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#sent may 2 2020
takhayyul · 1 year
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i hate being the only cousin living in canada, its my cousins wedding in the coming weeks and they be having so much fun rn while i gotta go to my 9 to 5 tmrw
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f0point5 · 5 months
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Max Verstappen x bestfriend!reader Masterlist 2
Mr. Always Wins, so far above me in every sense - Max takes another win, and a disappointed Lando leans on Y/N
I see you every day now - Flashback to April 2020 when Max and Y/N first moved in together
All they keep asking me is if I’m gonna be your bride - Max’s podcast goes live, and Max and Y/N attend a wedding. Later, Y/N admits her frustrations to Daniel
I think he can see through everything but my heart - Max and Y/N vacation in Brazil, and Max covers Time magazine
So many things that you wish I knew, so many walls up, I can’t break through - Y/N goes to Sao Paolo to see Lando while Max heads to the UK. Meanwhile, Max opens up to Vic
This is looking like a contest, of who can act like they care less - Y/N and Lando take Las Vegas while Max is back in Europe. But both Y/N and Max keep tabs on each other through others
I can see you standin’ honey, with his arms around your body - Y/N attends Velocity Invitational with Lando, which stirs controversy on both sides of the pond
I can see you starin’ honey, like he’s just your understudy - It’s Lando’s birthday. In Europe, Max streams with Redline
Like any great love, it keeps you guessing…like any true love, it drives you crazy - Clara and Max arrive in Vegas and Clara lets Lando in on a well known secret
I don’t even dare to wish it - It’s Y/N’s birthday, but she has to deal with the fallout of Clara’s drunken confession
I think he knows - Y/N and her friends celebrate her birthday, which seems to give something to celebrate…or run from
Put your lips close to mine, as long as they don’t touch - The Vegas circus begins with a dramatic opening ceremony, followed by a gala event
Two headlights shine through the sleepless night - Y/N and Max continue to miss each other, and the weekend gets off to a chaotic start on track
I sent you signals and bit my nails down to the quick - Y/N attends Martin’s set and has a vulnerable moment with Max that goes awry
I’m capitulated by you,baby, like a firework show - Max wins in Las Vegas and Y/N puts aside the awkwardness to be happy for him
And that was the moment I knew - Max hosts Y/N’s birthday party, and gives her a huge present with unexpected results
Nothing safe is worth the drive - Max and Y/N have an open and honest conversation
I woke up just in time, now I wake up by your side - Max and Y/N leave Las Vegas just in time
Meet me in the afterglow - Y/N and Max spend a day in the desert and Lando puts the pieces together thanks to fruit
We’re burned for better - Mick makes an announcement, and the world once again speculates about Y/N’s love life
When they point to the pictures - Bonus part of Y/N sharing past memories
Our daddies used to joke about the two of us - Max and Y/N have dinner with their fathers after a nervous FP1 for Max
May these memories break our fall - Bonus part where Y/N shared memories near the end of the season
What would you do, if they never found us out? - Rumours swirl about Max and Y/N…for the final time
We will be remembered - And with that, the 2023 season comes to an end
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yuurei20 · 5 months
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(This was originally an ask received through Twitter)
"Hello! Can you please elaborate on the time loop theory in book 2 that you mentioned in the tweet where you talked about your favourite theories?"
I am wary about discussing this theory as there are many others who have put much more thought into it than I have, but I can certainly try with what I was able to find :>
(The information in this thread was combined from here, here, here, and here)
The basic theory is that everything we know is repeating in a loop in an attempt to either stop something from happening or to make something happen.
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The game’s tagline of “I will show you a true happy ending” (EN: “Let us show you the real happily-ever-after”) could be insinuating that there have already been less than happy endings, and we may have already seen one: while some theorize that the events of the prologue are showing us what is going to happen in the future, others say that it is both that and something that has already happened.
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The theory goes that the battle with the chimera (who may or may not be an overblotted Grim) was lost and everyone (or just the prefect) is sent back to try again, thus the opening lines of the game narrated in Crowley’s voice.
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(Note: I would have translated this as “I—they—you—only have a little time left. Whatever you do, don’t let go”, but the situation is so vague that anything is possible.)
(Here is a short comic insinuating that this time loop is Crowley’s unique magic (warning: blood, death, a Yuu design))
This theory seems to be largely inspired by Mickey’s comment that he has seen the same dream three times but he also says “your voice gets clearer and clearer every time.”
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Since Mickey also shows up in Books 2 and 3 but we were not able to speak with him, it is possible that this is not actually hinting at two earlier loops, just earlier events within the same timeline. This does not dismiss the time loop theory and might mean that this is Mickey’s first time interacting with the loop, but there have been far more than just two or three timelines.
(This account pretends that Book 7 does not exist yet, so that is about as specific as I can get.)
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The theory gets kind of wild with references to STYX’s simulation system, supposed inconsistencies with Ace and Epel, Crowley’s potential connection to STYX, etc, but one thing that everyone seems to agree on is: Leona knows.
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Leona is extremely powerful and extremely private.
He has had a number of contracts with Azul who is also a powerful mage, and according to Idia he seems like “the kind of guy who always knows he’s dreaming.”
Yana has confirmed that Idia has a part in Book 7 and, with both him and Leona halfway out of their coffins in promotional art, people are wondering if Leona will be stepping up as well.
We know that Riddle’s current personality is a 180 degree change from original plans and that this change was made pretty far into development, after everything had already been approved.
There are also rumors that Leona’s Book 2 was the original Book 6, looking at older promotional information (Book 2 was originally listed between Ignihyde and Diasomnia on the official website).
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It is possible that—much like Riddle’s situation—Yana came up with a better idea than what had originally been decided, and it required shoehorning Leona’s drama into an earlier Book in order to make it work.
This would mean that Book 7 used to have significant space for Leona (there is a pattern of the previous Overblotter having a role in the next Book).
That space may have been rewritten for Idia, but it is also possible that Idia’s role was added separately and a role for Leona remains to some extent, which is why they went out of their way to say that Leona knows when he is in a dream.
Theories vary from “Leona is 100% aware of what is going on, broke free from the loop and he is the only one getting older as he tries to save the world” to “Leona knows something isn’t right but not exactly what.”
The proof that people usually point to is his comment where he is unsurprised by Grim “always” eating black stones (which he shouldn’t know anything about), but the phrasing is so vague that he could just be making the connection between the stones and a potential blot-risk.
Another scene that is often referenced in the “Leona knows” conversation is an interaction with Jamil where he accurately predicts Jamil’s attack on Kalim despite how rarely they interact before Book 6.
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There are also the three white chess pieces on the chessboard in Leona’s bedroom that seem to correspond to the only three characters in the game with light cosmic magic: a white rook for Rook, a white knight for Silver and a white pawn for Kalim, whom Leona literally refers to as a pawn piece in chess during Tamashima-Mina (these three chess pieces are also displayed prominently in Leona's first Birthday groovy).
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Leona also seems suspicious of Crowley, suspects what really happened in Book 5 and is able to literally sniff out magic, which we have seen no other character capable of doing.
Leona is very perceptive in general: he is suspicious of Lilia in Spectral Soiree, calls him an old man when no other character outside of Diasomnia knows his true age, is the first to figure out that Malleus is pretending to be possessed and is able to tell when someone becomes injured and is trying to hide it in both Book 6 and an event.
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This is not proof that Leona knows what is happening, but it may be an argument for why it is likely that he knows more than he is willing to let on.
Some versions of the time loop theory say that the same prefect is being sent back over and over again to try and save everyone (which ties into the game’s opening), while other versions say that this is the prefect’s first time being summoned into a loop that has been going on for a long time without them, in an effort by someone (Crowley?) to change the ending of the story.
While not technically part of the game, the Twst novelization supports the first pattern while the manga series supports the second, with new prefects showing up after the previous prefect presumably fails.
Knowing Yana it is possible that the game is actually a third, entirely different pattern with the novel and manga exploring alternatives that were considered for the game but not used.
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butchsophiewalten · 1 month
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03/16/24 Twitter Space Recap
There was a (pretty long!) twitter space yesterday, feat. Martin & Eva, with a later arrival of Crystal, and a (relatively brief) appearance from Coral. Kyle was going to join, but was experiencing technical some problems, so ended up sitting this one out.
-Martin starts the space proper by asking Eva to post some "Jack Walten Photoshoot" images he made back in May of 2022. Here they are:
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-Someone asks if Martin could possibly release unfiltered versions of the Walten Files episodes, and Martin said that at one point, back in 2020, he sent HD versions of episodes 1 & 2 to Eva, but later deleted them, thinking 'why would I bother keeping this around, it's all on my computer anyway,' and then his computer died, and they were lost. He says he thinks he has an HD version of TWF3, but that for TWF4, the VHS filter was applied to the scenes individually before the episode was edited together, so there is no 'HD cut' of the entire episode.
-Martin reads a question, "Is it possible you could describe what happened in the Welcome to Bon's Burgers trailer? I swear I saw it back in 2020 after Sagan Hawkes released his his video." and answers, "Uh, the Welcome to Bon's Burgers trailer was basically like, uh, a very low-quality, movie-style trailer with like, royalty free stock trailer music that was like, really action-packed. And it was like, 'We can stop him, Sophie! Welcome to Bon's Burgers!', and it was so cool. I'm not making this up, this is literally what the trailer was like."
-Martin and Eva joke back and forth about Sophie doing really cheesy action movie stuff in the WtBB trailer, like saying 'fuck you!' to Bon, and throwing a grenade at him. Eva than starts explaining some context for those jokes, saying, "Back in 2021, we like, desperately tried to, like, make Sophie this, like, badass epic horror protagonist, and it- it's just really funny, because that's just not who she is, at all. She's just some loser!"
Martin laughs, saying, "We were talking- we were like, she would not be like this, she would not be like this at all, she would be so awkward."
Eva responds, "She's literally just some awkward, like, mentally unwell loser. She wouldn't be this, like, badass epic hero."
Martin responds, "I think it was- in my opinion, that stemmed pretty much from like, Walter White, because we were on like, our peak Breaking Bad phase. And it was like, Walter White originally was so awkward, and loser, and then he becomes 'badass' and 'cool', and we wanted to, like, replicate that.
Eva laughs, saying, "...Now she's literally just some loser- loser girl. And she's like, way cooler now," to which Martin says, "I love Sophie, she's one of my favorite characters."
-Martin reads a question, incredulously, "'Out of the entire cast, who would like yaoi the most?' Nobody! Nobody would like yaoi the most... Well, maybe Brian."
-Somebody asks something about Showstoppers Inc, and Martin says that the series is currently on hold, so he can finish TWF5.
-Someone asks what Martin's favorite non-canon episode is, and he says it's definitely The Mysterious House. He says out of every episode of The Walten Files, The Mysterious House and TWF6 are probably tied for his favorite. He talks a bit more about it, saying, "I know it's not the best- Maybe it hasn't aged perfectly, but just- it just has that vibe. It just has a really cool vibe, that I really dig."
Eva responds saying, "It's such a fun episode. I like how it just all goes to shit.", to which Martin asks, "Wait, are you talking about Six, or The Mysterious House?" and Eva replies, "Well, both. They both go to shit."
Martin says "Yeah. Technically, Six- we've talked about this in private, but Episode 6 is very inspired in The Mysterious House. Like, I wanted to have that feeling The Mysterious House had, because I really love that."
-Eva reads a question asking what Edd & Molly's relationship was like, and she says she likes to think of them as siblings that just fight all the time. Martin agrees, saying he thinks it happens a lot that Molly is really annoying, and Edd gets angry with her very easily.
-Felix's new VA, Connor, sends some audio to Martin and tells him to share it with the space. Transcribed, it went as follows:
"Uh, hey, Jack, it's Felix. You probably won't be able to answer your answering machine, it said it was full, but it's still letting me leave a message. I'm not entirely sure- I already called the police, uh, nothing's wrong, uh. Well- there is something wrong, I- I can't take your kids home. I'm drunk. Uh, and- you've gotta be pissed out of your mind right now, that's- that's fine. Uh, I'm sorry. And if there's a way- way I can make it up to you- I know, that, like, why the hell would you trust me, after I fucked up the first time, but, I tried to take Edd and Molly home, bad idea. I swerved a bit- we didn't- nothing crashed, nothing happened, I just- I lost my balance. The kids seem okay, I hope they are. They didn't seem to notice, but, in that instance, I just- I couldn't do it. I can't. So, uh, if you can, just- I'm near Saint Joanne's right now, y'know, the forest near section 95, but. Uh- hang on, hang on, kids, give me a minute. They're trying to get my attention. We pulled over on the side- Luckily there was a payphone- there was like a gas station maybe a walk over from the highway. Ope, and they're coming out, they want to say hi to you. Well, I'm gonna hang up now, 'cause I don't have the- Hang on! I'm just gonna hang up. Uh, I am so sorry. I- I really am. And again, if there's anything I can do, if there's a future favor you need, I will- not fuck it up. I'd be fucking foolish to. I'm just so embarrassed, I'm sorry."
Martin was surprised that the audio was so genuine and sad, since he hadn't listened to it before playing it on the space, and thought it was going to be kind of joke.
-Eva reads a question, "'Which character would be into some real good yuri?' Jenny."
-Martin talks about "Raw Bunny", a character which originates from The Walten Archives. He says there were originally going to be two dolls, "Raw Bunny" and "Raw Tammy", and that Edd was going to possess Rocket, and Molly was going to possess Tammy. He has no explanation for why they were called "Raw".
-Martin asks Eva if there's any autistic characters in The Walten Files, and she answers, "Uh, Sophie, I guess, Maybe?"
-Eva reads a question, "'Would Sophie read yuri and yaoi?' I don't think she knows what those are." to which Martin says, "Do you think Sophie would respond, like, 'I've never listened to that band'?"
-Someone asks for character birthdays, and Martin tries to joke that Jack and Rose's birthdays are both on February 31st, but misspeaks and says "21st", which later lead to this very funny twitter interaction:
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-Eva reads a question, "What did Sophie do in college?", which leads Coral (who has joined the space by now) to say they don't think Sophie ever went to college. Martin says, "She did. She did go into college, but she got kicked out, because she shaved one of her colleagues' head bald... Like, Sophie really fucking hated this one girl in college, so one day, at night, she goes to her bedroom and starts shaving her head." The original question never gets answered.
-Martin keeps talking about Sophie, saying, "I can't remember if it was in school or college, but I had it written down that she broke someone's arm one time, because the person was bullying her." Then a couple minutes later, goes, "Oh, yeah, yeah, yeah, I remember! Yes, it was in school. I had it written down, because I remember, uh, this was after- of course, I can't get too much into it, because we do cover it in the series, but it was after the crash that someone was bullying her, and since she wasn't in a really good headspace right now, she broke a kid's arm. And that's how she got kicked out of school. I don't think she ever, like, returned to school after that."
Coral responds, "She was forever just wandering," and Martin says, "That is very Sophie Walten. Sophie Walten is always just wandering."
-Eva asks, "Which Walten Files character would've had an emo phase?" and Martin says, "If we were talking like, a year or two ago, I would've said Sophie, but now I think- uh, probably... y'know what? Ignoring, like, the time period and everything, if a character were around to have an emo phase, I think it would be Rosemary, since Rosemary's, like, the most artistic. She would just be like an emo for like, a year or two, and then she would be like, the most jolly person ever."
-Coral jokes that it'd be really funny if Charles had an emo phase, and Eva says she thinks it's funny to imagine Jenny going through an emo phase, because she's such a colorful and friendly person. Crystal says "I feel like [Jenny's] the kind of person that will, like, fully commit to, like, a fashion aesthetic, like 110%." to which Martin responds, "Actually, yeah, definitely."
-Eva says, "I like to think Jenny is like, really good at fashion and shit, meanwhile Sophie just dresses like absolute shit." Coral says, "I don't think Sophie knows how to dress," to which Martin responds, "No, I think she doesn't, but I don't- I don't think she has, like, bad- I wouldn't say 'bad style', because I definitely don't think she has any style. But I don't think she wears bad combinations, y'know? She has like, 5%-2% style."
-Martin says, about Sophie, "Her brain is one ketchup tall."
-Martin asks everyone to say something they think Sophie would actually be really talented at. Eva jokes that she'd be good at "Eating spaghetti.", but Crystal says "I feel like she would, like, be a surprise good cook," and Martin says, "Yeah. I feel like, since she worked at the meat store, so I think she would know how to work with all that." Crystal jokes that someone would think her cooking is really good and ask her for a recipe, and she just completely mentally blanks.
-Eva reads a question, "Would Ashley and Sophie be friends?" and Martin says, "I think Sophie would hate Ashley. I think, Sophie- I think she would stand Ashley, but I think Sophie wouldn't be able to stand Ashley like, actually going blindly into a fucking- I think Sophie would be, like, really annoyed at Ashley's obliviousness, to me. I'm not saying Ashley is stupid, I don't think Ashley is dumb in any way, but I think Sophie wouldn't be able to relate to Ashley's, like, motivations and shit."
-They start joking about Sophie getting high? Martin says that she could never be allowed to get high, because she'd freak the fuck out and have the worst trip of her life. Martin says, "I think if Sophie got high, imagine she's, like, looking horrified at the door frame, and she's grabbing Jenny's hand, and she's like 'Jenny, Ronald Reagan's here. He arrived. He's taking me away, Jenny.''
Martin keeps going, "Imagine- imagine Sophie holds Jenny's hand, and she's like, 'Dude. Jenny- I cracked the case. I cracked the case. Jenny- Jenny, c'mere, I cracked the case. I think Bon killed Kennedy. I think Bo-Bon kill- Jenny I think Bon killed John F. Kennedy.'"
-They start talking about if Sophie would drink, and Martin says "I think Sophie drunk, like, at a party, like- imagine it's like, the only time she goes at a party, and it was just because she was, like, going with Jenny, who was invited. And she gets drunk, and then she's like, 'Uh, here's my car. This is my car.' and she doesn't even have a car. She's just trying to, like, break into a random car on the street."
Martin jokes, saying, "The entire friend group is like, talking about, like, 'aw, yeah, dude, y'know, when my grandma passed away, it was so sad,'- and then Sophie goes like 'Dude, when JFK died, it was like a national tragedy.'"
-[Eva] "Sophie would hate The Irishman. If she watched it."
[Martin] "She wouldn't watch twenty minutes of it! She would be like 'Jenny, I don't get this. I don't get this.'"
[Eva] "She would be like, 'I'm turning this off, this sucks.'"
[Martin, laughing] "And Jenny would be, like, so offended."
-Martin says, "I think Jenny would be more, like, artistic, and, like into experimental films. And Sophie would just watch, fucking, I don't know, fucking-" and Eva interrupts, saying, "Sophie would enjoy Adam Sandler movies if she was, like alive today. She would enjoy Adam Sandler movies." Martin laughs, saying, "Do you think Sophie would watch Ted and be like, 'Ohh, that's just like me...'?"
-Eva says, "I just had the worst idea. Sophie would, like, watch those stupid fucking Sigma Male movies, like Taxi Driver, and shit like that, and be like 'oh, that's me. that's me.' Martin laughs, saying, "That is so accurate! Imagine Sophie watching American Psycho, and for an entire week, like quoting the movie." then later says, "Imagine she does the fucking Taxi Driver cut, for like two days, and then starts crying because she regrets it."
-[Martin] "Someone- someone once said- Did I ever tell tell you, Eva and Crystal, that there was this one time when I was high, and I- I heard someone on Twitter going like, 'oh Sophie would love Weezer,' and I started crying. I started crying."
[Eva] "She would! Sophie would love Weezer!"
[Martin] "No! No she wouldn't! And I started crying, because I realized I failed as a creator."
-[Eva] "Someone asked, 'Does Jenny get high?' Yeah, Jenny would get high. Jenny would be stoner."
[Martin] "Yeah. No- I think she- she was probably, like, back in like, the late 70's she was more of a stoner, but then, when she started living with Sophie, she kinda just, started like, just settling down. Into a jolly- Into a silly, jolly lifestyle."
-[Eva] "Sophie would get really irrationally angry over video games, I think."
[Crystal] "I feel like she wouldn't, like, say anything. She would just stare really angrily at the screen."
[Eva] "She would, like, pick up a thing on her desk and just crush it."
Martin says he wants to draw that, and later posts this:
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-Eva reads a question asking what Sophie's fears are. Martin says, "I think Sophie's fears, um, to me- and, of course, I cannot explain where this originates from, because again, it's spoilers. But I think one of Sophie's, like, fears she has- I wouldn't say it would be 'losing control', but not being able to decide what happens to her. Like, the idea of not being able to have control of her future. To me, I feel."
-Eva says "[Bon] would occasionally vomit blood, as a treat."
-Martin says "I think Sophie- I mean, I don't think she would be completely competitive, but I think Sophie would secretly be a bit competitive, when it comes to playing games. And Jenny would be more like 'Hey, it's just having fun!' and that's just because Jenny is like, the best gamer ever."
-Someone asks if Jack or Rose would experience road rage, and Martin says, "A lot of, uh, Jack, when I first wrote Jack, was a lot of inspiration from Me and my dad, because both me and my dad have had to deal with anger issues, and we both had to, like, y'know, go treat that. But I will forever remember how my dad would act during fucking road rage. I think Jack would act like that, just- Jack would fucking punch the fucking steering wheel, going 'God FUCKING DAMN IT!', and he would like, get out of the car, and- because this is something my dad would do- Jack would get out of the car and walk to the fucking thing that's causing the traffic jam. And go, like, 'Hurry the FUCK up, HURRY UP!'"
Martin goes, "I think Jack would go up to the driver that's causing the traffic jam, with the most polite, gentle look on his face. He'd ask him to, y'know, put the window down. And then he would poke his head through the window, and he would go, "Heya, man. KILL YOURSELF!!!!"
-Martin goes, "Why do Jenny and Sophie say 'fuck' so many times in BunnyFarm?" to which Crystal responds, incredulously, "You're the one who wrote the script, what do you mean!?"
-Martin says, "I think Sophie would eat the Forever Weed Brownie."
-Eva asks if Sophie would have the same anger issues as Jack, and Martin says, "No, I don't think she would have anger issues, but I do think she would have a big- a big fuckin' temper."
Eva responds, going "Well, no, she fucking broke some kid's arm and saved some girl's head, she probably does have, like, some anger-" and Martin goes, "Well- yeah, yeah. To be fair, yeah."
-Martin says, "I've told this to Eva, Sophie was a shoplifter, for a while."
-Martin says he changed Sophie's height again (For what, like the third time?) She's about 5'6-5'7 now. Jenny's height has increased proportionally, Martin doesn't give a number for her, but says she's still taller Felix, who's 5'7.
-Eva talks about how she was asked to sing a song as Bon for an episode, and the song Martin had sent her had some sexual undertones, so he changed it to be more kid-friendly and told her to perform the new lyrics. But she fucked up, and just sang the normal song, so they're just using that audio anyway, and it's really funny to both of them.
-Martin says, "One idea I had, back in TWF2, that I really want to repurpose someday- Originally, there was going to be a funny scene where Kevin, Hilary and Ashley would, like, play around with the robots, and dress them up, and make them do fucking goofy poses and shit like that. And I think, If i ever get the chance to do it again, I would probably do something like that... I would really love doing a scene like that, in The Walten Files. The caretakers just absolutely doing goofy shit in K-9."
-Eva talks about how she's a bit mildly uncomfortable with cutesy ship art of Felix and Linda, and asks Martin if that's weird of her. Martin says, "I don't think Felix was abusive, per se. I don't Felix, like, abused of Linda. Y'know, I don't think we was, just, uh- intentionally taking advantage of Linda's emotional state, for his own benefit. But I do think Felix was a very neglectful person, who- the way I see it, he was just with Linda just because, y'know? He didn't really- It was just a thing of, 'Oh, there's a guy and there's a girl. It makes sense, yeah, it should be a couple, yay,' Y'know? And the way I've always seen it is that Linda and Felix had, had, a good dynamic. But I don't think it was a good romantic dynamic.
I think they just- They took what could have been a could've been a potential good friendship as romantic feelings, and that was their downfall. And by being a couple they didn't really help each other, and Felix being neglectful eventually took a toll on Linda. Which- is bad! It's a very bad behavior. And I don't blame people who consider that to be emotional abuse, but to me I don't feel like Felix ever had that intention. But it's not a good couple, because they're not healthy for each other."
-Martin continues, "I feel like Felix didn't know how to be- Felix didn't have a couple before Linda. And I feel like, to me, Felix never properly learned how to love? So, to me, it would be like, uh, he wouldn't be emotionally connected with Linda. He wouldn't open up to her, and he wouldn't really try to be close to her. Both in an emotional and a physical way. It would just be like, every now and then, that he remembers, 'oh yeah, my wife', and just, like- a kiss, every one in 500 years."
-"I do think that Linda was a very independent person. And does- she wasn't like, too focused on, 'oh, how much does Felix care about me?', she was just, like, doing her own thing. I think it was later down the line that she started realizing how neglectful Felix was, and started, like, actually trying to reconnect with him, in a way. And since Felix had become worse and worse, he just kinda kept brushing her away until he ended up confronting her, and ended up hurting her feelings in a really bad way."
-Martin reads a question, asking, "Why did Felix start drinking, anyway?" and answers, "Uh, without revealing it too much, I think the reason he started drinking was because, uh, there was a problem, to Felix, that was starting to build up, and he started isolating himself on that problem. And, uh, when he started isolating himself, he started losing all the things he had, to like- all the shoulders he could lean on. So, without nobody he could actually go to, to reach out to them, he started drinking. Because it kinda numbed away those feelings, it kinda helped him control all the frustrations he had about himself, and the kind of person he was. And thus, at first he was just, like, 'Oh, it's just, every time I feel some kind of hatred towards myself and the person I am.' And it kept escalating, to the point that-- The moment he started fully hating himself was the moment he started completely drinking all the time. To kinda, just numb away those feelings."
Martin says, "To me, uh, the way I see it is like The Shining, where they refer to alcohol as a medicine. And to me, I feel like Felix saw it as a medicine, too. Like, as a way that, hey, it's an easy way to be happier with the person you are and the decisions you've made."
-"I feel like, in a way, the way I see Felix as a character- I like to think that he's someone who isn't happy, wasn't happy with the kind of person he became and the kind of decisions he took, because I think he saw a lot more potential in him that he didn't- that he didn't actually use. And, it's like, I feel like that frustration was the one of the reasons he got into drinking. Because it's like, just the idea of, 'Hey, I wasted so many years away not doing the stuff I wanted to do. So what's the point anymore?', Y'know."
-"Felix has- In my opinion, a very realistic, kind of like- I want to say a middle-aged crisis. As like, a way of being depressed over- I like to think Felix is sad that he didn't get to savor his young age very much. Because, to me, it's like, one second it was him and Jack going, like, 'Hey! We gotta do this project, and it's going to be so cool, so great and everything!', and then the other second it's like, having to worry about the paperwork, and the idea that- Yeah, sure, Jack and him are still best friends, but Y'know, Jack has his family now. Jack has other priorities, it's not the funny, 'Hey, we're young, we have our whole future ahead of us!' because now the future is happening, and Felix doesn't know what the fuck he's about to do, what the fuck is going to happen to him. And thus, he instantly thinks it's all doomed, it's too late for him to choose a different way to be, a different person to be with, a different goal to have. He thinks that all the decisions he made lead him to this, and he can't change it, because it's too late for that. I think that's what kinda dooms him, in a way."
-Martin says, "To me, when [Felix] had a low point, instead of trying to get himself out of it, he just accepted defeat, because he thought he couldn't get any lower than that. And, there was another rock bottom, and another one, and another one." He says, "I'm always going to say this- and this is kinda like, a message from The Walten Files- It's not a priority, but it's a message that you cannot live a future you do not want to live. You cannot force yourself to accept and settle down for a future you don't want to live, because you're only going to live in constant- you're going to be miserable with yourself! And you're going to be constantly looking to the past, instead of trying to fix your future.
And I think the main flaw with Felix- and you can even notice now, in the current content, that Felix looks a lot in the past, and he's stuck in the past, and he's so unhappy with the place he is right now, that he doesn't try to get himself out of it. And it's just like, "Ah, maybe if I just keep doing what I'm doing, it'll just magically get better on it's own!', and that's not how life is, so yeah."
-Martin and Eva talk about how it's kinda funny, how for them, Felix's hangups have served as a sort of cautionary tale, because his experiences and struggles are so human and so relatable, that his behavior helps them to understand why you need to work against the kind of thinking he succumbs to.
-Eva goes, "I can't wait until we can have long ass discussions like this, publicly, about fucking Jack." and Martin goes, "God! Jack is so cool, too!"
-Some asks if there's any "canon trans rep" in The Walten Files. Martin says, a little regretfully, that No, there aren't, not because he thinks there shouldn't be transgender people in The Walten Files, but because he doesn't go out of his way to think about applying those sorts of labels to characters as he makes them, he just lets them develop naturally, and sometimes ends up applying concepts like that depending on what he thinks feels natural for them. He says, "I never actually touch the territory of, like, their gender identity and all that. So, I guess you could headcanon any character you want as trans. That's totally fine."
-Martin says, "Felix, his main issue was not talking to people and getting help when he needed it the most, and I feel like the way I wrote it stemmed down from the way that a lot of- especially in that era- there was a lot of toxic masculinity around the idea that you cannot show weakness around other people. That you have to be, like, the strong person that takes care of everyone else. You have to be, like, the man in the group, the man in the family, and you cannot, like- you cannot be vulnerable towards anyone else. And I feel like Felix kinda grew up around that mentality, and he isolated his issues from everyone else, because he felt like showing any kind of, uh, vulnerability and just any weakness at all would make him lesser.
And I feel like that problem amplified itself when he met Jack, who was this collected, smart person, who always knew what he had to say. He was charming, he always had an answer for everything, and Felix felt like- if he- if he showed vulnerability towards Jack, Jack would see him as someone lesser than him, y'know? As someone weak. Not worthy of being Jack's friend, y'know?"
-Eva reads a question that asks, "What're some genuine flaws about Jack, besides his anger issues? Has he ever done something he ended up regretting?". Martin pauses for a while, then says, pretty definitely, "Yeah. He does."
Martin then says, "I feel like we could answer some flaws about personality. I think, like, the one thing I could say is that Jack also stems a lot from that mentality of, like, that you shouldn't be weak, you shouldn't show vulnerability to anyone. And I feel like, uh, he- the only person to me, that Jack was ever vulnerable to, the only person that Jack could tell 'I'm scared', to was Rosemary. And, uh, I feel like Jack is a person who wants to always be in control of everything. He cannot lose control, because when he loses control he feels weak, and he doesn't like feeling weak.
And, uh- He kinda, like- One of the bad things that happened, is that, to me, I feel like he kinda passes those bad habits to Sophie, who also doesn't like the idea of losing control. And doesn't like the idea of showing other people that she cries, and that she's vulnerable. And I feel like that stemmed a lot because of Jack."
-"I think one of the worst things with Jack is that he has a problem with communicating stuff. He cannot, for the life of him, just let out a vulnerable side of him. And the way I wanted to show that is that he's always shown smiling in photos, he never tries to frown. He never tries to show any other face, other than just him being okay, him being happy."
-[Eva] "I find it cool how, like, Jack wants himself to be perceived as like, this ideal dad type-guy, which is also how Felix-"
[Martin] "The perfect- the perfect person."
[Eva] "... In reality, Jack would be like, very- very flawed. Very, like-- I don't know how to describe it. His brain would be very, like- emotionally he'd be very fucked up. Not, like, evil- I mean like. his emotions and shit, he has a really bad way of expressing them, and stuff like that."
[Martin] "He doesn't know. He doesn't know how to express his emotions. And to me, Jack, I feel like- I feel like one of Jack's greatest flaws is that, to him, everything is appearances. He really cares a lot about appearances, and he cares about looking like the perfect role model, like the fucking 1950's magazine, cut-clear perfect dad, and his cut-clear perfect family where everything is fine, and nothing can ever go wrong. That's one of, like, Jack's fears. But if we talk more about it, we'll go into spoiler territory!"
-They talk about how frustrating it is to be so interested in and passionate about these characters, but so little of their stories have made it to the audience so far, so they have to be really cagey about everything. Martin says, "I think, mostly because of Sophie, because to me, the way that Sophie is shown in The Walten Files 3, that's just scratching the surface. That's not an ounce of, like, her character. And I really, really want to show what she does, and how everything goes down, but I can't."
-[Eva, reading] "Which character's story goes the deepest? Which character has the most depth?"
[Martin, immediately.] "Jack. Definitely Jack. (pause) No- Jack and Sophie. I think it's Jack and Sophie."
-Martin says, "Bon is so- a much worse person than Felix, but I really like that he's not as unlikable, because Felix knows what he's doing wrong, and apologizes and says he wants to change, but he doesn't. Whereas Bon is a delusional prick, who fucking- doesn't regret anything. And that's so cool to me." Later, he says, "I wouldn't say [Bon] has regret, but he has a lot of, like, emotion about what he's doing. He's not like a cold, heartless killer."
-Martin answers one last question, "What was your original plan for The Walten Files?" and answers, "The original plan for The Walten Files was actually very different, because it was- first of all, I had two original ideas. Originally, it was going to be just a compilation of, uh, footage of Welcome to Bon's Burgers, and I was just gonna plaster a VHS effect on it, and just be like, 'hey, look at all this cool stuff!' But then, when I scrapped that idea, there was The Walten's Archive, which was gonna be, like, a documental, that was, like, a retelling of the events that happened. Like, a 1990s documental, like, a dramatization of everything that happened, and that's why you'd see everything in like, a cinematic light and everything. And it was going to be, like, ten episodes. And I still have that document, and some of the ideas carried over to the actual stuff, but not all of them."
-Eva wants to answer one last question, too, saying, "Someone asked, 'Is "Bon" a 'it's for the greater good' type of person when it comes to his killings?' I'd say yes. Whenever he's like, killing someone, he definitely knows that they're afraid and that they don't want to die, but he'd kinda like, think of it as 'Oh, you don't know what's good for you,' or 'This is for the greater good,' like, when he's killing them. That's kinda like, a way he would justify it in his mind. Like he would just think, 'Oh, yeah, you want this, you just don't know it,' like shit like that."
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narujenreacts · 2 months
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Will Murder Drones get a Season 2?
Alrighty. So, after GLITCH's post yesterday of Digital Circus that also mentioned "We're also working hard on Murder Drones & will be releasing final episodes soon!", which sent a lot of the fandom (including yours truly) into a panic that this meant these are the final episodes for the SERIES and not the 1st season. However, that felt off to me since GLITCH has been promoting MD as Season 1 and not a short series, which, if it had always intended to be only 8 episodes, it would've been. That's just how it goes in the industry for online series. And I believe GLITCH wouldn't make that kind of mistake in marketing. It'd be different too if it was only promoted as Season 1 for the teaser, but it's been that way up until that Digital Circus post. Hell, here are some of the things Kevin and Liam said during GlitchX:
"I remember when we were coming up with the, uh, this is like way before when, you know, Murder Drones was really, like we were really going for a smaller, smaller show-" - Kevin
"The whole oil thing that was getting set up in the pilot, that was gonna be like a MASSIVE sort of plot thread throughout the season." - Kevin
"Because in terms of importance to kind of where I want the story to go, it just ended up being less relevant." - Liam
"We, um, did the opposite of that. I think the series as it progressed, which I think is - it is intentional, I would say. We have gone from, I think, supremely silly to supremely kind of self-serious." - Liam
"There's so many dog easter eggs if you go and watch through the entire season." - Kevin
"We are announcing the finale of the season." - Kevin
With everything they said, none of it sounds like Murder Drones was intended to be a single season series. Now, this leaves two questions myself and I'm sure some of you have, "Why haven't they announced a S2 yet then and why are they barely posting MD?" I decided to enter analyzation mode and went digging through GLITCH's Twitter and YouTube. What I found was that this isn't GLITCH's first time handling their series like this.
Meta Runner Season 1 (Animated Movie Cut) was released on Aug 28, 2020 and in the description Season 2 was immediately announced since they already had it done.
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Meta Runner Season 2 - EP 1: Hard Reset released Oct 16, 2020. The final episode for S2, "EP 10: Fatal Error" was released Dec 18, 2020 and there was no mention of the 3rd and final season.
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Want to know when they announced it? Not until Nov 29, 2021. Over a YEAR later.
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And before that they barely posted anything of MR. At first it was Sunset Paradise, and then once that series was about to conclude they started posting about MD. A lot. Way more than they have for DC. And when they announced S3 for MR they didn't even mention it was the series finale! That wasn't announced until May 6, 2022, 6 months after S3 was even announced.
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However, once they did they made it VERY clear it was the final season. 99% of their posts of MR after that mentioned it was the final season.
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So, to conclude my thoughts. I don't think we should be worried. I wouldn't suggest getting our hopes up TOO high, because despite GLITCH handling MD the same way they did MR, there's always the chance MD doesn't get a second season. That way we're not deeply disappointed if it doesn't, but after looking into it I personally feel a lot more confident MD will get a S2. Just be prepared that if GLITCH doesn't say anything, it could be up to a year before they do, but if MR fans could hold out for as long as they did, we can too. Don't forget either GLITCH isn't only working on the first season of DC. They're also working on the pilot for Gaslight District.
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pedrithink · 1 year
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unknown ✩ kylian mbappé
summary: kylian dates a person outside the media and fans find out about her.
faceclaim: olivia rodrigo
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Liked by leomessi, neymarjr, and 4.480.386 others
k.mbappe LA RAGE DE VAINCRE…🔵🔴
View all 23.750 comments
mbappefan1 will you act like nothing is happening? 😭😭
mbappefan2 TELL US ABOUT YOUR GIRLFRIEND
mbappefan3 kylian, we are curious. CMON!!!!!!!
neymarjr ALLEZ PARIS !!!
mbappefan4 NEYMAR TELL US
mbappefan5 you guys should respect his private life ☠️
mbappefan6 yeah, this is probably so uncomfortable for kylian and the girl!!!
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Liked by k.mbappe, ethanmbappe, and 2.366 others
ynusername i’m completely in love with this place
View all 647 comments
mbappefan1 OMG HI
mbappefan2 this photo had 32 likes and now it has almost 3k, KYLIAN’S IMPACT!!!!
mbappefan3 you’re so cute, omg!!!!!
mbappefan4 you're only with kylian for the money
mbappefan5 🤢🤮
April 6th, 2020
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Liked by k.mbappe, ethanmbappe, and 1.028 others
ynusername sent by someone very special :) tysm.
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mbappefan1 OMG KYLIAN ALWAYS SEND FLOWERS TO HER
mbappefan2 YEAH, LOOK AT HER HIGHLIGHTS
mbappefan3 HOW WE NEVER SAW THESE INTERACTIONS
mbappefan4 😵‍💫😵‍💫😵‍💫
mbappefan5 she’s not even that pretty
mbappefan6 kylian literally likes every pic of her, omg…
February 14th, 2022
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Liked by k.mbappe, ethanmbappe, and 1.527 others
ynusername happy valentine’s day :)
View all 226 comments
mbappefan1 i’m in shock that we never saw any of these interactions
mbappefan2 it’s cute how kylian always sent her flowers
mbappefan3 she’s pretty, we want her 2 kyky!!
mbappefan4 🤢🤢🤢🤮🤮🤮
mbappefan5 wh0r3
mbappefan7 i don’t know, but i don’t like her guts 🥴
February 14th, 2023
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Liked by ethanmbappe, antonelaroccuzzo, and 5.627.927 others
k.mbappe J’ai toujours eu une vie amoureuse très privée et je voulais qu'il en soit ainsi, mais après avoir vu twitter et l'ensemble des médias diffuser des informations sur la vie personnelle de ma petite amie, je me devais de venir ici pour en parler. Oui, petite amie. Je sors avec quelqu'un ! Je demande, s'il vous plaît, de respecter sa vie personnelle et totalement privée et de comprendre que je suis vraiment heureux dans cette relation. Merci à tous ceux qui envoient des messages d'affection et c'est tout. Merci. (I have always had a very private love life and wanted to keep it that way, but after seeing twitter and the entire media spreading information about my girlfriend's personal life i had to come here to tell you. yes, girlfriend. I am dating! I ask, please, that you respect her personal and completely private life and understand that i am very happy even with this relationship. Thank you to everyone who is sending messages of affection and that's it. Thank you.)
View all 36.927 comments
mbappefan1 kylian is MAD MAD
mbappefan6 as he should!!! people were being so obsessed about her private life 🥴🤐
mbappefan2 we will always support you!!!!!
ethanmbappe 👏🏻👏🏻
antonelaroccuzzo 😍❤️
mbappefan3 sorry about we invading her personal life kylian :(
mbappefan4 rooting for you to break up already
mbappefan8 shut up
mbappefan9 tell her to activate her insta 😭
mbappefan10 she already activate and it’s priv now
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🦐 to recognize my post
Am I the asshole for asking my grandmother if I can move in with her?
This’ll be one of your classic reddit-style family dramas, I think. Back in late 2019 just before COVID, I (freshly 18 at the time) had run away from home with my mom and moved in with my best friend (R, 17 in 2019) and her (60s, deeply depressed) dad. Her dad and I were on good terms for a long time, but respectfully, he has a tendency to repress any issues he has with someone until they build into a bigger issue. Near toward November of 2020, he kicked me out on account of ‘not keeping a job and not doing anything around the house’ (I washed stagnant dishes often, took care of their several animals, and took out trash whenever I could, R and I think he was projecting his shitty roommates from when he was 20 onto me), so I needed a new place to move.
My own beloved father lives ten hours away, and offered for me to live with him. For months, I was preparing to pick up my entire life from the hometown I had lived in since I was 2 years old to move to a new state, and in the last month, I got cold feet and said I couldn’t make such a large change like that. My dad completely understood, and I went to look for a new place to stay, still living with R and her dad at this time.
During this period, I was getting closer with my grandmother on my mom’s side again. She was one of the few family members I felt comfortable with, and we often went to Panera for lunch dates to catch up on things. I won’t go super deep into why I’m so anxious about the rest of the family, because that would require an entire several page google document to explain (especially now that we’re actively banned from holidays).
It was around this time I asked my grandmother if I could move into one of her five or six spare rooms upstairs. My grandfather had died in the last couple of months, and I was confident that if she needed any help (she’s in her mid eighties) moving things upstairs or cleaning the house, I would be beyond glad to do it for her. She then hesitated and said it may be a better idea for me to move in with my dad after all (which was odd, because she hates my dad’s guts, as does the rest of my family), and I let it go after that. I didn’t push, I would just need to find a new place. 
Well, word got around, and she told my aunts and older cousins in passing. I don’t remember if I got sent anything in specific, but one of my aunts (mother’s older sister who I'm genuinely terrified of) absolutely fucking exploded on my (54 at the time) mom, giving her a several paragraph long shitstorm of a message saying she was a terrible mother for letting me take advantage of my grandmother, calling her horrible things, slurs, and insulting her wife, and it got back to me somehow. I was fucking shredded apart emotionally.
Since then, I have moved back in with my mother out of necessity and we have totally reconciled our relationship in the three or so years I’ve been home, and my entire mother’s side of the family- aside from my grandmother- has completely cut contact and don’t invite us to holidays anymore, for significantly more ridiculous reasons than me asking my grandmother what I did.
My mother’s side of the family ostracized her, myself, and my sister since my mother first married my dad 25ish years ago, and has just never treated her the same since, which explains some of the hostility (I want to specify, I’m confident that my mother did nothing outright wrong for this, my family is extremely far-right and EXTREMELY judgemental, and my mom bore unnecessary vitrol for everything she went through), but I need to know if I was actually the asshole for asking to move in with my grandmother, who even now still cares about me as family and lives alone. I could give less of a shit what my aunt thinks now (she lives an entire day’s drive away, in a different state as well), but I can’t help but shake the fear that I was actually taking advantage of her kindness or something of the sort. Was this a wrong thing to ask? Was this actually too much, and should I not have bothered?
What are these acronyms?
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i’m doing a rewatch of the last of us hbo and i’m really realizing how cut and worn down joel gets in episode 6.
one thing right after the other happens to him and it’s honestly insane how long he kept his shit together, so i’m gonna spell it out…
and maybe those of y’all that call joel too emotional or soft in the show for having his breakdown can understand why…
within the first few minutes, joel is told by the couple in the cabin that there is a fairly good likelihood that his brother is dead. that alone would have sent me into a spiral and it does really impact joel like we haven’t seen before. after he and ellie leave the cabin, he has panic attack #1.
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i’m gonna be a little transparent here and say this: i developed anxiety in 2020 that was debilitating for months and although i am in a much better place today, i’m still dealing with anxiety all the time. during the worst of it, i had panic attacks and while my trauma is nowhere near close to joel’s, i know how draining panic attacks are.
but anyways, he has his panic attack and moves on but for the remainder of the trip, until he is reunited with tommy, he is stuck with the thought that his brother may be dead. and all this time spent protecting him and then looking for him was in vain. he couldn’t save him in time. another failure.
between their reunion though, we see joel having nightmares. in the cave, after he falls asleep on watch, its very clear he wakes up from a nightmare. with the way he immediately searches for ellie upon waking, my guess is that his nightmare was about her.
then they are surrounded by jackson’s patrol. and joel has panic attack #2. once again, about ellie, fearing that she is about to be torn up by the dog, but his panic attack won’t allow him to do anything. he freezes.
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there is a brief moment of happiness when he is reunited with tommy but it is quickly snuffed when he realizes tommy’s situation. tommy doesn’t need his help, he hasn’t this whole time, his brother has a wife and later finds out that he is expecting a baby. his brother has been living it up as best as someone can in the apocalypse and never radioed to joel ONCE to tell him he was okay.
at the table, when ellie, joel, tommy and maria are talking, maria very pointedly looks at joel when tommy says “a bad reputation doesn’t mean you’re bad” and maria says “not always, at least”. maria already doesn’t like him because apparently tommy has talked something bad about him. his own brother.
then he has a talk with tommy in the bar. its clear that his trust in tommy is shaky by this point because he lies to tommy about tess and ellie. then he has his fight with him and when he walks out of the bar, he has panic attack #3. let’s add insult to injury because then he sees someone who resembles sarah, his dead daughter. not only that but the lady has a kid of her own, something to resemble what joel never got: grandchildren.
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then he finally has his breakdown. another little insult to injury, tommy gives him brand new boots since he noticed joel was trying to fix his old ones. another reminder that tommy is well off. the things he confesses to tommy are absolutely heartbreaking and its insane that he has been able to keep it all in to that point.
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he is then faced with the choice of giving ellie over to tommy because while ellie feels less afraid with joel, joel feels more afraid with her.
then he has his fight with ellie where ellie uses his daughter against him (and i understand her desperation, i do). that was a really rough fight and once joel is alone in his room, we can see him shed another tear thinking of sarah.
the next day comes, and joel goes back on his choice and takes ellie. he has to say goodbye to his brother again but at least for a while after that, joel gets a break. he has fun and bonds with ellie on their trip.
… until he gets stabbed at the end of the episode.
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so… to anyone that says joel is too soft in the show or too emotional, let’s remember that he is human. game joel is humanized too but its also a game. for the show, they had to really humanize joel which means that he is going to be much more mentally affected than game joel is throughout the story. panic attacks and crying are not soft or emotional, they aren’t weak, this man has been through hell and its a wonder he has made it this far. we only see three panic attacks but if they are that frequent, i can guarantee he has had more that we don’t see.
episode 6 really bashes him, its no wonder he broke down to tommy. pedro did an amazing job. he’s got me cryin’ everytime i watch it.
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hlupdate · 9 months
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W​​hat’s the secret to a great portrait? At 86 years old, David Hockney has a few ideas. A lifetime of looking has taught him to always start with the face. “I begin with the head first,” he says, matter-of-factly, from his home in France. “From there, I place everything else.”
That was his approach when, late last May, Harry Styles traveled to his light-filled studio in Normandy and stationed himself on a cane chair, ready to become the esteemed artist’s latest subject. Over two days, Hockney worked to capture the exact hues of red and yellow in Styles’s striped cardigan, the indigo of his jeans, the string of pearls at his neck—not to mention the unmistakable tousled fringe of one of the world’s biggest pop stars. For the artist, though, the goal was merely to capture the essence of the person in front of him. “I wasn’t really aware of his celebrity then,” Hockney says, with a shrug. “He was just another person who came to the studio.”
The pair struck up an instant rapport that was likely helped by Styles being a full-on fanboy. For his Vogue cover shoot in 2020, Styles wore a pair of hand-painted Bode cords that featured a talismanic illustration of Hockney by artist Aayushia Khowala. It’s also hard to imagine the wide-eyed wonder of a flamboyant Brit discovering the sunny thrills and spills of California—a theme, and sound, that has permeated the former One Direction singer’s solo albums—without Hockney as a precedent. “David Hockney has been reinventing the way we look at the world for decades,” says Styles. “It was a complete privilege to be painted by him.”
The unveiling of the portrait kicks off the second iteration of the National Portrait Gallery’s Hockney exhibition “Drawing From Life,” which first opened in February 2020, only to close weeks later due to the pandemic. With the addition of a new room of pictures charting Hockney’s creative impulses throughout lockdown, the show returns on November 2—a few months after a refurbishment of the entire museum—with Styles’s portrait as its crown jewel. “The whole world shut down, and the exhibition was still sitting there, in the dark,” recalls Sarah Howgate, the gallery’s senior curator of contemporary collections, who oversaw the exhibition in both phases. “So it’s nice to know it will have another life.”
The Styles painting may bring star wattage, but the unassuming genius of Hockney’s portraiture is still the main exhibition draw. What makes his images tick, you quickly learn, is their honesty: whether in the tension bubbling beneath the surface of his famed double portrait of Ossie Clark and Celia Birtwell, painted between 1970 and ’71, or the seated figures that populated his 2016 Royal Academy of Arts exhibition, which included the likes of his own sister, Margaret, and the late comedian Barry Humphries. Hockney’s eye for the human figure may be playful, often kaleidoscopic, sometimes fantastical—but it’s always, most importantly, frank.
Styles’s portrait will hang alongside those of writer Gregory Evans, Hockney’s printer Maurice Payne, the mayor of his local town Dozulé, his gardener, and even his chiropodist, or in Hockney’s words, “the dandy who cuts my toenails.”
One of his more recent subjects was the eminent music producer Clive Davis, who first suggested inviting Styles to swing by. “Clive told me about Harry’s new album, and JP [Hockney’s studio assistant] sent Harry a note and asked him if he’d like to come to my studio and sit for his portrait,” Hockney remembers. “He replied straight away and said, yes, he’d love to.” From there, Hockney’s process of painting Styles was instinctive. “Everybody just came to sit,” he says, breezily, before admitting: “Now I know Harry’s a celebrity, though: I’ve seen all his music videos.”
“He’s not a traditional portrait painter,” says Howgate. Hockney’s interest is not in what people do, but rather in who they are. “He’s not interested in fame. He’s interested in depicting people and their relationships.” It’s why his eye is primarily trained on his inner circle these days—but it also pays testament to his enduring curiosity that he’s still willing to open that up to a newcomer every so often. Styles seems to know how lucky he is, adding, with a tinge of disbelief: “I’m in awe of the man with enough one-liners for a lifetime.” As to what those one-liners might be? Styles and Hockney’s mutual silence on that question suggests that what happens in the studio, stays in the studio.
“David Hockney: Drawing From Life” will be at the National Portrait Gallery from November 2 to January 21, 2024.
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squipedmew · 1 year
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well, since the Dream SMP has officially come to a close, I thought I’d share what I’ve been up to for the past 2 years - making character designs for every single one of the characters!
 I really wanted every character to look distinct, with really distinct color pallets, unique weapons for each and every character - basically like each one of them could be the protagonist of a wildly different story from one another. Feel free to steal them (with credit) if you want!
I kinda dropped off working on it in late 2022, so I think I missed a few characters, as well as going back and re-doing some of the oldest ones (that’s why some of them are more detailed - those are the 2023 versions)
As strange as it is for me to say this, DSMP had such a big impact on me, especially over COVID. I haven’t had a piece of media fill me with such a passion to create art and improve probably since Undertale all the way back in 2015, if you can believe it. I owe a lot of my art improvement to this silly little Minecraft series, and though I may have lost touch with it near the end, it will always hold a special place in my heart. 
o7 you crazy, wacky, depressing, stupid, unsatisfying, joyful, hilarious, and amazing series. I wish everyone involved in it the best!
(A few extra designs under the cut!)
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This is a 2020 Pogtopia Wilbur I made, and if I were to draw it now, I probably wouldn’t change a thing. This design fucking slaps imo, I’m still super proud of it. 
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Exile Era Tommy. Wilbur’s old Pogtopia coat has been passed around so many times between so many different interpretations of characters, so I thought it made more sense for Tommy to take the L’Manberg era coat from Wilbur, since that was the version of him he idolized (This is an old version of Wilbur’s coat btw)
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Post Dream-Getting-Sent-To-Prison Tommy! I wanted to emphasize how Tommy was trying to move past his trauma, so he shaved off the grey streak he got from the Withers in the L’Manberg explosions (I gave him the grey streaks before Revival canonized it - don’t ask me why)
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Las Nevadas Quackity. It’s basically a 1 to 1 for his skin, save for the really ugly blue patches and hoodie I gave him. If I were to do it again, I would def change that. 
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Snowchester Tubbo. Also still holds up, though I’m not 100% on the pants. This was kinda before goat Tubbo got super canonized, so I just decided to have the eyes. The scars are from the execution. 
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Revivbur. He looks pretty good for a dead bitch - though I messed up the L’Manberg flag colors on the bandanna on his ankle. Guess he’s french now. 
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Team Rocket era Niki! She took custody of Wilbur’s Pogtopia coat, albiet cutting off the parts that were covered in blood and soot (which was most of it) I also made her a fire-born like Sapnap, though you can’t see from his design - her hair is on fire when she feels strong emotions, and she’s basically going through it 24/7 during this part. 
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Syndicate Niki! She’s calmed down and is no longer on fire, but her hair is still pink from all those weeks of constant rage and sadness. Also dressed more appropriately for the snow. 
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Dream Post Prison. Mask no longer has invisibility enchantments, so he doesn’t bother hiding his face. Gotta wonder how it’s staying on though. Get this man some moisturizer. 
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swampgallows · 1 year
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From those who brought you 2020's WARSTOMP comes DRAGONSTOMP, a celebration in honor of Dragonflight and the underground rave scene!
Saturday, May 20, 2023 12PM Server Time (Pacific Time) to 1AM
🎧 Streaming: 🎧 https://www.twitch.tv/swampgallows
🐉 WoW: 🐉 Wyrmrest Accord-US, Twilight Highlands (15, 16)
After the rousing success of WARSTOMP, <bwee> and friends have come together again to celebrate the end of the Fourth War, as well as our new friends in the Dragon Isles, at DRAGONSTOMP!
Surrounded by flowers at The Circle of Life in Twilight Highlands, party-goers will enjoy countless fireworks, cluster and firework rocket launchers, flares, D.I.S.C.O. machines, and DDR (Dance Dance Darkmoon) dancefloors to light up the night. Free goodies will be available all evening as races from all across Azeroth dance together in this hard-won time of peace.
***This event will take place BOTH in World of Warcraft on Wyrmrest Accord AND live on Twitch. Join us in-game, on Twitch, or both!***
Timeslots and venue location below!
Twitch info:
Timeslots are as follows (all times pacific / WRA server time):
🌟 12 PM: Gallows 🌟 1 PM: Kontakt 🌟 2 PM: exjaynine (filling in for Hinzsight) 🌟 3 PM: Anglerfish 🌟 4 PM: Jimni Cricket 🌟 5 PM: Nick Justice 🌟 6 PM: SK 🌟 7 PM: Nyxxris 🌟 8 PM: Burst 🌟 9 PM: VampyVicious 🌟 10 PM: Buttonz 🌟 11 PM: rare92
🚂🎵🎶 Sets will be broadcasted via Twitch raid train: viewers will be automatically sent to each DJ's channel at the start of their set. This way every DJ gets unique viewership! If you like what you hear, we encourage you to donate and/or subscribe to the channel! 
Not sure where to hop on the train? My channel (twitch.tv/swampgallows) will serve as a hub during the event. 🚂🎵🎶
--
🎮 World of Warcraft details: 🎮
The event will be located at The Circle of Life in Twilight Highlands near the Vermilion Redoubt, almost on the border of the Wetlands. It is past the cave and group of lakes depicted on the northwest corner of the map.
The TomTom coordinates for Twilight Highlands are (15,16).
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This area requires a flying mount to access. If you do not have a flying mount, whisper Arete-WrymrestAccord in-game and I can ferry you on a Sandstone Drake or arrange for a warlock to summon you. Not on Wyrmrest Accord? Fear not! Look for our premade group “DRAGONSTOMP” in the Group Finder!
There will be hundreds of toys and cosmetic items available: dance sticks, fortune cards, enchanted dust, inky black potions, food with fun buffs, dragon-themed drinks, and more! And don't forget the THOUSANDS of fireworks!
***
🌸 We hope you'll meet us in the meadow! For Azeroth! 🌸
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mr-styles · 9 months
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When Harry Styles Met David Hockney: An Exclusive First Look At A Special New Portrait
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A legendary painter and a pop lodestar? Sparks were inevitable. David Hockney and Harry Styles share a very special sitting with Liam Hess
W​​hat’s the secret to a great portrait? At 86 years old, David Hockney has a few ideas. A lifetime of looking has taught him to always start with the face. “I begin with the head first,” he says, matter-of-factly, from his home in France. “From there, I place everything else.”
That was his approach when, late last May, Harry Styles travelled to his light-filled studio in Normandy and stationed himself on a cane chair, ready to become the esteemed artist’s latest subject. Over two days, Hockney worked to capture the exact hues of red and yellow in Styles’s striped cardigan, the indigo of his jeans, the string of pearls at his neck – not to mention the unmistakable tousled fringe of one of the world’s biggest pop stars. For the artist, though, the goal was merely to capture the essence of the person in front of him. “I wasn’t really aware of his celebrity then,” Hockney says, with a shrug. “He was just another person who came to the studio.”
The pair struck up an instant rapport that was likely helped by Styles being a full-on fanboy. For his US Vogue cover shoot in 2020, Styles wore a pair of hand-painted Bode cords that featured a talismanic illustration of Hockney by artist Aayushia Khowala. It’s also hard to imagine the wide-eyed wonder of a flamboyant Brit discovering the sunny thrills and spills of California – a theme, and sound, that has permeated the former One Direction singer’s solo albums – without Hockney as a precedent. “David Hockney has been reinventing the way we look at the world for decades,” says Styles. “It was a complete privilege to be painted by him.”
The unveiling of the portrait kicks off the second iteration of the National Portrait Gallery’s Hockney exhibition Drawing From Life, which first opened in February 2020, only to close weeks later due to the pandemic. With the addition of a new room of pictures charting Hockney’s creative impulses throughout lockdown, the show returns on 2 November – a few months after a refurbishment of the entire museum – with Styles’s portrait as its crown jewel. “The whole world shut down, and the exhibition was still sitting there, in the dark,” recalls Sarah Howgate, the gallery’s senior curator of contemporary collections, who oversaw the exhibition in both phases. “So it’s nice to know it will have another life.”
The Styles painting may bring star wattage, but the unassuming genius of Hockney’s portraiture is still the main exhibition draw. What makes his images tick, you quickly learn, is their honesty: whether in the tension bubbling beneath the surface of his famed double portrait of Ossie Clark and Celia Birtwell, painted between 1970 and ’71, or the seated figures that populated his 2016 Royal Academy of Arts exhibition, which included the likes of his own sister, Margaret, and the late comedian Barry Humphries. Hockney’s eye for the human figure may be playful, often kaleidoscopic, sometimes fantastical – but it’s always, most importantly, frank.
Styles’s portrait will hang alongside those of writer Gregory Evans, Hockney’s printer Maurice Payne, the mayor of his local town Dozulé, his gardener and even his chiropodist, or in Hockney’s words, “the dandy who cuts my toenails” .
One of his more recent subjects was the eminent music producer Clive Davis, who first suggested inviting Styles to swing by. “Clive told me about Harry’s new album, and JP [Hockney’s studio assistant] sent Harry a note and asked him if he’d like to come to my studio and sit for his portrait,” Hockney remembers. “He replied straight away and said, yes, he’d love to.” From there, Hockney’s process of painting Styles was instinctive. “Everybody just came to sit,” he says, breezily, before admitting: “Now I know Harry’s a celebrity, though: I’ve seen all his music videos.”
“He’s not a traditional portrait painter,” says Howgate. Hockney’s interest is not in what people do, but rather in who they are. “He’s not interested in fame. He’s interested in depicting people and their relationships.” It’s why his eye is primarily trained on his inner circle these days – but it also pays testament to his enduring curiosity that he’s still willing to open that up to a newcomer every so often. Styles seems to know how lucky he is, adding, with a tinge of disbelief: “I’m in awe of the man with enough one-liners for a lifetime.” As to what those one-liners might be? Styles and Hockney’s mutual silence on that question suggests that what happens in the studio, stays in the studio.
via vogue.co.uk
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thestylesindependent · 9 months
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W​​hat’s the secret to a great portrait? At 86 years old, David Hockney has a few ideas. A lifetime of looking has taught him to always start with the face. “I begin with the head first,” he says, matter-of-factly, from his home in France. “From there, I place everything else.”
That was his approach when, late last May, Harry Styles travelled to his light-filled studio in Normandy and stationed himself on a cane chair, ready to become the esteemed artist’s latest subject. Over two days, Hockney worked to capture the exact hues of red and yellow in Styles’s striped cardigan, the indigo of his jeans, the string of pearls at his neck – not to mention the unmistakable tousled fringe of one of the world’s biggest pop stars. For the artist, though, the goal was merely to capture the essence of the person in front of him. “I wasn’t really aware of his celebrity then,” Hockney says, with a shrug. “He was just another person who came to the studio.”
The pair struck up an instant rapport that was likely helped by Styles being a full-on fanboy. For his US Vogue cover shoot in 2020, Styles wore a pair of hand-painted Bode cords that featured a talismanic illustration of Hockney by artist Aayushia Khowala. It’s also hard to imagine the wide-eyed wonder of a flamboyant Brit discovering the sunny thrills and spills of California – a theme, and sound, that has permeated the former One Direction singer’s solo albums – without Hockney as a precedent. “David Hockney has been reinventing the way we look at the world for decades,” says Styles. “It was a complete privilege to be painted by him.”
The unveiling of the portrait kicks off the second iteration of the National Portrait Gallery’s Hockney exhibition Drawing From Life, which first opened in February 2020, only to close weeks later due to the pandemic. With the addition of a new room of pictures charting Hockney’s creative impulses throughout lockdown, the show returns on 2 November – a few months after a refurbishment of the entire museum – with Styles’s portrait as its crown jewel. “The whole world shut down, and the exhibition was still sitting there, in the dark,” recalls Sarah Howgate, the gallery’s senior curator of contemporary collections, who oversaw the exhibition in both phases. “So it’s nice to know it will have another life.”
The Styles painting may bring star wattage, but the unassuming genius of Hockney’s portraiture is still the main exhibition draw. What makes his images tick, you quickly learn, is their honesty: whether in the tension bubbling beneath the surface of his famed double portrait of Ossie Clark and Celia Birtwell, painted between 1970 and ’71, or the seated figures that populated his 2016 Royal Academy of Arts exhibition, which included the likes of his own sister, Margaret, and the late comedian Barry Humphries. Hockney’s eye for the human figure may be playful, often kaleidoscopic, sometimes fantastical – but it’s always, most importantly, frank.
Styles’s portrait will hang alongside those of writer Gregory Evans, Hockney’s printer Maurice Payne, the mayor of his local town Dozulé, his gardener and even his chiropodist, or in Hockney’s words, “the dandy who cuts my toenails” .
One of his more recent subjects was the eminent music producer Clive Davis, who first suggested inviting Styles to swing by. “Clive told me about Harry’s new album, and JP [Hockney’s studio assistant] sent Harry a note and asked him if he’d like to come to my studio and sit for his portrait,” Hockney remembers. “He replied straight away and said, yes, he’d love to.” From there, Hockney’s process of painting Styles was instinctive. “Everybody just came to sit,” he says, breezily, before admitting: “Now I know Harry’s a celebrity, though: I’ve seen all his music videos.”
“He’s not a traditional portrait painter,” says Howgate. Hockney’s interest is not in what people do, but rather in who they are. “He’s not interested in fame. He’s interested in depicting people and their relationships.” It’s why his eye is primarily trained on his inner circle these days – but it also pays testament to his enduring curiosity that he’s still willing to open that up to a newcomer every so often. Styles seems to know how lucky he is, adding, with a tinge of disbelief: “I’m in awe of the man with enough one-liners for a lifetime.” As to what those one-liners might be? Styles and Hockney’s mutual silence on that question suggests that what happens in the studio, stays in the studio.
David Hockney: Drawing From Life will be at the National Portrait Gallery from 2 November to 21 January 2024
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cleolinda · 2 months
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Weekend links
My posts
1) From earlier this week: “My ~longform posts are going somewhere else. Dreamwidth? Definitely previewed on Patreon and backed up there. Here’s an unlocked post about it. tl;dr: I know tech bros already scraped everything, but if you tell me you’re going to do it, I’m not gonna hand it to you. Maybe it’s a token effort, but there it is.” Of course I’ll still post links to new writing here. 
2) Some people have March Madness. I now have the Hot & Vintage Movie Women tournament. 
One of the best parts of the tournament (you may remember that Toshiro Mifune won the male matchup) is people reblogging and submitting pictures, further bio information, and personal anecdotes--that sense of the Tumblr collective scrapping for the pure love of their blorbos. I love Edwige Fenech’s eyes and her iconic eyeliner, and I had to step in when she went up against powerhouse Julie Andrews with only one small picture. No, I’m not letting Edwige go out like that. She won’t win, but the people must make their choice knowingly. 
I also posted some pictures for Lady Tsen Mei, because I’d actually never heard of her and was curious. Also, because she’s going up against Musidora and that’s not an easy row to hoe, either. If you see matchups like that, where hotvintagepoll didn’t receive much to post about an actress--appealing to the people with a good picspam in the reblogs is where the fun comes in. 
Bear in mind that running the tournament is an INCREDIBLE amount of work; this was Friday alone. Like, I don’t know the person who’s running this, but it couldn’t be me. They’re working with what they were sent, and here’s how we can be the propaganda we want to see in the world. I will jump in as necessary when Ava Gardner, Gene Tierney, Norma Shearer, Paulette Goddard, and (on my mom’s behalf) Julie Christie show up. But there’s 512 contenders, and it’s going to be a hard fight. 
(I am now reblogging the polls at only one an hour, and when I fall behind, that just means that people who missed them can catch up. Each poll lasts a week, after all.)
Reblogs of interest
You are invited to the assassination of Julius Caesar! If you joined Tumblr during the various internet shakeups last year, you may not be aware that the Ides of March is a major Tumblr holiday. You need to be. 
People have always been people: an immensely long collection that may make you cry. 
Respect for the Welsh language
The “Fool in a Field” theory of life in the universe
A helpful guide to some common birds here in the western US
The Forbidden Colors
“You get to drive away”: A Tale
I was not ready for this development in the Fairy vs Walrus debate
(Did William Butler Yeats believe in fairies? An anecdote from my grad school days)
(”While I nodded, nearly napping, suddenly there came a slapping”)
Video
“Recently I’ve been interested in what I’d like to call the historical lesbian wardrobe”
“This is the snake I’ve been looking for my entire life”
Angry kitten scolds water, slaps it for good measure
Cat plays theremin
A speedy boi who doesn’t need a bike to jump
The most relaxed tiger
The sacred texts
Yes, THAT Stinky Bastard Man
Personal tags of the week
I want to be clear that AI has incredible scientific uses and could be used voluntarily by writers and artists for their own experimental projects. That is... not what this AI tag is about. 
Speaking of AI: truly, the Willy Wonka Experience debacle has been a DashCon for the 2020s. 
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Masterlist
Headcanons
Percabeth babies Solangelo babies
Zoe Sally Jackson part 1 part 2
Bianca Solace-di Angelo part 2
Solangelo as parents Solangelo in 2020 Lockdown Solangelo
The Heroes of Olympus + Next Gen head canons
Bianca’s first birthday May the fourth be with you
Charlie Jackson head canons
Rich Au – Annabeth Chase Rich Au – Percy Jackson
Will Solace headcanons
Theo Jackson headcanons
Ryder Solace-di Angelo headcanons
One shots (Solangelo)
Piano lessons
I love you
Welcome to surgery
Read me a bed time story
The Story about the Hunter of Artemis
Rings (one-shot)
Rings part 2
The End of An Era
The aunt I’ve never met
The World's best tattoo
Get the camera our baby is walking!
Ryder’s birth story
Do you want a new sibling?
I can’t leave her here
Early mornings like this one
A baby sent from the Gods
Austin, we’ve got a problem
Sisterly love
Growing up is all about growing old together with the same love as we started together.
Our baby is going to Harvard
And they called it puppy love
"The World's best dad?"
Just try and never grow up
Saying goodbye to the first boyfriend
First I didn’t get it, now I understand
home
One shots (Percabeth)
Coming out Lost things have a way of turning up
Happy birthday Percy/The best birthday present
I got you, Zoe You all over me
I thought that we had managed to work things out
What’s your last name? “I’m done! You can fix it.”
Why do they grow up so fast?
A much needed break Who knew dating was hard
The whole hunter situation
I felt like an old cardigan, but you put me on and said I was your favourite
Would it be enough if I could never give you peace? Mum, we’re having a baby Get together with friends
This isn't a baby shower
Parenting class
When you told me the whole story I felt like throwing up
Preparing for the wedding
Rehearsal dinner
Have I known you twenty seconds or twenty years?
What about children? Little League
Prompt list
“You could have gotten yourself killed!” “But… I didn’t?”
"I remember kissing you. Why do I remember kissing you?"
Prompt 16: “Marry me.” / “We’re already married.” / “Marry me again.”
“I love you so, so much.”
I want to do this for the rest of my life
“You make me proud, you know that, right?”
“You smoke now?”
“Sleep is for the weak." & “And that’s how to ruin a life, Congratulations.”
“I wouldn’t forget you. Not if the whole world turned to ash.”
Prompt 21: “Look! Fireflies!”
Miss or Mrs
Boy Troubles
Part 1 Part 2 Part 3 Part 4 Part 5 Late night talking
Did he come home with a bloody nose
Who is babysitting?
Apollo Part 1 Part 2 Part 3 I’m here
Next gen
Our kids got into a fight
Going on Holidays with Everyone
“My parents are coming over in 10 minutes so please put some clothes on"
Chasing Cars
Next Chapter
Getting the wisdom out
You’re a pretty good older sister
“The skirt is supposed to be this short.”
Ryder breaking his leg
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Sam Heughan’s Sassenach whisky brand loses the final legal fight in a trademark dispute in the European Union 🇪🇺
Sam Heughan launched his whisky brand "The Sassenach" in 2020, nickname his character uses for his on-screen love interest in the time travel drama "Outlander". Since 2021, Heughan has been embroiled in a legal battle with "Sasse" a German distillery over the name of his whisky brand, arguing that the Sassenach whisky would confuse customers who might think he is linked to them.
The European Union Intellectual Property Office (EUIPO), which resolves trademark disputes, ruled in favour of the German company and issued a decision upholding the opposition saying The Sassenach could not use the name as a whisky brand. After losing the initial decision at the Fifth Board of Appeals in 2021, Heughan's legal team appealed in 2022 to overturn the decision.
His legal team said there was no risk of confusion as Outlander was popular in Germany. Lawyers for the Sasse distillery, however, said: "The television series may be as popular as the other side claims, which we deny, nonetheless it is not sufficient to assume that the average consumer knows the meaning of that term. Both parties in litigation were given time to present evidence and arguments in their defence and after the Examination period, the Opposition Division’s decision was taken this year 2023.
Great Glen Company or its representative never commented on the EU decisions until last October, in New York when Sam Heughan was asked about Sassenach whisky situation in the European Union in a chat with Mark Gillespie at the Whisky Cast podcast and Heughan's response was very limited, deflecting the question talking about the name in dispute but not the EUIPO's decision, regarding Sassenach whisky that was supposedly aware of the official communication from the European Union Intellectual Property Office - Opposition Division- sent to Great Glen Company in July 2023, which considered that the disputed trademark 'The Sassenach' must be rejected for all the contested goods.
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It's a bit curious that after the EUIPO decision, Sam Heughan appeared on a surprise visit to New Orleans, which included podcasts, and events with @sgwinespirits on Tales of the cocktail with an unscheduled tasting of his drinks at the Ritz-Carlton in Nola. Later on, he began his Sassenach sales tour around the United States last summer. If these people had known what had happened with his Sassenach brand in the EU would be different?
In addition, Great Glen Company (GGC) applied to register a new trademark with the World Intellectual Property Organisation (WIPO) and the EU, following the EUIPO decision, following its earlier idea to build on all the Outlander ideas, the new trademark is called "LALLYBROCH SPIRITS" (Lallybroch means "lazy tower" in Gaelic). It will not use Midhope/Lallybroch as a distillery. This new trademark has nothing to do with or relate to the grounds of Midhope Castle, the site of a new whisky distillery with a different brand and ownership. Its new application is already registered in the United States.
It's pending resolution in the EU, Canada and the United Kingdom where Heughan requested its registration.
WIPO
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EUIPO
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THE SASSENACH UNIQUE SPIRITS
The Great Glen Company, Sam Heughan’s firm, applied to register the brand name Scotch whisky THE SASSENACH UNIQUE SPIRITS as a future trademark to sell the whisky across Europe, but Theo Sasse e.K brand distillery in Schöppingen-Germany, objected claiming the name was too close to its trademarked name, which it uses to sell whiskies and brandies spirits.
On 20th July 2023 the Opposition Division takes the following:
DECISION
1. Opposition is upheld for all the contested goods.
2. International registration is entirely refused protection in respect of the European Union.
REASONS
On 24th November 2021 the opponent Theo Sasse e.K filed an opposition against all the goods (Class 33) of international registration designating the European Union. The opposition is based on, inter alia, German trademark registration ‘Sasse’ (word mark). Also, the opponent invoked Article 8(1)(b) EUTMR and Article 8(4) EUTMR.
LIKELIHOOD OF CONFUSION — ARTICLE 8(1)(b) EUTMR
A likelihood of confusion exists if there is a risk that the public might believe that the goods or services in question, under the assumption that they bear the marks in question, come from the same undertaking or, as the case may be, from economically linked undertakings.
The opposition is based on more than one earlier trade mark. The Opposition Division finds it appropriate to first examine the opposition in relation to the opponent’s German trade mark registration.
a) The goods
The goods on which the opposition is based are, inter alia, the following:
Class 33: Alcoholic beverages, excluding beers. Alcoholic beverages, except beer are identically contained in both lists of goods (including synonyms).
b) Relevant public — degree of attention
The average consumer of the category of products concerned is deemed to be reasonably well informed and reasonably observant and circumspect. It should also be borne in mind that the average consumer’s degree of attention is likely to vary according to the category of goods or services in question. In the present case, the goods found to be identical are directed at the public at large.
c) The signs
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The relevant territory is Germany.
Contested sign The global appreciation of the visual, aural or conceptual similarity of the marks in question must be based on the overall impression given by the marks, bearing in mind, in particular, their distinctive and dominant components. The earlier mark is the word mark ‘Sasse’. The protection of a word mark concerns the word as such and not the specific graphic or stylistic elements accompanying that mark.
The verbal element ‘SASSENACH’ of the contested mark has, contrary to the allegations of the holder, no meaning for the relevant public and is, therefore, distinctive. Likewise, the unicorn device of the contested sign has no particular meaning in relation to the goods and is distinctive.
THE SASSENACH’ in the contested sign are the dominant elements as they are the most eye-catching.
Visually, the signs coincide in ‘SASSE’, which represents the entire earlier mark. The signs differ in the representation of a unicorn and the additional letters ‘-NACH’ (after SASSE) and the non-distinctive elements ‘The’ as well as ‘UNIQUE SPIRITS’ in the contested mark. Thus, the single word element of the earlier mark is fully contained in the most distinctive verbal element of the contested mark. That fact alone is a clear indication of a visual similarity. Therefore, the signs are similar to a below-average degree.
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Aurally, the signs coincide in the syllables ‘Sas-se’, which is the sole and distinctive element of the earlier mark and the beginning of the most important verbal element of the contested sign, ‘Sas-se-nach’. The signs differ in the last letters of this word (one syllable), ‘nach’, and in the first verbal element of the contested sign, ‘The’. The fact remains that the earlier mark is entirely included at the beginning of the most important verbal element of the contested sign.
Conceptually, the signs will always be dissimilar as the contested mark will be understood with at least one meaning, namely the unicorn in the contested mark. As the signs have been found similar in at least one aspect of the comparison, the examination of likelihood of confusion will proceed.
d) Distinctiveness of the earlier mark The distinctiveness of the earlier mark is one of the factors to be taken into account in the global assessment of likelihood of confusion. In the present case, the earlier trade mark as a whole has no meaning for any of the goods in question from the perspective of the public in the relevant territory. Therefore, the distinctiveness of the earlier mark must be seen as normal.
e) Global assessment, other arguments and conclusion The goods at issue are identical. They target the general public, who possesses an average degree of attention. The earlier mark has a normal degree of distinctiveness. The signs are visually similar to a below average degree and aurally similar to an average degree since the sole and distinctive element of the earlier mark, ‘Sasse’, is entirely reproduced at the beginning of the contested sign’s only fully distinctive verbal element, ‘Sassenach’. Evaluating the likelihood of confusion implies some interdependence between the relevant factors and, in particular, a similarity between the marks and between the goods or services.
Considering all the above, especially taking into account that the earlier mark is entirely reproduced in the contested sign and used for goods that are identical, the Opposition Division finds that there is a likelihood of confusion on the part of the public. Therefore, the opposition is well founded on the basis of the opponent’s German trade mark registration It follows that the contested trade mark must be rejected for all the contested goods. As the earlier right German trade mark registration leads to the success of the opposition and to the rejection of the contested trade mark The Sassenach for all the goods against which the opposition was directed.
The trademark status was "totally refused", meaning that THE SASSENACH UNIQUE SPIRITS trademark cannot be registered in the EU. If SH's trade mark application is refused, he can file an appeal. He must file his notice of appeal within 2 months from the date of the refusal decision (August-September) and the grounds of appeal must be filed within 4 months from the same date of notification (October-November). But, He did not appeal and last November the EUIPO confirmed by letter the provisional refusal of his trademark and refused its protection in the European Union. The final decision was published on 14 December 2023.
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Conclusion
The EUIPO’s decision of the Board of Appeals, regarding its whisky has a “displacement” because Sassenach whisky cannot be registered as a trademark in the EU, the Sassenach trademark was refused. SH must be aware the significance of the total refusal decision regarding its whisky brand. If he was planning to recover from a legal dispute by putting his gin on an impromptu Sassenach tour around US last summer, proving that his recent EU legal battle was a mere bump in the road, he should have thought twice. He lost a legal battle to register his Sassenach whisky brand as a European Community trademark ® in 27 states. It is a big difference. It seems that if Heughan wants to continue selling its whisky, it will have to change the name.
LALLYBROCH SPIRITS registration:
United Kingdom
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Canada
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USA
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26 notes · View notes