Tumgik
#sensitive fern
rabbitinthemeadow · 21 days
Text
Tumblr media Tumblr media
Oh dreadful, fallow heart // Part 13
January 28th, 2023
57 notes · View notes
Text
Tumblr media Tumblr media Tumblr media
Sensitive fern (Onoclea sensibilis), named such because of how sensitive it is to frost
Patreon | YouTube | Twitter | Shop
75 notes · View notes
thebotanicalarcade · 3 months
Video
n156_w1150
flickr
n156_w1150 by Biodiversity Heritage Library Via Flickr: Beautiful ferns from original water-color drawings after nature /. Boston :D. Lothrop and Co.,1882, [c1881].. biodiversitylibrary.org/page/48314886
2 notes · View notes
Photo
Tumblr media
Sensitive Fern by zachbaranowski on iNaturalist.
This work is licensed under CC BY-NC-ND 4.0.
23 notes · View notes
deathtek · 2 years
Text
Tumblr media Tumblr media
5/12/22
4 notes · View notes
Text
Tumblr media
Onoclea sensibilis
1 note · View note
New Plant!
1. Sensitive Fern
Tumblr media
0 notes
Photo
Tumblr media
Creative Gardens, 1986
886 notes · View notes
fourthapprentice · 7 months
Text
in a similar vein to my last post, i’m never surprised when someone i know is outed as being a piece of shit human because they usually didn’t treat me very well anyway??
0 notes
peachpaws0 · 1 year
Text
I hate rsd in general but rsd relating to my interests is so much worse because it’s like, damn this random person doesn’t like this character you love? Get ready to feel like you’ve been stabbed in the chest for the rest of the night :))))
1 note · View note
captainfern · 6 months
Note
Fern I beg youuu make Graves to overstimulate reader 😭🙏 It can be short but I want it nastyyyyy. Pleaseeeee 🙇‍♀️
graves is just too fine to pass up on this
18+, fem!reader
graves had you laid out across his bed, your thighs spread and chest heaving, moan after moan falling from your lips, stringing into whimpers as he rutted into you, grinding his hips against yours
you’d already come four times, and were hurtling towards a fifth, graves’ pelvis circling against yours, dragging his cock deep inside you, pushing up against the base of your cervix
god, he was loving the sounds you were making— breathy, high-pitched moans as the head of his fat cock ground up against that spongey spot inside you, your back arching off the bed. your whimpers, so desperate for him and his cock, made him throb inside you
“graves, oh my god— fuck, please, p-please, phillip, i need— fuck—” you moaned, eyes rolling in your head as graves snapped his hips and drove his cock harder into you
your arousal was smearing down your thighs, making you shiver and the wet, warm walls of your cunt were sucking graves’ cock in, milking it as you neared your fifth orgasm
“that’s a good girl, baby. my good fucking girl,” he grunted, one hand on your hip to pull your body closer to his as he fucked you. “takin’ my cock like you were fuckin’ made for it, ain’t that right, baby? this wet— god damn— w-wet fuckin’ pussy’s just suckin’ me in.”
each thrust was loud with wet squelches, your cunt dripping around him, leaving the length of his cock shining with your slick. you were covered in sweat, your breaths coming in pants as he fucked you closer to your fifth orgasm
graves groaned above you, reaching his free hand down to toy with your swollen clit, sticky with your previous orgasms. you were so sensitive, mewling and sobbing out as his fingers drew tight circles, his cock rocking deep inside you, filling you up so fucking good
“yeah, that’s it— that’s it, baby, gimme another one. gimme another,” graves uttered, a moan in his words as the tip of his cock knocked up against the plug of your womb. “come ‘round my cock. come ‘round my cock, mama, come on.”
“i can’t—!” you sobbed, body trembling, slick with sweat, your tummy hot and twisting with overstimulation. you were cut off by your own moan as graves’ thrusts deepened, a portion of his body weight pinning you down as he rolled his hips against yours
“yeah you can, baby,” he cooed, then released a deep moan before continuing. “just one more, you can do it. come ‘round my cock like a good girl.”
your slick soaked your thighs and the sheets below, your cunt spasming around graves’ cock, your orgasm pulling tight in the base of your belly. your legs trembled, clit pulsing with his fingers still rubbing it
your orgasm hit you, and you arched further off the bed, pussy tightening around graves’ cock as you let out a pretty moan. “graves—!”
graves moaned. “there it is. good girl, mama, ‘m so proud of you. ‘n now i’m gonna fill this pretty pussy, hm? how’s that sound?”
he knew you couldn’t answer him properly as you fizzled down from your high, your body alight. you whined at him, his cock bullying into your soaking wet cunt with faster thrusts. it didn’t take long for him to reach his peak with his hands squeezing your hips, his head dropping to kiss you deeply
he moaned into your mouth as he came, filling you. “fuck, fuck, holy fuck— yeah, take it, mama, m’fuckin’ comin’—“
1K notes · View notes
thebotanicalarcade · 9 months
Video
n114_w1150 by Biodiversity Heritage Library Via Flickr: Beautiful ferns from original water-color drawings after nature /. Troy, N.Y. :Nims and Knight,1887 [©1885]. biodiversitylibrary.org/page/51211625
0 notes
frannyzooey · 1 year
Text
Short Days, Long Nights: 1
Tumblr media
Joel Miller x f!Reader
Rating: none — I’ll change it to E when we get there (slow burn, forced proximity, age gap — no age actually mentioned but rather more implied, competence kink)
Summary: Part of a band of travelers, your party is slowly picked off one by one, until there are only two of you left. Finding an abandoned cabin in the woods, you decide to make camp there until you figure out your next move. As the seasons change, the nights get longer and longer…..
A/N: Thank you endlessly to @mourningbirds1 for the incredible feedback, beta, and comments. As always, I couldn’t do it without you. Thank you also to @write-and-buried for her TLOU knowledge and constant support, and @the-ginger-hedge-witch for reading this one over and making me confront how much Joel Miller has rotted my brain 😉 Enjoy!
SPRING
The copse of trees surrounding you is dense, and from the overgrown path you’ve been following by groove alone, you almost miss it. A flash of muted, dingy blue in a sea of green. 
“Hey,” you call to him. “What’s that?”
He turns, his features and body already taut with a practiced, ready tension and when he sees your face isn’t one of concern but rather curiosity, he relaxes. Walking over to you, he follows the line of your finger with his eyes. 
At first, he sees nothing. Just a wall of clustered vegetation: sturdy trunks that hide behind branches heavily weighted with rain, the floor beneath them obscured by ferns that brush against your legs and growth that softens your footsteps. His eyes catch on something too angular for the setting and he frowns, focusing on it. 
Barely visible in the distance and seen only through the filtered sunlight that catches the sharp edge: a moss covered roof. A structure, isolated like the two of you. 
He glances over at you for a moment, reflexively reaching back for his rifle. 
“Let’s take a look.”
Weapon out with his steps steady and slow, he approaches the cabin with a careful, defensive slink. As it slowly comes into view, you brace yourself for any type of movement. Second nature to now activate the constant thrum of self preservation inside you, you check for visible traps as you follow him, your eyes flitting between the building and the ground. 
A specific sort of tension fills the air when something is close: you know that feeling now, have become so sensitive that it can wake you from dead sleep the second you feel it. Like a sixth sense forced to emerge due to evolution, you focus on it and feel none of that tension here:  just the trilling sound of birds, the soft crunch of pine needles underfoot and the peaceful silence of total seclusion.
Joel catches your attention with the jerk of his head, motioning to stay close.
You approach the front of the cabin together. His hands white knuckle the gun, the butt tucked tight against the worn strap of his backpack where it curves around his shoulder and as his fingers flex in anticipation, you hold your breath. 
There is a weighted beat as you wrap your hand around the knob and turn. 
In the end, it’s all for nothing - the cabin you find, after roughly working the warped door open, is abandoned. 
It’s like a time capsule in the middle of the woods. 
A thick layer of dust covering everything, motes of it swirl lazily in the beam of Joel’s flashlight as you wander from room to room. His boots scrape against the floor with heavy footfalls, the two of you silently surveying the causally cozy and completely still disarray: a moth bitten handmade quilt thrown over the back of the couch, outdated magazines in a stack on the counter, cobwebbed toothbrushes by the bathroom sink. Bookshelves packed with faded spines, grime covered windows, dead plants in pretty pots lining sills. 
Someone loved this cabin once. 
Used to your partner through circumstance by now, you anticipate an order to scavenge for everything you can carry and then move on, so you’re surprised when he sets his pack down on the floor and lets himself fall back onto the couch. A cloud of dust bursts into the stagnant air, his hands coming up to wearily scrub his face. They rake through his damp, messy curls as he closes his eyes before laying his head back and letting out an exhausted sigh. 
“This should do for the night,” he says. “Could stay until the rain lets up, at least. Be nice to sleep on something other than the ground for a change.”
You nod in agreement, rolling out the kink in your shoulder you woke up with. Your eyes drift over the exposed line of his tanned throat, lingering on the hollow just above his collar. You force yourself to look away. “Yea, the beds didn’t look too bad.”
There had been two of them, across the hall from each other and the idea of a mattress - no matter how old - had you yearning to climb into bed already. Nothing saying you can’t, you reason with yourself. Not when time is more of a concept than anything else these days but the gnawing hunger in your stomach immediately disagrees, knowing exactly how long it’s been since you’ve last eaten. 
“I’m gonna go look for some food,” you tell him and he hums in acknowledgement, seemingly indifferent. 
Not really expecting to find anything of substance, you feel a swoop of scarce felt joy when you discover a cache of canned goods in the pantry. A treasure trove. 
“Hey Joel,” you call, wiping your thumb over a peeled, dried out label. “I think I found dinner.”
He doesn’t answer, most likely asleep given his ability to succumb whenever and wherever he can when he gets a moment and you take several, bringing them over to the counter. Brushing away the dust that sticks to the labels, you survey your choices: baked beans and peaches, two of each. Just what you would expect at a lake house. 
Letting him rest and holding the beans in your hand and a spoon you find in another, you take bites straight from the can as you wander down the hallway of the cabin, looking at the pictures on the walls. Using the heel of your hand to wipe away the dust that covers the glass, smiling faces emerge from the fog. You study them one by one, slowly chewing. 
They look like stock photos you used to see in stores: generically bland smiles, posed to perfection. An elderly couple with their children of various ages, a large family gathering photo, parents with children sitting between them. You try hard to picture those people here: sitting in the living room, sleeping in the bedrooms, playing outside. The concept seems too foreign to grasp, too far away to be real and you take another bite of food, pushing away the sudden unbidden reminder of similar photos you once had in your own home, now lost. 
You hear the couch protest as Joel gets up, coming to pass you in the hallway. He stops for a moment behind you, looking to see what you’re staring at and when he sees what it is, he frowns. Letting a deep sigh escape him, he keeps moving down the narrow space and with his pack in his hand, disappears into a bedroom. 
Wanting the safety of his nearness and given that it’s the only other bedroom, you set up across the hall when you’re done eating. Placing your own worn pack on the floor, you start to methodically strip the mattress, shaking out the bedding. Minimal creeping mold darkens the seamed edge of a mattress in otherwise good condition and you flip it, hoping for the best. Shaking out the pillow to make sure there is nothing hiding in it, you take the pillowcase with you, wanting to air it out on the deck now that the rain has stopped. 
Wanting to do the same for him, you walk into the bedroom he’s claimed and even though he’s not in there, it already feels like an invasion of privacy to be standing in it. His pack slumped on the end of the bed a visual claim, you grab his pillow off the bed and start to tug off the case. 
What does he look like, sleeping in a real bed? Does he bunch the pillow or tangle himself in the quilt? When he gets up, is there a rumpled form left behind, still warm with the heat of his body pressed into the sheets?
For all the time you’ve spent with him, the majority of Joel is a mystery to you. He gives away more than he knows, but that’s still not a lot. You knew of him back in the QZ: his broad frame a hard one to miss, his reputation even bigger and while your paths rarely crossed within the borders of those high walls, once you set out, it was hard to stay out of his orbit. 
His handsomeness drew your eye initially, but it was his usefulness that made you stay in his shadow. His determination to fight for his own made you feel protected by proximity, even more so when he extended it to you. 
Had to, once your group got picked off one by one. 
You had been thankful, in a sick way, that he was the one that remained. The best one. The most ruthless one. A ruthlessness you admired, then revered, then thought about at night as you tried to drift off to sleep. 
Without needing to sleep clothed to protect himself from the elements, does he still sleep in them, or will he be in less? If so, how much less?
Sharply snapping the pillowcase in the air, the sound brings you back to the present and you shake away the thoughts, leaving the room. 
“Whatcha got there?” He’s sitting on the couch, a can of peaches in his hand and when you face him, you have to look away from the glistening juice on his lips. 
“Oh, I was going to hang these outside, see if I can get some of the dust smell out.” Your nose crinkles and he smirks, taking another bite and shaking his head. 
“Thought you’d be used to that by now.”
You shrug, taking a seat in a chair by the woodstove. Leaning forward to inspect it, your chair wobbles; the front leg rotted. 
He nudges his chin in the direction of the stove when you open its door. “I thought about lighting it, but we better not. Don’t want the smoke showin’ people someone’s here.”
You nod, sitting back in the chair. “I can’t believe what a good find this is. There’s all sorts of stuff. I found some clothes in the closets, some more blankets too, if you need one.” 
You watch him chew, his jaw flexing under the salt and pepper of his beard.
“There is more food where that came from, if you’re hungry. The pantry is pretty full.”
He acknowledges it with a nod, taking another bite and you glance towards the windows that run the length of the room. A miracle none of them are broken, thanks to the secured tarp that lined the outside. 
“I think I’m gonna clean some of these and see if I can get a better view.”
“Cleanin’ the windows, doin’ the laundry. You lookin’ to move in?” His teasing tone is a dry one, and you smile, shrugging.
“Just so we can see what’s out there. In case someone comes.”
He looks at you, his eyes narrowing for a moment before he finishes the can, drinking the juice. 
“Well don’t wear yourself out too much,” he says, standing with a soft grunt of pain. “We ain’t gonna be here that long. Not worth makin’ it all homey.”
He sets the can down on the counter, grabbing his bow and supplies off the surface. You watch him check his stock of arrows before reaching back to feel for the knife strapped to his belt.
“I’m gonna go see if I can find us something for dinner.” He gives you a look, his eyes quickly sliding down over your form and then back up. “Yell if you need me, okay? I’ll stay close.”
You nod, holding his eyes for a minute and when he goes, you use the pads of your fingers to wipe clean a clear circle on the window. 
A creek lines the edge of the property, one that you didn’t even hear from the path with how thick the vegetation is and you watch him walk down along the edge of it for a moment, his head bowed. His hair is lighter in the sun, ruffling slightly in the wind and you keep watching until his form disappears behind the trees. 
Searching the cabinets methodically for anything of use while he’s gone, you find them buried deep in a junk drawer, sealed inside a faded, dirty ziplock. 
Seed packets. A lot of them. 
“Holy shit,” you whisper to yourself, opening the plastic pouch. You handle each pack delicately, spreading them neatly and carefully out on the counter and marvel silently at the whole vegetable garden you’ve found in this tiny bag. The haul would be worth more than you can imagine back at the QZ, but the potential for it is even higher here, in this dim kitchen, with that patch of moist, fertile soil outside. 
You pick them up one at a time, sorting them by recommended growth timelines and a thought takes root in your mind; the paper packets eventually gathered and put neatly back into the bag. 
You let it stew the rest of the afternoon, into the evening. As the sky dims, then darkens, as he comes back with a skinned rabbit and cooks it, as you both sit in the living room after dinner, your dirty plates resting on the coffee table between you. 
He’s sprawled on the couch, his arm behind his head with his thighs spread wide and the denim around his thighs is molded tight; his other hand resting limply against the inside of his thigh. When his eyes close, your eyes drop from his face to his hand, and then back up again. 
“So I found something today,” you begin, and he answers with a slow drawl, content and full. 
“Oh yea? Anything good?”
“Really good. Like, something really, really good.”
He opens his eyes then, looking over at you with a tilt of his head. 
“Well? You gonna tell me what it is?”
You draw one of the packets from your pocket, holding it in your hand and he sits up immediately, leaning forward on his elbows to reach for it. 
“Careful,” you warn, scared some will leak out of the thin, dried out paper. 
“You found these here?”
“Yea, in a drawer. In the kitchen.”
You can tell by the way he is looking at them that he knows their value. His hands hold them more tenderly than you thought his hands capable of, and he flips the packet over, reading the front. 
“I would kill for a fresh squash right now,” he mumbles, more to himself than anything, as he studies the front. 
“Well…” you start, suddenly unsure of your idea when he brings his eyes back up to your face. It’s intimidating when he looks directly at you normally, but you feel it tenfold now. He’s always been the one to call the shots, his experience in this world outweighing yours and while you’re nervous to throw yours out there, thinking of the alternatives nudges you forward.  
“I was sort of thinking this afternoon. About this place, and about these seeds.” You pause, looking away for a moment and then back at him. “About us, maybe staying here.”
He immediately frowns, scoffing to discourage the idea. “You can’t be serious. Stay here?”
Though you expected it, his immediate dismissive tone flares annoyance in you. 
“Where else is there to go, Joel?” you ask, your voice gaining confidence. “Be serious. Every settlement has been a nightmare, every place we’ve tried —“
He shakes his head, cutting your argument off. “I said we could stay for a night, not stay forever goddamnit. We’re like sitting ducks out here, just waitin’ to get killed. In the middle of fuckin’ no where —“
“Exactly!” you say louder, before bringing your voice down. “Exactly. We didn’t even see this place from the road. Not even from the path off the road. Who is going to find us here? No one knows about this place, or else it would have been looted ages ago. The tarps hid it, the trees block it, the –”
“And then what, huh? The second we light that wood stove, it’s gonna give us away. Even so, what then when someone wandering down that path sees the same thing we saw, and they decide to come take a look for themselves? They are gonna see everything we have – everything you’re suggesting we start – and they are gonna kill us for it.”
He pauses, the next statement forcing you to look at the ground. “Just like we would have done if we found someone else here. Just like we do.” 
You say nothing, letting the words hang in the air. 
“Just —“ you pause, looking down at your hands. Flashes of the last few months play back in your mind: the hangings, the strict enforcement of rules for all made to benefit the few, the bleak apartment you live in. This mission, all the things you’ve seen along the way, all the fear and terror you’ve felt and how the only person who has ever made you feel safe since the Outbreak began is sitting right here in this room. 
If ever this could work, it would only work with him. 
You bring your eyes back to him, pleading. “Aren’t you tired of it? So restless, always fighting against everything. For everything you have. Aren’t you sick of it, Joel?”
“Don’t worry about me. I’m just fine.” His tone is clipped, but you can tell he’s thinking. He glances at his watch, the broken face staring back at him. It’s been broken for as long as you’ve known him, but he’s always treated it as carefully as his weapons, his supplies. You can see him illuminated by the moon profile in your mind, his fingers skating around the face as he kept watch, or brushing it with his thumb to delicately keep the dirt off. Seeing your opening, you take it. 
“I’m not saying forever,” you press. “Hell, I’m not even saying a month. But let’s just stop for a second. Let’s… just stop. Nothing says we have to go back there. We could be dead, for all they know.”
He brings his attention back to you and placing his hands in his pockets, he straightens his spine. “Probably will be, sooner or later, if we stay here.” He looks you directly in the eye, holding your gaze. “It’s not just the supplies they’ll take. They’ll want way more than that.”
You raise your chin, ignoring the tightening of fear in your chest. He hasn’t let that happen yet, and even if it's foolish to believe, you know he won’t let it happen. When he sees you’re not going to answer, he sighs. 
The lantern is bright between you, illuminating the room in a soft glow and his deep brown eyes study you. His expression is stern, like he wants to say no…but he doesn’t. 
“It’s a dumb idea.” His statement is said with resignation, but with the authority of the last word and deciding not to push it any further tonight, you stand. 
“Well, good thing it was just an idea.” Glancing over at the seed packet, you chew your bottom lip while he watches your face with a frown and your voice gets softer, quieter. 
“I’m gonna get some rest. I’ll see you in the morning.”
He isn’t there when you wake up, and finding his bow gone, you know he’s out hunting again. 
You wander over to the coffee table to pick up the packet of seeds you left there last night when you see a book facedown next to it. Like he was reading something he found on the shelves after you went to bed, and left it there. 
Picking it up and turning it over in your hands, a smile unfurls at the edge of your mouth and you sit down on the couch, opening it to the first page:
The Basics of Gardening
2K notes · View notes
forlorn-crows · 7 months
Text
metal mouth
a lil pairing for @yesandpeeps's comic here about my beloved mountain getting braces. he's so fuckin cute i can't stand it
Tumblr media Tumblr media Tumblr media
1.3k of grumpy mountain under the cut:
"Now, caro, there is no need to be upset," Copia soothes. "They will help you, si? I do not want you to be in pain, my earth ghoul, that is no good for any of us."
Mountain shrugs, gaze downcast. “It just seems so . . . trivial.”
“Your health is not trivial; it is simply unfamiliar, or perhaps, er, too human?” Copia offers. 
The ghoul looks the man in his eyes, apprehensive. But he nods, agreeing. 
Braces. What a mortal thing to be burdened with as an ancient hellbeast. 
Mountain had started to complain about mouth pain a few months ago. His teeth, especially his fangs, had never been perfect. None of theirs were. Crooked teeth were not high on his list as far as complaints about appearance. Fitting oversized, monstrous bones into a mortal mouth certainly isn't a comfortable thing. 
But they all managed. Mountain managed. Until, that is, they started shifting, crowding in on each other and messing with his bite. The perfect space that his fangs fit into was suddenly too snug, the points of them clacking together if he chewed wrong or made a funny face at Swiss over his cymbals. His bottom incisors had begun to tip forward, threatening to give him an underbite. 
Suddenly, his teeth were just . . . wrong. And once they started becoming tender and sensitive to his favorite meals, Aether determined it was time for Copia to get involved, much to Mountain’s chagrin. 
“You know, I had braces as a child,” Copia muses now. “Quite bulky things. I could never pick out the right colors.” He chuckles a little, but stops when he catches the frown starting to form on Mountain’s face. He reaches up to pat him on the shoulder and scritch under his chin. “Not to worry, they will not look as bad as mine did, my ghoul.”
But they’ll still look bad, is what his brain translates Papa’s words to. 
Mountain’s already regretting complaining about it all.
The afternoon and evening after getting them placed is spent alone. Mountain is none too kindly reminded of the first time his horns shed, hours spent hiccuping through tears as he stared at his foreign reflection. 
They look . . . weird. They feel weird. Little bits of metal poking at his gums, his tongue, the inside of his mouth. His teeth look too small, too human for his liking. Mountain couldn’t fathom adding some unnatural color on top of it all, so he chose the translucent, slightly frosted elastic chain. It may yellow overtime, the orthodontist had said. Mountain had nodded, accepted this potential side effect, but he really didn’t care. 
He’s thankful to have an entire drum kit to hide behind. But his pack? Well, he can hide from them at least for the next twelve hours. 
Mountain steps away from the bathroom mirror with a sigh and goes back to uselessly pruning the ferns hanging over the windows. 
He rises the next day from a fitful sleep just as the sun peeks through the leaded panes. His mouth is screaming at him, gums sensitive and too much pressure everywhere. Lines of pain shoot up his jaw when he rubs across a nerve, and Mountain winces with a curse on his tongue.
Begrudgingly, he gets dressed for the day, despite the urge to crawl back into bed and sulk for as long as he can. But he can't very well do that with tour starting up again in a matter of weeks, so he pulls on some sweats and slumps to the kitchen. 
Tea. He needs tea. And probably a few hours alone with a quintessence ghoul.
No one’s in the common area when he arrives, and he silently thanks the devil below for a moment of solitude. The earth ghoul huffs a sigh through his nose and rifles through the teabags for something smooth and spiced. 
The warm scent of chai and orange zest hits his nose as Mountain waits for his cup to steep, smiling ever so slightly as the fragrant steam wafts over his face. It makes him feel better, even if just for a moment. 
Mountain cringes internally as he hears small feet padding down the corridor. He knows it’s Dew before he sees him, the little ghoul often rising with the sun most mornings. He tucks his face further into his mug, caging his forearms around his face.
The fire ghoul lets out a big yawn as he rounds the corner, stretching to brush the top of the short archway as he enters. Dew chirps when he sees the earth ghoul hunched over at the table. 
“Mornin’ Mount,” he mumbles. He inhales a lungful of air, sighing with a happy hum. “Hm, smells good. Mind if I join?”
Mountain shakes his head, mussed-up waves falling in front of his face. 
“Thanks,” Dew says. He makes his way over to the cabinets with a lilt in his step, humming some indiscriminate tune as he selects his favorite mug. Tired, but still too cheery for how early it is. It’s quiet between them for a few moments, save for the clinking of ceramic and Dew’s song. Mountain lowers his shoulders a little. 
And promptly raises them back up under his ears when Dew asks: “How’re the braces?” Mountain knows the fire ghoul is looking at him expectantly, ears perked. He doesn’t have to look to know his eyes are kind, rather than filled with malice or ill-intent. Dew wouldn’t make fun of him he knows, but he would love nothing more than to escape to the forest and bury his head in the dirt right now. 
“Fine,” he lies. “Kinda hurts,” he mumbles as an afterthought, doing his best to speak with the least amount of mouth movements. 
Dew tuts empathetically. He doesn’t speak again, but Mountain still feels his eyes on him. He chances a glance at him, which was really the wrong thing to do, considering the way Dew’s face perks up when he does. His arms are folded across his chest as he leans nonchalantly against the kitchen counter, hair and eyes glinting gold in the rising sunlight. 
Dew gives him a knowing grin and raises his eyebrows, attempting to prompt the earth ghoul into sharing his new set of braces. Mountain stares back, shy. But, against his will, there's a smile tugging at his lips, like he simply can't help it when Dew looks at him like that.
He smiles wider. "Come on big guy, will you show me?" Dew shuffles over to him at the table. "Please?"
Mountain bites the inside of his cheek, eyes steely. He shakes his head sheepishly, already pushing away from the table, chair legs scraping against the floor as he moves to make his escape. 
He doesn’t get very far. The fire ghoul steps in front of him, one hand grabbing Mountain’s sweater sleeve and the other reaching up towards his face. Dew waggles his fingers under his chin with a stupid giggle, bouncing on his toes as Mountain jerks his head away from his hand.
“Dew,” he warns, unable to escape his little fingers. “Swear t’ Satan, ‘f you don—”
“Ha!” the smaller ghoul exclaims, grabbing Mountain’s cheeks at last and squishing them together until the earth ghoul can’t help but bare his teeth, a grimace more than a grin. Mountain pulls at Dew’s wrist to try and dislodge him.
“Stooop,” he groans. Dew gives him a few squeezes before releasing him, opting to wrap both arms around Mountain’s middle instead and nuzzling against his chest in apology.
“But you look fine, Mount. Cute, even,” he laughs, looking up at him. 
“Do not,” Mountain responds, shaking his head. He rolls his eyes, sighing. He brushes a stray strand of hair out of Dew’s face, holding back a laugh when Dew purposely bats his lashes and nods solemnly back at him.
“You do. It’s different, yeah. But you’re still you,” he offers. 
“Thanks,” Mountain says in a small voice. 
Dew gives him one last squeeze before pulling away and sitting down at the table. He smiles and waves his earth ghoul back over. “Come on, finish your tea. I’m sure Aether’ll be up soon, and I’m sure he’ll need no convincing to help you with the pain.”
266 notes · View notes
cryptwrites · 1 year
Text
Poisons
Hello! I'm gonna share how I go about writing poisons and the things I think are helpful to keep in mind. Now, I have never actually poisoned someone - shocker - but I have done extensive research on the topic, so I would say I know a decent amount about how to effectively poison someone. Disclaimer: This is for writing purposes only, don't poison people. Thanks.
Keep In Mind:
Poisoners need little to no physical strength although they do need a strong sense of self control & nerves of steel. Shooting or stabbing someone takes a mere moment of consideration and is frequently the result of  a split second decision, while position requires dedication. Many poisons require a certain amount of time to work and the poisoner usually must administer several doses of poison in order to work. The poisoner also usually must be within close proximity to their victim and often will have to look them in the eye and engage with the person while the person slowly dies.
Exotic poisons can be more trouble than they’re worth. Importing exotic poisons leaves a trail for authorities to follow, and they require more research to correctly use.
Smart poisoners work with what they’ve got. The clever killer looks for drugs that are already in the victim’s medicine cabinet and that could be deadly. Read medical warning labels to get an idea of how to use them.
Poison can be used in ways that aren’t deadly. If the goal isn’t death, you can render someone dizzy or dopey, making a character vulnerable to a bad influence. 
Common Poisons
Hemlock: Poison hemlock comes from a large fern-like plant that bears a dangerous resemblance to the carrot plant. It was readily available for treating muscle spasms, ulcers, and swelling, but in large doses will cause paralysis and ultimately respiratory failure. 
Mandrake: It was used as a sedative, hallucinogen and aphrodisiac. Superstition mediaeval denizens believes when the vaguely human-shaped root was pulled out that plant gave a piercing shriek that would drive anyone to madness or death - hence the harry potter scene.
Arsenic: Arsenic comes from a metalloid and not a plant, unlike the others but it’s easily the most famous and is still used today. instead of being distilled from a plant, chunks of arsenic and dug up or mined. It was once used as a treatment for STDs , and also for pest control and blacksmiths, which was how many poisoners got access to it. It was popular in the Renaissance since it looked similar to malaria death, due to acute symptoms including stomach cramps, confusion, convulsions, vomiting and death. Slow poisoning looked more like a heart attack.
Nightshade: A single leaf or a few berries could cause hallucinations - a few more was a lethal dose. Mediaeval women used the juice of the berries to colour their cheeks, they would even put a few drops on their eyes to cause the pupils to dilate for a lovestruck look which is why Nightshade is also called ‘Belladonna’ or “Beautiful woman.” The symptoms include dilated pupils, sensitivity to light, blurred vision, tachycardia, loss of balance, staggering, headache, rash, flushing, severely dry mouth and throat, slurred speech, urinary retention, constipation, confusion, hallucinations, delirium and convulsions.
Aconite: This toxic plant, also called Monkshood or Wolfsbane, was used by indigenous tribes around the world as arrow poison. The root is the most potent for distillation. Marked symptoms may appear almost immediately, usually not later than one hour, and with large doses death is near instantaneous. The initial signs are gastrointestinal including nausea, and vomiting. This is followed by a sensation of burning, tingling, and numbness in the mouth and face, and of burning in the abdomen. In severe poisonings pronounced motor weakness occurs and sensations of tingling and numbness spread to the limbs. The plant should be handled with gloves, as the poison can seep into the skin.
If someones poisoning another:
The character should analyse the daily life of the target well before attempting to poison them. Note what sort of medicines they take, at what moments they are most vulnerable, how attentive they are to their surroundings, and so on.
Choose a poison that suits your needs. You need to be as discreet as possible and not arouse suspicion. Too dramatic and people will know something is up. Choose poisons that are easy to slip into meals/don't have to be administered constantly, or you could simply frame it as an overdose by using the target's own medicines.
Think of how you want to administer the poison. Some take effect through touch while some require being swallowed. Based on that, come up with a plan to poison your target.
Make sure everything corresponds with the plot and characters, and nothing becomes a plot hole. Don't have a typically nervous character be perfectly calm when thinking of poisoning. Don't poison someone just for the sake of it. Have everything tie back to the plot, your characters rarely should be poisonings someone just for the "cool" effect. Trust me, it doesn't actually have that effect and just comes off like lazy writing. Have your characters act in accordance with their personalities.
Research time periods and history when choosing poisons. Not all poisons were popular during the same time periods, and not all of them are native to the same geographical areas.
1K notes · View notes
tales-from-syscord · 6 days
Note
So, we have an introject from a webcomic, and we were in the Discord server for the webcomic. The headmate, Fern fronted and wanted to talk in the Discord server. The author of the webcomic said that introjects, especially ones from the webcomic, were not allowed to speak in the server despite it being "system friendly." This pissed us and a few of our friends off to be honest. I understand that the author was uncomfortable but if it's a system safe space then introjects of all sources should be allowed to speak. The worst part? Some of the other members in the server were like "Where did Fern go? Where is he?" We left the server after that because Fern is extremely sensitive, especially to source and system related topics. They deleted all the conversations Fern and the other members had. Fern isn't even very attached to the universe their source, just the character, and even then their personalities are very different. I've attached some screenshots of the conversation Fern and one of the mods had.
I understand where the author was coming from but they weren't forced to interact with Fern. I also understand that this is their server and they make the rules, but it did still rub us the wrong way.
Tumblr media Tumblr media
That's really odd, I don't like that at all. Alters aren't source and that person needs to realize it. There was no need for you to apologise in that situation, and you're not in the wrong at all
50 notes · View notes