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#series e 70-210mm f4
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The best lens ever
Buying a  Lens
When it comes to buying a telephoto lens it’s important to ask yourself what subjects you are wanting to shoot, how far away these subjects are likely to be, and what type of light you will most often be shooting in. You’ll then be able to narrow down your lens choices based on the following characteristics:
Focal Length
The lens focal length will determine how close your subject will appear through your cameras viewfinder. The larger the focal length the closer you will be able to get to your subject.
If I’m shooting a motocross event and I’m able to get very close to the track then often I won’t need a focal length longer than 200mm on a full-frame camera. But if I’m shooting birds in flight then these will be much further away and the subject will also be much smaller, so then I usually prefer a focal length in the 400-600mm range on a full-frame camera.
Aperture
The aperture of the lens together with shutter speed and ISO will determine your exposure. A lens with an aperture of f/2.8 will let in twice the amount of light compared with an f/4 lens, this not only allows you to keep your ISO lower but also improves the autofocus speed.
Many zoom lenses will have a variable aperture that changes depending on your focal length. For example, the Sony FE 100-400mm GM lens has a maximum aperture of f/4.5 when you are at 100mm, but at 400mm the maximum aperture changes to f/5.6. However, some lenses that have a constant aperture that doesn’t change as you zoom, like the Sony FE 70-200 F2.8 GM lens which has a maximum aperture of f/2.8 and 70mm and also at 200mm.
For indoor photography where light levels are low apertures of f/2.8 or faster are often preferred. Fast apertures are also preferred for outdoor photography when using fast shutter speeds or if you want to create the smoothest separation between your subject and the background.
Autofocus Speed
If you are planning to shoot very fast subjects such as superbikes or birds in flight then it’s important that the autofocus motors in the lens are able to keep up with your subject, if they can’t then you’ll struggle to get any shots in focus.
Prime or Zoom
Prime lenses are almost always sharper than zoom lenses but there are a couple of downsides to using them.
First of all because prime lenses have a fixed focal length you can only move closer or get further away from your subject by using your feet (which may not always be practical), whereas a zoom lens needs just a quick twist of the zoom ring.
Prime lenses are a lot more expensive than zoom lenses. For example, the Sony FE 200-600 f5.6-6.3 G lens normally costs around $1,998.00, whereas the Sony 600mm F4 GM lens costs a whopping $12,998.00.
Top 10 Sony E-mount Telephoto Lenses
Here are the 10 most popular telephoto lenses for Sony E-mount:
Sony FE 200-600mm F5.6-6.3 G     OSS
Sony FE 100-400mm F4.5-5.6 GM     OSS
Sony FE 70-200mm F2.8 GM OSS
Sony FE 70-200mm F4 G OSS
Sony FE 70-300mm F4.5-5.6 G OSS
Sony FE 400mm F2.8 GM OSS
Sony FE 600mm F4 GM OSS
Sony E 70-350mm F4.5-6.3 G OSS
Sony E 18–200mm F3.5–6.3 OSS LE
Sony E 55-210mm F4.5-6.3 OSS
Keep scrolling to find out more about each of these lenses.
APS-C Telephoto Lenses
Sony E-mount APS-C telephoto lenses are designed for cameras like the Sony a5100, a6000, a6100, a6300, a6400, a6500 and a6600 but will also work on full-frame E-mount cameras like the Sony a7 Series or a9 when shooting in APS-C (Super-35) Mode.
Sony E 70-350mm F4.5-6.3 G OSS (SEL70350G)
 The Sony E 70-350mm F4.5-6.3 G OSS is the longest APS-C zoom lens currently available for the Sony E-mount.
I bought this lens on the first day that it was available and it has quickly become one of my favorite APS-C lenses for travelling, shooting sports and shooting my dog Frank. I also often use this lens on my a7R IV in crop mode as it’s so small and light.
The lens has a focal length of 70mm to 350mm and a variable aperture of f/4.5 – 6.3. From 70mm to 82mm its f/4.5, 83mm to 113mm its f/5, 114mm to 199mm its f/5.6, and 200mm to 350mm is f/6.3.
The lens is well built and weighs only 625 g (22.1 oz.). It features an AF/MF switch and OSS (Optical Steadyshot) On/Off switch. There’s also a customizable function button and a zoom lock switch. Unfortunately Sony missed off a focus limiter switch that can be useful at times, and there’s also no panning mode 1/2 switch.
The lens is pretty sharp when shooting at 350mm and f/6.3 but by stepping down to f/7.1 you’ll see an improvement in sharpness.
To learn more about this telephoto lens I’d recommend watching this very nice review from Christopher Frost:
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lensinserze · 4 years
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%^ NIKON Series E 70-210mm F4 lens, Manual Focus - Nikon AIS mount for film cameras https://ift.tt/3dRWmCt
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updatedc-blog · 5 years
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New Post has been published on https://www.updatedc.com/2019/01/23/best-lenses-for-sony-a6400/
Best Lenses for Sony A6400
Best Lenses for Sony A6400 camera. Top rated highly Recommended lenses for your A6400 camera selected by our expert editors. The Sony A6400 camera is undoubtedly the best APS-C sensor mirorless camera of today since the camera carries world fastest AF system and the low-light shooting capability of the camera is even better than the Sony A6500 camera.
Sony A6400 Compatible lens list begin from Sony native lenses and then we move further to third party lenses
Sony A6400 Best Lenses Quick Jump Table
Best Standard Zoom Lens Sony 16-70mm F4 Lens Affordable Standard Zoom Lens  Sony E PZ 18-105mm F4 Lens  Best Telephoto Zoom Lens   Sony FE 70-200mm Lens  Best Affordable Zoom Lens  Sony 55-210mm zoom lens Best Wide angle Zoom Vlogging Lens  Sony E 10-18mm lens  Best Portraits Lens  Sony 50mm F1.8 OSS  Best Lens for Macro Shooting  Sony 30mm F3.5 lens  Best Ultra Wide-angle Lens  Sigma 19mm F2.8 EX DN Best Portrait Lens  Sigma 60mm F2.8 DN  Highest Rated Third Party Lens  Sigma 56mm F1.4 Lens
Take a look at the recommendation below and Do ask your Lens related questions at the comment box below.
16-70mm F4 Lens – Buy this lens from Amazon | B&H
Best Standard Zoom Lens for Sony A6400
The best Zoom lens for your Sony A6400 camera is 16-70mm F4 Lens. As you all know the lens is bit costly ($998) but one of the best lenses available for the camera right now.
One of the best thing you will notice while using the lens the lens produces very sharp images and features a constant F4 aperture throughout the zoom range. The build quality of the lens is very solid and the image stabilization of the lens is highly effective and works upto four shutter speed steps to benefit while handheld shooting. Btw, when you are buying a camera like Sony A64000 then you have to buy a lens with better OIS since the camera doesn’t have built-in image stabilization system.
The lens isn’t affordable but you will find the cost reasonable once you see the output from this lens. If you think the price is high then just imagine that you are buying a bunch of high quality prime lenses. It’s expensive but it’s a Zeiss OSS and you get what you pay for when quality is your priority.
Sony A6400 + 16-70mm F4 Sample Image
Lens focal Length : 29 mm Shutter speed : 1/100 sec. F number: F5.6 ISO: 320
Sony E PZ  18-105mm F4 Lens from Amazon | B&H
Affordable Standard Zoom Lens Option for Sony A6400
Sony E PZ 18-105mm f/4 G OSS Lens. Now as we know that it’s not possible for most of us to buy a $1K lens after getting the Sony A6400 camera. So, in this section we are talking about the affordable lenses that easily fits in your budget.
Affordable Option – If you don’t want to spend $1K cash on Sony 16-70mm f/4 ZA OSS Lens then you should go for Sony E PZ 18-105mm f/4 G OSS Lens.
Now, as you can easily notice the cost of the 18-105mm lens is just half compared to the 16-70mm lens. But there is also slight difference in image quality between the two
The lens cost approx 1/2 than the 16-70 F4 lens. But As we have said early the 16-70mm lens performance is equivalent to a series of prime lenses performed together and the difference between the two lens is visible when we test them together in Lab. The test result does shows the 16-70mm F4 is noticeably sharper than 18-105mm f/4 G OSS Lens.
The Good: Covers wide range | The Bad: Affordable
Sony 18-105mm F4 G OSS Lens Sample Photo
Buy Best Zoom Lens – Sony FE 70-200mm Lens from Amazon | B&H
Best Telephoto Zoom Lens for Sony A6400
We are talking about the best Zoom lens right now, so as usual we are not counting up the price factor in this recommendation. The best Zoom lens if Price isn’t a issue is the Sony FE 70-200mm F2.8. As you all know that’s a FE lens (fullframe lens).
The 70-200mm lens is one of the best lens that Sony ever made. For DSLR users I must say that this lens is as good as Canon 70-200mm F2.8 OR Nikkor 70-200mm F2.8 Since. The Sony A6500 and the 20-700mm F2.8 is a killer combo. A perfect lens for shooting sports, wildlife, wedding and Portraits. The Sony 70-200mm F2.8 lens focuses very fast when paired with Sony A6500 and delivers stunning images with excellent color and contrast without any noticeable Aberration/Distortion throughout the zoom range.
You Can also use  Both the 1.4x and the 2.0x teleconverters with this lens. The teleconverters maintain excellent image quality while boosting focal-length of the image upto 2X.
Sony A6400 + Sony FE 70-200mm F2.8 Lens Sample Image
Camera – Sony A6400 Lens name – FE 70-200mm F2.8 GM OSS Lens focal Length – 70 mm Shutter speed – 1/2500 sec. F number – F4 ISO – 500
Sony 55-210mm zoom lens B&H Store | Amazon.com
Best Affordable Zoom Lens ($348)
The Best option available under affordable price range. The Sony 55-210mm lens is a produce sharp result when used at bit higher aperture. The lens features very light-weight (compared to the DSLR zoom lenses I have used till now) and the lens bokeh quality isn’t so eye catching so don’t try to have portrait sessions with this lens.
The Good: Good general purpose zoom lens| The Bad: only zoom lens for E-mount
Sony 55-210mm zoom lens Sample Image
Shutter speed 1/2500 sec. F number F6.3 ISO 800
Buy Sony E 10-18mm lens from Amazon | B&H
Best Wide angle Zoom / Vlogging Lens for Sony A6500 Camera
Sony E 10-18mm f/4 OSS: Sony E 10-18mm f/4 OSS Lens is the best wide zoom lens for Sony A6500 camera.The 10-18mm lens is also very usable for vlogging purpose. The gives you a super wide coverage and help you when you want to do self Blog with the camera or to have some wide angle landscape shots.
The lens also features very effective image stabilization system. The lens feature constant F4 aperture and gives you super sharp output. The design of the lens is completely rock solid and made of of metal. The AF performance is very fast and accurate, the amount of image distortion lens produces is very well controlled.
The Good: The best wide angle zoom lens available for Sony A6500 | The Bad: None
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  Buy Sony 50mm F1.8 Lens from Amazon | B&H
Best Portraits Lens for A6500
Sony E 50mm f/1.8 OSS Lens: The must have prime lens for every Sony APS-C Mirrorless shooters. The 50mm F1.8 portrait lens produces tack sharp images even at wide open aperture and if you are comparing it’s price from Canikon lenses than don’t forget the Sony 50mm F1.8 lens also features OSS (Optical Steady Shot) Image stabilization.
The Bokeh of the lens is very creamy and the lens features silent and FAST AF motor inside, usable for both still and video purpose. Highly recommended for Sony E-Mount users
The Good: Excellent lens for portraits | The Bad: Nothing
Sony A6400 + 50mm F1.8 OSS Sample Image
Buy this Lens from Amazon | B&H
Best Lens for Macro Shooting
Sony 30mm F3.5 lens is the perfect Macro Lens for Sony A6400. The lens captures tack sharp images at 1:1 proportion and features very well controlled Chromatic aberration. The lens features minimum focusing distance of 9.5 cm and the focal-length of the lens is 30cm. In general the standard Focal-Length of a normal macro DSLR lens varies between 60mm to 100mm, so with a 30mm macro lens you have to get closer to the subject to get a prefect shot. The lens is very durable and made up of aluminum alloy. But keep in mind you have to use tripod all the time to get perfect picture since the Lens and Camera both doesn’t have Image stabilization system.
The Good: Sharp images and creamy bokeh | The Bad: none
Sony 30mm F3.5 Sample Image
Shutter speed 1/13 sec. F number F4.5 Exposure program Aperture priority ISO 400
Best Third Party lenses for Sony A6400
Let’s talk about the best set of third party lenses for Sony A6400 camera. Before we start our recommendation, you should aware of that only few Sigma lenses support AF. Otherwise all the other third party lenses are  lenses are Manual Focused.
Buy Sigma 19mm F2.8 Lens from Amazon.com | B&H
Best Ultra Wide-angle Lens for Sony A6400 (Under $200)
Sigma 19mm F2.8 EX DN (AF) One of the best and affordable lenses available for Sony A6400 camera. The lens features F2.8 aperture and close focusing distance is just 20cm. So, this wide angle prime lens not only allow you to capture Landscapes and architecture shots. With this lens you can also do some creative portrait session with your clients and babies.
While shooting landscapes you should keep your aperture between F8 to F11 to capture optimal images with this lens. The lens also supports AutoFocus, and one of the best and affordable lens available under $200 price range.
Sigma 19mm F2.8 Sample Image
  Buy this lens from Amazon.com | B&H Store
Best Portrait Lens for Sony A6400 ($210)
Sigma 60mm F2.8 DN (AF): Best and affordable Portrait lens available for Sony A6400 camera. The lens very sharp at center and gives optimum performance at F5.6. One of the best third party lens for Sony APS-C Mirrorless cameras I have ever used. The AF is not as good as Sony native lenses, with this lens you are getting usable and accurate AF.
Let me remind you that you before you buy this lens, the lens doesn’t have built-in AF. As well as you Sony A6400 camera doesn’t have built-in Image stabilization.
LENS : 60mm F2.8 DN SHUTTER SPEED : 1/500 APERTURE VALUE : F2.8 FOCAL LENGTH : 60mm PHOTOGRAPHER : Koich Isomura
Buy Sigma 56mm Lens from Amazon.com | B&H Store
Highest Rated Third Party Lens for Sony A6400
Sigma 56mm f/1.4 DC DN Contemporary Lens for FE / E Mount: The lens we are talking about is one of the best and highest rated Third Party lens of Sony APS-C Mirrorless camera. If you have used Canon 50mm F1.2 Lens with Canon Fullframe DSLRs camera then you should buy this lens. The lens gives you exactly same image quality as of Canon L series Lenses and above that the AF is now more accurate and the overall system is more compact. The Sigma 50mm F1.4 weather sealed lens features amazing optics inside that delivers ultimate image quality you may ever experience with Sony 50mm portrait lenses. If you are a professional portrait shooter then you must have this lens. Keep in mind the 1.5X crop factor when using the lens with APS-C Mirrorless camera.
Sigma 56mm F1.4 Lens Sample Image
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slrlounge1 · 5 years
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Tamron Announces Three New Full-Frame Lenses
Tamron has announced they’re developing three lenses — two for full-frame DSLRs and one for full-frame mirrorless cameras
Tamron’s two new (in development) full-frame DSLR lenses include the 35-150mm F/2.8-4 Di VC OSD (Model A043) zoom lens and the SP 35mm F/1.4 Di USD (Model F045) fixed focal lens; on the mirrorless side, Tamron is developing a new high-speed ultra-wide-angle zoom lens for Sony E-mount full-frame mirrorless cameras—the 17-28mm F/2.8 Di III RXD (Model A046).
Tamron will display these new lenses at CP+ 2019, the world premiere show for camera and photo imaging, from February 28 through March 3, 2019 at Pacifico Yokohama and at the Wedding and Portrait Professionals International (WPPI), February 27 through March 3, 2019 in Las Vegas.
The lenses are expected to launch in the middle of 2019.
[REWIND: New Tamron 17-35mm F2.8-F4 For Canon & Nikon | Smallest, Lightest Ultra-Wide-Angle Zoom Lens In Its Class]
Fast compact Portrait Zoom breaks new ground: 35-150mm F/2.8-4 Di VC OSD (Model A043)
The new compact Model A043 is designed for fast handling and easy transport and features a zoom that extends from 35mm to 150mm, incorporating the 85mm focal length (often regarded as optimum for portrait shooting). It offers a fast F2.8 aperture at the wide-angle end while maintaining a bright F4 at the telephoto end. For close-focusing, the MOD (Minimum Object Distance) is 17.7″ across the entire zoom range. Delivering superb image quality, precisely placed LD (Low Dispersion) glass elements and aspherical lenses quash degrading optical aberrations. Furthermore, the Model A043 incorporates the Dual MPU (Micro-Processing Unit) system, which assures optimal AF performance and effective vibration compensation.
This lens is particularly intriguing to me as I tend to do a lot of event and photojournalistic work. I’ll often carry two cameras or two lenses and swap to cover the wide to telephoto ranges needed in those instances and I rarely move from the F4 mark. So this lens, with it’s range and compact size, could be a game-changer for my work.
Fast fixed focal lens boldly demonstrates Tamron’s lens-making expertise: SP 35mm F/1.4 Di USD (Model F045)
Tamron’s SP lens series was born in 1979, based on the concept of delivering lenses for taking the perfect picture for those who love photography. This year marks the 40th anniversary of the series. In celebration, Tamron has developed the Model F045, the distillation of Tamron’s accumulated lens-making expertise and craftsmanship. This orthodox fixed focal lens, which some consider the most basic of all interchangeable lenses, is the embodiment of all of the optical technology and manufacturing knowhow Tamron has developed to date.
The Model F045’s unprecedented high-resolution image quality and beautiful, appealing background bokeh lets photographers capture any scene down to the finest details. The external lens barrel was developed through tireless pursuit of operability and durability, focusing constantly on the needs of photographers. This lens is equipped with a fast F1.4 aperture and high-speed, high-precision AF functionality offering exceptional reliability, plus various other features for increased convenience, making it the perfect everyday lens for your creative pursuits. It is ideally suited for nearly every photographic genre, including photojournalism, landscape, sports, street life, wedding groups and family snapshots.
I can’t wait to get hands-on with this and run some side-by-side comparisons with the collection of other F1.4 glass I’ve got. Yes, that is my favorite lens/focal length, so this guy will be fun.
High-speed ultra-wide-angle zoom lens for Sony E-mount cameras is extremely compact and lightweight: 17-28mm F/2.8 Di III RXD (Model A046)
The Model A046 achieves an astonishingly small diameter for a high-speed ultra-wide-angle zoom lens, as witnessed by its modest 67mm filter size. Its unprecedented light weight and compact size provide excellent balance when used with a full-frame mirrorless camera, making it easy to carry and enabling it to cater to a wide range of scenes and shooting conditions. The Model A046 offers a fast F2.8 aperture throughout the entire zoom range and delivers high-resolution and contrast, edge to edge. The combination of ultra-wide-angle focal length, fast constant F2.8 aperture, and Minimum Object Distance of 7.5″ at the wide-angle end encourages richly expressive and creative photography in a multitude of scenarios. The Model A046’s AF drive system is powered by the RXD (Rapid eXtra-silent stepping Drive) stepping motor unit, enabling it to deliver high-speed, high-precision and superbly quiet operation suitable for shooting video as well as still photographs.
Note: All DSLR camera functions are possible when the Models A043 and A045 are attached to a mirrorless camera via the manufacturer’s adapter..
*Specifications, appearance, functionality, etc. of the above-mentioned three products are subject to change without prior notice.
[REWIND: Tamron 70-210mm F/4 | First Impressions]
About Tamron Co., Ltd.
“New Eyes for Industry” is Tamron’s philosophy. This creed is consistent with the company’s position as a manufacturer of a wide range of original optical products, from interchangeable lenses for SLR cameras to various optical devices for both the general consumer and OEM. Tamron makes optical products that contribute to a range of different industries and will continue to devote its rich creativity and leading-edge technical prowess to various industrial fields. Furthermore, Tamron is fully aware of its responsibility to the environment and aspires to help preserve the natural environment in all of its business activities.
  So what are your thoughts on these lenses? Do they fill in any of the gaps in your kit? Let us know what you think in the comments below.
  from SLR Lounge https://ift.tt/2Eldou3 via IFTTT
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New Post has been published on Cheap camera shop
New Post has been published on http://cheapcamera.kolonel.info/products/jintu-ef-m43-aperture-control-lens-mount-adapter-for-canon-ef-lens-to-micro-43-m43-camera-gx7-gf6-e-m1-e-m5-e-pl5/
Jintu EF-M4/3 Aperture Control Lens Mount Adapter For Canon EF Lens to Micro 4/3 M4/3 Camera GX7 GF6 E-M1 E-M5 E-PL5
High Quality ! 100% Brand New ! 1 Year Factory Warranty
NOTE: this adapter without Auto Focus Function , need Manual Focus
NO FIT Panasonic GH5 Camera
This JINTU Brand high quality lens adapter is designed fit for EF-M4/3 from Canon EOS EF/EF-S lens to M4/3 Camera Fit Panasonic GH3 GH4 , Fit Olympus OM-D E-5,E-M10 BMPCC
Feature:
1. EXIF signal transmitting and being displayed on Camera Screen;
2. NO-DELAY Aperture control via Camera;
3. Built-in IS function;
4. Aluminum Alloy made, powerful and stable;
5. Gold-plating contact, excellent transmitting effect;
How to use:
when you use the lens adapter contact well you camera and lens ,pls set lens and camera like this:
1.set the lens on the “AF” Mode.
2.set the camera on the “auto” Mode.
3.power on the camera , and manual adjust the foucs ,and press the shutter button one time. then need waiting about 30 seconds, the camera will auto take photo.(note, need about 30s ,the camera will take photo)
Specification:
Compatible Lens
EF/EF-S series lens
Compatible Camera
M4/3 mount camera
Front installation
EF/EF-S series lens
Back installation
M4/3 mount Camera
Camera-mount outer diameter
39mm
Lens-mount outer diameter
67mm
Length
70mm
Net Weight
89g
NOTE:
1. EXIF and Aperture parameter can be transmitted to Camera and be controlled; Manual focus, can reach infinity focus;
2. The lens will automatically calculate the exposure after set to the correct shooting or video mode;
3. In shooting mode, while the camera shutter can’t be pressed down (or with non-lens prompt), please change the settings to ‘Release shutter without lens’ or ‘Aperture priority’
* Suitable for Lens As Following:
Fit FOR OLYMPUS m4/3 FOR PANASONIC m4/3 Fit CANON EF14mm/f2.8L USM CANON EF14mm/f2.8L USM Fit CANON EF24mm/f1.4L II USM CANON EF24mm/f1.4L II USM Fit CANON EF28mm/f1.8L USM CANON EF28mm/f1.8L USM CANON EF35mm/f1.4L USM CANON EF35mm/f1.4L USM CANON EF50mm/f1.2L USM CANON EF50mm/f1.2L USM CANON EF85mm/f1.2L II USM CANON EF85mm/f1.2L II USM CANON EF100mm/f2.8L IS USM CANON EF100mm/f2.8L IS USM CANON EF135mm/f2L USM CANON EF135mm/f2L USM CANON 180mm/f3.5L Ultrasonic CANON 180mm/f3.5L Ultrasonic CANON EF200mm/f2.8L Ultrasonic CANON EF200mm/f2.8L Ultrasonic CANON EF300mm/f2.8L IS CANON EF300mm/f2.8L IS CANON EF300mm/f2.8L IS II CANON EF300mm/f2.8L IS II CANON EF300mm/f4L IS USM CANON EF300mm/f4L IS USM CANON EF400mm/f2.8L IS USM CANON EF400mm/f2.8L IS USM CANON EF400mm/f4DO IS USM CANON EF400mm/f4DO IS USM CANON EF400mm/f5.6L USM CANON EF400mm/f5.6L USM CANON EF500mm/f4L IS II USM CANON EF500mm/f4L IS II USM CANON EF800mm/f5.6L IS USM CANON EF800mm/f5.6L IS USM ¡¡ ¡¡ CANON EF 8-15mm/f4L USM CANON EF 8-15mm/f4L USM CANON EF 8-16mm/f4L USM CANON EF 8-16mm/f4L USM CANON EF 16-35mm/f2.8L II USM CANON EF 16-35mm/f2.8L II USM CANON EF 16-35mm/f4L IS USM CANON EF 16-35mm/f4L IS USM CANON EF 17-35mm/f2.8L USM CANON EF 17-35mm/f2.8L USM CANON EF 17-40mm/f4L USM CANON EF 17-40mm/f4L USM CANON EF 17-55mm/f2.8 IS USM CANON EF 17-55mm/f2.8 IS USM CANON EF 20-35mm/f3.5-4.5 Ultrasonic CANON EF 20-35mm/f3.5-4.5 Ultrasonic CANON EF 20-35mm/f2.8L CANON EF 20-35mm/f2.8L CANON EF 24-70mm/f2.8L USM CANON EF 24-70mm/f2.8L USM CANON EF 24-70mm/f2.8L II USM CANON EF 24-70mm/f2.8L II USM CANON EF 24-70mm/f4L IS USM CANON EF 24-70mm/f4L IS USM CANON EF 24-105mm/f4L IS USM CANON EF 24-105mm/f4L IS USM CANON EF 24-105mm/f6L IS USM CANON EF 24-105mm/f6L IS USM CANON EF 28-70mm/f2.8 Ultrasonic CANON EF 28-70mm/f2.8 Ultrasonic CANON 28-300mm/f3.5-5.6L IS USM CANON 28-300mm/f3.5-5.6L IS USM CANON EF 70-200mm/f2.8L IS II USM CANON EF 70-200mm/f2.8L IS II USM CANON EF 70-200mm/f2.8L IS II USM CANON EF 70-200mm/f2.8L IS II USM CANON EF 70-200mm/f4L IS USM CANON EF 70-200mm/f4L IS USM CANON EF 70-210mm/f2.8L IS II USM CANON EF 70-210mm/f2.8L IS II USM CANON EF 70-300mm/f4-5.6L IS USM CANON EF 70-300mm/f4-5.6L IS USM CANON EF 100-400mm f4.5-5.6L IS USM CANON EF 100-400mm f4.5-5.6L IS USM CANON EF 100-400mmf4.5-5.6L IS II CANON EF 100-400mmf4.5-5.6L IS II ¡¡ ¡¡ CANON EF-S 24mm/f2.8 STM CANON EF-S 24mm/f2.8 STM CANON EF 40mm/f2.8 STM CANON EF 40mm/f2.8 STM CANON EF 50mm/f1.8 STM CANON EF 50mm/f1.8 STM CANON EF-S 10-18mm/f4.5-5.6 IS STM CANON EF-S 10-18mm/f4.5-5.6 IS STM CANON EF-S 18-55mm/f2.8 STM CANON EF-S 18-55mm/f2.8 STM CANON EF 24-105mm/f3-5.6 IS STM CANON EF 24-105mm/f3-5.6 IS STM CANON EF-S 55-250mm/f4-5.6 IS STM CANON EF-S 55-250mm/f4-5.6 IS STM ¡¡ ¡¡ CANON EF 20mm/f2.8 Ultrasonic CANON EF 20mm/f2.8 Ultrasonic CANON EF 24mm/f2.8 IS USM CANON EF 24mm/f2.8 IS USM CANON EF 28mm/f1.8 Ultrasonic CANON EF 28mm/f1.8 Ultrasonic CANON EF28mm/f2.8 IS USM CANON EF28mm/f2.8 IS USM CANON EF35mm/f2 IS USM CANON EF35mm/f2 IS USM CANON EF50mm/f2.5 USM CANON EF50mm/f2.5 USM CANON EF85mm/f1.8 USM CANON EF85mm/f1.8 USM CANON EF 100mm/f2 Ultrasonic CANON EF 100mm/f2 Ultrasonic CANON EF100mm/f2.8 Macro IS CANON EF100mm/f2.8 Macro IS CANON 100mm/f2.8 USM CANON 100mm/f2.8 USM CANON 135mm/f2.8 Softfocus CANON 135mm/f2.8 Softfocus CANON EF-S 15-85mm/f3.5-5.6 IS USM CANON EF-S 15-85mm/f3.5-5.6 IS USM CANON EF-S 17-55mm/f2.8 IS USM CANON EF-S 17-55mm/f2.8 IS USM CANON EF 18-55mm/f3.5-5.6 III CANON EF 18-55mm/f3.5-5.6 III CANON EF-S 18-135mm/f3.5-5.6 IS CANON EF-S 18-135mm/f3.5-5.6 IS CANON EF 20-35mm/f3.5-4.5 CANON EF 20-35mm/f3.5-4.5 CANON EF 28-135mm f3.5-5.6 IS CANON EF 28-135mm f3.5-5.6 IS CANON EF 70-210mm f3.5-4.5 Ultrasonic CANON EF 70-210mm f3.5-4.5 Ultrasonic CANON EF 90-300mm/f4.5-5.6 USM CANON EF 90-300mm/f4.5-5.6 USM CANON EF 100-300mm f5.6 Ultrasonic CANON EF 100-300mm f5.6 Ultrasonic ¡¡ ¡¡ SIGMA 10-20mm/f4-5.6 DC HSM SIGMA 10-20mm/f4-5.6 DC HSM SIGMA 12-24 f4.5-5.6 DG EX SIGMA 12-24 f4.5-5.6 DG EX SIGMA 30mm f1.4 DC HSM SIGMA 30mm f1.4 DC HSM SIGMA 24-105mm/f4 DG OS HSM SIGMA 24-105mm/f4 DG OS HSM SIGMA APO 50-500mm/f4.5-6.3 DG OS HSM SIGMA APO 50-500mm/f4.5-6.3 DG OS HSM SIGMA 150-600mm/f5-6.3 DG OS HSM SIGMA 150-600mm/f5-6.3 DG OS HSM SIGMA Macro 105mm/f2.8 EX DG OS HSM SIGMA Macro 105mm/f2.8 EX DG OS HSM ¡¡ ¡¡ TAMRON 24-70mm/f2.8 Di VC USD TAMRON 24-70mm/f2.8 Di VC USD TAMRON SP 70-300mm f4-5.6 Di VC USD TAMRON SP 70-300mm f4-5.6 Di VC USD
* Package including:
1x Jintu EF-M4/3 lens adapter
with original packing box
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lensinserze · 4 years
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%^ Nikon Nikkor AI-S 70-210mm f4 Series E Lens 70-210/4 AIS #489 https://ift.tt/2A2xcCE
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lensinserze · 4 years
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%^ Nikon Zoom Nikkor Series E AI 70-210mm F4 Telephoto Zoom Manual Focus Lens OFFER https://ift.tt/2KC1PRw
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lensinserze · 4 years
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%^ Nikon Nikkor AI-S 70-210mm f4 Series E Lens 70-210/4 AIS #841 https://ift.tt/2XmrntA
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slrlounge1 · 5 years
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Tamron Announces Three New Full-Frame Lenses
Tamron has announced they’re developing three lenses — two for full-frame DSLRs and one for full-frame mirrorless cameras
Tamron’s two new (in development) full-frame DSLR lenses include the 35-150mm F/2.8-4 Di VC OSD (Model A043) zoom lens and the SP 35mm F/1.4 Di USD (Model F045) fixed focal lens; on the mirrorless side, Tamron is developing a new high-speed ultra-wide-angle zoom lens for Sony E-mount full-frame mirrorless cameras—the 17-28mm F/2.8 Di III RXD (Model A046).
Tamron will display these new lenses at CP+ 2019, the world premiere show for camera and photo imaging, from February 28 through March 3, 2019 at Pacifico Yokohama and at the Wedding and Portrait Professionals International (WPPI), February 27 through March 3, 2019 in Las Vegas.
The lenses are expected to launch in the middle of 2019.
[REWIND: New Tamron 17-35mm F2.8-F4 For Canon & Nikon | Smallest, Lightest Ultra-Wide-Angle Zoom Lens In Its Class]
Fast compact Portrait Zoom breaks new ground: 35-150mm F/2.8-4 Di VC OSD (Model A043)
The new compact Model A043 is designed for fast handling and easy transport and features a zoom that extends from 35mm to 150mm, incorporating the 85mm focal length (often regarded as optimum for portrait shooting). It offers a fast F2.8 aperture at the wide-angle end while maintaining a bright F4 at the telephoto end. For close-focusing, the MOD (Minimum Object Distance) is 17.7″ across the entire zoom range. Delivering superb image quality, precisely placed LD (Low Dispersion) glass elements and aspherical lenses quash degrading optical aberrations. Furthermore, the Model A043 incorporates the Dual MPU (Micro-Processing Unit) system, which assures optimal AF performance and effective vibration compensation.
This lens is particularly intriguing to me as I tend to do a lot of event and photojournalistic work. I’ll often carry two cameras or two lenses and swap to cover the wide to telephoto ranges needed in those instances and I rarely move from the F4 mark. So this lens, with it’s range and compact size, could be a game-changer for my work.
Fast fixed focal lens boldly demonstrates Tamron’s lens-making expertise: SP 35mm F/1.4 Di USD (Model F045)
Tamron’s SP lens series was born in 1979, based on the concept of delivering lenses for taking the perfect picture for those who love photography. This year marks the 40th anniversary of the series. In celebration, Tamron has developed the Model F045, the distillation of Tamron’s accumulated lens-making expertise and craftsmanship. This orthodox fixed focal lens, which some consider the most basic of all interchangeable lenses, is the embodiment of all of the optical technology and manufacturing knowhow Tamron has developed to date.
The Model F045’s unprecedented high-resolution image quality and beautiful, appealing background bokeh lets photographers capture any scene down to the finest details. The external lens barrel was developed through tireless pursuit of operability and durability, focusing constantly on the needs of photographers. This lens is equipped with a fast F1.4 aperture and high-speed, high-precision AF functionality offering exceptional reliability, plus various other features for increased convenience, making it the perfect everyday lens for your creative pursuits. It is ideally suited for nearly every photographic genre, including photojournalism, landscape, sports, street life, wedding groups and family snapshots.
I can’t wait to get hands-on with this and run some side-by-side comparisons with the collection of other F1.4 glass I’ve got. Yes, that is my favorite lens/focal length, so this guy will be fun.
High-speed ultra-wide-angle zoom lens for Sony E-mount cameras is extremely compact and lightweight: 17-28mm F/2.8 Di III RXD (Model A046)
The Model A046 achieves an astonishingly small diameter for a high-speed ultra-wide-angle zoom lens, as witnessed by its modest 67mm filter size. Its unprecedented light weight and compact size provide excellent balance when used with a full-frame mirrorless camera, making it easy to carry and enabling it to cater to a wide range of scenes and shooting conditions. The Model A046 offers a fast F2.8 aperture throughout the entire zoom range and delivers high-resolution and contrast, edge to edge. The combination of ultra-wide-angle focal length, fast constant F2.8 aperture, and Minimum Object Distance of 7.5″ at the wide-angle end encourages richly expressive and creative photography in a multitude of scenarios. The Model A046’s AF drive system is powered by the RXD (Rapid eXtra-silent stepping Drive) stepping motor unit, enabling it to deliver high-speed, high-precision and superbly quiet operation suitable for shooting video as well as still photographs.
Note: All DSLR camera functions are possible when the Models A043 and A045 are attached to a mirrorless camera via the manufacturer’s adapter..
*Specifications, appearance, functionality, etc. of the above-mentioned three products are subject to change without prior notice.
[REWIND: Tamron 70-210mm F/4 | First Impressions]
About Tamron Co., Ltd.
“New Eyes for Industry” is Tamron’s philosophy. This creed is consistent with the company’s position as a manufacturer of a wide range of original optical products, from interchangeable lenses for SLR cameras to various optical devices for both the general consumer and OEM. Tamron makes optical products that contribute to a range of different industries and will continue to devote its rich creativity and leading-edge technical prowess to various industrial fields. Furthermore, Tamron is fully aware of its responsibility to the environment and aspires to help preserve the natural environment in all of its business activities.
  So what are your thoughts on these lenses? Do they fill in any of the gaps in your kit? Let us know what you think in the comments below.
  from SLR Lounge https://www.slrlounge.com/tamron-announces-three-new-full-frame-lenses/ via IFTTT
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