So I mentioned glaze issues from my last kiln firing & here's one of them. I am SO GLAD that I followed my gut* & tossed these selkie sculptures onto little trays at the last minute because two of them stuck and would have messed up my kiln shelves if they had been tray-less!!!! TERRIFYING!!!!
Thankfully I can most likely dremel off the glaze drips from the two that stuck and free them from these ugly slapdash trays (a bunch of pals on insta suggested I leave them like this & make them trinket dishes, but I can't emphasize enough how unpleasant these trays are, being plain unglazed/unrefined clay that's been toasted in multiple firings). Stay tuned for news on how the stuck selkies fare!
*by 'followed my gut' I actually mean a combo of that + knowing that one of the glazes on them has crystals that make those rad spots but also make the glaze run more in the kiln, so not letting them go straight on the kiln shelf is probably always the best move
Here's my latest comic, Seal the Deal! Based on this post.
If Kleo and Aisling sparked joy I could be convinced to make more parts if they get enough love, I have a lot of little adventures as they navigate being suddenly married bopping around in my head.
For a few of us, monsterfucking is never about kinking over some creature having you in all the ways possible.
It is about letting yourself being vulnerable and fragile and emotional with someone that's supposed to hurt and kill you, but instead just worships you and cares about you for being just like them:
Being shamed over the looks you've never asked for, but having the heart and sould only a few could understand.
Monsterfucking/Exophilia etc isn't just about an unusual kink.
It is OUR way of telling Beauty and the Beast, because we can see the good in them, because we all wanted for them to see the good in ours.
Aisling and Kleo return when Kleo realizes that marrying a wet lady she just met was perhaps an impulsive decision. I wanted to explore that conversation.