you get him out of here. He needs a Stitch. You know one here in Rome, don’t you? Go make the call.”
Illya’s jaw works, eyes growing watery, and he shakes his head once. “I will give you the number. I won’t leave him.”
“You have to!” she snaps, then sighs. “Illya, you have to.”
He reluctantly releases his hold on Napoleon, who immediately reaches for the towels Gaby’s holding against his wound. He’s weak, though, and Gaby easily stops him, taking his bloody hands in hers.
“Go!” she barks, and Illya hurries away.
“He--he--” Napoleon gasps, looking at Gaby with eyes wide and wild.
“What is it, Solo?” she says gently, hoping that she can coax something out that will help her deal with whatever lies Victoria has forced on him.
“He lied to us. The--the--the bastard! Put a tracker in me…I have to get it out.”
So that’s what Victoria told him. She has to think quickly.
“You did!” she says, and his brow furrows in confusion.
“What?” His hands relax in hers, just slightly.
“You already got it out,” she says, slowly releasing one of his hands and waiting for a moment to make sure he doesn’t try and hurt himself again. Then she reaches into her pocket and draws out one of the beads from her broken bracelet and holds it up. “See? It was on the floor, you must have missed it. You already got it out.”
He still looks slightly bewildered, but he nods slowly. “I got it out,” he murmurs, and lets out a long sigh, and as he does his eyes drift shut and his head dips down toward his chest.
“Solo!” Gaby puts her hand on his face, tilting his head upward. Her already hammering heart beats so fast that it aches, with fear, with desperation. A Stitch can’t help a dead man. “Solo, come on. You have to stay awake until help comes. Napoleon!”
She almost weeps with relief when she hears Illya’s voice in the hall, and he appears a moment later, a short, harsh-looking older woman in tow.
“Christ, that’s a lot of blood,” she says in a thick Dublin as she sets eyes on Napoleon. “Is he still breathing?”
Gaby nods. “He’s alive.”
“Alright, help me get him onto his back.”
Illya and Gaby move quickly and carefully, shifting Napoleon so that he’s lying flat on his back on the blood-soaked floor. The woman places her hand on Napoleon’s belly, one on either side of the wound. She glances up at Illya.
“Your friend is about to make a lot of noise. Might bring some unwanted attention.”
“I will deal with it, Brigid,” Illya practically growls. “Just help him!”
Brigid nods and slowly starts to move her hands. Gaby watches in fascinated horror as the torn flesh deep within the wound begins to knit. As it does, Napoleon stirs, just a little at first, a pained whimper escaping his lips. Whimper becomes groan, and he writhes under Brigid’s hands, and then his back arches and he screams and the sound makes Gaby’s stomach churn. Brigid doesn’t seem phased, barely even seems to notice, just continues her bloody work. Gaby has to blink back tears and she looks up to see Illya doing the same, the big Russian’s jaw tense as he stares up at the ceiling while Napoleon cries out.
And then it’s over and Napoleon’s body goes limp, sweat beading his forehead as his head lolls to one side, his breath coming in high, breathy gasps.
“Boy’s just been through hell,” Brigid says, standing. “But he’ll be back on his feet in a few hours.”
“Thank you,” Illya says. “Thank you.”
Brigid just nods. “You owe me one, Kuryakin.” And she leaves the apartment without another word. Illya watches her go, then turns to Gaby.
“Are you alright?”
“I’m fine. Are you?”
Illya sniffs once, looking away, then looks back at her. “The way he spoke to me…He was so angry.”
There’s a noise in the hall and Gaby swears under her breath.
“Illya, we need to get him out of here.”
“He does not trust me.” Illya’s voice is small. Broken.
“We’ll figure it out,” Gaby says softly.
Illya nods, his expression darkening. “And then we find Victoria.”
“And then we find Victoria,” Gaby agrees.
It doesn’t matter how powerful Victoria Vinciguera is. She’s going to pay for this.
xxx
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febuwhump day 12: "can you hear me?"
episode: Biogenesis | tw: self injury | teen and above
I’ve known she was coming. I could hear her, against the background of voices and noise and information, a familiar undercurrent to the crashing, rolling surface. Scully.
Now she’s close, getting closer. I want to get up, want to meet her at the door and hold her against me, but I’m scared. The doctors think I’m dangerous. They think I’ll hurt them, think I’ll hurt Scully, and even though I don’t want to, I’d never dream of hurting her, I don’t know if I can trust my body right now. It moves without me wanting it to, and doesn’t move when I do. I can’t trust myself, not like this.
“Mulder.” She sits down across from me, almost close enough to touch. “Mulder, it’s me. Can you hear me?”
I can hear her. In more ways than one.
God, he’s so weak, and he looks so scared, so afraid – afraid of me? Does he trust me? Why didn’t he call me, why didn’t he tell me what was happening, why did he call her – no, not the time, not now, he’s in pain and he needs you and you’re his partner – and he screamed for you, he screamed your name, he knew you were here, he knew… god, Mulder, what’s happening in your head?
The pain is back. It’s too much, far too much, to hear every thought and feel every sensation and see every image from someone else’s head as well as my own. My close to block it out. I see, through Scully’s eyes, my hand close into a fist and start to thump against the side of my head.
“Mulder!”
She wants to jump in and grab me, make me stop, but she’s too scared of what I might do to myself if she touches me without warning. I feel the conflict within her, know what she’s going to say before she says it.
“Mulder, please, I know you’re in there. I need you to stop hurting yourself.” Baby, she adds in her head. It very nearly reaches her lips.
I want to listen to her, I want to stop, but I can’t feel my body. I can’t control it. And that makes me angry. I see myself moving, moving towards Scully, and hear her: oh, Mulder, no, please, they’ll take me away from you, but she doesn’t move, and then I’m closer to her, fists clenched and jaw tight, and she looks into my eyes –
Where are you, Mulder? How do I get through to you? I’m so sorry, I’m sorry I left you with her, I’m going to keep you safe –
And she’s imagining, now, which is blurrier than reality, but still enough for me to see – she’s imagining us somewhere warm and safe, me in her arms, pressing her forehead to mine and wrapping her whole body around me, kissing me – kissing me? – softly, so, so softly, and everywhere I look in her head it’s safety and warmth and love, all aimed at me.
In the real image of me, my body relaxes, and I sway towards her – she reaches for me – that’s it, Mulder, it’s me, it’s okay – and then the door opens.
No, not yet, I need more time, don’t –
There’s more voices, now, more thoughts, more images, and it hurts so bad, and as if through a twisted kaleidoscope of different colours and angles I hear all of them hear me moaning and see them watch me lash out at all of them. And they’re taking Scully away, Scully’s leaving, and I force her name out again, push my own thoughts past the roar of them in my head.
She hears me, but can’t turn around, isn’t allowed to come back to me. She wants to, though – I can still hear her, fading into the undercurrent again but not disappearing, even as she’s taken away.
Fuck’s sake, why won’t they just – he wasn’t going to hurt me, he’d never hurt me, he just wanted – I don’t want to leave him, don’t make me leave him, I need him to know, I need to tell him – you could’ve told him, but you’re too scared to – I shouldn’t have gone, he thinks… god knows what he thinks. Oh, god, Mulder. Mulder please don’t leave me. Please hold on.
@today-in-fic
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