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#serquel
remadoras · 7 months
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I'm sorry. It was all planned out, except what happened between us. I don't know... I broke my own rules. What? I didn't consider that variable. What the hell are you saying? What variable? Falling in love with you.
La casa de papel (2017-2021)
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Okay okay okay, this might sound just a tiny bit unhinged but I am convinced that the LCDP writers have seen and been influenced by Hannibal, owing to the parallels between the Hannibal/Will and Sergio/Raquel relationships (focusing especially on a scene in the show that really mirrors one in Hannibal).
So, let's look at the text. First up, Hannibal, 3x11
Hannibal: The building of a new body and the othering of himself, the splitting of his personality, all seem active and deliberate. He craves change. Will: He didn't murder those families. He changed them. Hannibal: Don't you crave change, Will?
Second, LCDP, 2x8
El Profesor: Yo estoy haciendo una inyección de liquidez. Pero no a la banca. La estoy haciendo aquí, en la economía real, de este grupo de desgraciados, que es lo que somos, Raquel. Para escapar de todo esto. Tu no quieres escapar? ('I'm injecting liquidity. But not to the banks. I'm doing it here, in the real economy, for this group of wretches, Raquel, which is what we are. To escape from all of this. Don't you want to escape?')
And, ok, they're not the only two stories in existence where one character begs the other to see things from their point of view, you might say. You're clutching at straws here, Nay, because Hannibal is your current obsession, and LCDP was the one that came before.
But it's not just the dialogue. And it's not just this one scene.
If we're looking very literally at these two scenes, you'll notice that one half of our pair is imprisoned, but even that's not just surface level. Both imprisoned parties should not, by rights, be there, if they'd behaved in a remotely rational way leading up to that point. Hannibal allowed himself to be imprisoned for Will, even though he should have killed him long ago to protect himself. Raquel, likewise, could and should have handed Sergio over to the police many, many episodes ago, but she didn't, because like Hannibal, she couldn't bring herself to hurt him.
However, the real parallel isn't between Hannibal and Raquel - Sergio/Hannibal and Raquel/Will are the parallel characters leading up to these scenes, and besides looking at who is currently imprisoned, the clearest parallels within the scenes too.
Both of these relationships are deeply manipulative and physically violent, but the person who is initially causing harm gets tripped up by their own feelings, opening a window for their intended victim to exercise power over them instead. And, although in each relationship there is a clear manipulator at first, even in their beginnings, they are equals, and natural enemies (even though they might not realise it at first).
That's not to say the characters are the same - Hannibal's manipulation is driven by curiosity, and Sergio's is driven by ideals. But the outcomes are surprisingly similar nonetheless - they realise their goals, and then they regret them. They both lose the trust of the person they have unwittingly fallen in love with, and as Will and Raquel see Hannibal and Sergio, respectively, for the people they really are, they want (or think they want) to exact revenge on them. Raquel ties Sergio up and interrogates him, threatens him, hurts him, and Will tries to have Hannibal killed, and works to prove that it's Hannibal who's the serial killer, not him. But both Will and Raquel, of course, are not quite able to bring their righteous violence to its logical conclusion. Raquel fails to turn Sergio into the police, despite the fact that she's in charge of catching him, and Will gets tangled in his own line as he tries to reel Hannibal in, finding Hannibal himself far more magnetic than the justice of catching him. Both of them want to hurt their manipulative counterpart, but they've fallen for them too (and for both of them, I think this adds to their fury at Hannibal/Sergio).
And then we reach these two scenes I referenced at the top of the post. In both shows, they appear towards the end (at least, the assumed end at the time - LCDP, of course, got three more seasons later on, and Hannibal was [is?!] supposed to have more too). In both shows, Will and Raquel have experienced a loss of some kind, a really significant loss, tied to their identity, that is the fault of Hannibal/Sergio - Raquel has lost her job and integrity as an inspector; Will's family has nearly been killed and are emotionally lost to him - and yet they are both running towards the cause of that loss. Raquel, of course, is ostensibly trying to catch Sergio by herself, and Will has come to yell at Hannibal. But there's a calm in both scenes that wouldn't be there if all the wronged party felt was anger - after a fight Raquel lets Sergio talk to her without interruption, just as Will allows Hannibal to talk back to him, to ask him questions. And then our two manipulators - both of whom, I might add, have almost thrown everything away for the people who were supposed to be collateral damage - make this final plea in the dialogue above.
They're very different people, Sergio and Hannibal, but the plea is, at it's core, the same. The world, they say, The world doesn't look the way you were taught to see it, and you don't fit into it the way you thought either.
It's a plea for acceptance, because if Will and Raquel can accept the world and themselves the way Hannibal and Sergio see them, then they are, by extension, accepting them. It's a please, god, just say you want to run away with me.
And, in both instances, it works.
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lofan · 1 month
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If anyone has wondered where this meme came from:
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beckdeltest · 1 year
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gilliansitziar · 1 year
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“ahora todo es mejor porque estás conmigo.”
IG | sketchedby.nad
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disfrutamalen · 1 year
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each of their kisses holds a special place in my heart <3
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"Everything is better because I'm with you, because I'm in love with you. Raquel I want to spend the rest of my life with you." 
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thatcrazymind · 2 years
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I look at them and I know that at some point They have bonded before heist, over some late night talking about Sergio and Andrés.
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lavandulacosmos · 1 year
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Inktober Day 22: HEIST
Raquel Murillo (Lisbon) & Sergio Marquina (Professor)
Masterminds for hire, or Serquel plan heists in their retirement for the right price and the right challenge.
[Money Heist days - Part 2]
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praying4time · 2 years
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BTS and scene of 'La Casa de Papel' Season 3.
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paigelovelight · 1 year
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Kabby as Serquel 🎨
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mrsannellaperlman · 10 months
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beckdeltest · 1 year
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erfolgreichgefabert · 11 months
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I’m looking for a fanfiction I’ve read a while ago. I don’t remember the name but it was about Sergio and Raquel from La Casa de Papel. It was such a good read. In only remember that it was about Paula and her decision to go back to Spain and at the beginning of each chapter she was questioned by her real father and some police woman. I remember crying like a baby at the end because it was such a beautiful ending and so heartwarming🥰
I think it was deleted but I hope maybe someone saved it and can reach out to me. I really want to reread it.
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feeling more than a bit unhinged about serquel again because, just, they are SO FUCKED UP and so kind of achingly perfect
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disfrutamalen · 1 year
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🫀🩹
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