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#seventeen seconds
spockvarietyhour · 1 year
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USS Titan-A in Star Trek Picard "Seventeen Seconds"
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Debbie Harry and The Cure in NYC, 1980
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rosalie-starfall · 1 year
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Picard/Crusher
Star Trek: Picard - Seventeen Seconds
The fact that they gradually are gravitating towards each other! They will always be drawn back together!
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jt1674 · 10 months
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violetbudd · 1 year
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zdezintegracja · 6 months
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Robert is simply better
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tempestades · 4 months
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i just think before the season is over Buck should be put into at least one (1) near-death situation just to give Eddie Diaz the scare of his life and trigger something in him
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jesternene · 1 year
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Beverly Crusher in "Seventeen Seconds"
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starry-bite · 1 year
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quasi-normalcy · 1 year
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Star Trek: Picard, season 3, episode 3, "Seventeen Seconds" thoughts (spoilers):
The Good:
My big concern about this episode was how they could possibly explain away Crusher's behaviour, and I think that it is very much on the strength of Gates McFadden and Patrick Stewart's acting that I actually ended up believing it. The idea that they'd already attempted a romance 5 times offscreen was something of a retcon, but honestly, they served together for 9 years after "All Good Things" and we only checked in on them for a few hours each time in movies spaced 2 to 4 years apart, so I entirely buy that this is something that could have happened (and it seems natural that Picard would attempt it after "All Good Things" as well)
The acting in general, really. Not just Patrick Stewart and Gates McFadden, but everyone
"I am Worf, son of Mogh, house of Martok, son of Sergei, house of Rozhenko, bane of the Duras, slayer of Gowron" ❤️
Just the banter between Worf and Raffi in general
Sidney La Forge's little aside with Seven of Nine. I loved that. And that she called her "Commander Seven." She knows what's up.
Paying off the whole plot point with Thaddeus Riker in the first season. The entire first scene is completely heartbreaking when you remember "Nepenthe", and Jonathan Frakes just plays the long-grieving father perfectly in his interactions with Ed Speleers's Jack Crusher
Also paying off the plot point with Picard's father from the second season
HOLY SHIT, CHANGELINGS! I mean, I kind of guessed that it was them based on some of the promotional material, but it was still a nice twist. Not sure I love how gross their goo looks this time around, but eh. Better special effects.
The Bad:
I really don't buy the conflict between Picard and Riker. At all.
It just seems so completely out of character for both of them. Like I can buy that they might have some raw emotions, but this just is not how either of them have ever been shown to behave. They don't start shouting at each other on the bridge of the starship and Picard would not openly disregard Riker's judgement if he were placed in command. The only times that they've even behaved remotely like that were when Sarek was infecting them with rage or when they were in the alternate timeline in "Yesterday's Enterprise".
"You've just murdered us all!" Are you five? He proposed a tactic, you accepted his proposal and it backfired. This is how adults talk to one another?
Why is Picard so keen on attacking Vadic? This too feels out if character for him.
Actually, everyone's acting kind of assholeish for no good reason. The random officer telling Jack that this is his fault; the Titan CMO refusing Dr. Crusher's help in a triage situation; Jack assaulting the guard outside of Seven's quarters. I get that Terry Matalas doesn't like Roddenberry's "no conflict" rule, but that's not a license to just write all of his characters like a bunch of reprobates
Speaking of reprobates, as much fun as the Worf-Raffi "good cop/ bad cop" interrogation dynamic was, why are they using these stupid, ineffective, Starsky & Hutch-esque, abuse-of-due-process techniques?
And then Worf murders the changeling, which is great, because it's not like he was your only lead.
I feel like Matalas is writing based on the logic of a 1980s action movie, rather than actually trying to imagine how things might work in a post-scarcity utopia. Like I don't think that the act of killing someone is something that he's giving sufficient moral weight.
"My father and I have one thing in common: we don't have an easy time making friends" - Really? That's how you would characterise Geordi La Forge? Geordi "I did not know what it meant to have a friend until I met Geordi" La Forge? Geordi "Geordi must not be assimilated" La Forge? Geordi "I will be your eyes" La Forge?? This is how you'd characterise him? As someone who has difficulty making friends??
Vadic barely has any lines. At first I liked how minimalistic she was in giving orders, but Amanda Plummer's acting was my favourite thing in the previous episode.
Random Thoughts:
Do the lights on La Sirena's engines have special sensors that change colour depending on who's standing in front of them?
I think Dr. Crusher must know more than she's letting on, because it's not clear why she would lock Jack away during the opening sequence of Episode 1 and shoot the masked men execution style, just based on the information she's provided. Then again, everyone's behaving like such a murderous asshole that maybe that's just baseline for how a doctor acts now
The nebula is apparently alive and conscious, which makes me think (hope?) that maybe it's affecting their judgement on some telepathic way. You know, regressing them to violent action movie stereotypes, sort of thing.
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spockvarietyhour · 1 year
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Star Trek Picard "Seventeen Seconds"
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The Cure, 1980
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rosalie-starfall · 1 year
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Crusher
Star Trek: Picard - Seventeen Seconds
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strixessabre · 23 days
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Truly, I have quite a few favorites in my button bins, but this Robert is easily the top of my favorites! Take this little fella on adventure!
( Strixes' Sabre )
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nevertrulyset · 1 year
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Emotional Spoiler!
Oh my goodness, the way Worf talks about Odo. 😭 The fact that Odo is still part of the story in-universe even though Rene Auberjonois has gone to the Greatest Link. 😭
The special effects of Changelings in liquid form though...🤢
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